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#also I’ve been having a rough go with my original work and this made me feel apt to tackle it so thanks
peachesofteal · 26 days
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peaches. peaches PLEASE. i just read the entirety of The Ocean in one go so fucking fast and had to take a furiously joyful lap around my apartment. You have a way of describing physical sensations (in The Wolves, the sensation of "cold prickling between the friction" really took me somewhere specific) that puts a person directly into the story so solidly, so unmistakably, it truly shocks me to the core. The way you build stories, drip-feeding in the unease as if through an IV, flashed with images that are so universal and recognizable, it makes for such good story telling. You could sell back to me the body I live in and I'd pay a fool's price for it. I noticed that in a couple of the tags you've spoken about trying to "shake the rust" or "just vibes" and I would impress upon you that when you lean into what you consider vibes/ruminating, wonderful things happen, regardless of how finessed or "complete" they are. I'm in a lifetime fixation really into orcas/marine wildlife as well and apart from the specific mentions of these aspects, was completely swept away by the character study you offered. Like, the thing that initially made me read this story took a back seat because I was so enthralled by the weaving of the story. All this to say you're a fucking legend and you should trust yourself, listen to your "vibes" (because, reading through the rest of your works, they're immaculate) and lean into your fascinations.
This was so lovely. I really appreciate you taking the time to write this out and share it with me. I really, really enjoy writing The Ocean and hope to get the next parts that I’ve been dabbling in up soon. I’ve been trying to build the lore and ambiance of it all without digging too deep too fast so I’m really thrilled to hear it seems to be working. I really enjoy the little anthologies that let me kind of just… do whatever and lean into the “vibes”, so thank you again. You’re very kind 🩵
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s1ater · 8 months
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lorenzo’s luck.
pairings. mobster!slytherin boys x fem!reader
about. in which it’s been a rough couple of weeks and lorenzo is facing the heat of it all.
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warnings. swearing, a beating,
ricky rocks. okay, new idea sense i’ve been watching the sopranos lately and writing generic slytherin boys is getting boring for me rn… also i’ve been seeing some stuff abt lorenzo on tiktok and even something on here and i think i characterized him totally wrong? but also not because i read the book (but not really) he originally came from and he didn’t seem as sweet and innocent as people play him as. idk, i’ll stick to what i have now but lmk what y’all think ig
everything and everyone was on edge.
for the past two weeks the feds had been down your neck, jeopardizing your whole lifestyle and way of work.
everyone was in a pissy mood because of it—because when the feds were on your ass, that meant having to be careful, and your job was hard thing to be careful about when every move you made was highly incriminating. so when being careful, you barely got to work, and no work meant no profit.
it was hard to specify exactly what you did.
you were a mobster.
there it is, in the simplest form.
there was a lot of pressure in being one, especially when law enforcement was there to make things ten times harder.
and it wasn’t only affecting you, but entirety of your group;
“you’re a fuckin’ idiot, lorenzo, you realize that? take a fuckin’ look at yourself in the mirror and stare at something that isn’t just your face and realize you’re a fool,” mattheo’s voice erupts so suddenly through the air, startling all of you. “get your shit together.”
it was already starting. you, theodore, blaise, lorenzo, and mattheo had just barely taken a step into one of the many backrooms of the businesses mattheo’s father owned when the composure came fumbling down.
lorenzo had just barely sat his ass in one of the leather seats when the attention was pinned to him, “jesus, what’s up you’re ass m?” he laughs, but you can tell it’s a nervous one. “jesus.”
you glance to theodore who winces at the response like it was his own. that was the worst possible thing to say, especially to mattheo, especially right now where his anger and frustration was at an all time high.
you can see that anger pulse through his skin in a spike as he finally seems to processes lorenzo’s antagonizing words.
oh boy.
“fuckin’ saved your ass, enzo. you know what my fathers saying? that you’re a loose fucking cannon and i need to let you go,” he has his hand raised, shaking it in his face. “and you know what? we don’t let people go. there’s no such thing as letting someone go in our business. that’s a rare ever occurrence.”
letting someone go is disposing them. taking them out to the back and putting them down like a dog.
“get your head on straight and don’t you forget that you wouldn’t be here without me, because you’d be dead.”
“you act like you’re so fucking clear minded,” he huffs, leaning his head against the palm of hand.
that was enough.
mattheo swings himself around, throwing his fist into the face of enzo as hard as he can. you flinch at the sound of enzo’s nose cracking beneath the contact of mattheo's knuckles. you feel yourself tense up at the noise not letting up, but rather playing over and over, filling the room with ugly sounds of punches fill the room.
“mattheo-“
your call out is cut off as theodore takes your shoulder, pulling you back, “don’t.”
“he’s going to kill him.”
“he won’t,” he pulls you even closer and further away from the violent scene unfolding before you all, tightening his grip. “lorenzo’s too viable.”
he was right. even as enzo was a loose canon, he brought in a lot of profit and kept his end clean… for the most part.
lo was too salient for mattheo to kill, but his loud mouth was enough to tip mattheo over the edge.
it was a perfect way for him to blow off steam; beating in the face of his friend.
***
“don’t you look like a dime.”
it’s been a week since mattheo went on his little rampage, and you were now just seeing lorenzo in his healing state.
you’re smiling up at him, pinching his cheek as he rolls his eyes to your attention, “yeah, yeah, get off my back.”
he looked far from a dime; his nose was broken causing both his eyes to sport dark rings of bruising around them while the lining of his jaw was turning a dark purple and yellow.
“you and mattheo civil now?”
“define your idea of civil.”
“well, you’re not dead, so I assume you two are as civil as civil gets in mattheo’s terms.”
he scoffs, “yeah, well, let’s hope mattheo and his father are on the same page and I don’t end up dead in the next week.”
over a month ago, some of lorenzo’s boys hijacked a truck everyone was told specifically not to mess with despite the fair amount of profit that could come from it. and unfortunately, they dug themselves an already deep hole, deeper by obtaining the truck through a casualty.
lorenzo had received the blame, despite it having nothing to do with him other than the men being under his supervision and responsibility. he had to pay for it, and he did…
“you’re on the higher end of things, he won’t kill you.”
“that’d be the exact reason for him to kill me,” lorenzo corrects you. “I’m on the higher end for a reason, i can’t fuck up.”
you press your lips into a thin line at the thought of his words. mattheo’s beating must’ve really enlightened lorenzo because there was rarely ever a moment you caught him in such a grave mood where he was so in touch with reality.
his attitude on life was light and so unserious; you were unsure on how mattheo even recruited him when that was the exact opposite that this job sought out for. but then again, the boy recruited all of you.
“then don’t fuck up,” he laughs lightly, but it’s caught in the back of his throat. “again.”
“great advice, y/l/n,” he glances at you, “really got that one on the nose.”
“don’t be a douche,” you slap him lightly. “I don’t know what you want me to say, lo. you’re alive, you’ll stay that way too as long as you don’t press your luck.”
“hard to press my luck when I don’t have any in the first place.”
you gaze at the side of his face, attempting to gage the general emotion or even thought process going through his head, but there was nothing. not even his usual perma-smile could be found.
***
“someone approached me awhile ago-“
“who?”
“doesn’t matter who—a clients girlfriend,” lorenzo is anxious, pacing back and forth before all of you in the backyard of mattheo’s home. “i was offered a deal.”
you wince immediately.
lorenzo had collected the whole lot of you; everyone except mattheo. you all sat on his back deck, fixating between the full beautiful greenery backyard of the riddle home and lorenzo, who hadn't spoken till now.
a deal.
he should’ve stopped there.
“a deal?” blaise arched a brow, now leaning on his forearms that rest on his knees. “what kind of deal?”
you all knew exactly what type of deal it was.
enzo’s eyes don’t reach any yours, but he’s stopped pacing, wondering whether he should really speak it now.
don’t say it.
“immunity,” he says it flat out, bringing truth to all of your thoughts. but he doesn’t seem ashamed to this with the way he looks at each and every one of you in the eye finally. “she said once we all get impounded, there’s a way out for me.”
once. not if.
“i tell them everything. i rat every single one of you out and i’m given immunity.”
you all look up at him like he’s crazy. and he is; to be speaking like this to a bunch of mobsters—threatening the entirety of their life and business is crazy.
“we get thirty years plus. there’s no doubt. they get us and we’re already laid in our graves before trial because what we’ve done is absurd-“
“are you saying you’re a rat, berkshire?”
“no,” he shakes his head fast. “no, not at all.”
“that’s not what i’m hearing,” draco shakes his head. “i’m hearing you’re getting nervous with all this recent snooping of the feds and you’re fuckin’ rat.”
“fuck off, malfoy. i’m just telling you what i was told. i’m not a goddamn rat. i’d have to be mental to give up all we’ve done-“ his hand finds his forehead and he’s pacing again. “fuck if i even remember half of it.”
you’re all back to silence, thinking about this. rat or not, this did not look good for him.
your eyes suddenly settle on the light and distant bruising under enzo’s eyes; finally healing. you think about mattheo beating in his face over and over, and then you think about what he’d do if he ever found out about lorenzo’s offer.
“they have a lot of shit on mattheo.”
you all look back up to lorenzo now, a certain interest now crossing each of you again.
“what type of shit exactly?”
“type of shit you don’t get parole with… or out of jail for that matter,” he looks even more stressed than before. “she said the rest of you could have chances of a life after serving. not him.”
this wasn’t a surprise. mattheo always had a quality that none of you did when it came to getting things done; something sociopathic. he always took risk without question of consequence. he moved in silence, he didn’t hesitate, didn’t think, he always got things done faster than all of you combined.
so if mattheo did something beyond all of your usual tasks, you wouldn’t be surprised.
“i mean that makes sense, matty’s been at this longer than the rest of us,” you reasoned it out, only to be stopped immediately.
“no, you don’t understand,” enzo shook his head.
“what exactly are we not understanding here, enzo? you seem to know something, so why don’t you just spit it out,” theodore sits up, speaking for once. there’s obvious annoyance and distaste in his mouth as he stares at the boy before you with a narrowed look.
lorenzo pauses, looking back at him with the same look. you can tell there’s a thought process behind his eyes, and his anxiousness is slowly melting away.
“you know, where do you guys think this is all going? genuinely. you think we’re going to spend the next couple of months running clubs, collecting money, and beating up the occasional person that’s late on their payments for fun?” lorenzo has turned sour, looking at each of you almost as if he hates you all for your ignorance. “this is for life, and we’re only at the beginning point.”
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yourmomxx · 7 months
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➵ pogue on pogue macking - madelyn cline x fem!singer!reader | social media au (1)
a/n: I’ve always wanted to do a social media au and honestly this was so fun to make! also, please know that all those pictures are from pinterest and because of that, in no way a measure on the reader’s looks!! I always try to make my works as inclusive as possible for everyone so even more people can enjoy them <3
yourinstagram
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liked by sabrinacarpenter, luizakns and 1.998.037 others
yourinstagram thank you so much charleston, for being an amazing crowd and providing me with one of the most fun nights on this tour! love you all so much, hope to see you again soon🧡
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emilyshortcake no because you don’t understand, I wanted to go there so badly but I found out too late and all tickets were already sold😭please be back
↳ reidsgirlfriend @/emilyshortcake I literally sat outside the stadium the entire night because you could hear the concert all the way out there💀
itsbrutalouthere mother mothering
oliviarodrigo 🔥🔥
ynnn please come to italy!!
tunafish got the opportunity to see this live and I will never be the same person again
madelyncline
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liked by chasestokes, drewstarkey and 1.284.573 others
madelyncline did a bit of a photodump there🤭
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jessiejay how can someone look so good in a casual photo dump?
ynisbabe excuse me?? is that @/yourinstagram that I see?
↳ emilyshortcake no because I thought that too omg
lisawithz them cheekbones DAMN girl
dreamworksworkofdreams A Y/N CONCERT IS THIS REAL I AM FREAKING OUT
madisonbaileybabe 😍❤️
lechair mads is a fellow yn-fan oh my god😍😍
urfellowsapphic slide 3 is literally only another reason to love her
yourinstagram
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liked by madelyncline, jackchampion and 1.968.428 others
yourinstagram I am sooo proud to announce that my second album, “daughter of revenge” is now out on all music streaming platforms! As some of you might know, I went through some rough patches in my childhood and adolescence, but I managed to overcome them all and now I am standing here, and I made it, and this is exactly what this album is all about! thank you so much for all your support, because without you, none of this would have ever been possible!
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therealobama I JUST LISTENED TO IT AND I AM ASCENDING OH MY GOD
ynisbabe the declaration of independence < this
emilyshortcake ihumuyd chain⤵️
↳ hannahliv I HOPE YOU NEVER FALL IN LOVE AGAIN
↳ janagp I HOPE YOU’LL BE YOURSELF AND LOSE YOUR FRIENDS
↳ bella_ltn I HOPE THEY CALL YOU OUT FOR SHIT YOU SAID
↳ jjmay I HOPE YOU’RE MISERABLE UNTIL YOU’RE DEAD
suesilvesterforpresident BABE WAKE UP NEW Y/N Y/L/N ALBUM JUST DROPPED
sabrinacarpenter so proud of you hon, keep up the good work!
↳ yourusername @/sabrinacarpenter my twin😩🙏
pussinboots no because the chorus of dying on the inside literally had me dying on the inside
↳ suesilvesterforpresident “Beauty is a knife I’ve been holding by the blade, swallowing my pride so i won’t eat anything” - like no, I don’t need my heart anyway, thanks for asking❤️‍🩹
↳ dwbabe FR
♔꙳⋆ twitter ꙳⋆
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♔꙳⋆ instagram ꙳⋆
celebritynews
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liked by ynnn, leah_with_an_h and 87.632 others
celebritynews singer-songwriter y/n y/l/n and actress Madelyn Cline spotted hanging out together, as they leave a coffee shop in our favorite city, new orleans
Follow for more updates❤️
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emiliakm any originals fans here?
↳ lassyinatessi @/emiliakn always🙋‍♀️
howdoyouspellpink y/n and mads? literally my two worlds colliding omg
turtleneck they look like gossip besties I love it
toadondaroad they’re honestly both so hot of course they’re hanging out
melani.31 oh to get coffee with them😩🙏
ikissedagirl no because that’s literally right around the corner from my apartment?
↳ andilikedit @/ikissedagirl please tell me if you see them, I will cry
madelyncline
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liked by madisonbaileybabe, yourusername and 1.738.959 others
madelyncline my two moods when with whiskey
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hannah._. omg mads😭
madisonbaileybabe so proud of you babe!!
yourusername I just watched glass onion and i cannot stop thinking about it, @/madelyncline any idea why that is?
↳ madelyncline @/yourusername wouldn’t have anything to do with a girl named after a delicious alcohol now, would it?
↳ addyourusername excuse me???
↳ leafme what. is. going. on??
↳ yourusername @/madelyncline can argue about calling whiskey delicious - the alcohol, that is😉
↳ carolinacreek MA’AM
semmily ARIANA (y/n) WHAT ARE U DOING HERE
madelynclinebabe literally the prettiest girl
♔꙳⋆ twitter ꙳⋆
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pt2.
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mapileonxputellas · 1 year
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Only you (Alexia Putellas x Reader Part 2)
Ok so I originally wasn't going to do a part 2 but you persuaded me. Part one can be found here 2.2k words x
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Thank you mi hermosa, I don’t know if you’ve read my other messages but I love you. I’ll fix this x
Of course you’d read the continuous messages she’d sent you over the week. You don’t know how she finally realised the issue, whether she was told or worked it our herself but it was clear she knew. Every morning you would wake up to a little message from her and every night she wished you goodnight. The days were varied, some had frequent messages others had only a few but there were always some.
You never replied. That single message after the match the only one you sent that week. You couldn’t talk to her and pretend like the only thing you were thinking about wasn’t Sofia. How much better suited they were. How you would never be enough for Alexia.
You were trying to go to sleep the night of the final, but just like always you hated sleeping alone. Alexia’s presence in your bed had almost been a constant at one point and now you struggled to fall asleep in the cold bed, her arm not strung across your waist and her light breathing not drowning out the silence around you. You tried to occupy your mind but it always went back to her. She’d probably be partying with her team, you knew they were scheduled to fly back immediately after the final and any trophy always called for a celebration.
A bang at the door startled you, thinking it was some kind of prankster you hoped they would knock once and then leave but when it happened again, and again, and again you realised they weren’t about to go away.
You didn’t live in a rough area but it also wasn’t filled with the rich and famous. This wasn’t the first time you would have dealt with young groups trying to prank you, knowing that the only way to get rid of them was to answer the door. Your stern face didn’t exactly match the fluffy pink pyjamas you had worn to bed but that didn’t even enter your mind.
Top actors could only dream of replicating the surprise yet horror on your face as you opened the door ready to scream at whoever was there but instead you were met by the one woman who had been on your mind all night. Stood there alone, tear marks evident down her face as she almost started crying again at the mere sight of you.
“What are you doing here Ale?” You couldn’t help but sigh, no matter how much her actions had inadvertently hurt you in the past you still hated seeing her upset.
“I couldn’t wait any longer to see you.”
“It’s almost 1 Ale, I’m not doing this right now.”
“I’m sorry I completely forgot that you could have been asleep, did I wake you?” You could see the panic in her eyes that she might have caused further trouble.
“You didn’t, I’m finding it hard to get to sleep right now.” It was like your brain and your mouth weren’t connected. Your brain was telling you to shut the door right now but your mouth suddenly blurted out your problems. “You should probably go get some sleep too.”
“Not without knowing what’s going to happen to us. I’m so scared that I’ve already lost you.”
“Ale….”
“Please Y/N, I know I don’t deserve it and I know you probably hate me already but…”
“I don’t hate you.” Even with all the hurt you felt you couldn’t stand seeing her crying and upset like this. “I’m not doing this tonight but maybe you can stay. Just to sleep.”
She accepted that offer, quickly making her way up to your bedroom and to her side of the bed, letting you curl up in her arms with your head resting on her chest. “I won’t give up without a fight Y/N. I love you.”
“I love you too.”
…..
You hated admitting it but that’s the best night sleep you’d had in a long time. For a moment you almost forgot all the issues, falling asleep in her arms and then waking up like you usually would on a Sunday, the smell of bacon wafting through your house.
Quickly freshening yourself up, you made sure you put on your stern face before you made your way downstairs. It would take a lot more than this to fix what had happened and you couldn’t let her get away with it that easily.
It was hard to keep that up though as you walked into the kitchen, finding her at the stove with just your shirt on and quietly humming along to the radio.
“Hola.” You were knocked out of your trance with her greeting and small smile. “Please sit down, it’s almost done.”
Never in your life have you ever had this much awkwardness tension between you both. You busied yourself pouring you both a cup of coffee from the pot and an orange juice as she plated up the food. You ate in silence, each of you occasionally looking up willing yourself to start the conversation and then cowardly putting your head back down.
You almost couldn’t write it, just as you finished with your food, The both of you awkwardly drinking your coffee when your song came on the radio. The very song that merely two weeks ago would have put a smile on your face but now just gave you memories of that night. The very reason you were now in this situation.
“I guess we should talk about it then rather than just sit here all morning.” You started. “Is Sofia about to turn up because she’s about as much a part of this relationship as I am?”
“You know that’s not true.”
“Do I because every time we go out it’s like she turns up? I’m constantly having to fight just to even have an ounce of your attention.”
“Except from that first time I’ve never once invited her out with us. I don’t know how she’s even finding out where we are.”
“That doesn’t excuse the fact that when she is there you act like she’s the only person you want to be with. It’s like you’re still in love with her.”
“I’m not.” The speed of her response at any other time would have indicated the truth in her words but right now it meant very little. “I love you Y/N.”
“That’s so hard to believe when last week you didn’t even want to dance with me, every invitation I gave you was just thrown back in my face. You spent more time talking about Sofia’s promotion than you did celebrating my birthday.”
“I can’t explain to you how sorry I am. Like I literally feel terrible. Sofia and I we didn’t work for a reason, she’s in my past now. I only see her as my friend, then Keira mentioned about it being weird and Lucy said something as well. I didn’t realise how it could seem to them but most importantly to you.”
“It’s like I’ll never be enough Ale, I’ll never be her.” Realising just how upset you were by this and the root cause of the troubles you’d been having, Ale knelt down in front of you, taking your hands in her own.
“You’ll never be Sofia, Y/N. But I don’t want you to be her, I want you to be you because that’s the person I’m in love with.”
“I’ll never be a football geek Ale, I’ll never have this high powered job. I’ll never match what you deserve.”
“I couldn’t care less about your job, I couldn’t care less about how much you love football. I love who you are as a person. I love how passionate you are about what you do. I love how you support me and care for me. I love how you take Nala on a walk when I’m having a bad day. I love how much my family adores you.”
“You family adores Sofia too.” You argued, sometimes them bringing her up hurt more than her showing up.
“You have no idea how much they adore you, whenever I go round they always ask about you, only you. Alba mentioned you coming on our family holiday before I could even suggest it. They like Sofia as my friend but they pushed me to ask you out.”
“Really?”
“Really, I know this isn’t a short fix. I know I’ll have to work my way back into your good books but I’m ready to put in that work.”
“What about Sofia?”
“She’s pushed the line with this and I can see that now. I’ll message her, set some boundaries. You can see the messages if you want.”
“I trust you Ale.” This whole thing was never about trust and you wanted to assure her of that. “But this needs some sort of change.”
“I know and I’ll do that.”
You couldn’t help but smile at the realisation that not only was this going to change but this was going to change because of Ale stepping up for your feelings. “Thank you.” You whispered, reaching for her hand to pull her onto your lap. “I love you Ale.”
“I love you too.”
….
The next Barcelona team night out was for Jana’s 21st birthday. Thankfully for you the international girls had returned from their break, so Keira and Ingrid were there to catch up with.
The major difference though from the last night out was the reassurance Ale gave you through the night. When you were sat down there was constant contact between you both, you danced together and laughed at each other as we danced with our friends and the birthday girl.
You were expecting Sofia to be there and your suspicions were deemed correct when she walked into the club with Patri’s girlfriend.
It didn’t take her long to come over to your table, yourself and Ale joined by Ingrid, Mapi, Rolfo, Keira and Lucy.
“Hey guys.” She said, conveniently standing at the head of the table next to Ale. Resting a hand on her shoulder you could see Ale tense as she squeezed your thigh and shuffled closer to you so the hand dropped. “Hi Ale.”
“Hi Sofia.” You could see Sofia’s face drop as Ale immediately stood up, taking your hand in her own. “Come on let’s dance.”
“Oh I was just about to suggest a dance.” The girl didn’t give up.
“Sorry this is just for Y/N and I. We love this song.” You’d never even heard of this song but you weren’t about to go against her point, letting her drag you into the middle of the dancefloor. “Do you want a dance then?”
“Always with you.”
You managed to avoid her for the rest of the night, thinking you’d got away with just one interaction with her when you spotted a figure coming out to you as you both waited for your taxi.
“Ale wait.” You had to hold in your groan as Sofia shouted over to you. Your pleas for the taxi to come quicker were left unanswered as she reached you, instantly reaching out to touch Ale again. “I haven’t had the chance to speak to you alone tonight. I thought we could catch up.”
“Sofia, you read my message right?”
“But that didn’t say anything about not being friends.” You’d read the message Ale had sent the afternoon after your talk. She made it clear that it wasn’t ok for her to be at your dates or to corner her at events. She couldn’t call Ale late at night to pick her up from the club. Lastly making it clear that she loved you and Ale wouldn’t put up with her disrespecting you in any way.
“I can’t be friends with someone who’s been almost stalking me for the past six months. How have you even been able to do that?”
“I thought you would want to spend time with me after the theatre trip, I ask around for you. I just wanted to spend time with you,”
“Well don’t, I thought I loved you in the past but that’s over now. I’m with Y/N, I love her. You can’t do this anymore Sofia, you’re clinging to a rope which isn’t even there anymore.”
If she hadn’t been manipulating this whole situation up to now you would have felt sorry for her. You could see in her eyes she still loved Ale and maybe now was the first time she’s truly recognised that this love has gone from Ale. “I’ll leave you both alone.”
“Thank you.” This is the first time you’d contributed to the conversation but you had to do this. “I hope you find happiness Sofia.”
“Thank you.”
The taxi arriving gave you the perfect opportunity to slip away from the conversation, leaving her stood on the side of the road as you cuddled together in the back of the vehicle. “I love you.”
“I love you more.”
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farfromstrange · 3 months
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Lizzi’s Valentine’s Special & Follower Celebration
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Dear Everyone,
Valentine’s Day is just around the corner, and I thought, since this silly little blog hit over 1.1k followers yesterday, I want to give you something special.
First of all, though, I want to thank you. I’ve been on here since (and I checked with the archive) July 19, 2022. I can't believe that it has been almost two years. I started watching Daredevil after watching Spider-Man: No Way Home in December of 2021 and hearing Matt Murdock say, "I'm a really good lawyer," after catching a brick. So, I started watching the show, and that was during a time I was really miserable. Mentally and physically, I wasn't in a good place, but after watching Daredevil for the first time and falling in love with Charlie Cox as a genuine person and an actor, it felt like I found a reason to keep going.
I started writing fanfiction again, which I kind of neglected because I felt like this hobby of mine wasn't going anywhere. I wasn't inspired at all until I watched the show. If I hadn't, I probably would not have gotten back into writing and using it as an outlet for my feelings, and I probably wouldn't be where I am today. Thanks to Charlie's portrayal of Matt Murdock, and watching his interviews, I felt like I could do the things that I love again and follow my dreams. He's the reason I chose to major in English. And while I owe him that much, I owe you guys here on Tumblr and AO3 even more.
When I first posted here, I didn't think people would even be interested in what I had to say and write. But then more and more people started visiting my profile, you guys started following me, and it kept me motivated to keep writing, even when I'm miserable, and I sometimes only post once every blue moon.
I feel so honored that you guys chose to follow a silly little blog run by a silly little 20-something-year-old whose first language isn't even English (but made it her entire personality), and who chose to write about traumatized dark-haired characters portrayed by Charlie Cox. I'm overwhelmed by the love you continue to show me, and every time one of you chooses to reblog or comment on one of my works, saying that it resonated with you, I feel like I'm doing something right. I'm sharing my ideas, my own experiences, my wishes, and even my deepest, darkest dreams through my writing like it's a fucking diary, and you eat it up every single time.
I'm just so glad that this community exists, as chaotic as it sometimes is, and that you chose to stick around, even when I suck at keeping promises sometimes. You keep teaching me new things about who I am, my writing, and how important it is to put myself first. I don't know if you've heard it lately, but you guys are incredible and I appreciate the hell out of every single one of you.
Thanks to Tumblr, I made lifelong friends (especially looking at you, @blackshadowswriter) and found like-minded people that made me feel less alone. That alone was worth making this account and continuing to post on here.
You may think that I'm being dramatic, but for someone who has never really experienced the kind of validation this community gives me, I want to celebrate this milestone. It means more to me than I can even put into words. Thank you, from the bottom of my heart. I love you all so much! Please, don't ever forget how amazing you are.
That being said, I've got some exciting things planned.
The other day, I found a folder in my Docs titled "the vault". I completely forgot about it because I usually keep my WIPs in a different folder. As it turns out, I made that folder for fics that I originally never planned to post, or ones that I'd finished but wasn't happy with. It’s many, but it’s a few. Some are deeper than others. I also jotted down rough ideas and outlines last year that I stuffed in there, some of which I've actually shared with you but never started working on. Until now. And the contents of that vault are what I want to give to you now.
INTRODUCING: The Vault
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6 stories from the vault. 1 bonus fic. 7 days.
I went through a myriad of emotions while I wrote these. For some, I actually bled my soul onto paper. For others, it was merely a brain fart that led to their existence. They're sad, horny, and at times angry, but some of those were originally written for me, and only me. Those that weren't started as a few sentences in a folder before I forgot they existed. Either way, I don't want them to catch dust. And I wouldn't want to share them with anyone else.
Starting February 14th, I will be posting one fic every day until February 20th. My “The Vault” works are Matt Murdock x Reader works, but I've made an exception for the bonus fic. I won't tell you what they are about, but I will give you a list of installments and what kind of fic they are so you know what to be excited about (and maybe which ones are not your cup of tea).
-> The number at the end tells you the date I will be posting it on, but I put it in chronological order as well.
INSTALLMENTS:
1. If You Need To Be Mean (angst, hurt/comfort) 14.
2. Mismatched Bridesmaid (fluff, smut) 15.
3. Weed Cookies (humor, fluff, cw: accidental drug use) 16.
4. the grudge (songfic, angst, hurt/comfort, cw: death of a parent) 17.
5. Halloween (Smut) 18.
6. I Want To Fuck A Priest (Smut, cw: priest!Matt) 19.
BONUS:
7. Now That We Don’t Talk (Part 2 of Is It Over Now?) -> Frank Castle x Reader (smut, angst) 20.
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A few more words: You are free to send me an ask if you want to know more, but be prepared that I won't be answering in much detail. I don't want to spoil the fun. I would, however, not mind talking about them as vaguely as possible (if you’re interested).
Thank you all. For everything. And I hope you stick around to read these little gems.
With love from yours truly,
Lizzi <3
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First off, I wanna say that I mean no disrespect to the artists who worked on Hazbin Hotel. It’s just that I’ve been seeing people make redesigns of Hazbin characters, and though I don’t usually participate in stuff like this (it seems fun, and you are all incredibly talented. I just feel kinda bad tinkering with someone else’s work like this), the show made me frustrated, and frustrated induced brain-vomit started sloshing around in my skull so noisily that it’s been keeping me up. And, well, I had to get it out somehow.
So…here ya go, I guess. It’s nothing crazy or new. It’s just a few disgustingly rough ideas for this very specific version of Charlie that I kept seeing in my head. They’re far from polished or anything, and they’re definitely missing some key details because I’ve been hyper-fixating on trying to get the face right lol. I might make a full body illustration later, but I have commitment issues so who knows how far this’ll go. That is to say, don’t expect any more of this or the other characters unless 1) my brain decides to torment me with more literal demons or 2) I, by some miracle, become a more productive person. Plus, Tumblr’s a new thing for me, and I don’t know what I’m doing with this yet other than posting art and then disappearing for years. Seriously, you have no idea. It’s a wonder that I posted for a second time.
Anyway, the direction of this design is pretty obvious. I went with the lamb/goat motif because I liked the idea of inverted/parallel symbolism. I was toying with a “wolf in sheep’s clothing” concept where they appear to be a lamb in this form but actually shift into a more wolf-like dragon sorta thing when prompted. Their wardrobe is supposed to be an extension of the innocent lamb deception as the ruffles and looseness are meant to be kinda reminiscent of fluff while communicating a sense of privilege (a white untainted by the grit of Hell… something that probably wouldn’t last long). I was also inspired by white goth and catholic goth aesthetics (I blame Ethel Cain) as well as those insanely beautiful ball-jointed dolls. I don’t know if I captured that well (to be honest, the more I look at those digital renditions, the more I hate them). I considered adding a pair of spectacles coz I thought it was cute lol, and because I thought it could be a way for them to try and seem more human.
If I were doing a rewrite (which I have ideas for, but I should probably focus on my actual original characters instead) then:
1. They would be agender and androgynous (I’d go the Good Omens route and make most angels/non-human entities largely genderless as gender is a human construction, one that most angels wouldn’t really concern themselves with)
2. They would be kinda elitist and naive but still sweet
3. Their intentions would not be entirely insincere, but they would not be acting without selfish goals
4. They would be an eldritch abomination
5. There would be possible exploration of their role as an antichrist as well as basically being a tool of war for their papa’s self-gratification
6. Their pops would suck
7. More horror
8. Like, it wouldn’t not be funny…but horror’s my genre so….
9. They would not suck at fighting, but death is traumatizing and so is being the cause of it (squeamish)
10. That being said, could make friends with Death??
And that’s all I feel like writing. Hopefully I update this lol
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ynscrazylife · 2 years
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I don't have any plot ideas at the moment, but maybe a Marvel halloween fic please? Thanking you <3
Moonlight | n.r & w.m
Summary: The full moon ruins your Halloween plans, but your girlfriends are there for you.
Request to be on a taglist (or multiple) here! (Taglists are at the end of the fic)
Main Masterlist | MCU Masterlist
PSA: Do NOT copy, steal, translate, plagiarize, republish, etc any of my works on Tumblr or any other platform. Also, do NOT claim any of my works as your own. All of these works are either requests I’ve gotten that people have wanted me to write or original ideas I’ve had for works. If you happen to take inspiration from anything I’ve written and want to write something inspired by that, please a) ask me firstand b) IF I say yes, credit me as inspo in your post by tagging me and link whatever work of mine that inspired you. Thanks.
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“Oh, look at what finally came!”
You had been sitting at the dining room table, filling out a mission report for the Avengers and drinking tea with Natasha when you heard your girlfriend’s voice. You and Natasha both looked up, only to see Wanda walking in, carrying the mail and holding a particular envelope. She wore a bright smile and slid the envelope onto the table, so you and Natasha could get a look at it.
In easily-recognizable, cursive handwriting, the ink on the envelope said: “To Natasha, Wanda, and Y/N.”
“This must be Pepper’s writing — there’s no way Tony’s is this neat,” you commented, watching as Natasha took the envelope and opened it up, pulling out its contents. The three of you already knew what this was — it arrived in your mailbox every year in late October.
Natasha slipped out a thin card that said: “TONY’S HALLOWEEN BASH” with the date of October 31st and the address of the Stark Tower printed below.
“He must have had someone else do the invitations. This looks considerably better than last years,” Natasha said, allowing you and Wanda to look over the card.
“Are we RSVP’ing then?” You said, even though it wasn’t really a question. You RSVP’d every year — every superhero who received it did. Tony always hosted the best parties, especially on Halloween.
“I’ll let Pepper know right now,” Wanda said, pulling out her phone from her pocket.
“Y/N,” Natasha said, turning to look at you from her place across the table from you. She wore a hesitating, cautionary look. You leaned back in your seat, raising your eyebrows. Natasha never hesitated to say anything. “When is, uh, the full moon? It’s already the 26th and if it’s soon, we should plan so that you’ll feel well enough to go to the party.”
The Full Moon was always a rough time of the month, so it made sense why Natasha didn’t seem fully confident in asking about it. Both she and Wanda were aware of how painful your transformations were, and despite how long the three of you dated, you always preferred to deal with them on your own. Natasha and Wanda had never actually seen you in your werewolf form.
You pulled out your phone to check. You had been so busy this past week that the full moon had completely slipped your mind. A quick google search gave you your answer — and made you frown. “What is it?” Wanda asked gently.
“The 31st,” you answered quietly, glancing up but not looking at your girlfriends.
Natasha and Wanda shot each other a look. No matter how many times they told you that they were happy to help you through the full moon, you still refused. You told them that it was because you didn’t want to hurt them (even though Wanda could cast spells to protect herself and Natasha), but you were also insecure about them seeing your werewolf form. What if it scared you off? What if they thought you were ugly?
“Oh, that’s alright,” Wanda said, smiling softly.
“Tony’s party is always the same anyway,” Natasha added, shrugging.
This caused you to meet their gazes, confused. “What? No. You guys should still go, I’ll be fine,” you insisted, not wanting them to miss out.
Natasha and Wanda shared another glance. “We don’t want to go without you, love,” Natasha said, reaching out across the table to grab your hand.
You managed a smile, looking at them both, and accepting Natasha’s hand. “I want you guys to, though. I promise I’ll be fine here. This is what’s best. You’ll have so much fun—you always do,” you said, unrelenting.
Your girlfriends still seemed hesitant, so you gave Natasha’s hand a squeeze. “Do it for me, c’mon! I’ll be 100% okay. I have Agatha’s potions that she gives me for the pain so it won’t be too bad,” you said. The last part wasn’t exactly true, which you all knew, but you wanted to be tough for them.
“Are you sure, Y/N?” Wanda asked, tilting her head to the side and raising her eyebrows as she ran a hand through her hair.
You nodded. “Positive,” you assured them.
They were both still hesitant, but would go if it made you happy. They did want to go, but they wanted to do what was best for you first. If this was it, they’d manage. The night of, they still hated to leave you, but you practically shoved them out the door after admiring their dresses and giving them kisses and hugs.
They giggled and gave you one last big hug, promising not to be home too late, before leaving.
When they drove off in Natasha’s car, you let out a soft sigh before closing the door. Your transformation always took a couple hours and for the rest of the night, you’d be stuck in werewolf form until dawn. All there was left to do was prepare and wait it out.
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The party had been nice . . . At first. Natasha and Wanda were swept away with dancing and catching up with their friends, but it wasn’t long before they felt a loss. They danced, but not with you. They ate and drank, but not with you. They talked to people, but not with you. They had to explain to multiple friends how you had insisted that they go without you, and many people had inquired on if you were alright. Around two hours in, Wanda found herself searching for Natasha, only to see the redhead standing on the balcony.
Wanda smiled, observing her girlfriend for a moment before slipping outside and joining her. Natasha didn’t move at first, her gaze stuck on the sky. Wanda noticed how the moonlight seemed to shine on her face as she looked up. Following her gaze to the moon, Wanda took her hand. “You thinking about Y/N?” She asked.
Natasha nodded and squeezed Wanda’s hand. “I hate being here without them,” she admitted, sighing and keeping her eyes on the moon.
Wanda let out a quiet hum of agreement, only shifting her gaze to glance at the redhead. They both missed their partner deeply and stood together for a little bit while they admired the view, thought about Y/N, and breathed in the night air. The only interruption came when Natasha’s phone started ringing. She huffed and fished it out, but softened and exchanged a glance with Wanda, showing her the caller ID.
The smiling face of Y/N. 
The women knew that by now, you should of already went to the cabin in the woods that the three of you lived nearby. It was where you went every full moon. Natasha accepted the call and put it on speakerphone: “Y/N? Are you okay?”
For a second, only a bit of rustling and shuffling could be heard. Then, Y/N spoke, words forced and slowed: “I’m — out — of — the potion,” they said, then let out a large breath of air, clearly holding some sort of pain in. “Starting the — transformation — it — hurts.” An involuntary whimper followed, breaking Natasha and Wanda’s hearts. It must be bad if you were calling them.
One look at each other and a silent plan was set in motion. Wanda immediately left to grab hers and Natasha’s coats, along with saying a quick goodbye to Tony, while Natasha stayed on the phone with you. “We’re on our way home right now, love. Just hang on,” she encouraged.
“Oh—kay,” you said, both your voice and breath shaking as you finally accepted their help. Every sound of pain from you that Natasha heard was jolting her like an electric shock. She wished she could reach through the phone and hug you.
Once she saw Wanda heading back, Natasha met her halfway and quickly got her phone on. They both walked as quickly as their high heels could allow, heading to the parking lot and finding Natasha’s car. Wanda took the phone while Natasha drove — barely going the speed limit.
“You’re going to get through this, Y/N. We’re almost—” Wanda cooed, only to get interrupted by your scream of pain from the transformation.
Hearing that, she gripped the phone a little tighter and Natasha sped up a little, frowning. They managed to quickly get home. Natasha had barely pulled into the driveway before Wanda was jumping out, sprinting towards the cabin. After shutting off the engine, Natasha followed.
Wanda ended the call right before they burst inside the cabin, only to find you lying on the floor, withering in pain. They both dropped to their knees, pulling you into their arms. Every scream that tore from your lips pierced their hearts. There was nothing they could do except hold you until the transformation continued, whispering soothing things and running their hands through your hair in an attempt to help.
“Get ‘way. Gonna hurt you,” you muttered, weakly pushing at Natasha and Wanda and trying to lean away.
“Wanda can put up a barrier around us, but we’re only leaving when it’s time,” Natasha said, loudly so you could hear her in your disoriented and pained state.
After this change, you couldn’t sit — or lie — still. The pain was becoming too much. Natasha and Wanda didn’t stop you, but were careful to make sure that you didn’t accidentally hurt yourself. When your hands shifted to claws and fur began to grow, and you practically leapt away, they knew to let you go. They both stood up, watching the transformation take place. It was unlike either of them had ever seen — but contrary to your beliefs, they weren’t scared. Mesmerized, more like it. Curious. Wanting to help. Do something.
You ran to the back of the cabin and, finally in your full werewolf form, let out a howl. Then, your yellow eyes locked onto your girlfriends and within seconds, were bounding towards them. Wanda managed to be quicker, though, and with a few words and the wave of her hands, an invisible boundary was put up around them.
You promptly ran into it, bouncing back and letting out a confused whimper. “Sorry, hun,” Wanda apologized.
Natasha observed you for a moment, as you walked around the cabin. “Damn, Y/N’s cute even as a wolf,” she said, to which Wanda smiled and nodded along to.
You eventually settled down and Natasha and Wanda made their way to the corner, keeping their eyes on you. “Are we gonna stay up all night?” Natasha inquired.
“Maybe not entirely. Y/N would not want that,” Wanda said. She had no interest in pissing you off — you could be almost as scary as Natasha.
The redhead nodded. A couple minutes passed, and the Vampire and the Witch seemed to relax. “Well, she seems rather calm—” Wanda began to say, only for your ears and head to perk up at a sound. Within a flash, you were on all fours and had ran out the cabin door. “—Nevermind.”
They followed after you, watching as you ran around the trees, growling and howling. Seeing you so free brought smiles to their faces — it seemed like you were having fun. The moonlight was shining on you, illuminating your fur.
“So beautiful,” Wanda murmured. Natasha squeezed your hand.
They watched you in awe until you stopped, looked up, and howled at the moon. Your gaze was fixated on it. You paused for a moment, before sprinting off into the woods.
Your ears hadn’t moved, so it wasn’t a sound you heard . . . Which meant that you must’ve been chasing the moonlight. Natasha and Wanda connected the dots, their smiles only growing.
“Adorable,” they said in union.
When you didn’t return, they assumed you were still on your chase. Growing tired, the two decided to head back for the night and get some rest so that they could wake up early in the morning. They walked hand-in-hand, their minds on you, until they reached their house. Their thoughts never left you as they changed into pajamas. Both would pause and smile when they heard a howl in the distance. Eventually, they climbed into bed, falling asleep in each other’s arms to the sounds of the night and to your howling.
Natasha had set her alarm so that it’d go off before the sun even rose — they wanted to be prepared. When it did, she and Wanda woke up a little tiredly, but excited to go see you. They got dressed and grabbed blankets and a change of clothes for you before heading back to the cabin.
They found you laying in the grass a little bit away from the cabin, though. You were curled up on the ground, still in your Werewolf form, your back facing your girlfriend and letting out whimpers. Natasha draped the blanket over you and sat down with Wanda, both rubbing your back and petting your head to provide any sort of comfort.
Eventually, the whimpers grew louder and louder. Natasha and Wanda tensed up each time, but they reminded themselves that they were getting you back soon. After what felt like an eternity, you shifted back. The big blanket practically swallowed you and you seemed to be asleep.
(Natasha and Wanda thought you looked very cute, as they always did)
Tucking you in the blanket, Wanda gently rolled you onto her back. She let out a small gasp when she saw a gash on your forehead, exchanging a worried look with a frowning Natasha before gently shaking your shoulder.
A groan let them know that you were awake and you blinked your eyes open slowly, only to find yourself staring back in the loving eyes of your girlfriends. “Welcome back,” Wanda said.
You scrunched your face up for a moment before the memories of the night came back like a tidal wave. You slowly sat up, with Wanda helping you. “You saw everything?” You asked.
“We weren’t there for the entirety of the night, but we saw some,” Wanda explained as you leaned against her. Despite just waking up, the transformation and the night exhausted you and you were in some pain, your body quite sore.
“You’re a cute wolf,” Natasha added, grinning.
This eased your growing worries and you blushed, but smiled at her. “What’s that on your forehead?” Natasha then asked.
You touched the side of your head, just now realizing that it was bleeding. “Oh,” you said, smiling sheepishly. “Yeah. Sometimes I, uh, get into fights with other animals.”
Natasha and Wanda couldn’t help but smirk and you bit your lip. “How about we get you inside?” Wanda suggested, handing you the pair of clothes she had gotten you. You nod and slipped them on — it was a plain t-shirt and shorts. Wanda helped you up and Natasha joined the two of you on your other side, both helping you walk.
Their arms were wrapped around you and you leaned into them, enjoying the comfort and security that your girlfriends provided.
When you three got inside, Wanda led you to your guys’ bedroom and Natasha grabbed the first aid kit. Wanda got you settled into the bed, pulling the covers over you and letting you lean against her. The full moon always took a lot out of you and your first instinct was to succumb to sleep.
“Not just yet, love,” Wanda gently told you, humming as she ran her thumb over your cheek.
You whined, but blinked your eyes open just in time to spot Natasha entering the room. She climbed onto the bed next to you, opening the first aid kit and sorting through the stuff. “This might sting a little,” she warned, before reaching out and beginning to clean your cut.
You winced, but Wanda soothed you by rubbing her hand up and down your arm. You allowed yourself to relax into her. Natasha finished cleaning it and put a small bandage on, before putting the first aid kit away. When she climbed back into bed, you were squished between them.
(Not that you minded)
“Now you can sleep,” Wanda told you, as your back rested against her chest and you faced Natasha, lying down.
You smiled, getting comfortable with your head on the pillow. Natasha ran her fingers through your hair, almost combing it. This action only lulled you deeper into sleep’s hold — something Natasha and Wanda both knew would happen. “This really takes a lot out of you, hm?” Natasha observed, watching over you carefully.
“Yeah . . .” You admitted quietly, eyes already closed. “‘M sorry for ruining Halloween.”
“Oh, darling,” Natasha said as Wanda wrapped her arm around your waist, holding you close.
“You didn’t ruin anything. We wanted to take care of you and help,” Wanda assured you.
You found yourself smiling and blinked your eyes open for a second. “You guys can help during the full moon . . . If you want,” you relented.
Natasha and Wanda smiled at each other, so happy that you had finally blessed them with your permission. “We’d love to,” Natasha said.
You closed your eyes again. With Wanda’s arms around you and Natasha’s hand in your hair, it put you to sleep quite quickly. Natasha and Wanda noticed this and smiled. “I cannot get enough of this cuteness,” Wanda said, grinning and kissing your cheek. When you smiled in her sleep, the women had to refrain from cooing.
“The most adorable sight ever,” Natasha agreed, reaching her free arm over you and Wanda.
Neither of them were tired, so they just watched over you while you slept, keeping up a quiet conversation. It was the perfect lazy day to relax indoors, all cuddled up. They absolutely loved it.
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Wanda Maximoff: @kacka84 @eichenhouseproperty
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jacksgreysays · 16 days
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Extremely late, completely unnecessary opinion of the Watcher situation, (2024-04-24)
So this is a relatively belated post — several days after the initial “Goodbye Youtube” and one day after the “An Update” videos — and surely by this point there are more interesting/insightful op-eds (both in written form and video form, especially penguinz0’s fairly objective POV as, essentially, a YouTube expert) but there is something about the Watcher situation that made my brain itch. Thus, I wanted to write about it in order to make sense of it all as well as get into a philosophy that seems to be haunting me in recent years and which I think applies greatly here.
This may seem completely out of left field considering 1) definitely not fanfiction and 2) about Watcher Entertainment, a YouTube channel which—as far as this tumblr is concerned—I’ve not engaged with whatsoever, but I don’t know where else I would put this, and weirdly enough I think the general tumblr response to this whole predicament is maybe the… if not objective… then at least, most thoughtful?—or, perhaps, least immediately reactive?—amongst the various social media platforms, that I think some people might appreciate this anyway.
In terms of my relevant background: I majored in Management Science (which is just a fancy way of saying Economics + Business + Accounting because they are, weirdly enough, separate things) and minored in Film Studies in school, I am currently working in the stage tech industry (which, I know, is obviously different from film/video industry), and I like to think I am a fan/consumer of a wide variety of independent creators, some of whom I am lucky enough to be able to afford being a patron/subscriber. I won’t go into all of them—because it is a lot—but there are four in particular whose business models I want to analyze in comparison to Watcher’s admitted blunder:
A) RocketJump (known for Video Game High School and Anime Crimes Division; the core group which turned into the podcast Story Break, then became Dungeons and Daddies) B) Dropout (formerly College Humor, we’ll get into their discography later) C) Drawfee (previously an offshoot of College Humor, now fully independent) D) Corridor Digital (used to be mostly behind the scenes of how VFX studios work, have since become a mostly original content creator)
I will say, right off the bat, I am a patron of Drawfee as well as Dungeons and Daddies, and I am a subscriber to Dropout. I am not subscribed to Corridor Digital’s streamer, which I will get into why later. I understand that being able to sustain those two patronages and one subscription is a luxury that not everyone can afford and so my point of view is already skewed by being such a person who could theoretically afford another streaming service if I so chose. I also acknowledge that many fans of Watcher are not in similarly financially secure places as I am and that regardless of the business model, any monetization that comes from fans would have been a rough ask. However, I wanted to go into this essay in a way that accepts Watcher’s statement—that they needed more funding—in relatively good faith rather than assuming the worst (although that is another point I’ll get into later, largely related to the philosophy I brought up earlier.)
All four of the above listed content creators started or, at least, hit their stride on YouTube:
RocketJump and College Humor were, if not household names, then the digital equivalent of it in the “early days of YouTube.” They were part of the wave of content creators that made YouTube seem less like a bunch of eccentrics with cameras making videos on the side and more like a viable way to support yourself/your team with the art you create.
RocketJump’s Video Game High School went from short (less than 10 minutes) minimal location episodes in season one, to 30 minute plus episodes with full on fight scenes and car explosions by season three thanks to a Monster Energy brand deal. They also had two seasons of Anime Crimes Division, a literal TV quality show, thanks to a Crunchy Roll sponsorship. Unfortunately, RocketJump shut down not long after (their videos are still up on YouTube but they obviously don’t add anything new) but the core creative team behind that have been involved in several projects outside of YouTube (Dimension 404 on Hulu being one of the biggest ones so far) including the podcast Story Break (part of the Maximum Fun network) and now the independent podcast Dungeons and Daddies, the episodes of the main campaigns which are free with ads or, for patrons, ad-less along with additional mini-campaigns and other benefits.
I will say, during RocketJump’s decline, they did try their best to keep going. The partnerships with Monster Energy and Crunchy Roll were the big swings to get the funding to make those TV quality shows they wanted. I believe they lucked out with those brands in particular, or, at least, those brands didn’t seem to inhibit the creative process or ask too much of them that it felt like “selling out” but I also don’t have insight into why they didn’t pursue this model of, essentially, very weird but interesting season long commercials. Maybe they just couldn't find the right brands or maybe they did feel like it was too stifling. Regardless, before they shut down completely, they did also downsize—moving out of the actual city of Los Angeles over to Buena Park. Which is in Los Angeles county, and basically counts as LA still, but is way cheaper than literal Hollywood real estate. (I should have added to my relevant background that I’m born and raised LA county, and have relatives and friends in the film/movie industry, so trust me when I say literal Hollywood/city of Los Angeles is so overrated and unnecessarily expensive. There is a reason why LA traffic is the worst and it’s because everyone is commuting INTO the city. Respectfully and with affection, no one should live there. No one’s start up should be located there.) Obviously the downsizing didn’t necessarily work for RocketJump, but they also didn’t have multiple successful revenue streams the way that Watcher currently does.
In contrast, College Humor was acquired by InterActiveCorp and was turned into CH Media which was three pronged: College Humor, Drawfee, and Dorkly. In 2018 they made Dropout, which had exclusive content separate from their YouTube videos which involved all three prongs. Then some financial shenanigans happened early 2020—IAC withdrew their funding—and there were a bunch of layoffs right before the pandemic which extremely sucked. It has been stated by multiple people involved that it was basically a miracle that Dropout survived through all of that, but there were definitely some sacrifices along the way to make that happen. Currently, Dropout seems to be thriving with mostly exclusive content with the occasional “first episode of a season” posted to YouTube, OR if Dimension 20 is doing a “sequel season” in an already established campaign they will put the entirety of the previous season on YouTube.
IAC withdrawing their funding did put CH Media in a bind. They had to layoff a lot of people right before pandemic and, understandably, a lot of trauma was had. There were also weird issues with who controlled certain IPs/brands/digital assets (I mostly come at this from a Drawfee POV, it took several years for them to own the Drawga series and be allowed to host all of the episodes on their YouTube, and there was also something about the sound file for their opening animation?) but mainly the difference is what kind of content they generate. Originally Dropout had multiple scripted shows with high budgets and pretty cool effects/animations/stunts (Troopers, Kingpin Katie, Gods of Food, Ultramechatron Team Go!, Cartoon Hell, and WTF 101) whereas now almost all of their shows are variations of improv comedians being put into different scenarios or given different prompts. I’m not just talking about Game Changer and Make Some Noise, because Dimension 20 and Um, Actually also technically fall under that description as well. Which is not to say that these shows are worse than the scripted shows—I subscribe to Dropout, so clearly I’m a fan of their current shows—and the budgets for them have since increased to resemble, if not match, those early shows, but it is a noticeable shift in their content creation strategy as a response to the lack of IAC funding. And I will say: Dropout releases at least three videos a week if not more and at least two of those are long form at 30 minutes plus (Dimension 20 being the longest, of course.)
So, these first two business models are not really the most applicable to Watcher Entertainment considering their origin was to get away from Buzzfeed—they’re probably not keen to be partnered with or purchased by a larger company—but there are some aspects to both that I believe are valuable in at least showing the strategy in how these former YouTube creators could successfully extract themselves from YouTube or how they still utilize YouTube even if it is not their main hosting platform or revenue stream.
Then there is Drawfee and Corridor Digital, both of whom are currently—if not primarily—on YouTube, whose situations are more comparable to what I believe are Watcher’s goals.
Drawfee had to rebuild themselves like a phoenix from the ashes of the CH Media layoff during the beginning/worst of the pandemic. Side note: I’m happy that Nathan (one of the four main artists of the current Drawfee team) at least has forgiven(? or let bygones be bygones) Dropout enough to be on an episode of Game Changer (although I will say that this happened after Drawga was “returned” to Drawfee, and after Dropout officially split from College Humor as a brand.) All that being said, Drawfee was a team of four artists plus their editor who wanted to stick together but basically had all of their support system taken away from them. They took a bit of a break to assess their goals and options, announced a patreon with several tiers with great perks, and stuck to their upload schedule. In addition to two videos a week, they also stream on Twitch weekly, have a patron only stream once a month, and a draw class (for one of the higher tiers) once month. After asking their patrons on the relevant tiers if they were okay with it, they began releasing the patron only stream and the draw class to the general public for free after a month. The patreon perks also include things like merch discount codes, high quality PNGs of the final rendered art, access to the draw class with live interaction/critique, and a commission from the artist of your choice. The only “ads” they run are for their own patreon and merch store and, even then, they’re usually at the end of the videos with a credit scroll of the patron names during their exit banter.
Admittedly, they only have MAYBE eight employees—that’s including their video editor(s?) and their discord mod(s?)—with the main four artists doubling/tripling up duties as additional video editors, CFO, and marketing/merch leads. It’s a very streamlined crew and their production costs are not very high since it’s mostly screen recording of their drawings with their audio recording overlayed onto that footage. Although the video editors do sometimes have clever cuts to relevant images depending on their vamping. Sometimes they will have a guest artist but, again, since it’s screen and audio recordings, there’s no travel/housing costs. So, very minimal expenses due to low production costs and small crew but, again, their only revenue source is the patreon/merch, they don’t do outside ads and they very rarely do live shows.
Corridor Digital is, I think, the most applicable to what Watcher would ideally do, which I suppose is somewhat ironic for this essay in particular considering they’re the only one of the four that I don’t financially support. They have two YouTube channels: their main one being where they show the “final product” videos, but I believe their Corridor Crew channel which started primarily as behind the scenes type of videos is where most of their views come from. Especially their React series (VFX artists, Stuntmen, and Animators React etc.) On Corridor Crew they usually upload two videos a week — one which is a React and the other which goes into fun projects/challenges (involving VFX or not) or using VFX to explain scientific concepts — as well as the first episodes of their exclusive content on their streamer. Also behind that paywall are longer and ad-less versions of the videos on YouTube. They also have merch. All of them have merch, I don’t know why I’m stating that. They don’t have a patreon as far as I know, but I also don’t know if their subscription to their website comes with similar perks like discounted merch or something similar.
Anyway, their studio seems to be about 15 to 20 people — not all of them are VFX artists, of course. I believe they have higher equipment costs than Watcher since, understandably, Corridor has to be on the cutting edge of video editing technology. They do occasionally travel for shoots, but it doesn’t require big teams, and that’s only when the local locations available to them don’t match the requirements for the “final product” videos. Otherwise most of their videos are set in the studio or in the alleyway outside their studio in Los Angeles (the city itself, not just the greater county, though they are in a rougher and thus probably cheaper part of Los Angeles). I personally don’t subscribe to their website primarily because their exclusive shows don’t appeal to me—either they’re too technical or a little too dry; to be fair, most of them are VFX artists first before they are performers—and I don’t particularly feel the need to see the extended cuts of the videos uploaded on YouTube. Also I sometimes get a little bummed out by their lack of diversity.
All of this to say, from these four different business models, a bespoke Frankenstein business model for Watcher could be cobbled together. But also, even with that bespoke Frankenstein, there are some changes that Watcher would have to make: primarily their upload schedule. As of right now, I think they do MAYBE one video a week if not, perhaps, one video every TWO weeks. If they want a monthly subscription model, their rate of content generation would ideally be higher to double/quadruple their current upload rate. Obviously they want to create videos with higher production value, but at that rate of generation, something’s got to give: supplement their TV quality shows with either a behind the scenes type series or an increase of “we get four episodes out of Shane and Ryan get increasingly drunk in someone’s backyard” or something similar. Leaning into shows like Worth A Shot (the first season in which Ricky Wang makes cocktails based on a random ingredient, the second season threw in some competitive aspects which I didn’t really find necessary) or the Beatdown which has relatively low production costs (no travel, one location, maybe two cameras at most therefore smaller crew requirements) but a higher polished look. Otherwise, for a separate streaming subscription service, 2-4 videos a month is not going to cut it.
As of right now they probably can’t back out of the separate streaming subscription service because those set ups usually require some level of contract/paying for servers for the website and whatever is hosting their videos for a set amount of time. However, what really strikes me is that I literally didn’t know they had a patreon until I scrolled through the comments of the first Goodbye Youtube video. Maybe it’s been linked "tactfully" in the descriptions of videos, but considering they claim to be lacking in funds, the fact that they weren’t plugging their patreon at the end of every video is not just strange, but also irresponsible considering they do have 25 employees that they don’t want to layoff.
Additionally, I understand artists needing to be in a space that promotes creativity, but there are cheaper places that must be comparable that aren’t in literal Hollywood. It’s an unnecessary expense. On top of that, other people have already brought up that it was fairly crass to introduce this paywall, attributing it to the increased production costs, when the next planned “new series” is a reboot of an old Buzzfeed series in which people travel and eat expensive food. I’m not even talking about the personal expenses of Steven, Shane, and Ryan; what kind of car they drive or the cost of their wedding venue doesn’t matter on a business model basis.
But getting back to the patreon: again, I literally didn’t know they had one. I’m looking over their tiers— they have $5, $10, $25, and $100 — and for the most part they seem okay, although I think they have more to offer that wouldn’t necessarily cost them more. Ie, something that has baffled me for a while: the fact they don’t sell the mp3s of the Puppet History songs; they already exist and it doesn’t cost them anything additional because they don’t need to put it on physical media. Or maybe they do and they’re not marketing it similarly to how they weren’t overtly marketing their patreon?
And, okay, maybe they didn’t want to seem desperate — in the early days of Dropout and independent Drawfee, they both were very blatant in getting people to subscribe/join their patreon. As they should be. Desperation maybe doesn’t look cool and sexy, but it is earnest in a way that conveys equal effort that fans who can afford it would want to see. The fact that we weren’t getting rotating ten second clips of Steven, Shane, and Ryan asking people to join the patreon at the end of every video — even if its the same clip every three videos — is wild. And yes, the $25 tier includes a shoutout every 3 months on Watcher Weekly+ (which I don't quite understand what that is,) but the fact that they weren’t doing a quick post movie credits scroll of all the patreon names is, again, wild. Once you have that initial list, it’s not too difficult to add any new names that join and put that title overlay on top of, again, those nonexistent ten second clips of the three.
As others have already stated, it seems like an extreme mismanagement of their existing successful revenue streams, if they are actually struggling to pay all of their employees. Which goes into the philosophy part of this essay: don’t assume malice when it might just be incompetence. It’s something that I have to remind myself of often because I do get paranoid about people’s intentions sometimes and I have to check myself. Am I being overly suspicious of what might be just an honest mistake? Am I assigning ill will to an action just because it inconvenienced me?
Yes, of course, a lot of this situation could be misconstrued as straight up greed. But, also, Watcher is a relatively young company, helmed by three people who certainly don’t have experience running their own company:
They like to travel. They like to bring a full crew around with them. They’re renting out a shiny office in the heart of Hollywood where everyone knows is where real show biz happens. They’re adding more employees to the team because surely more people means better. And they want better productions values because the prettier the videos the more people will like them right?
It’s naive. It’s a level of inexperience combined with giving responsibility to officers whose main priority is to entertain. And if that means entertaining themselves and their staff, then they might not know the difference. It’s the kind of mistake that first time managers make—trying to prioritize fun over getting the job done. Prioritizing making friends with their employees rather than making sure the work the employees put in is equal to (or greater than) what you spend on them whether that is in paycheck or bringing them to cool locations for fun shoots. It’s a mistake anyone can make, it's just unfortunate that they made this mistake in front of millions of people. It doesn’t necessarily mean it’s solely a greed induced cash grab.
But then comes the catch-22 of the philosophy—is it worse to assume incompetence than it is to assume malice? Or, in this case, greed. Especially for the heads of a company that holds the livelihoods of 25 employees in their hands. At what point does it not matter if it’s incompetence or greed if the end result is the same?
Is it better to think that Watcher knew about the various other business models of independent creators and just ignored the efforts put into achieving those successes or is it better to think that they didn’t know and just stumbled into one of the worst moves they could have done. Again, other people have mentioned that Great Mythical Morning—which Watcher has had multiple collaborations with—has managed to make the YouTube subscription/tier system work to the point that they can sustain themselves as well as spinoff channels. Is it incompetence or greed that led to Watcher thinking they could bypass that completely in less time and with less content?
I’ve been at this mess of an essay for several hours when I should have been asleep. Ultimately I want to say, regardless of incompetence or greed… yes, Steven is CEO and yes he is ultimately the one who makes the final call but it is disheartening to see the pointed vitriol at Steven specifically and the infantilizing of Shane and Ryan in comparison. Either they’re all silly uwu boys who are messing around not knowing how to run a company, or they’re all complicit in a crass cash grab in an extremely busted economy.
I think what’s most frustrating to me in all this is that there were so many other channels and creators who have literally walked this path before them and, again, whether through incompetence or greed or arrogance, for them to just ignore it… It’s not betrayal because I don’t know them and so there’s no relationship to betray, it’s just so inefficient and convoluted that I don’t understand. Or, no, even if it was greed, it’s an incompetent greed because at least pure greed would have been pushing that patreon every second they could. Their ratio of YouTube subscribers to patreon members is less than 1% and I bet that’s because a lot of their audience, like me, literally didn’t know they had a patreon. I probably would have become a patreon member of theirs had I known earlier, ESPECIALLY if it included access to those Puppet History songs. Drawfee has half as many YouTube subscribers and nearly double the patreon members as Watcher. I’m just baffled, is all, and maybe by this point sleep deprived.
Anyway. That’s my extremely late, completely unnecessary opinion of this situation.
Edit (several hours later after some sleep): I forgot to mention, because they did walk this back almost immediately, even before their "An Update" video, but I believe the original plan was to put EVERYTHING behind that paywall and pull their content from YouTube entirely. Which is, again, extremely baffling, because if ALL of their content is behind a paywall, how would they possibly gain new fans? Even if all of their current fans were able and willing to pay for their separate subscription streaming service, how would a brand new person even stumble on their content enough to want to subscribe if there wasn't a significant amount of "proof of value" free content on YouTube? Again, extremely baffling, and a level of incompetence that overshadows a "cunning" greed. But, like I said earlier, they did walk this decision back almost immediately. If I've misunderstood this and that was never their plan, please let me know, I don't want to be spreading misinformation in a situation that is already so convoluted.
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cursedcola · 4 months
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TWST: The Hall Of Mirrors - Baby Update, January 24’
ART:
Guys I don’t think I’m going to be able to put art in the game because I lack a tablet. As much as I want to, it would require making *way* too many images.
So, I’m making the TW game a pure piece of interactive fanfiction as a text-based game only. I’ve poured so many hours into it and I think I would rather go extend the plot/add on details so you can visualize it rather than stress anymore about putting art in. I know I said previously that I was taking time off from it, but I actually spent a good chunk of my free time last month trying to get art to scan in. Twine does not like imagery. No, no it does not.
So I’m just going to take a wee bit more time and make the plot more detailed. I also really want to get back to writing more here >_<
PLOT:
Like I said, I’m taking more time to add in detail. Without art I feel that it needs more to make the visuals pop.
AUDIO:
I haven’t given up on this bit quite yet. Since this is a fan game that isn’t getting monetized or anything, I don’t feel the need to make original music. I’ll see if I can find anything I like enough to fit the vibes
~ On that note, this is the last written update I’m giving. I might post some pictures when I feel it's in a good place, or ask if anyone would like to test the game out (catch any technical errors or bugs)….but yeah, I’m pretty much done now? I think? Hard to believe I’ve slowly been writing this since July. It’ll be weird to not work on it anymore, but also nice since I want to write other things hehe. I will say that this is the biggest thing I have ever made for any fandom, and I hope it's something I can look back on fondly.
(Small rant below about the art because I’m me and my perfectionism demands I offer an explanation)
Like, I did the math and it just isn’t feasible to do with what I have sadly. The game was going to have 15cgs for each route’s climax. I also got a bit crazy and even did base sketches for 15 cga for the after endings without really thinking about how rough it was going to be. You can customize your Mc by their clothing, body size, eye color, hair length and color, and hair type. If I had a tablet then I could make a singular CG as the base, and then basically make a bunch of copies where I make small changes so that the proper combination will pop up depending on the choices you made. It would have took a long time but I could have done it - although using a quick combination showed that there were hundreds of different possible combinations.
I mean, there are 2 clothing options, 4 body types, 8 eye colors, 4 hair types, 4 hair lengths, and i think 6 hair colors if I remember right. I also put in customization features that have you answer Q’s that I can’t predict to edit the cg with. Regardless that’s 2X4X8X4X4X6 = 6,144 possible combinations for ONE cg. That’s kind of rough even with a tablet, so without one is just like…death. It would be 2x4x4x4 = 128 different iterations of the image (as things that are not just color changes that can be quickly altered). That’s 128 versions of 15 images. That’s 1,920 drawings. Even if they were going to be in a very simple artstyle, heck even a sketch, it’s not feasible.
I love Otomes and have always wanted to play one where your customized MC is featured in the cgs. Making a game like that is one of my life goals - but not for a fan game. If I’m doing that then it’s going to be an original work.
I’m sorry for hyping it up and making false promises. I really did want to make it happen for my mini fangame, but this is kinda just my little side project and stressing over it was zapping the fun away. So now we’re going back to plan A and just sticking to a text game >_<
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theconstantsidekick · 11 months
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Randy's Donuts In A Suit Of Armor
Pairings: Tony Stark x Stark!Reader (siblings), Natasha Romanoff x Stark!Reader (little bit of flirting)
Genre: A bickering fluffy look back at the good times.
Summary:  Tony just wanted a goddamn donut after wrecking the shit out of his birthday party by being an asshole. He tried to throw himself a donut-themed pitty party but the universe is never that kind.
(These scenes incorporate y/n, codename—Static, into the pre-existing story as a character without making drastic changes to the plot or mythos. All the major plot points from the MCU remain in place with the addition of the reader as Static, who is not only a Stark but also enhanced. Whatever events from the canon aren’t mentioned, take place without much change.)
Warnings: Swearing, Mentions of Death, Hints of Suicidal Ideations, Mentions of Past Trauma.
a/n: dedicated to my dear reader @third-broparcelicito who wrote a whole-ass essay for me which kept me going through a rough time. Thank you so much.
sidenote: I just missed Tony a lot, ok?
Meet Natalie Rushman (previous part) | Series Masterlist | The Avengers (Ft. Static) | Age of Ultron (Static Origin Story) | Static Verse Masterlist  | Iron Man 1 (ft. Static) | Bucky Barnes, the Boyfriend
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“Sir!  I’m gonna have to ask you to exit the donut.”
And man if that doesn’t throw Tony for a spin, cause when he looks down on the source of the voice, there stands a man in an all-black ensemble with a fucking eye-patch. If you don’t know where this is headed, in some ways Tony’s fucking jealous of you.
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Reluctantly, he makes his way down and into Randy’s Donuts.
Seated opposite Fury in a booth that feels all too suffocating in his fucking suit made of gold-titanium alloy, with a coffee that was brewed at least two days ago sitting in front of him, and a giant-green-monster-who-tore-up-Harlem sized hangover crushing his head, he makes his displeasure at the situation known. “I told you I don’t wanna join your super-secret boy band.”
“No, no, no. See, I remember, you do everything yourself. How’s that working out for you?” Fury challenges.
“It’s… It’s… It’s…” Does it really look like he’s in the mood for a challenge? So, he deflects. “I’m sorry. I don’t wanna get off on the wrong foot. Do I look at the patch or the eye?” Lowering his sunglasses, he adds, “Honestly, I’m a bit hungover. I’m not sure if you’re real or if I’m having—”
Leaning in, Fury replies, “I am very real. I’m the realest person you’re ever gonna meet.”
Well, fuck, he thinks.
“Just my luck.” He looks over at the counter, “Where’s the staff here?”
The movement gives a full on show of his… situation? Yeah. Situation, let’s go with that. Fury gets a view of the situation he has at hand.
Fury’s hand comes flying to his neck, where he presumes his situation has become evidently concerning because then Fury says, “That’s not looking so good.”
“I’ve been worse.” He’s lying… kind of. The only thing he’s seen worse than this was back in the cave, which as is infamously known, not the best so, yeah. He’s kinda lying.
Anyway, what Tony sees next makes him want to spit his coffee out. Only thing stopping him is the fact that he might spit it on Fury and he doesn’t really wanna die in Rusty’s Donuts, hungover and shamed. He’d rather let the palladium poisoning take him out.
 “We’ve secured the perimeter but I don’t think we should hold it for too much longer.”
Well, fuck times two.
Looking over the top of his glasses in complete and utter disbelief, trying and failing awfully to contain his shock at this absolutely, “Huh,” he says. “You’re… fired.”
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“That’s not up to you,” Replies Natalie—who is definitely not Natalie, from Legal, cause she’s wearing a full on S.H.I.E.L.D. Agent bodysuit and currently in the process of taking a seat next to Fury.
“Tony, I want you to meet Agent Romanoff,” Fury introduces her with what seems like giddy excitement? Who even knows. He’s a fucking spy, Tony trusts nothing about him. Fuck Tony thinks maybe he doesn’t trust anyone anymore, especially since Natalie Rushman is actually Agent Romanoff, who says the perimeter is secure.
“Hi,” Tony replies, while facepalming in some more shame.
“I’m a S.H.I.E.L.D. shadow. Once we were informed that you’re ill, I was tasked to you by Director Fury,” Natalie, fuck! No. Not Natalie. Agent Romanoff explains.
“I suggest you apologize,” Tony says looking her dead in the eyes.
“I agree, Nat,” Comes another voice, and like, honestly? At this point he’s DYING to die at the hands of the palladium cause living has brought him no joy whatsoever. Not when his sister is just… everywhere. “You deceived me,” She says as she slides in to sit next to Tony. “You made me fall in love. I was going to marry you. We were going to have two adorable little children and live a long happy life as that weird family at the end of the most suburban lane with the lesbian moms and their adopted asian babies. You really should apologize.” She steals his coffee and takes a sip, stopping only for a second to make a face of pure disgust. “You broke my heart. Oh and, the perimeter is very much not secure… The north exit? Wesley I think his name was? Yeah, he’s down.”
“How did you—” Natali—fuck. Not Natalie is about to ask something that Y/n can very obviously not answer honestly, so he cuts in.
“What the hell are you doing here?”
“I wanted a donut,” Y/n replies easily, like it’s the most boring thing in the world.
“You wanted a donut?” Huh?
“It’s a Pavlovian response; whenever I feel a deep, profound sense of disappointment I crave a donut, because you give me a fucking ‘apology donut’ everytime you disappoint me… which is really often.” She says it with air quotes and all.
“I don’t do it that often,” Tony tries to defend.
“You do it often enough for me to develop a fucking Pavlovian reponse to it, don’t you?”
“You’re making shit up, there is no chance in hell that I do it that often. I’m the pinnacle of siblinghood. I’m absolutely the best brother anyone could ask for, ever, and you know it,” He argues because well, he is. 
“A pinnacle?” She scoffs. “The only thing you’re the pinnacle of is being a self-destructive asshole.”
And what kinda shit is that to say to your beloved brother? Honestly, that’s just disrespectful if you ask him.
“Guess who I learned it from,” He throws back… like a self-destructive asshole.
“Hey, hey, HEY!” Fury shouts as if he’s trying to quiet the two bickering children. Which, yeah, he might as well be doing just that. “I’m not here to take part in your bullshit. I’m here, cause you’ve been very busy. You made your girl your CEO, donated half your shares to your sister, you’re giving away all your stuff. You let your friend fly away with your suit. Now, if I didn’t know better—”
“You don’t know better,” Tony cuts him off. “I didn’t give it to him. He took it.”
“Whoa, whoa, whoa,” Fury exclaims in the most mocking tone known to mankind. “He took it? You’re Iron Man and he just took it? The little brother walked in there, kicked your ass and took your suit?” He turns to Nata—Agent Romanoff (fuck!), adding, “Is that possible?”
Ever so slyly, she replies, “Well, according to Mr Stark’s database security guidelines, there are redundancies to prevent unauthorized usage.” She looks right at him, with a challenge in her eyes that unsettles Tony… this might just be the start of a beautiful friendship.
“What do you want from me?” He asks. Cause, come on. He’s doing the best that he can, given the cards that have been dealt.
“I don’t want anything from you—” He shrugs, almost reassessing his statement and deciding to roll with it. “Mostly nothing. You should be asking her instead.” He points to Y/n, meanwhile Nat—(motherfucker!) Agent Romanoff gets up and walks out. “She’s the one who called us in.” 
“YOU DID WHAT?” Tony’s about to blow his fucking gasket. 
But Y/n is calmer than ever, which if you know her is the most normal thing for her. “You’ve been behaving exactly the way you did when you got chicken-pox and thought you were going to die.” She turns to face him. “You’re exacerbating the problem by scratching away at the poxes like there is no tomorrow meanwhile giving away all your toys to people you love and leaving goodbye notes.” He almost forgot about that one, fuck. “I hate to break it to you, but Howard might have returned your G.I. Joe action figure, but Rhodey sure as shit not giving the suit back.” He remembers that. He had to beg Dad to give the toy back. Howard had only given it back because he’d made mom intervene. 
She shakes her head with a sort of disappointment then. “I don’t even want to think about how concerning it is that your self-destructive patterns haven’t changed a bit since you were four fucking years old.”
Before he can respond, Fury cuts in, “You have become a problem, a problem I have to deal with. Contrary to your belief, you are not the center of my universe. I have bigger problems than you in the southwest region to deal with.” What happens next, Tony has no time to register. There’s barely a second long pause before Fury looks up and commands, “Hit him.”
Suddenly there’s something being injected into his neck and his body is almost on fire from it. “Oh, God, are you gonna steal my kidney and sell it?” Fidgeting with his hands around the neck he looks up at Nata—goddamn it! He looks up at Agent Romanoff who holds the now empty injection in her hands, he says, “Could you please not do anything awful for five seconds” He looks back at Fury,  “What did she just do to me?”
“What did we just do for you,” He corrects. “That’s lithium dioxide. It’s gonna take the edge off. We’re trying to get you back to work.”
“Give me a couple of boxes of that. I’ll be right as rain,” Tony says.
“It’s not a cure, it just abates the symptoms,” Agent Romanoff explains.
“Doesn’t look like it’s gonna be an easy fix,” Fury comments.
And you know what? He’s been ambushed twice in this conversation by people he thought he knew. And that’s not even counting the random injection of a so-called cure into him. So yeah, he’s a little short on patience. “Trust me, I know,” He says, with enough distaste that it makes Fury lean back. “I’m good at this stuff. I’ve been looking for a suitable replacement for palladium. I’ve tried every combination, every permutation of every known element.”
Fury leans back in, looks him in the eyes and says, “Well, I’m here to tell you, you haven’t tried them all.”
That stumps him for a second. Because, well you see, Tony’s been convinced he’s dying of this thing, this thing in his chest that while being absolutely foreign is an integral part of him now. He’s dying of the thing that he made to save himself and that’s been consuming his every waking (and most of his sleeping) hour. He had prepared himself for the worst, ready to face the bitter end, rotting from the inside out. It was a fitting way to go, he’d thought. The rot outside of him will have matched his insides. But that was his hubris. 
How could he have thought he could decide to give up on his own life, as if he didn’t share it with someone. That too with someone who was just a little bit more stubborn than him.
Suddenly, “All that remains is the matter of your signature,” Na—Agent fucking Romanoff says from next to them as she places a document in front of Y/n. “Just sign here and here, and we’re good to go.”
The tone of the room changes in an instant. He has seldom seen his sister uncomfortable, so you best believe he senses the change coming from miles away.
“Signature for what? What the hell is this?” Tony asks, completely confounded.
Y/n shifts uncomfortably in her seat, “I gave you my word, we shook hands—that should be more than enough. I don’t do documentation. You know that,” she says looking at Fury.
“You don’t do digital documentation,” He pushes the papers closer to her. “This is analog.”
Tony’s had enough.
“What the fuck are these for?” He asks, loudly.
“Integration of Y/n Stark as a S.H.I.E.L.D. Liaison,” Agent Romanoff replies easily.
He turns to his sister. “Ah. Of course, I’m the self-saboteur in the family. The only one.”
“Tony—”
He’s not in the mood to listen to her bullshit. “What the actual fuck, Y/n? Have you fucking lost your mind? You want to be a fucking liaison for S.H.E.I.L.D?”
“Are these rhetorical questions or are you hoping for a response?” The nonchalance in her attitude pisses him off even more.
“Where is all this attitude coming from, young lady? You really think this is a situation where you should be running your mouth—”
“Oh my fucking god! Tony! What the hell was I supposed to do? You were dying, literally being poisoned by this thing in your fucking chest and I was supposed to do what? Sit back and watch?”
“Do not put this on me. This is not on me! How is this on me? This is a decision you made! By yourself!”
“I didn’t make it in a fucking vaccume, did I—?”
“Everything is my fault? All of it? I am not taking responsibility for your stupidity—”
“—MY STUPIDITY?!! You’re the one who put decided to put a fucking magnet in your chest, jerkface—not me!”
“I’m sorry my solution to being blown up by a missile was inconvenient for you—a missile which by the way had my own fucking name on it—I didn’t have much choice in the matter—”
“UUUGGGGHHHHH! FUCK!! Here we go again. Here we go for the millionth time—”
“—On account of me being held prisoner in the fucking desert!”
“Are we still milking that? Really? Are all your future crimes absolved cause you were kidnapped‚—”
“I wasn’t kidnapped, I was abducted! And do you think I liked—”
“You did like it! You said it yourself, you narcissist—”
“That was a fucking joke, Lincoln Lawyer!”
“How was I supposed to know that?”
“You’re telling me you can’t gauge tone difference now? Really? You childish little shit—”
“You’re a fucking childish little shit—”
“SHUT THE FUCK UP!” Fury shouts. “Shut up—” he cuts off any protest from the siblings before it even forms, “—the both of you. I’ll make you regret it if you don’t.” He fixes them with a look which makes the two Starks silently climb back off of each other and take their seats; once again a part of polite society. This must please Fury to some degree, because he clears his throat before continuing, “Now, here’s the deal, you both will sort this little quarrel out on your own damn time.” He looks over at Y/n, “And you have to sign this, we need proof of some sort. Besides, you will have access to some of the nastiest secrets known man, there has to be some sense of accountability? If you catch my drift?” Reluctant as ever, Y/n just grits her teeth in displeasure but remains otherwise silent. Fury takes this as her assent and moves on to him, “And you! She did this cause you were being a little shit about all of this. So, just be a little nicer maybe?” When Tony remains silent as well he takes that to be an agreement too. He gets up and out of his seat, brushes himself off and then begins to walk away, stopping only for a second to say, “I’ll see you crazy kids back at your place.” With that Fury is gone, and Agent Romanoff along with him.
There is a short silence between the two. It’s something like tense, but not really. 
Tony decides to break it. “You didn’t have to do this, you know?”
He can feel her shrug next to him. “Eh, it was for the best.”
“How?” Tony questions. “You hate all this spy stuff.”
She leans back, hands back in her pocket. “I actually kinda love the spy stuff. I just kinda sorta hate S.H.I.E.L.D.”
“Then why go back?”
There is a beat before she replies, “You were suffering. I hate watching you hurt.”
Af if he didn’t know that. The woman burnt the books that gave him paper cuts.
He sighs. “We could’ve fixed it… found a way. We would have.”
“That was the whole problem, Tones. Ever since you’ve put on the damn suit we haven’t been ‘we’. It’s been you in the suit, you in the lab, you alone. 
“That’s not—”
She cuts him off even before he has the chance. “And I understand that I can’t be there all the time and I understand that maybe it wasn’t your intention to cut me off, but none of what you’ve done with regards to all this has been a unanimous decision.”
“I—” he takes a second to reassess before he says anything further, because yeah, maybe she isn’t wrong. Cause right now her breath smells of cigarette smoke and she did just decide to sign herself away to an organization she had come to despise. That would all seem like an overreaction if Tony hadn’t been acting alone, especially from Y/n who is, for all intents and purposes, the most chill person he knows. So, yeah, maybe he fucked up a little bit. So he says, “I—I’m sorry.” He licks his lips. “I was a little too focused on not pulling you back into all this that I just ignored that fact that I was pushing you away all together.” Fuck. He takes a breath. “It’s always us against the world.” He knocks on his suit,”This tin-can won’t change that.”
She looks over at him then, “I know.” She smiles a little “We’re good.”
Nodding, he smiles too. “So, what now? You gonna sign these?” He asks, pointing at the papers in front of them.
“Yep,” she replies, popping the ‘p’ at the end. 
“You think Fury will back out of helping me if you don’t?”
“No, no I don’t,” she answers. “But I’ll sign it anyway.”
“Why?”
“I need the access to the intel that they have.”
Tony has to laugh at that, “Oh yeah, you need them to gather intel. It’s not like you have a whole secret network of informants around the world or anything”
She rolls her eyes with a fond smile. “Yeah well, it’s more than that, okay? There’s something going on at S.H.I.E.L.D. Fury’s planning something.”
“What?”
“I don’t know, that’s why I need this,” she pulls the papers towards her. Pulling out a pen, she signs them. “I gotta be on the inside to figure it out.”
Reaf the next part here. Find the series masterlist here. Find the Static Verse Masterlist here. Read The Avengers (ft. Static) here.
tag list : @aryksworld @freeflyingphoenix @arikarapli @just-anotherstan @justab-eautifulmess @ceo-of-daichi @roxannejblack @liketearsintherainn @paintballkid711 @starkleila @heyitsmereading @fairlygothparents @euphoria-svt @sidepartskinnyjeans @mini-kunoichi @third-broparcelicito @siwiecola @haleybutnotthecomet @mvaldez7821 @rockybutmakeitlame @romanoffswoman @ashpeace888 @hopeofwinter @percabethfangirl987
hit me up if you wanna be added to the tag list.
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doshmanziari · 1 month
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Hey, everyone.
In 2022, I wrote and illustrated a short comic book which I published and sold copies of at that year’s MICE. Entitled Adyton, it was a brief exploration of what I'd very loosely call the close encounter phenomenon, with an emphasis on the abduction aspect. Since then, I’ve wanted to expand on the book; but, as is usual for me, I have to ruminate on something for a long while until embarking on the project feels right. This recently happened, and I’ve decided to entitle what I intend to be my first complete and long-form graphic novel Can You See Behind the Moon? I’m not going to say where the title comes from, and will leave it to those who are more familiar with some of the paranormal literature to recognize its origin.
Over the years, I’ve made sputtering attempts at other graphic novels, but the lack of a clear narrative direction for one doomed it to oblivion (Underbrickers), while the creative momentum of the other seemed bound to a very particular timeframe (Grim Synergy). Differently, I see this project as encompassing ideas which, to varying degrees, are present within my mind every day, or every other day, and I do think it can be sustained by that persistence. If I were forced to speak in very general and perhaps reductive terms about Can You See Behind the Moon?, it is my attempt to explore possibilities implied by close encounters in a way which emphasizes a deep and occulted relationship humanity appears to have with itself, the cosmos, and what one might term the evolutionary impulse.
The first four pages you see here (not counting the cover) are recreations of Adyton’s first six pages. As should be apparent, the narrative is not linear. Like Adyton, the plot sometimes progresses according to visual resonances which can also be interpreted as conceptual resonances. For instance, the as-yet-unnamed young man’s finger-gun gesture becomes the transitional point for a reference to the so-called Kelly-Hopkinsville encounter, wherein guns figured prominently, and unusually.
To be clear, this work has been done very quickly, in the interest of submitting it to relevant publishers as proof-of-concept material, and so that I’m able to maintain a pace of a couple of pages every two or three days (while also producing “fine art” for gallery shows, to say nothing of various other side projects). But I also like the roughness of the drawings, and the color of the newsprint paper… so, the making of these has also carried with it pleasure and occasional surprise at the results. Since I’ve decided to work within a limited palette, I’m relying heavily upon the linework.
For Christmas last year, my partner — somewhat regretfully — got me a comic book about UFOs published the same year by Dark Horse. I write “somewhat regretfully” because she didn’t really like the look of it; and when I received it I had to agree: the art is so simplistic, mundane, and ugly that I don’t think I’ll ever do more than skim some of the pages (the author also seems to have only done the bare minimum of research regarding Betty and Barney Hill’s case). But I’ve used the book as a point of motivation: surely, if something that bland could get green-lit by a fairly well-known comics publisher, then my work stands a chance.
Another one of my particularities is that I tend to get through projects more quickly when I don’t assign their completion an arbitrary date, and also when I don’t make myself beholden to publicizing all of the progress. I don’t intend on making a Kickstarter or anything for this — unless it becomes necessary — so I’m not sure when I’ll be prepared to share more. But, the time will come.
Anyway — even if there’s not much here yet, thanks for looking!
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ratkingssillyboy · 7 months
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So I’ve been wanting to read the rest of the royal ranger series and figured I’d reread the main series first as it’s been around six years since I first found them, after reading the first book I’m just so glad that it holds up to how fantastic it was the first time and I have ALOT to say.
-The way that Will and Horace grow so much in just the first book, I mean we have Will whose main defence is running and finding a hiding spot but is still witty and a fast thinker to a brave resourceful determined young man. The training my boy is put through is ROUGH but he doesn’t even think of trying to get out of it or wishing he wasn’t a rangers apprentice, we get to see as he matures and simply grows into himself just…the steadiness he has in him by the end of the book, he has a long way to go but we get a glimpse at the man he’ll become.
Horace has an even greater arc, we see him as a simple minded bully (which he absolutely is in those early chapters) but then we see that he’s a natural swordsman who has his own insecurities. We then watch as he’s confronted with the trio of bullies and still unsure of the traditions and usual ways of battle school we see as he soldiers through taking their shit and STILL managing to keep up to a degree, the way that it still affects his school work and social life was perfectly depicted like on harvest day where he lashed out at those he cares about was brilliant but also him not keeping up with school work which when the issue is taken care of becomes much easier for him. But through it all we get to see as he matures, now he isn’t that bully we saw at the start he is a talented loyal friend who is willing to try and take down a boar to keep someone he’s been awful to safe and then witnessing Will do the same for him, making a promise that he soon fulfils regardless of his own injuries
Just watching Will and Horace, these two boys going from school yard enemies to the mature young men who would absolutely die for the other by the end of the book was fantastic, there was no force behind it like it felt so natural and easy once they were able to actually see the other and how far they both had come since the choosing, and it isn’t perfect there’s still tension but they’re friends
- speaking of the boar attack, when Will shoved his face into halts chest and cried? I sobbed as well, absolute puddle of a mess because of course Will would cling to halt after such a terrifying ordeal, and halt just?? Comforting him??? Like the heart attack this man must of had watching his son apprentice facing down a massive boar with a bow and two knives, that hug absolutely healed something in halt John told me so himself.
- I remember originally reading the books at age 12-14 and not comprehending why Will asking so many questions annoyed halt but now at the age of 20? I get it, I finally understand this poor tired middle aged man. Though the absolute dead pan wit this Halt gives Will with each interaction made me wheeze.
- Can I just say, Will meeting Tug? Like he has no idea that he's just met one of his most loyal dedicated companions, just them meeting and growing such a strong bond so quickly I mean the way Will was TERRIFIED when Tug came to his defence during the boat attack and Will could only think of the injuries Tug could get, Tug would not have been Wills horse for long at that point maybe a few months at most and already Will is so attached.
- Gilan, it's wild to think about the fact I'm now around his age? Like he's actually so young????? I just love his dynamic with halt, the respect he shows him while also being the little shit he is is perfect, and the big brotherly way he is around will I just know he's so proud and impressed by this little 15 year old, he absolutely has asked himself if he was ever that silly as halts apprentice (the answer is yes)
-Old bob is a national treasure, I know that man has hit halt on the upside of his head at least once, feel it in my bones
- JUST WILL CHOOSING HALT OVER HIS LIFELONG DREAM I know Halt was holdin tears l just know it, like everyone knew just how much Will wanted to be a knight and yet when offered HE DECLINED because he loves his dad
Thank you for coming to my ted talk
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blastedking · 5 months
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Hi! I hope you are doing alright.
When I first entered the Gloryhammer fandom a year ago, I genuiely thought all your art and comics were canon and made for the band, and honestly I'm still flabbergasted it's all fanmade content. So I wanted to know how you feel about all the stories you made, what place they had for you in your life and just in general what they represent for you. I hope this isn't too much of a personal question, all the efforts you put in this is fascinating to me, so I'm just curious about that.
Oh hey there! 
First of all, a bit thank you of course. Even though that notion of “thinking it is canon" would probably terrify some particular people xD But I think most do realise it isn't so eventually. I’m indeed just doing it for fun, as a hobby, trying to squeeze it into the free time I have between an actual job :’D
It’s an interesting question though, because the whole thing is naturally important to me, especially given the way I got into it. 
I got into Gloryhammer by chance in March 2020 I think, and by May that year I started the first comic. All art from that time is pretty rough since I genuinely had stopped drawing for a year at that point, because I had started a new job and was still very bitter about having to stop doing art full time due to health reasons at the time. But I made room for this. I had the idea for this story line very early on - which I always called my “5 Year ULF plan” (which I’m still almost on-track on. Going to be 6 years now because stuff got added. Like the Powerwolf comic wasn't planned X))
So, getting into Gloryhammer, kind of revitalised my love for doing this stuff. Worldbuilding, making comics, art and stories.
It’s not been a smooth ride all the way, it is unfortunate to know that some people just don’t get that this is genuinely fun. But there are enough people who follow along and appreciate it. We may not be many, Gloryhammer itself is already niche, so ULF only takes another fraction from that, but it’s never been about clout.  (Like, there was this surreal moment when I posted (1) TF2 fan art in between the ULF stuff in late 2022 and it got like 2000 notes - which was like “ah right, it’s really about fandom size xD”) 
It IS an enormous amount of work though for sure. But it’s sufficiently varied. I finished the next comic a few weeks back (starting on the 22nd this month!!) And I am right now still in the “I never ever want to draw a comic ever again” phase xD but that will fade over the next months again. In the meanwhile I can focus on writing and other art. 
On a more theme related note concerning ULF and what it means to me,
The ULF worldbuilding carries forward a lot of themes and ideas and concepts I had been conceptualising for a long time already. Like ideas about immortality, magic, even the werewolves of Hatir are very closely based on Original content I’ve written before. It also focuses a lot on the idea of characters just not fitting in, or struggling to comply with the status quo in many variations. Which is also a theme that has been running through my stories since forever. There is definitely a lot in ULF that is either important or interesting/fascinating to me personally. (One would assume so I think xD) But at the end of the day, I do it because it's fun to me and I greatly enjoy the result this far.
It’s often very grim and dark - but in the end I always hope to get it to a brighter place. I still plan for a happy end for ULF. So there is hope in that :)
Thank you so much for the question! Answer got a bit rambly x) ❤️
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jessamine-rose · 1 year
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꒰Disjecta Membra - Author’s Note꒱
Read Disjecta Membra here!! ヽ(´∀`)
Read Chess Piece here!! ヾ(๑╹◡╹)ノ"
Aaahhh thank you to everyone who read my recent fics!! Mere words cannot describe my joy whenever I receive your sweet comments. Cheers to more readers rotting over enjoying the Jester’s twisted story  (´。• ᵕ •。`)
To my old followers, y’all know the drill. In this post, I’ll discuss my characterization of Yandere! Pierro and his darling, my creative process, and bonus content from the rough drafts. Now let’s go behind the scenes~
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“Cursed with your divine burden and lost hope for the future, you have accepted a melancholy life of solitude. By some stroke of fate, however, you encounter a kindred spirit who will save you from the depths of your sorrow.” (AO3 Summary)
꒰ Introduction ꒱
♡ For starters, I want to say a big thank you to @frogchiro and @seakicker!! Aside from giving me the brainrot which caused all of this, Kin shared some notes on her characterization of Pierro. And Juju inspired this whole fic with her amazing Pierro x Fertility Goddess AU!! I’d also like to credit @mirdance’s glorious fic Innamorati for aiding my character study and speech analysis of Pierro~
♡ Originally, the Jester’s story was going to be a short post and not my regular longfic + side story. But after getting too many ideas and developing Savior! Darling’s character….…rip my word count. The idea of Pierro subduing a fallen goddess was too powerful u_u
♡ As always, you can thank @diodellet for another amazing peer review. She’s been a big help since my first Harbinger fic, and I appreciate all that she’s done for me. Without her, my Genshin works wouldn’t be the way they are now (´∀`)♡
꒰ Characters ꒱
♡ It’s official. Pierro is the most difficult Harbinger I’ve ever written for. Forget his dialogue, I died balancing his “hot and cold” attitude. I headcanon Pierro to be a possessive, controlling yandere deeply influenced by his trauma. His main strength is his intelligence, as shown by how he strategically orchestrates and manipulates events to his advantage.
♡ Among the Harbingers I’ve written for, Pierro is the least outwardly affectionate. He has strict expectations for his darling, such as her full loyalty and education, and will always prioritize the Tsaritsa/ Fatui over her. That doesn’t negate his soft spot for his darling—he simply has greater responsibilities as the Jester.
♡ Savior is my kindest and oldest darling. She’s a foil to Pierro in the sense that her grief left her with self-hatred, survivor's guilt, and a passive attitude. I gave her a veil for the mystery/ bride vibes + it fits in with the Fatui’s mask aesthetic. Her intellect and divine powers make her a formidable darling, and I enjoyed writing the scenes where she challenges Pierro >:3
♡ My thought process for making Savior the God of Mist was, “clouds/ mist can obscure one’s vision.” Her character references the Greek goddess Achlys simply cuz I’m a slut for mythology and symbolism. While she can create regular harmless mist, she can secretly claim “territories” via special mist made from her blood—an allusion to her self-sacrificial nature. I personally imagine her to be around 4,000-5,000 years old.
♡ Additional notes on Savior’s powers!!
♡ My own name and appearance for Savior
♡ And how could I forget my babygirl Oizys?? Like Savior’s other friends, he is named after a mythological deity. I wanted to make him similar to his namesake/ different from Pierro, hence their comparisons and his emotional, outspoken personality. He’s very close to Savior, as they are each other’s last surviving friend. In his final moments, all he wanted was to go home to her ;-;
♡ My appearance + doodles of Oizys
꒰ Literary Motifs ꒱
♡ Godhood/ Power – hahaha so for Pierro, I wanted to highlight the power imbalance between him and his darling. Before he became a Harbinger, he relied on the pity/ mercy of Savior. But after?? He views Savior as someone beneath him and wants her submission + praise. This desire also applies to their bedroom activities~
♡ Grief — as mentioned earlier, Pierro and Savior are foils to each other. Both of them have lost everything to traumatic events and thus find it difficult to move on. But while Savior succumbed to her grief, Pierro actively stepped up to seek justice and “improve” the world.
꒰ Chapter Titles ꒱
♡ Latin quotes – I thought they would give a nice dramatic touch to Disjecta Membra since it’s about Pierro and a fallen god. I purposely started the fic with i. memento mori and ended it with ix. memento vivere to compliment the full-circle ending and Savior’s character arc. Scroll down for the translations!!
♡ Chess pieces – at that point, I was just tired of spending so much time picking/ googling section dividers. I used chess pieces in order of rank since it is a recurring theme in their story. Beyond that, idk sh*t about the game -.-
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Disjecta Membra - “scattered fragments”/ “surviving fragments of ancient poetry, manuscripts, and literary or cultural objects”
i. memento mori - “remember you must die”
ii. mea culpa - “through my fault”
iii. damnatio memoriae - “condemnation of memory”
iv. oderint dum metuant - “let them hate so long as they fear”
v. nitimur in vetitum, semper cupimusque negata - “we strive after what is forbidden, and always desire what is denied”
vi. amor et melle et felle est fecundissimus - “love is rich with both honey and venom”
vii. dulce est desipere in loco - “it is delightful to play the fool occasionally”
viii. flectere si nequeo superos, acheronta movebo - “if I cannot bend the heavens, then I shall move the powers of hell”
ix. memento vivere - “remember to live”
꒰ Deleted Scenes ꒱
Goodbye/ Blessing Kiss
♡ Originally, Savior could bless people with fortune through her kisses. That idea was an excuse for her to kiss Pierro’s forehead before he left + for Pierro to request her kisses. I think their first kiss scene turned out much better <3
Conversation with Zhongli
♡ Sooo Savior personally knows Zhongli!! While they are nothing more than acquaintances, they can relate to each other as old gods who outlived their friends. Similar with Pierro and the Tsaritsa, Savior admires Zhongli but feels pathetic compared to him. I originally planned to write their conversation but decided that it was enough to just mention it.
Savior’s Cold Hands
♡ In Chess Piece, Pierro prefers Snezhnaya’s climate due to his experience with Celestia’s sea of flames. Originally, he compares the latter to Savior’s low body temperature as a mist deity. It was going to be one of Savior’s insecurities since she can’t provide comforting warmth for humans……an inhuman trait which is perfect for Pierro.
�� My Favorite Scenes ꒱
“I shall overthrow the gods of the Old World, starting with you.”
♡ Catch me simping as I finally wrote Pierro’s glow-up and their reversed power imbalance. Yes, it was necessary for him to kabedon Savior and bring her to her knees. Yes, he secretly enjoyed that moment. I can’t say that my mind was pure when I wrote that scene =w=
You kneel on the floor, hands clasped together. “O, Lord Pierro, I humbly thank you for saving an undeserving creature such as myself! Had it not been for your benevolence, I would have been doomed to a life of sorrow. Your greatness is unparalleled. You have brought glory to Snezhnaya. The Tsaritsa—”
“That is enough.”
♡ Congratulations, Savior, for getting on Pierro’s nerves!! I greatly enjoyed writing this quote and the overall scene. One thing which sets Savior apart from the other darlings is her ability/ willingness to challenge her yandere, from irritating Pierro to strategically claiming her prison to semi-successfully escaping. It makes for an engaging dynamic between two smart immortals.
“Jester, I come bearing a report on our latest Archon Residue experiment.”
♡ Forget Pierro, Dottore steals the spotlight in iii. bishop. I didn’t originally plan for him to show up in another Harbinger’s fic, but he is simply that powerful. After 16.5k words of Pierro, it was very refreshing to reunite with Dottore’s chaotic energy. Since my Yandere! Harbinger fics are in the same universe, I referenced Dottore’s darling for funsies (๑・̑◡・̑๑)
꒰ Pierro x Savior Playlist ꒱
With a couple as angsty as Pierro and Savior, the 3rd and 4th songs were necessary. At least we end with an uplifting song ^o^
♡ Si Deus Me Relinquit – Kuroshitsuji OST
♡ Envy Baby by Kanaria ft. GUMI
♡ Gehenna by wotaku ft. Hatsune Miku
♡ Kyu-kurarin by Iyowa ft. KAFU
♡ Dear Answer by TRUE
And that’s it!! Once again, thank you so much for reading Disjecta Membra + Chess Piece. I didn’t expect so much love for Pierro and Savior, and I truly value all of your messages. Pls don’t hesitate to share your feedback with me, and may more readers catch Pierro brainrot ♪(๑ᴖ◡ᴖ๑)♪
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bronx-bomber87 · 1 year
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Lets keep this thing rolling and onto:
1x04 ‘the switch’
This ep is SEVERELY lacking in gifs so this will be sparse. Especially since there wasn't any Chenford not a ton of gifs available LOL Also its lacking in Chenford content so this will not be as robust as previous reviews but tis part of the season. So lets get started.
The engagement beginning is sweet but hilarious. 'In 2-5 years- haha When Talia takes the ring cracks me up. Funny thought its been 5 years they’re probably married now that I think about it LMAO
So watching Nolan/Lucy scenes like watching paint dry. It pains me to watch it.
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What does give me joy is every time Nolan brings up commitment how uncomfortable it makes her. It's a good view into her as character. As we see later in the ep where she reveals she's never been serious about anything till being a Cop and Nolan.
It is fun to watch the TO swap. Tim saying he’s going to break Jackson’s spirit made me laugh. Not cause I wanted him to break Jackson. Because honestly I think without Angela as his T.O. Jackson would’ve broken under Tim’s tutelage. Where as Lucy thrives off it and it makes her a better cop. This is a great representation of each rookie being with the right T.O.
I do hate how all over Lucy Talia is. She knows dating Nolan is a no no. But damn it’s not who she is as a person. Or as a cop. Shouldn’t be the only thing that defines her. Wracking her with guilty and such. I loved her reply to Talia though . ‘There are no other rookies like me’ damn right my girl. Tim sees that and knows what he has in her. She’s not wrong she needs to not date him but hot damn back off a bit. Their scenes were too muddled with that. I know it was a set up to the ending scene for her and John but didn't need to dominate their entire time together IMO.
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She understands his tactics and honestly it’s why they work so well. Yeah he’s rough af but it’s always with a purpose. I love that she already knows this about him early on. Once again proving the original pairings for T.O’.s were the right choice. She’s so right he totally takes it as a challenge for him to fix Jackson. One of the many reasons their work relationship is so damn solid. There's an understanding there and its why their work flow is so cohesive.
I do love Tim’s eventual approach to fixing Jackson. Shows his softer side not only as a cop but a T.O. lovely to watch. His whole thing with Wallace just gives us another layer of depth. Another piece of my fav puzzle that is Tim Bradford ❤️ I love this man. Truly.
We get to the end of the ep. The scene where they finally break it off, sucks to watch for Lucy. Never fun to watch Lucy get hurt. That’s my girl. The way Nolan breaks it off with her sucks. Like she said she struggled for weeks and he just ripped off the bandaid. I’m happy it’s over my least fav part of a rewatch. Always so awkward to watch them.
I do love her empowered comeback telling him she joined on a whim but didn’t realize how much she would love it. She was going to take Talia's advice, give this everything she has. The very start of bad ass Lucy Chen has begun. Don’t need no damn Nolan LOL
Not a morsel of Chenford in this ep but it had some good stuff in it none the less. Thank you all once again for the likes/comments I’ve gotten since I started this. They make me so very happy. Please feel free to comment and or like. Hoping to have ep 5 review up later this week. till next time 😊
Gif Credit to Chenfordsource
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plague44 · 6 months
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Mina Liao’s age
So I’ve seen people ask about how old Dr Liao would be if she were still alive so, here is my guess as to how old she’d be if she were still alive and how old she’d have been when she died
Note: OW2 takes place 2 years after OW1 so I’m counting the ‘present day’ as when OW2 takes place. Also there’s a lot of rough estimates and I’m going solely based off of what her youngest possible age could be given the information available but still being somewhat realistic
So first, what do we actually know:
Well the declassified book confirms that she graduated Oxford at 16, she then joins a local robotics startup, and then joins omnica sometime after this so my guess is she joins omnica at ~19 (I refuse to be believe she’s younger than this in genesis)
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The next bit is spotty and the only real information we have to go off of is that Omnica Corp goes bankrupt within a year of going into financial troubles (as confirmed in declassified, although Genesis states that ‘within a few years Omnica was done’ but I see this as within a few years of the company’s start) and that Omnica shuts down leaving the ‘Omniums abandoned for years’.
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So we can add one year to her age for how long she was at omnica corps for (Genesis seems to imply that omnica going bust and the creation of Aurora all happens pretty quickly so give or take she was there for about a year), the only problem is, how many ‘years’ were they Omniums abandoned for
Well ‘years’ implies its at least 2 and the way Lt.Perez says it in Genesis makes it feel like it’s a few more than that, so 4-5 years would be my guess
So if we’re going by lowest possible age, she’d be 24/25 when the omnic crisis starts, the only problem is, when does the omnic crisis start?
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The consistency with when the omnic crisis starts isn’t great, the given time frame during OW1 is that the omnic crisis started 30 years prior to the events of OW1 and so 32 years prior to the events of OW2, simple right? Well the Communication Inbox in the OW2 story missions states that the omnic crisis started 28 years prior to the events of OW2 (26 years before OW1), so which is it? Well the Sojourn novel confirms that Sojourn has a twin sister (named Valentine) who is married and has a child, Bonnie, who is 5 at the time of the book, if the omnic crisis happens 32 years ago, that would mean that Valentine had Bonnie at 14 which is considerably less likely than If the omnic crisis happened 28 years ago where she’d have been 18
So going based off of all of this Liao would be ~19 + ~1 + 4/5 + 28 which if we are going based off of lowest estimates would be 52, putting her a year older than Sojourn which I think makes sense
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As for how old she is when she died, this is slightly easier as Declassified confirms she is killed in the Oslo attack which this article (see below) confirms happened 8 years prior to OW1 so 10 years prior to OW2, this is backed up by the fact that Oslo, Rome and the Venice incident happened in quick succession (again confirmed by declassified) and as Venice happened 8 years prior to OW1 (10 prior to OW2) this means her age at death is her age she would be in total (~52) minus 10
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If you’ve made it this far, thank you for listening to my spiel about Mina Liao, personally I think the age I worked out makes sense since it puts her in with the other overwatch veterans but still younger than the rest of the original strike
Also if there are any mistakes or if you find anything else please do let me know!
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