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#Leslie J. Anderson
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YOUR HOMEWORLD IS GONE
Leslie J. Anderson
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typhlonectes · 1 year
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Siren Song by Leslie J. Anderson
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seekingstars · 9 months
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Sirens Don't Drown Men - Leslie J. Anderson
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Leslie J. Anderson
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politicaldilfs · 2 months
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South Dakota Governor DILFs
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Dennis Daugaard, Nils Boe, Richard F. Kneip, Walter Dale Miller, Leslie Jensen, Bill Janklow, Archie M. Gubbrud, George T. Mickelson, George S. Mickelson, Frank Farrar, Harlan J. Bushfield, Mike Rounds, William H. McMaster, Ralph Herseth, Carl Gunderson, Merrell Q. Sharpe, Joe Foss, Sigurd Anderson
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allsystemsblue · 2 years
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🥺 Thank you for sharing this with me, Lena. 🖤
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flayingnewflesh · 9 months
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ms bootblack 1999 leslie j anderson in attendance at the 2018 international ms leather contest
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simmyfrobby · 9 months
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― Sirens Don't Drown Men, Leslie J. Anderson
Hockey Poetry Post 62/?
(Photo credit: Patrick Smith, Justin K. Aller, Jeanine Leech, Jeff Bottari, John Locher, Peter Diana, Ethan Miller, Jeff Bottari, Jeff Bottari)
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As promised, now that we're a few days out from the final submissions deadline, here is a list of all the actors who have been submitted and will be in the bracket so far! If you submitted someone and they aren't on this list, there is a chance I felt they fell into that category of not really having a super strong connection to sci fi/fantasy generally and where the roles noted for them weren't necessarily roles that they're very well known for, or in a couple of cases there were people submitted where the work listed for them was all post 2000. But there were only a very small handful of actors like that; I think almost everyone submitted should be on here.
The final deadline for submissions will still be April 27th. I'll make another post before the polls start with the finalized list of actors for the tournament.
The current list of actors is below:
Bruce Campbell
Tom Baker
Leonard Nimoy
Alex Winter
Mandy Patinkin
Gene Wilder
Jeff Goldblum
Danny John-Jules
Ricardo Montalban
Miloš Kopecký
Tim Curry
William Russell
William Forward
Michael O'Hare
Richard Biggs
Ed Wasser
Michael J Fox
Alec Guinness
Keanu Reeves
Colm Meaney
Clancy Brown
Jeff Conaway
Haruo Nakajima
Paul Darrow
Peter Jurasik
Stephen Furst
Scott Bakula
Andreas Katsulas
René Auberjonois
Armin Shimerman
Donald Sutherland
Kurt Russell
Christopher Lloyd
Jerry Doyle
Fredric March
Alexander Siddig
Bill Pullman
Arnold Vosloo
Keir Dullea
Lionel Jeffries
Buster Crabbe
Boris Karloff
DeForest Kelley
Laurence Fishburne
Ray Bolger
Jeffrey Combs
Andrew Robinson
Michael Dorn
Peter MacNicol
Richard Dean Anderson
Kyle McLachlan
Sam Neill
Mark Hamill
LeVar Burton
James Spader
Peter Weller
John de Lancie
Bruce Boxleitner
Avery Brooks
Jonathan Frakes
Patrick Stewart
Patrick McGoohan
Charlton Heston
Arnold Schwarzenegger
Wesley Snipes
Billy Dee Williams
Bela Lugosi
Val Kilmer
David Bowie
Dick Van Dyke
Doug Jones
Oded Fehr
David Duchovny
Jerry O'Connell
Mitch Pileggi
Michael Shanks
Nicholas Lea
James Doohan
George Takei
Leslie Nielsen
Warwick Davis
Vladimir Korenev
Walter Koenig
Garrett Wang
Rutger Hauer
Rick Moranis
Will Smith
Harrison Ford
Gareth Thomas
William Shatner
Ben Browder
Claude Rains
Tim Russ
Colin Clive
Brent Spiner
Peter Davison
Michael York
Nicol Williamson
James Marsters
Frazer Hines
Nicholas Courtney
Cary Elwes
Chris Sarandon
Lance Henriksen
Bill Paxton
Christopher Reeve
Christopher Lee
Peter Cushing
Raul Julia
Brendan Fraser
Rod Serling
Paul McGann
Anthony Stewart Head
Karl Urban
James Stewart
Mark Goddard
Guy Williams
Alan Rickman
Gary Conway
Vincent Price
Edward James Olmos
John Philip Law
Kerwin Matthews
Patrick Troughton
Ken Marshall
Patrick Swayze
Peter Capaldi
Andre the Giant
Cesar Romero
David Boreanaz
Alan Napier
Roger Delgado
Georges Méliès
Harry Hamlin
Duncan Regehr
Joe Morton
Ernie Hudson
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dickfuckk · 1 year
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A list of season 2 cast and crew members, confirmed and speculated
I will try and keep this updated
Not counting the obvious ones
Please note that this is a list of both cast and crew members, so PAs and such are also included and not just actors
Also if you're interested: on my bts instagram I only follow people who have worked on season 1, and people I suspect worked on season 2. So feel free to go through the list of people I follow if you're into that
A
Aaron Morton (Camera) - he’s listed on the very last picture as the camera-man
Adam Stein(Writer)
Alan F. (English solider)
Alexandria S.
Alison Telford (Casting)
Alistair Gregory - from this tweet so uncertain, but followed me back on my bts instagram account so seems to have some interest in ofmd
Amy Barber (Sound department)
Amy Tunnicliffe
Amanda Grace Leo
Amanda M. (Wedding guest)
Andrea Basile (Costume)
Andres Gomez Zamora (Visual effects)
Andrew DeYoung (Director) - I don’t remember if there was any other reason than the fact that he was in Aotearoa during filming
Andy McLaren (senior art director)
Andy Rydzewksi (Cinematographer)
Angelina Faulkner (Sound department)
B
Blair Nicholson (Camera)
Blair Teesdale (Camera)
Brad Coleman (Visual effects)
Brad McLeod (Special effects)
Brian Badie (Hairstylist)
Bronson Pinchot (“Torturer”)
Bryn Seager - I don’t remember why but I follow him
Bryony Matthew (Food stylist)
C
Caleb Staines (Camera)
Chantel Partamian (Visual effects)
Colin Elms (Art department)
Colin Rogers (Sound department)
Cora Montalban (Makeup and/or hairstylist) - I believe she was tagged in an instagram story once, and she’s followed by a ton of cast and crew members
Corrin Ellingford (Sound department)
Corey Moana (Camera)
Corry Greig (Art department)
Coti Herrera (Prosthetics/Makeup)
D
Damian Del Borrello (Sound department)
Daniel Fernandez (Spanish priest)
Danica Duan (Assistan accountant)
David Boden (production manager)
David G. (Stand in)
David Rowell (Financial controller)
David Van Dyke (Visual effects)
Dennis Bailey (Hairstylist)- Leslie revealed that he’s there.
Dion Anderson (Rescue diver)
Don A. (Swampy Town folk)
Donna Pearman (Assistant accountant)
Donna Marinkovich (set decorator)
Doug McFarlene (Pirate)
Duncan Nairn (Visual effects)
E
Eliza Cossio (Writer)
Erroll Shand (Prince Ricky)
Esther Mitchell (Camera)
F
Fernando Frias (Director)
G
Gareth Van Niekerk (Sound department)
Gary Archer (dental prosthetics)
Gemma Campbell (Visual effects)
Grant Lobban
Greg Sager (Safety manager)
Gregor Harris (Camera)
Gregory J. Pawlik Jr. (AD)
Gypsy Taylor (Costume designer)
H
Haroun Barazanchi (Set designer)
Harry Ashby (AD)
Helene Wong (Voice work)
I-J
Jacob Tomuri (Stunts)
Jaden McLeod
James Crosthwaite (Set decorator)
Jamie Couper (Camera)
Jason Samoa, possibly spotted on location
Jemaine Clement, pretty sure this is only based on his friendship with Rhys and Taika tbh
Jes Tom (Writer)
Jessica Lee Hunt (Makeup artist) - followed by a ton of crew and cast members and I believe she’s been tagged in instagram stories and such
John Mahone (Writer)
Jonathan Bruce (Sound department)
Jono Capel-Baker (Groom)
Jonno Roberts didn’t get the role from his audition, but could still have gotten a different role - hung out with Ruibo
Judah Getz (Sound department)
Julia Huberman (Sound department)
Julia Thompson (Costume)
Justin Benn (Republic of Pirates Town)
K
Karl L. (Action extra)
Kate Fu
Kate Leonard (Casting)
Kathleen Zyka Smith (“Red Flag”)
Kosuke Iijima (Fabricator/Sculptor?) - due to interaction on this post
Kris Gillan (Fabricator/Sculptor)
Kura Forrester - followed by quite a few cast and crew members, but I don’t remember if there was anything else to it
L
Laura Stables (SFX makeup artist)
Leanne Evans (Art department)
Lee Tuson
Leslie Jones (Spanish Jackie) - she’s spoiled this so many times, but gjfhdks
Leyla - followed by a lot of cast and crew members, don’t remember if there was more to it than that
Lindsey Cantrell (Set decorator)
Louis Flavell Birch (Blue coat)
Luke V. (Stand in)
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🌈 Queer Books Coming Out in April 2024 🌈
🌈 Good morning, my bookish bats! Struggling to keep up with all the amazing queer books coming out this month? Here are a FEW of the stunning, diverse queer books you can add to your TBR before the year is over. Remember to #readqueerallyear! Happy reading!
[ Release dates may have changed. ]
❤️ Spring on the Peninsula - Ery Shin 🧡 When I Arrived at the Castle - Emily Carroll 💛 Bloodline - Jenn Alexander 💚 Grey Dog - Elliott Gish 💙 Every Time You Hear That Song - Jenna Voris 💜 I'm in Love with the Villainess v. 2 - Inori and Hanagata ❤️ The Caravaggio Syndrome - Alessandro Giardino 🧡 Leather, Lace, and Locs - Anne Shade 💛 Firebugs - Nico Bulling 💙 I Married My Female Friend v.2 - Shio Usui 💜 The Final Curse of Ophelia Cray - Christine Calella 🌈 A Sweet Sting of Salt - Rose Sutherland ❤️ The Selected Shepherd: Poems - Reginald Shepherd 🧡 Rough Trade - Katrina Carrasco 💛 Aubrey McFadden is Never Getting Married - Georgia Beers 💚 Taming of a Rebel - Eada Friesian 💙 Dayspring - Anthony Oliveira 💜 The Titanic Survivors Book Club - Timothy Schaffert ❤️ Orphia And Eurydicius - Elyse John 🧡 The Fellowship of Puzzlemakers - Samuel Burr 💛 A Good Happy Girl - Marissa Higgins 💙 Winnie Nash Is Not Your Sunshine - Nicole Melleby 💜 Here We Go Again - Alison Cochrun 🌈 Women! In! Peril! - Jessie Ren Marshall
❤️ Blood City Rollers - V. P. Anderson and Tatiana Hill 🧡 The Prospects - KT Hoffman 💛 Crazy Like a Fox: Adventures in Schizophrenia - Christi Furnas 💚 WATCHNIGHT - Cyree Jarelle Johnson 💙 Love From The Sidelines - Tuesday Harper 💜 The Pleasure in Pain - Roxie Voorhees ❤️ Mal - Perla Zul 🧡 The Black Girl Survives in This One - Desiree S. Evans and Saraciea J. Fennell 💛 Darker by Four - June C.L. Tan 💙 Otherworldly - F.T. Lukens 💜 Hearts Still Beating - Brooke Archer 🌈 Tryst Six Venom - Penelope Douglas
❤️ Teenage Dirtbags - James Acker 🧡 The Heart Wants What It Wants - D.M. Batten 💛 Something Kindred by Ciera Burch 💚 Sheine Lende - Dr. Darcie Little Badger & Rovina Cai 💙 Rainbow Overalls - Maggie Fortuna 💜 Flowers for Dead Girls - Abigail Collins ❤️ Canto Contigo - Jonny Garza Villa
❤️ Court of Wanderers - Rin Chupeco 🧡 Molten Death - Leslie Karst 💛 Triad Magic - ‘Nathan Burgoine 💚 You, Me and Bad Movies - Twoony 💙 The Faithful Dark - Cate Baumer 💜 A Case for Discretion - Ashley Moore ❤️ Party of Fools - Cedar McCloud 🧡 The Last Love Song - Kalie Holford 💛 This is Me Trying - Racquel Marie 💙 Dear Wendy - Ann Zhao 💜 Sun Eater - Dre Levant 🌈 The Breakup Lists - Adib Khorram
❤️ Bad Dream - Nicole Maines & Rye Hickman 🧡 If We Were Stars - Eule Grey 💛 The Broken Lines of Us - Shia Woods 💚 Eye of the Ouroboros - Megan Bontrager 💙 Henry Henry - Allen Bratton 💜 Dear Bi Men - JR Yussuf ❤️ Paige Not Found - Jen Wilde 🧡 Mechanic Shop Femme’s Guide to Car Ownership - Chaya Milchtein 💛 Wide Awake Now - David Levithan 💙 Merciless Saviors - H.E. Edgmon 💜 Smile and Be a Villain - Yves Donlon 🌈 Crash Landing - Charmaine Anne Li
❤️ Call Forth a Fox - Markelle Grabo 🧡 Central Avenue Poetry Prize 2024 - Beau Adler 💛 Good Bones - Aurora Rey 💚 Curiosities - Anne Fleming 💙 Someone You Can Build a Nest in - John Wiswell 💜 Revisiting Summer Nights - Ashley Bartlett ❤️ Bright Spring - Emmaline Strange
❤️ Girls Night - I.S. Belle 🧡 Late Bloomer - Mazey Eddings 💛 Withered - A.G.A. Wilmot 💚 A Wolf Steps in Blood - Tamara Jerée 💙 It Always Finds Me - Anthology 💜 Dulhaniyaa - Talia Bhatt ❤️ Moon Dust in My Hairnet - JR Creaden 🧡 Blood Justice - Terry J. Benton-Walker 💛 Relinquishing Control - J.J. Arias
❤️ Selamlik - Khaled Alesmael 🧡 Houseswap 101 - Jaime Clevenger 💛 Earthflown by Frances Wren & Litarnes 💚 Covenant v.1 - LySandra Vuong 💙 Honey - Victor Lodato 💜 The Dragonfly Gambit - A.D. Sui ❤️ Double Dyno - Sharon K Angelici & Taylor Rose
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denimbex1986 · 9 months
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'Scientific grunt work doesn’t render very well on the silver screen. But neither do most jobs, or for that matter, most people. When it comes to theoretical physicists and aesthetic appeal, it’s best to channel quantum mechanics and suspend your disbelief.
Enter Oppenheimer, where Brigadier General Matt Damon says things like, “This is the most important thing to ever happen in the history of the world!” And, “We’ve given them an ace. It’s up to them to play the hand.” No doubt these sentiments were actually delivered as 700-page memorandums, Pendaflex-foldered and date-stamped. But this is Hollywood we’re talking about. You’ll find little in the way of stationery here, at least not on screen. And when the occasional differential equation rolls into frame, writer/director Christopher Nolan cuts smartly away before the audience might nod off.
To Nolan’s credit, Oppenheimer is a terrifically researched film. But it’s a film nonetheless, and translating sprawling, decades-long military sagas via camera necessitates shortcuts. I’m not a vetted expert on nuclear history but I’ve dabbled, having acted as research assistant for a 2020 treatise on plutonium production. This is to say that I’m familiar with the players.
I know, for example, that Matt Damon is far too cuddly, good-looking, and agreeable to portray the irascible Leslie Groves, nicknamed “Greasy” by his fellow West Point cadets. I know that Niels Bohr, the Danish physicist with a famously soft, nigh-unintelligible voice, is misrepresented by Shakespearean enunciator Kenneth Branagh. Nolan’s rolodex runs deeper than Wes Anderson’s these days, and if there’s a gripe to be had with Oppenheimer, it’s that everyone involved is just too damned sexy.
But, again, this is Hollywood, and where Nolan leaves the beaten path of record he generally does so to sate our dopamine addiction. Come to think of it, I haven’t been inside an actual physics department in a while. Maybe the professors really are incredibly gorgeous.
Luckily for Nolan, the subject of his cinematic obsession was a high-cheeked academic anomaly. The poet Edith Jenkins, who overlapped with J. Robert Oppenheimer in leftwing circles, describes his “precocity and brilliance… his jerky walk, feet turned out, a Jewish Pan with his blue eyes and his wild Einstein hair.” Manhattan Project scientist Robert Wilson agrees, admitting that he was “caught up by the Oppenheimer charisma,” “his style, the poetic vision of what we were doing.”
No, Oppy’s jawline never approached the artful chisel of Cillian Murphy’s, but there are unmistakable parallels—a bit elfin, a bit skeletal—to be drawn. Certainly Oppenheimer availed himself of more mistresses than your average mid-century physicist. Nolan spends perhaps too much time focusing on one of them (Jean Tatlock, played by Florence Pugh) and mentions a second in passing (Ruth Tolman, a bit part Louise Lombard), while avoiding speculation of yet others, such as when Berkeley cops found grad student Melba Phillips sleeping in Oppy’s car somewhere in the Coastal Range, the professor himself suspiciously absent.
Oppenheimer’s messy personal life makes him an ideal candidate for exposé—look no further than Kai Bird and Martin J. Sherwin’s bestselling American Prometheus, Nolan’s source material. But here I’ll return to Hollywoodization, for it’s one thing to get wind of Oppenheimer’s foibles and quite another to see Florence Pugh writhing hallucinatorily on his lap during the 1954 AEC security hearings.
If Nolan goes too far in this film, if he stretches the Oppenheimer envelope past its roomy Pendaflex accommodations, it’s in the context of Oppy outside the Manhattan Project. Despite magnificent wartime subject matter—not all of which is touched upon—Nolan can’t quit his blockbuster tropes. Monochrome senate hearings, petty political twists (how is RDJ’s aide still employed?), Oppy’s fingers gracing Emily Blunt’s as she asks for a cocktail science primer.
Maybe audiences require such touchstones to contextualize the rest of the film. Nolan seems to think so. But as the string section swelled during a trite turn in the relatively forgettable career of Lewis Strauss, I found myself wishing we could’ve stayed put in New Mexico, on the high mesa that forms this film’s heart.
Nolan’s feat comes in recreating Los Alamos, a critical American moment with more than enough narrative to forgo some of the politico-romantic schlock that drags this thing to a three-hour runtime. Fascinated by character, by gray morality, Nolan found Oppy such an attractive case study that it nearly steered his magnum opus (I do think this film qualifies) off track. Each of the factual and immensely complicated bomb-related obstacles—for example, thunderstorms the morning of the Trinity Test—holds a world-changing thrall entirely separate from the whims of one man, no matter how chiseled his jaw.
Speaking of moralistic study, there’s one character who escapes Oppenheimer scot-free: Matt Damon’s overly fit and preposterously understated Leslie Groves. “I’ve known General Groves since I was 2nd lieutenant,” said the real-world David Nichols (cast as Dane DeHaan) in a 1965 interview. “To start off with, I would say he is the biggest son-of-a-bitch I’ve ever met, bar none.”
“Impatient, brusque, intolerant,” writes Robert S. Norris in his comprehensive Groves biography Racing for the Bomb. “He had few close friends, and others generally kept their distance.”
“When you looked at Captain Groves, a little alarm bell rang ‘Caution’ in your brain,” said a colleague.
Damon bulked up, lumped up—whatever—for his role as Nike executive Sonny Vaccaro in this year’s Air. But it’s a serious leap from office park Vaccaro to Army taskmaster Groves, who even in his 1970 New York Times obituary suffered the redundant label of, “a chunky, heavyset man, with a tendency toward paunchiness.” More unfounded than Damon’s weight, however, is a good guy nature cultivated over decades of Good Will Hunting television marathons, Invictus advertisements, and so on.
Cillian Murphy’s shell-shocked victory speech presents a nice commentary on the ethical morass of atomic weaponry. But Damon/Groves makes for an even juicier moralistic target, and he’s let off the hook with that aforementioned one-liner: “We’ve given them an ace, it’s up to them to play the hand.” If anyone bore responsibility for detonating two atomic bombs over civilian populations, it was General Leslie R. Groves, the only person playing said poker game in the first place.
Racing for the Bomb explains, “Groves, sitting atop his security pyramid, was the only person who knew everything about the bomb project—more than the chief of staff, more than the secretary of war, more than the president.” He was therefore “singularly concerned with the bomb, with getting it finished, tested, and used, and his superiors deferred to him time and again to make the choices that would make this happen.”
Nolan illustrates how the bomb haunted Oppenheimer. Groves, cinematically absent after Trinity, showed no such regret. Critiquing the general’s 1962 autobiography Now It Can Be Told, the Saturday Review wrote, “Groves is motivated by a simple and all-sufficing patriotism that is untroubled by what others see in the atom. He does not probe for any new vision of national interest in the age he helped create.”
Simple and all-sufficing patriotism—sounds familiar. Make of it what you will.
The only Oppenheimer character who comes across as legitimately malevolent is Benny Safdie’s terrific Ed Teller. Maybe I fell for Teller because Safdie, a director by trade, looks more like a physicist than a cologne model. Still, I get the sense that Safdie studied his source material. When he pipes up about the “Super”—the hydrogen bomb—his eyes hold nary a flicker of regret. And he keeps doing so despite repeated disdain from his colleagues.
Look, I get it, I really do, on the attractiveness quotient. This is a movie, and if scientists and bureaucrats don’t suffice for a visual study then we’ll goddamn pretend. It’s only sensible that Ernest Lawrence— who, per physicist Jeremy Bernstein, “looked a bit like a country bumpkin”—becomes Josh Hartnett. That Lewis Strauss, a crooked-toothed self-made paper pusher, turns into silver fox Robert Downey Jr. I guess I even understand why Olivia Thirlby got thrown in out of absolutely nowhere, probably as Lilli Hornig, though I can’t recall her name being said aloud.
Nolan had to beautify this stuff because the big screen is a beautiful place. He gets most of the issues absolutely right, and I’ll be pulling for him come Oscar season. I doubt I’ll wind up remembering Emily Blunt’s Kitty Oppenheimer, Matthew Modine’s Vannevar Bush, or whoever the hell Rami Malek was supposed to be. But I’ll surely remember the Trinity Test, fingers trembling over that big red button, “10-9-8” and the towering explosion and the pressure wave—even if, no shade at Nolan, David Lynch already did it better on television.'
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brookezilla · 9 months
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I was tagged by @jubileen — ty luv.
Take this test https://openpsychometrics.org/tests/characters/ and share your top ten!
Having my top spot tied between someone in the Aaron Sorkin universe with someone from Nora Ephrons? Goals.
C J Gregg (West Wing) — 86%
Annie Reed (Sleepless in Seattle) — 86%
Sam Seaborn (West Wing) — 84%
Alexis Castle (Castle) — 82%
Angelica Schuyler (Hamilton) — 81%
Sally Albright (When Harry Met Sally) — 81%
Leslie Knope (Parks & Rec) — 78%
Donna Paulsen (Suits) — 75%
Angela Montenegro (Bones) — 73%
Blaine Anderson (Glee) — 70%
Does anyone see a common thread here?
tagging: @sophiedevereavx; @dvrkhcld; @biscuitboxpink; @thatonesquintern13; @modern-day-classic and anyone else who'd like to do this!
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scotianostra · 8 months
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Tragedy struck Midlothian on September 5th 1889 when Sixty-three miners, some as young as thirteen, died in an underground fire at Mauricewood Pit, Penicuik
The cause of which was never discovered, it was the worst mining disaster in the history of the Lothians. Most of them died from suffocation when smoke entered the ventilation system.
The following is extracted from “The Mauricewood Braves” one of Wilsons ‘Mining Lays, Tales and Folk-lore’ published 1916.
“The Mauricewood Pit, at Penicuik, near Edinburgh, took fire on September 5th, 1889, and sixty eight men and boys lost their lives.
The principal product from the pit was ironstone, although coal in small quantities was also produced. The pit had a vertical shaft of 480 feet then a level roadway eastwards of 180 feet and this was followed by a one in eight dip decline of 960 feet (Deaths Incline). Halfway down the decline a steam engine had been erected and another steam engine did duty at the bottom. The steam pipes traversed this route, and it was at the 800 ft slant that the fire broke out among the support timbers. The wood was tinder and inflammable, and it was soon apparent that the conflagration would spread and become disastrous. There were no other outlets to or from the lower level, and unless the men below received a warning note to give them a chance of escape, they must inevitably perish.
Three trapper and pony boys – Robert Hook Tolmie (my own surname but no relation) , aged 14; Michael Hamilton, aged 15; and Thomas Foster, aged 17 years, volunteered to go round the mine and warn all the men below of their danger, but the only shiftman there, his mate was away in another district of the pit- pleaded with the boys not to go away and said that he would go himself to warn the other men of the fires danger, but the boys in unison shouted as they ran
“No, we’ll go” ….. And they went. The brave boys never came back alive.
“They died to save” The bodies of the boys were afterwards recovered (surrounded by over twenty other bodies) near a trapdoor that had got blocked up in the meantime cutting off the avenue of escape. The mine was subsequently flooded to quench the fire that was raging in the workings, and over a year elapsed before the last body was brought to the surface.
The heroism and self-sacrifice of the three lads aroused sympathetic expressions and admiration throughout the mining world, and a monument marks their last resting place in the Penicuik’s KirkHill Cemetery.
Names of Dead
The alphabetical list of names below is from a report in the Scotsman. Among the names is a Robert Tolmie, I wonder if he was some sort of relation to my family, although I did know of some Penicuik Tolmie’s who were not related to us.
Thomas Adams, 7 Manderston Place
David Anderson, 1 Manderston Place
T Bennett, 4 Lindsay Place
William Brockie, 13 Walker Place
William Brown, 1 Lindsay Place
William Brown, Glebe
William Daly, 3 Fieldsend
J Davidson, Edinburgh Rd
Robert Dempster, father, 6 Lindsay Place
R Dempster, son, 6 Lindsay Place
William Dempster, 19 Walker Place
Robert Dickson, 13 Fieldsend
Thomas Foster 13 Leslie Place
John Fraser 27 Napier St
John Glass, Pryde's Place
William Grieve, 5 Leslie Place
C Hamilton, son, Greenlaw Cottages
Mitchell Hamilton, father, Greenlaw Cottages
Mitchell Hamilton, son, Greenlaw Cottages
Robert Hamilton, 4 Leslie Place - uncle of Richard Hamilton, brother-in-law of Robert Tolmie
Richard Hamilton, 4 Leslie Place - nephew of Robert Hamilton
Robert Hunter, Roads farm
William Hunter, 8 Walker Place- father-in-law of David Penman
Thomas Hunter, Pike
James Irvine, 10 Leslie Place
David Kinnimont, father, Roslin
Robert Kinnimont, son, Roslin
William Lamb, 5 Walker Place - son of Robert Lamb, Leven, Fife
George Livingstone, 22 Fieldsend
Alex McInlay, 12 Leslie Place
David McKenzie, 10 Lindsay Place
Hugh McPherson, father, 12 Lindsay Place
Peter McPherson, son, 12 Lindsay Place
Thomas Meikle, 5 Lindsay Place
William Meikle, father, 6 Leslie Place
William Meikle, son, 6 Leslie Place
Walter Meikle, 6 Leslie Place
Robert Millar, 3 Fieldsend - stepson of William Daly
William Miller, 3 Fieldsend - stepson of William Daly
Martin Morgan, Pryde's Place
G Muir, Greenlaw Cottages
David Penman, 8 Walker Place - son-in-law of Wm Hunter
George Pennycuik, father, 12 Walker Place
George Pennycuik, son, 12 Walker Place
D Porterfield (brother of Robert Porterfield)
Robert Porterfield (brother of D Porterfield)
James Porteous, 5 Walker Place
J Purves, 10 Lindsay Place
John Sinnott 7 Fieldsend
James Somerville, 18 Napier St
Alex Stewart, John Street
James Stark, nephew, Pike
M Stark, uncle, Pike
Thomas Strang, 2 Walker Place
Robert Tolmie, brother-in-law of Robert Hamilton
William Urquhart, Eskbridge
John Walker 4 Fieldsend
John Walker, James Place
Andrew Wallace, brothers, 2 Lindsay Place
David Wallace, brothers, 2 Lindsay Place
James Wright, brothers, 9 Lindsay Place
William Wright, brothers, 9 Lindsay Place
Matt Wright, 8 Leslie Place
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zorlok-if · 2 years
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I got an ask recently inquiring about any suggestions I have on learning to write/improving your writing. Since then I've been trying to come up with a helpful, coherent, and relatively concise answer, but that's taking a long time.
So, for now I'd say my biggest piece of advice is the cliché: if you want to become a better writer, read (or watch/listen to/etc.) everything you can. Everything. Engage with media from as many different creators as possible and from as many different backgrounds/experiences/cultures as possible. Seek out things you don't know a lot about. Venture into new territory and always try to expand your horizons. This includes engaging with media you would never drift towards naturally, even towards things you don't expect to enjoy (which isn't to say read things that will disturb you or be dangerous for your mental health, more that you should try reading things you know you won't love or that fall way outside your genre comfort zone). You can learn a lot about writing from things you don't like or aren't blown away by. I imagine it like XP farming in a video game. Even if some of what you're doing/reading isn't particularly exciting or interesting, it'll level up your writing skill all the same. You may come away with a better understanding of what you don't like and don't want to do. You may come away with some new idea you wouldn't have thought to include in your normal body of work. You may discover a love for something you never expected. Who knows?
This advice applies to more than books—watch shows or movies, play games, listen to podcasts or free YouTube lectures/video essays, whatever you want. Just try to reflect critically on what you encounter (for example, "how can I incorporate (or avoid) ___ in my own writing?").
If you want any recommendations, I'm more than happy to give some. If you want me to clarify any of these points, just let me know. And since it may interest someone/provide a point of reference as to what stuff I'm reading, here's an incomplete, visual (and hopefully somewhat helpful or interesting) snapshot into some of the media I'm engaged with. I present to you...
All the Items I Currently Have Checked Out from the Library:
(A Cautionary Tale)
Currently Reading:
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Hainish Novels & Stories, Volume One by Ursula K. Le Guin, Frank Herbert's Dune the Graphic Novel, Book One by Brian Herbert and Kevin J. Anderson (illustrated by Raúl Allén and Patricia Martín), Gideon the Ninth by Tamsyn Muir, American Gods (graphic novel) by Neil Gaiman, P. Craig Russell, and Scott Hampton, The October Country by Ray Bradbury, The Books of Earthsea, The Complete Illustrated Edition by Ursula K. Le Guin (illustrated by Charles Vess)
Just Read In or Found Through My Current Courses:
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Nat Turner (graphic novel) by Kyle Baker, Beloved by Toni Morrison, Dogeaters by Jessica Hagedorn (play adaptation of the novel), Bad Indians by Deborah A. Miranda
Fun Stuff/Miscellaneous:
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How to Slay a Dragon by Cait Stevenson, The Legend of Zelda: Link's Awakening (2019), Neuroqueer Heresies by Nick Walker, Unmasking Autism by Devon Price, PhD, 100 Prompts for Science Fiction Writers by Leslie and Jarod Anderson
Writing Books:
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How to Write a Mystery edited by Lee Child with Laurie R. King, On Writing Romance by Leigh Michaels, How to Write a Damn Good Thriller by James N. Frey, Writing Fantasy & Science-Fiction by Orson Scott Card, Phillip Athans, and Jay Lake, The Art of Time in Fiction by Joan Silber, Writing Without Rules by Jeff Somers, Fabulous Monsters by Alberto Manguel, The Art of Description in Fiction by Mark Doty, The Essential Guide to Freelance Writing by Zachary Petit, Beginnings, Middles, & Ends by Nancy Kress, Mastering Suspense, Structure, & Plot by Jane K. Cleland, 45 Master Characters by Victoria Lynn Schmidt
Cooking/Food Books:
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Pure Vegan by Joseph Schuldiner, The Soup Book (new edition), Neuroenology by Gordon M. Shepherd, The Italian Vegetable Cookbook by Michele Scicolone, Wine Simple by Aldo Sohm with Christine Muhlke, Cook Korean! by Robin Ha (graphic novel)
Coding Books:
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Sams Teach Yourself JavaScript in 24 Hours (7th Edition) by Phil Ballard, CSS: The Definitive Guide (4th Edition) by Eric A. Meyer & Estelle Weyl, CSS: The Missing Manual (4th Edition) by David Sawyer McFarland, Learning JavaScript (3rd Edition) by Ethan Brown
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Reading List
to be updated constantly
Articles:
"Why Women Online Can’t Stop Reading Fairy Porn" by C.T. Jones for Rolling Stone
"They Called 911 for Help. Police and Prosecutors Used a New Junk Science to Decide They Were Liars." by Brett Murphy for ProPublica
"‘I Think My Husband Is Trashing My Novel on Goodreads!’" by Emily Gould for The Cut
"Woman in Retrograde" by Isabel Cristo for The Cut
"The unwanted Spanish soccer kiss is textbook male chauvinism. Don’t excuse it" by Moira Donegan for the Guardian
"I Started the Media Men List" by Moira Donegan for The Cut
"What Moira Donegan Did for Young Women Writers" by Jordana Rosenfeld for The Nation
"The Key Detail Missing From the Narrative About O.J. and Race" by Joel Anderson for Slate
"The Coiled Ferocity of Zendaya" by Matt Zoller Seitz for Vulture
"OJ Simpson died the comfortable death in old age that Nicole Brown should have had" by Moira Donegan for The Guardian
"Norm Macdonald Was the Hater O.J. Simpson Could Never Outrun" by Miles Klee for Rolling Stone
"Trans Stylists and Makeup Artists Are Reshaping Red Carpet Looks. Will They Get the Credit They’re Due?" by James Factora
"The ‘perfect Aryan’ child used in Nazi propaganda was actually Jewish" by Terrence McCoy for The Washington Post
"There Are Too Many Books; Or, Publishing Shouldn’t Be All About Quantity" by Maris Kreizman for Literary Hub
"An O.J. Juror on What The People v. O.J. Simpson Got Right and Wrong" by Ashley Reese for Vulture
"Super Cute Please Like" by Nicole Lipman for N + 1 Magazine
Essays:
Not That Bad: Dispatches from Rape Culture edited by Roxanne Gay
Creep: Accusations and Confessions by Myriam Gurba
"On Chappell Roan and Gen Z Pop" by Miranda Reinert
"In Memory of Nicole Brown Simpson" by Andrea Dworkin
"My Gender Is Dyke" by Alexandria Juarez for Autostraddle
"Columnists and Their Lives of Quiet Desperation" by Hamilton Nolan
Nonfiction:
Belabored: A Vindication of the Rights of Pregnant Women by Lyz Lenz
The Feminine Mystique by Betty Friedan
This American Ex-Wife: How I Ended My Marriage and Started My Life by Lyz Lenz
The Gentrification of the Mind: Witness to a Lost Imagination by Sarah Schulman
Savage Appetites: Four True Stories of Women, Crime, and Obsession by Rachel Monroe
The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory by Carol J. Adams
Eros the Bittersweet by Anne Carson
Who Owns This Sentence? A History of Copyrights and Wrongs by David Bellos & Alexandre Montagu
The Once and Future Sex: Going Medieval on Women's Roles in Society by Eleanor Janega
Moby Dyke: An Obsessive Quest to Track Down the Last Remaining Lesbian Bars in America by Krista Burton
University of Nike: How Corporate Cash Bought American Higher Education by Joshua Hunt
What it Feels Like for a Girl by Paris Lees
Female Masculinity by J. Jack Halberstam
The Theory of Everything Else: A Voyage Into the World of the Weird by Dan Schreiber
Stiff: The Curious Lives of Human Cadavers by Mary Roach
Better Living Through Birding: Notes from a Black Man in the Natural World by Christian Cooper
Rivermouth: A Chronicle of Language, Faith, and Migration by Alejandra Oliva
Unlikeable Female Characters: The Women Pop Culture Wants You to Hate by Anna Bogutskaya
Born a Crime: Stories From a South African Childhood by Trevor Noah
Caste: The Origins of Our Discontents by Isabel Wilkerson
The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick by Mallory O'Meara
Being Mortal: Medicine and What Matters in the End by Atul Gawande
Stone Butch Blues by Leslie Feinberg
Eyeliner: A Cultural History by Zahra Hankir
Against Technoableism: Rethinking Who Needs Improvement by Ashley Shew
The Wager: A Tale of Shipwreck, Mutiny and Murder by David Grann
Know My Name by Chanel Miller
Empire of Pain: The Secret History of the Sackler Dynasty by Patrick Radden Keefe
Novelist as a Vocation by Haruki Murakami
Rape-Revenge Films: A Critical Study by Alexandra Heller-Nicholas
Fiction:
To the Lighthouse by Virginia Woolf
Middlemarch by George Eliot
Just as You Are by Camille Kellogg
Just Happy to Be Here by Naomi Kanakia
The Misadventures of an Amateur Naturalist by Ceinwen Langley
Family Meal by Bryan Washington
Jurassic Park by Michael Crichton
The Mountain in the Sea by Ray Nayler
Ring Shout by P. Djèlí Clark
My Heart Is a Chainsaw by Stephen Graham Jones
An Island Princess Starts a Scandal by Adriana Herrera
Blackouts by Justin Torres
We Do What We Do in the Dark by Michelle Hart
Never Let Me Go by Kazuo Ishiguro
Less Is Lost by Andrew Sean Greer
The Faithless by C.L. Clark
Project Hail Mary by Andy Weir
The Poppy War by R.F. Kuang
The Disenchantments by Nina LaCour
Everything Leads to You by Nina LaCour
Bliss Montage by Ling Ma
Pachinko by Min Jin Lee
The Institute by Stephen King
Jonathan Strange & Mr Norrell by Susanna Clarke
Frankenstein: Junji Ito Story Collection by Junji Ito
Her Body and Other Parties: Stories by Carmen Maria Machado
Young Mungo by Douglas Stuart
The Dark Forest by Liu Cixin
Snuff by Terry Pratchett
Travelers Along the Way: A Robin Hood Remix by Aminah Mae Safi
Only a Monster by Vanessa Len
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