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#Geoff Schwartz
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Favorite Otps/Pairings: Geoff Schwartz & Erica Goldberg (The Goldbergs) “For the record, I'd do the whole mattress on the floor thing for you. For the record, I'm never breaking up with you.”
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geoff x erica - still falling for you
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tvshowscouples · 2 months
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If you love Erica&Geoff (The Goldbergs) and you want reblog or like,this is the link of my reblog couples :)
thank you!
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marthaskane · 2 years
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ERICA GOLDBERG & GEOFF SCHWARTZ 4.15 So Swayze It's Crazy | 8.21 Alligator Schwartz
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bluecinderella4 · 2 years
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Goldbergs Incorrect Quotes?
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also comes in a picset on my DeviantArt (that I forgot I had)
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soul-music-is-life · 1 year
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I am also not a morning person. And I have also said this.
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ufonaut · 1 year
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To the true Justice Society aficionado, the post-1950 comics are diminishing shock waves of the thunderous earthquake which was the 1940s All-Star Comics. Some later entries may be debatably better than the Fox/Kanigher/Broome issues -- or they may be arguably worse -- but they can be never be as authentic as the originals, any more than Dino DeLaurentiis’ King Kong or the David Soul Casablanca TV series can be.
Roy Thomas’ introduction to All-Star Companion (2004) Vol. I.
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geekcavepodcast · 1 year
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City on Fire Trailer
A young woman named Samantha is shot in Central Park on July 4, 2023. The investigation ends up being connected to the mysterious fires also plaguing the city as well as the downtown music scene and an uptown family straining under their many secrets.
City on Fire is based on the novel by Garth Risk Hallberg. The series stars Chase Sui Wonders, Wyatt Oleff, Jemima Kirke, Nico Cameron Mitchell, Geoff Pierson, and Beth Malone. Josh Schwartz and Stephanie Savage serve as writers, showrunners, and executive producers.
City on Fire premieres on Apple TV+ on May 12, 2023.
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crepesuzette2023 · 3 months
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Beatles Books as vaguely defined friends and relatives at a party you attend with a new crush, whose name you keep mispronouncing.
The longer you stay, the more trouble you have remembering what the occasion was.
The lights keep changing. Shortly after you arrived, your crush shrunk to the size of a mouse, and scurried away. You’re on your own.
The Beatles (Bob Spitz) greets you, an attractive silver fox who seems to be shunned by most of the others. You wonder why. It’s as easy to imagine him as a crying wreck as it is to imagine him on a golf course. Here, There, and Everywhere (Geoff Emerick) disrupts your musings by pulling tapes from his mouth. Seeing your discomfort, he stops and hands you a photograph of John Lennon and Paul McCartney singing into the same microphone. As he does, his pupils take on the shape of hearts. Someone called George announces his intent to poison him.
Anthology (The Beatles) saunters in, puts eight arms around you, and promises to tell you the whole story. They proceed to speak in tongues, and throw popcorn at you. Stu Sutcliffe jumps from a pendant around their neck, lands on the floor, and scurries after your crush.
“It’s always like this,” says Body Count (Francie Schwartz). “I assume you don’t want to listen to my story about a gifted woman who got locked up for depression? That’s fine, I can also talk about frottage, and a certain man’s curves.”
“Oh, stop it,” says John (Cynthia Lennon). She turns to you. “My advice is: Turn around and run as fast as you can.” She demonstrates what she means by disappearing, leaving behind a purse filled with cheerful letters and drawings of herself getting married and giving birth. Everything smells of olive oil. Francie spots Loving John (May Pang), and rushes to her, greedy for gossip. Loving John (May Pang) is everyone’s favorite, because she doesn’t really know anyone very well, but she knows how to make everyone feel comfortable by saying things that make sense in the moment.
Living the Beatles Legend: The Mal Evans Story (Ken Womack) ends up taking her home; they both live at The Fringes. Her home is a little further than his, which is just this side of Weird whereas she’s all the way in Montauk, but he’ll make sure she gets there safely.
To make up for the disappearance of your crush, Remember (Mike McCartney) cuts your hair. Each snip of the scissors slots a black-and-white picture into your field of vision. Windows in time blow noise and heat in your face, and visions of a screaming band that looks a bit like the young Beatles. Then there’s the quiet heat of summer, towels rippling on the line, and a drain pipe screwed to the wall of a house. He talks about childhood, and you’re almost there, but you never will be, because he won’t let you in. His more verbose twin, The Macs (Mike McCartney), recites letters his brother and John wrote from Hamburg, but you can barely understand what he says, because he stuffed a tissue into his mouth.
“It’s only a story,” says The Lyrics (Paul McCartney). “Pleased to meet you. I’m a storyteller myself.” He sings a love song. “I must have thought about these things when I wrote it,” he muses. “Interesting. What a mind, as Linda used to say.”
He tears a few pages from a diary he kept in Paris in 1961 and hands them to you without comment.
At this point, the party is dissolving. Crocheted furniture floats away and stretches.
“Am I too late?” Skywriting by Word of Mouth (John Lennon) squeezes himself out of the lowest drawer of an antique desk, where, judging from by his crinkly pajamas, he slept. “I’m in pieces. Mend me with glue.”
“I will, I will!” Tune In—All These Years, Vol I (Mark Lewisohn) yells ecstatically. “I’m so glad you could make it Sit down with me and celebrate the heritage of Liverpool.”
Skywriting drapes himself around Tune In, who starts purring and rutting against him.
“Excuse me?” It’s The Fifth Beatle: The Brian Epstein Story (Vivek Tiwary), torero boots clicking on the invisible floor as he strides towards the couch. A spotlight follows him. “I’m managing this show, and I insist on expanding the scene.” Around them, a hotel room forms.
Skywriting lights a cigarette. “Join us in bed, Bri.”
“Yes,” moans Tune In. “I’m so lonely. I’m the oldest of a triplet, or so they say, but the other two haven’t been born yet.”
The Fifth Beatle sits down and observes the unhinged biography losing himself in the friction of rubbing against the shapeshifting Skywriting. Finally, things reach a conclusion.
“And so,” says The Fifth Beatle, “what partially was, finished.”
“Stop repeating lines from a bad movie, Brian," says Skywriting, "you’re better than that.”
As you try to plot ways to escape through the skylight, The McCartney Legacy, Vol 1 (Sinclair & Kozinn) slides out from under the bed, a broad-shouldered lady in a bright red dress. A half-hatched alien with long legs and sunglasses squirms between her breasts, and makes mouth percussion sounds.
“Gentlemen.” The McCartney Legacy retrieves a very, very long rosary from her pocket. “Is anyone interested in an exquisitely crafted, finely wrought chronology?”
At the sound of the word “chronology,” The Beatles (Hunter Davies) crashes through the ceiling.
“Don’t fall for it!” The Beatles snatches the vocalizing baby alien from The McCartney Legacy’s chest, and kills it by wringing its neck. “Time stopped in 1968. The only valid extension are my own salacious additions. Strictly off the record.”
“I’ve been meaning to talk to you about that,” says The Fifth Beatle.
You exchange a glance with Skywriting, who is plucking pieces of Tune In from his body like children snatch pieces of dough, and sticking them in his mouth.
A camera clicks.
“Excellent.”
The Eyes of the Storm (Paul McCartney) lowers the camera, and changes into a suntanned, gleaming likeness of George Harrison. Then he changes into a fish.
“Everyone looking at the pictures will think they know,” the fish says. “They’ll have no idea!”
The floor dissolves under you. You fall into a pool, just in time to save your crush from being sucked into the drain, and after a barely audible edit you find yourself back home, with no memories at all, the taste of chewing gum in your mouth, and wearing matching tops saying, I visited Fellini’s Satyricon, and all I got was this lousy t-shirt. (ETA: I can't believe I forgot about Dreaming the Beatles (Rob Sheffield). I guess I'll have to include him in the inevitable sequel to this...thing, as the +1 of John and Paul: A Love Story in Songs (Ian Leslie).)
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pauls1967moustache · 10 months
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hey while we’re on the topic can i show you guys a fun timeline of events that happened in the last two weeks of july 1968 that i’ve been thinking about non-stop since march 2022?
july 15th - geoff emerick quits working on the white album bc he’s sick of the beatles fighting during sessions. (supposedly the last straw is john and paul bitching at each other about oh-bla-di, oh-bla-da).
july 17th, (2 days later) - yellow submarine premiere: john, and yoko, and paul go together, (presumably from cavendish where they are all living). paul is the only beatle going stag.
july 20th, (3 days later) - paul goes to liverpool with francie schwartz and jane announces the end of her and paul’s relationship on live tv while they are there. per francie’s account, paul’s real sore about it.
july 28th, (1ish week later) - mad day out: paul Behaves Like That. john joins him.
july 29th, (next day) - the beatles start recording hey jude, the song john thinks is about paul telling him to go and be happy with yoko.
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cantsayidont · 4 months
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January to April 2004. Fans of MY ADVENTURES WITH SUPERMAN would likely enjoy this poignant 2004 miniseries by Kurt Busiek and Stuart Immonen, about a young man named Clark Kent in a world very much like ours, where Superman is a familiar — and fictional — pop culture icon. Clark grows up the butt of many jokes, but when he's in high school, he discovers that he really does have powers like Superman's, something that has no precedent in his world outside of comic books.
If this premise sounds familiar, it's because it's a lot like the origin of the Earth-Prime Superboy, before he became a way for Geoff Johns to mock comics fans (and for DC to play out its institutional hostility toward Siegel and Shuster). In the pre-Crisis era, Earth-Prime, one of editor Julius Schwartz's little jokes, was supposed to be our world, where comics artists, writers, and editors transcribed the adventures of the real heroes of the other Earths. In the afterword to the trade paperback compilation of SECRET IDENTITY, Busiek admits that the similarities were wholly intentional, and that while he didn't mention it in his proposal (and DC didn't advertise it as such), this was essentially his extrapolation of that 1985 concept by Elliot S! Maggin, Curt Swan, and Al Williamson.
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After moving to New York City in his '20s, this Clark becomes a reporter — though not for the Daily Planet — and meets a young woman named Lois Chaudhari. To my knowledge, this was the first time a counterpart of Lois Lane was presented as an Asian woman (although of course she's not precisely Lois Lane).
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Throughout most of the story, Clark uses his powers only in secret, but he does make himself a Superman costume. Eventually, he feels compelled to come clean with Lois:
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Like Busiek's ASTRO CITY, SECRET IDENTITY is a very introspective story, less interested in action (of which there's relatively little) than in emotion and small observations of life with superhuman abilities. If you're expecting bigger dramatic stakes, you may find the series underwhelming — there are no supervillains or alien invasions, just Clark's reflections on his life and family, from childhood to old age — and the fact that the story never reveals why Clark has powers may frustrate. However, its autumnal wistfulness is appealing if you're in the right frame of mind for it. Immonen's art is gorgeous, and I can't think of a better artist for this story, which straddles the line between a real-world environment and the "heroic realism" of the modern superhero genre.
Fourteen years later, Busiek tried to do a similar story with Batman, BATMAN: CREATURE OF THE NIGHT, with John Paul Leon, which doesn't work nearly as well, wallowing in some uncomfortable attitudes about mental illness and an inappropriate though deliberately ambiguous supernatural element. Leon's art is interesting, but the story leaves a sour taste, and it does not succeed (at all) in doing for Batman what SECRET IDENTITY does for Superman, which is disappointing.
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Gerica In 10x18
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geoff + erica - where you belong
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tvshowscouples · 1 year
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Reblog if you are Team Gerica
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bscgirl99 · 1 year
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GEOFF SCHWARTZ & ERICA GOLDBERG-SCHWARTZ  First & Last Onscreen Kiss
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benschiff · 7 months
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my favorite tv jews 1. grace adler (will&grace) 2. fran fine (the nanny) 3. winston saint-marie "schmidt" schmidt (new girl) 4. beverly goldberg (the goldbergs) 5. geoffrey "geoff" schwartz (the goldbergs) 6. frankie bergstein (grace and frankie) 7. howard wolowitz (the big bang theory) 8. barry goldberg (the goldbergs) 9. sheila silver (call me kat) 10. albert "pops" solomon (the goldbergs) 11. adam f. goldberg (the goldbergs) 12. murray goldberg (the goldbergs) 13. erica goldberg (the goldbergs) 14. katherine "kat" silver (call me kat) 15. chelsea daniels & levi grayson (that's so raven/raven's home) 16. sol bergstein (grace and frankie)
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