The Ghost Prince does not, under any circumstances, answer a summoning after it was made aware he existed. None know why he doesn't, some are bitter and hateful of it while others are thankful that it's one less bloodthirsty manic to deal with.
The Ghost King meanwhile hasn't been seen in multiple eons, so the magical community who wanted to use his power just, stopped, trying to summon him for a long time.
Most magic users knew that the Ghost Prince never answered a summons, and that the Ghost King just dropped off the radar.
So could you really blame Constantine for not taking it that seriously when some wannabe hotshot cultists try to summon both of them in the middle of a city to wreak havoc?
He'll give them some credit though. Points for doing it in broad daylight and actually being somewhat of a threat with not relying on just summoning the Ghost royalty and figuring out what to do from there.
The area they were in was somewhat destroyed, then the cultists manage to complete the summoning circle to summon both of them and Constantine, well he just light up a smoke.
It isn't going to work anyways so what does it matter?
...
Is that a fucking Ice cream truck he hears? Who the fuck is driving an Ice cream truck while their city is being under attacked with cultists trying to summon eldritch ghost royalty?
He'll give them some points for dedication, though.
Then he looked at the cultists and nearly had a goddamn heart attack to see that the summoning circle is actually fucking lighting up and working.
The Bat is so gonna give him a headache over this.
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Danny Phantom, crown prince of the Infinite Realms. Does not answer summons.
For one, it is annoying as shit, whenever someone interrupts his day just to ask for infinite power (that he can't give), world domination (that he won't do) or infinite riches (which he also can't do).
It just got annoying being summoned all the time so. One day he just, well, no. And hey, it worked out well enough for him to not continue doing it.
Then he also learned that Pariah Dark is basically the same, after he got out the coffin and stopped trying to take over the world for whatever reason. He was actually a pretty swell guy!
He was just with him too, with him being not so swell at the time for making him go through lessons about Ghost etiquette, rules, stuff that's expected of him as the crown prince.
And don't even get him started on the engagement and marriage proposals.
Overall, he just wanted to find an excuse to leave. Then he felt the familiar suggestive pull of a summoning and, instead of rejection as he usually does in a second. He thought for a bit if he wanted to go with that or crown prince duties.
It was tempting, but dealing with cultists seemed worse than this so he was about to reject.
At least, before he heard an Ice cream truck playing in the background. He doesn't even know how the hell that popped up through the pull but by the gods has it been a while since he's had Ice cream.
So he answers and is gone with a pop.
Pariah Dark just stares for a good second or two, before breathing out and deciding to also answer. Fright Knight is just there, off to side, questioning what he should do now.
Danny wastes no time with the cultists on the other side and in fact, he pushes them out of the way and goes diving for that Ice cream truck he hears. Only to realize he doesn't, have any money on him.
Fuck.
Pariah Dark is less inclined to follow the rules imposed by humans like money, but he does know it can be important. Once in a while. Not that often, but it has its times.
So when he sees his adopted son being sad over being unable to pay for some kind of human delicacy, he digs around in his hair (yes, his hair.) and pulls out some money and puts it on the counter as payment.
The man inside the tiny vehicle had shrieked before getting what they wanted. Which is good. Fear is a good motivator, Pariah thinks.
Unknown to him, it wasn't out of fear (Well, mostly) but because the Ghost King placed down a coin made of pure, solid gold on his counter.
The two then go about their business in the human realm, completely forgetting about the fact that they were summoned here for something.
Constantine is both relieved and about to have an aneurysm at seeing Infinite Realm royalty only answering a summon because of Ice cream.
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Thinking about how Diavolo’s feelings transcend time and how in the Nightbringer UR+ card Demon Lord’s Castle Tour this conversation happens.
When asked, “Do you wish to see your father?”
Diavolo responds:
“I suppose I do . . .” isn’t the typical reaction to how a child would feel about wanting to see their parent. Especially when said parent has essentially been in a coma for a year.
Along with how Diavolo describe his father.
It makes more sense why when you learn in Lesson 56 how Diavolo was treated by him growing up.
Diavolo can tell when others are lying but is unable to understand his father’s intentions.
Diavolo mentions that he lived a very sheltered life growing up. That from a young age his father never allowed him a chance to talk to anyone outside the castle.
His childhood friend was Mephistopheles. A demon literally RAISED to be his friend. Putting a barrier between the two because Mephistopheles would put Diavolo on a pedestal.
The isolating childhood he experienced riddled with his strict father constantly scolding him.
Despite everything MC is so important to him he wants to see his father again so we can meet.
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Something that I really like about the Barbie movie is that while there's this dialogue about how Barbieland is the real world in reverse, it's clear that the Kens don't have it as bad in Barbieland as women do in the real world. Yes, it's an unequal society which leaves Ken unsatisfied, but he doesn't face the sexual violence and danger that Barbie does in the real world. And I like it because there are so many movies or books where matriarchy is described as terrible and oppressive and just as bad as patriarchy, as if women in power would treat men the same way men have treated women for millennia. And the Barbie movie subtly interrogates that - like yes, the Kens not having power in society does block their self-realization, and it would be better for them if society was truly egalitarian, but in the meantime, they get to sit around on the beach all day and go to fun parties. Barbie under matriarchy does not wield the same oppressive power as real men in the real patriarchal world, showing that the problem with our world isn't just that men hold more political and economic power, but how they wield that power to terrorize women.
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Read "Suki, Alone". Liked it in general. But can they please, please hire someone who knows both the show's actual events and how to follow through on a character arc? Because guys. Guys. That comic is not implying about Suki what they meant it to be implying, and all because of literally one line.
So like. From a writer's standpoint:
What they meant to do: show Suki as a community-oriented person who cares for her people, and believes in everyone succeeding together.
As opposed to (spoilers): the thief girl they set her up in contrast with, who's pretty upfront and consistent on primarily looking out for herself. She betrays Suki for one (1) corn chip to improve her own life at the prison, no surprise.
But the problem is: they give Suki an inspirational line to the effect of "we're all working together and we'll all break out together"
You know
The thing she does not do in the show
So if both the show and this comic are canon, then instead of setting up a compare/contrast with the thief girl, they've just set up a comparison. One were Suki is arguably worse, because she's been leading a significant number of prisoners on with her "we'll all fight and win our freedom together!" business, only to straight up cut them out of the escape loop and abandon them, whereas the thief is only leading Suki on in the sense that Suki keeps telling her what it's morally correct to think and confuses snide replies with agreement
My dudes. My fellow writers. You people actually being paid for this. There were so many ways to fix those awful implications against our girl's character, the simplest of which would be to not include that line. Or they could have, you know, made it canon compliant with what actually happens in the show, so that this comic doesn't set Suki up as a betrayer instead of a community builder. Like... just send all her good prison buddies off to other prisons in the wake of the warden finding out they're colluding. Have it timed to be right before the next new prisoners arrive, thus setting it immediately before the Boiling Rock episodes, so Suki didn't have anyone left in the prison she'd want to take with her on a breakout. For bonus points, include a page or two of her and her Kyoshi warriors opening up the cell of one of her prison friends post-war, thus implying she's tracking down and actually fulfilling her promises. Maybe even show her doing the same with thief girl, who was established as being imprisoned on false charges anyway, and also showing that Suki is A) the bigger person, and B) willing to acknowledge her own role in mistakes (because I cannot emphasize enough how much thief girl was not hiding her own priorities, and it was Suki who approached HER with all this, not the girl ever doing anything special to weasel her way in) (this would also open up an opportunity for paralleling Suki's earlier in-comic mistake of not listening to one of her friend's very valid thoughts and feeling, which lead to the girl leaving their island alone pre-canon; a "seeing people as they are, not what you want them to be" moment)
Anyway yeah enjoyable enough for a quick read but another one for the "this can't be canon or the characters are So Much Worse than they were in the actual show" pile
At least Aang didn't promise to murder anyone in this one
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I think the best possible time travel fic would be to slingshot Harrow from the end of Harrow the Ninth back to the beginning of Gideon the Ninth. Highest hilarity potential, highest angst potential, highest pining potential
Things Harrow knows now that she didn't before:
Who Alecto was
The names of God and his lyctors
The secret of lyctorhood
That the lyctor trials are a death trap
Gideon could be easily persuaded to die for her
Gideon dying for her is the worst thing possible
She would do almost anything to prevent Gideon from dying
Gideon's sword is haunted by a very angry and oddly familiar-looking woman who bears a remarkable resemblance to Gideon
Things Harrow still doesn't know:
What Alecto is
Gideon's parentage
Jackshit about BOE
Mercy and Augustine are both traitors
Things Harrow knew then and still knows now:
Gideon—this Gideon here and now—hates her
She owes a debt of two hundred lives and a future to the Ninth
The survival of the Ninth depends on her becoming a lyctor
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