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comradekatara · 27 days

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sokka, katara, and the paradox of “the gifted child”

something i’ve noticed is a tendency to (mis)characterize sokka as someone who is dismissed due to being a nonbender, when that’s only partially true. sokka is certainly dismissed by some for not being a bender (namely, by benders), but i think there’s a key difference between being dismissed and not being valued in one specific way. katara was valued by her tribe for being a waterbender for the very crucial reason that she was the last one left. had she been a dime a dozen in her tribe, which would have been the case were it not for the systemic extermination of her people, she would not be valued as highly for possessing this skill. that said, while sokka clearly does hold some resentment over his lack of bending ability, calling himself “the guy in the group who’s regular,” i think it’s folly to assume that this means that sokka was dismissed and discarded as “average” while katara was put on a pedestal for being special. because while katara obviously was considered special, sokka is also clearly considered special by his family, merely in different ways. and if anything, sokka embodies the archetypal struggle of the so-called "gifted child” far more than katara does.

while sokka clearly believes himself to be disposable and intrinsically worthless, i don’t think that he was actively neglected by his family. even if katara was clearly marked by her bending as embodying the last hope of their tribe, that doesn’t mean that she was seen as more gifted than he was or was designated as her family’s obvious favorite. for example, the way hakoda talks about sokka (saying he trusted him with leading and protecting the tribe when he was thirteen, calling him a genius, and other such insanely high praises to heap on a child) shows that he clearly views his son as particularly exceptional and has never been shy about showing that. sokka is distinctly insecure around his father for assumptions he makes regarding hakoda's faith in his abilities and his insecurities when it comes to his perceived failure in not measuring up as a man, but from the second we meet hakoda, it's evident that these insecurities are entirely internal and completely unfounded, at least in terms of his father's perception of him. hakoda is nothing but incredibly proud of sokka, constantly emphasizing just how capable and brilliant he believes him to be. whether or not sokka is capable of internalizing it is another story, but it's clear that hakoda is not stingy in his praise and affection, not even a little bit.

moreover, while katara is clearly kanna’s favorite on an emotional level, she nonetheless affords sokka far more respect. she admonishes katara and tells her to do her chores, and notably, she also impresses the importance of “listening to her brother,” and backs up sokka’s decision to banish aang from the village. you can claim that sexism plays a factor in how sokka views his own supposed position of authority, but kanna is a woman who traveled the entire globe as a teenager because she wanted to escape patriarchal impositions dictating her life. she’s simply far too smart to treat sokka as any sort of authority within their village if she did not fully entrust him with that responsibility. she treats sokka almost like a peer, as if she is legitimately co-running the village with a fifteen year old boy.

katara is only a couple years younger than sokka at most, but her dynamic with kanna is very different. on one hand, kanna clearly sees more of herself in katara, can identify with her sense of adventure and rebellious spirit, but on the other hand, it means that she views katara as a child to be taken care of, who needs to be reminded to do her chores and bailed out when she gets herself into trouble. sokka doesn't want to be viewed as a child, and so he does everything in his power to position himself as kanna's equal rather than her grandson. he takes his duties and responsibilities very seriously, and is obedient to a fault whenever he is submitting to any authority he actually respects, especially his father and grandmother. to be honest, a lot of what katara considers coddling is probably just sokka never being bossed around by their grandmother because she never actually has to tell him to do his chores. because despite katara's claim that he simply faffs about "playing soldier," sokka's problem is actually that he takes himself too seriously for her liking. and with the exception of kanna saying "be nice to your sister," which is the kind of teasing a parent says to their child, she clearly respects sokka's position in the village. when katara tries to run away with aang, kanna takes sokka's side and forbids her from acting impulsively, but when sokka is the one who packs supplies and plans to save aang, kanna gives them both her blessing.

katara is the only person who takes umbrage with the notion of sokka running the village and telling her what to do all day. and those frustrations have likely accumulated up from a lifetime of being told to “do as her brother says” and “why can’t she be smarter and more responsible and levelheaded blah blah blah.” she clearly thinks that she’s punching up when she yells at or mocks him, which may seem crazy to anyone who understands that sokka’s entire identity and existence revolves around being katara’s protector, but katara doesn’t actually know this. in her mind sokka is merely the perfect child who has always represented this impossible standard of “genius.” and what's more, he's absolutely insufferable about it.

and to be clear, this isn’t to say that katara herself isn’t highly intelligent, capable, competent, and skilled. she’s not only an incredibly talented waterbender, but also clever, quick, witty, creative, resourceful, practical, mature, and thoughtful in other ways. at one point, toph calls her a genius (“a stinky, sweaty genius”). and she is, indeed, an extremely powerful and innovative waterbender, both due to her hard work, but also because she is genuinely brilliant. that said, she’s smart in the realistic way that a kid is smart; she works hard to be good at what she cares about (and she has an existentially devastating reason to care about being a good waterbender, mind you), and she’s also good at thinking on the fly when she needs to. however, unlike sokka, or even toph, her intellect may be impressive, but it isn’t astonishing. sokka’s mind functions completely anomalously. i wouldn't say he's unrealistically intelligent, because i do know some people in real life who are similarly adept at processing all kinds of different information with the ability to deftly apply it near-immediately, but it is certainly abnormal, both for real world standards and within his universe.

i normally bristle at this term and its applications (for multiple reasons), but since it is explicitly stated multiple times across the show, it is important to acknowledge that sokka is referred to as a genius multiple times, including by his father. katara is referred to as being a genius by toph for using her own sweat to waterbend (which, as hama points out an episode later, isn't even that clever because you can literally bend water from the air around you); conversely, sokka is referred to as a genius for helping to invent hot air balloons and for figuring out multiple escape routes from the world's most secure prison in less than a day. we don't know the exact timeframe under which katara trained with pakku and earned the title of master, but she clearly worked incredibly hard to earn that title, not only as a master, but as the greatest waterbender in the entire world. i assume it was any time between a few weeks and a little over a month in which zhao would organize a fleet to arrive at the north pole, which is, of course, extremely impressive in itself and a testament to her passion and determination. however, on the other hand, piandao claims that sokka has basically mastered the sword and is ready to make his own within less than a day. it's important to remember that katara is also brilliant in her own way, and possesses great skills that sokka lacks: not only bending, but also midwifery, and an ability to locate her own emotions and allow herself to be vulnerable with others, two skills which should never be looked down upon for their association with womanhood and femininity, and are also particularly impressive considering just how young katara is. she is brilliant in her own right, and in any other family, katara would easily have been "the smart one." and yet, sokka is simply in a league of his own.

so, yeah, he can stand to get thrown around and yelled at; everyone her entire childhood just kept on impressing how special and perfect and brilliant he is, he can handle it. she has no idea that he is depressed, depersonalizes, loathes himself, and thinks he’ll never be good enough, because he never actually communicates any of that to her. the closest he ever comes is admitting that he’s jealous due to not having bending abilities, and even that shocks katara, even though it’s such a small and obvious admission in the scheme of things. she has no idea what’s going on with him psychologically, how he views himself in relation to others, and specifically in relation to her, so she kind of just assumes he’s entitled because surely he must know how special he is and thus feels owed accolades by the world at every turn. he deserves to be humbled, and she is in fact righteous for humbling him.

when she makes fun of him for being stupid or miserable or paranoid or cynical, she thinks she’s owning him the way a righteous underdog fights against an oppressor. it's similar to how zuko wants to "put azula in her place." in katara and zuko's minds, they are both the valiant underdog siblings who had to fight and struggle against the siblings for whom everything came so easily. and in katara’s mind especially, she is always punching up, and she always has a moral justification in lashing out at anyone she pleases. so she couldn’t fathom that the reason sokka puts up with her antagonism without complaint isn’t because he’s so above her that he can simply ignore her taunts and gibes without a care (if that were the case, he wouldn't bother to taunt and gibe in return), but rather that he feels so detached from his own personhood that he would never think to actually explain his feelings to the person whom he has defined himself through since childhood. and if he did ever, somehow, communicate that to her, she’d have to reevaluate their whole entire lives and dynamic. but he never will communicate that to her, so she’ll never actually have to do that.

moreover, even though katara often does tease sokka and cast doubt upon his competence and abilities in low-stakes situations constantly, whenever they are actually facing a real problem that requires an immediate solution, katara seems to forget that sokka is supposedly an unhelpful, lazy, immature idiot because she immediately turns to him to fix all their issues. and then once that issue is resolved, katara goes back to finding his existence bothersome. sokka, on the other hand, falls into this role of problem solver instinctually, with the one exception that when they actually name him as the idea guy, he jokingly complains that it’s a lot of pressure to be one who is always expected to come up with solutions. and while he is joking during that conversation in “the drill,” he’s being honest to an extent, because his perfectionism and fear of failure is truly dire.

when katara is faced with failure, whether as the consequences for her own actions or otherwise, she simply gets back up and tries again. she can’t be knocked down, she can’t be deterred from achieving her goals. she has a very healthy approach to making mistakes, and while she doesn’t always learn from them in the longterm, she does always try her best to fix them and amend the situation as immediately as possible. katara is someone who is incredibly resilient and is constantly demonstrating the sheer magnitude of her inner strength, especially in particularly difficult moments. she has the ability to fail as many times as it takes without letting that failure affect her own self-esteem or desire to keep striving for what she believes in.

sokka, on the other hand, is very physically resilient (he gets beat up a lot), but his emotional resilience is actually quite pathetic. he has no tools for coping with failure. from even the slightest mistake, like not actually being able to open the doors at the fire temple with his makeshift explosives, to a catastrophic one, like his failed invasion, sokka immediately retreats inward. in “the boiling rock,” sokka demonstrates how his first ever real failure that rests squarely on his own shoulders is so devastating to him that he becomes totally irrational and suicidal in an attempt to “rectify” the situation. he does not know how to cope with failure, because he expects himself to be perfect at all times. and it’s not because sokka is overly proud, but rather that his guilt complex is so profound that he blames himself for every single thing that goes awry at all times, even when it isn’t actually his fault whatsoever. so that guilt and shame is magnified a thousand fold when sokka is actually culpable for those losses.

one of many ways in which it is evident that sokka is the older sibling is that he clearly lives with the mentality that if katara messes up or gets herself in danger due to her own impulsive inclinations, it’s always actually sokka’s fault for not being a better, more attentive brother. when she sets off the booby trap in the banned ship, sokka banishes aang from the village so as to protect katara from herself. when katara experiences the consequences of heedlessly blowing up a factory, sokka gets mad at her for her recklessness, but also immediately finds a way to help her fix this situation, because that’s his job, and in fact, his primary purpose on this earth. this is a dynamic sokka has probably internalized even before he was assigned the role of her sworn protector, because that’s just how being the eldest is.

sokka’s tendency to take responsibility for everyone else’s mistakes and his desire to shoulder everyone else’s pain at all times, coupled with his implicit belief that he, uniquely, cannot afford to mess up ever (if other people make mistakes it’s fine and he can help them fix it, but if he makes mistakes he no longer has a purpose on this planet, goodbye cruel world), definitely indicates that he was held to an incredibly high standard all his life. he expects himself to be able to handle a lot of responsibility with perfect ease because he always has. he isn’t used to making mistakes of any kind. if he puts his mind into learning a new skill, he always masters it within a couple of days, whatever that skill happens to be. unlike katara, sokka is used to things coming easily to him, and what he isn’t used to is failure.

katara and sokka are both exceptional, of course, but in very different ways, and for very different reasons. katara grew up with a lot of external pressure to excel as a waterbender, because she needs to embody her cultural legacy and prove that her mother’s sacrifice was not in vain. it’s an unfathomable burden to place on a child, and the rate at which she improves her waterbending once she is actually given the resources to hone her skills is a testament to her perseverance and untiring dedication. katara becomes the greatest waterbender in the world not because she is a natural prodigy (which is something she bristles at when aang does display prodigious skill), but because she is incredibly determined and no one can outmatch the strength of her heart and unshakable commitment when she is pursuing a goal. as pakku even says, raw talent isn’t everything, and katara’s abilities prove that despite not being “naturally gifted,” hard work and determination is far more important when it comes to excelling in any given domain.

however, if katara’s motivation to be excellent is externally imposed by the tragic circumstances of her life, sokka’s motivations are, at the very least, internally maintained. as aforementioned, i have no doubt that he received a lot of external validation and praise from the adults in his life as a child with a dazzling, brilliant mind. as has been established, sokka is constantly displaying an ability to synthesize new information at a staggering rate, which likely means that before katara had even discovered her ability to waterbend, sokka was probably being fawned over for the impressive rate at which he was picking up new skills as a baby. since pretty much everything (cerebral, at least) comes easily to sokka, i can only imagine that hakoda, who never hesitates to express to his children how proud he is of them, would constantly affirm sokka’s intellect. and by boasting that sokka takes after himself (hakoda also refers to himself as a genius, completely sincerely), he unwittingly plants the first seeds in fostering sokka’s belief that he must be exactly like his father in every way, and that any deviation from hakoda’s image would prove him unworthy. but he will never be the spitting image of hakoda the way that katara is "the spitting image of kanna" because sokka is already the spitting image of kya, if not – perish the thought – his own person entirely.

unlike katara, who spent her whole childhood trying to waterbend by herself with little success (beyond, of course, isolated instances demonstrating her sheer raw power when her bending was being influenced by her incredibly strong and passionate emotions), sokka always felt like he could handle the amount of responsibility he was given, because everything came easily to him. until the day that his life changed forever, and suddenly the stakes were no longer abstract, but tangible and personally devastating. sokka had never learned that it was okay to fail as a child because he never had a reason to, and then suddenly, he could not afford to fail under any circumstances. failure of any kind went from being a (purely hypothetical) blow to the ego, to being something that could directly endanger the lives of his loved ones. and so sokka decides that the only way to not be culpable for his potential failures is to be a martyr.

of course, there are instances in which sokka is proven to be inept, such as on kyoshi island or with piandao, wherein his humility and open-mindedness are put on display and sokka puts aside his own standards of perfection to learn from a master, but i don't think these instances qualify as failures. for one thing, sokka happens to master the forms he is being taught in less than a day, at an unprecedented rate, and thus these initially humiliating blindspots in his knowledge become victories as sokka absorbs new knowledge. sokka is always eager to learn, and willing to acknowledge his lack of expertise in area, humbling himself to learn from others any chance he gets. no, what i mean by "failure" as it relates to sokka's self-perception and ego is not a lack of knowledge, but an inability to protect another. to sokka, his existence is defined by his ability to provide and protect, and thus, a failure is, specifically, when someone gets hurt under his watch. that is what it means to not be able to afford to fail. he is not overly proud (if anything he is overly insecure), but he also understands that the stakes of failure – real failure – are tangible.

so when it comes to failure that carries grave consequences, he would rather be dead than fallible (or, responsible for not adequately protecting his loved ones), one million times over. and so every time someone makes a sacrifice for him, he feels as if he has failed on a fundamental level, because simply being exceptional is not enough, he must also bear the entire world’s suffering alone – as (in his mind) hakoda instructed him to when he left him behind to protect and provide for the village. otherwise he has failed in his promise to be needed, which is his raison d’être. sokka’s complex is very obviously not informed solely by his upbringing as a “gifted kid,” and in fact largely informed by the dehumanizing logic of war as it necessitates sacrifice, but his inability to accept his own fallibility as a product of his self-dehumanization is, at the very least, compounded by his debilitating perfectionism.

thus, katara and sokka's dynamic within their family isn’t “gifted kid and neglected kid,” but rather “two gifted kids who are gifted in different ways, one of those ways being valued more on a cultural level due to its scarcity as a byproduct of genocide.” while katara was put on a pedestal her entire life due to her ability to waterbend, it doesn’t mean that sokka wasn’t put on a pedestal in other ways. if anything, the reason hakoda entrusted a child with the burdens he did was specifically because he put his son on a pedestal. sokka assumes that hakoda didn't think he was capable enough to join his army, but that couldn't be further from the truth. hakoda trusted his thirteen year old son so much that he genuinely thought it best to leave him alone with this duty to defend his village and protect katara at all costs. he didn't leave a single man behind, not even the other teenage boys, because that's how much faith he had in a child to take his responsibilities seriously and perform them competently. and if that decision gave sokka one million different complexes and fucked him up for life, it wasn’t because he wasn’t valued for his abilities, it’s because he was overvalued and given too much responsibility at too young an age.

both he and katara struggled to live up to the expectations placed on them, forced to fulfill the roles of their parents instead of being allowed to exist as children. but crucially, katara sees the injustice in that, and clings to her childhood even as she strives for greatness, and sokka simply doesn't. he's long accepted that injustice, and in fact feels guilty that he cannot better live up to the impossible portrait of an idolized father, an idealized masculinity, an illusory model of the infallible, unshakeable warrior. despite all his achievements and natural giftedness, he nonetheless feels totally inadequate, deeply flawed, and ontologically worthless. perhaps, in a world beyond the pressures of war and its dehumanizing logic, sokka would have internalized the praise he was constantly receiving his whole life for his gifts. but since he was only ever a prodigy in ways that didn’t matter (within that colonized paradigm), he doesn’t actually care about how clever and brilliant and creative and talented and unique and special he is, because that would first require him to see himself as fully human, and he can’t even do that.

#analysis #sokka #katara #katara&sokka #hakoda #kanna #kya #hakoda&sokka #kanna&sokka #kya&sokka #kanna&katara #whew...! 20+ paragraphs about sokka and katara’s childhood. it’s more likely than u think (highly likely at all times)#see but this is why sokka is so clearly a mirror to azula to me #like not just in terms of crippling perfectionism and devastating fear of failure and being a child prodigy who is put on a pedestal #but simultaneously dehumanized etc etc #but also the fact that like. zuko treats her the same way katara treats sokka #he clearly thinks his immediate hostility and aggression towards her is like. him nobly fighting the battle against his tormentor #when that is literally his little sister and she is struggling so much and desperate for support from LITERALLY ANYONE #katara and zuko are like ‘let’s put azula in her place’ and high five #and that’s just so fucking apt because they truly do believe that it’s their duty to put their perfect prodigy siblings ‘in their place’#but those are truly two of the most miserable people on the planet #so to any outside observers it’s just like………. why are you being mean to them they’re literally suicidal and shaking like a leaf #but also everyone already knows that azula is the prodigious gifted sibling bc zuko says it like one million times #so there’s rly no need to argue that #whereas katara loves calling sokka an idiot so i do believe that some clarification is in order #but like. yeah there’s no way sokka was dismissed or neglected as a child #he’s dismissed and neglected by the world at large #but within his tribe he’s like a mini celebrity . he’s their young sheldon (sorry)#anyway im running out of room to write tags but um. perfectionism is a disease get well soon xoxo bye

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luxaofhesperides · 6 months

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Ghostlights as college roommates and maybe some identity shenanigans thrown in would be so fun! Maybe dannys doing a little vigilante work on the side as well to up the secret identity mayhem

Danny would like to say his college career is going well. Gotham isn’t where he was expecting to pursue higher education, but the engineering scholarship he got through the Wayne Educational Foundation was just too good to turn down. It even covered the cost of an apartment! Although, the apartment is shared with another student who got a Wayne scholarship.

Even with that, Danny lucked out and got a great roommate. Duke Thomas is chill, kind, respects Danny’s space and doesn’t throw wild parties or invite random people in at all hours of the day. He even joins Danny twice a week for study sessions!

Really, it would be the perfect college experience except for one thing: the ghosts.

Danny thought they’d stay in Amity Park. They had no reason to stray from the city where the portal was, and his parents are more than enough to keep most ghosts away. It took his friends, Jazz, and even Vlad to convince Danny that he wasn’t abandoning Amity Park and that the city wouldn’t fall while he took a few years to focus on himself.

He worried right up until he got to GCU and walked the campus for the first time. Then he decided to enjoy the four years he had on the scholarship to get his degree and live his own life like a normal person.

To say he’s pissed about the ghosts is an understatement.

The one thing he was looking forward to most is not being Phantom. Gotham is home to the Bats and they’re more than capable of handling everything in the city. It means there’s no need for him here and he can focus on school and enjoy going on invisible flights without worrying about being hunted down or having to fight a ghost.

“Are you fucking kidding me,” he mutters under his breath as he feels the familiar chill race up his throat, A cold mist wafts out of his mouth, curling around his words, and Danny quickly ducks his head and hides it from sight.

“Did you say something?” Duke asks, looking up from where he leans against the kitchen counter, squinting at a recipe on his phone.

“Nah,” Danny lies. “Just stressing.” He gestures to the papers he has spread out on the dining table, then stands up. “I’m gonna take a walk. Maybe that’ll get my brain to work correctly tonight.”

“Got your phone on you?”

Danny reflexively drops a hand to his pocket, checking that his phone is where it’s supposed to be. It’s what Duke asks every single time Danny mentions going out, worried about Danny being unprepared for Gotham. It’s nice of him, though Danny does wish he can say that he’s survived a lot worse than a few muggers.

“Got it.”

“Alright. I’ll try to work on dinner while you’re out.”

Danny nods and offers Duke a small wave before pulling his shoes on at the door. He grabs his keys and heads out, double checking that the door is locked behind him.

Then he glances around the hallway, checking that the coast is clear, and pulls up the chill of awareness in his chest. Slowly, he breathes out, watching the blue mist waft out and lead towards the stairwell.

“Wonder who it is this time,” he mutters to himself, going into the cold, concrete stairwell. It always feels a little off in there, as if he’s been removed from the rest of the world when the door closes behind him. His footsteps echo oddly in the space, so Danny chooses to fly instead, keeping his feet off the floor.

A few flights down is when he sees her: pale and translucent, a faint blue glow around her. She’s a familiar face. Emilia is one of the first of Gotham’s ghosts he’s met, leading to the rather unpleasant realization that ghosts don’t only come from the Infinite Realms. There’s a strange sort of magic in the very foundations of Gotham that makes it the way it is, creating ghosts that are different enough from what he’s used to that it leaves him off balance.

Gotham keeps her dead. Few get to pass on peacefully, and most have to wait until they grow weak and wither away, a second death, before they can be released from the living realm. The ghosts of Gotham are pale and weak, for the most part, and try to cling to him so grow stronger from his ectoplasm.

Most want him to help them pass on, or give them a way into the Infinite Realms. Some want him to bring justice to their killers. Others want to kill him and take his ectoplasm for their own so they can continue their reign of terror in Gotham, unable to be stopped even in death.

Emilia gives him warnings. It’s not always her, but she tends to be the one to draw him out of his apartment, pulling him into a vigilante lifestyle because he can’t bring himself to refuse anyone who asks for his help, and the dead in Gotham have no one else to ask.

“Danny,” she greets. “Nueve is out again. He’s going after the ghosts near Chantilly Street.”

“The sun isn’t even down yet,” Danny grumbles. Nueve, an old gang enforcer who died a few decades ago, cannibalizes other ghosts. It doesn’t destroy the other ghosts, not really, but it makes them feel pain when they shouldn’t be able to feel much at all. Taking their limited reserves of ectoplasm makes him momentarily stronger, and he uses that stolen strength to try to harm the living.

He’s been successful a few times. Danny makes sure to rip him apart as much as possible these days; he won’t be here forever, but he’s hoping that within his four years at GCU, he’ll be able to permanently stop Nueve.

Times like these, he misses having a Fenton Thermos with him. Though he’s not entirely sure it would work on Gotham’s ghosts with how different they are.

Emilia follows him down the stairwell to the ground floor. Once there, Danny shoves his hand into the floor, taking out the backpack he’s hidden in it. He’s done this change of clothes so often he can do it in just a minute now, hiding his face and pulling on gloves beneath a large hoodie with old ectoplasm stains along the sleeves and hem. A gas mask is pulled on as well, covering the bottom half of his face, a necessary addition to his Ghost Work Outfit™ after he almost got caught in some Fear Gas during Scarecrow’s last attack.

“Alright,” he says, “Lead the way.”

Emilia takes off through the wall and Danny hurries to follow, going invisible as he hits the streets.

It’s still early evening, the sun not yet fully set. Plenty of people walk along the sidewalks and cars pass by endlessly, honking at each other as they try to go twenty above the speed limit. Danny does his best to avoid running into everyone, deftly dodging the reaching hands of a few ghosts who spot him as he sprints by.

They only go a few blocks away from his apartment building, turning into a dead end alley where a group of teens (living, for once) are stuck with their backs to the wall, clinging to each other as they warily watch the man in front of them carelessly twirl a gun around his finger.

The man makes a strange clicking noise in the back of his throat, and it takes Danny a moment to realize that he’s trying to talk.

Still invisible, Danny sneaks around to stand in front of the teens, ready to bodily protect them. The man looks alive, and Danny see any ghosts around save for Emilia, standing at the mouth of the alley. There’s something strange about him; his movements seem just a little off, not quite as fluid as they should be. It’s not the movement of someone on drugs. It’s something that screams uncanny valley.

The gun’s handle drops solidly into the man’s palm. He makes another few clicks, then raising the gun to point at the teens.

“Bad idea, pal,” Danny says dropping his invisibility. The teens behind him startle, gasping and trying to press themselves further into the wall.

The man’s eyes flash weakly and the pieces click into place in Danny’s mind. Nueve must have gotten strong enough to possess someone. That is… alarming, to say the least.

He rips the gun out of the man’s hand and tosses it aside. Then he pushes away the man’s arm when Nueve makes a clumsy attempt to punch him. With his chest left wide open and undefended, Danny takes the chance to shove his hand into the man’s chest, feeling for the familiar chill of a ghost.

And then he wraps his fingers tight around it and pulls out Nueve, leaving the man to collapse.

The teens behind him scream and Danny winces.

Pulling out a faintly glowing human figure from someone’s physical body does not look good. It’s the best way to end a possession, but it does look alarmingly like he’s just ripped someone’s soul out of their body.

Keeping hold of Nueve’s ghost, Danny steps to the side. “You guys should go now. Take care.”

The teens don’t need any more prompting. They take off in a run, tripping over each other in their haste to get away.

Danny spares a glance to the man unconscious on the ground, but there’s nothing he can do with an angry ghost in his hands, so he has no choice but to leave him there as he flies up to a rooftop farther down the street.

“How many times do we need to do this, Nueve?” he asks tiredly, shaking the ghost.

“These streets should be mine!” Nueve howls, trying to break free of Danny’s grasp. But he’s quickly growing weak, his energy fading, and Danny’s holding back his own ectoplasm as tightly as he can. “They may have killed me, but that doesn’t mean I can’t still take what I’m owed!”

“Dude, you’re dead. There’s nothing here for you. Move on.”

“You don’t get to speak on this, outsider. You think a freak like you has an say over us? You can’t stop us. You don’t even know what’s coming.”

Danny squints at him. “What, are you planning a heist or something? With your gang of dead people too weak to lift a piece of paper?”

“We’re not all dead. We’ve got living folk helping us and we’ll be taking you out first when we hit the streets.”

“Good luck with that,” Danny says flatly, “Begone with you.”

Without giving Nueve a chance to say another word, he rips Nueve’s head off his body. His ghost wavers, then dissipates like smoke, fading away.

Another side effect of whatever it is Gotham does to her dead: their ghost forms are remarkably fragile and it takes only a bit of strength to tear them to shreds, giving him some peace before they reform again. It won’t stop Nueve from striking out again, gathering enough strength until he’s able to possess some other unfortunate soul, but Danny’s bought himself some time to figure out what the hell was he talking about?

There are living folk involved with whatever he’s planning. It’s probably another gang, maybe someone with magic who is able to see ghosts? Which is not great. Danny doesn’t know much about magic; even when facing ghosts who used magic or magical artifacts, his go to method of dealing with them is to start throwing hands like there’s no tomorrow.

Well.

It’s a problem for later.

For now, Danny needs to get back to his apartment and work on his calculus homework. Hopefully he can finish it before he gets frustrated enough that he gives up and lies face down on the floor until Duke manhandles him onto the couch, where he’s less of a tripping hazard.

He’s just about to get back to street level when his Fenton Luck strikes again and he hears someone land on the roof, just a few feet behind him.

“Hey there, stranger,” the Signal says. “You know, we run into each other so often it feels rude not to introduce ourselves. Why don’t you go first?”

Danny turns to face the daylight vigilante, standing with his arms crossed as if that would make him look any more approachable. He’s been popping up wherever Danny’s out dealing with ghosts, which is very not great for Danny’s plans to have a peaceful, normal college life.

Biting his tongue, Danny gives the Signal a quick two fingered salute, then goes intangible and drops down through the building. His invisibility sweeps over him and then he’s running through the streets, hoping it’s enough to keep the Signal from following him to his apartment.

He skids to a stop in the stairwell, dropping his intangibility just in time to crash into the wall. Panting, Danny waits for a tense minute to see if he’s been followed.

When the door to the stairwell remains closed, he lets out a slow breath, then pulls off all the pieces of his Ghost Work Outfit, shoving it back into his bag. He takes a moment to fix his hair, messy from the hood, then shoves the bag back into the floor, safely hidden from curious eyes.

Then he very casually walks up the stairs to the fifth floor and walks down the hallway to his apartment. His keys clang together when he opens the door, and Duke usually hears it when it does, but just in case, Danny calls out, “I’m back!”

He’s learned to announce himself after a few late night walks almost ended with him tackled to the floor when Duke thought someone was breaking in.

Duke doesn’t respond as he toes off his shoes. The stillness in the apartment feels off, as if the world is holding its breath. Cautiously, Danny walks in, trying to find his roommate.

He’s not in the kitchen. The living room is empty. Duke’s bedroom door is open and he’s not in there either.

Something cold lodges itself in his chest.

“Duke?” he tries again, looking over their apartment again for any sign of struggle, or something terrible happening, or even a mess that Duke needed more supplies to clean up.

There’s nothing. The apartment is as it’s always been, just with an empty space where Duke should be.

Worried, Danny stands in the middle of the hallway, trying to figure out what he should do next. It’s because he’s standing so still, surrounded by silence, that he hears it: a light thud outside the window.

Danny turns and he can swear he sees something large moving outside the window, disappearing from sight just as Danny takes a step into Duke’s room to check on it. He rushes to the window and pushes it open, looking down at the street, then side to side, and finally up to the last three floors of the building.

Nothing’s there.

Slowly, Danny pulls his head back inside, closing and locking the window. “Must be my imagination,” he says, trying to convince himself it’s not a big deal.

He leaves Duke’s room and begins pacing down the hall, anxiety building steadily in him.

His phones in his hand before he can think his actions through, Duke’s contact pulled up on the screen. He should call. He should make sure Duke is okay, but Danny hesitates. Is this something to be freaked out over? Would Duke thing he’s clingy and nervous and a bothersome roommate? He doesn’t want to risk Duke asking for a new roommate next year when the lease renews.

But he’s worried. It’s Gotham and Danny just dealt with a violent, murderous ghost threatening him. Duke can deal with a stressed out, worried Danny if it means he’s alive.

He hits the call button before he can talk himself out of it. It rings on and on and on until Danny starts to panic about having to find Duke’s ghost to avenge his murder.

The front door is thrown open so suddenly and so loudly, Danny jumps and his phone clatters to the floor.

“Danny! Hey!” Duke says with a bright smile, trying to catch his breath. He’s still holding onto the doorknob, slightly hunched over as he pants for breath. “I didn’t expect you back so soon.”

“Are you okay?”

“Yeah! Yeah, I’m totally fine.”

“Where were you?”

Duke straightens up and closes the door, kicking off his shoes. “Oh, just… out. Shopping. For dinner.”

Danny looks over his empty hands doubtfully. “No luck finding what you needed?”

“Nope!”

“What did you need? Maybe I can go to a different store and get it for you.”

“You don’t need to!” Duke says. “I just needed… tomatoes?”

Danny blinks at him. “We have tomatoes. Did you not know we had tomatoes in the fridge?”

“Oh, do we? Good to know.”

There’s something very weird about this conversation, but Danny doesn’t pry. Duke is weird sometimes, but it’s fine because he kindly ignores some of Danny’s oddities that come from being a halfa and a semi-retired hero.

“Do you… maybe wanna sit down? Catch your breath? I can make dinner tonight if you want.”

Duke waves a hand in the air. “No, no, it’s fine. I got this. Anyways, how was your walk?”

He definitely shouldn’t talk about the cannibal ghost and his threats to take out Danny with his gang. “It was nice. Very quiet. You know, for Gotham.” He punctuates this with an awkward thumbs up and immediately regrets it, but it’s already done so he commits to it.

“Cool! Great. Just wondering, did you see anything weird?”

“Depends on what you’re asking about?”

“Just some guy wearing black with a hood covering his face. He’s been active in this neighborhood and I saw some people talk about him online. Apparently he just appears out of thin air.”

Danny tries not to wince. That’s him, alright. Gotham’s newest neighborhood menace. “I don’t think so, but there’s a lot of people in Gotham that were all black and walk around with their hood up.”

“True,” Duke concedes. “Well, just be careful when you go out, alright?”

“I always am.” He gives Duke the same two fingered salute he gave the Signal. Duke stares at him for a moment, eyes dark and almost dangerous, then he smiles and walks into the kitchen.

“Wanna make dinner with me? I think we can figure out this recipe together. Unless you need to do your homework.”

“It can wait!” Danny hurries to join Duke, grateful for an excuse to push off calculus a little longer. He understands what he’s doing in the class, there’s just… so much work. He doesn’t even want to think about the tests. The tests make everyone cry.

“Alright, let’s get to it, then!”

“You’re in charge, chef,” Danny says, laughingly, and bumps against Duke’s side. He expects a light shove in return, something Sam and Tucker always did, but Duke goes tense instead, letting out a sharp breath that Danny is all too familiar with. “Wait, why are you hurt? What happened?!”

He goes to lift up Duke’s shirt to inspect his shirt, see the damage for himself, but Duke smoothly moves out of the way, grabbing Danny’s wrists and stopping him in his tracks. “I’m fine, Danny. I just got hit. Lightly. Minor bruising, really.”

Danny looks at him doubtfully, then wrenches a wrist free to lift up his shirt before he can move again.

Minor bruising is not how Danny would describe the blues and purples that decorate Duke’s entire side. He can see the outline of Duke’s ribs through the bruising. “How is this being lightly bruised? What hit you?”

“A car?”

“A car?!”

Duke winces, then pulls his shirt down. “I’m fine, Danny, really. It was just from a car that didn’t want to stop at a red light. I stopped another person from being hit, but the car got me pretty solidly. You know how bad Gotham drivers are.”

“Sit down!” Danny says, pulling Duke out of the kitchen. “I don’t understand how you’re still standing. I’ll get some ice, and I’ll handle dinner. You just stay there and stop pushing yourself for no reason.”

“Playing nurse for me now?”

“If I have to.”

“Would you wear a nurse costume for me, too?” Duke jokes.

Danny looks him dead in the eye and says, “If I have to. Would that make you follow my instructions? A tight little nurse dress?”

Duke sputters, cheeks darkening, and looks away. Danny grins, victorious, and darts back to the kitchen to grab an ice pack from the fridge.

“Maybe I’ll wear one for you anyways, once you’re all healed up. Only if you’re good, though.”

“Danny, you’re killing me here.”

“Better me than a car.”

Duke laughs and takes the ice pack, pressing it against his side carefully. “Oh, for sure. Thanks, Danny.”

“Hey, what are roommates for?” Danny shares a warm smile with Duke, then pats his shoulder and heads back to the kitchen to start making a simple pasta dinner.

Life in Gotham is weird and stressful and full of ghosts and heroes who won’t leave him alone. But it’s not all that bad, really. He’s happy with how he’s doing in college, and he’s beyond lucky to have Duke as a roommate. So long as Duke never finds out about his halfa status, then he’s sure they’ll be able to last all four years rooming together.

He just needs to keep a secret.

Shouldn’t be too hard, right?

#ghostlights #dc x dp #dp x dc #dcxdp #dpxdc #dc x dp fic #dpxdc fanfic #my writing #prompt fill #3.6k.... still counting this as short. i have not failed yet at my goal of keeping these fics below 5k!!#i love this prompt so much it even got me making ocs... i love making ocs this is such a treat for me #will 100% be revisiting this prompt in the future to turn into a longer fic bc i have SO MUCH to write for this #had to cut it off here to have just one scene that shows them as roommates w secrets #truly a struggle to keep this short. this could easily be 30k. the amount of identity shenanigans i can write....#also playing around with the cursed gotham thing by making it affect ghosts :) perfect excuse to make my own gotham lore :)#btw duke 100% got injured chasing down criminals and thats how he got hit by a car. he wasnt fully lying abt it #he also tried to come in through the window of his bedroom. saw danny. quickly left and went up the stairs like a normal person #duke has his suspicions. danny is trying so hard to mind his business when duke acts strange and secretive #disaster in the making :)#thanks for the prompt!!

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