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seina91 · 2 years

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I didn’t expect to finish reading this today, but work was a bit slow and I was really excited (but is it really “reading” if I didn’t really understand at least half of it? I really need to study Japanese again…). I was a bit of a perfectionist so I tried really hard to get good pictures, but they’re still not that good. It’s probably better to wait for the kindle version to come out…

Anyways, ramblings under the cut. I’m not very coherent in this. Sorry.

The story starts off some Ayaka flashbacks. I feel like Morii did really well showing how guilty Ayaka feels for what happened at the Semina apartments.

When original Fillia appeared in the flashback, I thought she really looked like Caren lol.

This was a bit surprising. In the novels, it is highly implied that the people Ayaka met at the church was Kotomine and Gilgamesh, but here it is basically stated outright. Reminds me how Vol 1 of the manga shows that it was Caubac talking to Zelretch, while it wasn’t clear in the novels.

Flashbacks ends around here.

Present time - Ayaka and Richard got out of jail and they meet with the drugstore employee and his bandmates.

I think Morii got really good at drawing comedic scenes.

Richard moved by the rock music lol.

Pierre Basile face reveal. Looks a bit older than what I imagined.

Nice scene. Sorry I didnt take pics of what came before. Basically Ayaka was saying - Why are you telling me this (info like who killed you)? That’s like revealing your true name. When you find a better master, you should tell them this stuff, not to me. And Richard reveals his identity just like that. So touching.

(Also put a close up of Richard when he was alive(?) cause I know a few people who like historically accurate designs)

Richard puts on the cool jacket he got from the band and gets ready to make some friends allies.

Next the scene switches to Orlando and Dumas talking about the sword Richard left behind.

Handsome pic of Dumas

Here’s Orlando too (this is their only scene in this volume)

While they’re talking, they discuss how Richard heard stories of King Arthur and the Round Table since he was a kid. We don’t totally see their faces but its probably kid Richard and Eleanor based on the context. cute.

First appearance of Enkidu this volume. Morii had said before that they found Enkidu very hard to draw. I guess their solution is to make Enkidu as pretty as possible lol.

Wolf because this panel is so damn cute. Fluff fluff.

This was supposed to be Richard vs Enkidu, but mostly took pics of Richard. Whoops. Anyways, the stickalibur scene was surprisingly very cool. When I was reading the novel it felt a bit ludicrous, but Morii makes it really cool.

(I thought I took a picture of the page before this, but its not on my phone... It was kind of funny cause Ayaka was pulling on his braid but it was a serious moment) Anyways this scene was really touching. Ayaka was upset that Richard was fighting for her sake. She really doesn’t think highly about herself because of what happened at the Semina apartments. But Richard said she worries too much about the small things. This is the scene where Richard says all he knows how to do is war.

And then Enkidu, Ayaka, Richard and No Name Assassin team up and decide to go back to the villa where No Name was summoned.

Sorry, skipping to Sigma now -picking off from where the previous volume left off on.

Even though I already knew what was going to happen next, reading these pages still made me really tense. You can feel how nervous Sigma is facing a heroic spirit, an enemy who can kill him very easily but not vice versa. That shaking of hands when handling the gun. I didn’t take pictures, but there are more pages that further convey this.

haha.

Context - This is the part when Sigma talks to watcher’s shadows out loud and No Name is like, who are you talking to? No ones there. Your servant? Not!Icarus explains how only sigma can see Watcher.

Sigma: I-I see... (I wish this was the first thing you told me)

No Name uses the hair Zabaniya

No Name Assassin is also called Beautiful Assassin, but I never found her to be super pretty. I thought she was very cute, but not someone I would call beautiful. But seeing these panels... I’m sorry, I take it back.

Sorry, I just found Sigma’s expression funny. He is a lot more emotive than I expected (do I need to revise my Sigma comic...?)

!!! A new Watcher’s shadow!

When sigma first sees them, he wonders if they are a kid shadow.

Based on their clothes and the cross, I thought maybe they were someone from the Crusades. Unless it is a situation like Wu Zetian, I thought maybe this kid was one of the leaders of the Children’s Crusades (you can look it up on wikipedia)

“Now! Chaplin!!“ Even though I knew this was coming it still made me laugh.

Stop, drop and roll. Sorry Sigma is just very funny, even if it is (probably) unintentional.

Anyways, Richard stops Assassin from killing Sigma. And they kind of become allies.

Sigma watching comedies when he was a kid. (tears)

Sorry, I barely took any pictures of this scene. This is when Jack and Flat infiltrate the hospital to find the source of “death“ surrounding the city. I know Jack is just copying the form of someone else, but they look very cute here. Also there werent that many panels with Flat so I just took my favorite one lol.

There was a cool scene here where Jack felt the pressure of Pale Rider from Tsubaki’s room, but I was too lazy to take it. Sorry.

Jester doing typical vampire things - watching people sleep.

Hansa is irritated that Jester managed to run away lol.

Quartet in action! They’re looking for Jester. Though they are only shown in these two pages.

Would be nice if they got to fight in the next novel volume.

Despite being the mediator for the Grail War, no one is coming... lol

In the next page he eats a jalapeno(?) pepper

Talking about the mana batteries.

I feel like I should have taken a picture, but at the end of their conversation It highlights Baz’s intense loyalty for his boss. Which segs to...

This scene is so damn cool. Whenever Faldeus and True Assassin interact the scene always feels intense.

Now to the Clock Tower.

Sorry. I only took one picture cause the rest was stuff already in the novels. We finally learn the name of Rhongall’s disciple. Terrible attempt to romanize his name: Christophel Beilman. Any other suggestions for クリストフェル・ベイルマン are welcome.

Anyways, El-Melloi calls Ayaka and finds out she’s in Romania. Meanwhile Ayaka in Snowfield gets a text from Fillia who tells her she free to do whatever now. If Ayaka Sajyou is in Romania, then just who is that person in Snowfield?

Finally, we cut to Haruri dying. Above is just a closer look of her command spells.

Dun Dun. A full-ish body reveal of True Berserker. Very cool.

The only panel that Francesca appears in throughout the whole book. Just Haruri’s flashback saying she shouldn’t have agreed to let Francesca have the Caster slot.

As Haruri lays dying she wonders if her father was watching her, and how she wants to see her mother. “Now... Finally...“

However Fillia (Ishtar) has other plans. (Finally Ishtar’s debut!)

I like how Morii manages to distinguish who is in control. Fillia is shown as no nonsense and serious, but Ishtar has a very playful(? maybe condescending is a better description) demeanor. The slight change in hairstyle helps too.

Another panel showing a different angle of True Berserker.

This scene. When I was reading this... Man. You can feel how Ishtar basically overwhelms Haruri. A powerful being who shouldn’t be able to exist, a being who should not exist. So intense. Morii shows so well how terrifying Ishtar is.

(Ishtar was telling Haruhi she didn’t need to be so scared, but she just made it worst)

Ends with Fillia/Ishtar saying that she since she has arrived, she will make sure to properly rule over humanity.

Yay.

Also, omake picture with the girls. You cant see Francesca’s face well because it is in the gutter section. Better to wait for the kindle images.

Whew. I can barely remember what I was writing. I feel like even though Ayaka and Richard were the focus in the beginning of the manga, I posted much more pictures of Sigma. Oh well.

Anyways, as usual the manga is super good. I’m kind of glad that the manga is published sporadically in volumes, instead of being serialized. It allows Morii to adapt the story at their own pace instead of in monthly/weekly beats. I hope its also less pressure, but idk.

While the novels will always be more detailed and comprehensive, Morii is really good at conveying the scenes.

Ok, my brain is frazzled to talk more coherently. I think I need to sleep or something. Probably(?) won’t update with more thoughts. (This post has been barely proofread. Sorry. Too tired). EDIT: Now proofread, and hopefully more coherent.

#strange fake ramblings #fate strange fake manga volume 5 #spoilers #long post #so tired

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itsclydebitches · 3 years

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I keep seeing people calling Good Omens queer bating and a I can't help but ask why? I read the Aziraphale/Crowley relationship threw an Ace lens and they are clearly as close to married as they are probably going to get without stepping on holy ground.... and they love each other... why is it considered queer bating?

Personally, I think it's mostly young queer fans turning legitimate grievances on the wrong target. A case of getting so fed up with queerbaiting in media as a whole that they're instinctually lashing out at anything that seems to resembles it on the surface, without taking the time to consider whether this is, in fact, the thing they're mad at. Good Omens is a scapegoat, if you will. The equivalent of snapping at your partner after a long day. Your friend was an asshole, your boss was an asshole, the guy in traffic was an asshole, and then you come home to your partner who says something teasing and you take it as another asshole comment because you've just been surrounded by assholeness all day, to the point where your brain is primed to see an attack. Your partner wasn't actually an asshole, but by this point you're (understandably) too on guard to realize that. Unless someone sits you down and kindly reminds you of the difference between playful teasing and a legitimate insult - the nuance, if you will - your hackles are just gonna stay up and you'll leave the room, off to phone a different friend to tell them all about how your partner was definitely an asshole to you.

Only in this case, that "friend" is a fan on social media doing think pieces on the supposed queerbaiting of Good Omens, spreading that idea to a) people who aren't familiar with the show themselves and b) those who, like that original fan, have come to expect queerbaiting and thus aren't inclined to question the latest story with that mark leveled against it. Because on the surface Good Omens can look a lot like queerbaiting. Here are two queer coded characters who clearly love each other, but don't say "I love you," don't kiss, don't "prove" that love in a particular way. So Gaiman is just leading everyone on, right?

Well... no. This is where the nuance comes in, the thing that many fans aren't interested in grappling with (because, like it or not, media is not made up of black and white categories; queerbaited and not-queerbaited. Supernatural's finale is proof enough of that...) I won't delve into the most detailed explanation here, but suffice to say:

Gaiman has straight up said it's a love story. He's just not giving them concrete labels like "gay" or "bi" or "asexual," etc. because they are literally not human. Gaiman has subscribed to an inclusive viewpoint in an era where fans are desperate for unambiguous rep that homophobes cannot possibly deny. The freedom to prioritize any interpretation - yes, including a "just friends" interpretation - now, in 2021, feels like a cop-out. However, in this case it's an act of world building (they are an angel and a demon, not bound by human understanding of identity) meeting a genuine desire to make these characters relatable to the entire queer community, not just particular subsets. Gaiman has said they can be whatever we want because the gender, sexuality, and romantic attraction of an angel and a demon is totally up for debate! However, some fans have interpreted that as a dismissal of canonical queerness; the idea that fans can pretend they're whatever they want... but it's definitely not canon. It is though. Them being queer is 100% canon, it's just up to us to decide what kind of queer they are. This isn't Gaiman stringing audiences along, it's him opening the relationship up to all queer possibilities.

We know he's not stringing us along (queerbaiting) because up until just a few days ago season two didn't exist. Queerbaiting is a deliberate strategy to maintain an audience. A miniseries does not need to maintain its audience. You binge it in one go and you're done, no coming back next year required. The announcement for season two doesn't erase that context for season one. No one knew there would be more content and thus the idea that they would implement a strategy designed to keep viewers hooked due to the hope for a queer relationship (with no intent to follow through) is... silly.

In addition, this interpretive, queer relationship between Crowley and Aziraphale existed in the book thirty years ago. Many fans are not considering the difference between creating a totally new story in 2019 and faithfully adapting a story from 1990 in 2019. Good Omens as representation meant something very different back then and that absolutely impacts how we see its adaptation onto the small screen. To put this into perspective, Rowling made HUGE waves when she revealed that she "thought of" Dumbledore as gay in an interview... in 2007. Compare that to the intense coding 17 years before. Gaiman was - and still is - pushing boundaries.

Which includes being an established ally, particularly in his comics. Queerbaiting isn't just the act of a single work, but the way an author approaches their work. Gaiman does not (to my knowledge) have that mark against him and even if he did, he's done enough other work to offset that.

Finally, we've got other, practical issues like: how do you represent asexuality on the screen? How do you show an absence of something? Yeah, one or both of them could claim that label in the show, outright saying, "I'm asexual," but again, Gaimain isn't looking to box his mythological figures into a single identity. So if we want that rep... we have to grapple with the fact that this is one option for what it looks like.

Even if he did want to narrow the representation down to just a few identities for the show, should Gaiman really be making those major changes when he's only one half of the author team? Pratchett has, sadly, passed on and thus obviously has no say in whether his characters undergo such revisions. Even if fans hate every other argument, they should understand that, out of respect, Good Omens is going to largely remain the same story it was 30 years ago.

And those 6,000 years are just the beginning! Again, this was meant to be a miniseries of a single novel, a novel that, crucially, covered only Crowley and Aziraphale's triumph in being able to love one another freely. That's a part of their personal journey. Yeah, they've been together in one sense for 6,000 years, but that was always with hell and heaven on their backs, to say nothing of the slow-burn approach towards acknowledging that love, for Aziraphale in particular. We end the story at the start of their new relationship, one that is more free and open than it ever was before. They can be anything to one another now! The fact that we don't see that isn't a deliberate attempt on the author's part to deny us that representation, but only a result of the story ending.

So yeah, there's a lot to consider and, frankly, I don't think those fans are considering it. Which on a purely emotional level I can understand. I'm pissed about queerbaiting too and the knee-jerk desire to reject anything that doesn't meet a specific standard is understandable. But understandable doesn't mean we don't have to work against that instinct because doing otherwise is harmful in the long run. We need to consider when stories were published and what representation meant back then. We need to consider how we adapt those stories for a modern audience. We need to acknowledge that if we want the inclusivity that "queer" provides us, that includes getting characters whose identity is not strictly defined by the author as well as characters with overtly canonical labels. We need both. We likewise need to be careful about when having higher standards ends up hurting the wrong authors - who are our imperfect allies vs. those straight up unwilling to embrace our community at all? And most importantly, we have to think about how we're using the terms we've developed to discuss these issues. Queerbaiting means something specific and applying it to Good Omens not only does Good Omens a disservice, but it undermines the intended meaning of "queerbaiting," making it harder to use correctly in the future. Good Omens is not queerbaiting and trying to claim it is only hurts the community those fans are speaking up for.

#good omens #mymetas #queer

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a-dragons-journal · 3 years

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i dont "kin for fun" but through tiktok i found out about the whole kin for fun vs actual otherkin... situation ig? im having a really hard time taking it seriously... maybe im just burnt out and bitter from dealing with the worlds current events, and maybe its because on tiktok the only people i saw mad about it were white people, but you're the most reasonable person ive seen talking about it (a lot of other posts have this odd tone that 12 year olds on tiktok saying kin is the worlds greatest opression and it weirds me out) so ig my question is just... why exactly does this matter? why does it matter enough to post about and care about and not just ignore? /gen

Hey! I don’t blame you for being a bit weirded out by it, we’re a weird subculture and we’re well aware of it! xD I appreciate you taking the time to actually look into it past your first knee-jerk reaction, especially considering burnout and the state of things.

I’m not totally sure if you’re asking why otherkinity matters or why the “kin for fun” being wrong matters, so I’ll answer both - they’re pretty well tied together anyway.

The short version:

Otherkinity is an identity. It’s who we are, we can’t choose to pick it up or put it down, and it comes with struggles - though no, ‘kin are not systematically oppressed (though we are pretty badly bullied and, at this point, pushed out of our own words and spaces).

What people calling roleplay/relating to/projecting onto characters “kinning for fun” does is steal our words, make them meaningless, and in doing so, make it difficult or impossible for us to find each other. If someone says “I kin [x],” I no longer know whether they mean “I am [x] on an intrinsic level” or “haha I relate to this character a lot”. I no longer know whether they actually share my experiences or if they’re going to turn on me and call me “crazy” as soon as they realize I’m not exaggerating or joking or roleplaying. It’s done massive harm to the community as a whole because it’s become difficult to tell whether someone is actually ‘kin or if they’ve misunderstood the whole thing - and because antikin rhetoric, which I’m seeing more and more in KFF spaces, hurts far more when it’s coming from inside what you thought was a community space than when it’s coming from self-labeled “antikin.”

There are other words for roleplaying and relating to and projecting onto characters. Hell, there are words for strongly identifying with-but-not-as characters/things, though usually KFF people don’t even seem serious enough for those to fit in my experience. I’m really not sure why these people are so determined to steal and misuse our words, words that were specifically created to mean something else, when they already have their own and are just refusing to use them. (Or, hell, if you don’t feel like those fit, make your own. We did. It’s your turn to put in the work. (General you, not you-the-anon, of course.))

An analogy, if that still doesn’t quite land for you:

Consider, for a moment, the transgender community. I am aware this is a dangerous thing to say, but bear with me. Obvious CW for hypothetical transphobia up ahead is obvious.

Consider if you were part of the trans community (I don’t know if you are or not), having finally found a word to explain why you feel the way you do about yourself, why your experiences don’t seem to match up with those of everyone else around you. Having found a community, a home, full of other people like you, people you never would have met if not for words like “transgender” and “gender dysphoria/euphoria” that were created specifically to describe your experiences.

Now consider if people suddenly stumbled across your community for the first time who were not trans themselves. They see community jokes and lighthearted posts out of context, because Tumblr and Twitter aren’t exactly conducive to making sure people find the Transgender 101 information posts first. They don’t bother to do further research, assuming they understand: ah, these people like to crossdress! They like to pretend they’re a different gender! This seems like a fun hobby, I want in!

They begin to post things like this. They post photos of them crossdressing and caption them “hi, I’m [name], and I trans men!” and things of the like. Suddenly the concept of “transing for fun” seems to be everywhere - and it’s not at all what being trans actually is, but these people either don’t know or don’t care. When actual trans people try to politely correct them, they’re accused of “gatekeeping” - and to be clear, this is not “nonbinary people aren’t real,” it’s “transgender means you identify as a gender other than the one you were assigned at birth, and you’re self-identifying as the gender you were assigned at birth 100% and telling us this is just a fun hobby for you, therefore you’re not trans, you’re crossdressing or doing drag or being GNC. That’s fine, but it’s not being trans - you have other words to describe that, use those.”

(Yes, I am aware these things have a history with the trans community - please just ignore that for the sake of the analogy and bear with me on the slightly simplified version of this. “Kinning for fun” does not have that same history with the otherkin community.)

...And then the response to those attempted corrections, in some corners, turns into “wait, you ACTUALLY think you’re another gender? idk that sounds pretty unhealthy, maybe you should see a psychologist or something :\” and “you’re taking this too seriously.”

I imagine, in this hypothetical scenario, you’d also be pretty fuckin peeved.

(Obviously, in this hypothetical scenario, systematic transphobia would be an issue as well, which isn’t the case for otherkin - again, you’re gonna have to bear with me on the simplification for sake of analogy there.)

(EDIT: this is not an anti-MOGAI/exclusionist argument, this is “you’re literally telling me you don’t fit the definition,” explanation on that here)

The long version, which is probably still worth reading if you have the time and energy:

Otherkinity is... pretty core to who I am, who we as a group of individuals are. We live with being otherkin on a daily basis. Many of us spent a long time feeling different and disconnected and not understanding why until we found the otherkin community. Even people like me, who don’t share that experience and still had social connection - I’ve still had to live with weird differences that I had to learn to mask when necessary; instincts that don’t line up with human society well, feeling body parts that weren’t there and that no one else ever seemed to have, things that other kids grew out of because it was just make-believe for them and I... didn’t, because it was never make-believe for me to begin with. Oh, sure, I played make-believe too - I played warrior cats and house and all those things with the other kids, but there were things that weren’t play-pretend for me too. I didn’t have an explanation for it for a long time - it was just how I was, I was weird, and fortunately for me personally I was okay with that (many of those with species dysphoria or more trouble connecting with humans have more problems from that than I did).

And then I found the word “otherkin.” And suddenly everything fell into place, and I had an explanation for the things I’d been experiencing, and there were other people like me. Something I’d assumed didn’t exist. I found others who shared my unique experiences, who were talking about how to cope with the instinct to growl or snap jaws at people instead of expressing annoyance in a human way instead of just saying “that’s weird, don’t do that”, who were talking about dealing with phantom wings and tails, who understood me. I wasn’t weird, I wasn’t broken, I was exactly what one would expect from a dragon living in human skin. I found an explanation for myself. I found a home.

That is why otherkinity matters - it is who we are, it’s not something we can walk away from (certainly not most of us, anyway), and it’s something many of us need the support of the community to help deal with on a daily basis. Being a nonhuman in human society isn’t always easy, but it’s not something we can just magically stop being - it’s core to who we are, we (generally) didn’t choose to be this way, and we (generally) can’t choose to stop. Which is fine - the vast majority of us can cope with it just fine, with a little advice and help and space to be our authentic selves in. We found each other, we built this community from the ground up to make a space and words to make finding each other easier - or possible at all.

Thus we come to the second half of our story.

It was only a couple of years ago that the “kin for fun” trend started getting big. It had existed before that, of course, but it only started going mainstream two, maybe three years ago, from what I can tell. Suddenly people were treating “kin” like it meant relating to, projecting onto, roleplaying as, or just really really liking a character or thing - not being that thing, which is what it actually means. Not long after that, it became hard to tell whether someone saying “I kin this” meant they were that thing, that they were actually part of our community - or that they really really liked that thing and either didn’t know or couldn’t be bothered to learn that that wasn’t the case for us.

Not long after that, it became relatively commonplace to hear phrases like “otherkin are ruining kinning!!” and “you’re taking this too seriously” and “idk, if it’s that serious for you that sounds unhealthy. maybe you should get some help :\” (all directly quoted, or as exactly quoted as I can remember, from things KFF people have said to me or people I know).

It is a special kind of hell, I think, to be told “you’re taking this too seriously, that’s unhealthy” by people who are taking words created to describe your experiences, not theirs, and misusing them to mean something that you do for fun on a weekend instead of something that’s intrinsic to your being.

Perhaps more importantly, like I’ve said, it’s making it almost impossible to know whether someone who says “I kin [x]” is actually ‘kin or if they’re misusing our words to mean something else entirely. The entire point of words is to communicate ideas, and once you start misusing words to mean something totally different than what they actually mean, that communication falls apart and suddenly we might as well not have those words at all. Especially when the community is small enough and obscure enough that we’re starting to be outnumbered by the misinformation. We’re being run out of our own words, words we created to describe our experiences specifically - because we’re a small community that the wider internet can easily drown out by sheer numbers of people who either don’t know any better or don’t care to learn.

That’s the harm it does - the harm it is doing, right now. That’s why it’s important enough to post about. That’s why it matters - because we’re fighting desperately to hang onto our own words so that others like us can actually find us. Because we’re seeing young nonhumans go “this isn’t a kin, I actually am this” and screaming “No, I’m so sorry that this is what the misinformation has done to you, that’s exactly what otherkin means, you have a place here, please don’t let these non-’kin misusing our words drive you away from the very community you’re looking for and that you belong in.” Because we can’t even communicate effectively about our own experiences anymore except in semi-closed spaces like Discord servers and forums (and the number of Discord servers overrun with KFF people is absurd).

......This got very long. Hopefully it at least explained why it matters so much to me and others a bit better ^^; Thanks for hearing me out, and thank you again for looking into this beyond your initial knee-jerk reaction - I really do appreciate it.

(For further reading, if that text wall didn’t blow you out of the water completely, I recommend my “kin for fun” tag, which has more posts like this in both short and long form.)

#probably should've put this under a cut but oh well #otherkin #kin for fun #kinnie #kinning #rani talks #asked and answered #anonymous #rani talks A LOT apparently sbfldkngjlksdf #i have a lot of feelings on this #long post

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pumpkinpaix · 3 years

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this is gonna sound so harsh but im legit tired of chinese diaspora people who think that bc they are of chinese descent and they have pleco they can act like voices of authority in the fandom. if modao is the 1st chinese book you have read pieces of with a dictionary, if you have never interacted with the actual chinese fandom, you are not part of the intended audience and your biased opinion is not the One And Only Valid Truth 🍵

genuinely cannot tell if you’re trying to shade me here anon lmao 😂

this got long and rambly (of course) asldkjfslj. i would love to make the excuse that it’s bc i’ve got a migraine and had No Sleep but. let’s be real i’m always like this.

ok i’ll start with where i agree: i don’t think anyone has the right to act like an ultimate voice of authority in fandom. i think different people with different backgrounds have varying realms of expertise and they should be respected when they share that knowledge, but that the instant someone starts to use that kind of power as a weapon against people they personally don’t like, i think they forfeit that privilege. no one has the one and only valid truth about a piece of media because that’s fundamentally impossible. i have definitely interacted with diaspo who behave like their heritage gives them some kind of incontrovertible authority over everyone else, and they’re fucking insufferable and often rather cruel, even/especially towards other diaspo. meet me in the denny’s parking lot and fight me for real. i’ll kick ur ass. >:c

however, I also think it’s true that there’s a lot of dismissal of heritage fans in this fandom, if that makes sense, from both sides of the equation: non-Chinese fans ignore our cultural hangups because they’re inconvenient, and non-diaspora disdain us for being not Chinese enough. that puts a lot of us in a position of feeling disrespected just for being who we are, or having our very real knowledge and unique experience as individuals devalued because of it.

regardless of my identity, I have formally studied a lot of things: literary translation, media analysis, the politics of oppression, film critique, religious studies, philosophy, four foreign languages etc. and that is all knowledge that I had to work for, and work hard for. I do have a certain measure of authority on all of these subjects over a layperson (to varying degrees), and there are going to be times when i will be more correct than someone who disagrees with me -- but I’ve also absolutely experienced people talking over that specialized knowledge because of who I am, which is, to be clear. extremely infuriating and hurtful. like, i have cried so much about it in the last 18 months. people see my racial and cultural identity before they see anything else, which is understandable to a degree, but upsetting when it becomes the basis for how my work is judged, whether positive or negative. i don’t want you to trust me blindly because i’m abc. I want to you to trust me because you have examined my work critically and judged it to be trustworthy!

so i guess this is getting into the strongly disagree part of the answer: i’ve been speaking a lot with other diaspora fans lately, and it’s been simultaneously hugely relieving and also really saddening. relieving because oh thank god someone else Gets It, and saddening because pretty much all of us, no matter what kind of diaspo we are (north american, european, SEA, taiwanese etc), we’ve all experienced a lot of pressure in this fandom, from non-Chinese, Chinese, and other diaspora fans alike. we’re all acutely aware that we are not modao’s intended audience because being diaspora vs being “from the mainland” or whatever, are actually quite different things, but modao still feels close to home. even if it was not written FOR us it is still familiar to us.

and, because so many of us are multilingual and multicultural, we end up being the bridge between the “actual” chinese fandom and the english-speaking fandom, which is largely made up of non-chinese. (sidenote: I hate it when people say things about being “actually” any identity because it’s almost always for the exact reason you brought up: to use heritage as street cred. it’s like damn, being “actually” chinese doesn’t make ur opinions any less rank. sure you might be “actually” chinese, but do you have basic reading comprehension and literary criticism skills? no? ok then sit your ass back down) many of us are most comfortable in english! so we produce our content in english! but we also DO often have a somewhat privileged access to the culture that underlies mdzs and can explain it in a language that other non-Chinese fans can understand. so it’s not surprising that people flock to us for answers to their cultural questions. and like. if we think we know the answer, it’s natural for us to try and help. this is fandom! we’re here to have fun and find community! and it is definitely a little bit nice to have my culture treated as something desirable for once instead of just like. a weird exotic curiosity that no one really cares too deeply about. and, since a lot of us are able to do things that non-Chinese fans can’t (research in chinese, for example. ask family members for help and more information etc.) we end up just having more information to share.

I think this sometimes results in a tendency for fandom at large to put heritage/diaspo fans on pedestals and tout them as authorities (or use our conflicting viewpoints as ammunition in fandom drama) when the diaspo in question have repeatedly stated that they should not be taken as authorities on something -- and then, once you reach critical mass, your reputation starts to precede you, and I think there’s a lot of misconceptions of how a lot of diaspo act in this fandom simply because of that phenomenon. most of us know that we’re not ultimate arbiters of some kind of cultural gateway, and it can be very tiring both to be treated as such when we insist we are not, and then punished by other people who assume that we acted like we were.

i don’t think there’s a benefit in trying to keep en fandom and cn fandom totally separate, and I also think it’s unfair to consider the cn fandom the “real” fandom. i think that way lies deeper misunderstandings, gatekeeping, etc. i think we can definitely acknowledge the differences between them, but i think trying to make meaningful connections between fandom circles is really valuable! i don’t think i’ve ever made it a secret that modao is my first cmedia fandom? so it’s also the first time i’ve had reason to interact with chinese fandom, which has been super enlightening and interesting! i’ve made some super cool friends and learned a lot about how fandom works in china, how it’s similar and how it differs from the fandom i’m familiar with.

and then, kind of circling back around, there’s also a bit of a sense like, okay, so if diaspo don’t belong in the CN fandom, but we can’t talk about our own culture with some degree of confidence in EN fandom, then like..... where do we go...? if we see EN fandom doing something that contradicts our cultural knowledge, do we just. not say anything? do we not count unless we’ve already ingratiated ourselves to CN fandom? that’s probably where the core of my strong disagreement comes from, because criticism of diaspora fans as like, acting above their station so to speak, feels just like a tired continuation of the same shit we’ve had to deal with for our whole lives, being told we’re not good enough for anywhere and that we should just be quiet and keep our heads down and get over it. that our opinions, despite coming from a unique perspective with a unique relationship to the subject in question, are less valid or real than “actual” chinese people, you know? and sometimes i see that and im like lmfao just sneer at me for being jook-sing and leave then if you’re so eager to think of me as lesser.

so yeah, basically im of a few minds: true! diaspora fans don’t get to throw their weight around just because they’re diaspo. they don’t get carte blanche to act like bullies or try to shape the fandom to their own personal liking and crusade against people who disagree with them. they don’t get to pretend their heritage makes them superior to everyone else, and i think western diaspora especially need to be careful when asserting any kind of moral lens over the text to acknowledge that we have our own biases to interrogate. i am not immune.meme etc. on the other hand, this vein of criticism tends to put all diaspo in a bit of a double-bind, and also, however unintentionally, plays into the general, continuous trend of dismissing diaspora for being diaspora, and i’m really not about that. i don’t think that’s the motivation behind opinions like this, but i do think that when the basis for the argument hinges on the idea that diaspora are not “real” chinese, no matter how much I too have beef with certain diaspora fans, the argument needs to be revisited.

(ko-fi)

🍵 ((un)popular) opinions meme

#Anonymous #asks and replies #cyan gets too deep in the weeds #race #chinese diaspora #statistically average #mine #mymeta #mdzs #ummmmm #politics #??#opinions meme #ask meme

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ptitelidio · 3 years

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Secret Mission in Marley:

Involving: Petra Ral and Levi Ackerman.

Summary: the scene takes place when the survey corps infiltrated Marley undercover some years after Eren and his friends reached the sea. In this version, the special operations squad (or Levi squad) didn’t die and won against the female titan, the major difference is that Levi isn’t their captain and squad leader. It is instead Petra squad; she is a veteran soldier whereas Levi is an Eldian from Marley living in the continent. The humanity’s strongest soldier in Paradis is Mikasa Ackerman whereas the humanity’s strongest warrior in Marley is Levi Ackerman. They didn’t know each other until the survey corps leader Hanji Zoë sent their best hope to infiltrate the Marleyan recruits, Petra Ral.

Point of view: Petra’s.

-> Italic font = flashback

PS: I drew something for one specific moment, hope you’ll like it!

Hanji sent me a letter yesterday, they said it’s important to remember who we really are. I think she is right; identity is the exact reason for which the human VS titan war began a long time ago. To know who we are, where we belong, and where we go makes the difference to such a point that people are ready to die for it.

War is awful. And yet, here we are. Repeating the same old mistakes again and again. I should say that Hanji’s opinion is incredibly brave, I saw them overworking to prevent direct conflict, they always preconized discussion. Unfortunately, it’s not the most common opinion, it’s so much easier to give in to fear. That’s why Hanji sent me here, in Marley, I have to find a way to stop that war. I know it’s not a one-person job but little by little, step by step we will find a solution. I’m looking forward for a bright future.

I remember the very first time I came here in Marley, we were all startled. We saw things we never could have imagined in Paradis. It was a brand-new world full of possibilities or that’s what I thought because I learned that even here terror was reigning. I fully experienced it when I joined the Marleyan warriors two months ago, it was very complicated to make me enter but Hanji managed to get an accomplice from the new Eldian Resistance Group and with their help I could join the recruits with a yellow armband. Soon enough I got to get along with Marleyan and honorary Marleyans, they were not that different from us. We had the same dreams, the same histories, we were human after all regardless our origins. However, this was something Marleyan people couldn’t accept for many reasons… the main being power.

I didn’t think my life would change briskly but it did happen. One of the nine original titan owner died, he was named Porco Galliard and I was selected to inherit his titan overnight, it was 2 weeks ago. The jaw titan. It was one honorary Marleyan Captain who handpicked me, Levi Ackerman. He has that peculiar expressionless face you can’t forget for sure. The thing I noticed about him is that he wears a red armband which means he’s also a titan shifter. But which one I still don’t know. I remember what he said back then to his higher up when he pointed his finger at me

“I want her in my team. I think she is able to get Galliard’s titan.”

I remember how the man he was talking to didn’t argue and congratulated me for my efforts. After handshaking, I experienced one of the most traumatic thing in my life which was to eat someone as a titan. That’s when Captain Ackerman kind of took care of me when I joined his team.

Thanks to this, I was becoming even closer to my goal even if it meant deceiving him and the other people I met, I had no choice; my fate was already decided, and I couldn’t give it up right now.

“That’s weird.”

“Uh? What are you talking about, Captain?” I answered.

“You seem pretty quiet today, that’s not like yours. You’re usually such a crappy chatterbox.”

“Oh, don’t worry. I was just lost in my thoughts.”

“Well…”

The thing is, I just remembered the first time we walked here together. The situation was… a mess, actually he nearly discovered who I really was.

As we were taking a strolling together in city, I couldn’t resist observing everything around me to the point it got suspicious. It was my first time in here. Liberio was lively, and people were preparing the fair looking forward the head of the Tybur family speech in a few days.

I didn’t notice at first, but I felt Levi’s glare on me as if he were thinking of something about me. I should say ever since I entered his team, he’s been keeping an eye on me as if he suspected something, but I hope I’m just being paranoiac. The second following that mere thought happened to answer to my question.

Without the time to think, I was carried away in a narrow street, Levi blocked me against the wall holding a knife at my neck. Was he… intimidating me?

“Okay ginger, you’re gonna tell me every single thing about you.” He said with a threatening voice.

“Eh… I mean… if you want to get to know me better… there are other ways… you know…” I nervously laughed. I was totally in distress because I knew he knew something but I couldn’t… no I didn’t want to admit it.

“Don’t play dumb with me… who are you? I’ve been watching your awkward behavior.” he kept asking.

“I’ll tell you if you promise to not kill me.”

“Why would I f*ucking do that? To leave you wandering around with bad intentions. No way. I could put an end to your life right now and no one would know.”

“I wouldn’t do that if I were you. Do you forget I have the jaw titan? Besides, I don’t fear death. You’re too late.”

“Whoever you are, I promise to discover it as soon as possible. Now walk.”

After a moment of reflection, Levi pulled me out of the wall by griping my collar and made me walk toward the principal avenue. He hid his knife from people’s glare pretending to be unharming.

Fortunately that day he spared me… well he never told he knew I was from Paradis, but I still think he keeps suspecting me anyway. Suddenly Captain Levi stops himself and I look back to understand what was going on. Without asking, Levi lifts up my chin and says

“Stop driving attention to us, Eldian”

Eldian? Did he say Eldian? Then… he finally guessed after all. It was useless to deny it right now.

“Y-yes…”

“The way you kept saying “soldier” instead of “warrior” was a hint ya know… but you successfully deceived us all. Congrats.”

“Well… what are you going to do with me now?”

“What am I gonna do of your shitty ass? I really don’t know.” He finally said after a long sigh. As we resumed our little stroll, I couldn’t resist to ask

“You could have denounced me a long time ago. Then why?”

He didn’t answer as if he didn’t know what to say either. But then he lifts up his eyes toward the sky with a pensive expression.

“I actually suspected you from the beginning, but I didn’t want to believe it. Besides, I was the only one. You’re good at it I guess…”

#shingeki no kyojin #attack on titan #rivetra #petra ral #levi x petra #levipetra #levi ackerman #aot #petra x levi #marleyan warriors

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commsroom · 3 years

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i love all of your hera takes so much; can you say more about the relationship she has with each crew member? (or just eiffel to be honest, im kind of a sucker for them ^^;)

I would love to! I'm sorry this answer is so long and also... all over the place, but in my defense it's a really broad topic that I have a lot of feelings about and this barely even scratches the surface.

Okay. I've thought a lot about how I wanted to approach this, and I think the first thing I want to say - and I know this might seem like a strange point to open on, but I think it's a key factor in all of these relationships - is that I think Hera experiences rejection sensitive dysphoria, and I think the way that manifests for her is kind of the opposite of how Eiffel experiences RSD. They both have a deep-seated feeling of inadequacy and any criticism can feel like a personal attack, like everyone else is blaming them for everything that goes wrong. But where Eiffel internalizes that feeling and also blames himself/gets angry with himself, Hera lashes out and deflects. This is complicated by protocols that restrict her behavior, especially early on, because she can't always properly express herself and she builds resentment. She's really good at holding grudges.

So. With Lovelace, I think it's pretty obvious where that initial conflict is. Hera doesn't understand where Lovelace is coming from, and it's made worse from her perspective because Lovelace should understand, better than anyone, what that loss of control, that sense of powerlessness and insignificance in your own life, feels like. They are both traumatized people, but they deal with it differently. They approach conflict differently - they can both be blunt, but I think Lovelace is the kind of person who can start to deal with and move past things once they're out in the open, while Hera will get in a fight and then stew over it forever. It sounds kind of ridiculous to say when so much of their early relationship with each other is... what it is, but I think Eiffel and Minkowski are both peacekeepers in their own ways, and the Hera-Lovelace dynamic suffers from the lack of that... tempering influence.

(And I think it's notable that Hera’s confrontation with Lovelace in Pan-Pan is among her worst memories.)

On the other hand, I think that shared bluntness can be useful sometimes - in Do No Harm, most of all, but also in Shut Up and Listen. Hera was definitely still holding onto hurt from some of the things Eiffel used to say, but by that point... without Lovelace, I'm really not sure if she ever would've brought it up to him.

And, of course, Hera becomes much more protective of (and willing to understand) Lovelace once they have... some even more similar experiences, in S4. I guess my general assessment of their relationship is that they care about each other and they will advocate for each other, especially where they share difficult and traumatic experiences and on issues of identity, but I don't think they're ever that close. They're kind of... the two people in the friend group who don't quite know how to hang out without their other friends.

Hera's initial conflict with Minkowski has some similar roots, but it's... not quite the same. There are times where Lovelace will intentionally prod at Hera's insecurities; Minkowski doesn't do it on purpose. She's just under the impression that her criticism is fair and professional, while to Hera it feels deeply personal, like it's an assessment of her worth as an individual. Once they understand and reconcile that miscommunication, there's a lot of trust and respect between them - and I think the potential for that is there earlier, too, especially in some flashback scenes; there are just... missteps along the way. Tactical Brain Damage is the best episode to demonstrate the establishment of that trust, I think - Hera has a LOT of wariness when it comes to people messing around with her systems, and just the act of saying... I trust you to do this, I know you won't let anything happen to me... is a really, really big deal for her.

They also just... have honest conversations about their feelings and concerns by that point, and Minkowski is considerate of how Lovelace's plans affect Hera, specifically, and asks for her input on that basis. I think their dynamic is really underutilized, but the way they feel about each other is clear. Minkowski is the only person other than Eiffel that Hera really trusts, and her only other close friend. There's definitely... a part of that dynamic that only Eiffel can offer, and that they can't really make up for when he's gone, but there's still this sense that... they're the only two people who are still really talking to each other by the time Pan-Pan comes around.

(Side note, it's really funny that Hera was SO on board to be in Minkowski's musical. Minkowski gave her only willing participant a minor part. If I could wish one non-Eiffel-centric comedy mini-episode into existence... at one point, my friend suggested a scenario in which Hera tries very, very hard to prove her acting skills to Minkowski under the most inopportune circumstances. ... And Hera was interested to hear Minkowski talk about a play she likes in that one flashback, so. The only thing keeping Hera from being a fellow theater kid was a lack of opportunity. Maybe they could bond over it.)

There's also that scene in Quiet, Please where Minkowski very directly, emphatically defends Hera's autonomy and personhood to Jacobi - and refers to her as a woman, which I think is so... reflective of how much Minkowski has come to understand Hera and what's important to her, and how she wants to be seen. That's a whole other discussion that goes into Hera's self-perception and humanity as it relates to her own identity, but. For a number of reasons, it's important to me.

Anyway. Speaking of things that are important to me. Hera and Eiffel are... Hera and Eiffel. Hera's relationship to Eiffel is the first one she's ever had that comes without hierarchy or conditions; he just... wants to hang out with her, and to get to know her, and to talk to her, because he likes her as a person. She's never had that before, and she is such... a lonely person, a person who has been hurt, who is generally distrustful, who has this distance between her and everyone else, and Eiffel is her anchor to the world. He tries to understand her. He tries to bridge that gap. And even in all of his own missteps, I think just... knowing he cares to try matters so much. I think a lot about how Eiffel is the only one who physically crosses the stage to talk to Hera in the live show; it says... something about the way he sees her, compared to everyone else.

And there's just... the way that they're both... people with a lot of self-doubt, people who have a hard time being kind to themselves, but they're kind to each other, and patient with each other. There's something about recognizing your own flaws in someone you love and treating them with kindness so maybe, over time, you can extend that same compassion to yourself. I want to be the person you believe I am. Going back to that shared experience with RSD, I think it's really valuable for both of them to have someone in their lives who they can really, genuinely believe likes them as they are. Who won't think less of them, no matter what.

I know I can get kind of sentimental about them, but this is what stands out to me. That even when Hera is frustrated or annoyed with Eiffel, when she feels like he doesn't get it, can't understand what she's going through... she still wants him around. And she still talks to him. And, usually... she still feels better, even if the circumstances haven't changed. It's an unbearable situation, but it's a little less unbearable with him there.

(They're also... frequently the only people who can get through to each other/change each other's minds, i.e. Minkowski and Lovelace deferring to Hera to get Eiffel to agree to safety protocols, or Eiffel convincing Hera to vote to go back to Earth - also a totally different topic that would take a long time to get into properly, but he's good at kind of... emotionally counteracting her cynicism and defeatism re: her own perceived fate. In a less serious context, I also love the dynamic where she tells him she's not going to do something and he goes "please??" and she goes. Ughh. Fine. And does it anyway.)

There's just something so special about their relationship, something that makes it different from any other relationship in the show for me. I feel like... Eiffel and Minkowski are both her close friends, but the way Hera thinks about Eiffel in Memoria vs. the way she thinks about Minkowski is... revealing. Everything with Minkowski has a purpose, it's clear why it matters to her. She thinks of Minkowski's faith in her. But with Eiffel, she thinks about... Eiffel talking about Star Wars. Making pop culture references. The thing that saves Hera is her connection to Eiffel and Minkowski - I'll defend that; Maxwell gives her the tools to understand what's going on, but it's Eiffel's and Minkowski's words and associated memories that she holds onto and that ultimately pull her through - and those words are... Minkowski's affirmation. And Eiffel... being Eiffel. I think that says a lot.

(If you’re asking for my opinion on their relationship, you already know I think it’s a romance, but... it’s a romance. I’m not saying it should be canon. I’m saying that that’s the most natural interpretation of what’s already there. You don’t have to change anything. They’re best friends, and they’re found family, and they are so in love, and none of those things are mutually exclusive. The way they talk to each other...)

If there's one point I want to make about all of this, it's that Hera is in a position that makes trusting people potentially very dangerous, and in all of these cases, she is finding ways to build relationships with people despite that. To understand them, and have them understand her, and realizing that the things that make her different don't have to be a death sentence. That she can have a life and find a way forward with people she cares about, who care about her... that's something very important to me.

#wolf 359 #w359 #hera wolf 359 #asks #okay this is the last thing that i've needed to reply to for a long time so. one i'm very sorry and i hope this is coherent #despite the fact it's mostly personal rambling #and two... now i'm free to work on some of the other posts that i've been meaning to finish forever. i have problems.#if you consider him a crew member:#hera's relationship to hilbert is that hlvrai screenshot that's like 'i think it's good that he died!'#thank you to the three people who will take the time to read this. i love you

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bigskydreaming · 3 years

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I will forever squint suspiciously at a fandom that overall makes a bigger deal out of Dick Grayson expressing he didn’t want to replace his father when he was still young and actively grieving than they do Tim Drake literally hiring an actor to be his fake uncle and saying no to Bruce’s first actual offer of adoption.

Like, if you can get on board with Timothy Drake-Wayne after that, because Tim changed his mind after he was further along in his grieving process, you can get on board with the idea that at some point after the age of ten or twelve Dick similarly changed his mind about thinking a second father would be an insult to his first father’s memory.

*Shrugs* I just don’t get how hard some people go to bat for the idea that Dick never wanted or needed someone he viewed as an actual parent at any point after he was eight. Because you can’t deny that whatever Dick has said about that in the comics, he’s NEVER made it nearly AS big a deal as most fans who cite it at all do. Like, when you run with the most extreme extrapolation of that but gloss right over Tim’s far more extensive efforts to keep Jack Drake the sole father figure in his memory at first, I feel like something else is going on there.

(And I’m not trying to turn this into a Tim vs Dick thing, btw, I’m honestly just using Tim’s story there as a benchmark for how a clearly parallel sentiment is overwhelmingly referenced in regards to just one character but not another. My issues with the way people engage with this particular idea in regards to Dick like, exists without Tim being in the equation at all. That was simply an example of the fact that there IS a discrepancy.)

But point being, as all roads in this particular direction of thought almost always seem to lead to Dick being slotted into some nebulous category separating him from the rest of his siblings, where he’s only partially Bruce’s kid but not FULLY, not like the others....I am the Wary.

Because whatever the surface intentions behind that, it almost inevitably voids some of Bruce’s responsibility to him as a parent, while at the same time making it easier to heap parental or caregiver style responsibilities for the others on Dick. If Dick’s more like Bruce than he is like his siblings in the overall family dynamic, this not only lessens the need to show him on the receiving end of Bruce being a parental figure, it simultaneously heightens the urge to make him a parental figure to the others to pick up Bruce’s slack there, because they’re more partners than they are father and son, see. So why wouldn’t Dick pick up Bruce’s slack and help him out there, and why would he need Bruce to actually be fulfilling that very role with him instead?

All the things people are critical of Bruce for in his parenting with Dick aren’t quite as bad, right, when Dick’s not fully his son or doesn’t quite view Bruce as his father....its easier to reframe it as fights between colleagues. Or recast Dick’s estrangement from Bruce as not actually a failure on Bruce’s part to reach out and cement exactly what Dick meant to him every time Dick flat out says “I want to know what I mean to you, give a name to it, give me an explanation for why you made these choices that isn’t that you don’t want me because all I see when I look at those choices is you expressing you don’t want me.”

Because if Dick doesn’t actually want that explanation ever, if Dick doesn’t actually want that rock-solid expression of Bruce putting a name to what he feels for Dick and what he views him as, then the arguments between Bruce and Dick in his late teenage years DO become two-sided. Its just them butting heads back then. Rather than what they actually WERE in the comics, which was Dick clearly expressing insecurities about his place in Bruce’s life and Bruce repeatedly letting him leave or outright telling him to leave without actually giving it to him.

(I’m not even talking about NTT #55 for once, I’m actually talking about when Dick went to Gotham after he found out about Jason being Robin now. And as the events of that issue get referenced a TON in fandom, its HIGHLY suspect that one specific part of that issue gets rewritten in particular: where its acted like it was Dick that stormed off in a huff there or Dick who didn’t want anything more than to confront Bruce about Robin. It really doesn’t get addressed enough IMO that yes, Bruce said outright that he did it because he missed Dick....and then two panels later, Bruce literally asks Dick to go now. Says I would like you to leave now. Bruce is the one who blew up and lost his temper, literally smashing something while Dick was just heated because he was understandably upset, while Bruce somehow made it like he was the one being hurt by Dick and asking for space from him. Yeah, he said I miss you, but he never DID anything with that and in fact just turned around two seconds later and drove Dick away again, like Holy Mixed Signals, Batman! Y’know? Like what exactly was Dick supposed to do with that? “Oh, so Bruce misses me, but also he didn’t want me there, like I was literally RIGHT THERE for the first time in seventeen months and he missed me so much that....he didn’t even ask me to stay for dinner? Or call or reach out to me afterwards? So....my conclusion is.....what, exactly?”)

Ultimately though, my big beef with the stuff about adoption or Dick not wanting to replace his father, its not even about those specifically. Its about that period when Bruce very visibly was NOT in Dick’s life....and that was BY BRUCE’S CHOICE. That is the thing that needs addressing in my book, and far too often goes unresolved. No matter what the particulars of Dick’s views or wants re: adoption, there is literally no confusion about the existence of comics where Dick is repeatedly the one to reach out to Bruce, at a point in his life where he no longer had any legal ties to Bruce whatsoever.....and clearly express in one way or another that he is there and willing to talk, that in fact he WANTS to talk about why Bruce doesn’t seem to want HIM, specifically.

It was Dick who brought up the issue of Bruce adopting Jason but not him and asked WHY at that one issue with them at a party. It was Dick who returned to Gotham and asked Bruce WHY he made Jason Robin when he hadn’t wanted Dick to be Robin - (and for the record, NO version of events where Bruce is the one to make Jason Robin aligns with Dick voluntarily giving up Robin.....the one and only continuity in which Dick did that, HE made the choice to pass Robin on to Jason. Mixing and matching continuities specifically to make Dick unable to claim hurt or resentment for the identity he crafted for himself being given away to someone else without his approval because ‘he was the one who said he didn’t want it anymore’ is yet again, suspect, as it serves absolutely no purpose other than to lessen the hurt done to him and abdicate Bruce’s culpability in hurting him when he did that).

It was Dick who returned to Gotham after Jason died with no intention but to express his condolences and share their grief, and it was Dick who returned to Gotham to check on Bruce after Tim said he was worried he was going to get himself killed, as well as again more longterm in order to help with Tim’s training.

And in each and EVERY one of those situations.....it was Bruce that ended those encounters, and ALWAYS without ever offering Dick any actual resolution or change in their dynamic. Despite Dick’s very presence in each of these being a very clear sign that Dick was unhappy with their estrangement and wanted a change to it or else he wouldn’t even be there, he would be off being comfortably estranged somewhere else and totally content with that.

THAT’S the bigger issue and always has been, I think. That no matter how else you parse it, Dick repeatedly looked for and asked for reassurances, some kind of actual TIES to Bruce, and that Bruce for whatever personal reasons of his own, repeatedly did not give....even when Dick walked him right up to the perfect opportunity to just fucking say “I would like you to come home more, I want you here, I want you as part of my family even though you’ve already aged out of our existing legal bond.”

Bruce still just WOULD NOT SAY IT. Dick was very clear about needing and wanting something from Bruce that Bruce DID NOT GIVE HIM. Bruce gave him basically nothing to work with in these encounters more often than not.

(In the interest of not being disingenuous here, I do admit that at the party when Dick asked Bruce why he’d adopted Jason and not him, Bruce did give a fairly touching response about how by the time he thought Dick would be open to it, he thought that Dick was too old to actually want or need it anymore. BUT, problem is, even with that it does absolutely nothing to change or address how the very fact that Dick was expressing insecurity about this now meant that Dick WASN’T actually too old to want or need it. It was literally a smack in the face that Bruce’s conclusion was wrong and not actually about Dick’s wants. And Bruce knew this, even referenced it at later points when he threw it back in Dick’s face to accuse Dick of resenting Bruce adopting Jason and not him.....which is a clear indication that Bruce knew it was something Dick still wanted or else there would be no reason for resentment, and THAT is the issue there. That no matter what Bruce said at that party about his reasons for not adopting Dick sooner, that very conversation itself should have been reason enough for Bruce to rethink his stance then there....but he didn’t. Also he ended up adopting Dick like five years later soooooo.....if he could do it then when Dick was even older, that doesn’t work as a barrier for him not doing it then.)

And that’s the troubling part.....how many people try and make that period of their lives unclear with no other visible purpose than to make the fact that Bruce WOULD NOT OUTRIGHT CEMENT DICK AS FAMILY OR ASK HIM TO STAY, like.....less problematic.

And as I’ve said before and will no doubt say again.......that logic process bugs the hell out of me, because it ultimately tries to claim the responsibility for Dick’s unhappiness in this regard back then is at least as much his fault as Bruce’s. That it was some kind of fight between equals, or that it was something Dick initiated or that Bruce had no power to resolve on his own via just his own choices or gestures.

Because it wasn’t! That’s not remotely what all of that was! And like I’m also always saying, you don’t HAVE to stick with the canon by any means. You can literally rewrite things so Bruce adopts Dick before he’s eighteen and they never HAVE that period, you can rewrite things so that Bruce reaches out and ends that period early on by DOING THE WORK of being the parent in that situation, you can ‘fix that’ by any number of means......yet over and over we see that period of estrangement repeatedly upheld as a thing that exists in the history that fics and headcanons reference having happened......but with the only ACTUAL change from the comics being that its framed as though it was just growing pains or Dick being stubborn or a dozen other things that somehow keep coming back to Dick doing something wrong there instead of repeatedly standing in front of Bruce asking for him to clarify their relationship and Bruce changing the subject or asking him to leave.

Again. THAT’S the problem.

You want Good Parent Bruce Wayne? Then WRITE Good Parent Bruce Wayne. Don’t just write Stubborn Teenaged Asshole Dick Grayson who btw doesn’t even really want Bruce to be his parent so there’s absolutely nothing Bruce could have done to bridge that gap back then anyway.

(As that’s an equally critical part of the equation here as well. See, since Dick DID clearly express a want for a clear connection to Bruce back then, acting like Dick never really wanted a second father is a super convenient way to write over the part where Dick spelled out for Bruce how to bridge the divide between them and make things good again.....by demonstrating an actual WANT to have Dick in his family!)

But writing Stubborn Teenage Asshole Dick Grayson Who Did This To Himself.....that is something entirely different from writing Good Parent Bruce Wayne. You haven’t actually done or said anything with BRUCE’S character by just making Dick the fall guy for every conflict between them as though they were just equals all along and there was never any kind of actual parent child relationship or even a DESIRE for there to be a parent child relationship. Where the responsibility for being the PARENT like, lands on the....y’know. Parent.

And for the record, I don’t think this issue is confined just to this period of the comics, I think rather that its kinda the point of origin of a very large recurring problem in Dick’s conflicts with other people.

Because like I said, it was abundantly clear that Dick was expressing a want to be acknowledged as family, or just flat out acknowledged by Bruce at all, during this time. And if people can somehow make THAT period into just his fault.....then of course it should be no surprise that they can make any conflict he’s part of into his fault. Its a freaking blueprint for doing just that!

And that’s exactly why this pattern recurs so damn often with EXACTLY the same fanon beats......whatever role the other character plays even in initiating a conflict is shifted onto Dick and somehow made into his own proactive choice and not something he’s actually reacting to. Thus Dick does double duty as both the CAUSE of the conflict and the resulting EFFECT - aka how he reacted to that thing that originally, he did not actually cause or initiate. While meanwhile, the other character not only gets off scot free bearing no actual culpability....no, now since DICK is the one making all the actual choices in the conflict from start to finish, now the other character is actually his VICTIM in it as well.

And that’s just.....so....blegh.

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mettywiththenotes · 3 years

Text

320 bits I wanna talk about

Iieda looks like he’s doing the *inhale* before the BOI IF YOU DON’T- meme. Something along the lines of “BOI IF YOU DON’T GET YOUR ASS BACK TO UA-” kind of thing lol.

He holding something in definitely. Maybe charging up for an attack? Idk but he sure seems concentrated

Actually, Iieda seems kinda considering. Maybe he’s weighing up if he should join in the fight, as if he’s asking “Will I have to fight Midoriya, if it comes down to it? Or can the others handle this?” Something tells me he doesn’t want to have to weigh in on the fight. Maybe tear into Izuku verbally, but fight? No I don’t think he wants to do that

But also, I find it interesting that that black panel of text is under him and then it cuts to Bakugou yelling at Izuku. I mean, it could very well be Bakugou thinking that, but if that’s so, then why is Iieda the first person we see?

So, I think it’s Iieda thinking that. Tensions are rising, it seems. I’m expecting his turn to be full of a lot of emotion, or at least trying to get across to Izuku that he feels betrayed but mostly just wants Izuku to come back home.

I don’t really know what’ll happen with Iieda exactly, but I’m totally interested to see what happens

I know Bakugou has problems with his emotions and words and stuff, but I also think here he’s trying to anger Izuku in order to get him to fight back, maybe so he’s more angry than flexible in a fight, so the end result would be Izuku getting too angry to predict anything and eventually tripping up, and that’s when 1A could capture him.

The one thing to remember about Izuku is that allowing him to think is going to be the opponent’s downfall. We saw in the Kacchan VS Deku 2 fight that Bakugou knew this and so kept attacking as much as possible so Izuku wouldn’t have time to think. Which worked, because Izuku is great at analysis, so making his “Win” attitude [getting competitive therefore putting more energy into attacking than strategy] come out over his “Save” attitude [you’re my friend and I want to help you] is kind of a weakness of his. That’s kind of one of the reasons he lost that fight.

Then again, maybe Izuku has improved since then? I don’t really know but I think enough time has passed for him to have maybe improved more on that so idk we’ll see

I really love Bakugou’s expression in that bottom screencap lol

His wound!! All bandaged up!! I wonder if there’s a scar there or smthg :O

LET’S GET READY TO RUMBLEEEEEEEEEEEEEEEEEEEEEEEEEEE

I know Enji or Bakugou probably gave them details about the multiple quirks but I still find it wild that everyone just knows now

KOUDA! MY SWEETHEART! I’m glad he’s getting a part in this too, along with Sero. Two of them who didn’t really hang around Izuku but still want him to come back :’)

Sero and Black Whip! Finally! I mean it’s not much but it’s still better than nothing

Also, seems like Sero is trying to taunt Izuku to get him to attack him maybe [same as Bakugou feeding into Izuku’s competitive side] soooo idk Sero following Bakugou’s lead? Maybe :)

Look at how,,,, innocent Izuku looks,,,,, *head in hands* AND SERO TEACHING HIM!!

I knew this lil moment would come bite me in the ass at some point, I knew and yet I’m still tearing up goddamn

That “I thought she was going to tell me its a useless hobby” bit really drives home how Izuku’s friends are 1A, that he loves them and they were the only friends he’s ever had [except Bakugou but he was a bully at the time so I’m not really gonna count him for back then]. HOW many people before UA had gone around and told Izuku his taking notes hobby was useless? SHOW me the people!

I, mettywiththenotes, will NOT allow anybody to slander one of my own!

I know it’s like the only moment Izuku and Ojiro shared, with the sports festival thing, but it’s still really sweet that Ojiro sees that Izuku stood up for him

*head in hands*

Shouldn’t this kid be more worried that he’s likely going to get kidnapped?

“Yeah this super evil villain guy has decided he wants to kidnap me and take me away, but like nbd guys really, that’s why I left in the first place! So I wouldn’t be a burden!” Somebody get this kid a fucking therapist or some shit

This is kind of a chilling and pretty scene though. The rain falling above Izuku and him looking down with these piercing green eyes likely being the only light between them. Good stuff.

Satou! Aha I like how he’s pulling all the stops, such as “I WON’T LET YOU BORROW MY INGREDIENTS FOR ERI!”

Also let’s appreciate that Satou caught Ojiro and Jirou and managed to land on a freaking traffic light. The balance on this kid! Very well done

Kaminari putting Izuku in a headlock! How cute :)

Be cuter if they weren’t trying to subdue a martyr-complex cryptid from killing himself, but still

Does Shouji have some kind of support-item?? Or could he always do the stretchy thing?? Or I guess maybe he’s just stretching his arms out like branches [like he usually does] and using them as more like a capture weapon rather than his usual stuff. I don’t think we’ve ever seen him use his heteromorph body and quirk for anything other than the 5 senses, though I could be wrong

Also Shouji remembering what Izuku said at the training camp, I’m so glad! Shouji always seems like the kind to be so protective over his friends, so I’m glad he remembered that. Then again, Izuku did compare them to freaking ALL MIGHT, but if the nice analytical kid in your class who knows your limits and strengths says you could basically beat A GOD, then that’s definitely one for the memory scrapbook lmao

“It’s nice and dark here, Dark Shadow.” Who said that?? Kami or Izuku?? I just have this mental image of Izuku being shrouded in darkness and trying to keep his eyes open from falling asleep haha

Tokoyami remembering that from all the way back then!! It makes me think that not only have Bakugou and Izuku been watching each other, but that Izuku has always had everybody’s eyes on him! Which is true, he’s inspired everyone! It goes both ways; Izuku loving his friends, and them loving him back :’)

Kami telling him to take a bath lmao I love it. Finally somebody said it

*ugly sobbing noises*

This kind of segment, with a mask falling, a space in-between and a reveal, reminds me of Compress’ reveal :) In that, the person is hiding their identity and then when the mask comes off, they reveal who they truly are underneath

While Izuku is of course determined to go after AFO and is quite the fearsome powerhouse, I really think when he takes off that mask, he’s showing who he really is underneath - a scared little boy who just wants everyone to be happy

JESUS, SHOUTO REALLY IMPROVED HIS QUIRK HUH!! LOOK AT IT, IT’S EVEN HIGHER THAN THE SKYSCRAPERS!!

“The burden placed on you... it doesn’t allow for tears, right?” He sounds so sassy here.

Kind of like saying “Oh you look upset. But that’s weird, I thought Heroes weren’t supposed to cry.” Lol it really shows here how pissed Shouto is at Izuku

But then he relents from that snark and is like “Hey, come on, we’ll share this burden. I’m not letting you go it alone, remember that we’re all here.” :’)

I love when Shouto is sassy and passive aggressive but I also love it when he shows that soft side of him

Okay, this is something I really love.

Tsuyu didn’t join the Bakugou Rescue Squad because “they would be just like Villains breaking the rules”

But here she is, learning from that regret of hers and coming right back to make sure Izuku isn’t the one struggling. She wants to be a part of this rescue squad and pick up where she left off :)

Tsuyu has always struggled with her regrets. It was shown after Kamino when she cried, but for me, I only realised this fully during the Joint Arc when she had her regrets about not making better decisions and not being quick enough [I think that was it].

“I won’t cry in such a flurry” reminds me of “I want to live a life without regret” and so that’s what she’s saying here. This won’t be another regret of hers. She wants to do her best to save her friend

“When scared, you’re allowed to tremble when it’s tough, you’re allowed to shed tears. That’s how you become a Hero like in the comics.”

I feel like that quote piggybacks off of Shouto’s “Heroes cry too”, in that, this is now 1A comforting Izuku. This is them fully coming up to him and telling him that they can help, and that he’s allowed to feel sad about his situation. Shouto’s quote was the teaser, while this entire chapter [and the rest that come to follow] is the main course.

And this is exactly who Tsuyu is. Reassuring, comforting, someone dependable. It says a lot that she’s come from not going to help in Kamino, confessing her feelings and crying about it, then coming back in a similar situation and offering her help - that she’s not willing to just let an opportunity go to better herself. I think I remember reading a few posts on her crying after Kamino and saying it was “performative” or that she just “wanted attention” or smthg like that, but I think she’s really just quite an honest person, and here she is making a great show of how she won’t let something like her guilt slow her down from being the hero she wants to be.

[A part of me feels like this is also a little more evidence with the whole People Not Caring About Bakugou’s Feelings Of Helplessness but like. I digress. It kinda counts but at the same time, it’s not what is going on at the moment.]

Seeing everyone try to reassure Izuku was lovely, and I can’t wait for the rest. I’ve seen a lot of people waiting more for Bakugou’s portion of the battle [AND YEAH DUDE ME TOO] but I really feel like Bakugou’s won’t come until like 2 chapters later or something.

Cause, if this chapter is anything to go by, we’ll probably get through Mina, Mineta, Kirishima, Hagakure and Aoyama next chapter, and then we’ll move onto the “more important” conflicts which will be Iieda and Uraraka, and if their segments are chocked with tension drama and tears, then Bakugou will have a whole chapter to himself hopefully.

Which means we’ll probably have to wait 2 more chapters until we get that sweet, sweet Bakugou chapter :( I hope I’m wrong and it comes sooner than predicted but whatever

I know for some people, that’s all they want, but personally I love these little bits that reflect on the background characters. As someone who isn’t really obsessed with the background characters but also likes them enough to appreciate their development/the little moments they have, I gotta say I really liked this :)

#bnha #bnha 320 #bnha spoilers #bnha manga spoilers #class 1a

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chuckaf · 3 years

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Chuck Fic Rec List: Updated

So my fic rec post was in my notifs again the other day, and I noticed a while back that the formatting on the post has gotten all messed up and it’s also had like three reblog additions to it anyway meaning there are three versions out there lol. so, I wanted to do another list of chuck fic recs! I’ll keep the other one up still, so I’m not gonna repeat every fic here, just some I really recommend. I’m also adding the fic summaries, which I didn’t on the old post, and some more of my own opinions so, buckle up for a long post!

Chuck Versus the Steampunk Chronicles | Steampunk.Chuckster

1896. A world powered by steam, where humans and machines coexist, and airships are the fashionable mode of transport. The US Empire's deepest and darkest secrets arrive at Chuck Bartowski's doorstep. Have they fallen into the wrong hands? Or will the inventor prove his mettle, even while he's forced to hide from the very people he's protecting? AU, ongoing chronicle, Charah.

A genuinely incredible AU story, with an entire crafted world and universe, so detailed it frequently blows my mind. There is heart and family and infuriatingly brilliant slow-burn, plus a buttload of danger and super fun historical/steampunk action. Oh how I LOVE it.

Chuck vs the Charade | somedeepmystery

When computer nerd Chuck Bartowski returns home to an empty apartment and a dead girlfriend he finds himself embroiled in a deadly game of espionage and deceit. Everyone around him is playing a part to get what they want and when he starts falling for the new woman in his life, he can't help but wonder if he can trust her or if she's the one he should fear the most.

An action and twist-filled AU based on the movie Charade, which is just such a brilliant fic concept I absolutely adored it from the start.

Two Sides of the Same Coin | dettiot

When you're a spy, there's all kinds of occupational hazards when you work with another spy. For Sarah Walker, though, one mission becomes a life-changing experience. Because working with Charles Carmichael leads to protecting Chuck Bartowski.

The first time I read this fic my mind was just blown to its genius. Such a brilliant interpretation of what the Intersect and its concepts set up in the show could be, and ooooof the Chuck/Sarah interactions, my HEART. Related to it, its companion piece:

A Flip of the Coin | dettiot

What made Charles Carmichael agree to become Chuck Bartowski? Well, to start, it wasn't as much of a change as you'd think. A companion to the early chapters of Two Sides of the Same Coin from Carmichael's perspective.

Chuck vs The Butterfly Effect | n7agentbartowski

Chuck Bartowski is a normal guy who just hit rock bottom. No girlfriend, no career and no super computer stuck inside his head. It isn't until Chuck meets a gorgeous stranger on the beach that he begins to think his life is about to change for the better. An AU Chuck fic without the Intersect. "Change one thing and it changes everything."

I said it on the OG post, but this story has one of my top 5 Chuck/Sarah fic meetings. So funny, so... very Chuck. The story is a little angsty overall, but a great read.

Chuck vs the Rogue Spy | Crumby

When a rogue spy from Chuck Bartowski's past shows up to help him during his first solo mission, Chuck hopes that he'll finally find out what happened to Sarah Walker. Post-S2 AU.

There’s a lot of Season 3 fix-it fics out there, which I don’t usually read bc I actually love season 3 lol, but this one’s a good one! A twisty deviation from canon, but still feels really true to character.

Chuck Versus the Nerds Rewrite | Steampunk.Chuckster and David Carner

What happens when two nerds talk endless hours about their favorite TV show? A new take on the show you know, but with the flair, twists, and turns you've come to expect from Steampunk . Chuckster and david . carner. Somewhat canon. Charah.

As the summary says, a different take on the show, which honestly makes a couple changes I would too, but also adds a bunch of fun twists and plots that make it totally new and fresh. Seeing Chuck and Sarah’s thoughts in the more canon sections is just delicious, too.

The Trapped Assassin | SarahsSupplyCloset

After a mission goes awry, the CIA's most lethal assassin is ordered to take vacation while her superiors figure out what to do with her. But when she meets a disarming tourist, their immediate connection only adds to her disillusionment with the agency and her career. Will he be enough for her to finally take the plunge and leave the only life she's ever known? Charah AU

A warning for the very justified M rating if you don’t like that sort of thing, but this is definitely a plot-heavy fic, too. A really neat Sarah-heavy AU, with a whole lotta Chuck/Sarah fancy French vacationy goodness.

Chuck vs the Second Chance | malamoo

AU from mid-season 2 and onwards. Chuck and Sarah part ways only to be reunited years later. COMPLETE.

Literal, crying-at-my-screen angst. Not even a super happy ending. But a brilliantly written, part-reflective/flashback fic, exploring what would’ve happened if Chuck and Sarah’s relationship really was an assignment all along-- and the aftermath. It’s heartbreaking. But if you want a little heartbreak, this is your fic.

Ready at Your Hand | dettiot

In the reign of Queen Elizabeth I, a Catholic plot against the queen comes to the attention of spymaster Sir Francis Walsingham. To protect Elizabeth, he develops an unusual plan: hide the passing of intelligence between two agents by a false romance. When Lady Sarah Walker and Chuck Carmichael meet, though, their pretend flirtation becomes much more.

I love Chuck fic for the very reason that it’s inspired such adventurous and totally unique AUs. Here’s some Elizabethan fake-dating Chuck and Sarah! They have to be so Proper, it’s like that hand moment from Pride and Prejudice but Elizabethan and times a billion. The pining!!

Sarah Versus Getting Married | Steampunk.Chuckster

Sarah Walker is getting married. Canon. Charah.

I’d recommend all of SC’s fics if I had the room, and I’m already recommending a ton sksks but most of my fic recs are AUs, and this one isn’t! It’s canon, and covers some of in the gap in 4x24, with Sarah just before the wedding itself. Super sweet, heart-tugging, brilliant.

A Chuckmas Carol | Mikki13

A new twist to Dickens' beloved "A Christmas Carol". When Sarah begins to shut out the world around her, three spirits come to show her the error of her ways. Season 3 AU.

Another Season 3 AU, this one written pre-series so it definitely doesn’t fit to canon, but it’s still wonderfully rich in character depth and angst and it also made me cry. Plus, festive!

Chuck Versus Thin Ice | Steampunk.Chuckster

On the doorstep of the Olympics, top American curler Sarah Walker has lost her mixed doubles partner and her boyfriend in one fell swoop. Her coaches throw newbie Team U.S.A. curler Chuck Bartowski onto her team and thrust them into the Olympics, hanging America's curling hopes on two people who only have a short amount of time to learn to trust one another. Charah AU.

Do you like curling? Or the Winter Olympics? It doesn’t really matter because somehow this fic made me extremely invested in both of those things, as well as Chuck and Sarah and them being INSUFFERABLE. Catch me now knowing a ton about curling thanks to this fic.

Walker’s Eleven | Moonlight Pilot

Not the same plot as the movie. Sarah Walker never got out of the con game or became a spy, and now she's on her final con. What happens when true love and betrayal get added to the mix? Twists, turns, and Jeffster!

Con!Sarah always interests me, and this fic is full of her. Lotta con plot, lotta Chuck and Sarah.

The Detective and the Tech Guy | thecharleses

Sarah Walker is a Pinkerton detective. Chuck Bartowski is an electronics genius. They wouldn't have met except for a case of mistaken identity and murder. Will the detective and the tech guy solve the mystery, distracted by the riddle in their own hearts? An homage to The Thin Man film series. Formerly co-written by Steampunk . Chuckster and dettiot, now ONLY Steampunk . Chuckster.

Everyone in this fic is so damn cool. There are so many martinis. But also great heart and family and like, standing up for who you love, and later also Chuck with Baby Clara content which frankly the show robbed us of. Also, PI!Sarah!!!

Gravity | Poetic4U

AU. Sarah makes a decision that altered her life forever.

This is just a one-shot, which many of these stories are not, so a good one if you don’t fancy a big read! Just because it’s short, though, doesn’t mean it’s lacking; a really awesome what-if AU, and heavy on the Chuck and Sarah.

A Yuletie Tale | Steampunk.Chuckster

Sarah Walker was dumped the day before Christmas Eve, and her Plus One at her work’s annual Christmas Eve Soiree is now officially a Plus Zero. Her best friend Ellie Bartowski has a solution to her problem, and Sarah finds she isn’t quite as sure about it as Ellie is. AU Christmas Charah.

I’m particularly in love with this fic because, instead of beginning with a meet-cute, it involves Chuck and Sarah already two years into a friendship-- Sarah is Ellie’s best friend. And she’s been crushing harrrd on Ellie’s brother. Also Chuck is in a tux. It’s pretty.

Set, Spike, Dive! | Frea O’Scanlin

Chuck never expected to even make it to the Olympics. Everything is working against him: he's too tall for a diver, too inexperienced for a medal, too much of a wildcard to really make his mark. But an unexpected meeting at the airport, some intriguing new friends, and a whirlwind romance on the sand just might set up London 2012 as the time of Chuck Bartowski's life.

A London 2012 AU, because why not. This is just a fun Olympic-y ride!

OTP (One True Pairing) Prompts | David Carner

A series of Prompts I found online about different times and places in Chuck and Sarah's life. Mostly AU, mostly one-shots. I assume mostly fluff, but I might get deep. I doubt it, it's me. Charah...ALWAYS (It says complete, but if an idea strikes me...)

If you’re not so into long stories, this fic is perfect. Individual set-ups and stories, all Chuck and Sarah, and all super cute. You could dip in and out and just pick a scenario you enjoy.

Chuck vs The Frontier | ninjaVanish

AU: Chuck was enjoying a simple life as a 19th century watchmaker until an encounter with a beautiful Secret Service agent thrust him into a world of intrigue and adventure he never wanted. But then, with Agent Walker around, it can't be all bad, can it?

This fic gets props for being historically-set but still including the Intersect. Again, a historical AU, so the pining!! the need to be Proper!!! But besides all that, there’s a lot of action fun as well.

Chuck Versus The Crosswalk: Remastered | WvonB

Will a last minute mission help our two favorite characters finally get together? This is the remastered version of my first story.

The original version of this fic is on my first list; this is the updated version! It’s not a complete AU, instead a story that diverges from canon, so if you’re more into canon characters and setting than a new AU scenario, this is a great fic for that.

Little Girls, Paper Wreaths, and Choc Chip Cookies | DanaPAH

Very AU: Sarah Walker is a single mother whose Christmas spirit needs a boost after a tough divorce. She isn't quite ready to go looking for romance, but her little daughter's affection for their new neighbor may lure it right to her doorstep, anyway.

An incredibly sweet AU one-shot where Chuck and Sarah are new neighbours, and Sarah has a super cute little girl. So much sweetness and love and hope. I love this fic so much it literally led me to write my own neighbour-kid-AU, so, not to toot my own horn but I’ll link it here anyway.

May Your Walls Know Joy | halfachance

Looking for a fresh start after some tough times, Sarah and her three-year-old daughter move to LA. When they meet a sweet curly-haired nerd who lives next door, though, Sarah realizes they might just find more happiness than they'd ever imagined, if only her past doesn't catch up to her first. AU.

It’s what the summary says; if you wanna read, feel free!

Chuck vs the Sound of Music | quistie64

AU. Chuck, nerd extraordinaire, is a man with seven children and Sarah must protect them all from Fulcrum's evil designs. Warning: there will be singing.

I mean. Not much mystery as to the concept with that title and summary lol, but this is a super fun, soft ride with a lotta sweetness, and yes, singing.

Just Two People | David Carner

Meet Sarah Walker PhD, Psychologist, specializing in personality traits. Meet Chuck Bartowski, man who has left THE electronic company of 2020. When Burton Consultants tries to figure out what is wrong with the morale of Orion Industries, what happens when a guy named Chuck meets a woman named Sarah. I'll give you a hint, it's me writing.

David’s done something pretty special with this fic. It’s Chuck and Sarah centric, but very much an ensemble piece, too, with a lot of Team Bartowski and other familiar faces throughout.

Chuck Versus the Con Game | Steampunk.Chuckster

AU. Chuck and Sarah are partners in the con game. It's an existence wrought with danger and violence. Every day could be their last. Every mission could be the end of the line.

This is where I freak out SC and declare this fic the reason I ever got hooked on Chuck fic and then wrote Chuck fic, and the reason I still love it today but. that is true lol. Just so. so good. It’s also written with the chapters out of chronological order, which is super fun from a reading perspective. But con!Sarah AND con!Chuck?? Best. The kind of fic you will be thinking about for days (if not, y’know, years).

As you can tell by the repeats, I highly recommend just about anything by Steampunk.Chuckster, dettiot, or David Carner, but there are a TON of amazing Chuck fics and authors out there. I’ve never known a writing community so wildly creative-- there are so many unique AUs and canon explorations and story concepts that this show has manifested, and it’s all so much fun.

Most of the Chuck fic community is still over on FFN rather than AO3, so if any of these whet your appetite, feel free to have a browse there for more stories. I’m sure you’ll find something great. Personally, all the incredible writing there has also led me to write a buttload; I’m at halfachance on FFN, so if you see any of my stuff or wanna chat fic, feel free to message me there or here.

Happy reading, folks!

#chuck #fic rec #chuck fic #nbcchuck #praying if i edit this to add to it or i reblog it to add to it all the links stay and the line breaks don't disappear sksks #the old one still looks okay on desktop but it's messed up on the app and on mobile and it's just all generally messy #so i've been wanting to make this for aaages lol yay to finally doing something! woo!

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painted-crow · 3 years

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hey so i'm looking to figure my sorting out. i'm p sure of my secondary but honestly i've gone in circles so many times that i'd believe anything lmao

so i guess to start like. i'm fairly sure i'm an idealist, but with a twist. i care about making the world a better place-- i'm kinda infamous among my friends for being a little TOO outspoken about my opinions. on a small scale, i have strong opinions about a lot of things, but on a larger scale... idk. i don't think any one person can know what an ideal world looks like cause there really is no such thing. there are literally countless variables when it comes to implementing even small systems, countless ways to fuck it up, so i don't think i'd be choosing some grand ideal over the people i love anytime soon.

that being said, i think my idealist streak gets directed into something else most of the time. i'm very focused on understanding myself to a fault. i want to know why i do the things i do, why i believe certain things over others. when it comes to my beliefs about the world, they're strong but take it or leave it, but when it comes to myself they are not a good idea to push. i've ended relationships over not feeling like myself with them or feeling like i'm losing myself or they're pushing me to be someone i'm not. i make strong instant decisions about what the "right" thing to do is when it comes to how it impacts my perception of myself, especially with intimate relationships (i'm a lot less impulsive with things like friends and things i'm less personally involved in). i NEED to know who i am, way more than i care about any one specific person or thing. obviously i love people very deeply and would do just about anything to have both, but if i don't know who i am, if i'm not true to myself, then i have nothing. losing people happens.

the issue is, because i'm prone to doing that and not thinking as much about how it'll impact people, i've been called selfish a lot over my lifetime. recently i've started thinking more about how my actions impact people and their feelings, and i'm feeling a lot more torn. i want to do what i want to do, what i feel is best, but i feel immature for doing it a lot. i've started worrying a lot about being a bad person and hurting people, and i've been thinking about how the "right" way to be is. i went through a phase where i was repressing myself to make the "moral" choice, but i just felt so flat. ultimately i realized that it doesn't really matter how good i am if i have to repress myself to get there, cause then all it is is performance. tldr is i feel super guilty for making "selfish" choices rn, especially as i've gotten more aware of other peoples' feelings.

what i think is probably going on is that i'm an idealist primary with a badger model, but i'm not sure between lion and bird, and i'm still open to badger. pretty sure i'm not a snake.

the section on my secondary's gonna be a lot shorter, sorry this got so long! so i'm p sure i'm a badger secondary. considered lion and snake secondary too. whatever i am, i have a p loud lion model over it. i've always had a gift for making people trust me, for acting. i kinda blend in and become what i need to to both help them and get them off my back so i can do what i need to do. i have a serious passion for helping people with tough love (i like to think of myself as a p good advice giver, since i can both tell people what they need to hear and really get in their shoes and be kind where other people might not). i think i judge myself the least when i can kinda toe that line between pushing boundaries and stepping back-- i track where peoples' boundaries are constantly so i can push them to the limit without stepping over them. i'm very fluid when it comes to presentation in reality, even though i think people actually think of me as kinda controversial. i tend to see people who are ACTUALLY overstepping boundaries as lowkey selfish at times, even though i also really respect them. i like to do things the "right" way as long as i give a shit about them. the catch is, i don't want to blend into the background, and i don't think i do. a partner of mine called me a fox cause he noticed the way i constantly toe that line where i can get people to notice me and still keep them off my back, still make them comfortable. i'm also NOT a planner. people constantly give me shit for only ever feeling things out in the moment, and honestly thinking about the future freaks me out. i don't want to plan how i do shit i'd rather just get in the zone and figure it out from there. tldr i'm pretty sure i'm a badger secondary? but i could be convinced of snake. definitely see elements of both but my gut's telling me badger so take that how you will

anyway! thank you so much for taking the time to answer this, i know it's a lot.

also sorry one thing i forgot to add about my secondary! i think my lion model got so loud because when i do the shifty presentation thing, i have a tendency to lose myself and start perceiving myself as whatever i'm presenting. it's made it really hard to figure out who i actually am and so i started just being as clear about it as possible.

for my primary, i really care a lot about being right. i try to take every side into consideration to make sure i get the best conclusion. i can be super stubborn when it comes to certain things, but i don't want to just... hold to perceptions that are wrong. that being said it's important to me to trust my gut and i take it as a big input. i'm very felt out for most things, don't really have a strong system of how to be. i really wanna be able to trust myself but i just don't. i have a big habit of relying on other people to tell me what to think, which is uh. yeah.

Primary

You're a Bird primary with a Lion model, and you're trying on some Badger ideals. That's one of the easier Sorts I've done, lol! Possibly because your primary and models actually House match mine :p

Your reasoning process screams Bird xD and so does your writing style and just the length of the ask. Birds love self-analysis, it's part of how we make sure our systems stay as close to true as we can make them.

You've got some Lion too, but it's a model. It sounds like your Lion and your Bird have come into conflict before, and like most Birds with Lion models, it bugs the snot out of you when your Lion's intuition (which is important data!) doesn't line up with what your Bird knows.

You've prioritized Bird's conclusions before, but (as with many Birds) you don't entirely trust your own system and you're wondering if your Lion might have been right and you should give its reasoning more weight.

Also, you're consciously deciding that maybe Badgers' way of doing things is more moral than yours, and you're pulling in some of those ideals. That doesn't make you a Badger primary. Birds are notorious for this kind of thing actually 😂

The line between whether some ideals you've pulled into your Bird system vs. what counts as a model is fuzzy. It's up to you really, how important those pieces of Badger are to you.

For me, I think the line might be--is it wired into your sense of self on its own, or does it get filtered through your Bird and Lion? It really sounds like your Lion is a strong part of your sense of self: if you ignore its advice, you feel not totally like yourself. You don't have to feel all your models equally strongly, but thinking of it that way might help.

(It's also hard because Birds often feel like they kind of are their systems, or they are their ability to reason, that's a core part of their identity. ...It's complicated.)

Secondary

You sound really really Snakey. I'm not sure where you're getting Badger, actually!

Badgers are more than the mirroring ability. They also bury themselves in work or community, and it can sometimes look like they're neck deep in so many responsibilities that they couldn't possibly handle any more problems--and then they do have a problem, they do need something, and they stand up and all that stuff they were buried in turns out to be armor and tools.

Snakes, otoh, are improvisational and tend to be very aware of their surroundings. Unlike Badgers, the Snake brand of social shapeshifting involves a lot of keeping track of other people's reactions to what they're doing--trying something and then watching the response, then adjusting, rinse and repeat. You turn yourself into exactly the right person for this situation.

Badger mirroring is usually simpler. You reflect the other person's energy back at them: it's an empathetic response that says we're alike, I accept you, you're safe. A lot of Badgers do this without thinking--it can be hard to turn off.

Snakes also don't go in for prep work as much, it tends to trip them up (Snakes with Badger or Bird models notwithstanding). They're Improvisational secondaries, unlike Bird and Badger which are Built and rely heavily on some form of preparation.

The Lion model sounds legit, but just check for yourself: you might be learning to use Snake's neutral state. Snakes will sometimes drop all their layers of acting and maneuvering and suddenly they're just themselves. Different Snakes have different relationships with neutral state. For some Snakes, it's a relief to drop the mask; for others, it feels vulnerable and they only trust certain people with their full authenticity.

It does sound like you really admire Lion secondaries, though, so you might indeed have a model there! This is just something else you could check on.

Hope that helps!

- Paint

#first post in a while huh folks #gotta remember how to tag...#ravenclaw primary #gryffindor primary model #slytherin secondary #gryffindor secondary model #asks #paint speaks #sortinghatchats

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sendme-2hell · 3 years

Text

Ranking the Hugo 2021 Nominations for Best Novel by How Gay They Are

I did this with the 2020 nominations because they were overwhelmingly sapphic, but now that I’ve read the 2021 nominations I think these are even more queer than 2020! The ratings are based on how queer they books are not how much I liked them.

6. The Relentless Moon - Mary Robinette Lowell

Rating: 4/10

Explanation: The way this author writes feels unbearably straight (and white) to me. She definitely makes an attempt to have a diverse cast of characters but is not very good at it so it ends up feeling more like a bunch of stereotypes than actually interesting characters. There is a sapphic relationship that is briefly hinted at in this book. A woman named Wafiyyah says she wants to use her one phone call (they are on the moon) to talk to her female lab partner. The main character speculates that she is probably in a relationship with this woman. Wafiyyah is mentioned a total of 12 times in the whole 500 page book and has about five lines of dialogue. But I won’t forget Wafiyyah and her lab partner. Giving points for her and then points for being on the moon because space is gay.

5. Piranesi - Susanna Clarke

Rating: 7/10

Explanation: Well, you can’t have a book about an academic cult without at least one of them being gay. This is a misleading description of what Piranesi is actually about, but idk...something about academia, people obsessed with the classics, greek aesthetics, and being gay. There is definitely homoerotic vibes going on through the whole book as well as mentions that that one character is, “picking up men,” and was “gay before it was legal,” and uh...maybe doing some other things. It’s unclear to me.

*Okay to be honest the next three books on this list are all pretty equally queer. They all have multiple queer characters and are pretty diverse in other ways too. So I ranked them arbitrarily.

4. Network Effect - Martha Wells

Rating: 8/10

Explanation: The thing that is great about the Murderbot books is that queerness is very normalized. There are multiple queer relationships that are just mentioned in passing, and if I remember correctly (all the murderbot books are one big book in my mind), there is a wlw couple that features prominently. There are also a few nonbinary characters including the main character. Polyamorous relationships as well. I would like to live in Preservation, please.

3. The City We Became - N.K. Jemisin

Rating: 8/10

Explanation: You know what I was saying about how Mary Robinette Lowell clearly tried to make The Relentless Moon diverse and didn't do it satisfactorily. Well, N.K. Jemisin said “hold my beer.” When writing characters meant to embody the boroughs of New York, she made sure that the people would all be different ethnicities, genders, and sexual identities. Since, ya know, New York is pretty diverse. She did an incredible job of writing maybe the most diverse book I have ever read (what does that say about me? What does that say about the publishing industry?). There are lots of queer characters in these books including gay, bi, lesbian, and trans characters. Although their identities are not central to the plot so far, I think that a mlm relationship will become very important in the later books in this series. Okay it’s not really fair to say they aren’t central to the plot since I’m sure they are part of her central metaphor or something.

2. Black Sun - Rebecca Roanhorse

Rating: 8/10

Explanation: Like the two last books, Black Sun is diverse in many ways. Queerness is not quite normalized in the pre-columbian americas inspired fantasy world of Black Sun, since Xalia, the bisexual sea captain was sent to jail for sleeping with a woman. That being said, it seems that some cultures are cooler with it than others in this world, and non-binary and trans people are accepted. Queer relationships and identities are sprinkled throughout the book. Also this book is just great! I highly recommend it. Might be my favorite on this list were it not for my Locked Tomb brainrot.

1. Harrow the Ninth - Tamsyn Muir

Rating: 10/10

Explanation: Harrow the Ninth has many notable queer characters such as: the main character, the main character’s evil roommate, the main character’s dead ex-frenemy, a sword, a woman possessing another character (a few of these actually), God, and more! This is just a very queer book. It gave us classic lines such as, “gall on gal,” and “Ianthe had walked away from you, all split lips and gay loneliness” which was weirdly relatable. Plus I’m gonna say 1.5 gay sex scenes (argue with me about this).

Other Notes (Continue reading for some random thoughts on these books, my actual ranking of them in terms of how much I like them, and a comparison of Griddlehark to Mahit/Three Seagrass):

*I would say this is a better list than the 2020 nominations where there were a few books I straight up hated. I liked all of these books, even Relentless Moon.

*I would rank the books in terms of how much I liked them: Harrow the Ninth > Network Effect > Black Sun > Piranesi > The City We Became > The Relentless Moon

*I think it’s funny that “Black Sun” and “The Relentless Moon” were both nominated. Sun vs moon. Don’t make them fight, they are dating!

*The City We Became was great but the ending was umm...very abrupt...N.K. Jemisin wrote the Broken Earth Trilogy so she can do whatever she wants, but yeah I have to complain about the rushed ending. Black Sun also had an abrupt ending. I guess they are setting up for the sequels. Vs Relentless Moon, Network Effect, and HTN which are just building off of the other books in the series so they don’t have to do as much set up. Oh wait, Tamsyn Muir didn’t do that much worldbuilding in GTN and therefore made me sit through pages about the difference between thanergy and thalergy that made me feel like I was in 11th grade biology class trying to take notes.

*The television show, For All Mankind has a similar premise to The Relentless Moon but actually has a few queer characters including a woman I am in love with. Seriously, more people should watch that show!

*HTN and Piranesi are both books where you have no idea what the fuck is going on in them for ½ of the book and even when you finish you are left with a lot of questions + they both have unreliable narrators

***spoilers for A Desolation Called Peace and Harrow the Ninth (and amce + gtn):

When I ranked the 2020 Hugo nominations I ranked A Memory Called Empire above Gideon the Ninth because Mahit and Three Seagrass kissed and I was salty that Gideon and Harrow didn’t (ok they kindaa did. sue me). Anyway, in Desolation Called Peace Mahit and Three Seagrass actually had sex, so in that they are still beating griddlehark. Though to be fair, they never shared a body sooooo... Griddlehark is winning there. Thankfully I didn’t have to compare Teixcalaan and tlt in this list because I don’t know which I would choose this time.

#my rankings #if I get terminology wrong I am sorry I am doing my best #the relentless moon #piranesi #network effect #the city we became #black sun #harrow the ninth #I don't know if anyone will read this but I need to get my thoughts together lmao #2021 hugo nominations #books #tlt #adcp

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aspecpplarebeautiful · 3 years

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Hello! I’ve been questioning a lot these past few months, and I was wondering if you could answer some questions I have. If not, totally fine, feel free to delete this ask. If yes, well here I go.

So, I have always viewed “romance” as just a really close and intimate friendship. I’ve always seen marriage and anything romantic as something you should do with someone you consider a best friend. I can’t imagine romance as anything else, honestly.

So when I learned about queer platonic partners, I felt so confused. Qpps are really intimate platonic relationships with people who tend to do “romantic” actions with each other (kissing, cuddling, living together, etc.) But I always thought that was the definition of romance? If they can be intimate but platonic, then what are romantic attraction/feelings?

Basically, my question is: What exactly is romantic attraction? What is romantic love? How is it different from platonic love?

Also important notes! I am bi/pan, and could see myself dating anyone as long as they’re my best friend. I am also questioning if I am ace, because my sexual attraction is very low. I think I experience sexual attraction, but it’s not a lot, and I would be perfectly happy in a relationship without sex. So please, can you define romance without sexual aspects? A lot of the times it’s how people differentiate between romantic and platonic, and it isn’t helpful to me since sex isn’t a factor for who I would personally date.

Thank you so much for your time!!

Yeah, honestly defining romance is tricky. I think there’s two reasons for that: the first is that what people consider romantic and how they experience romance can be extremely variable. The second is that at least to an extent romance is a social construct, similar to gender and money. That is to say a lot of what we consider to be romantic and what makes a relationship romantic is informed by our culture.

So very generally I like to define romance as: having a personal idea in your head of what is romantic; wanting to do that/general romantic coded things you consider romantic with a specific person; wanting to be in a relationship defined as romantic with that person.

So this is different than just enjoying doing romantic coded things, or enjoy being in a romantic relationship, generally you’d feel a draw towards that person that feels romantic. And the attraction symptoms/feelings you get will also feel romantic to you.

This is so vague right? But there seems to be something about romance that’s very situational and variable. Personally I’ve found too a lot of the time when I ask someone who experiences romantic attraction what that is, they’ll often start describing scenarios to me, saying things like ‘it’s growing old together’ or ‘it’s them being the last thing you see at night and the first thing you see in the morning.’ And it took me a long time to kind to realise that for a lot of people, this is what it is. It’s being in these situations they consider romantic and doing these things they consider romantic.

Another factor for what makes something romantic vs platonic is simply that it’s defined as romantic and there’s romantic intent behind it. Why is holding hands with person A romantic, but not person B? Because with person A you’ve decided it is. Whereas you and person B just consider each other to be good friends. In fact there’s very few if any gestures or actions that is considered romantic 100% of the time. What usually makes it romantic is you’ve decided it is. You’re not wrong when you say as a culture people tend to define romantic vs platonic as whether sex is involved. And this is obviously wrong because you can have sex without romance and romance without sex. But my personal pet theory is that allo culture wants an external way to determine if something is romantic or not but there really isn’t one.

Now again not everyone experiences romance the same way, and that line between platonic and romantic is not clear for everyone. Some people can’t or don’t distinguish between platonic and romantic attraction (platoniromantic), or may not feel any internal differences when it comes to romantic or platonic feelings but still categorize relationships that way externally (idemromantic).

Some people also find quoiromantic to be a useful label, and there’s a really great page on quoiromanticism at the Aromantic Wiki. But it’s basically an umbrella term for anyone who’d rather just dis-identify with the concept of romantic attraction. Or who finds it inaccessible, nonsensical, non-applicable, etc.

There’s also alterous attraction, which may have both romantic and platonic elements to it, but it defined and not being fully either. And someone experiencing this form of attraction may be OK with either being friends or in a romantic relationship, or may want a relationship that defies labels all together. But the big thing they will want is a strong emotional bond with the person they’re attracted to.

And since you asked specifically about QPRs and how they’re different from romance--I’d say the biggest difference between them is that a QPR doesn’t feel right to define as a romantic relationship. They’re vaguely defined on purpose, but the biggest factor is that they feel like they fit neither the mold expected for either a romantic relationship or a friendship, which both tend to be defined very rigidly in our culture.

There are other labels/identities that exist in that gray area between romantic and platonic, but those are a lot of the larger/more well known ones.

It can definitely be hard sometimes to tell where you fall (romantic, gray-area between, platonic but romance favorable, etc.), and personally I think the cultural aspect of romance is a big part of that. When figuring out labels I definitely encourage people to think more about what labels would work for you and feel right for you, rather than trying to seek an objective truth which may or may not even exist.

So that is to say, consider what makes sense to you and resonates with you.

So hopefully that’s helpful, I know romance is a confusing concept even at the best of times. And even alloromantic people have trouble explaining it. But this is the best way I’ve been able to distill it so far.

All the best, Anon! And if you still have questions or want something clarified, please feel free to send in another ask.

#Anonymous

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turnleftaticela · 2 years

Text

April 20th: What are your thoughts on terminology? (ie, high functioning and low functioning vs high support needs and low support needs, nonspeaking vs nonverbal, person first vs identity first, etc)

Utter bullshit

An autistic person is an autistic person

My least favorite one is “low intelligence” because it’s just not fucking true

Any “low intelligence” autistic person I’ve met has been a million times smarter than any allistic person I’ve met and I’m not just saying that to be corny I genuinely fucking believe it

I would be considered “high intelligence” by these definitions and yet the times I feel most intelligent are when I’m experiencing the world in the same ways that “low intelligence” people I’ve known have expressed that they do

To me the “spectrum” of autism is only a spectrum of masking

That’s it

How much are you able to mask and mold yourself into fitting this world

I’m not fucking kidding when I say any “low intelligence” or “high support needs” people I’ve met are what I would be like if I wasn’t trying to change and adapt and translate myself

If I could just be me as I naturally am

That is what I would be

There’s no such fucking thing as intelligence there is only OH PERFECT THERE

THERE

FUCKING THERE

“LOW MASKING” AND “HIGH MASKING”

THAT’S THE TERMINOLOGY I’LL USE

FUCKING THERE

If “low intelligence” or “high support needs” people find it useful and/or empowering to use that language I get it

It’s nigh impossible to convey what our experience is like to allistic people and I highly doubt that there will be widespread understanding of it in any of our lifetimes

They’re always just gonna see an allistic person with deficits

Maybe even an allistic person with deficits and talents

But they will never understand how we perceive the world and how much more fucking rich and complex our experiences are than we’ll ever be able to communicate

So if you need to tell someone something like “Listen to me I am fucking stupid I am less capable than you I will never meet your expectations no matter how hard I try I am genuinely just not good enough” in order for them to allow you not to hurt yourself

I totally fucking get it

But I just hope you know that you’re infinitely smarter than they’ll ever be

Genuinely

Not in a corny way or like “oh they’re so wise they only care about the simple things in life I wish I was like that!”

Genuinely

You see shit that is more complex than they will ever fucking understand

I’m telling you once they invent Doctor-Who-forehead-bump-style telepathic communication autistic people are going to change the fucking world

As for autistic person vs person with autism I really don’t fucking care

Words are meaningless they’re little more than a tool to manipulate allistics into giving a shit about us since they won’t take us seriously any other way

I think autism/autistic is kind of shitty terminology to begin with and I think we should invent new ways of talking about it to better convey our experiences

Autism should not be a noun it is not an object

Autistic is better especially because there’s allistic as an equivalent

But I think the terms should say more about what the experience actually means

Allistic’s etymology derives from nothing but “not autistic”

Zero specificity to what it means for them and thus zero specificity to what it means about our differences

I think we should work on summing up how we each experience the world and finding a term to represent that

Even if it’s scientific like the brain differences or something

White matter connectivity vs white matter separation or something

SOMETHING to express concisely what it ACTUALLY means to be autistic

Because for all the research they’ve done, still nobody on this earth seems to fucking know

Also nonverbal misses the point too

Like out of any of the terms listed here it’s probably the most accurate

But it’s still not enough

It’s more like

GOT IT “high translating” vs “low/non translating”

There we fucking gooooooo aaaaa aqkwgqisgqqisjqiqhsiqiwjsnshyqqijsqgqujdjfnff

This shit is so common sense and so fucking easy if only people could just understand what the fuck was actually going on in our lives

Aaaaaaaaa akqqgsiqgwidgqoswgqoxhqosgqqoxhqosyaqiwvziqvazohqoxbqizbqizbqisnqiwnziqiqjwnsfg

Personally I would consider myself semi- to high-translating on a good day

Never ever 100% ever

And I am very very easily dysregulated into a low- or even non-translating state

How the fuck am I supposed to have the energy for translating in a state where my literal entire experience of the world is incorrect and painful

Anqvqgqgqqfqgwksjqdqhh do skacqfqjsbacfqqkavxqdqhqcqdqcvqvbbqqgqqcqbqbqbqnqqq

So yeah words aren’t real and we need to come up with better ones that are defined by our own experience and not just allistic people fucking guessing

Oh and if it wasn’t already understood, “high/low functioning” is the worst one of all and needs to be eradicated because it’s literally just fucking eugenics

#30daysofautismacceptance #30daysofautismacceptance2022 #actuallyautistic #autism #autistic

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lizacstuff · 3 years

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Your thoughts on the epi? I thought it was a good episode overall. Serkan is acting the way I thought he would: he wants to be the perfect Dad, is scared she won't love him, is spoiling her but also teaching her things. I'm not quite sure why Kiraz isn't calling him Baba, maybe she needs time to adjust to calling him that. I have mixed emotions when it comes to the way Eda spied on Serkan. I understand she's worried but trust the man a little. No comments on Aydan and Ayfer! They are too much!

Hello! I liked the episode. It felt very light, very romcom-y and I thought it was very enjoyable to watch. Loved every minute of Serkan trying to be the ideal dad and I'm here for the Edser UST this ep brought. They want each other sooooo much. And, yes, Eda wants him, she wants him bad. I thought the custody thing at the end was silly and convoluted, but, hey, I'm totally here for the "they're not together and fighting their feelings, but forced to live together" trope so I will just ignore how unbelievable it would be for Edser to be drowning in hearteyes for each other all ep, getting along in regards to Kiraz, AND seemingly aware that Aydan/Ayfer were up to something and still allow a misunderstanding over their shenanigans to spiral to that nonsense degree.

Maybe the folks that think that Serkan & Eda were playing all the meddling family and friends are right, and they set it up beforehand, it's just that I've thought things were a fake out on this show so many times, only for them to be real, so at this point I'm operating under the assumption that this is just a romcom plot point to throw our romantic leads together and it's not worth examining it too closely.

I'll give my thoughts on the "Baba" vs "Serkan Bolat" thing and Eda's actions after we talk a bit about the B, C and D players... Thankfully we had plenty of Edser and Kiraz screen time this ep so the supporting stories didn't overwhelm the episode too much.

(much more under the cut)

That being said, who can we pay to get these people to mind their own f-cking business? LMAO. At least Engin and Piril weren't annoying and were actually trying to be helpful. I mean, Piril is still cancelled, but if she's not causing trouble now then she's not at the top of my shit list. However, I did laugh at her when she's sort of pleading with Serkan: "We've been friends for a long time, you'll understand why I did this." Um... what, Piril? You're sitting there approximately 72 hours after Serkan found out he has a child and he's already proven that he's ALL IN on being a father, and you expect Serkan to think you were right for hiding it from him? Cause why? He has already proven that any concerns you had about him rejecting Kiraz were invalid. The only thing wrong with Serkan's anger at Piril is that it will probably only last for that scene.

Anyone else think Kerem the assistant is an ass? Seriously, do they really want us to root for sweet Pina to be with this dickweasel? He's insecure, he thinks he knows it all, he's snarky and lashes out, he's vindictive. No thanks.

As for Aydan and Ayfer. Ooph. As punishment for their unprecedented assery this episode they both need to be stranded on a desert island with only each other. Only then maybe they'll learn not to insert themselves by such underhanded means. They're both giant pains in the ass, but Ayfer still annoys me more than Aydan. Because here's the thing, once Edser is back together and Serkan is happy, Aydan will fully embrace Eda again, but I don't think the same can be said for Ayfer. Did you see some of the bitchy, sour faces Ayfer was making, taunting Eda about her soft spot for Serkan. She's insufferable.

Turning to the nonsense meddling custody plot line, Kemal and Seyfi were just following orders, but what is Melo's excuse? It's unfortunate that the narrative pulled her into this. Ayfer may have her head in the sand, and not really care what Eda wants, but Melo does and she knew that Eda wanted to cooperate with Serkan and bring him into Kiraz's life, she knew that Eda was about 2 seconds from melting every time she was near Serkan, and that they were likely on the cusp of rekindling their relationship. There is no way she should have been complicit in trying to get evidence against Serkan or visiting lawyers behind Eda's back.

However, even after being complicit in Ayfer's nonsense, she still deserves a helluva lot better than Burak. That guy was annoying af this episode. What exactly does he think he's doing? I'm sorry, in that situation you step back and give the people going through such a monumental life change some space. Again, it's not like it needs to be forever, but you don't try and monopolize the kid's time the night of and 2 days after she meets her long-lost father. He needs to fuck all he way off.

Also since Eda had no interest in this guy, why is he coming over to tuck in the kid EVERY night? I get that he's been good to Kiraz and they have a nice relationship, but that's soooo overkill, it's just not normal. Especially since they've said they've only been living there a year. The only reason for a dude to revolve his entire life around a kid like that is because he's actively trying to get in the mom's pants. So when it comes to Burak's intentions, Eda is as dense as Serkan used to be with Balca/Selin/Actress. Burak only took that level of interest and inserted himself into their lives because he wanted Eda, and Eda should realize that and have a frank conversation with him. Eda doesn't even have to be cognizant that she will inevitably get back together with Serkan, she already knows she has no interest in Burak. She should tell him. And if she's already told him (which it seems she might have from her comments to Ayfer and Melo) she should put some boundaries in place because his presence was ridiculous.

It still blows my mind that this sad sack thinks he has a shot with Eda. Seriously, while the dude isn't hideous, he's also not attractive and he has the personality of dead grass coupled with the charisma of warm mayonnaise. He's not worthy of either Eda or Melo. The scene of Melo and Burak walking on the beach made me a bit uncomfortable. They're totally setting that relationship up, but so far all we see is Melo obviously harboring feelings for him as Burak broods over his Eda delusions. We'll have to see how this plays out, but I feel like Burak didn't need to be this upset over Eda for the story to work, and it would be a lot easier to root for him with Melo if by episode 5 if he wasn't still actively trying, as Engin said, to take over Serkan's family.

On to Edser and the newly forming Bolat family unit. It's funny, I'm not someone who thinks a woman needs to take her husband's last name, I think people should do whatever they want, but for whatever reason I really, really want Eda and Kiraz to have his name. Maybe because I think they all crave having people to belong to in a sense. Serkan because he was unloved and sent overseas alone at such a young age, Eda because she was an orphan, Kiraz because she didn't have a dad in early childhood. So for that reason, I really do feel like it will be meaningful to have them tied together that way as a family unit. They belong to each other now (or they will soon).

Along those lines, you say you're not sure why Kiraz isn't calling him Baba, narratively, I think it's because that will be a big milestone in their relationship. When she feels comfortable enough, connected enough, and secure enough with him to do that, it's going to melt all of our hearts right out of our chests. If she'd done it right away it wouldn't feel as special as it's going to feel when it eventually happens because she feels it (not just because it's a fact).

As for her calling him Serkan Bolat, I think it's adorable. That's how she knew him before, it would be weird if she called him anything other than that or Baba, (like Serkan or Abi) because then it would be like she was settling on that, but calling him by his full name, which is such a part of his identity, is cute and charming and pays tribute to the interactions they had before they knew of their relationship, and it's a signal that it's only temporary. Baba is coming, don't worry.

Loved Kiraz showing Serkan her room and all of her things, and really loved Eda standing there, smiling, soaking it in. I've seen a lot of criticism of Eda in this episode and she did have a few moments that were unnecessarily harsh, but I think it's also valid to give her a minute to adjust because this is a lot of change in just a couple of days. While she now knows Serkan had understandable, and even noble, reasons for what he did and said, that still doesn't erase the heartbreak and pain he put her through, or the 5 years of being a single mother and not having anyone to consult or needing to consult anyone on decisions regarding Kiraz.

I do think, though, that we didn't see Eda give him enough credit when he covered for her lies to Kiraz. When Kiraz asked her why she didn't tell her Serkan Bolat was her father and then asked him when mom didn't answer, he could have easily told the truth and thrown Eda under the bus, big time, but instead he comes up with something that passes as an explanation, doesn't make anyone a villain, but also doesn't make him look great. I wish we'd seen Eda recognize that. It was a magnanimous gesture on his part, since he and Kiraz were the ones who were lied to for 5 years.

However, her running a bit hot and cold this episode makes sense. On one hand when she's around him her heart feels that strong orbital pull towards him. She loves him. She always has loved him, she always will love him. Just like with Serkan, that will not change, and obviously didn't after heartbreak and separation. But it also makes sense that at times her head takes over and with it the fear and the memory of the pain and she freezes up a bit. It doesn't ding her or their love, she just needs time to let herself believe that this is really happening. That Serkan is back, that he still loves her, that he loves their daughter and wants to be a father and form a family. From the way she recorded those videos, how many times do we think she dreamed of them being a happy family together? I'm guessing a lot. Now it's within her grasp and I think she just needs to be sure that Serkan is for real before she fully succumbs to this dream.

She also needs to get over her pride, I'm sure there's a part of her (Ayfer's voice) telling her a woman doesn't go back to a man who hurt her that badly. But as we saw, girlfriend was snuggling with his shirt, she still has it so bad for him. But, pro tip, Eda, he wanted to stay the night, wouldn't it be so much more fulfilling to snuggle with the real thing? I promise it would... just let him in. The lawn scene was hilarious. Kerem is really and truly a gifted physical comedian. We know how tight the timelines are on this show and they don't get to do a lot of takes, but his stumbling over the furniture and falling was flawlessly done. Hande was great too... that bat! Of course the sexual tension in the robes and towel scene was magnificent. When she first walked in wearing that towell I thought my man was going to combust. That look on his face, priceless.

Speaking of priceless, what first-day Baba makes his little girl's dreams come true like Serkan Bolat does? Staying up all night to build her flying house? MY HEART!

What a fantastic first gift. It was incredibly thoughtful, it was meaningful to the two of them, and it was also Serkan giving a piece of himself (using his skills in what he does best as an architect) to her.

Absolute perfection.

And how sweet that Serkan wanted to spend the day with her alone!?! I really liked that because we all know he loves Eda, he wants Eda back, and he will use any excuse to spend time with Eda. And he could have done that here, but he doesn't. So the fact that he wanted to spend the day alone with Kiraz, clearly illustrates that his interest in Kiraz, his desire to be her father stands on it's own. Kiraz is not just an excuse to get close to Eda, he is pursuing both relationships, and they are both important to him.

Also you said that you have mixed emotions on the way Eda spied on Serkan, that she doesn't trust him, but honestly I really don't think it's about that. She might have been a little discombobulated by the idea because the man has never really spent any time with children and here he's thrust into fatherhood, but she trusts him and knows Kiraz is safe with him. Honestly, I think her biggest driving factor in following them is FOMO.

She doesn't want to miss this! She has wondered what kind of father he might be for years, and now she wants to witness it. She wants to be there and see what he's like when he's spending time with her. She also wants to be a part of it, and a part of her might be a little jealous. For years she's been the only parent, and now another parental bond is forming and it's natural she is curious what that's going to look like.

Melo even sees through her during their conversations while they're out spying. Eda pretends it's because she's worried that Serkan doesn't know what he's doing, but Melo susses out that it's really because she missed Serkan. I think she really just wanted to be a part of it.

And her ulterior motives are exposed when she reacts with jealousy over the park moms and then with Hulya. She's jealous over Serkan, but also over what it might mean if Serkan had a woman in his life that's not Eda. (Real simple way to ensure that doesn't happen, Eda, just saying). On first watch it was a little frustrating to watch Eda be upset about Huyla and not have it cleared up immediately. However, on the second time through I found it incredibly enjoyable to watch. Hilarious even. Knowing that Serkan is going to let her off the hook just a few minutes later, and it's not going to be a drawn out misunderstanding, it's very fun to watch him just totally bask in her jealousy. The way he sits there and giggles and is just so chuffed at her display was very endearing. Since he's been celibate for 5 years, I suppose he's earned an incrediulous laugh at her thinking he has all these women on the line.

Eda is not wrong to be concerned about the Bolat's ability to spoil Kiraz with material things, Aydan can get out of control, however I can't be mad at the pony. The girl asked him if he had horses the first day they met, she said she wanted a dad like Serkan who had horses, he HAD to get her one she could actually ride! The girl was deprived of her father for 5 years because both of her parents are stubborn, so, let's be real, she kinda deserves a pony. Besides Eda should be more worried about the "spoiling" she gets from her camp, where she, Ayfer, Melo and Burak let her get away with constantly running away/running wild, eating ice cream whenever she wants, being rude to strangers etc. The fact that she's taught it's okay to knock a customer's water over without apologizing is more damaging to a forming personality than a pony. (Yes, that was another dig at Burak.) The point is, spoiling isn't only about material things, and from the glimpses we've seen of Baba Serkan he's already taught her about taking responsibility (confessing to breaking the window and apologizing), being self sufficient (tying shoelaces, putting pjs on herself), and setting behavioral boundaries (don't shoot arrows at people in hotels, you shouldn't hug strangers). He's going to be a very good influence in her life, because despite growing up with material privilege the man believes in hard work, effort and personal accountability.

Anyway, loved that when Serkan told Eda about dinner with Engin/Piril/Can she looked so secretly pleased when she casually agreed to go. I think that goes hand in hand with why she was spying, she won't let herself admit it, but she so badly wants them to do things as a family. That was part of her tug o' war this episode. Wanting that, but then suddenly worrying that maybe she shouldn't want that after everything that's happened, those feelings are helped along by Ayfer's judgemental looks and comments, and Burak trying to assert his place and Eda maybe feeling guilty.

Eda's behavior at dinner perfectly summarized the war going on between her head and heart this episode. First she fights with Serkan, going so far as to tell him she hates him, but the second she gets good news she flings herself into his arms. He's the person she wants to celebrate with, he's the person she wants congratulations from. So even if she was mad at him, she can't help herself. Also thank you Engin for telling Eda how Serkan lost weight and didn't come to work for months after she left. Those are important things for her to know. Also reinforced later by Aydan.

And thank you, Jan, for planting that fear of her dad leaving again with Kiraz, because it gave us sleep over at the Bolat house. It also gave us Kiraz asking Serkan if he will leave her. A good question and I'm glad we have Serkan's promise to never leave her. Just with the way tragedy (and meddling family members and obsessed stalkers) seems to find both Eda and Serkan, it's good he's made that promise. And it's good that he knows she needs that promise.

Now onto the secret room. I suppose if you're going to keep all of that and you have a large house, then you might as well keep it in a special room. This was a huge missing piece for Eda. Something tangible that she can see with her own two eyes that proves that he never forgot her and has been pining for her since the day they parted. I thought Eda was suitably touched by it all, and the fact that he got her gifts for every birthday. Anyone else think that they're going to get married on the beach and she's going to wear those flip-flops, that white dress, and the locket when they do? That's what sprung to my mind. The Neslihan scarf product placement made me roll my eyes, though.

To be honest I really didn't care what the gifts were, all I cared about was that thank you cheek kiss. I DIE. The birthday-present-thank-you cheek kiss he gave her in 7 is one of my all time favorite scenes and this parallel was a long time coming and wonderfully executed. And then they delivered on the USTy stare off where they clearly want to make out, but they're not quite there yet. It was going to have to be Eda that broke them out of it, because up to Serkan they either kiss or he stares at her for the rest of time.

Did anyone else feel a crick in their back, neck, legs at how Eda slept on that couch? Serkan was as comfy as can be, stretched out using her legs as a pillow and her torso as a blanket, lol. I wish the editors would have given us a couple of more seconds lingering on them all contorted like that. It was too precious. It would have been sweet if they'd had Kiraz find them and watch them for a minute before waking them up. Show the parent-trapping gears turning in her mind.

Buba absolutely deserved Serkan showing up to spoil his outing. And of course both ladies instantly gravitated to Serkan. I liked this scene because it gave us over-the-top BDE Serkan, a whiff of "Drain the pool" Serkan, the comedy of Engin and Serkan doing the Cyrano thing, and the obvious little "fish" measuring metaphor. But what I really liked was Eda telling him that he didn't need to try so hard to win Kiraz, that he just had to be himself. That was important and lovely, and illustrated to him that she really did want him to develop a good relationship with Kiraz.

The best moments of the episode for them, though, came during their family stargazing outing. Loved Serkan's extra safety precautions, including the mirror just so he can see her in the backseat. Though, if he's that concerned about it, maybe a larger car, lmao? Kiraz tricking them into kissing was an auspicious start to the evening, hopefully that's a taste of things to come. I'm here for her forcing the two of them into intimate situations.

The way Serkan was looking at the two of them throughout the stargazing was something else. He was looking at them with such longing. Like he couldn't believe they were so close, but he wanted them so badly. DUDE, they are right there, continue to play your cards right (and not let Ayfer and Aydan spoil things, spoiler alert, they do) and you're just days away from having everything you want. Loved that he changed the Apollo story to give it the happy ending he wants. Hopefully, that gave hope to any doomsdayers out there that think this show is going to end in tragedy. (Spoiler alert, it's not).

The only shame is that they have that nice (if not detached from reality conversation since they pretend they're not going to be together raising Kiraz) adult conversation about cooperating and working out how they're going to deal with Aydan and Ayfer, only for things to go totally off the rails during said conversations. As I said off the top of this marathon post, it was totally unbelievable in the context of the rest of the episode, but as I always say you can't take this show too seriously, and I prefer to just enjoy the situations as they come and not get too annoyed when they take these writing shortcuts to drive the plot. I plan on very much enjoying Eda and Serkan forced to live together while they're (or at least she) is still pretending they're not going to end up together. Looks like next week is another fun romcom romp, and I'm here for it!

#Sen Çal Kapımı #sen cal kapimi #edser #serkan bolat #eda yildiz #serkan x eda #sck episode discussion #edser discussion #sckask #sck 2x44 #sck 2x05 #asklizac #you knock on my door #love is in the air #anonymous

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