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#also me slightly projecting but imagine if she's written to be a character that can be seen as an npd haver
hajimedics · 2 months
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welcome back, asuka langley soryu
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topperscumslut · 1 year
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Let’s Talk About Jay Kelso
Warning: spoilers for That 90s Show
So I just binged T90S, and I’m not really sure how to feel, particularly about Jay. On one hand, I did really like his character, but not as much as I thought I would. And part of me thinks that’s my own fault for creating this idea in my mind of exactly what I thought he would be like without the show even being out yet, but part of me feels justified in my disappointment in the way his character was written and I’m wondering if anyone else agrees with me on this.
Jay started out really strong, he was flirty and charismatic, yet cheesy and respectful. The first two episodes have kind of blurred together at this point since I pulled an all nighter to watch this and I’m coming down from my caffeine high, but I saw a lot of potential for his character that I really didn’t see fulfilled in the rest of the series. Let me preface this by saying that I do not blame Mace Coronel, who plays Jay, AT ALL for this. I adore Mace and believe he’s beyond talented and did the best he could with what he was given. I blame it on lazy writing. As much as I love both T70S and T90S, a lot of the writing REALLY pisses me off (especially the treatment of Jackie in both shows, but that’s a topic for another time).
In my opinion, Jay peaked in episode three and it was all kind of downhill from there. Again, I still enjoyed his character, but it wasn’t what I expected or wanted from him. And maybe I am just projecting and set unreasonable expectations for his character, but I have a strong feeling the fandom will agree with me on this. Ep3 Jay really felt like the fanon Jay that I had imagined in my mind and had seen in posts from other users on here. He was still a charismatic flirt, but he was also slightly awkward, incredibly sweet, and a little dorky like I had imagined him. Between what I’d seen in trailers, official character descriptions, other tumblr users’ fan theories, and my own imagination, I imagined Jay having the charm of Kelso but much more depth. I saw him as being a bit of a nerd who loves girls but, unlike his father, isn’t a womanizer and genuinely respects them. I imagined him as very introspective, poetic, and intelligent, which I didn’t really see much of at all after episode three. Kelso himself even says in the pilot that Jay has his good looks and Jackie’s brains. And Jackie was always truly intelligent, even though she usually wasn’t treated that way. He was also described as always having a camera with him and constantly taking videos and photos of his friends which, correct me if I’m wrong, but I don’t think we saw that even once in this season. In my mind, Jay Kelso was a goofy film geek who’s popular with the ladies due to his good looks and charisma, but in a much more unconventional way than his father is. But as the series progressed, I felt like he became more and more like Kelso. Which sucks because I despise Kelso with a passion.
Let’s talk about what I liked about Jay in episode three. When Leia tries to get Jay to kiss her, he turns her down because he doesn’t want her to be a meaningless fling and because he can tell this isn’t really what she wants. So I was like okay, consent king, respecting women, we love to see it. I also fully expected Jay to be a virgin for a couple reasons. First of all, in the original series, all of the core cast (except maybe Hyde) were virgins at the beginning of the series, EVEN KELSO, and besides Jackie, they were all older than the T90S crew at 17/18, whereas the next gen of Point Place kids are all 14-16, maybe some of them 17. But in T90S it’s heavily implied that the whole gang beside Leia (and possibly Ozzie, since his boyfriend lives in Canada) have all lost their virginity. Secondly, it would be such a plot twist. A Kelso being a virgin? Unspeakable! I fully expected this grand reveal of Jay saying he doesn’t want to make the same mistakes of his father and that he’s waiting for the right person, someone he’s truly in love with, and that person being Leia (though I am glad that Jay and Leia didn’t have sex for multiple reasons. The age of the characters, their lack of chemistry, and the age difference between the actors, to name a few). I was also genuinely surprised at Jay’s lack of daddy issues. All the posts with spoilers from before the show was out from people who had seen tapings suggested Kelso being an absent father who doesn’t really love or care for Jay, which led me to believe Jay would want to be as little like his father as possible, but there was literally nothing about that in the show. Also, a bit off topic, but can we talk about how awful the circumstances of Jay and Leia getting together were? Sure they developed genuine feelings for each other eventually, but it literally starts with Leia being like “hey, I want my first kiss, and my only option’s Jay. Eh, might as well, better than nothing.”
All of these hopes were crushed in episode four when we find out that not only has Jay had sex, which okay, fine, whatever, but he’s also a player who’s broken multiple girls hearts, and it’s implied that he does this on purpose. So basically Kelso 2.0. Cool. While I do have critiques for the other episodes, I did genuinely enjoy them, whereas I absolutely despise episode four to the point where I hardly even consider it canon. Between the horrible light it painted Jay in and the insensitive and disgusting Menendez brothers joke that made me actually pause the show for a good ten minutes to process it and almost give up on the show completely, episode four was horrendous. When Nikki suggests that Jay has feelings for Leia and actually sees her as a person and not just a sex object, Jay seems genuinely surprised at best, if not disgusted. While him telling Leia in the previous episode that he doesn’t want her to be a meaningless hookup implied that he treated all women with this level of respect, this seems to flip the script to say that he sees only Leia this way, because she’s “different.” Why, because she’s the main character, because she’s a “pure” nerdy virgin, because she’s “not like other girls?” Why is Leia put on a pedestal and treated like she deserves better than other girls whereas the rest aren’t worthy of basic respect? (If this sounds familiar, it’s because this is exactly how Donna was treated in the original series as opposed to every single other girl on the show, particularly Jackie.) Because Leia is “special” she “deserves” to be treated with basic human decency, unlike “other girls,” because fuck them, right? At the rave, we see what could have been a cute moment where Leia and Jay confess their feelings for each other, but instead, Jay takes advantage of her vulnerability and arrogantly declares that he “knew it” when Leia admits her feelings rather than telling her he feels the same way. However it’s hard to hold all of this against Jay considering how out of character this seems for him. Episodes 1-3 paint him as kind and empathetic, whereas episodes 5-10 continue that sort of personality for him, but also turn him into a one note love interest that doesn’t have much else to his character. Episode four Jay literally feels like an entirely different character than the rest of the series.
In either episode four or five, forgive me for not remembering, we meet Serena, who could essentially be replaced with a piece of cardboard and nothing would change. Serena literally only exists to be “the other woman” getting in the way of Jay and Leia’s relationship. While Leia, thankfully, isn’t unkind to her just because she’s with Jay, the writers are. Unlike Leia, apparently Serena doesn’t deserve a happy ending, a good boyfriend, or a shred of respect. She’s older, she dresses in a more conventionally attractive way, and her personality is nonexistent. It’s unclear if Jay *technically* cheated on Serena; while Leia calls her Jay’s girlfriend, it’s important to take into account that Leia is an unreliable narrator and it’s entirely possible that Jay and Serena were just casually going out and not official (especially considering they were just going on their first date a day or two before Leia’s birthday), but it’s also a very real possibility that Jay did cheat on her when he kisses Leia on her birthday. Regardless of if they were official or not, it’s pretty shitty that Jay entirely casts her aside as soon as Leia shows interest. Serena who, right? No seriously, that’s literally what he says. If the roles were reversed and it was Leia he did this to, Jay would be seen as a total asshole, but since it’s Serena, we’re not supposed to care. For my swifties out there, Leia is Betty, Jay is James, and Serena is Augustine - just a “summer thing.” So not only is Jay a “player” and a “man whore” as he’s called by his own friend group, he’s also likely a cheater. Sure, he’s Kelso’s son, but that doesn’t mean he has to be a carbon copy. It’s like the writers copy and pasted Kelso into the 90s, edited a few things, and said “yeah, that’s good enough, no one will be able to tell.”
While this may sound like I hate Jay, I really don’t. In fact, he’s still probably my favorite character in the reboot, although I’m probably a bit biased due to my affections for him from before the show came out (and my eight year long crush on Mace Coronel, but that’s irrelevant.) Jay does prove himself throughout the rest of the season, showing that he does care about Leia and exhibiting empathy his father could never muster, but he still doesn’t feel like his own character. While Kelso habitually cheats on Jackie and then blames her for it, admits to using her for sex and money while she’s 15 and he’s 18, and hounds her into sex until she eventually gives in and says yes so he’ll leave her alone (ie: rape), Jay is genuinely kindhearted and would never do those sorts of things (or at least I hope he wouldn’t, but it wouldn’t shock me if the writers decide to ruin his character in later seasons.) Like Red says when Kitty points out that Jay is better than Michael, the bar isn’t all that high. However, Jay does prove himself to be a good boyfriend who genuinely cares about Leia (I don’t use the word love since their relationship developed so quickly and they’re so young, so it’s unlikely that it’s real love, despite the fact that they believe it is). He exhibits true selflessness throughout the series and continually puts himself in the line of fire (usually from Red) to protect Leia.
Nevertheless, good person or not, Jay doesn’t feel original. He seems to exist only to be Leia’s love interest boy toy. Jay lacks the soul I imagined him to have before watching the show. While it’s nice to see the female characters fleshed out for once, as was very lacking on T70S, the male characters lack dimension in comparison. Leia, Gwen, and Nikki, all have their own personalities, values, and ambitions, whereas Ozzie tends to be the sassy token gay friend (although let’s bffr, none of these new kids are straight, but the writers don’t want to admit it), Jay not only feels like Kelso Lite ™, but as the series progresses, him and Nate seem to morph into basically the same person. Two well intended, yet dumb horndogs who lack depth or any true personality of their own beyond being love interests for their girlfriends and comic relief. Again, I love, love, LOVE Mace Coronel, and have since seeing him on Nicky, Ricky, Dicky, and Dawn on Nickelodeon, and don’t blame him at all for the way his character is written. Now if you follow my blog, you probably already know that I absolutely adore not only Mace, but also his NRDD costar Aidan Gallagher, who I fell for after seeing him in The Umbrella Academy. However, Mace was the one I had a crush on as a child and it was very exciting to rediscover him when I first found out about T90S. While Aidan’s NRDD character Nicky Harper and TUA character Five Hargreeves share the same cunning spirit, they’re extremely different in most ways and I was incredibly excited to see Mace show this same sort of range on T90S. And I do believe that Mace has that range, but he unfortunately seems to be being typecast, considering Jay basically feels like teenage Dicky Harper in the 90s. Maybe I’m being overdramatic, but I was really hoping for more for Jay’s character and I was slightly disappointed, and I hope he gets fleshed out more and more deeply explored in later seasons.
Thanks for reading my long ass rant lmao. TLDR; I love Jay Kelso (and Mace Coronel) but hate how he was portrayed. Justice for Jay (oh, and for Serena)
Tagging my favorite T70S/T90S blogs for engagement: @thestupidhelmet @lily-267 @thatseventiesbitch @einsteinsugly @that90sshowgoldencouple
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spacemonkeysalsa · 2 months
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BG4 brainstorm
I know they've already got a bunch of it written and outlined or whatever, but I can't turn my brain off, so I'm just going to talk exclusively about the way in which I'd like to see BG3 characters and events incorporated into BG4, if they are even going to do that-
First off there's-
The Stuff That Doesn't Need To Come Up In The Narrative Right Away But Let's Establish The Underlying Assumptions Shall We?:
The white dragon born dark urge managing to overcome Bhaal and defeat the elderbrain, in the end, but with a somewhat uneven series of good and bad choices at their back.
Minthara is probably dead, though I’d love it if she was still around and you absolutely can get away with that, narratively, thanks to the patches.
On the other side, Halsin, Dame Aylin and Isobel are probably alive.
Astarion and Gale are both alive and may or may not be the god/godlike versions of themselves.
Karlach and Wyll are alive and still in Avernus together (unless the DLC drops and we have Blade of Avernus/Fixing Karlach's engine adventures between the games) not explicitly as a couple though, I'd leave that ambiguous.
Lae’zel and Shadowheart are in love (this is both the most specific my post-headcanon gets, and entirely non-negotiable) but spend a lot of time apart because of respective responsibilities. Lae’zel can be a diplomat or a freedom fighter, but Shadowheart is a Selunite living with her parents on a farm and overcoming her fear of wolves by also raising some wolves alongside her adopted Githyanki son.
What Larian did with legacy characters from the earlier game was smart, in that they didn’t overuse them or reveal too many details about what they’d been doing in the interim, so like, we’ll keep it basic, leave a lot up to the imagination, but the writing around their appearances and roles in the story would match the above info.
Starting with origin characters, I think there’s potential to include familiar faces.
First Familiar Face - Githyanki egg all grown up. He shouldn’t be called Ptaris, because this is kind of assuming that the path where he ends up with that name doesn’t happen. For now, I’m just going to call him Egg, as I can sort of imagine Lae’zel using it as a slightly mocking but ultimately affectionate nickname, and miss “I picked my own name” maybe sort of leaving it up to him.
Egg - as I would write him, would have spent some time on the astral plane, like one of his moms and so his age is kind of a ??? because time is different there, and Egg would have also spent some time living with one of his moms on the farm. There’s sort of an obvious characterization available here. Where does he belong? Who are his people, really? You could write him confused and conflicted, or you could take the route I like and say that he was raised by the two most perfect people to help him understand that. He has his half-elf mother’s compounding knowledge of temperance between seemingly conflicted forces, and disparate elements, and his githyanki mother made sure he grew up confident and sure of himself and proud of his incredibly unique heritage. Also, these two states of mind aren’t totally mutually exclusive, cognitive dissonance is a major part of life, and an appropriate coming of age theme. I already love Egg. In keeping with the idea of temperance, I’d put him firmly in the true neutral category.
Second Familiar Face - Mol. Like. Just give me more Mol. What a great character, I’m so stoked imagining her grown up. I would write her as our team warlock, even if Raphael has been eaten by Mephistopheles. She can still do eldritch blast and the works ever since her pact with him. She’s pretty concerned that the implications of this are that Meph is her true fount now, and she wonders if he knows, or if there’s some small bit of his power he’s not aware is being lent out to her, and what he’ll do if he ever learns of her existence. She keeps these worries close to the chest though, instead projecting nonchalance that comes off as careless and callous during the earlier parts of the story, before she opens up. Probably neutral evil.
Third Familiar Face - Arabella. I’d make her so, so weird. Her magic is druidic, so she’s probably our druid, but you could easily get away with sorcerer or a secret third thing and I wouldn’t be mad. As a fully grown woman she speaks with the annoying esoteric air of a dryad and personifies inanimate objects, and is constantly carrying on conversations with animals when left to her own devices. She and Mol do not get along anymore, though they still care a lot about each other and there should be some cuteness about their history and childhood as buddies and little lost refugees together. Chaotic good.
I think you could get away with including all three in the main party, even early game, but I wouldn’t do more than that. New original characters are potentially more important and I would have the plot and the bones of the game be more closely tied to these totally new faces rather than relying on sequel energy. Even if all three games exist in the same universe and share themes, elements, and some characters, they don’t really feel like direct sequels and I think that’s a good thing. The only reason I think you can get away with using these three kids from the third game like this is because as adults, they’ll be completely different people, to the point that the story would have to reintroduce them anyway. The fact that they have any connections to the events of the past games doesn’t even really need to be explored beyond the kind of high-level backstory stuff that affected everyone in the world:
Arabella: “Remember when Baldur’s Gate almost got destroyed by an Elder Brain?”
Mol: “Yeah, that was wild.”
Egg: “No, I was there, but I hadn’t hatched yet.”
Mol: “HOW OLD ARE YOU?”
Egg: “Ugh, it’s complicated.”
I would probably continue with the often fun but at times vaguely serious “kill all the gods and masters” themes from previous games, and use this as a way to get everyone into hell for a portion of the game to go toe-to-toe with some archdevils, and also as an excuse to get Karlach and Wyll in the game (it's hard for me to get too much into this idea tbh, because I'm still hopeful that they'll be lvl13-20 dlc that involves Avernus, in which case, all of this is resolved and idk where to go from here with those two as I'm sure it would be affected a lot by how all that theoretical dlc content turns out, and I'm like so invested in going to Avernus with Wyll and Karlach).
And, Legacy character time!
Lae’zel I think could be our Jaheira analog, meaning she’s a previous origin character who I think could join the main team and be a party member for a chunk of the game without breaking anything. I would keep it until later though, but make it about as simple as recruiting Jaheira, in that it feels almost compulsory if you just follow a common path and progress the game.
Shadowheart would work nicely as our Minsc analog, in that she could be introduced as a very late game party character, essentially starting off as a lvl 12 cleric of light, as Selune intended, and I would make her recruitment more complicated and involve a side-quest. A rough idea for that side-quest would be trying to successfully get a message to Selunite allies, asking for aid. If you manage to meet the requirements and your messenger isn’t killed—and I think it would be fun if there was some randomness to it, like maybe a background constitution check that just mysteriously triggers when you cross into a certain area, and if it passes, it means your messenger (wherever they are) safely made it, and if it fails, they didn’t. So, I would let Shadowheart have a big damn hero moment and ride into a battle (on the back of one her wolves, why not) and join in the fight as an unexpected ally. From a play testing point of view, it would be especially fun to set up a certain fight so that waves of enemies arrive, and there’s a point where most people get overwhelmed and that’s when she shows up. But, for extra complication, if you don’t have Lae’zel or Egg with you at the time, she shows up for the one battle, saves your ass, then fights you if you’re responsible for either of their deaths, and if they are in your party, then you have to pass the roll, and play the whole thing for family drama.
Gale and Astarion, if you wanted to go with their bad endings, then Gale becoming and god and Astarion ascending would be the canon and there’s a lot to work with. Or, if you wanted to go with the good ending, then Gale is professor Dekarios and Astarion would either be an adventurer or leading the spawn in the Underdark. Professor Dekarios could easily just be a helpful mentor-type. His participation in shenanigans can be limited to a side quest or two, an Elminster/Volo like series of cameos etc. He’s a good adventurer when he has to be, but it’s not really where his heart is and we always knew that. He’s a wizard in his tower/in the classroom, but sure, he’ll lend a helping hand as he still remembers how valuable a service that can be. As a silly goose, I’m tempted to write a Volo/Elminster/Gale scene that involves all three of them very wine drunk and arguing about something absolutely no one else could hope to understand.
God Gale I can’t resist making him one of the baddies. It’s sad, but it feels appropriate. If he’s now the god of ambition then he failed to learn a pretty fundamental lesson during the course of BG3, and Tav/Durge who didn’t help him out with that failed and should feel bad. Offense absolutely intended. The logical conclusion is that Gale has become exactly the sort of god that once threatened and made his life miserable, especially since his antagonism towards Mystra with this ending seems to just be couched in pure unexamined hurt, and pettiness rather than a real understand that even as one of the “good gods” she wronged him, and she was wrong from the beginning and that there might just be something inherently bad about having and wielding this kind of power, at all.
He doesn’t get that, but it’s a bit due to wilful ignorance, I think, so I’d continue that and I wouldn’t make Gale knowingly the big bad. it just doesn't fit his character. You have a mortal avatar/chosen, some very ambitious enemy who Gale is helping, without a clear understanding of exactly what kind of schemes he’s backing. He’s too removed to really understand that he fucked up, and by the time he figures it out, it’s too late. Necessarily, his presence like this would be minimal, maybe we don’t even know for sure that he’s involved in any capacity until quite late, and even then, I’d make getting an actual appearance from the guy, pretty hard fought.
Astarion would be our other antagonist, and I think you can get away with going in any of the three different routes with him (Ascended, Spawn Adventurer, Spawn Dad) and make him an antagonist regardless. It would more be a matter of setting, do you want a quest in a big gothic castle or at a fancy party? A totally new location where he can turn up unexpectedly? The underdark? Setting might be the deciding factor, but his behavior and his role in the story could more or less follow the same pattern because the degrees of difference in his personality as ascendant/spawn are workable. That’s the thing about being a neutral evil aligned character—it’s maybe the broadest category as far as D&D character rep goes. He can get away with doing basically anything and still remain in that alignment because it takes an extreme act of unhinged evil to shift his alignment towards chaos, and anything good he does can still be dismissed as a cheap “pet the dog” moment by everyone who is unwilling to admit that he might have some capacity for redemption in him.
I would not make him a big bad antagonist though, because why would he ever bother, what’s actually in it for him? And I would want to create a route where he can join your side, but I wouldn’t have him join the camp/party in a permanent sense, at most you could do a Dame Aylin thing and keep him around and available for additional dialogue, a later quest or two.
In any case, even at his most antagonistic, Astarion isn’t truly ambitious. In BG3 he’ll ascend if he gets the chance, he'll try and run the city as long as the network is all in place already and it's not too much work, but he was never going to go out of his way to set all that up and he’ll settle. You could easily tie his story together with God Gale, if you wanted. “Ambition gets you stabbed to death by your spawn—of course none of this shit was my idea! I didn’t have a choice!” He was always quite good at delivering overdramatic ( but more often than people want to admit, totally valid) justifications for his behaviour, so I’d use that again, to utilize him to his maximum anti-hero/anti-villain potential.
He’d make a great red herring villain in the story, like let everything—including his old allies—think that he’s some mastermind (and let bg3 fans freak out a little that they've characterized him wrong), or that he’s more involved and more willing than he actually is. Then story beats slowly reveal that he’s a smaller level antagonist, pressed into the service of the bigger bad by circumstances/fear/whatever. It brings back bad memories. He’s pissed about it actually, doesn’t want to be doing any of this, has maybe been planning his own escape/betrayal for a while now. The player can ignore all that and just kill him here, or they can help him and see where things go if you give him a chance to ally with you against your common enemy. Fans can then continue their very stupid argument about whether he’s a hero or a villain, and we know that arguing is what truly makes them happy, so everyone wins.
A possible later quest could tie with Mol, if Astarion is the vampire ascendant, because in that scenario they are both in a weird ambiguous state where Mephistopheles is maybe their master or maybe not? D&D lore arguments continue?
Doing all of this would obviously be a lot, but I'd be thrilled if some version of any one of these ideas appeared in bg4. Assuming, I ever stop playing bg3 long enough to get trully invested in bg4 eventual existence.
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bananaofswifts · 2 years
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BY MIKAEL WOOD
Taylor Swift’s pin-sharp new album, “Midnights,” closes with a song in which the pop superstar patiently explains to someone — perhaps many millions of someones — that their intimate relationship wasn’t a product of kismet but of design.
“I laid the groundwork,” she sings over a blippy electronic groove, her voice edging slightly ahead of the beat, “and then just like clockwork the dominoes cascaded in a line.” The tune is called “Mastermind,” which is what Swift calls herself in the chorus, neatly rhyming the word with “now you’re mine.” And plenty of its characteristic detail can make you think she’s describing a romance. But “Mastermind” is also about Swift’s one-of-a-kind career — about the deliberation and the ingenuity of the moves that took the 32-year-old from being a teenage country phenom to being one of the two or three biggest acts in all of music.
“No one wanted to play with me as a little kid,” she sings near the end of “Mastermind,” which might be the saddest and funniest line on an LP teeming with both kinds, “so I’ve been scheming like a criminal ever since to make them love me and make it seem effortless.” (Take a second to savor the intricate rhythm of those words before you’ve even heard them set to music.)
Pondering the delights and the anxieties of her own celebrity has been a hallmark of Swift’s work for years — or at least it was until 2020, when she set aside much of the autobiographical life-of-a-pop-star stuff for the ostensibly fictional character-driven narratives of her twin pandemic albums, “Folklore” and “Evermore.” Full of songs about small-town grifters and awkward high-school kids and unhappily married people — even a murderer — those projects also radically recast her sound, veering away from the synthed-up productions that sent her up the Hot 100 toward a rootsy, mostly acoustic vibe she formulated with Aaron Dessner of the indie-rock band the National.
Swift suggested that the isolation of the pandemic had set her imagination free; certainly, the music’s smaller scale reflected the demands of remote collaboration. Yet “Midnights,” her 10th studio full-length, returns to an earlier Swift mode in both sonic and lyrical terms: This 13-track set, which she produced with her longtime creative partner Jack Antonoff, feels like it picks up right where 2014’s “1989” and 2017’s “Reputation” left off, with slick, beat-heavy arrangements that seem dimly aware of hip-hop’s existence and with lyrics peppered with juicy allusions to Swift’s various high-profile feuds and love affairs. (“Lover,” from 2019, plays even more now than it did then like a transitional effort between phases of Swift’s career.)
It’s easy in a sense to understand why she took this approach, given that she spent 2021 rerecording her albums “Fearless” and “Red” as part of a plan to create new versions of the LPs she lost partial control of when her old record label changed hands. As meticulous a diarist as pop has ever known, Swift has clearly been thinking — thinking more than usual — about her journey and about her younger selves; “Nothing New,” one of many freshly recorded outtakes she included on “Red (Taylor’s Version),” captures a woman in her 30s confronting her 20-something suspicions about how her chosen industry would treat her as she aged out of ingénue-hood.
“Midnights” opens with the steamy, R&B-adjacent “Lavender Haze,” in which Swift laments the scrutiny she’s under as a famous person dating another famous person (in her case, the English actor Joe Alwyn); the song — co-written by and featuring background vocals from the actress Zoë Kravitz — seeks a safe space removed from a realm where her loose talk threatens to “go viral,” as she puts it. In “Anti-Hero,” over Antonoff’s buzzing synths and booming ’80s-rock drums, she weighs the public’s harshest opinions of her, copping to a “covert narcissism” and admitting that sometimes she feels like “a monster on the hill … slowly lurching toward your favorite city.”
The vicious and shimmering “Karma” seemingly takes aim at the powerful music executive Scooter Braun, who engineered the label purchase that spawned Swift’s rerecording enterprise: “Spiderboy, king of thieves / Weave your little webs of opacity,” she sings — heed the conspicuous “S” and “B” in “Spiderboy” — before describing what she views as her cosmic advantage with a series of vivid metaphors: “Karma is my boyfriend / Karma is a god / Karma is the breeze in my hair on the weekend.” The breeze in her hair on the weekend! Good night, Spiderboy.
Swift’s storytelling impulse isn’t dead on “Midnights,” which she’s said grew out of her bent toward wee-hours contemplation. “Midnight Rain,” a slow and woozy number with pitch-shifted vocals, narrates a tale of a guy and a girl with differing life goals, neither of whom appear to be Swift or Alwyn; ditto “Maroon,” in which the guy and girl get drunk off her roommate’s “cheap-ass screw-top rosé.” Then there’s the pulpy, Billie Eilish-ish “Vigilante S—,” about a woman who helps a betrayed wife get revenge on her dirtbag husband.
Yet the songwriting and the vocal performances here are so strong — she’s playing with cadence and emphasizing the grain of her voice like never before — that eventually you stop caring what’s drawn directly from Swift’s real life and what’s not. It’s just a pleasure to get lost in tunes like “Labyrinth,” in which the singer explores her fear of falling in love again, and “Snow on the Beach,” a gorgeous duet with Lana Del Rey with some of the album’s most affecting imagery: “My smile is like I won a contest,” Swift sings in regards to a surprising new fling, and that’s all you need to conjure the precise picture in your head.
She paints another indelible picture in “Mastermind,” referring to herself as “the wind in our free-flowing sails” just after she offers a bit of context for why she’s been so thoroughgoing in her interactions with her boyfriend (or her audience). “All the wisest women had to do it this way ’cause we were born to be the pawn in every lover’s game,” she sings. Then she takes a breath and adds: “If you fail to plan, you plan to fail.” Only Swift could make a self-help slogan sound like a fairy tale.
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maximumspider · 8 months
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[The King of Fighters Series] : Athena
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I haven’t checked, but I’m pretty sure Athena Asamiya has set the record for most default designs in a fighting game franchise. In nearly every King of Fighters game (there’s twenty-four!), Athena receives a brand new design. Excluding re-releases/revisions and games with 3D graphics, there’s 15 entries in the franchises that utilize hand drawn graphics.
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From 1994 to 2003, SNK released a new King of Fighters game each year. And while Athena appears to wear the same wardrobe for The King of Fighters ‘94 and The King of Fighters ‘95, her outfit was slightly altered and she uses two different sets of sprites for each game.
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After KOF 95’, she received a new costume in every mainline entry. As you can imagine, this is no small feat for a yearly series that uses hand drawn graphics.
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In addition to the yearly releases from 94’ to 03’, SNK was also releasing spin-off KOF titles, and when Athena appeared in those, she typically re-used a design from the series' most recent release.
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After The King of Fighters 2003, the franchise stopped doing yearly releases, but the series continued to use hand drawn graphics until 2010. The last two entries to use such graphics, The King of Fighters XII and The King of Fighters XIII, featured some of the largest and most smoothly animated sprites you’ll ever see in a fighting game. Each character took over a year to design. It's highly highly unlikely you'll ever see another project like these.
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To reference her arcade origins in Psycho Solider, Athena's outfit in XI is a traditional Japanese school uniform.
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In the next two sequels, she would continue to wear her school outfit and for the first time, Athena would utilize the same base sprites for two mainline games in a row. In XII, Athena's uniform has a dark palette, while XIII's uniform has a lighter palette.
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On a technical level, these sprites are quite impressive, but I’m not the biggest fan of them. Athena and many other KoF characters end up losing so much personality in their sprites.
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It’s interesting to note that Athena and some of the other playable characters looked quite a bit different at one point in the XII’s development. Personally, I prefer these concepts compared to the final designs.
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One interesting note about The King of Fighters 2002: Challenge to Ultimate Battle, Athena's "Psychic 9" technique has her showcasing her previous looks and some new ones as well. This technique is seen in many of KOF 2002's sequels too.
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Finally, I should probably acknowledge that Athena Asamiya is the modern reincarnation of Princess Athena who also appears in some SNK fighting games as a non-playable helper character and as a playable character. Sorry, but I’m not covering Princess Athena here!
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And that's that. Well I've certainly written more about school girl uniforms than I would've ever liked. All kidding aside, this is likely one of the most fun entries I'll ever get to write. The only other fighting game character with this many designs would have to be Tekken's Yoshimitsu and he's almost exclusively in games with 3D graphics.
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All GIFs ripped, arranged and/or framed by me. Feel free to use without any necessary credit.
Additional Media Sources:
Athena (arcade) screenshots (website: Killer List of Video Games) (section: Athena - Videogame by SNK)
The King of Fighters XII (arcade) Sprite concept artwork (website: reddit.com/r/kof) (thread: Thoughts on XII's original sprite designs and scrapped characters? by MetAigis)
The King of Fighters '94 (Neo Geo) Athena concept artwork uploaded by Saxophone Blessings (website: SNK Fandom) (section: Athena, gallery)
Psycho Solider (arcade) screenshots (website: Killer List of Video Games) (section: Psycho Solider - Video Game by SNK)
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To The Ends of Our World: Prologue and Chapter 1
A Pre-Canon Douxie-centric Wizards Fic
A wicked king, a runaway sorceress, and a young boy... Ever since the disappearance of his mother left him under the care of Master Wizard Merlin Ambrosius, Hisirdoux Casperan has tried to be a good child. He is diligent in his work and studies, and his boundless enthusiasm for all things magical never wavers. All he hopes is that one day his efforts will be enough to become a master wizard himself and bring his mother back home. But on his thirteenth birthday, everything changes. Sudden flashes of memories that occur at seemingly random times and secrets Douxie's mother tried so desperately to keep hidden begin to spill out into the light. Douxie is starting to uncover a plot far greater than anything he ever could have imagined, but can the young apprentice evade the people trying to keep him from learning the truth of his mother's disappearance? What is it that they're trying so desperately to keep hidden? And will Douxie like what he finds?
General content warning for dark themes (abuse, mild gore, violence, depression). More tags will be added to the AO3 work as the story is written since most don't appear until later in the work. However, you can expect content involving torture, suicide, and a major (and a minor) character death in future chapters. There may be other untagged things that I haven't thought of yet or planned on.
Hi.
I'm back.
Maybe.
Long Convoluted Author's Notes Under the Cut:
I'm not doing particularly well (guess who got a mild case of Covid a week before winter break? lol), but here to say I've started a new fic. I like writing angst when I'm sad. And this slightly convoluted pre-Wizards origin story came to me in a dream. I planned most of it out, wrote the prologue and a few chapters, published it, and realized that since all of my content is now on archive-lock, I should probably promote the fic here.
So here we are.
No update schedule.
No minimum (or maximum) chapter word count.
No clue when it ends.
No beta.
We ball.
So this story doesn't have a hidden meaning or big message you should get by the end of it. It's just an angsty mystery drama with some cliches just because. And the ending (I know what the ending is for once, yes) is very cliche and annoying because it lets me say "Nothing is stopping me from making this canon!" Anyway...
You'll get to see a take on a younger Douxie and Merlin's very...complicated relationship with him. You'll see another interpretation of how Douxie and Archie meet!! You'll see a 17-year old Zoe!!! You'll meet two (2)!!! OCs I suddenly came up with while planning out this story!!!!!! One is a mean lesbian and the other is a cool cleric!!! You'll also see Douxie's mom!!!! Because she is very plot-relevant!!!
I was scared of publishing this fic because compared to a lot of the stuff I've written before (especially coming out of ADAU - I still owe y'all posts), this is much darker. I've written stories about time loops and the inevitability of death and somehow the existentialistic dread I got from writing that left me less unsettled than this fic. To be fair, I'm not working with a beta so this might actually be a lot lighter than I think it is. But compared to my other works, it is...a few shaders darker.
If you do read the fic, I'd be really glad to hear your feedback and comments. Yell at me if there are typos (because stars know I'll miss something as I'm editing). Ask me questions. And if you think there is something there that needs to be tagged, please let me know; I'll add it to the AO3 work tags.
All this is to say that I am very grateful if you managed to read this entire post. Thank you for bearing with me and this blog being...something. It's been abandoned and resurrected several times, and my relationship with this fandom is still a little bit funky. But hey, I've learned to make stuff for myself and on my own time. And if this content isn't your particular cup of tea, you can always not read it. And this blog is just for fun, no pressure to make content, so yeah. I'm going to have fun on the internet.
I guess I'm back.
P.S. I am yearning for more people I can share these darker fics/AUs with, but I'm also very anxious and very busy. Just saying, if anyone has Discord (or a server) and/or doesn't mind sporadic appearances that may or may end up leading to very long conversations, my DMs are open.
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Thoughts Throughout My First Watch Through of Stranger Things Season Four:
WARNING: Spoilers and non-sense ahead. As I typed without thought. No think, just awe.
*All these statements were written directly after watching said episode. These are basically live reactions*
Chapter One:
In general, I'm terrified. So, right off the bat. I think Eddie is 010. He has a watch blocking his tattoo. He seemed to almost know what was going to happen to Chrissy and 010 seemed to know things in advance. And you're probably thinking I'm crazy because 010 is dead, but what if he faked his death? If 009 was able to survive, maybe he could too? Anyways. Even if it's left field. Eddie Munson Stan club.
*I needed a two hour break between episodes as I was alone at a cottage in the middle of no where. Absolutely terrified. I know they said this season was going to be scary. But jeez*
Chapter Two:
this episode brought to light how desensitized El is to inflicting pain. Now that the pain she inflicted is not a power, but her own free will, it shows that perhaps there is still a monster in her. Vecna probably shows your biggest fear/regret ... That would explain Freds vision. I'm wondering is Victor Creel is Vecna. It could also be 010 because he is getting vengeance on Eleven. I really don't have much to say about this episode at this present moment.
Chapter Three:
"peters projects"...Is Peter 010 or an experiment? The dinner table scenes are arguably the best scenes for comedic timing in stranger things, prove me wrong. My theory on 010 being Eddie still stands. He seemed unphased by Steve bringing up a friend with powers... But mind you, he could be numb to everything because of trauma. If Sam knows so much about elevens power (given though he is a scientist), then perhaps he has had an inside source?
*You can tell the writers really used the extra time during the hiatus wisely*
Chapter Four:
Absolute chills. As someone who has lost everyone in the last year, I can't help but feel a comfort in this episode. The special effects and practical effects in this episode were above and beyond. It really portrayed what nightmares feels like, fake elements but mostly real. This episode makes me feel bad for moments I felt as though Max's character was slightly lack luster (please please don't hate me because I already hate myself). She is nothing less than amazing. And her bond with Lucas is so pure, they geniuenly want the best for eachother... I wish we would've found out what was in the letter to him- but I'm glad he didn't because that would've been bad. Hopper being reunited with Jif was just so pure, I can't wait to see him reunite with Joyce (at least I hope that happens). Can you imagine him just not letting her say anything and just swooping her in for a kiss? My heart would not be able to handle that. On the note of Russia, I don't think Murray had the coffee... He may have been smart and he is conscience enough to figure out a plan.
Chapter Five:
I don't know how I feel about Brenner being back, and by that I mean, I don't know whether or not I can trust him. I'm so excited to see his character back, but it feels like this is Stockholm syndrome. I felt so bad for hopper this episode, I just felt for him. When he brought back up Sarah, I just cried. As per Eddie, I think the jocks meeting up with him was for the best... So they could maybe put two and two together to see Eddie didn't cause Chrissy's death. I'm really interested to see how the house will play into defeating Vecna (well this is under the impression he will be defeated). Suzie, please come and save the day.
Chapter 6:
I am starting to believe Joyce and Murray could single handedly take over the world. They both balance the chaos in eachother and I just love their dynamic. Speaking of dynamic, Suzie's house just seems like the most chaotic place in the world and part of me wishes that I lived there- I'm sure Argyle thinks the same. I loved his commentary of Eden's name relating it to her religious culture- he was really trying to score the brownie points. I'm also really worried that vecna took Eddie underwater... Last we saw him he was swimming..
Chapter Seven:
I absolutely love a good interrogation scene. And then the insanely smart use of light brights. I hope to save Nancy sings to her. Chefs kiss. Then the Russians. My god. The writers really had me on my toes. It had such high stakes with such high rewards. 1000 to 1. Wow. Just wow. The Reunion between Joyce and Hop- heart melting. To see Hop have his guard up to dropping it because he loves this women so much that he is just taking one minute to embrace her. Oh and then finally El leading to Vecna? I figured Vecna had something to do with the Creel's and I figured a new character this season would be an experiment. This was expected yet not? I should've saw it coming when the kruels little son didn't have the black eyes. I'm wondering if perhaps Terry was artificially inseminated with 001 ... Specimen... And perhaps that's how Brenner knows Eleven is their only hope. That is if Brenner is to be trusted, which that I'm not certain on. To think this isn't the finale.
My theories for the finale episodes of season 4 will be out once I compose myself.
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being-of-rain · 2 years
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Random thoughts from my Classic Who watch, this time the first half of season 6. I wrote quite a bit here, partly because I quickly skimmed the episodes to remind myself what I could say about them.
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The Dominators is a fun little story. I thought the main cast were all very enjoyable, especially comedic bits with the Doctor and Jamie (like when the Doctor drives and crashes the capsule that they’re travelling in). I once again enjoyed Classic Who doing its thing and tying the start of the story into the rerun of the Evil of the Daleks that came before it when the Doctor says he’s tired from projecting mental images. I’m also amused about the EU doing its thing and slipping a story between the two where the Doctor projected different mental images (Fear of the Daleks, if anyone’s curious). The debate of logic and pacifism in the face of oppression and violence is an interesting one, though some of it is slightly a moot point when the Dominators are going to kill them whether they resist or not. I thought it was weird that Cully, the main Dulcian ally of the Tardis team, is played by an actor in his mid-30s who’s starting to bald, when the character seems to be written as a young man rebelling against his father. Oh well, this is what they mean when they say age is just a number. You can be rebellious at any age! It was fun to see the Dominators themselves argue between each other constantly, but it felt like a bit of a missed opportunity not to have tricking them into turning against each other be a part of defeating them, that would be so up Two’s alley. For some reason, I didn’t realise that the Quarks talk in this one. There you go. Also the effect of distorted film or something used when they kill a woman in the first episode was so cool. I can see why they didn’t use it again though, it looked like a high-tech and fiddly effect.
Yoooo The Mind Robber is so imaginative, hot damn. Love it when authors get so imaginative like this. Things like the Doctor having to avoid mentioning himself when narrating because otherwise he’d turn himself into fiction is such a fun idea and so clever. That said, the repeated trick of defeating monsters by announcing that they’re not real was a bit too easy, which really showed when the tension was ramped up by Zoe arbitrarily deciding that this time she simply couldn’t do it. And it’s just hilarious that when Frazer Hines got sick, instead of writing him out like they normally would, they found an in-universe reason to recast him. Amazing. Also, as someone who’s a little faceblind herself, Big Mood @ the Doctor getting Jamie’s face wrong when it’s been separated from all context, I’d probably get it wrong too. Sorry any friends who get stuck in the Land of Fiction with me. The Master speaking for himself and the Master Brain as the camera switched between them in the final episode was also a cool trick. But the Master Brain wanting to invade Earth was a bit random, sometimes a plot involves the Earth when it really doesn’t need to. And I hope the Master got back to his own time or something, he just disappears between serials here.
The Invasion is a second story in a row that I heard good things about, which I ended up agreeing with! It was fun getting the proper introduction of UNIT! I laughed during episode one when I suddenly recognised one of the men tailing the Doctor and Jamie as Benton. And it was pretty cool that their secret base this episode was inside an airplane! I don’t think they ever used that again! I wonder if the Twelfth Doctor’s President Of The World plane was inspired by this one? Another thing I didn’t know about this story: the Cybermen just freeze everyone in the whole world for like a day! All the later references to classic who invasions and I don’t remember anyone talking about that. The Cybermen just really don’t care about wiping out all of humanity, either. It’s a big difference to how they’re portrayed in some of my favourite Cybermen stories, where they’re more trying to save humanity rather than steal their minerals. Oh my gosh, I adored Isobel. Manic Pixie Dream Career Woman. The way she immediately gets on with the Tardis team, and decides to use Zoe as a model. And she just wrote all the phone numbers and messages that she needed to on her wall, because if she wrote them down on paper she’d lose them. “Writing on a wall's much safer. You can't lose a wall, can you?” Absolute icon. I also loved how Zoe got a time to save the day later in the story when she calculated in her head how to blow up all the cyber-ships at the rocket base, that was very cool. I love it when Doctor Who has an established ‘home base’ and group of friends in a certain place and time period. Like when the Tardis crew go to look up Travers when they know they’re in England, and later when they’re happy to see the Brigadier again. In fact they really have a whole UNIT swat team on stand-by the bail them out in Vaughn’s factory when they gave the word, which feels like more back-up than Three usually had during the actual UNIT years jdklsfj. It was also funny how the story kept skipping over scenes that involved big fights or soldiering, obviously because they didn’t have the budget/resources to do those sort of scenes, because that’s exactly the type of scenes that the show thrived on in Three’s era. I’m sad that Two’s era phased out historicals, but the modern stories it started experimenting with properly were fun and successful. Obviously I wasn’t the only one who thought so too, seeing how the next season went jdsklfj.
I really don’t have as much to say on The Krotons as I did the other stories here. Other than hey! It’s a whole story about the guys from Alien Bodies! I’m not really a big fan of sci-fi stories treating ‘intelligence’ like an objective, tangible thing, that’s uncomfortable for a few reasons. It didn’t irk me that much in this story, only a little more than it did in The Dominators. In the earlier story it felt a bit more at home, being some obviously bullshit and easily-skewed thing that an empire uses to decide how useful a civilisation will be to it. In The Krotons, they... use the Doctor and Zoe’s intelligence to... grow their crystalline physical forms? Honestly I still have no idea what happened in that scene, but to be fair it was pretty surreal and psychedelic, that was fun. The Tardis’ HADS system sure was a pretty unimportant and forgettable part of the story, for something that continuity-loving Doctor Who authors will constantly mention for decades afterwards. I at least expected it to be a cliffhanger or something, but it does not affect the plot At All.
I don’t always find one story to be easily the weakest story of the season, but I think in this case it’s The Krotons for me. But as always, the best part of it is the regular cast. The Doctor, Jamie, and Zoe are just such a delightful team, they’re constantly fun and hilarious and adorable.
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xoteajays · 9 months
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Heights:
Cobra - 5'8 ½ (174 cm).
Hyuga - 5'8 (173 cm).
Murayama- 5'10 (Between 177 cm and 178 cm, depending on the site).
Rocky - 5'11 (180 cm).
Smoky - 5'9 (175 cm).
Jesse - 5'7 (170 cm).
So Cobra is about a half inch taller, since some sites list his height as 5'8 ½ or 5'8 ¼ depending on the site you read. But he's slightly taller than Hyuga.
I was actually conversation with someone before about the types of women (or partners in general terms) that the characters of High&Low would end having a preference for.
About Rocky.. You basically said everything we did for him. I don't see a man like Rocky discriminating against any woman. And, regardless of personality, I imagine him as a protective over her like he is with women. Because Rocky has his multiple successful businesses (with Club Heaven being only one of the businesses), along with his fashion sense, the man will definitely have money - so he's definitely gonna spoil his partner. Since he is a romantic, I could also imagine him spoiling them with other gifts (flowers, candy, clothes, jewelry). I see him as affectionate in a more private setting rather than public, but if by a chance that he is affection in public, basic affection like you said - holding hands, quick kisses, an arm around her waist. Like in season two, when Rocky's with that ugly girl in Club Heaven. Which also easily leads me to mentioning his kinks too, but that's just a topic for another time. So Rocky's easiest for me. Not usually into romantic men, but I could easily be projecting my romantic fantasies for him though. Rocky's the ideal romantic man type.
Exactly! Cobra is definitely the ones I'm having way too many complications trying to figure out. But I'd have to agree.. Even if she is not a physical fighter, I imagine being with a woman who's a fighter in ways where she will fight to protect what matters most - someone who stands up for her beliefs. A confident woman. Not sure about appearances though. Maybe like Rocky? Possibly someone who isn't too picky about appearances, maybe someone who will fit his personality. But that's all I can see too. Not so sure about anything else. Cobra's a complex man.
Exactly! That's what I was thinking. I imagine Yoshi being with a woman who's like his best friend at the same time. Either she matches his personality, like, y'know, the female equivalent of him in every way it could be known. But I could also imagine opposites attract types of personalities too, to some extent, in a way. But it depends on their exact personality for the connection to work. She doesn't have to be this physical fighter, but I also think Murayama actually love if she was. So he really seems more adaptable.
For Hyuga. That's what I was thinking. A personality similar to his.. The badass type of woman. Whether she's a physical fighter or not, she'll probably have a strong attitude. Confident. Intelligent. But if written well, an opposites attract could possibly happen.
And you already know what I said about Smoky's type of woman. Not that there's much to go on for his character though.
Talking with someone about original characters is kinda helping me be more focused.. Helping me to piece out, figure out, a lot more details for them the more I talk to someone about them. Maybe the "speaking aloud" concept, your thoughts makes more sense when you speak about these thoughts (or write these thoughts down).
I already have four characters. I've thought about all the other groups, character, so on and so forth. But it feels like there might be too many characters if I'd do that. And I'm still figuring out these characters.
Oh! Yeah. I forgot to say this last time. I thought the same thing as you.. I already told you that there is a person who's using Aya Asahina (similar to Kuina in AIB) as her face claim. If her character had the hair, the dreadlocks, my first thought was that she could have been related Tettsu. But she is in no relation to other characters in a family relationship.
Tao's character is another option. Because Usagi's a rock climber, parkour, she could fit as a Rude Boy if you ever wanted to use her. Or whoever you use for that character. That was just a thought.
I've been watching a lot of Korean series lately. So if this movie seems interesting to me, I might actually watch it. But no promises though.
Random off topic question. And I don't mean this in a sexual way either. Did you ever see Nijiro shirtless before? Because I saw shirtless pictures before.. He is slightly hairier than I thought he would be. Not in a bad way! Obviously guys have body hair so that is not surprising. But, for him, he has a bit more hair than I imagined him having. If that makes sense.
i just know hyuga would hate being known as the shortest sword leader. it’s one centimetre and hyuga is silently pissed. he’d be fine if he’d ever managed to beat cobra in a fight, but he couldn’t even do that.
rocky feels like an easy one. i think it definitely comes down to personality for him and how they mesh. but really, any kind of girl. i think rocky likes to pamper and money is no object. i can see him with a girl who likes to buy things and then show them off to him like ‘here’s what i bought!’; but can also see him with a girl who’s shy about spending his money so he happily buys things for her.
cobra is so difficult to figure out for someone who has so much screen time. appearances are difficult to me, because i don’t know how dudes think and i’ve got a lesbian brain that goes ‘all girls pretty’. cannot discern anything it into a ‘type’. i do think cobra, rocky and probs smokey too at least would lean more on the side of personality over looks, though all three would dole out compliments. also i remembered that there’s that scene of cobra going to buy himself a cupcake and i think it’d be cute if he had a gf who likes to bake.
genuinely think that being a fighter is all it takes to be s.exy to murayama; doesn’t matter about gender, if you can brawl, he’s like ‘ur hot’. but yeah, if not a total energy-matching gf, he needs one that supports him. someone who tries to keep him out of trouble and out of fights i feel would dampen his spirits. like sure, be worried if you must (though he’d be confused bc he’s a ‘great fighter’, he ‘never loses’), but trying to stop him from doing what he does would probably depress him in the long run. i really do just like the thought of him having a lil gf who dotes on him after his fights; she’s cleaning up his hands, and he just smiles and leans in to give her a lil kiss on the cheek or forehead.
hyuga and a similar-personality gf are such a loud couple. just confident and cocky and you see em and are just like ‘yea of course those two would get together’. like insufferably into each other. but! hyuga with an opposite-personality is such an interesting - and kind of funny - concept. i’m definitely leaning more towards favouring the former, but the latter is something i could enjoy if done well.
i am so very soft about the idea of smokey with a big-sister-to-nameless-city type gf. they’re the ‘parents’ to nameless city. im imagining them as childhood sweethearts. smokey dies and she never dates again because he was ‘the one’ for her :( she tells all the kids stories about smokey and keeps his grave tidy and never lets his memory die :( :(
that’s what i meant! it really does help to talk about ocs - or even the characters around them - to develop them more. you can really muddle out the details when you’re talking and writing stuff down, because sometimes you get to talking about something you wouldn’t have otherwise thought about.
i’m trying to keep to developing one oc at a time to not get overwhelmed. so right now i’ve got one mostly developed oc and one oc idea.
i was half-thinking of a hyuga oc and thought aya would make a good fc for her (then the takeshi oc came along and im on her now) (i also didn’t want to step on any toes with it being such a small fandom and there already being a popular oc with an aya fc). imagining her as tettsu’s sister is a lil funny. i’m just imagining a scene like:
cobra, at the end of a sword meeting: … *sigh* hyuga, tettsu would like to request you stop dating his sister.
hyuga: no ❤️
i dont know that i’d actually make her tettsu’s sister, though the image is funny, but i also think it’d be funny if they weren’t related and just looked so alike and they just *spiderman pointing meme* at each other.
i do think tao would make a good nameless city character. now i’m imagining her as the aforementioned big-sister character. her and smokey would be cute together. i’m still thinking of using yuri and her aib character’s amputated leg, since there’s quite a few videos of people doing parkour while having amputated legs so it’s not out of the question. and, since the aib character made it in the borderlands and it’s not an actual prosthetic, it looks like something they could have rigged together for her in nameless city out of spare parts.
i enjoyed it - it is a horror movie though, just as a warning, and can be kind of intense at times. it’s an entertaining watch if you’re into horror/psychological thriller movies. wi ha joon is totally excellent in it.
t.iktok and pinterest love to throw pictures of shirtless men at me after i’ve just been looking at their show/movie characters. nijiro does have a very defined happytrail. i think it’s surprising mostly because you usually don’t see a lot of east asian guys with body hair. i mean, look at the exile guys whenever they have their shirts off in music videos, they’re all very smooth.
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primofate · 3 years
Text
Genshin Modern AU - Stress and Comfort
Summary: Woke up late. Missed a class. Forgot that assignment due. Another one due in two days. People are downplaying the things that you do. It’s raining and you don’t have an umbrella. Sometimes the little things pile up all in one day and it feels like all you want to do is to get it over with... and your boyfriend to make everything better.
Warnings: crying, stress, mood swings, other than that it’s fluff
Characters: Kaeya, Zhongli x gn!reader
Notes: Also a commission <3 Thank you for the love. Once again if you want something written for you I have cheap rates XD and I’ll always accommodate to your wants! Just leave me a message!
Kaeya
“Hey, Y/N, do you know how to write this part of the essay?” It wasn’t as if you were a particularly good student. But somehow, the people in your class liked asking you because you were accommodating. Ready to help with a smile on your face. Always there to turn to and rely on. “Yeah, it’s just like this…” and you spend nearly an hour explaining it.
“Oh gosh, I don’t think I can finish this part of the presentation tonight, something came up at home,” Group projects were sometimes difficult too. You understood. Things happened, but when they happened, you’d be the first one to say, “It’s okay, I’ll take care of it,” Even though the presentation is tomorrow, even though you barely get enough sleep for the next day. A part of you just wants to quickly get it over with.
“You said this would come out on the test… It wasn’t even there…” The worst part of it is not even receiving any thanks. It’s the way that they look at you when you make a mistake, despite all of the good things you’ve done for them, one mistake, and they make you out and guilt you to be a bad person.
“Your analysis is all wrong, Y/N. This part over here…” Sometimes the price of that was paying with your own grade. You try to listen as the lecturer explains a part of your essay. You’re listening, but it just doesn’t register in your mind. Something about misunderstanding the concept. Those concepts that you’ve tried so hard to remember and to understand. In the end they were all mixed up and confused.
Perhaps the lecturer sees the deflated look in your eyes, and ends quite happily. “Just do better in the next one!” pats your back and lets you leave, handing you your essay graded with a C.
Do better in the next one. Easier said than done.
You shove the paper in your bag without giving it a second glance.
The cafeteria. It was slightly late for lunch but you like it that way. There weren’t a lot of people at this time, which meant you didn’t have to fight for seats. Still, as you put in your order and bring your tray of food to the nearest seat that you see, you somehow bump into someone who topples over your chosen lunch, the tray completely doing a flip and landing on your chest, then on the ground with a plop and rattle.
There’s an ugly stain on your shirt. Forget about hiding it, it had to be washed. “Oh my gosh I’m so sorry,” and yet they can only stare at the stain. What else could they do? Dabbing it with wet tissue would just make it worse. “It’s…fine,” you wave them away, but you leave the mess on the floor in a hurry and in an embarrassed state.
You sigh once outside again. Deciding that today was enough, you make your way home.
Even then, as you sit at your study table, all washed up and changed, sketching a little something on your tablet, your mother stands at the door, observing.
“…What does that do for you?”
You jump a little in surprise and turn, looking at her blank expression. “What does what do for me?”
“That, your drawing. You’re always on the computer or tablet Y/N. If not that, then your sketchbook. That’s all you ever do,”
You turn around because you don’t want to argue. You don’t want to hear her complaining about how you do nothing but stay in all day after lessons and play games and draw. It was one of the biggest forms of comfort you had for yourself and yet she--
“Maybe try a part time job or join a club or some—”
“Mom, I’m still trying to adjust to uni,”
Why does no one understand how difficult it is to juggle the classes and do all the readings required? Why do I have to do so many things all at the same time? Can’t I do it when I choose to and when I’m ready? Can’t I do things that I enjoy?
“The degree you chose won’t even pay the bills…” You hear her mutter as she walks away. Footsteps receding into the hallways.
You push your tablet away and lay your head face down on the table. You’re trying not to lose it and finally, whatever higher being up there hears your plea to give you a break.
A phone call from Kaeya comes through.
“…Hey,” you answer.
“Hey, hun. You haven’t been replying to my messages,” there’s a lilt of playfulness in his voice. He just thinks you’ve fallen asleep or taken a nap at home or something.
“…Yeah, I—” You try to explain. You try to say that you weren’t feeling well. That you didn’t feel like talking. But would he understand? Everyone today seemed to be against you. “I just, fell asleep,” You lie and there’s a few seconds of silence on the other side.
“…You sure?” Now there’s a hint of unease in his voice. The playfulness is gone. “You ok? Do you want me to come over?” Somehow he senses that it isn’t just “falling asleep”. His simple worry and caring attitude towards you breaks whatever composure you had left. You accidentally let out a sniffle as tears start to pool in your eyes.
“Hey… You don’t have to talk to me, but I’ll come over right now, okay?” The sniffle was enough to tell him that perhaps something had went wrong. You couldn’t help but let out a few more sniffles as tears slowly trickles down your face.
“O-okay,”
Minutes later your blue-haired boyfriend shows up at your doorstep. Despite your mom being a little hard on you earlier, when she opens the door to see him, she smiles and says. “I think they were having a bad day, I might have been a little harsh on them too,” Kaeya only grins and points a thumb to his chest. “No problem, that’s what I’m here for,” He’s still wearing his volleyball jersey.
He knocks softly on the door, “Y/N?” there’s a plastic bag in his other hand.
When you open the door your eyes were already a little red around the edges, but seeing him made your lips tremble and fresh tears fall out. “Shh… You’re okay.” He wraps you in his arms, plastic bag rustling, his hand smooths your hair down and the other rubs your back as you cry out your frustrations for the day.
The two of you stay there for what seems like a long time. You hiccupping into his chest and trying to calm down. At some point he moves the both of you on the bed and lets you curl up against him. When you finally ease up, he pulls away slightly to look at your face, then brushes away the wetness still lingering on your cheeks. “Feel better?” He whispers, as if being too loud will break you again.
You smile a little and nod at how gentle he was being. He smiles back and leans in to press a kiss on your forehead. “You’re doing great, Y/N. Whatever it is, just talk to me when you’re ready,” and it hits you so hard how much he’s willing to just be there with you, even though he doesn’t know what’s happening. How he wasn’t going to judge you for what you say or what you do and your face crumples and grimaces into a face that tells him you’re trying not to cry. “D-Did I say something wrong?” He’s a little startled, but you laugh a little through small droplets of tears that you wipe away by yourself. “No, you idiot. I’m just happy you’re here,”
He sighs and relaxes, taking his own hand and pinching your cheek, pulling at it a little. “Who’s the idiot? Crying and laughing at the same time?” He was joking, of course. He’d only do so when he knew you could take it. You swat his hand away with a slight glare, and he knows that he’s got a little bit of the normal you back. “Alright, come on, here,” He suddenly sits up and presents the plastic bag that he’s been holding all that time.
“Ice-cream, your favourite flavour,” rummages into it and takes out a tub the size of two fists, a little damp from the melted moisture. He’s got spoons in there too. Slowly, as you eat the tub together, you tell him about what’s been going on in uni. How people just expected you to help when you could. How you got nothing in return. How you try really hard and they somehow still end up piling on negativity into your life.
“…It’s okay to help, Y/N,” he thoughtfully says, mouth muffled cause his spoon was still in his mouth. “But don’t forget to take care of yourself too,” then he scoops another bite. “…But even if you don’t…it’s okay,” he looks up at the ceiling. “If you don’t take care of yourself…Then I’ll do it. That’ll be my job. Forever,”
You lay your head on his shoulder as he says this, still eating from your spoon “I love you,”. He smiles and presses a soft kiss atop your head. “Love you too. I’m always just a phone call away, babe,”
Zhongli
“Is there something on your mind? You’ve been quiet for the past hour,” Nothing slips by Zhongli. He’s observant. He knows you don’t feel like eating by the way you’re picking at your food. Knows that you don’t want to talk because you don’t even meet his eyes.
“…Nothing, really,” You just didn’t have the energy to talk about it.
He feels as if this date has gone awry, and he didn’t even know where he went wrong. Though, if he had to guess, it wasn’t his fault. You were just in a particularly bad mood. Not that the two of you were anywhere fancy, it was just your usual sit-down restaurant at a mall across the university.
To him, the right thing to do was give you the space you needed. So, after walking you to your room that night, he’d wait till the morning to contact you. Imagine his surprise when none of his calls go through. None of his texts were returned. He was beside himself with worry when suddenly, near the afternoon, he finally gets word from you.
“Sorry Li, I feel a little sick today. Don’t worry though, I’ll be fine in no time,”
You’re bad at lying. Or was he just good at reading you? You tend to have the habit of withdrawing when you’re out of energy. To give too much without any regards to your own state, your own feelings. Sometimes you don’t realize that you had to watch over yourself too.
It’s nearly 8 at night when he knocks at your dorm room. Zhongli went through a few steps to make sure your roommate would be out tonight. It was from them that he found out you hadn’t left the room at all today, but that you weren’t sick.
“Oh… Zhongli,” You’re surprised at the amount of things he’s holding. There’s a plastic bag that seems to nearly be popping and in his other hand was a mysterious paper bag. Under his arm he’s tucked his laptop with him. He lived in the dorms too, and if someone saw him now, it would look as if he was moving into your room. “You could’ve just asked me to come over to yours,” his eyes trail away, a certain brown-headed roommate pops up in his mind.
“No, Tartaglia’s in tonight,” You make a sound of understanding. His roommate was rather…special. Too energetic for your tastes, and sometimes nosy. “What do you have there?” You ask and invite him in. He chucks the plastic bag on your bed, lays down the laptop on your table along with the mystery paper bag. He notes that you’re already in your sleepwear, which was perfect. He starts to take out a throw blanket from the plastic bag and a hoodie.
“…This..is?” You’re a little baffled by what he’s trying to convey. “…My throw blanket that you like so much…and you said you like wearing my hoodie,” then he points at the laptop. “Do you want to watch a movie in bed? I have popcorn too,”
Then you realize that he’s trying to make you feel better. He’s figured out that you weren’t really sick, possibly just mentally drained. You smile at him and lean in for a hug, to which he responds to by wrapping his arms around your back and whispering. “…I’m not…really good at these things… Tartaglia said it might make you feel better…” You chuckle in his embrace and could imagine the kind of conversation they had.
“You’re the best Zhongli,” he secretly smiles while rubbing your back up and down. He doesn’t ask questions as to why you’ve been acting the way you do, but you’re the one who offers him the answer. “It’s just school… Too many things have been piling up… My class they… They’re really nice people you know? But just… there are times where I wish they would stop asking me for help, but it feels so selfish of me… I have my own things too, but they never think about that…”
It’s always about them, you want to say, but keep your mouth shut. He runs his hand through your hair gently, internalizing the things that you’ve said. “…I see… Would you like to hear what I think?” He’d ask first, because he knew sometimes that you didn’t really want an answer. You just wanted to be listened to. You nod against his chest, you could feel his heart beating from the closeness. “I think, you’re a very selfless person, Y/N,” he places a kiss on your head. “There’s nothing wrong in wanting to take a break from time to time, you deserve it,” and he guides you over to your bed, wrapping the two of you up in his throw blanket. Laptop on, popcorn in the mystery paper bag as you put his hoodie on. It smells just like him.
His back leans against the wall and you’re in the safety of his arms. You’re practically in his lap, encased in his scent and warmth. He’d managed to prop his laptop up on a pile of books and the two of you watch a random movie on the screen. You were paying attention to it, but you couldn’t help but be more interested in the way his chest rises and falls. You can feel him against you, and the comfort it brings is like no other.
You turn away from the screen and rest your head at the nape of his neck. He looks down, movie still playing and asks “Tired?” You shake your head, eyes closed. “No, I’m just enjoying this…” There’s a small rumble from his chest as he lets out a small “Mm,” his eyes are glued to your face. Movie forgotten.
“…Y/N, I’ll always… be next to you,” Your eyes flutter open a little to look up at him, curious. “…Always?” He nods his head firmly to confirm, and you lean up a little to press a sweet and quick kiss on his lips. “Even when I’m not my best and I’m moody?” He chuckles at that and responds with a remark that might have slightly brought tears to your eyes.
“Especially when you’re not at your best, I’ll be there. Just call,”
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carlisles-girl · 3 years
Note
OMG UR CAIUS FIC WAS SO GOOD COULD YOU DO SOMETHING AB ARO PLEASE
a/n: Thank you so much! I’m very excited to write for Aro, he’s one of my favourite characters, more so because of Michael Sheen’s performance. I put a slight reference to something in this, you might catch it if you know other projects Michael Sheen has been in, but you might not, and that’s alright. Hope you enjoy <3
another a/n: I did put one or two feminine terms in this work, such as ‘mia regina’ which is ‘my queen’ in Italian, so do skip over it or replace it with something else if you’d like. I love writing this type of material in the middle of my classes, it adds so much adrenaline to not get caught.
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Aro Volturi With A Human Mate
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Instead of being angry and frustrated like Caius, Aro was more excited.
Like as if he was getting ready for a big party.
A human for a mate was inevitable for some vampires, of course, but Aro didn’t expect to be included in the some.
He was excited since it was rare for such high profile vampires to socialize with humans.
Aro often gushed to his brothers, excited to meet you, but also for them to meet you.
He wanted to host a ball for your welcome.
But Marcus noted that it would probably be slightly frightening for you to be in a room full of vampires.
Most of the vampires would look at you as if you were some sort of a snack.
Because it Marcus’ comment, Aro assumed it would be a greater choice to send an invitation to a tour of the castle.
Free of cost, of course.
When you had received the invitation, you were beyond excited.
An invitation to a tour of an ancient castle with endless legends, for free?
Absolutely.
The tour was the next day, so of course you were slightly nervous.
When the tour commenced, a very pretty woman named Heidi lead the tour group.
She began to speak of secrets of the castle, as well as secret corridors and legends.
Some things a normal tour guide would most likely have no idea about.
Heidi then looked in your direction, and smiled brightly at you.
“It’s very lovely here. I’m sure you’ll love it.”
Just when she had finished her sentence, she opened the doors where there were three men sitting in thrones, and what seemed to be 4 guards.
The man who sat in the middle, greeted everyone and began speaking greatly of the castle.
He had only stopped when he motioned for your tour guide, Heidi, to come forward.
She did as told, and held her hand out towards him.
You would have thought it was to greet him, but it seemed like he was concentrated, or zoned out.
“Magnifico! I will get Demetri to escort them.” (Translation: “Magnificent! I will get Demetri to escort them.”
A man who you assumed was Demetri, walked in your direction.
“Come with me, all will be alright, rest assured. However, do not look behind you.”
You went with him, doing as he said, but immediately turned around when the rest of the tour began screaming.
“What the hell was that?!”
Demetri just grabbed your wrist and brought you upstairs.
“Just stay in here, I’ve been instructed to keep you under my eye. Aro will explain everything to you.”
“Aro?”
“The man who sat in the middle throne.”
You nodded, and decided to sit on one of the window seats.
You wanted to ask Demetri as many questions as you wanted to, but you didn’t want to bother him, or disrupt him from his job.
When the door had opened and Demetri bid his farewells, you had turned around and saw Aro.
“You must be Y/n, correct?”
“Yeah, and you’re Aro?”
“I am, I assume you have a good amount of questions?”
You nodded, and Aro moved swiftly but smoothly towards the opposite side of the window seat.
“May I?”
“Of course.”
He sat opposite to you, and smiled slightly at you.
“There’s no need to be afraid of me, or the others. You’re the most safe you could ever be in the castle. I promise you, I will keep you safe.”
“May I ask why the rest of the tourists were screaming when I left?”
“I sense that that question should be answered later, appropriately.”
You were slightly frightened as to what the final answer would be, it could be anything.
Perhaps there was a reenactment of the past after you had been escorted, one of the tourists got pushed and the rest screamed since one of them fell, or the worst:
They were murdered.
“I feel like I already know what happened.”
“I sense that you do know, too. I will tell you everything in a moment. But for now, would you care to lend me your hand?”
You trusted Aro, though you were positive your ancestors were screaming from above or below not to trust him.
You held your hand out in front of him, and before he held your hand in his own, he asked for permission or something else.
“I want you to think of the happiest memory you have stored in your mind, I will describe it to you. I will not see anything else besides the things you want to show me, unless I have your permission.”
You thought of a memory, and then placed your hand in Aro’s palm.
He covered the back of your hand with the palm of his other hand, then he began telling you small details of your chosen memories you had even forgotten about.
When he was finished, he brought his head up from looking down, and smiled at your face of bewilderment.
“That is so cool! Is that like your superhero power?”
Aro smiled widely at your interest in his gift, and began explaining what his was.
“I have a gift, it’s called tactile telepathy. I can read everyone’s thoughts and memories with a single touch. The others in this coven have multiple different gifts, they help keep us safe.”
“So you’re all like superheroes?”
“Vampires, darling.”
After that, Aro enjoyed seeing your memories whenever you two were apart for some sort of time.
Especially say you were having a difficult time attempting to explain something to him, he would hold your hand and immediately understand what you were trying to say.
“I understand you, cara mia. I always will.”
And he was right, he understands you in every way possible.
Aro memorized your body language on how you react to different things, as well as your facial expressions.
When you’re uncomfortable with something, he will do absolutely everything in his power to make you comfortable.
Aro will burn down the entire world for you.
When it’s time for you to go to sleep, you best believe that Aro set up the most lavish and comfortable room for you.
The best and most comfortable bed, of course.
You lay down on his chest, and he brushes the hair out of your face, admiring your tired eyes looking back at him.
“Would you like for me to read to you, dearest?”
You nodded your head, and Aro would get up from wherever he was seated, swiftly retrieve a book, lay back down next to you, and begin reading.
He loved having you hold his hand while he read, it lets him see what you’re imagining the scene that he’s reading to you.
And when you fell asleep while he was reading, he would be so very content.
You curled up next to him, sound asleep on his chest.
Aro adored seeing what you were dreaming.
He loved how humans brains worked while they were sleeping, keeping your mind entertained with multiple little scenarios.
When you woke up, however, Aro would prefer to have you describe your dreams, if you remembered them.
He loved to learn more about humans, especially in the modern age.
And you loved to learn more about vampires, especially in the ancient times.
Aro would often tell you stories of each coven he encountered, his old family and friends, and his past human life.
As much as he wants you to be changed into a vampire like the rest, he can’t help but smile whenever you got slightly nervous around him, stuttering over your words, and hiding your face with your hands out of embarrassment.
He pays attention to little details about you.
Especially your eyes.
Even the shade of your eyes stops him from changing you. Your eyes wouldn’t be as unique anymore, they’d be the same red as everyone else’s.
“You have the most magnificent shade of colour in your eyes, mia regina. I simply cannot get enough of them.”
Being absolute best friends with Demetri.
But wherever Demetri was, Felix wasn’t too far behind.
You three are like a troublemaker trio, always causing trouble and pulling pranks on different members of the guard.
Never Jane or Alec, though. Unless it was a scheduled board game night or something along the lines.
Which Alec loved to take away different players senses, allowing him to cheat in the games you’d play.
He doesn’t do it all the time, though.
Marcus was a lot more welcoming towards you, perhaps more than anyone else.
Whenever Aro couldn’t, he’d show you different areas of the castle you hadn’t seen yet, and would give you wonderful pieces of advice along the way.
“Remember to stay true to yourself, never let anyone think for you.”
Aro will spoil you insanely.
If you mention a specific piece of clothing even once, you better expect that when you wake up the next morning, Aro has an elegantly wrapped package placed at the foot of your bed with a note written in fine handwriting.
“Mia amato, I have seen you speak of this article of fabric, and I have gone out of my way to make sure you have every little thing you admire. I need you to be the happiest you can possibly be. Please accept my gift, and meet me by the gardens by noon. I’ll see you then. Cordialmente, Aro.”
You two have annual walks throughout the garden, usually during golden hour. The sun still above, but setting at the same time, making it seem like Aro was made of a trillion Tiffany Yellow Diamonds.
He loved finding a flower that suited your mood for the day, and putting it behind your ear.
“My beautiful.”
You two often walked either arm in arm, or hand in hand, but sometimes you would hold him closer with your arm wrapped around his waist, your head leaning on his side or shoulder.
Often times, when the moon is visible, you would slow dance together, looking at each other with smiles on your faces, just appreciating each other’s presence.
Usually, Aro would come back into the castle around 2 in the morning, carrying your sleeping self up to your shared room, after you had fallen asleep on his shoulder while sitting in the garden.
The rest of the kings and guards would be predominantly more happy than from before you had arrived.
You had given Aro something to look forward to after trials and mountains of work, something he didn’t have for hundreds of years.
Though, Caius was still slightly jealous of you.
You had practically stolen one, if the not the most, needed member of the vampire world. Aro was nearly as focused on you than he was on trials and legislature.
He’d warm up to you eventually.
At least, you hoped.
Speaking of trials, you wanted to sit in and watch the trials, to see what it was about, and how it worked.
You knew the most of it, of course, Aro had already told you. But you wanted to see it live.
Aro was quick to say no, he didn’t want you to get hurt, or worse, killed.
He understood what would happen to him if his mate was killed, Marcus was the example. He couldn’t even bear the thought of you not being by his side.
Though, you owning the key to his heart, convinced him to let you watch, letting both Jane and Alec stay on either side of you, protecting you if anything were to go wrong.
You would usually sit on Aro’s lap, and then the throne when he had to see what was truly going on by using his gift.
Jane usually stood on the left of the throne, and Alec on the right.
Mainly since Caius sat on the throne in the left, and Jane loved to torture the criminals.
He loved the front seat view.
Constant look backs of reassurance to make sure that you’re alright.
Nearly always having your hand in his.
Forehead kisses.
Constantly bringing the back of your hand up to his lips.
Getting the absolute best care in the world, health wise especially.
When Aro proposed, it was in the bedroom the both of you share, and he was reading some poetry to you.
All was going swell, and then he got to one page.
“I can write no stately poem
As a prelude to my lay;
From a poet to a poem
I would dare to say.
For if of these fallen petals
One to you seem fair
Love will waft it till it settles
On your hair.
And when wind and winter harden
All the loveless land.
It will whisper of the garden,
You will understand.”
At the end, you were leaned up closer to him, looking at him in awe.
He closed the book, and placed it aside gracefully, before leaning slightly closer to you. Placing his hands overs yours.
“Do you remember who wrote that, cara mia?”
“I do. That’s Oscar Wilde, right?”
“That’s right. There’s so much I want to say to you, especially in this particular moment, but I don’t think there’s enough words to express my love and affection towards you. I’ve known you for a little while, and I can feel the bond between us, and I know you can feel it, too. The universe has guided us together, and I am so very thankful for every second we have spent together, and I’m even more thankful for the rest of eternity we have. However, I am the most thankful of the fact that I have the most gorgeous human as a mate. I love you so much, anima mia. Will you do me the best thing that could ever happen to me in my thousands of years, and marry me?”
You said yes, obviously, who wouldn’t?
You leaned over to press your lips against his, as he held one side of your face with one hand, and the other hand slid a ring on your ring finger.
While Aro wanted an extremely lavish wedding, with all the diamonds in the world, you wanted something more of a homely essence.
So you compromised, and had a bit of both.
Aro invited nearly every vampire to the wedding, wanting to show you off in every way he could.
The Denali’s, Cullens, Irish coven, everyone was invited.
Except for the Romanian coven, Vladimir and Stefan. Not trusting them to be in your presence.
The wedding was held in the garden, the arch where Aro stood had your favourite flowers intertwining around it, with diamonds pressed in the centre of each individual flower.
Demetri walked you down the isle, smiling proudly when he handed you over to Aro.
Proud that his leader had finally found true love, and that one of his best friends is finally where they need to be.
After the official wedding ceremony, the rest of the night and day were spent smiling and showing off each other to the guests.
When the night ended, it was finally time for you to be changed to a vampire.
Aro sat by the bed were sitting on, making sure that you were absolutely ready to be converted to a vampire for the rest of eternity.
“Are you ready, my darling?”
You nodded your head, and Aro took one final look into your coloured eyes, attempting to remember every small detail of them.
Aro then moved your hair away from your neck, before placing his lips over where he would finally bite down and turn you immortal.
“Just say when, and I’ll see you after.”
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lokiondisneyplus · 3 years
Video
'Loki' takes over: Tom Hiddleston on his new TV series and a decade in the MCU
Ten years after Hiddleston first chose chaos in Thor, Marvel’s fan favorite God of Mischief is going even bigger with his time-bending Disney+ show.
Tom Hiddleston is Loki, and he is burdened with glorious purpose: After playing Thor's puckish brother for over a decade in the Marvel Cinematic Universe, no one understands the mercurial Asgardian God of Mischief as well as the actor. He can teach an entire seminar on Loki if given the opportunity — which he actually did during pre-production on his forthcoming Disney+ show. In conversation, Hiddleston quotes lines from his MCU debut, 2011's Thor, almost verbatim, and will playfully correct you if you mistakenly refer to Asgard's Rainbow Bridge as the Bifrost, which is the portal that connects Loki and Thor's homeworld to the Nine Realms, including Midgard, a.k.a. Earth. "Well, the Bifrost technically is the energy that runs through the bridge," he says with a smile. "But nine points to Gryffindor!" And when he shows up to the photo shoot for this very digital cover, he hops on a call with our photo editor to pitch ways the concept could be even more Loki, like incorporating the flourish the trickster does whenever magically conjuring something. The lasting impression is that playing Loki isn't just a paycheck.
"Rather than ownership, it's a sense of responsibility I feel to give my best every time and do the best I can because I feel so grateful to be a part of what Marvel Studios has created," the 40-year-old Brit tells EW over Zoom a few days after the shoot and a week out from Thor's 10th anniversary. "I just want to make sure I've honored that responsibility with the best that I can give and the most care and thought and energy."
After appearing in three Thor movies and three Avengers, Hiddleston is bringing that passion to his first solo Marvel project, Loki, the House of Ideas' third Disney+ series following the sitcom pastiche WandaVision and the topical The Falcon and the Winter Soldier. Led by head writer Michael Waldron (Doctor Strange in the Multiverse of Madness, Heels), the six-episode drama sees Hiddleston's shapeshifting agent of chaos step out from behind his brother's shadow and into the spotlight for a timey-wimey, sci-fi adventure that aims to get to the bottom of who Loki really is. "I wanted to explore slightly more complex character questions," says Waldron. "It's not just good versus bad. Is anybody all good? Is anybody all bad? What makes a hero, a hero? A villain, a villain?"  
Even though Loki — who loves sowing mayhem with his illusion magic and shapeshifting, all with a major chip on his shoulder — has never been one for introspection, the idea of building an entire show around him was a no-brainer for Marvel. When asked why Loki was one of the studio's first Disney+ shows, Marvel president Kevin Feige replies matter-of-factly, "More Hiddleston, more Loki." First introduced as Thor's (Chris Hemsworth) envious brother in Kenneth Branagh's Thor, Loki went full Big Bad in 2012's The Avengers. That film cemented the impish rogue as one of the shared universe's fan favorites, thanks to Hiddleston's ability to make him deliciously villainous yet charismatic and, most importantly, empathetic. The character's popularity is one of the reasons he's managed to avoid death many times.
"He's been around for thousands of years. He had all sorts of adventures," says Feige. "Wanting to fill in the blanks and see much more of Loki's story [was] the initial desire [for the series]."
The Loki we meet on the show is not the one who fought the Avengers in 2012 and evolved into an antihero in Thor: The Dark World and Thor: Ragnarok before meeting his demise at the hands of the mad titan Thanos (Josh Brolin) in 2018's Avengers: Infinity War. Instead, we'll be following a Loki from a branched timeline (a variant, if you will) after he stole the Tesseract following his thwarted New York invasion and escaped S.H.I.E.L.D. custody during the time heist featured in Avengers: Endgame. In other words, this Loki hasn't gone through any sort of redemption arc. He's still the charming yet petulant god who firmly believes he's destined to rule and has never gotten his due.
Premiering June 9, Loki begins with the Time Variance Authority — a bureaucratic organization tasked with safeguarding the proper flow of time — arresting the Loki Variant seen in Endgame because they want his help fixing all of the timeline problems he caused while on the run with the Tesseract. So there will be time travel, and a lot more of it than in Endgame. As Loki makes his way through his own procedural, he'll match wits with new characters including Owen Wilson's Agent Mobius, a brilliant TVA analyst, and Gugu Mbatha-Raw's Judge Renslayer. The question in early episodes is whether Loki will help them or take over.
"One of the things Kevin Feige led on was, 'I think we should find a way of exploring the parts of Loki that are independent of his relationship with Thor,' or see him in a duality or in relationship with others, which I thought was very exciting," says Hiddleston, who also serves as an executive producer on the show. "So the Odinson saga, that trilogy of films, still has its integrity, and we don't have to reopen it and retell it."
Yet, in order to understand where Loki is going, it's important to see where he came from.
Hiddleston can't believe how long he and Loki have been connected. "I've been playing this character for 11 years," he says. "Which is the first time I have said that sentence, I realize, and it [blows] my mind. I don't know what percentage that is exactly of my 40 years of being alive, but it's substantial."
His time as Loki actually goes a bit further back, to 2009 — a year after Robert Downey Jr. big banged the MCU into existence with Iron Man — when he auditioned for Thor. It's no secret that Hiddleston initially went in for the role of the titular God of Thunder, but Feige and director Kenneth Branagh thought his natural charm and flexibility as an actor made him better suited for the movie's damaged antagonist. "Tom gave you an impression that he could be ready for anything, performance-wise," says Branagh, who had previously worked with him on a West End revival of Checkov's Ivanov and the BBC series Wallander. "Tom has a wild imagination, so does Loki. He's got a mischievous sense of humor and he was ready to play. It felt like he had a star personality, but he was a team player."
Hiddleston fully immersed himself in the character. Outside of studying Loki's history in the Marvel Comics, he also researched how Loki and the Trickster God archetype appeared across mythology and different cultures. "He understood that he was already in something special [and] it was a special character in a special part of that early moment in the life of the Marvel universe where [he] also needed to step up in other ways," says Branagh, who was impressed by the emotional depth Hiddleston brought to the part, especially when it came to how isolated Loki felt in the Asgardian royal family.  
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There was a lot riding on that first Thor feature. For one, no one knew if audiences would immediately latch onto a Shakespearean superhero movie partially set on an alien planet populated by the Norse Gods of legend. Second, it was integral to Feige's plans for the shared universe. Loki was supposed to be the main villain in The Avengers, which would not only mirror how Earth's mightiest heroes joined forces in 1963's Avengers #1 but also give Thor a believable reason for teaming up with Iron Man, Captain America (Chris Evans), and the rest of the capes. Feige first clued Hiddleston into those larger plans when the actor was in L.A. before Thor started shooting.
"I was like, 'Excuse me?' Because he was already three, four steps ahead," says Hiddleston. "That took me a few minutes to process, because I didn't quite realize how it just suddenly had a scope. And being cast as Loki, I realized, was a very significant moment for me in my life, and was going to remain. The creative journey was going to be so exciting."
Hiddleston relished the opportunity to go full villain in Avengers, like in the scene where Loki ordered a crowd to kneel before him outside a German opera house: "It's the unspoken truth of humanity, that you crave subjugation," says the Machiavellian god. "The bright lure of freedom diminishes your life's joy in a mad scramble for power, for identity. You were made to be ruled. In the end, you will always kneel."
"I just knew that in the structure of that film, I had to lean into his role as a pure antagonist," Hiddleston recalls. "What I always found curious and complex about the way Loki is written in Avengers, is that his status as an antagonist comes from the same well of not belonging and being marginalized and isolated in the first Thor film. Loki now knows he has no place in Asgard."
Loki did find a place within the audience's hearts, though. Feige was "all in" on Hiddleston as his Loki from the beginning, but even he couldn't predict how much fans would love him. Feige recalls the reaction at the 2013 San Diego Comic-Con: "Did we know that after he was the villain in two movies, he would be bringing thousands of people to their feet in Hall H, in costume, chanting his name? No, that was above and beyond the plan that we were hoping for and dreaming of." It was a dream Feige first got an inkling of a year earlier during the Avengers press tour when a Russian fan slipped past security, snuck into Mark Ruffalo's car, and asked the Hulk actor to give Hiddleston a piece of fan art she created. "That was one of the early signs there was much more happening with this quote-unquote villain."  
Despite that popularity, the plan was to kill Loki off in 2013's Thor: The Dark World, but the studio reversed course after test audiences refused to believe he actually died fighting the Dark Elves. Alas, he couldn't out-illusion death forever. After returning in Taika Waititi's colorful and idiosyncratic Thor: Ragnarok, Hiddleston's character perished for real in the opening moments of Infinity War. In typical Loki fashion, before Thanos crushed his windpipe, he delivered a defiant speech that indicated he'd finally made peace with the anger he felt toward his family.  
"It felt very, very final, and I thought, 'Okay, that's it. This is Loki's final bow and a conclusive end to the Odinson saga,'" says Hiddleston, who shot that well-earned death scene in 2017.  
But, though he didn't know it yet, the actor's MCU story was far from over.
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Credit: Charlie Gray for EW
When Hiddleston returned to film two scenes in Avengers: Endgame in 2017, he had no idea where Loki portaled off to after snatching the Tesseract. "Where'd he go? When does he go? How does he get there? These are all questions I remember asking on the day, and then not being given any answers," Hiddleston recalls. To be fair, it's likely the Powers That Be didn't necessarily have answers then. While Feige can't exactly recall when the writers' room for Endgame first devised Loki's escape sequence, he does know that setting up a future show wasn't the primary goal — because a Loki series wasn't on the horizon just yet.
"[That scene] was really more of a wrinkle so that one of the missions that the Avengers went on in Endgame could get screwed up and not go well, which is what required Cap and Tony to go further back in time to the '70s," says Feige. Soon after that, though, former Disney CEO Bob Iger approached Feige about producing content for the studio's forthcoming streaming service. "I think the notion that we had left this hanging loose end with Loki gave us the in for what a Loki series could be. So by the time [Endgame] came out, we did know where it was going."
As for Hiddleston, he didn't find out about the plans for a Loki show until spring 2018, a few weeks before Infinity War hit theaters. "I probably should not have been surprised, but I was," says the actor. "But only because Infinity War had felt so final."
Nevertheless, Hiddleston was excited about returning for his show. He was eager to explore Loki's powers, especially the shapeshifting, and what it meant that this disruptive figure still managed to find a seat beside the gods in mythology. "I love this idea [of] Loki's chaotic energy somehow being something we need. Even though, for all sorts of reasons, you don't know whether you can trust him. You don't know whether he's going to betray you. You don't why he's doing what he's doing," says Hiddleston. "If he's shapeshifting so often, does he even know who he is? And is he even interested in understanding who he is? Underneath all those masks, underneath the charm and the wit, which is kind of a defense anyway, does Loki have an authentic self? Is he introspective enough or brave enough to find out? I think all of those ideas are all in the series — ideas about identity, ideas about self-knowledge, self-acceptance, and the difficulty of it."
“The series will explore Loki's powers in a way they have not yet been explored, which is very, very exciting.”
The thing that truly sold Hiddleston on the show was Marvel's decision to include the Time Variance Authority, a move he describes as "the best idea that anybody had pertaining to the series." Feige and Loki executive producer Stephen Broussard had hoped to find a place for the TVA — an organization that debuted in 1986's Thor #372 and has appeared in She-Hulk and Fantastic Four stories — in the MCU for years, but the right opportunity never presented itself until Loki came along. "Putting Loki into his own procedural series became the eureka moment for the show," says Feige.  
The TVA's perspective on time and reality also tied into the themes that Waldron, Loki's head writer, was hoping to explore. "Loki is a character that's always reckoning with his own identity, and the TVA, by virtue of what they do, is uniquely suited to hold up a mirror to Loki and make him really confront who he is and who he was supposed to be," says Waldron. Hiddleston adds: "[That] was very exciting because in the other films, there was always something about Loki that was very controlled. He seemed to know exactly what the cards in his hand were and how he was going to play them…. And Loki versus the TVA is Loki out of control immediately, and in an environment in which he's completely behind the pace, out of his comfort zone, destabilized, and acting out."
To truly dig into who Loki is, the creative team had to learn from the man who knows him best: Hiddleston. "I got him to do a thing called Loki School when we first started," says director Kate Herron. "I asked him to basically talk through his 10 years of the MCU — from costumes to stunts, to emotionally how he felt in each movie. It was fantastic."
Hiddleston got something out of the Loki school, too. Owen Wilson both attended the class and interviewed Hiddleston afterward so that he could better understand Loki, as his character Mobius is supposed to be an expert on him. During their conversation, Wilson pointedly asked Hiddleston what he loved about playing the character.
"And I said, 'I think it's because he has so much range,'" says Hiddleston. "I remember saying this to him: 'On the 88 keys on the piano, he can play the twinkly light keys at the top. He can keep it witty and light, and he's the God of Mischief, but he can also go down to the other side and play the heavy keys. And he can play some really profound chords down there, which are about grief and betrayal and loss and heartbreak and jealousy and pride.'" Hiddleston recalls Wilson being moved by the description: "He said, 'I think I might say that in the show.' And it was such a brilliant insight for me into how open Owen is as an artist and a performer.'"
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Owen Wilson as Mobius and Tom Hiddleston as Loki in 'Loki.'| Credit: Chuck Zlotnick/Marvel Studios
Everyone involved is particularly excited for audiences to see Hiddleston and Wilson's on-screen chemistry. "Mobius is not unlike Owen Wilson in that he's sort of nonplussed by the MCU," says Feige. "[Loki] is used to getting a reaction out of people, whether it's his brother or his father, or the other Avengers. He likes to be very flamboyant and theatrical. Mobius doesn't give him the reaction he's looking for. That leads to a very unique relationship that Loki's not used to."
As for the rest of the series, we know that Loki will be jumping around time and reality, but the creative team isn't keen on revealing when and where. "Every episode, we tried to take inspiration from different things," says Waldron, citing Blade Runner's noir aesthetic as one example.
"Part of the fun of the multiverse and playing with time is seeing other versions of characters, and other versions of the titular character in particular," says Feige, who also declined to confirm if Loki ties into Doctor Strange in the Multiverse of Madness and/or other upcoming projects.
Making Loki was especially meaningful to Hiddleston because they shot most of it during the pandemic, in late 2020. "It will remain one of the absolute most intense, most rewarding experiences of my life," he says. "It's a series about time, and the value of time, and what time is worth, and I suppose what the experience of being alive is worth. And I don't quite know yet, and maybe I don't have perspective on it, if all the thinking and the reflecting that we did during the lockdown ended up in the series. But in some way, it must have because everything we make is a snapshot of where we were in our lives at that time."
While it remains to be seen what the future holds for Loki beyond this initial season, Hiddleston isn't preparing to put the character to bed yet. "I'm open to everything," he says. "I have said goodbye to the character. I've said hello to the character. I said goodbye to the character [again]. I've learned not to make assumptions, I suppose. I'm just grateful that I'm still here, and there are still new roads to explore."
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n0bamak1s · 3 years
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whisper of the heart- megumi fushiguro x reader
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summary: you begin to take notice of the name “megumi fushiguro” on all the tops of your library checkout cards. a semi-retelling of whisper of the heart featuring you and megumi. (genre: fluff, high school au, meet cute)
warnings: none! except maybe slightly ooc megumi
word count: 3.2k
a/n: hi everyone! ty all again for being so patient with me publishing this. i’ve been very busy with college apps lately, but i’m gonna try to keep this blog as active as i can while balancing it with school life. anyways, i had a lot of fun writing this, but i’m definitely not used to writing megumi, so feel free to leave feedback ^^ i also changed some details from the original movie and left it a bit open ended, so feel free to let me know if you want a part 2!
“who the hell is megumi fushiguro?”
your gaze was fixed on the faded ink reading the now all too familiar characters. the characters spelling out a name that managed to keep showing up on the yellow tinted checkout cards tucked into the books you borrowed.
nobara glanced over your shoulder, inspecting the piece of cardstock tucked between your fingers. wrinkling her nose in disgust, she plucked the card from you, holding it closer to her face.
“whoever it is, they have terrible handwriting.” she stuck her nose up, turning back to you with a playful smile. “i don’t know how you managed to get ‘megumi fushiguro’ out of that chicken scratch.” a face of mock distress crossed her features as she did air quotes around the name, as if she couldn’t believe such a delicate name would be given to someone with such handwriting. she’s always had a tendency to be a bit over dramatic about trivial stuff like this.
with nothing more than a huff in response, you snatched back the card, tucking it neatly back into your library book. your fingers grazed the worn down cover for a moment, gliding along the slight tears around the corners and the stiffness of the yellowing pages.
‘i wonder how many of these creases came from megumi fushiguro?’
“whoever it is, it seems like that name shows up in every book i check out in the library.”
nobara kicked a rock as she walked, leaving a small cloud of dust around her feet. “maybe you’re just imagining it. you always stay up so late doing whatever the hell it is you do in your free time that you’ve probably begun to hallucinate.” she nudged you playfully, eliciting a dead pan expression from you.
“i’m serious nobara. i mean, i’ve never really believed in fate but there’s no way it’s completely coincidental!”
she raised an eyebrow, as if to say you can’t be serious. “i think you’ve been reading too many romance novels, for all you know this person could totally be just some weird old guy with nothing better to do than visit the library.”
“hey!” you acted as if that last bit was a personal attack on you, and knowing nobara it probably was. “i’m not saying this megumi fushiguro person is my soulmate or anything, i just think it’s a very strange coincidence.” you shrugged off your backpack as you talked, putting away your book. noticing the suspiciously light weight of your bag, you rummaged your fingers around for a moment to find that your sketchbook had gone missing.
crap.
nobara turned to you, perceptive as ever of your suddenly altered demeanor. “forget something again?” it was almost annoying sometimes how well she knew you. was it really that obvious?
“just my sketchbook,” your hands rifled through your bag one final time to make sure you really didn’t have it “probably left it on the park bench or something, it’ll just be a minute to get it.” you turned to her with a sheepish smile, silently pleading her to follow you there. she stared blankly at you for a moment, probably having one of her internal monologues about how lucky you were to have her as a friend, before rolling her eyes and following suit.
“this better be quick, i have places to be you know!”
“no you don’t.” you turned around before you could meet her melodramatic glare.
behind you, you could hear her huff of dissatisfaction, though she made no move to leave, reassuming her position next to you, giving you a gentle nudge as she brushed next to you.
as you walked, the sunlight peeking between trees framing your pathway began to warm your face, highlighting the ends of your eyelashes and the tops of your cheeks with the warm glow of the first hints of summer time. for a moment, you closed your eyes, letting yourself be enveloped in it, before your fleeting thoughts were interrupted by the sound of a bike coming in your direction. you felt as if you’d jump out of your own skin in that moment, hearing a “move out of the way!” from a husky, disembodied voice.
it probably looked pretty ridiculous how you jumped out of the way, kicking up a fleeting cloud of dust as you avoided the sudden presence of the biker. grounding yourself, your eyes flickered up to the source of the voice, being met with the gaze of stormy blue eyes, framed by long, dark eyelashes that nobara would most definitely be envious of. taking in the boy’s whole figure, your eyes were drawn to the messy black hair atop his head, formed at the ends into contradictorily gentle looking spikes. the sleeves of his white button down were rolled up taut around his forearms, leading your gaze to his hands wrapped tightly around the bike handles.
oh, right. he’s still biking.
you turned your focus back to keeping to your side of the path momentarily, before the sight of your name written atop the sketchbook peeking out of his bag came into your field of vision as he continued to move past you. before you had time to think rationally, you turned to his now retreating form, breaking into a jog, kicking up a few more dust clouds as you did.
ignoring nobara’s incredulous calling of your name, you tried to call to the boy who had no intention of slowing down. “excuse me!” you cupped a hand around your mouth, hoping to project your voice louder. “hey!” the irritation in your voice was clear, but you breathed a small sigh of relief as the bike slowed to a stop, and the spike headed boy turned to your direction.
after an awkward moment of your continued jogging to him while he stood with a blank expression, you stopped in front of him, an accusatory look grazing your features.
“i think you have something of mine.” you tried your best to imitate the confident attitude you always admired from nobara, placing a hand on your hip and using the other one to point to his bag. his gaze followed the direction of where you pointed, his eyebrows raised while the rest of his face remained stagnant.
“oh, this?” he tugged the cardboard covered sketchbook out of the pocket it had been placed in, examining the cover. his eyes flickered between your name written in the top corner, and your currently annoyed looking face, as if he was playing some sort of word association game. you simply nodded in response, anticipation clear in your actions.
as he held out the sketchbook to you, he leaned down so his face was closer to you, as if to tell you a secret, voice low and eyes trained on you. “you should be more careful next time. you’re lucky i’m nice enough to not just steal this from you right now.”
you didn’t have an explanation as to why your heart began to race.
taking your silence as a response, he pushed it into your hands, his fingers brushing against yours gently. “nice drawings by the way, i recognize your friend over there from the portrait you drew of her on the first page.” his face remained stoic as he pointed at nobara, who was tapping her foot in boredom.
face warm from embarrassment, you snatched the sketchbook from where his hands lingered on it, muttering a bitter sounding “thanks” before stalking over to nobara once more, who looked relieved that she’d finally be able to go wherever it was she was going to.
“what an asshole.” you glared at him over your shoulder as he biked away, your gaze lingering a second too long for someone so insistent on hating him. nobara shook her head in response, clearly annoyed at your own obliviousness after witnessing the whole interaction.
a smug smile crossed her soft features. “maybe that’s megumi fushiguro.”
you raised a brow as you glanced at her. “as if!”
despite your insistence on your distaste for the mystery boy, he managed to have flooded your thoughts. ‘he must be using sorcery or something to keep himself on my mind, weirdo.’
still, you couldn’t deny how just a few more of your portraits were accented by ocean blue eyes, or pointed ends to the different mops of hair you sketched. how did you manage to keep attracting mystery people into your life?
when you returned to the library, you gripped a thick science fiction novel, the pages brushing your soft fingers as your marched it up to the checkout counter. as the librarian wrote the date on a small piece of cardstock, you took note of the fact that your name would be the first one there. had megumi fushiguro missed out on this one?
a pleasant smile stretched across your face as the librarian handed the book back to you. scrawling your name at the top of the checkout card, your eyes flickered to a stamp of ink beneath the slot for it.
donated by fushiguro.
of course it was.
the library door squeaked quietly as you pushed it open, one hand on the door, and the other placing your new book in your backpack. zipping it up and throwing it over your shoulder, you were met with the feeling of a dog sniffing your leg. your eyes trailed down to a dog almost akin to a small polar bear brushing its nose against your calf. reaching your hand to scratch softly against the back of his head, you coo gently at the not-so-little little guy.
“what’s got you all by yourself buddy?” an involuntary smile creeps onto your face at how he calms at your pats.
wordlessly, obviously considering this is a dog, he turns and walks a few steps forward, before pausing and tilting just his fur covered face toward you, egging you on to follow him just as you had the other day with nobara. you considered for a moment, before shrugging and giving in to his pretty minimal amount of convincing. nobara would be out getting lunch with maki today anyways, so you could use something to do today. after all, it could be fate.
it was almost as if you were one of those people who walked their dog without a lash, but in reality, it was more like the dog was walking you as it lead you down tall, sidewalk-lined hills and through parks filled with young parents having picnics with their children and couples going on walks. you wondered to yourself if this was a worthwhile excursion, was he just leading you to a dead end, or worse, was he some dog trained by a gang to lure people into danger?
after walking a few minutes more, you found out the spot you were being lead to was, in fact, even worse then both the possibilities you’d been brainstorming in your head, when you were met at the bottom of another hill with the stoic expression of that spike head. his eyes softened at the sight of the dog, a ghost of a smile tugging at his lips that quickly vanished as he met your gaze, his eyes hardened in contrast with the bashfulness that shone on his cheeks.
“oh, you found him. thanks for that.” he cleared his throat awkwardly, shifting his gaze back to the dog. you shifted your weight from one foot to the other. to be fair though, what did you expect you’d do when you found where the dog was leading you?
“i should probably go.” your usually collected demeanor had been replaced with that of a puppy with its tail tucked between its legs. with a stiff wave, you took your leave, turning on your heel.
“wait.” his voice wavered, as if trying to catch himself before he spoke. “i can walk you home if you want. it’s the least i can do after you got him home.” he forced a smile onto his face, though it made him look more constipated than inviting. what happened to the snarky, aloof boy who had handed you your sketchbook just a few days ago?
still, you nodded, lips pressed into a line that you hoped resembled somewhat of a smile. surely, you should have been more worried about his sudden change in demeanor, but the relieved expression on his face seemed to soothe your nerves a bit. he assumed a spot next to you, tucking his hands in his pants pockets.
“your little buddy there lead me all over the city trying to find you, so i don’t exactly know how to get home from here, but maybe you can just lead me to the library.” you turned so you faced him, now aware of the close proximity between you two. nobara would probably laugh in your face if she could witness the moment you paused, stunned by the eye contact he made with you under his thick eyelashes. had you been perceptive enough in the moment, you may have noticed the blush creeping up his face. he nodded his head, which was already tilted down to face you fully, with eyes hazy and lips slightly parted.
“it’s just this way, i’ll show you.” he removed his hand from its pocket to point up the hill that had brought you to him in the first place. you gripped the straps of your backpack and faced in the direction he pointed to obediently, hoping to ignore the weird tension in the air. what could you talk to him about?
before you could continue your internal dilemma, he cleared his throat again. “you seem to like the library a lot, huh?”
by god was this boy terrible at small talk.
“i guess i do, but i don’t know how you came to that conclusion considering i only just brought up the library.” you cocked an eyebrow as you looked at him, probably sounding more annoyed than you’d intended.
he smiled knowingly at you, a hint of disbelief on his features as he raised his eyebrows. “i guess you wouldn’t know since your nose is always buried in a book, but i see you there like every day.”
your eyebrows furrowed so they practically touched, trying to rack your memory for seeing him in the library. “i’m sure i’d be able to recognize you if you did.” you were completely oblivious to the implications of how memorable you found him that laced your statement.
he shrugged nonchalantly. “believe it or not. i even tried sitting down in front of you a few times, but you were always too focused on your books to notice.” his smile was almost bittersweet as you waited by a stoplight. before you could respond, he continued. “it’s kind of admirable though. i think it’s nice that you’re so passionate about your books.”
you took a chance to look at him, really look at him, for the first time since you’d glared at him biking by. he held your gaze, eyes gentle. there was absolutely no way this was the same boy carrying your sketchbook in his bag from a few days ago.
“well if you think i’m so nice, what was with you trying to be all smart about my sketchbook?” ever the stubborn one, you were.
he shrugged his shoulders, shoving his hands back in his pockets. “you really should be more careful of your stuff. i was just letting you know. it’s not like i would have put in that effort for just anyone’s sketchbook. i guess i was just trying to make sure you wouldn’t lose it again. sorry if i offended you.”
the way he was blushing would have made any bypasser believe he’d just asked you to marry him.
“it’s just…” he continued “after seeing you in the library all the time, i thought you were really impressive. i thought if i tried to return your sketchbook, i could impress you too.” he kicked a rock that touched the edge of his sneaker.
“why would you wanna impress me?” your obliviousness was excruciating for the poor boy, though it was completely sincere on your end.
“you know, for someone so smart, you really are dense.” he pursed his lips, feigning annoyance. “and here i was thinking i was so obvious.”
at this point, you were nearing the library, and suddenly desperate to continue this conversation that you would have been dreading at the start of this walk.
“when it was obvious you weren’t gonna look up from your book, i tried checking out as many books as i could to get on your radar.” his smile had a weird hint of sadness behind it. you stayed silent, piecing together facts in your head.
“recognize the name megumi fushiguro?”
oh.
it pained you for a moment to know you’d have to tell nobara she was right.
“you’re megumi fushiguro?” your eyebrows shot up in surprise, mouth slightly agape. he seemed to stifle a laugh at your expression.
“i mean, what were you expecting?” he looked a little too smug for someone who was too scared to talk to you in the library.
“some weird old person, probably.” you shrugged, still with an incredulous look on your face. “i’m glad it wasn’t though.”
“oh?” he really did have a nice smile. “i guess you’re glad it was me then.” even he was unsure of this sudden confidence.
you pondered his question for a moment, but your body moved before your brain did, nodding your head slowly. he seemed to loosen up then, hands out of his pockets again, making you aware of how close you stood to him with the way his fingers brushed yours every few steps. a slight sadness filled your being as you stopped in front of those squeaky library doors that suddenly seemed so uninviting.
“i’ll tell you what then,” he started confidently, juxtaposing the bashful way he avoided eye contact with you all of a sudden “come to the library again tomorrow, and i’ll meet you there. really meet you this time, not just walking past your table. i can show you my favorites there and you can show me yours, it’ll be…fun.” he looked up almost worriedly for your reaction, slightly angry at himself for his sudden shyness, you seemed to have quite the effect on him.
there was a beat of silence, and he almost cut the tension in the air by taking back his request and booking it back home. before he could fully hatch his master escape plan, you reached over to grab his hand, his slender fingers lacing through yours. you gave it a light squeeze, and swore you could feel him jump a little at the contact.
“i’d like that a lot,” you looked in his eyes, which had gone from defensive to doe like in just your five words “megumi fushiguro.” he loved the way his name sounded coming from you. his anticipation cracked into a smile as he squeezed your hand back, and you prided yourself on getting to make him smile again.
“i’ll see you tomorrow, then.” he leaned down slightly as he said it, reminiscent of how he had scolded you about your sketchbook just a few days ago. you nodded in response, unable to stop the giddy smile stretching across your face.
tomorrow couldn’t come any faster.
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How I’d rate the Gods/Goddesses(riordanverse)
This is my rating based off the way Rick Riordan portrayed them in the Riordanverse. The traditional myths have been taken into account but do not make up my entire opinion. 
Hestia:
10/10 would give my life for this goddess. In all aspects of the word, this goddess is a goddess. I want a novella of her watching over the hearth and watching out for her family and the heroes. I imagine her being a very comforting presence and warm like a hug, and maybe this is me projecting my mummy issues but I just want her to hug me. 
Dionysus:
A solid 7.35/10 for Mr D. Naturally he was a bit annoying, but we were never under the pretence that he he was meant to be anything more than what he provided and I respect that. Him caring about his kids at camp, and staying relatively loyal to his wife is always a plus. And I like his relatively humble beginnings being a hero and becoming a god and then not causing that much trouble in the series. Unlike some other pieces of shit. 
Hermes:
4/10. Mans had no right blaming Luke’s thirst for mass genocide on 16 year old Annabeth. Not cool man. Not cool. He gets the points he got because he did genuinely care about Maia, and Luke, but he lost the rest of them by having a blatant favourite (who literally caused so much destruction). However I do still like his line about family in sea of monsters and never giving up on them. Nice meaning. But he was still a shitty father and only intervened out of self interest most of the time. 
Aphrodite:
2/10. I hate how low I have to rank her. But my god did Rick do her dirty in his depiction. Just the misogyny, the lack of depth, and the untouched potential she has as a character, as a goddess, THE OLDEST GOD/GODDESS and Rick really made her throw rose petals around the battle fields on one of (what was meant to be) the biggest fights of the riordanverse. Absolute robbery. If I’m not mistaken as well, she was a huge contributor to the issues and obstacles percabeth went through and we do not Stan. HOWEVER, I love her as a goddess normally, and what she could represent if she’s written properly. 
Hephaestus:
8/10. I have no qualms with this man. I too prefer the company of inanimate objects to people and get stressed about social interaction. And I too have mummy issues. So me and Hephaestus are on the same page. Let this man tinker away in his little bunker. He never went out of his way to make things harder for demigods, and was helpful when they came to him for help which I can also respect. (Point deduction because it was on his land that Bianca died…if I’m not mistaken). 
Ares:
-12/10. This man was introduced as a bully, and gives off the vibes of every phobic, known to humanity. I do not vibe. I do not agree. I do not stan. ALSO his motorbike seat is apparently made from "Caucasian human skin”!!!!!!???? We as children never questioned this? We just went sure aight move on?! Please this man has the biggest small dick energy if I ever saw it and I despite him so much. Mans was also never helpful. Ever. I don’t think. I think Mars was better than him though so I’ll give him that. 
Artemis:
9.99/10 all hail queen of the lesbians. Mad respect to this woman. In what she stands for, who she protects and in her actions. She’s what I embody when I stand up for myself in fights and when I speak to have my voice heard. I like Rick’s depiction of her and I love seeing her and her hunters pop up in his books. Would love a couple books on the hunters and their adventures. Also I love archery. And I’m biased to the moon because I love the night so she gets extra points for all of that too. 
Apollo:
Prior to Trials of Apollo 7/10, after TOA 9.90/10. Yes it’s a big jump but my god did Lester grow on me. Prior to TOA he was pretty average. He was funny, always provided a good laugh to the plot and was always helping the demigods which I loved. But I know he’s an asshole full of himself so I can’t give him any higher than that until he had some character development, which we got in TOA (specifically after Burning Maze). And I really like who he is now and the type of character Rick shaped him out to be. In the myths he’s a big creep, and I still stand by that idea, hence why he doesn’t get a full 10. 
Athena:
3.5/10…ughhh I hate to say this. But part of it is the same reasoning I gave about Aphrodite. I just have so many issues with the way she’s portrayed and it’s not accurate to what I believe in my heart she should represent. And as a child of Athena, I feel like Rick then did her entire legacy dirty. She has her moments, but since I can’t even fully recall one right now, it just proves my point. As a goddess as a whole though, what she represents is everything I aspire to be in life. She’s my entire aesthetic of hard work, creativity, and strength and grit, without taking away of being a powerful female. Zeus’ lead strategist like shit, Rick could have done so much. But he did not. And I am thus sad about it. 
Demeter:
6/10. I have no issues with Demeter. Kinda boring. I think that’s what most of the fandom thinks as well. She just didn’t get enough screen time or development. I have no attachment to her. I think the powers that she has, and has passed on to her kids is cool though so there’s that. But in the series as well she doesn’t do much. She also (initially) doesn’t fight in the battle of Manhattan so maybe I’m slightly bitter there. But yeah, i’m indifferent. 
Hades:
8.99/10 Okay so hear me out I know this man gets so much bad rep in the myths and that’s part of why he doesn’t get a full 9. But I really really love the way he’s depicted in the riordanverse, especially with his entire arc with his kids/specially with Nico. Like literally one of my favourite quotes In the entire series is “my children are so rarely happy, I would like to see you be the exception.” Out of the gods listed here (and excluding Dionysus), he acts like a genuine parent to his kids and tries. And like there’s issues, sure, but he works on them. And since so much of the first series is about how the gods are neglectful, seeing him change and seeing him fight for Nico is my everything. 
Poseidon:
7.1/10. Honestly this feels too high considering mans was nearly If not just as bad as Zeus in keeping it in his dam pants. His points come from treating Sally like the queen she is, and trying with Percy (albeit too little too late but I can see the minimal effort). That being said, he’s really shitty in the myths so I can’t really give him anything higher than this. He’s barely a dad, and sees Percy more as an ally than an actual son or human being that needs attention. I like him more in Fanon and the way that I write him lmao because I humanise him. But I won’t lie he’s dilf material, and I still like rick’s depiction of him. 
Hera:
3/10 I’m surprising myself with this rating because tbh I might even push her to 4.5 just because she’s so consistent in her own goals and agenda, and that perseverance is very admirable even if it was at the cost of some of my favourite characters. She was very much two faced though and fucked around stuff that she should have stayed out of. Her hatred for literal children though is a bit problematic. I have no attachment to her but I admire how much she just wants a family. However she just really needs to assess how she approaches that since it’s a bit messed up.  
Zeus:
-5/10 I really don’t Zeus, his character, him in the myths, everything about him. He gives off the vibes of a man who abuses the power that he was given. And I don’t like that. It makes me uncomfortable and I don’t like him at all. His treatment of his children, of the demigods, and the way he governs Olympus. Not a fan. I could rule Olympus better and I’m a mentally unstable, serotonin deficient 20 year old with a hyper fixation on greek mythology and Minecraft. However despite not liking his character, I think Rick does a great job at depicting him accurately to how he was in the myths. 
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bacchicly · 2 years
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WELCOME OH LOVELY HUMANS!
💕 CLICK HERE TO BE ADDED (or removed!) FROM MY TAGLIST
This blog is the window to my current obsession project: writing a series of stories which imagines what might have happened if Criminal Minds characters Luke Alvez and Penelope Garcia got together just after giving Phil his puppy in Season 13. It also includes posts about writing and general things that give me hope for humanity and my own corner of existence.
My writing explicitly explores themes related to sex, consent, different experiences of love, communication, mental health, body acceptance, mindful choices which take into account both logic and emotion, and how cultural beliefs and teachings can impact these elements of existence. I love these two characters because they have amazing chemistry, are fiercely intelligent, kind, brave, highly trained/well educated, love animals, and yet both have very distinctive backgrounds, trauma and quirks. I love writing both fluff and graphic respectful sex
e.g. while I will not write non-consent or "cheating" - I am willing to explore writing scenes or relationships with multiple consenting partners. Note : I am aware most of the sex I am writing currently is fairly vanilla and depicts a cis hetero couple...this is honestly just what it is right now so totally get if it's not your jam - I may eventually try my hand at something different - or I may not
To read about my thoughts on why fanfiction: LINK COMING
To read about my take on character vs performer: HERE
To read the guiding principles I try to follow when writing my sex scenes: HERE Samples: LOVING | RIBALD
To read about me: HERE
MAIN WORKS
➡️ LIST OF ONE SHOTS AND HAPPY VERSIONS: HERE
➡️ Micro-Garvez
➡️ NOT BOUND BY WHERE WE SHOW UP TO WORK: A RE-IMAGINING OF SEASON 15 GARVEZ - A Four part very smutty series
1. What (Superbly) Attractive Single People Do At Weddings  2. Friends Don't Let Friends - Hot Air Balloon Sex 3. EVERY BODY NEEDS A HOBBY - Baking + Sex 4. Whoa! - Pony Play & Lisa falls in love with a dude named Dio.
Currently the following on Fanfiction.net - hope to repost slightly edited versions eventually on AO3.
MOUNTAIN AIR -complete AO3 (being re-posted over the next few weeks)| Fanfic.net
Sex/Fluff Tells story of Luke Alvez and Penelope Garcia getting together and falling in love on a weekend away. Ends with them making the decision to officially become a couple.
DEPTH HOAR Lost Season 13 Episode - complete
Written as a TV episode - CM violence A case fic where the team tries to stop an unsub who is using avalanches to kill young men. Tries to explore reasons why Penelope and Luke might come to the conclusion that it would be very difficult - maybe wrong - to be together and be on the team at the same time.
DEEP AND CRISP AND EVEN - in progress
Happy AU version where they stay together available upon request.
Sex/fluff/Angst A lovers to friends story. Luke and Penelope decide that they cannot be both a couple and both be on the team and they decide that being on the team is more important right now. We watch as they try to undo the decision they made and the relationship they had started.
AGAPE YEAR - not started
Sex/Fluff/Angst Lisa knows and accepts that Penelope and Luke used to be lovers and that they decided to not continue their romantic relationship for the sake of their team. Follows the shows events from 13x11 to Luke and Lisa choosing to end their romantic relationship and be friends.
WE CAN TRY - not started
Sex/Fluff/Happy Ending - Luke and Lisa are no longer a couple but he's not telling anyone yet - especially Penelope - even though he can't help but thinking that maybe they could try again... but will she agree? (Of course!)
Additional AU works may be added in the future. :)
IMPORTANT REQUEST TO READERS: Please contact me (politely if possible) if you ever feel my writing is somehow harmful / degrading to any group in a way that is not called out within the piece - that is not my intention but I know that I have blind spots like anyone else.
For Instance: I do not practice a specific religion, but I believe that consensual sex can be a sacred and transcendent act - so while I am careful - I worry that I inadvertently use words or images that are offensive or harmful to someone - even if they have a similar take on sex as me - who does practice a religion. While I won't be moved on my take on sex not being shameful - and that it actually can be an act of prayer and communion with the sacred - I understand that there may be concepts that I would be better I don't invoke....I can't tell you how many times I have replaced "oh g-d" in a scene!
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wedreamedlove · 3 years
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[FIC] Dandelion
Rating: G Characters: Li Zeyan/Reader Word Count: 1589
Prompt: Hi! I really like your writing 🥺! Thank you for your hard work❤️❤️! If you don't mind can I request a headcanon about Victor when MC is hospitalized because she is fainted due to her overwork, and when she gain her consciousness she try to leave the hospital because she is worried about the important filming at her office, but Victor chase her and make her back to hospital's bed? I will really happy if you grant my request 🥰🥰
A/N: Thank you for your kind words! I ended up writing this in my usual 2nd person perspective but the experiences are of the MC in the game. If that bothers anyone, oops, you can re-imagine this to be written in 3rd person perspective.
Something like fuzz encroaches at the edges of your vision and your head feels like it's filled with cotton. None of these are good signs and, to be honest, you know you're at your limit after working 60 hours for the past three days.
You're able to get away with this—as well as the enormous pile of energy drinks on your desk—only because Anna is away on a business trip for another project, meaning no one else in the company dares to make you take a break. Oh, there are people who make gentle suggestions to rest but none of them can budge your determination to perfect this important contract you had accepted. Last minute changes had been added to the outline and so, to ensure everything is still on schedule, you have to pull this insane work schedule.
But you can see the light at the end of the tunnel. You just have to finish looking through the last 20 pages of this document in front of you.
You rub your forehead to stave off the building tension in your head and reach out with your other hand for a drink. However, your hand only bumps into empty cans around you and you grimace as you realize you have to make another run to the nearby convenience store to buy more drinks.
When you stand up to do just that, extreme vertigo assaults you and your last thought before your vision goes black is 'Oh... this isn't good.'
#
You wake up to an extremely white ceiling.
It's pure white.
It's so white that, for a second, you morbidly wonder if you really overdid it this time. But then the rest of your senses make themselves known and you smell the antiseptic scent of a hospital, you feel the crisp sheets below your hands, and you think you hear someone breathing.
You turn your head to the side and your gaze collides into eyes the color of steel. It's Li Zeyan, and with an incredible scowl no less.
"You're awake."
You struggle to sit up and swing your legs to the side of the bed, but he places a large hand on your thigh immediately, obstructing your movement and pressing you down.
"What do you think you're doing?" Li Zeyan's voice is clipped. Uh oh, someone isn't happy.
"I have to get back to the company."
He gives you an incredulous look. "Do you realize what state you're in?"
His words make you notice you're in a hospital gown and there is an IV drip attached to you. You wince slightly at the sight of the needle in the back of your hand but another thought soon takes over your mind.
"Wait, how long have I been here? Did I miss the deadline?" Your voice rises in desperation and there's a suffocating weight on your chest when you think about how all your earlier work might amount to nothing.
"Idiot, how are you still thinking about work? You truly don't understand your condition. You hadn't had any proper sleep or food and the amount of energy drinks you were drinking was dangerous. Even though you're still young, if you continue like that you could do irreparable damage to your body. You—" He cuts himself off and his eyes widen. "Are you... crying?"
You reflexively reach up to touch your cheek and your fingertips come back wet. You blink and Li Zeyan's figure goes blurry as more tears well up in your eyes.
"Sorry, it's just a physical reaction. Don't mind me. You can keep lecturing. I'm listening," you choke out through a tight throat. Frustration, embarrassment, and mortification strangles you.
You roughly wipe at the tears, wanting them to stop right now before you see the exasperation in Li Zeyan's eyes. Intellectually, you know he's right and you don't want it to look like you're crying to get him to go easy on you. There have been many times where you feel childish and inadequate compared to him and so you don't need to come off even more as a baby throwing a tantrum.
But the tears just won't stop. Your shoulders shake with the effort you use to suppress your sobs.
A hand holding a tissue box appears in your lap.
"Cry it out."
You shake your head like a rattle drum.
"... What haven't I seen?" Li Zeyan's voice is low and even, and it's when he places a hand on your head that your last resistance crumbles.
You hunch over, automatically trying to stifle your gasps, but you end up crying your eyes out anyway.
You cry, and cry, and cry. You cry about the pressure of the deadline. You cry about the fear of not being able to make it. You cry about the anxiety and worry over whether you're doing enough or whether you're good enough. You cry at how hard it is to be be a successful adult.
The entire time you can feel the soft pressure of Li Zeyan stroking your hair.
Eventually, you calm down enough to start pulling wads of tissue out of the box to wipe your eyes and blow your nose as the last of your tears trickle to a stop. All your emotions feel raw and sensitive, but you have to admit you feel a lot better.
Li Zeyan takes your dirty tissues before you can say anything and tosses them into the wastebasket below the bed. Then he levels an unreadable gaze on you and, just as you're about to squirm and open your mouth, he speaks first.
"Why are you working so hard?"
"Huh?"
"No one pushes themselves like this unless there's something very important they're trying to achieve. So, what is it for you?"
"... You're going to think I'm dumb."
He stares at you flatly and you can see that he's clearly thinking it's a bit too late for that.
You look down at the hospital sheets and pick at a loose thread. "I want to catch up to you."
"Idiot." He actually scoffs out loud but continues before you can decide how to react to that, leaning back in his chair. "Do you know why I created Huarui?"
You blink, caught off guard. You know it isn't a family business and that he started the company when he was in his final years of university. But did he ever say why he created it? Because he could? Li Zeyan standing at the top of the world seems as natural as the sun rising in the east and setting in the west, so you never questioned it.
He sees your confusion and explains, "I was looking for the girl who saved me when I was a child. I searched for her for 11 years."
Your childhood memories are still vague but you do remember the more recent memory of the film set where you and Li Zeyan had been tricked and how you jumped in front of Li Zeyan to shield him. You can almost feel the ache and burn of the lightning strike again if you think hard enough.
Li Zeyan continues to look at you, his eyes calm without any ripples. "I built Huarui and made it rise to the top because I thought that, if I stood in the highest place I could think of, then she would have an easier time finding me. Of course, the position itself also allowed me to increase the extent of my search for her."
"In the end, I did find you."
A wry smile flashes across his face, so quick you doubt your eyes. "Yes, you found me first, and so my choice wasn't the wrong one."
You know he's trying to tell you something but, try as you might, you can't figure out how the current conversation connects back to the previous one. As the silence grows, you see exasperation appear in Li Zeyan's eyes before he sighs lightly.
"Now, after all these years and efforts, do you think I would walk away? You only need to reach out and I'm right here, waiting for you."
His words crash into you, bringing with them a sudden epiphany and new perspective. You reach out without a thought, as if to touch him and make sure he really is there, but then you realize how silly that looks. Before your hand can drop though, he covers the remaining distance and grabs your hand, wrapping your entire hand within his and entwining your fingers together. The familiar warmth and steady strength makes your eyes sting again and you drop your gaze to your interlinked hands, not wanting him to see you cry again.
You finally realize you've been mistaken all this time. You were being crushed by your own expectations and desires to stand beside him. In your head, you imagined him to be walking ahead of you, his back growing smaller and smaller. But that isn't true at all. Yes, he stands in front of you, but he isn't moving. Instead, his body is turned to yours and he's holding a hand out towards you, waiting for you to take a step. If you fall, he will catch you. If you take a firm step and grasp his hand, he will take another step forward and wait for you there.
"I'm not going anywhere." The words were low and solemn.
"Mm."
Against all odds, you both found each other again and so there is no way either of you will leave the other.
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