#and not at all question the morality of that course of action

[vizslasaber]

FRIENDLY FIRE ──── ii.

SUMMARY | The mission continues, and with it, your growing suspicion of Krell’s authoritarian methods. But the troopers relying on you—including Rex—lead you in the right direction: one of unyielding kindness, even when it’s hard.

PAIRING | Captain Rex x female Jedi!reader

WORD COUNT | 3.7k

WARNINGS | Combat/action, mentions of injury & death, Krell being a bitch as usual, gender neutral use of the term “sir,” gratuitous use of Mando’a, and one (1) curse word. Also, a Shakespeare reference because I’m a historian & couldn’t help myself.

A/N | Yay, chapter 2! As you'll probably notice, I changed the reader's story a little bit, and I like it better now as it adds more tension to the plot. Enjoy!

< PREVIOUS CHAPTER

SERIES MASTERLIST | TAGLIST | NAVIGATION | AO3

For once, you’re glad to have woken up early. It gives you time to get in a pep talk you know will motivate the men rather than bring their morale down, as you know Krell’s speech—which he gave upon arrival—would have done.

“Alright, men,” you call briskly, brushing a loose strand of hair from your face as you pace back and forth in front of the battalion. “You would all do well to remember that it’s not just the safety of the Republic relying on our success—the other battalions have placed their trust in us. Generals Kenobi and Tiin will stop approximately two kilometers outside the capital city, waiting for us to get close enough to begin our initial assault.”

You glance at Rex, who’s standing beside you, and nod for him to continue.

The Captain steps forward. “We’re about elevens klick behind them right now, and fifteen klicks from the capital,” he says. “We’ve got to make good time—and it’s going to be hard, what with the enemies we’re sure to meet along the way. The native population doesn’t play around, and neither do their weapons capabilities. Is that understood?”

“Sir, yes, sir!” comes a unanimous shout from the rest of the troopers. They start to disperse, packing up camp faster than your eyes can follow, and you nod to yourself in satisfaction.

“Rex,” you start, then hesitate as he turns to you with a raised eyebrow. “Is it… are you alright with forgoing titles? I always seem to forget to use them.”

Rex looks almost torn—likely between protocol and what you’re asking—but eventually nods. “Of course, sir,” he says, then blanches. “I mean…”

“It’s okay,” you assure him. “I just don’t want to feel bad if I slip up.” He smiles slightly, one corner of his mouth quirked upwards. “As I was saying—do you have a chief medical officer that I can talk to?”

“Yeah, that would be Kix,” Rex tells you, then frowns. “Is… everything alright?”

“Yes, don’t worry.” You adjust one vambrace, looking out at the men, then at General Krell on the far side of camp, who’s been surveying the battalion tempestuously since you began to speak. “I just… wanted to ask him something. About battlefield medicine.”

“Are you a medic?” Rex asks, shifting his helmet to one hand.

You grimace at the clinical, militaristic term. “Something like that.”

Rex looks doubtful, but motions to a trooper with an intricately buzzed haircut who's putting supplies into a pack. "Kix—get over here!" he calls, before nodding to you and leaving as he puts on his helmet.

"General," the trooper greets with a crisp salute, and you notice that his pauldrons have the universal sign for medic painted on them in a bright, obvious red. "How can I help you?"

"Actually," you say with what you hope is a courteous smile, "I was hoping to ask you the same question. You're the battalion's CMO right?"

Kix tilts his head. "Yeah..." he says. "I'm not the only medic, though. Got a whole team of 'em. We specialize in what we do, sir, train for it our whole lives, so I don't want to be rude, but—"

"Don't worry about that," you cut in, shaking your head. "I'm not a medic—I haven't been trained in combative tactics—but I am a healer."

"So, like," Kix pauses, searching for the right word as he does so, "a Jedi doctor?"

You snort. "That's... one term for it, yes." You watch as Kix moves the weight of his medpack from one shoulder to the other. "Force healing is an ability that a Jedi is born with. Not every Jedi can become a healer—using the Force to reverse the effects of an injury is not something that can be learned."

There's a pause as Kix nods slowly. "Reversing the effects," he echoes, fascinated. "Even bacta can't do that—it just speeds up the healing process. Sounds like we could use your help."

"Yes," you say. "That's why I wanted to speak with you." You let out a sigh, remembering one of the first things your master told you as a Padawan. "But it's not all-powerful. Just like bacta can only heal what is able to be healed, Force healing cannot create a life force where there isn't one. If someone is near-death, trying to bring them back would render me unable to defend myself from exhaustion."

"Right," Kix replies. "So no resurrection."

"No resurrection," you affirm, smiling. "But I can help. And I know triage."

"Oh, that's even better!" Kix exclaims, then holds out his wrist comm. "Here—we've got a medic frequency—" he waits for you to scan his comm to yours, and when the happy little chime sounds, he pulls away. "Thank you, General."

"Of course," you say as he turns to leave. "And thank you, Kix."

The battalion falls silent and prepares to move out—but just as you’re double checking your armour, a cold, sharp presence casts a shadow over you. Turning around, you make eye contact with General Krell, who's now standing just a short ways from where you and Kix were talking—like he was listening.

“Conspiring with the soldiers, General?” Krell sneers, putting a mocking emphasis on the last word. You raise an irritated eyebrow.

“Conspiring?” you repeat, glancing at the hastily assembling troopers. “They're hardly the enemy, Master Krell. I only want us to win this campaign as quickly and smoothly as possible." Before you can reign in your impulse control, you add, "And continuing to let the troopers rest will get us there faster."

“Rest is a luxury we cannot afford!” Krell snaps, and you jump in surprise at his excessive volume. He leans forward, acrid breath forcing you to resist the urge to cough. “The other battalions are far ahead of us, and you think we have time.”

“We do,” you reply calmly, despite your quickening heartbeat. “The men are keeping a good pace, especially with this difficult terrain. Fifteen clicks isn't far, especially with the supplies we have.” You purse your lips. “Now, I suggest we set off. Talking will slow us down as well, Master—and as you so wisely pointed out, luxuries are not something we can ask for.”

You walk away, then, and feel a rush of satisfaction enveloped in a Force signature that you’re almost positive belongs to Rex. Resisting a pleased smile, you let your hands drift to where your lightsabers are clipped to your belt before moving to walk beside Rex.

“Captain,” you greet, taking notice of the way Rex’s shoulders tense just slightly. “Shall we?”

“Yes, General,” Rex replies, voice clipped. He motions for the battalion to follow, and soon the two of you, along with a still angry General Krell, are leading the troopers through the unwelcoming terrain of Umbara.

The journey is precarious and—as much as you hate to admit it—tiring. Hours pass, and soon you’re almost to the checkpoint Rex had pointed out on the map, situated just outside the city’s heavily fortified border.

You stop for a moment, leaning against the glowing trunk of a colossal tree, and fidget anxiously with the tabards of your tunic.

“Sir,” Rex says, and you turn around. “We’re ready to bring our forward platoons in. What do you suggest?”

“We should continue with Anakin’s original plan,” you say quietly. “A surgical strike on the outer defenses—we must take great care not to needlessly damage any of the city’s buildings. I'd prefer minimal collateral damage when we’re done.”

It is a plan you’ve been turning over in your head since you’d landed on the Umbaran surface. Hopefully—and assuming there were no hindrances—it would succeed. Despite being overly idealistic, and sometimes a little too impulsive, Anakin is nothing if not a strategist—when he wants to be.

“If I may,” sneers Krell from behind you, and you set your jaw. “I do not think that General Skywalker’s futile plan will be necessary.”

In spite of yourself, you clench your fists at your sides. “And why not?” you grit out, not bothering to turn around as Krell comes to stand at your side, towering over your figure.

“Captain Rex and his insolent men have already brought it up with me, and I explained this to them as well. I hold the authority here, and I am ordering all platoons to execute a full-frontal assault,” Krell continues, seemingly unfazed by your irritated expression. “We will travel along the main route to the city and force them to yield.”

“Force them to—” you cut yourself off and draw in a deep, calming breath. There is no emotion, you remind yourself vehemently. There is only peace. “Master Krell. With all due respect, we can't just storm in there with no plan. Casualties will rocket if we try something that impulsive. I just don't think—”

“Need I remind you, General Neridian,” Krell interrupts scathingly, “that you are only one week into Knighthood? We may be of equal military rank, but I am a Master, and therefore hold precedence over your commands.”

“This isn’t about me or you,” you hiss, swiveling to face Krell as your patience is finally pulled taut. Ignoring the shocked stares you know the troopers have fixed on you, you cross your arms. “It’s about this campaign. It's about our mission, and it's bigger than us. So I suggest we agree to disagree, and carry on with General Skywalker’s plan—”

Krell clicks his tongue. “Losing your temper already?" He asks, and you could swear he's taunting you, waiting to see when you'll do something mortifying like raise your voice (but then again, he's done it several times already and it's only been a day). "How unfortunate. Perhaps the Council should not have been so adamant that you face the Trials so early."

You blink and take a step back. He's right, and you know it. You're one of the youngest Padawans to face the Trials in generations, as are all your peers, thrust into a rushed end to your training at the beginning of the war. So many of your friends—Darra, Galene, Ferus, and of course, Anakin, the most tenacious of them all—seem to have risen to this unique challenge with their heads held high. But all you can seem to do is flinch away from the ugly parts, the parts that remind you of just how unprepared you are for these new and daunting responsibilities.

Unclenching your fists, you swallow the bile in your throat and try to stop your hands from trembling. “The Council,” you say, voice tight, "made their choice. And so must I make mine." You turn to Rex, who's standing just behind you and gripping his helmet with both hands. “Captain—prepare the troops. We’re going with General Skywalker’s plan.”

“I…” Rex’s knuckles have gone white with how hard he’s clutching his helmet, and he looks strangely helpless. “I’m sorry, General, but—the regs state that General Krell outranks you due to his status as a Jedi Master.” He presses his lips together and averts his gaze from yours, cheeks red with what you know is anger. “I’m afraid that General Krell’s orders do indeed… take precedence over yours.”

Beside you, Krell looks more satisfied than you’ve ever seen him. The Besalisk turns to the battalion and crosses his upper set of arms over his chest.

“Troopers!” he barks, and the soldiers stand at attention simultaneously. “Prepare to move out!” He presses a button on his wrist comm, and a holomap flickers to life. “You will take the main road straight to the capital. You will not stop and you will not turn back, regardless of the resistance you meet. We will attack them with all our troops—not some sneak attack with a few men.”

You close your eyes and clasp your hands behind your back. There is no emotion, there is peace.

It feels less like a mantra and more like a meaningless, empty chant. Peace, you think despairingly, looks to be farther than ever.

"Sir." Rex clears his throat, making you look up to see him watching Krell like one might survey a blown fuse at risk of setting fire to a building. "Sir, General Neridian is right. This is practically a suicide mission. I don't think—"

“What you think, Captain, is irrelevent. You have my orders, and you will follow them explicitly,” Krell growls, then leans forward, turning to the Captain. “Do I make myself clear, CT-7567?”

Your eyes widen in shock and you glare at Krell, crossing your own arms over your chest to mimic Krell’s stance. “It’s Rex, General,” you snap. “Captain Rex. That’s how he introduced himself, if you've forgotten?”

Many troopers turn to you, and you can tell—even under their helmets—that they’re clearly surprised at your derisive tone. You ignore them, turn on your heel, and storm away, but not before you hear Rex mutter, “Crystal, General Krell.”

The path is lit with some form of concentrated bioluminescent light, making it easier for you to see where you’re going. The clones have the advantage of night vision built into their visors, which makes it hard not to envy them. That alone, that feeling so unbecoming of a Jedi is enough to make you feel a sting of shame, not unlike the feeling that so often came with a scolding from Master Venn when you were still a Padawan.

You wonder for the millionth time if you’ve been forced into Knighthood too soon. Of course, there is nothing to do about that now—every war needs warrior, after all—just like there was nothing you could do when Master Venn told you the news just one week years ago.

She was grim when she told you, and your stomach goes cold with the memory of how she delivered the news, like she was handing you your own death sentence. Now, you know why.

And some have greatness thrust upon them, you think bitterly, remembering how often Master Venn made you read ancient poetry as a Padawan, the kind so old it's still stored on dusty books instead of firmware.

“General.”

You turn to find that Rex has fallen into step with you and smile. “Captain,” you acknowledge. “Forgive me. I was just…” you clear your throat. “Lost in thought.”

Rex—now wearing his helmet—nods and turns his gaze to the path ahead. “Thinking about the plan?”

“No,” you admit sheepishly. “Just about—” you gesture vaguely to your surroundings “—all of this. This war, this strife.” Shaking your head, you fidget with the one of the lightsaber hooks on your belt, clasping and unclasping it. “How fast I've been thrown in, and whether or not it’s necessary.”

“Hm.” You can hear the frown in Rex’s voice. “If it’s any consolation, we clones have mixed feelings about the war, too.”

You raise an eyebrow and turn to look at him. “How so?”

He gives a one-shouldered shrug and turns his head away. “Just that… well, I’d rather do without all the lives lost, but... without it, we wouldn’t exist, would we?”

Frowning, you consider this. “I suppose you’re right,” you concede. “But it is the will of the Force that you came to be. And,” you add, shooting Rex a sly smile, “the galaxy would be very different if you hadn’t, hm?”

There’s a moment of silence, during which you get the feeling that the troopers behind you are listening to your conversation. Rex seems lost for words, until he clears his throat. “Me specifically, sir?” You nod, and Rex adjusts his helmet. “I—I don’t know. I’m just one man, aren’t I?”

“That may be so, Captain, but you’ve made more of a difference than you think,” you inform him. “I think I’m correct in assuming that you’ve saved General Skywalker’s arse more times than he alone can count.”

Behind you, someone lets out a surprised laugh, then tries to cover it up as a cough. You smile at Rex and continue.

“And even without that, you’re responsible for many of the Republic’s victories in this war.” You shake your head. “The smallest insect feeding off of a single flower’s nectar has an impact on the entire garden. In the Force, we are all an entire world, a whole galaxy. Never assume that you do not make a difference.”

You feel a ripple of shock, gratitude, and something else—something you can’t quite place—flow through the Force. It’s a refreshing change from the tension and stress of the mission, and you’re just about to open your mouth to thank Rex when—

A white-hot warning flashes in the Force, and there’s a split-second warning as you scan your surroundings for the threat. Then—

“Get back!” you shout, and the troopers in your immediate vicinity immediately scramble off of the path.

They’re just in time—the sheer force of the explosion is enough to knock you off your feet and send you flying backwards. You land on something hard and feel all of the air get knocked out of you.

“Mines!” someone shouts. “Nobody on the path move!”

You freeze as you realize that the surface you landed on is, in fact, Rex—specifically, his armour. Your back is pressed to his chest plate, and you can feel his nervousness as though it is your own, but neither of you move for fear of setting off another mine.

Your cheeks burn when Rex finally leans forward, void of his helmet—it must have been knocked off it the blast. He's close enough to your ear to whisper, “Left. Slowly.”

It sends chills down your spine, but you shake them off. Drawing in a deep breath, you oblige, easing left and onto your knees, so you’re kneeling beside a disoriented-looking Rex. He looks shaken, but quickly gathers himself and cautiously stands up as he scans the area for his helmet.

“Oz is down,” you hear one of the medics say grimly. “So is Ringo.”

Rex spares you one last glance before swooping down to pick up his helmet, brushing the dirt off the visor. He moves to inspect the dead troopers. “Can you sweep ‘em?”

For a long moment, there’s silence as the medics gently move the bodies aside—you respectfully avert your eyes, feeling the sting of grief from the other troopers—and set them down on the side of the path. You hear Kix declare happily that there are no injured despite the two casualties and smile to yourself.

There’s no time to bury the dead troopers, so you settle for approaching Rex and placing a hand on his tense shoulder, over his pauldron with fading and scratched blue paint. “Nu kyr'adyc,” you murmur. “Shi taab'echaaj'la."

Not gone, merely marching far away.

Rex turns his head, and this close, you can see his wide eyes through the visor of his helmet. He takes a deep, shuddering breath, then raises his hand and places it over yours. It lasts for a split-second; the next thing you know, he’s pulling away, talking quietly to Fives and Kix.

“Come on, men,” you call to the rest of the battalion. “We need to—”

Chills fly up your spine and you stiffen, just as a loud, shrieking sound engulfs the path and—BOOM! More troopers go flying into the air. There are shouts of Basic, Mando’a, and Umbaran, and the firefight begins, during which you realize—

An ambush. You draw one lightsaber to deflect an oncoming barrage of blasterfire, but it's not enough, and there's no cover afforded to the terrain.

“Shit," you mutter under your breath as you switch on your shoto saber, calling on your knowledge of Jar'Kai to deflect the bolts with both blades. You raise your voice and call over your shoulder. "We’re fully exposed! Retreat to the forest!”

“We can’t, General!” shouts a voice, and you turn to see a blue-painted helmet accented with a small red arrow: Fives. “They’re coming from all directions—” he grunts and fires another blast “—we don’t have any cover!”

You feel your blood run cold. There’s no way for you to retreat—and it’s all Krell’s fault.

“We need them to follow us!” Rex answers, standing with his back to yours as he fires his blasters rapidly. “If we can draw them out, we can see them—and if we can see them, we can hit them!”

“Good idea,” you breathe, even though you know it’s too loud for Rex to hear you. Raising your voice, you lift one lightsaber so the other troopers can see the path. “All squads, pull back now!” You close your eyes for a moment to call on the Force, then propel yourself upwards and leap through the air so you’re at the back of the group. “I’ll take the rear! Cover me—sword and shield maneuver!”

The troopers obey, and soon you find yourself at the center of a tight semicircle formed by clones, all firing mercilessly on the Umbaran soldiers. You bite your lip and shift to Soresu to parallel the blasterfire more easily, deflecting the barrage as quickly and efficiently as you possibly can.

Just behind you is an AT-RT walker, defending your flank. Beside you is a trooper with intricately painted markings on his helmet, firing a rotary cannon and shouting, “Ha-ha! Where you goin’? Get back here, you wimps!”

You grin at his sheer audacity. “Careful there, trooper,” you admonish playfully, deflecting another blaster shot.

“They’re falling back!” Fives shouts, then, and you can hear the smile in his voice. The troopers all holster their blasters while you hook your lightsaber onto your belt.

“CT-7567, do you have a malfunction in your design?” You turn around and raise your eyebrows as Krell approaches Rex, looking furious. “You’ve pulled your forces back from taking the capital city. The enemy now has control of this route. This entire operation has been compromised because of your failure!”

You feel your hands start to shake. “Master Krell,” you say, trying your best to remain calm, “I gave the order to pull back, not Rex. We were completely surrounded and couldn’t risk losing any more men.”

Krell, looking furious at worst and disgruntled at best, saying nothng. Seizing the opportunity to walk away, you turn on your heel and breathe through the anger, urging yourself to keep going, trying to find a quiet place to rest and meditate for just a few minutes.

And you do. Closing your eyes, you lean against the firm trunk of a glowing tree, wiping sweat from your brow. It’s quiet, and you can hear the steady chirping of crickets (or something else) in the phosphorescent grass.

“General Krell,” says a trooper’s voice. It’s more firmthan Rex’s—Fives, you're pretty sure. “In case you haven’t noticed, Captain Rex just saved this platoon. Surely you won’t fail to recognize that.”

Blinking in surprise, you start to return to the group, wondering if this is an argument you’ll be able to break up—but the hum of a lightsaber being drawn makes you stop in your tracks.

“ARC-5555,” Krell growls. “Stand down.”

You feel your mouth go dry and approach the other troopers. Krell is standing with his back to you, but you can clearly see the green blade of his lightsaber from where you stand, hovering next to Fives's neck. If only Esya could see this, you think, horrified.

Don’t make any sudden moves, your Master’s teachings remind you. He could strike, and then you’d be responsible for the death of yet another man.

Just after the tense conversation between Fives and Krell, the Umbarans returned, sparking yet another firefight—this one with more casualties than the last. You were forced to retreat with the platoons, exhausted and spent.

Now, you sit on the ground, leaning against a fallen tree trunk in a brief moment of rest while the troopers drive away a small squad of Umbarans. In your hand is a pocket holotransmitter, refracting a cluster of blue light in the form of Esya Venn.

“I feel your discomfort from here, young one,” the older Theelin Master is saying, one eyebrow raised skeptically.

“Impossible,” you scoff. “You’re all the way on Coruscant, there’s no way.” There’s a moment of silence, during which the hologram flickers. You add, “And I’m not so young anymore, you know.”

Esya smiles wanly—you notice the shadows under her normally bright eyes with a pang of sadness—and shakes her head, her long colorful hair swishing lightly.

“You're still young to me,” she says softly, gently. "And you're avoiding the subject."

“I’m fine, Master,” you sigh. “Really.”

"You must not know me as well as I thought," Esya replies primly, a hint of a smile showing through her stern expression, "if you think you can lie to me like that."

You sigh again, frowning down at the flickering hologram. "It's just..." you shake your head, staring off into the foggy distance. "I'm concerned about Master Krell's tactics. They're aggressive, nothing like what you taught me of strategy, and they don't take into account the fact that we need to strive for as little casualties as possible—on both sides."

"Hm." Esya crosses her arms. "I have heard of Master Krell's... unconventional style. Is there anything else that concerns you about him?"

"I mean—everything, really," you admit, lowering your voice. "He has a blatant disregard for life that I haven't seen in a Jedi in, well... ever. He refers to the clones by their birth numbers, not their names, and he sees the native fauna as just—objects. Nuisances." You place the holotransmitter on the ground in front of you and shift your sitting position. "I fear that, to him, no life is sacred."

"If that were the case, I do not think the Council would have granted him the rank of Master," Esya says, but she looks thoughtful, like there's something she isn't saying. "Who is the commanding officer?"

"His name is Captain Rex," you say. "He's Anakin's first-in-command. I think he's just as worried by Master Krell as I am, and..." you trail off, unsure how to voice your next thought.

"What is it?" Esya prompts, light eyebrows raised.

"There's something about him—about Rex," you say finally, reluctant. "It's like the Force is trying to tell me something. That—that he's important. But I can't figure out why." You huff, fighting back a frustrated scowl. "I wish the Force would just tell me. But the answer is so—so elusive."

"As is everything since the start of this war," Esya replies, shaking her thorned head. She fixes you with a fond expression. "But, Padawan... you must remember that the Force is not your enemy, but your ally. If you open your eyes, it will show you the way."

"Yes," you murmur, tucking a lock of hair behind your ear. The sounds of talking from the group's position behind you make you frown. "I have to go. May the Force be with you, Master."

“And with you. Always,” Esya replies before cutting off the connection seconds later.

You stand, tucking the transmitter into your pocket, then make for the rest of the group and move to stand beside Captain Rex. He's observing General Krell talk to General Kenobi via comlink.

“The capital city’s too fortified,” General Kenobi is saying grimly. “We still need your battalion to help us take it.”

“Resistance from the Umbarans has been greater than anticipated,” Krell replies. “We’re holding our ground at the moment.”

You swallow, averting your gaze to your boots. Holding our ground… what does Krell think is happening? Surely he hasn’t failed to notice the heavy casualties your battalion is sustaining.

“We’ve gathered intel on an airbase to the west,” General Kenobi replies. “It is resupplying the capital’s defenses.”

Taking a step forward, you cross your arms over your chest. “Should we attempt to take control of the airbase, then?”

Turning to you, General Kenobi nods. “Yes,” he answers. “Doing so will sever the capital’s supply lines, allowing the rest of our forces to move in.”

“I’ll see to it that the airbase is placed under our control,” Krell says decisively. It sends a wave of nausea through your stomach.

“Remember, Master Krell; Knight Neridian,” Kenobi says, mouth pulling into a tight frown, “The entire invasion depends on your battalion.”

Krell nods and severs the connection, then turns to you. “Neridian, have those coordinates mapped when you’re finished here, and make sure all troops are ready to move out immediately.” He walks away, leaving you alone with Captain Rex.

You watch Krell retreat with a feeling of incessant dread. “Right, then,” you say to Rex. “What do you say the odds are that we finish this thing his way?”

“Good question, General,” Rex says, and you can hear the smile in his voice as he watches the Umbaran sky darken with more eerie purple clouds. "I guess there's only one way to find out."

NEXT CHAPTER >

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#captain rex x reader #star wars the clone wars #star wars #vzs friendly fire #captain rex x you #captain rex x jedi!reader #tcw rex #captain rex fanfiction #rex x reader #captain rex #sw fic #sw tcw #mims writes #captain rex x reader fluff #captain rex x oc #darkness on umbara #umbara arc #pong krell #general krell #jedi reader

[impossible-rat-babies]

if I had a nickel for every time I got a dancer in HoH that doesn’t know what standard step is I would have like five nickels. I am numb to the sound of nickels

#loading into the area and immediately hearing the sound of step finishing like #Alrighty There Chief #I am numb at this point like you do you #yes dance partner me the tank i hope this is fun for you #im stuck between not caring and wondering if some people don’t know the job #and not wanting to look like an ass saying anything so I just sit there and do my thing #I shooty me arrows or fire me spells #or be amazed at doing a thing w dragoon correctly sjdjdjd #my friend and I have hit the part in stormblood of getting past doma #and realizing that was our favorite part of the expansion #and we’re back to hey let’s skirt the rules of this cultural tradition to rally these people #to go to war for a country they have no stake in #and not at all question the morality of that course of action #i figured out another part of my disappointment with how the game treats Lyse #and it’s at least in the azim steppe she treated lesser for the sake of explaining something to the player #she’s like wow there sure are a lot of xaela here! #so the game can explain what is going on in the steppe #rather than explaining things differently #yes strangers in a new land don’t know what is going on but there’s better ways #they do it with other characters too I just think it’s not the best way of giving exposition #owen plays ffxiv

[elizabro]

please consider how you engage with aaron bushnell's death. you may react to it as you will, but it's crucial to remember that his death was specifically a call to action. it was not meant solely to shock but to draw attention to a vast moral hypocrisy: that to many, a soldier dying in a campaign backed by the U.S. government is noble, even if the soldier kills innocents to do so, even if the cause is morally bankrupt--but this? this is insanity. a man taking his own life, on his own terms, in an attempt to help others while hurting nobody else, is somehow less rational and more horrifying than the mass killing of civilians.

of course aaron's death was horrific. but as he said beforehand, it is realistically no more horrific than what's happening in gaza. if we can't stomach this, then why can we stomach children being bombed? thousands being starved? for all that self immolation is, it brings death in a matter of minutes. it is a fraction of the amount of pain, fear, and grief that people in gaza are experiencing. it's just that we are able to quantify it. and this tiny, quantifiable sliver of horror is still so unbelievably awful. how can anyone bear to think about anything else when this horror is happening a millionfold in palestine? this is the question aaron bushnell was asking. and he wanted you to face it, head-on, watching him burn to death.

I've been seeing people make fanart. minimalist graphics to sell on t-shirts. to commodify his death, to mythologize it not a day afterwards, is not only in poor taste but a hindrance to his message. the answer is not commodification, nor is it defeatism, nor is it rejoicing in his death. if you want to honor aaron's legacy, take action. channel your horror and your outrage into making a material change. this wasn't about him. this was about palestine. remember that it was always about palestine.

#aaron bushnell #I didn't want to make another post about this but #watching that video changed me irrevocably. #there have been many instances during this genocide that I've felt that way. and today is another one of those days. #I have been radicalized permanently by these events. #people speak to aaron's death as a result of hopelessness #but I see it as him having profound hope. he had hope that his death would change things. #and it is up to those still alive to ensure that happens. #free palestine

[eff-plays]

There's one convo with Astarion that's one of my favorites that I haven't seen mentioned or discussed yet happens (I assume) if you have high approval with him but play a good-aligned character. (This is at 60+ approval, start of Act 2.) It's probably because it's not a romantic cutscene so it doesn't get mentioned as much as the others (or because he's racist in it and some of y'all don't like to acknowledge that he has character flaws), but I think it's vital to his character and to explain his early relationship with a good-aligned Tav.

I would like to break it down a little, step by step. Because we are all cringe here.

First, he claims to feel a connection between Tav and himself, and the reason for this is because he believes he's identified "ambition" in Tav (and I'll explain why he's wrong later, but that's mostly headcanon territory, so we'll ignore it for now).

But, there's also clearly something holding Tav back from realizing their full potential, which is their naivete.

"Just that you ... have a big heart. You like doing what's right."

(The animations and voice acting here make him look and sound so fucking condescending, 10/10.)

However, Astarion doesn't tell them this is wrong, or that he disagrees. He implies it's a flaw, but doesn't state it outright. That's dangerous territory, see, and might predispose them to get defensive and reject what he has to say next.

No, he tries (and fails in my case, but it's cute that he tries, bless him) to manipulate Tav by appealing to that big heart of theirs.

"So I was thinking, what would be the right thing to do when we get to Moonrise Towers? When we come face-to-face with whoever is controlling the parasites in our heads."

"I'm just saying there's an opportunity here. If we can control the tadpoles, we can keep ourselves safe and liberate the world from this evil."

See what he's doing? You like doing what's right, so what would be the right thing to do? We can keep ourselves safe. Liberate the world from evil.

It's very blatant, but he's trying to appeal to Tav's good nature by framing his questionable ideas as something that will benefit the greater good, something that's morally righteous that they would agree with.

And of course, it's incredibly funny when you ask how he thinks you'll do that, and he fumbles and admits he's not a "details person," but it's also revealing.

He thinks he's found in Tav ambition, when all he's actually found is ability. Tav exercises power proficiently, while Astarion does not. If he had the authority they have, he'd let ambition drive his actions, which is why he assumes that's what drives Tav when they exercise their power. A good-aligned Tav has very little ambition, I'd argue, but they have plenty of opportunity to exercise their power, which they do when their hand is forced.

So what Astarion is saying is, in effect, hey, you have power, I have ambition. Will you please use your authority/ability to do what I want? Here's how it'll totally be for the greater good, I prommy.

This is brilliant writing, and I really applaud Larian for managing to walk that fine line of making Astarion so sympathetic while he's literally trying to manipulate the player character. Because when I first got this convo, my thought was both "wow, I adore how blatant and terrible his manipulation attempts are, it's kind of endearing" and "he's so terrified, it's genuinely quite tragic."

If we control the tadpoles, we can keep ourselves safe. This works only somewhat as an appeal to good-aligned Tav, because it could also potentially sound very selfish, especially if Tav is the self-sacrificing sort. So notice how, when he says "liberate the world from evil", it sounds kinda tacked-on, an afterthought designed to bury his main goal, which is keep "ourselves" (i.e. himself) safe. Like, yes, this will keep us/me safe, but if you're not into that, then it'll totally help the world, too! It doesn't quite work, because he still sounds ironic and like he doesn't believe they'd be liberating anything from any evil (work that 10 Charisma, boy), but that's the intent, I think.

Does he want power for power's sake? Yes. Is he gleefully powerhungry? Absolutely. But he's also fucking terrified, and that slips through just a little bit, even behind the smug and confident facade.

He's trying to get Tav, whom he's seen exercise their power over others, to lend some of it to him, so that he may never fear anything ever again.

All of this from a short, smug convo where he admits he's too stupid to figure out how to fulfill his dreams of world domination.

God tier characterization, 10/10.

#baldur's gate 3 #bg3 #astarion #bg3 spoilers #bg3 meta #video #worsties to lovers

[denwritesandcries]

Hold to my Hand – Hazel Callahan

Pairing: loser!hazel x fem!reader

Summary: You might be a little – completely – obsessed with your girlfriend's hands and apparently she enjoys that a lot.

Word count: 2,3k.

Content: cursing, fluff, kisses, slight jealousy, hazel being a loser AND a mess, soft gfs.

A/N: So… women, right? Women with rings and cold hands… right?

English is not my first language.

“Babe, stop that!”

“What?” You said, “I’m not doing anything.”

But you were.

You were sprawled out on your girlfriend Hazel's bed, a book from your English class abandoned in front of you while your girlfriend had a laptop open on her lap, the cute look of concentration from before replaced by red cheeks and nervousness at your actions.

It was no big deal, actually, your girlfriend was simply very easy to flustreat; you had one of her hands in yours, leaving feather-light kisses along her calloused, ring-covered fingers, sending goosebumps across her cold skin.

“You’re distracting me,” she whines, looking away to a random spot in the room, “I can’t type like this.”

You huff, climbing higher on the bed to be at her height, keeping your grip on her hand and glancing at the laptop screen.

“Boxing and wrestling techniques?” you read, letting your head fall to rest on her shoulder, “Will you really gonna start a fight club with Josie and PJ?”

Hazel immediately perks up, telling you all about the idea that she and the girls had at lunch – you're sure 80% of it must have come from PJ, but you don't have the courage to interrupt her – and how they're going to get along and have fun with this and Hazel will teach everyone self defense techniques. She looks so much like a happy puppy that it warms your heart.

Unfortunately, you can't give her full attention to the conversation, being too involved in the way she gestures to process anything else.

Okay, maybe you're a little – just a little – obsessed with your girlfriend's hands.

“...You sure you don't want to?”

“Huh?”

Hazel's voice snaps you out of your reverie and she's staring at you with bright, expectant blue eyes.

“Are you sure you don't want to join?” She repeats.

“Hm-hm,” you mumble.

“Please?” She asks softly, “For me?”

You look away from her, because there's no way to deny anything if you're looking at that needy dog face, and you keep yourself looking at the old judo and jiu-jitsu trophies that she keeps on the shelves in the big room.

She really wants you to be part of this, but you know PJ and Josie are probably only doing it because they want to fuck someone and Hazel because she wants to make more friends, but the most you'd get from this club would be a broken nose or tooth, so no, thanks.

“I can come to see you at meetings and give you moral support, love.”

It's not exactly what she wanted, but you know you won. Hazel completely softens the moment you call her love, every single time.

Hazel lets out a long dramatic sigh, giving up her laptop and turning to wrap her arms around you, burying her face in your neck.

“Fine, but you’ll definitely change your mind when the club finally starts!” She declares.

You scoff, sinking into her touch when you feel her hands spread on your hips beneath your shirt comfortably.

“Do you really want to get into this with those two, Haze?” Your question breaks the established silence, somewhat uncertain.

Your girlfriend unfortunately had a tendency to not notice or just not stand up for herself when someone was mean to her and PJ and Josie weren't exactly known for being gentle with people, so Hazel running something with them made you quite apprehensive. Of course, you wouldn't do anything to change her mind since it was something she really seemed to want to do, but a little caution wouldn't hurt.

“Oh, they know what they're doing, babe,” she squeezes you a little tighter, “They were in juvie!”

You laugh, “No, they weren't.”

“Still.”

You keep your word and start attending all the fight club meetings – under PJ's complaints that you're not really doing anything –, busying yourself with cheering Hazel on during her turns and talking to Mr.G about any nonsense stuff that he wants to speak in the stands. It's actually quite fun, but you don't change your mind about the fighting part.

You start bringing water bottles as a treat to the girls while you're there and take on the role of tending to all of Hazel's injuries when it's all over – which is a lot, since they don't really seem to know what they're doing in the moment –, you find yourself being very good at it and probably would have become the whole group personal nurse if it weren't for the possessive look in bright blue eyes and the sad pout on Hazel's face when she watched you wipe the blood from a cut on Brittany's cheek and put on one of the cute little band-aids that were supposed to be only for her one day.

Besides all that, the most important thing is that you have a free pass to admire your girlfriend as much as you want and she looks great kicking ass and throwing punches. Especially throwing punches.

In your defense, the obsession with your girlfriend's hands, your girlfriend’s touch, is actually justified. The thing is, you never had many friends since you came to this weird school and neither did Hazel, so when you got together everything in your relationship was a little new; you found yourself suddenly starving for contact.

Holding hands, playing with the rings on her fingers, pats on the shoulders, arms around the body, hugs, caresses. It was simply impossible not to be aware of every little touch that Hazel gives you, even less impossible not to melt with them.

So yes, maybe you liked it a little too much when Hazel came to you asking to bandage her bruised knuckles just because it gave you the chance to touch her as much as you wanted, like now, at home.

“Ouch!”

“Stop moving, Haze,” you complain as you apply the antiseptic to her, “This will only make it worse.”

“But it hurts,” Hazel whimpers, pulling her injured hand to her chest protectively.

She's sitting on the bathroom sink, which probably wasn't very safe, but it was the best way for you to treat her and also where the first aid kit you were using was kept.

Today's fight seems to have been a little more serious than usual because Hazel's dominant hand is hurt. Like really hurt, with purple bruises already forming over the torn skin, so your spare band-aids weren't enough to take care of it. Now, if she would just let you handle it properly.

“That's bad, you're lucky it didn't break,” you say, taking her hand more gently to examine it, “Damn, what did that blue-haired girl do to you to make this happen?”

Hazel stays quiet, suddenly embarrassed and looking at anything else as you wrap a clean bandage around the wound.

"Then?" You press.

Hazel mumbles something slurred and unintelligible and you frown, not knowing what could have made her so embarrassed. With how easily that happens tho, you didn't have a good guess.

“I heard her talking to some girls before the meeting today.” She pauses, “Talking about you.”

“Oh,” you say, trying to pull away a little so you can look her in the eyes, but Hazel closes her legs around your waist so you can’t move, “Saying bad things?”

She shakes her head and swallows, her blush deepening.

“She said that she likes it when you come to see us,” her good hand grabs the front of your shirt, “Said she wanted to ask you out.”

“Oh, Haze–” You begin.

“She knew we were dating. She knew. But she kept talking about it and I– I got mad, so I hit her.”

Hazel says it all quickly as if it were a single sentence, but you understand anyway; she is nervous, keeping her eyes closed and looking down. She was jealous, still is, but she's also scared of what you'll think of her for it.

Screw it, you think, it's a fight club, people are going to get hurt sometimes. Now it's time to comfort your girlfriend.

“You beat the shit out of a girl for me?” You say, taking the bandaged hand gently and bringing it to your lips, “That’s hot.”

Hazel's face is so red it glows, “Babe,” she squeals.

"What?" You tease, leaving smacking kisses from fist to wrist, “She should know better than to say things like that for you to hear, how rude.”

Hazel’s pupils are dilated when her eyes meet yours, “You’re serious?”

“Hmm,” you hum, leaving a mark of lip gloss on her skin, “Like I would leave the best girlfriend in the world for someone else like that.”

She squirms in your grip, swallowing hard and trying to keep from stuttering and you can't help the giggle that escapes as you notice a shiver run through her.

“You’re doing that on purpose,” she whines.

“I’m not,” you shrug, innocently, “I’m just kissing it better.”

You think Hazel never really realized the effect her touch has on you until one day at the library.

There's no club meeting today, so when you make your way to the library after your last class, your girlfriend follows along beside you excitedly, rambling about her day and waving your hands together as you walk down the halls.

You had to study for a history test, so you find a table in the back where you like to stay while Hazel looks for a book nearby to entertain herself.

You just spend less than an hour focusing on memorizing dates and names your teacher sent to the next test before your ears pick up the clink of Hazel's rings against the antique wood of the table.

Your gaze shifts away without even realizing it, focusing on Hazel's drumming and immersed expression.

“Have any of your rings ever fallen off?” You ask with sudden curiosity, even after months together this had never occurred to you.

“Huh?” She lifts her head, “Oh, yes. Lots of them.”

Hazel stops for a moment to check it and adjust some looseness and you gently take the hand with the ring you gave her, running your thumb over the silly little smiley face plastered on it.

“I never take that one off,” she smiles.

“I noticed,” you laugh, feeling your cheeks heat up, “You might end up breaking your finger over this, you know? Or someone’s nose.”

“I was trying to be romantic,” Hazel snorts.

“Sorry, love,” you lean across the table closer to her, looking between the plastic ring, “I just gave that to you as a silly joke.”

Hazel tilts her head, that confused and bit sad puppy expression back on her face.

“Yeah?”

You nod, “One day I’ll give you a real one, with a real gem,” You can feel Hazel staring at you, her jaw is probably dropped, but you settle for shaking her hand, “A blue one. Will suit you.”

“You think so?” She sighs.

“Of course,” you find yourself saying, “I’ll give you the most beautiful one, the first one everyone will notice when they look at you.”

You look up to find Hazel. Just Hazel. With soft eyes, bright smile and hands full of rings.

There were moments – moments like this – when it felt like there were only the two of you in the world, when you couldn't see or feel anything but Hazel and you drowned in her completely.

Taking a deep breath, she leans over the table, hand letting go of yours to slide down your arm. You swear your skin crawls.

“Babe?” Hazel calls; you notice how she keeps her voice low for fear of ruining the moment, even though she's so clearly nervous.

You open your mouth and nothing comes out, the touch on your skin is cold but it feels like it's burning you from the inside out. What did you come here to do in the first place?

Hazel leans back under the forgotten book and you grab her wrist when she moves to keep her close.

“I– I would like that,” she says, eyes wide and face flushed, “Sounds good, I mean.”

"You deserve it. You deserve this and more, love,” You’re not really sure what ‘more’ is, especially for someone who can buy anything they want like Hazel. Maybe it’s all she wanted, all you could offer her; maybe it’s just you.

Hazel squeezes your hand, leaning in closer and running her thumb over your knuckles so gently that the noise you make is embarrassing. You think she's going to kiss you and maybe she would have, if it weren't for the angry shush! coming from the librarian near the bookshelves next to you two.

She only mentions it days later, when you're back in her bed, curled up in a familiar way while Hazel scrolls through her phone.

Her fingers are running through your hair, almost lulling you to sleep and you feel like you could do the same as the cat at the foot of the bed and melt into a purring puddle under her touch.

“You have a thing for my hands,” she comments out of nowhere, interrupting the peaceful atmosphere, a giggle in her tone.

“What?” You ask confused, using your arms to lean against her chest, “I do not.”

You know it's not true, but denying it is better than admitting something like that. Hazel gives you a look; she knows you better than that.

“But you do,” Hazel turns you in her arms and you let out a surprised squeak at the action when she finds yourself on top of you.

You shake your head, refusing to give in, but she runs her cold hands under your shirt, resting on the warm skin of your belly – this seems to be one of her favorite things to do.

“Jeez!” You hiss, “How can you be so cold all the time? You’re like a lizard.”

“Oh, I love lizards!”

“Haze!”

You squirm in her grip, but Hazel holds firm, an unusual confidence behind her actions.

“Admit it,” she asks with a smirk, “You have a thing for my hands.”

“I have a thing for you.”

The cocky little smile she has every time she touches you for the next week is totally worth it – and it's also totally kissable.

#hazel callahan #bottoms 2023 #hazel callahan x reader #hazel callahan x you #bottoms movie #hazel bottoms #denwrites

[wileycap]

Hi! I really want to hear your opinion about Agni Kai in Atla LA and why it's bad thematically. Thank you!

Hi! I've never been asked anything before!

Alright, so - spoilers. Also, sorry that this is so long.

In the original, Zuko does not fight back, and that's so important. It's clear that the Fire Nation has great respect for hierarchy, whether it be elders, leaders or superior officers. Ozai is the ultimate hierarchical superior to Zuko: his father, his superior as a royal, and - of course - the leader of the entire nation.

In the Agni Kai, Ozai repeatedly orders Zuko to fight for his honor, and Zuko refuses. He remains prostrate, and reaffirms his respect for his father. In the context of this hierarchical culture, he is doing everything right in the face of an order that, to him, is the ultimate paradox. And that's what earns him his scar. A disfiguring, dishonoring brand.

He gets burned because he wants so badly to do everything right. He gets burned because he wants to show respect. He gets burned because, in a cultural context, he is behaving as he should. Because his father is cruel.

But it's not just that: it also serves as a shorthand to the audience that the Fire Nation under Ozai and his forefathers is wrong, to the point that Zuko, the dutiful son, literally cannot do right under that system. And you don't need to do a deep dive into what the culture is presented as to get that - it immediately strikes the audience with a profound sense of unfairness. It efficiently communicates that the Fire Nation is rotten, that the system itself has become corrupted and distorted.

And this sets up Zuko's entire arc. He did right, and he got punished. At the end of S2, he does wrong, and he gets rewarded, but the reward isn't fulfilling to him, because everything he could ever earn under that system is tainted and his experiences outside the system have shown him that, even if he can't accept it at first. And it's so narratively satisfying to watch him then defy his father, who tries to punish him again with lightning, only for him to now be able to literally turn it back (with Iroh's technique, Iroh being one of the few sources of unconditional love in his life!). He then redefines his relationship with Firebending itself, going back to the original source of it. He literally rids himself of the corruption of his nation.

It forms such a tight narrative arc, and it sets up so much about the Fire Nation with no need for explanation. Even his interactions with Iroh also tske on a new light: he's intentionally disrespecting his uncle - another elder and superior, as well as a father figure - and Iroh never punishes him for it. Ultimately, that unconditional love and support leads him to reform his nation.

In the Live Action, Ozai orders him to fight back, and he does. He even has a chance to strike Ozai, but doesn't, prompting Ozai to remark that "compassion is a weakness" before he burns Zuko. Which was never the point of Zuko's arc. It waters down his entire primary character conflict, because if his takeaway is that he lost a fight because he was too kind, then the only thing that needs to happen is for him to get some kind of narrative payoff by being kind. Wow, arc over. It becomes this surface level morality tale about how compassion isn't weakness.

In the LA, he also gets multiple chances to speak out at the war meeting. He questions the plan, the general and Ozai lay out actual, sensible reasons for why the plan has to proceed as it is, and then Zuko says that it's a terrible plan anyways. In the original, he speaks out once, and his words even make it clear that he's speaking out because the soldiers "love and defend our nation." His objection is the mildest possible form of objection: he isn't questioning the system, in fact, he's reinforcing it by appealing to the virtue of these soldiers. And he still gets punished.

With all that and Iroh explicitly calling out Ozai multiple times in the LA, we don't get the sense that the Fire Nation culture itself has been warped by imperialism. We just get the sense that the leader is a bad dude. And that's a far less powerful setup, and it will lead to a far less satisfying resolution.

It's an incredibly watered down version of the original, and lacks so much thematic weight.

#avatar the last airbender #atla #netflix atla #atla netflix #atla live action #atla spoilers #zuko #zuko's scar #prince zuko #fire nation #ozai #iroh #ask

[carpathxanridge]

what this has taught me though is a lot of yall’s pro-choice arguments are not that ideologically sound, or at least don’t get to the heart of the argument. i know there are a lot of common abortion arguments that we like to default to, and none of these are wholly original arguments on either side, but i can’t emphasize enough the process of thinking deeply about these common arguments and understanding what the actual warrant for the claim is.

for example, if you say “a fetus is not a person.” and then the person you’re arguing with says, “it’s a literal human being,” and instead of refuting why the fetus does not have “personhood” in the legal sense and then making a broader philosophical claim that we shouldn’t view a fetus as a person, switching to the argument “okay even if it is a person it doesn’t matter because no person can be forced to be an organ donor even if the other person will die otherwise etc.”…. kind of makes you look like you don’t know what you’re talking about and are conceding that a fetus is a person.

similarly, if someone says “okay but there’s a difference between a nonaction (organ donation) and an action (abortion), there is no moral justification to abort because if the pregnancy progresses naturally the fetus will become a baby”… the crux of that argument isn’t answered by making a convoluted scenario (i haven’t seen it used in this particular argument but i’ve seen it in other context) where “ok someone connected all your vitals to a dude on life support against your will, do you have the moral justification to pull the plug?” no, the crux of that argument is that the pro life person is making an appeal to nature, usually paired with the argument that a pregnancy and its outcome is god’s will, and is suggesting that women’s role in the pregnancy is passive, just letting nature take its course. you might better be able to engage that particular argument by interrogating “why isn’t abortion natural when there are natural methods to abortion, when medical abortion has only made safer what women have done all throughout history? when miscarriage too is natural, happens in nature all the time, and isn’t always experienced as a loss by the mother—often it’s mundane, a woman’s body making the decision to terminate an unviable pregnancy, often before she’s even aware of it. so why is it natural for a woman’s body to terminate a pregnancy for her own survival and wellbeing, but as soon as she wills it and takes steps to do so it’s unnatural and immoral? yes, abortion is an action, but why do you see it as a perverse and immoral choice for a woman to make equivalent to murder, rather than her natural domain?”

and following these kinds of lines of questioning (rather than just switching to another stock pro-choice argument) will always get you closer to the heart of the disagreement, that which cannot be resolved over the course of a single conversation. which is that feminists simply believe that in a humane, moral society, women should get to choose whether or not to bring life into the world, whereas forced birthers believe a fetus is a life from conception, willed by god, and that women must surrender to god’s will.

[brewingcoffi]

UNDERTALE: YELLOW ‘REVIVED! CLOVER’ AU

PART 1

Explanation:

AS WE CAN TELL BY THE CUTSCENES, THAT DYING WITHOUT A SOUL ISNT IMMEDIATE. but slowly, it sorta drains away your energy, but seeing that Clover was literally hunched down during Floweys speech before having ENOUGH energy to drag themselves to position their last death place shows how REALLY strong Clover is. So, assuming that they DIDNT immediately passed away after they positioned themselves for prob a few last breath minutes really made me think.

What if Flowey decided to still keep Clover? They were ‘pals’ Yeah. Flowey decided to let them rest… BBBBBut, what if before Clover used their last breath. Floweys forced a TINY ounce of his determination into them. Making Clover a sort of a walking dying corpse.

Nevertheless, since it is shown that Clover has enough energy to drag themselves without their soul. In their now revived state, they can do simple movements by themselves. It’s just their legs can't balance anymore due to a lack of soul energy, so Flowey helps them with their balance and movements by being their support via using Vines as body strings.

Flowey and Them DO meet Frisk at some point,

Clover genuinely looks so tired which make sense because they literally got their energy sucked out after they lost their soul. Clover now has to drink ANY energy giving drinks or they barely functions for 2 hours (Forced to drink coffee.)

Character Info:

Clover & Flowey

Due to Clover's SOUL already being taken Encased in a capsule (Takes places during OG Undertale.)

Flowey mostly ‘Helps’ with their movements since without a soul, their control over their body are VERY WEAK. Revived! Clover can’t do Shit. Only thinks and blinks (But has enough energy to speak simple words.) of course, they can move their arms with any leftover weak energy. but it will never be enough to resists Flowey's control over their movement and actions.

I also wanted to add a detail that the vines will extend more rapidly and secure/support more, depending on what body part(s) Clover is going to use more effortly just incase of Clover was caught in a fight.

Qna questions that are answered for the lore of this AU:

Question 1. You think the lack of a soul might cause empathy/emotion issues like with flowey? Imagine flowey teaching clover to cope with it.

Answer:

“The answer is, Yeah! But, I have a feeling or a (hc of course) that it still has same affect upon losing your soul, slowly but surely. It would take Clover a few days or maybe one month in the underground to suddenly lose their concept of emotions, since like what happened after they lost their soul.

But Clover probably "tries' to hold onto their emotions to as long as possible, to make sure they don't ended up like flowey (I like to think that they slowly soon starts to act semi-like their genocide counterpart; ruthless and bold.)”

Question 2. Wondering how their friends would interact with how... "kind of alive" their body is. Or heck, how they and their friends would interact with the undertale cast.

Before the aftermath, how would Clover "kind-of live" in the underground? With all of the emotionlessness consuming their days, would they act like some kind of cryptid since they don't want their friends to see them as this... soulless shell.

Answer:

1.) I bet they would interact with Clover by treating them like a glass child (Which would start A LOT of conflicts, especially when the side effect of being soulless could affect their moral Justice as well.), and for the UT cast, it depends on your idea!

2.) Clover went into hiding and lived off caffeine and energy drinks(Or leftover food from their inventory.) But, Flowey being their pal would probably give them food if they don't, And Yeah! Clover became this ‘Cryptic entity’ that tends to lurk around where ‘Injustice or corruption’ happens. I like to see Clover, before the emotionlessness began; Was that Clover USED to be this ‘Peacekeeper’ vigilante. Relating to them acting like this ‘Cryptic’ due to them. Even in OG Undertale, I like to imagine that Clover appears for a short period of time and disappears from Frisk point of view(Like that Flowey Easter egg from the OG UT.)

Question 3. does clover tell flowey what limb or does flowey just know?

Answer:

Well, they used The first one, but until a few days or weeks, they’ve gotten used to it, so Flowey now just knows.

4. What exactly WAS flowey's plan for Clover

Answer:

The only logical and ‘in-character’ thought I had of Flowey’s plan; was that Flowey was going to use Clover against or perhaps use Clover as bait/trick the last human child, and help kill King Asgore. Which backfired.

And I also realized that Clover no longer has their Gun, so I wanted to give Clover a weapon to help ppl while also defending themselves. (Clover is used to range, so they probably suck-ass on melee weapons.)

#steampunkeryrisen arts #art #Uty #uty au #ut yellow #uty spoilers #uty clover #uty fanart #Undertale #Undertale au #Undertale yellow #undertale yellow art #clover #undertale yellow clover #undertale yellow au #Revived!Clover Au #Revived! Clover Au #flowey #flowey the flower #uty flowey #masterpost #Au #my au

[sas-soulwriter]

Twist for your story

Ever wondered why a well-crafted twist is crucial in a story? It's like the element of surprise that keeps you engaged, challenges your expectations, and ultimately makes the narrative memorable. A great twist is the heart of intrigue in storytelling. Here are some you can use!

The Sentient Object: Twist: An ordinary object, like a book, a mirror, or a piece of jewelry, is revealed to be sentient and possesses its own consciousness. It becomes a key player in the story, guiding or manipulating the characters.

The Collective Memory: Twist: A group of characters, seemingly unrelated, share a mysterious collective memory or dream that connects them in unexpected ways. They must work together to decipher the meaning behind these shared experiences.

The Language of Magic: Twist: Magic in your world is governed by a unique language or code. As the story unfolds, characters discover that the language itself is sentient and can influence events and outcomes.

The Eldritch Revelation: Twist: Characters stumble upon ancient texts or artifacts that contain forbidden knowledge about cosmic horrors or eldritch beings. The revelation of this knowledge threatens their sanity and forces them to confront incomprehensible entities.

The Mythical Betrayal: Twist: A character believed to be a mythical hero or savior turns out to be the story's true villain, deceiving everyone around them. The actual hero must rise from obscurity to confront this unexpected antagonist.

The Reverse Time Travel: Twist: Instead of traveling to the past or future, characters unwittingly bring historical or future figures into their present. They must adapt to the challenges and paradoxes this brings, all while trying to return these displaced individuals.

The Living Ecosystem: Twist: The entire world or ecosystem of the story is revealed to be a living, interconnected entity, and the characters' actions have profound consequences on its well-being. They must make choices that protect or harm this sentient world.

The Forgotten Prophecy: Twist: Characters initially believe in a well-known prophecy, only to discover that the true prophecy has been hidden or forgotten, and its revelation drastically changes the course of their journey.

The Inverted Morality: Twist: A society where good is evil and evil is good is introduced, challenging characters' beliefs and forcing them to question their own moral compasses.

The Quantum Reality Shift: Twist: The story shifts between multiple parallel realities or dimensions, and characters must navigate the complexities of these shifting worlds to achieve their goals.

The Manipulative Reader: Twist: It is revealed that a character within the story has the ability to influence the actions and decisions of the other characters, essentially "writing" the story's plot from within.

The Protagonist Swap: Twist: Midway through the story, the perspective switches from the original protagonist to a secondary character, offering a fresh viewpoint and challenging readers' assumptions about the narrative's focus.

#writing #creative writing #writing advice #writers block #writers on tumblr #writing community #writing tips #writblr #writeblr #tipss #twist #plottwist #bookish #books

[thewitchqueenofharrenhal]

The fact that the fandom is unironically arguing that B&C wasn’t “that bad” by comparing it to other atrocious events that have occurred in the main series tells me that we have reached brainrot levels not yet discovered.

In what world does someone unironically say that some women and children being held hostage and made to answer for the crimes of the males in her family “not that big of a deal”.

Like for the love of god stop the team brainrot and acknowledge an atrocity for what it was.

How can you sit there and claim “moral superiority” based on how much you care about “women’s rights” and then try and claim B&C wasn’t that “bad”?

Y’all are going to unironically sit there and “stan” Blood because he cares about “women’s rights” for Rhaenyra and ignore the fact that Blood beat a “whore” to death in a drunken rage?

Women’s rights don’t matter then? Only the pretty princess you can self insert into matters?

What about the bed maid Blood strangled to death before B&C? No women’s rights then?

I thought yall cared about “all women”?

What about Helaena? What did Helaena do to Lucerys? What did her three toddlers do to Lucerys? Or are you unironically arguing that Helaena and her children answer for Aemond’s actions.

How can you claim to care about women? How can you claim that where you stand on media implies your morality and say that a woman who harmed no one and did nothing to anyone being held hostage by a man who we know canonically killed two women threaten to r*pe her little girl before her very eyes as he psychologically tortured her saying he’d kill all of her children if she didn’t choose a child to be murdered. Before of course beheading said child.

B&C was one of the most vile and torturous actions that occurred in F&B without question and you don’t have to compare it to other atrocities in the main series to try and diminish it. It is sick and vile and no amount of pretending it wasn’t won’t make it so.

#asoiaf #hotd

[therhythmafterthesummer]

Five-Point Star (M) ~Bang Chan

Pairing: Bodyguard/Assassin!Chan x Mercenary!F.Reader Themes: Smut | bit of Fluff | Angst | Strangers to lovers to enemies but lovers? (i don’t even know how to categorise this one) Word Count: ~6k | AO3 Synopsis: With a career like yours, you knew you shouldn’t let yourself fall in love. But honestly, in retrospect, there was no way you wouldn’t have fallen in love with Chris. After meeting him, you couldn’t help but hope that he’d be the last person you fell this deeply for–maybe foolishly so… Warnings: pet names · cold weapons · firearms · questionable morals · graphic depictions of violence · graphic depictions of intercourse (smut warnings under the cut) · open ending.

Author’s Note: as soon as i watched the 5-STAR trailer my creative juices started flowing, and i set camp in my google docs until this piece was born. please don’t hesitate to let me know if i missed any warnings… this one’s a bit sad (or, at least, it made me sad). i apologise in advance. thanks once again to @straylightdream and @cursed-mars-bars for reading this and letting me know it didn’t suck💜

Due to all the abovementioned warnings, this story is intended for an adult audience only. Minors please do not interact.

Part 1 (you're here!) | Part 2 >

Smut Warnings: unprotected penetration [piv. no barrier method, but the reader is presumed to be on birth control] · finger sucking · some praising, of course · oral [F&M Rec] · rimming [F.Rec] · nipple play · creampie · overstimulation · multiple orgasms

Disclaimer: the story represented in this work does not represent Stray Kids in any way; anything described in this story and all actions performed by the characters are purely fictional, this was created just for good fun.

In your line of work, it was hard to have any kind of interpersonal relationships. Having either platonic or romantic connections posed a risk, not only to you, but also to the others involved. 

Even then, you were a firm believer that, as long as no one knew your identity while you were ‘on the clock’, was enough for you to keep at least a handful of people close to you. You had a few close friends, some with a similar profession to yours, some just office or retail workers that had no idea what you did for a living. What you didn’t have, though, was a romantic partner.

It was tough to keep a relationship going when you couldn’t tell them what you did to bring food to the table. You’d always dance around the topic fairly easily, but, eventually, the situation would become unsustainable, and either you or the other person decided to break things off.

You’d been single for a while now–a long, long while–and you honestly had no active desire to find yourself a romantic companion. That was…until you met Chris.

Chris was a friend of a friend of a friend, someone you had seen once or twice at the odd social gathering you attended. He was incredibly handsome, but, most importantly, he was funny, always made you laugh whenever you interacted, and also seemed to have similar interests to yours. 

In a twist of fate–and against your better judgement–you ended up going on a date with him. A date that, surprisingly, ended with you and him tangled in his bedsheets. That night, you discovered that, not only were you compatible with Chris when it came to opinions on the current state of the world, on the theories for the next season of your favourite shows, but also in bed.

It was honestly almost crazy how good he made you feel, how there seemed to be sparks flying in the air whenever your bodies touched in any way, and, not to throw roses on your own garden, but you were confident that you made him feel good, too. So much so, the next morning, when you had to leave and he’d kissed the oxygen out of your lungs before dropping the most adorable ‘You’ll call me back, right?’ you knew you had no escape, that there was no way you’d pass up this opportunity.

Five months down the line and you already had a Christopher-shaped hole in your heart. You knew it was stupid, that it was dangerous, but you just couldn’t help it. Not when he was quite possibly the best romantic partner you’d ever had–to be fair, the bar was already quite low, but he still managed to jump ten metres over it.

In any relationship you’d ever had you always avoided the topic of work, not only yours, but the other person’s, too. If you avoided asking about their job, maybe they wouldn’t ask about yours, that was your reasoning. However, you’d discovered that people loved to talk about their jobs, that some people even made them their one and only topic of conversation, which was incredibly inconvenient.

Thankfully, Chris didn’t talk about work at all. Not his, nor yours. You had no idea what he did for a living, all you could infer was that it paid enough for him to live comfortably in his cosy flat. You honestly didn’t care, he could keep that information to himself as long as you could keep yours as well.

What you did for a living was probably not the most morally right career path, but it was your family trade. You’d been trained for it since you were very young, so it was honestly a no brainer for you. Some people called it a gun for hire, some called it being a mercenary, you, personally, didn’t particularly feel like calling it anything at all.

People hired you whenever they needed someone kidnapped, tortured, or killed. And, although you had killed for your job before, you almost always tried to turn those offers down. Clean-up was messy, and even if you hardly had any empathy for your targets, killing them always made you feel a bit uneasy.

Two nights ago you were called in for a job, the kidnapping of the eldest son of the Kim family that ruled the capital city. Seungmin, his name was. Based on the investigation you’d done he was younger than you, a bit rowdy, and an apparent oddball. He, very inconveniently for you, also had a handful of very skilled bodyguards protecting him at all times.

You couldn’t find any records of those bodyguards of his, only that they called themselves the Five-Point Stars, and that they were good at what they did. Regardless, you had a lot of confidence in your own abilities. After all, never once had you lost a fight, nor been unable to finish one of your jobs–although you’d been close to being killed sometimes, you’d admit.

As soon as you woke up, you started to recount the plan you had put together for your mission tonight.

After wiretapping his personal tailor’s phone, you heard him tell someone how he had prepared Seungmin’s suit for the night. You knew Seungmin was going to attend a screening of a new movie that was financed by his father. It’d be dark, crowded, and the perfect setting for you to sneak in, get him unconscious, take him out of there, and hopefully outsmart his bodyguards.

A particularly loud snore next to you snapped you out of your focus, and you turned around to find Chris on his back, with an arm over his eyes and his mouth slightly open. You couldn’t help but smile at the sight, and, for a moment, even if just for this morning, you decided you wanted to enjoy being just a regular civilian instead of a trained assassin.

“Baby…” You reached for Chris’ shoulder to lightly shake him awake. “Baby, wake up”.

Chris’ whole body tensed. His hand flew to catch yours that was shaking him awake, and he held it in a tight grip. Throughout your relationship you’d discovered that Chris had incredibly quick reflexes, and a very intense fight or flight response, so his sudden movement didn’t faze you in the slightest. “W–what?”

“You were about to choke, baby. You need to move”, throughout your relationship, you’d also learnt that Chris suffered from a sleeping disorder. You found out about it the first time he woke you up in the middle of the night gasping for air.

Poor thing, he’d been so embarrassed while he told you about it, but you were quick to reassure him that you didn’t mind, if anything, it only made you worry about him.

Because that was how important Chris was to you. Important enough for you to care about his sleeping habits, important enough that he warmed your cold heart.

So now, any time you were awake and you heard him snore particularly loudly, you woke him up before he could choke on his spit.

“Ah… Thank you, sweetheart”, he mumbled, clearly still half asleep. 

Chris turned to his side, scooting closer to you and pulling you into his arms. You couldn’t help the small giggle that left your lips as soon as your head was tucked under his chin, just like he seemed to not be able to contain his at all, either. 

The feeling of his bare skin against yours was incredibly comforting, his warmth seeped into you, reaching areas deep within your heart that no one else ever had before.

As you laid there in his arms, as you heard his heartbeat under your ear, and as you felt the minute rumbles of his snoring resume, you realised this was probably the happiest you’d ever been with a partner, and you hoped that your relationship with Chris would be the last one you ever had.

Getting into the movie screening was easy. Your specialty was sneaking around undetected, you’d learnt to walk without making a sound–no sound from your feet hitting the ground, nor your breath going in and out of your lungs, nor your clothes moving with the wind…

You’d also heard from Seungmin’s tailor–whose name was apparently Hyunjin–that the Kims had a special, private room in this particular cinema, so that was likely where the eldest son of the family would be.

Finding this room was the hard part. It wasn’t in any of the blueprints of the building, so you spent a good hour surveying the place, until you finally saw a waiter coming out from what seemed to be a simple wall.

Tightening the hood over your head, making sure the lower part of your face was covered properly by your kerchief, you made your way to that wall to inspect it closely. There was a tile on the wall that was shaped differently than the others. It was barely perceptible, just a tad smaller than the ones around it, so you pressed on it, and immediately you were able to push what you now knew was a door camouflaged as part of the wall.

As soon as you stepped into the room, you saw Seungmin, sitting on what looked to be a very comfortable armchair, watching the movie from behind the glass that kept this area hidden from the rest of the auditorium. 

Slowly, you approached him, careful to not make a single sound as you unclipped the rope you had attached to your belt. Before you could use it, though, you felt a slight disturbance in the air around you, and every single one of your senses zeroed in on the direction of it.

In a second, you ducked, just barely missing the bat that had been swung your way.

“Chan!” You heard Seungmin scream, but you didn’t dare turn to look at him, not when his bodyguard had all his attention on you.

It was just one man. You could barely make out the features of his face, not only because it was dark, but also because he had a mask covering the lower half of his face, and because he was moving so fast you could hardly take in anything else.

The man, Chan, based on the name Seungmin had screamed, certainly put up a good fight. Any blow you sent his way he blocked without much difficulty, just like you did his. It was a pretty on par encounter, but you were running out of time. The longer you stayed there, the more time you were giving them to get back-up, so you reasoned the wisest choice was to retreat. This mission was getting way too dangerous, and if they captured you it’d all be over.

Chan wasn’t giving up, though, and he was making it incredibly hard for you to make your escape. You managed to kick him in the chest, but aside from a grunt of discomfort he didn’t relent, and, with a swing of his bat, he was able to land a hit on your arm.

It was painful, yes, but you could hardly feel it with the adrenaline pumping through your system. Taking a knife from their designated place on your bodice, you threw it in Chan’s direction. It didn’t stab him, but it did manage to cut one side of his mask, enough to distract him so you could make your escape.

By the time you were out of the cinema the place was full of guards, so you knew your night was over.

It didn’t matter. 

You hadn’t lost. You were just experiencing a set-back.

“Missed you so much, gorgeous”, Chris mumbled between kisses, further pressing you against the back of your front door.

“Missed you, too”, was all you mumbled back, unable to keep your lips away from his for too long.

You hadn’t seen Chris for seven whole days. It wasn’t because you didn’t want to, you were honestly desperate to see him, but once you were back at your place after your failed attempt to kidnap Seungmin you realised how hurt your body was.

That guy Chan had certainly done a number on you, and the only thing that kept you from bursting into flames by the rage you felt, was the fact that you were sure you’d done a number on him, too.

Your bruises had now just started to fade, so you figured they were now normal-looking enough that your boyfriend wouldn’t think much about them. 

You were supposed to go out for dinner tonight, but as soon as Chris was at your doorstep, as soon as his lips were on yours, you both quickly realised you didn’t want to go for dinner anymore. How could you, when the taste of each other was much better than any meal you could possibly have?

“Come here”, Chris pulled himself away from you, taking a hold of your hand and tugging you towards the sofa. “Haven’t been able to stop thinking about those nudes you sent me”.

You couldn’t help the smirk that came to your face. Of course he couldn’t stop thinking about the pictures you sent him. That was their entire purpose, after all. They were simple, really, but clearly enough to rile him up. It was just you riding one of your favourite dildos, with your ass on full display for him to ogle.

Chris pushed you to the sofa. As soon as you were seated he dropped to his knees, and spread you open for him. Wearing a skirt to your date was certainly the wisest choice you made tonight.

“Maybe I should send you a video next time. I’ll ride it just like I ride you”, you said, just as you lifted your hips enough for him to pull your underwear down your legs.

“Fuck, you spoil me too much”, was the last thing to come out of Chris’ mouth before he dived between your legs. His lips found your clit with expert ease, gently sucking on it.

Your entire body came alight, a moan of his name escaped your mouth, and you brought a hand to his head so you could tug on his curls, just how you knew he liked it. “So fucking good with your mouth, baby, fuck…”

Chris simply hummed in response, sending vibrations through your body, making you whine.

With his hands on the back of your thighs, he pushed your legs further towards your chest, getting better access to your centre. Chris had very quickly learnt his way around your body, and he’d even shown you new ways in which you could feel good, ways you’d never even imagined you’d get to experience.

His tongue changed focus, from your clit to your entrance, diligently licking your folds, and he groaned at the taste of you on his tongue once he pushed it within your walls. He stayed there for a while, occasionally coming back up to lick and suck on your clit only to come back down to slurp you up. Until he finally moved further down so he could lick the tender skin of your ass, all while he stimulated your clit with his fingers, making you shiver. 

Desire pooled in the pit of your stomach, and the most pathetic whine left your mouth as soon as he started to lave at your skin. You would’ve never thought how good this could feel, never let a partner come anywhere near your ass, but one night, after drinking one too many beers, the topic of things you would’ve liked to try in bed came up. 

You could still remember the look on Chris’ face when he confidently said ‘I’d really like to eat your ass. Like, would love to, honestly’. And maybe it’d been the fact that you were a bit tipsy, or the fact that he was so utterly unashamed when he said it, or maybe even the fact that you trusted Chris like you’d never trusted anyone else before, but you weren’t entirely displeased with the idea… So you gave it a try, and now you couldn’t even fathom getting head if you didn’t feel his tongue on your ass at least once.

Without detaching his mouth from your sensitive skin, he brought two fingers to your mouth, and you wasted no time on wrapping your lips around them, sucking on them, licking them. You couldn’t help but moan around his digits, and Chris simply gave you a satisfied hum in response.

He let you enjoy the feeling of his fingers in your mouth for a while, until they were thoroughly coated in your saliva. As soon as he removed them from between your lips, he brought them to your entrance and pushed them into you, to the last knuckle. “C’mon, baby. Show me your pretty tits. Hm?”

You just nodded in response, unable to form a sentence with the now relentless pace of his fingers continuously hitting the most sensitive areas within your walls. With trembling fingers, you unbuttoned your blouse and squeezed your breasts over the fabric of your lace bralette before you pulled them out of the cups.

“Shit, look at you… Touch them, baby. Just how you like it”.

So you complied, lightly dragging your fingers over your now stiff nipples, sending tiny shocks of pleasure up and down your spine with the motion. The stimulation you were giving to your chest, Chris’ fingers going in and out of your cunt, and the dirty words coming out of his mouth brought you close to the edge, and you started to feel incredibly desperate for your relief.

“Chris, baby…” You whined as Chris sped up his motions, as you rolled your nipples between your fingers.

“Yes, sweetheart?” Chris’ voice was so soft, a complete contrast to the brutal pace of his fingers.

“Want your–Your mouth”, you could barely hold eye contact anymore, seeing the desire in his eyes brought heat to your cheeks. It was always the same when he found himself between your legs, he always looked at you like you were the prettiest thing he’d ever seen, and it made you feel incredibly wanted. 

“Hmm… You sure that’s what you want?”

You nodded, a bit frantically, you’d admit. “Want your mouth to…make me come, please, love–”

You knew that the second the word ‘please’ left your mouth you’d get exactly what you asked for, and you barely registered the broken moan that flew past your lips as soon as his lips attached to your clit once again.

Chris’ movements didn’t relent until you were coming. They didn’t even relent while you were coming. He kept sucking on your clit, fucking you open with his fingers, turning you into a whimpering mess as he pushed you past the brink of overstimulation, and making you fall face first into a consecutive high.

When he was done with you, you were still trembling, panting, and he finally left his place on the floor to sit next to you on the sofa and pull you into his chest so he could softly caress your hair, mumbling sweet words of encouragement. ‘Mmm… Such a good girl, aren’t you, love? So good to me. You did well…’

You just hummed, burying your face in the crook of his neck to leisurely press kisses on his skin. 

As soon as you regained some of your composure, you kissed him. You kissed him with such want one would’ve thought he hadn’t just made you feel like you’d gone to the moon and back four times. You quickly undid his belt, unbuttoned his jeans, and tugged them and his underwear down just enough to let his length free of its confinements.

In no time, you had straddled him and sunk yourself on his cock, eliciting a shared sigh of relief.

You sneaked a hand under his shirt just as you leaned in to kiss him again. His abdomen tensed and relaxed while you slowly traced every muscle with your fingertips, your soft caresses eliciting content sighs to fall from his lips and get lost in your mouth. Taking a hold of the hem of his shirt, you tried to get it off of his frame, but Chris shook his head, pulling your hands away and mumbling a “no time for that… God, bun, move…”

Chris held your ass tightly in his hands as you bounced on him. His mouth attached to your chest, sucking your nipples into his mouth so he could lick them, nibble on them. Under the unfaltering pace of your hips, it only took a handful of minutes to turn him into a moaning, whining mess.

“Fuck, baby… If you don’t slow down, I’ll blow”, Chris nuzzled his face on your chest, and you brought your hands to the back of his head, further pushing him into your cleavage.

“Good”, was all you told him, admittedly a bit breathless. “Need you to fill me up, Chris, baby… Need it so bad…”

Chris swore under his breath, and his hold on your buttocks tightened. It wasn’t long until you got exactly what you wanted. With a moan of your name, your boyfriend pumped you full of his release, making you whine at the warmth of his cum reaching deep inside you.

You didn’t stop moving, though.

Even if your thighs were burning, you kept bouncing on his cock, until his groans of relief turned into desperate whines, until he was whimpering against your chest and digging his short nails on the supple flesh of your buttcheeks.

“P–please…” You heard him whine, and you’d be lying if you said you didn’t felt accomplished by the sound. That was when you took pity on him, finally sitting down fully on his lap and stopping your movements.

Chris groaned, exhaling all that air he’d been holding in while you overstimulated him. He threw his head back to rest it on the backrest of the sofa, looking eighty shades of fucked out of his mind. He was breathing heavily–as were you–and he could barely keep his eyes open, but he still let out an incredulous laugh, giving you one of his blinding smiles, making you smile in return.

Cupping your cheeks, he pulled you down for a kiss before he whispered, “I fucking love you”.

And once he said it, you finally let yourself voice those thoughts that had been roaming your mind for a while now, just before you leaned in for another kiss. “I love you, baby”.

By the time you had both thoroughly enjoyed one another, you were too tired to leave your place. So you ordered takeout, got into your comfiest pyjamas, and decided to have your dinner date in the warmth of your home while watching your favourite show together.

Although, to be fair, you didn’t get very far into the show. With your now full stomachs, Chris pulled you into his arms while you both laid on the sofa, softly caressing your hair as he sang to you, inadvertently lulling you to sleep.

This Chan guy was seriously testing your patience. 

Every time you tried to get to the Kim kid he’d always be there, he’d always manage to get you to back off. It was starting to hurt your pride, and, even if you were one to avoid killing, you started to genuinely consider taking his life just so he could stop being a nuance.

You’d had three other failed attempts at your task since that fiasco in the cinema, so tonight would hopefully be the day you succeeded. Seungmin was to attend a piano concert at one of the classic theatres his family owned, meaning he’d once again be in a dark, crowded place. There was no hidden room as far as you could tell from your surveillance earlier this week, so that gave you some semblance of peace.

You weren’t sure if it was the fact that this particular job was taking longer than usual to get it over with, or if it was the fact that you kept being forced to retreat by that one bodyguard of Seungmin’s time and time again, but lately you’d been incredibly frustrated, and it seemed like the only way to get that frustration out of your system was to get it fucked out of you. Luckily, even if your boyfriend didn’t know what was going on, he had been giving you exactly what you needed and more any time you asked for it.

The droplets falling down Chris’ pecs and his toned stomach added a delightful shine to his physique, yet you could hardly focus on any of it. The only thing you could focus on was the feeling of his cock on your tongue, heavy and warm, the delicious sounds coming out of his mouth and bouncing off of his shower’s walls as you took him in and out of your throat, and the dark, lustful, but somehow still loving look in his eyes. 

“Shit… You always tell me how good I am with my mouth… But what about you, baby, huh?” Chris leaned his head back on the tiles, holding your head in place so he could start slowly thrusting into your mouth, making you moan.

You just couldn’t take it anymore, you needed him to fuck you dumb, you needed to further disconnect your mind from reality outside of these walls. So, with a tight grip on the base of his cock, you pulled your mouth off of Chris and started pumping him in your hand, looking him right in the eyes.

“Fuck me”.

Chris just laughed as soon as the words were out of your mouth. He swiftly helped you to your feet so he could turn you around and push your chest against the cold tile wall. “Someone woke up a bit needy today. Hm?”

“And what if I–Fuck…” You completely forgot where your sentence was going as soon as you felt your boyfriend push himself into you, stretching you open just so perfectly all you could do was rest your forehead against the wall when he started to move.

“Maybe you should move in…” Chris attached his lips to your shoulder, kissing and sucking on your skin as his hand found its way towards your front, right between your legs to diligently rub that sweet bud at the apex of your thighs. The mix of his motions between your legs, of the words he mumbled against your skin, and the obscene sound of your wet skin colliding time and time again was steadily clouding your reason, enough to genuinely consider what he was offering. “If you did, we could do this every day, sweetheart…”

“Maybe I should…” You were certainly delirious, there was no way you could live with another person while trying to keep your trade a secret. But the longer you stayed in that shower, relishing the company and precise motions of your boyfriend, the more you wanted to believe it was possible.

Even after he’d coaxed a mind-numbing orgasm out of you, after he’d stuffed you full of his cum, and after he’d helped you dry your hair with the hairdryer he kept in one of the drawers of his bathroom, when you both were getting dressed in his bedroom, you desperately wanted to believe it was possible to have a normal life. Maybe you should start considering retirement… But would you be able to live a civilian life without the thrill of your job? You weren’t too sure. For Chris, though, you might try…

“Come here, bun”, Chris suddenly held your waist and dropped to his bed, bringing you down with him. All you did was laugh, scrambling to find a comfortable position on top of him so you could kiss him.

He was really giggly today, and the sound warmed you up. You dragged your fingers over his still damp curls as you peppered his face with kisses, chuckling with mirth and an immense amount of love for this man that had managed to make you feel a bit normal again. 

“Pretty?” Chris tried to get your attention. You just hummed in response to let him know you were listening, but you didn’t stop pressing kisses on his cheek.

With his hands on your waist, he tried to get you to look at him. “Listen, baby. There’s…there’s something I’d like to tell you…”

You finally pulled yourself away a bit, enough to look him in the eyes. He looked incredibly serious, more than you had ever seen him over the course of your relationship, and it gave you pause.

Chris opened his mouth to speak, but before any words came out, the obnoxious ringtone of his phone interrupted him. With a roll of his eyes and an annoyed sigh, he gently pushed you off of him, muttering a ‘Gimme a sec, gotta take this…’

You watched Chris leave the bedroom entirely before you stood up from his bed and continued getting dressed. You could hear your boyfriend’s hushed voice coming from the living room, but you couldn’t make out a single word. Maybe it was for the best, you honestly didn’t like to pry on his private conversations. After all, you’d hate it if he tried to eavesdrop on yours, all things considered.

By the time he was back you had already gotten yourself into a fresh set of clothes. There was a frown on his face, but it quickly disappeared the moment he spotted you by his mirror.

Standing behind you, he placed his hands on your belly, pulling you back towards his chest as he pressed kisses on your neck. You just hummed, watching him through the mirror and melting in his hold. 

“Babe”, you mumbled, getting him to open his eyes and look at you through the mirror. He rested his chin on your shoulder, intently listening to you. “What’d you want to tell me?”

Chris took a deep breath, pulling himself away from you to take a hold of your hips once you turned around and looped your arms around his neck. “It’s nothing urgent. Say… What if we go on a little vacation to the coast this weekend?”

“Mmm… A little escapade?” You chuckled, and Chris hummed in response, cupping your cheek with one hand to pull you in for a kiss.

If everything went well tonight, you’d more than appreciate some time to wind down from the entire thing, and spending the entire weekend relaxing, barely even clothed, listening to the waves crashing against the breakwater with Chris sounded like absolute heaven. It’d be like your own little celebration for your win over that insufferable guard dog of Seungmin’s.

“Sounds like a great idea, baby”, you told your boyfriend as soon as his lips detached from yours, smiling brightly at him.

The sound of the piano could be heard perfectly even outside of the theatre. You didn’t know the name of the piece, but it was clear that it was being played by expert hands. Even if you were mostly impassive whenever you fell into your…professional mode, you were still a bit on edge after months of having your plans ruined by Chan, so the melody floating in the air certainly helped soothe you a bit.

The corridors to the main hall were empty, completely quiet save for the sound of the piano bouncing off of the walls. The old construction was a bit difficult to navigate, but you’d gotten well acquainted with the place throughout the past week, so you found your way to the concert hall with ease.

Everything was dark, save for the lights shining on the stage, illuminating the silhouette of the musician sitting on one of the three pianos that’d been set on the podium. 

Something felt odd, though.

In an instant, you noticed the emptiness in the hall. The music stopped, replaced by a loud bang and the sound of the bullet hitting the wall, right where your head had been just seconds before your instincts kicked in and you moved away.

It was a trap.

You’d stupidly let them lure you in here, where Seungmin was, very clearly, not even present.

No matter. You might not get your target tonight, but you could still get your peace back.

Chan kept firing at you from the stage, and you continued to expertly dodge his bullets as you swiftly got closer to him. Somewhere in the back of your mind you could hear your father’s voice from back when he was training you, telling you that chasing after someone that wasn’t the one you’d been hired to attack was foolish, that it’d put you at risk. You didn’t care, this was personal now.

Taking one of the knives from your bodice, you threw it in Chan’s direction, just barely missing his form when he ducked out of the way. It felt like it lasted for a long time, you throwing knives at him, and him shooting at you, until you made it to the stage and he had no option but to physically fight you.

He was incredibly agile, but so were you. Especially after having fought him so many times. You’d picked up his tells, how he shifted his weight on his heel before he threw a punch, how he moved slightly to the left when he kicked, so it’d gotten easier to counterattack each and every single one of his moves.

Chan was good at what he did… But you were better.

With a kick to his knee and a push on his chest, you managed to send him to the floor and pin him under you. He tried to move, but you swiftly pressed one of your knives to his neck, effectively stopping his movements.

There was a moment of silence, a moment of you staring down at him, and a moment of him staring up at you.

This was the first time you’d actually gotten to see his face this clearly. There was usually barely any illumination whenever you’d fought before, and both of your quick movements made it easy to miss the details on the exposed areas of your faces. His straight hair pushed off of his forehead–save for one single piece that seemed to always be out of place–gave you plenty of room to see the blue contact lenses he wore. You couldn’t help but wonder if those were simply for aesthetic purposes, or if they held any sort of special tech quality to them–he worked for the Kims, after all.

There was something eerily familiar in the way his eyebrows furrowed, in his eyes, even with the obviously fake blue colour. Whether you were going to kill him or not, you suddenly felt an intense need to see his face. All of it. So, with your free hand, you hooked your finger on the side of his mask so you could pull it off.

For a split second, you couldn’t help but wonder if your eyes were playing a trick on you. Despite the straight hair and the blue contacts, the curve of his lips and the shape of his nose were so distinct there was just no way this man could be anyone else.

You tried to never speak while on the clock. After all, your voice might be a very good indicator of your identity. It might’ve been the shock of seeing such a familiar face, but you really couldn’t help the name from coming out of your mouth, as a barely audible whisper. “…Chris?”

Confusion crossed the features of the man under you. His eyes jumped all over your face–or what could be seen of it, at least. His angry frown turned into a look of shock, mixed with some concern, and you saw his Adam’s apple bob in your peripheral vision when he swallowed, almost audibly.

You still had the knife pressed to his neck, but you were honestly unable to move at all. So much so you didn’t even flinch when he slowly started to move himself.

With a trembling hand, he reached for the black kerchief that covered the lower half of your face. You didn’t stop him, you just let him tug it down to your neck and reveal your face to him.

The sound of your name, coming out as a breathless whisper out of his mouth hurt more than any hit you’d received throughout the past handful of months.

“What the…fuck”, the hurt tone in his voice broke your heart, and you could feel the lump form in your throat. “All this time…?”

“I had no idea”, you couldn’t help the tremble in your voice, and you weren’t sure if you hated yourself for being so vulnerable in front of the enemy. But then again, he wasn’t only an enemy, he was also the man you’d fallen madly in love with.

“Why are you doing this? Why are you trying to get to Seungmin?” His voice trembled, yet neither of you dared to move further.

“I was hired to do it”, you replied simply.

“By whom?”

“I won’t tell you… I…can’t”, you could feel them. The treacherous tears that pricked your eyes… Crying in front of the enemy was unheard of, but you supposed these weren’t normal circumstances.

Chris swallowed again, and you could see tears of his own well in his eyes. “So…what now, bun?”

The sound of the pet name coming out of his mouth fully obliterated the remaining pieces of your heart, and you couldn’t stop the tears from falling anymore. So you didn’t. “I–I don’t know…”

“You should kill me”, Chris said, very confidently, without any semblance of doubt in his voice. And even though your grip on the knife tightened, you didn’t move it, you just shook your head in response, trying to contain the sob that threatened to come out of your mouth.

“You should”, he repeated after a few moments of silence. “I’ve done…many horrible things in my life. I’ve killed people, tortured people… I’ve done it proudly, too”, Chris brought a hand to your wrist, holding it gently, but firmly. “I’ve made peace with all that a long, long time ago… But knowing I’ve spent months hurting the woman I love is something I can’t live with…”

“You didn’t know”, your hand started to tremble, too, and Chris’ hold on your wrist tightened to keep it steady.

“Doesn’t matter”, finally, tears started to fall from Chris’ eyes, and his voice broke a bit when he spoke to you. “I wanted you dead. Even if I didn’t know, I was trying to kill you”.

You shook your head, closing your eyes tightly.

Maybe, if you closed them hard enough, you’d realise this was all a dream, a horrible nightmare you could still wake up from.

“Why don’t you kill me instead?” You mumbled after a while, when you finally opened your eyes. “I, too, was trying to kill the man that I love…”

“I can’t stop protecting Seungmin. I won’t stop. I’m the only thing keeping you from reaching your target, pretty. Look at us…” Chris’ thumb softly caressed your wrist, right on the sliver of skin your gloves exposed. “Look at our positions. You know you already won”.

You shook your head again, and Chris pushed on your wrist, further digging the blade into his skin as he mumbled, “Do it…”

He was right, you had the upper hand. Logically, it made sense for you to kill him, but there was no way you would. What a selfish thing for him to ask… Did he think getting to Seungmin was more important than his own life? That you’d be fine just…taking it?

Yanking your wrist out of his grip, you threw your knife to the side, as far away from you as possible. Chris just looked at you, confused, hurt, and you just couldn’t bear to see that look in his eyes. In an instant, you were standing, finally getting off of him.

“Baby…” You mumbled, trying to steady the sound of your voice. You turned your back to him, unable to look at him any longer. “I’m sorry… I don’t think I’ll make it to our vacation this weekend”.

With that, you started walking, trying to get as far away from that stage as possible.

The last thing you heard before you left the theatre altogether was the cacophony of sounds produced by what you knew to be the erratic smashing of piano keys, a complete contrast to the soothing melody you’d been listening to when you came in here… That soothing melody that you now knew was being played by Chan, by Chris, by your biggest rival who turned out to also be the love of your life.

As you left, with tears in your eyes, with your heart shattered in your chest, you realised that this was the first time you’d truly lost. There had been no room for you to win since the very beginning.

Part 1 (you're here!) | Part 2 >

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General Masterlist

#bang chan smut #bang chan fluff #bang chan angst #stray kids smut #stray kids fluff #stray kids angst #stray kids fanfiction #bang chan fanfiction #bang chan fic #bang chan x reader #chan x reader #skz fanfic #skz fanfiction #stray kids fanfic #✨🌙✏

[kaizokuou-ni-naru]

i got this ask that i accidentally deleted in the course of trying to answer it, but i still want to address it because i think the core question it posits is really interesting, though maybe not in the way anon intended. to me, what this is really asking is: 'why do people like one piece's villains even when they commit atrocious acts?'

i will confess i think the concept of 'defending' fictional characters is pretty silly on its face. characters aren't real people and their actions have no real life moral weight. they're tools to tell a story; their value is in how they contribute to the story that is being told. and in this sense, one piece's villains are tremendously valuable, because each and every one serves to elaborate on and reinforce the greater themes of the story in some way.

oda is very good at writing villains who are both entertaining and compelling, and blackbeard is both. you can take any villain in one piece and ask: why are they the way they are? what do they value and desire, and what are they willing to do for it? what does the way they interface with concepts such as freedom, ambition, dreams, joy, and power say about the story's commentary on those concepts overall? what makes them similar or different to luffy?

consider: what does it say about the story that blackbeard is the one who articulates for us that people's dreams never die? what does it say that many of his traits (gluttony, hedonism, ambition, reckless confidence, friendliness) are luffy's as well? what does it say that he's also a D? and then what does all of that mean when taken together with the fact that he does not fight fair, that he trades people into slavery and killed his own crewmate, that he and luffy instantly dislike each other on first meeting? what does it say that he's searching for the strongest to recruit in impel down, while luffy is searching for ace? what is the story saying about both blackbeard and the world government by having them engaged in the same human trafficking trade?

these are all really interesting questions that add depth to the story! obviously many of blackbeard's actions are detestable and the story is clear in presenting them as such, but if you stop your analysis of him there and view him as simply evil, i do think you miss out on the complexity of his role in the story and what he contributes to the manga. i personally find him absolutely fascinating, and consider him to be an extremely compelling villain.

#one piece #jonny answers #not japanese #opmeta #character meta #blackbeard #luffy

[crienselt]

So a few days ago I saw someone (elsewhere) questioning Zutara fans’ excitement about the scarf scene. It wasn't a mean comment, more general curiosity. And well, I didn't have time to get my thoughts out then. But they haven't gone away, so I'm getting them out here:

Here’s what everyone need to understand about Zutara shippers. We were baited baaaad during the initial run of the show–from the magazines to the shorts to the trailers and how they were cut. And Zuko and Katara’s relationship on the show certainly underwent a lot of development and featured objectively emotional–if not overtly romantic–moments between the two. We were well fed, and we had reason to hope. Right up to the end, we had reason to hope.

The shipping wars were the shipping wars, of course, with all the usual tensions; there are always going to be overzealous fans of each (and any) pairing willing to get toxic. Generally, I think Kataang fans were always jealous of Zutara’s popularity and Zutara fans, post finale, were jealous of Kataang’s, well, canon status. But really it operated much the same as any other large fandom’s shipping wars.

And then came Bryke and the panel where they showed and mocked Zutara fan art, some of which had been created by teens if not straight up children. Then came their, “Come on, kids! It was never going to work. Zutara is just dark and intriguing.”* And the pièce de résistance, their telling Zutara shippers (specifically girls/women) that they were doomed to have failed romantic relationships. Like, what? The thing with the art was arguably cruel, and the rest of it was oh, so condescending. Just all around not well done. 

The after effect was that Zutara went from being simply a fanon pairing to a wrong pairing. The ATLA fandom at large became a far more hostile place for Zutara fans, who were now more commonly deemed delusional and viewed as lesser fans. The vitriol only got worse when the show came to Netfilx and the next wave of antis rolled up with their co-opting of legitimate socio-political terms to paint Zutara not just as wrong but morally corrupt if not evil. It’s all very puritanical.**

So Zutara fans need to be reminded that we weren’t delusional, and we aren’t alone. It’s why it means so much to know that Dante Basco and Mae Whitman shipped their characters. And that so many other VAs came out as Zutara supporters too: Jack De Sena, Michaela Jill Murphy, Grey DeLisle, Janet Varney--even the cabbage man. For it to be revealed that it was discussed in the writers room; that the writers fought over it; that it WAS a canon possibility. (And that writers Joshua Hamilton and John O’Bryan are perfectly comfortable admitting their preference for Zutara.) To know that the Elizabeth Welch Ehasz described Zuko and Katara as an “Avatar-style Mr. and Mrs. Smith,” in the script for The Southern Raiders, and used the phrase “Zutara-feuling synchronicity and cooperation” to describe their action sequences. To see Giancarlo Volpe, a Kataanger, admit Zutara might been the better pairing in retrospect and choose a quiet scene between them (to see their “chemistry”) as what he’d most look forward to in the live action adaptation. It’s why we cling to the artwork done by Korean animation director. We aren’t delusional. We aren’t alone.

But try telling that to the general fandom, right? Most are ignorant of a lot of this, particularly Hamilton and O’Bryan’s revelations re: the writers room. A lot of Zutara fans don't even seem to know. But being baited by Netflix on their official accounts? Oh, people see that. And we are reminded in a big way that we aren't delusional and we aren't alone. And everyone else has to remember it too.

So, of course, we're having fun clowning over the scarf scene. And I think most Zutara fans know we are clowning. I don't think most expect to get canon Zutara in live action because of one little scene or the fact that their Netflix icons are facing each other. (I headcanon that that was totally the doing of Zutara shipper on staff, though, lol. Because there are a lot of us, and we are everywhere.)

And this is okay. Zutara has been doing just fine as a fanon ship. Meanwhile, NATLA might actually do Kataang justice. It always worked better as a future ship. (Really all the pairings do. But I especially don't ever need to see another 12 year old kissing let alone making out, in animation or live action, ever again.) There's a reason Padme and Anakin don't get together in Phantom Menace, after all. Also, there's always the chance they could give us Dante's or Mae's headcanon of them basically suppressing their feelings and choosing duty over love/right person-wrong time. And the odds of getting some more moments to clown over are high enough. 

Anyway, TLDR: Zutara has been made to feel like an out-of-nowhere crack ship and the live action crumbs remind us that it is not. And this is at least partially why we are enjoying it. (Because, also, it's just fun!)

*Side tangent: I’ve never gotten this dark and intriguing comment. Even during Season 1, the height of the capture fic era, Zutara was always a ship fundamentally about hope, predicated on Zuko's redemption. (Back in the day, there were also plenty of antis arguing that there was no way Zuko would ever be one of the gaang.) And they say “intriguing” like it’s a bad thing? Are we not supposed to be interested in the relationships of their characters???

**There have been some very good think pieces written lately on late stage capitalism and consumption as morality. Worth googling.

#Zutara #atla #natla

[confusedraven1]

i absolutely love that jim is the one to keep the heart of stede’s crew alive while ed did everything he could to destroy it.

one of the first comments ed makes to stede’s crew in season 1 is “everyone’s covered in rope!” so what does jim do? literally covers themself in rope, to remind ed that, as long as they’re alive, that hope and love isn’t going anywhere.

not only that, but, in the bible, rope is a symbolism for trust and security. jim became a secure place for the crew to tie themselves to while just trying to stay alive.

of course, i then had to look into why they have a fishing net around their shoulders as well, and found The Fishing Net Parable from the Book of Matthew (13:47-52):

"Once again, the kingdom of heaven is like a net that was let down into the lake and caught all kinds of fish. When it was full, the fishermen pulled it up on the shore. Then they sat down and collected the good fish in baskets, but threw the bad away.”

“This is how it will be at the end of the age. The angels will come and separate the wicked from the righteous and throw them into the fiery furnace, where there will be weeping and gnashing of teeth.”

jim amputates izzy’s leg, despite having never done it before. they quite literally separate him from the rotten bits to save his life.

jim says, “he was your friend.” they separate ed from who he was before from who he’s allowed himself to become, not to punish him, but to remind him of the consequences of his actions.

jim tells izzy point blank, “you’re in an unhealthy relationship with blackbeard.” they aren’t trying to break them up; they’re just bringing to light whats true so things can (hopefully) get better.

jim shows archie that, just because pirating is normally done a certain way, doesn’t mean it has to—they separate archie from the toxic belief that “that’s just how things are, it’s just life,” and “why save him if he’s a dick?”

jim tries to separate the idea from the crew that ed is fine, because they immediately recognize that things are about to get much worse: “so, do we think he’s better?” “FUCK no!”

jim immediately says, “wasn’t the wedding thing a bit over the line?” they know they’re all pirates and have questionable morals anyway, but knows it was fucked up of them to massacre a wedding, an event that’s supposed to be joyful and full of life and beginnings, not death and destruction. they’re, again, dividing up the way things are vs. how they could (and should) be.

ed tries to pin them all dying on jim cause they wouldn’t kill archie, but they bite back with, “you would’ve done it anyway!” they know exactly where the lies are, and separates them from the truth, and ed can’t deny it.

jim separates themself (and olu) from the bounds of monogamy through their honesty. olu is still their best friend and lover and family even though they found and did things with someone else.

jim holds out their hand for olu to take when they’re escaping the red flag. olu’s interest in zheng yi sao isn’t bad and jim’s not trying to separate them, but is trying to keep together the things that are good: their family.

(later addition, edit) jim is also the one that “kills” ed. they’re the one to make that final choice, to say, “it’s you or us.” jim’s actions and choices entire first two episodes led them to that moment, like it was the “final judgment” of blackbeard.

jim is the rope and net of the crew. they’re trust and security and honesty, everything that stede was trying to get the crew to understand from day 1, everything stede is always trying to embody (and i dare say is starting to succeed at).

#jim jimenez #jim jimenez meta #ofmd #our flag means death #ofmd s2 spoilers #crew of the revenge #rope and nets #ofmd costuming #trust and security and honesty #god i love them #vico ortiz #david jenkins #characterization #costume analysis #character analysis #ofmd meta

[oikyskau]

seeing kenji muto, the director of trigun stampede, reading an article about the portrayal of women in media made me want to take a little bit of a closer look at the women in trigun and as i was rambling about this earlier to my partner, they told me to write it down LMAO

as most of us know, in a lot of fiction, women are mostly characterised through common tropes, leading to a lack of complexity and a one-dimensional portrayal: as the doting wife, the femme fatale, the mistress, or the virgin. Their role only amounts to an Other, an extension of the male hero. they’re either the whore or the madonna.

for female characters in anime that usually means they’re either the sexy femme fatale, big badonkers and all to be gazed at, the mother, the helpless damsel in distress, or the child (yet, still sexualised despite the fact that it is a literal child); they’re portrayed through the way they are being perceived by men and mostly sexualised beyond belief. 

tristamp doesn’t do any of that.

in fact, the female characters in stampede achieve something that you don’t often see in anime: they are people. and stampede makes that clear in its very first episode by decidedly not going the route that you would usually take with the female characters they introduce:

of course, the biggest example here would be meryl, who i’d argue is the biggest driver of the plot, despite the fact that the plot of stampede is technically determined by vash - vash is an entirely passive character, he doesn’t make things happen, things happen to him and they mostly happen to him because of meryl. she’s the one who unties him, she drags them to the city, she makes them stay with him after ep3, she drives over wolfwood (rip my man), she stops for them to find rollo, she makes them follow the steamer.. you get it. she does all of this, despite being introduced as the newbie, the innocent person who would usually be the damsel in distress, who is helpless and shy and easily manipulated and who will probs be sexualised in her role as the “virgin” (sexually naive young girl who just doesn’t get all this adult sexuality yet hehe) 

but she’s not – she wears a non-sexualised outfit, she only gets called out for being a newbie, or for being small height-wise by wolfwood, but not for being a “girl”, she determines the action despite the fact that she does have a mentor figure and is therefore still in a position of a student – she still isnt an extension of roberto, vash, or anyone

in fact, the other characters – Rosa, Elendira, Luida, Rem – all take up roles that would in other media be portrayed in very specific ways: Rosa could just be a pregnant mother, who is also a divorcee, Elendira could be an innocent child beholden to her caretaker, Luida could be the loving motherlike figure and rem the Madonna figure, symbolising all the virtues a woman should aspire to have. – Rosa is a leader, her pregnancy is mentioned one single time and never made a bigger part of her character, Elendira is young but powerful, making choices by herself that are not inherently based on any kind of innocence, Luida doesn’t coddle Vash or prioritise him over her own work and mission (which also serves to inspire another woman, meryl!!), and rem is also just a non-perfect person, with secrets and questionable morality

none of these women are judged on the basis of their gender, none of them experience gender-based violence, none of them are made into a joke, none of them are sexualised (or desexualised – if you compare them to the male characters, who also do not ever make jokes about sexual promiscuity or similar stuff), they have different body types (rem has a very pronounced chest, and yet stampede doesn’t ever focus on it or give her cleavage) – note also that when presented with the perfect opportunity to call a female character a “bitch”, they chose to go with a “witch” instead, in both original japanese and english dub

their femininity is not used as a weapon against them, nor are stereotypical hypermasculine elements used to define characters’ positive traits (vash not being our traditionally hypermasculine hero for example) - the only time we see a semblance of gender-based violence is, you guessed it, at the very end, when knives forcefully takes control and bodily autonomy away from vash and inseminates the plants against their will (also interesting to note that knives, as the character that does exhibit that kind of violence, is the only character to be shown incredibly buff and all muscle) 

the women in tristamp are written for women, with the goal to be women that we can recognise, that represent the women that we are and know

anyways, i love all women in tristamp and have not once felt uncomfortable or said “oh look, a panty shot” and honestly i just find that pretty neat

#trigun stampede #trigun #meryl stryfe #rem saverem #trigun meta #ramblings #dont take this too seriously its just me being very nerdy for female characters LMAO #a lot of anime that i like fall into the trap of writing female characters for men and in relation to other male characters and i honestly #expect it at this point but PHEW was i going help WOMEN??? during tristamp #also do i need to add a citation bc im technically just citing my own thesis..... LMAOO

[giuliettagaltieri]

Duel of Knowledge

Pairing: Uni Student!Coriolanus Snow x Uni Student!Reader

Chapter Synopsis: The Rival

Warning: academic rivalry, elitism, morally gray reader, greed, Dr. Gaul's laboratory, mentions of mutated animals, Capitol cruelty, nepotism, spoilers

Word Count: 2487

2 of 6

It was a fresh start for Coriolanus Snow.  A life in the university, studying under Dr. Volumnia Gaul. 

After District 12.  He was a different man.  His purpose now was clearer, his actions more calculated, more dangerous.

Society welcomed him with open arms.  The star mentor, the academy protégé, and Crassus Snow’s legacy.

Life was also serving him well.  He no longer had to wear buttons made from the bathroom tiles.  No poisoned rats to dispose of.

Sejanus Plinth’s parents invite him for a luncheon on weekends.  He also met the president a couple of times because of the said couple.  Dr. Gaul has also been most helpful.

Had it not been for her, Coriolanus would still be rotting away in District 12.

The university was almost similar to the academy, only better.

He was with the same set of people he studied with.  Although, Clemensia Dovecot steers away from him now.  Two small scars from sharp fangs reminded her what happens when she crosses Coriolanus Snow.

The lessons are much more difficult than what was taught in the Academy but it was nothing he cannot conquer.  He was blessed with the most brilliant minds.

Connections made in the University are better too.  The people he meets are the ones who are currently the ones ruling the world.

The secrets he learns about them, invaluable.

Coriolanus understands the power that a piece of information can hold.

Information saved his tribute in the games.

Information nearly got him hanged.

Information nearly drove him mad.

There were all sorts of it.  Right, wrong.  It was up to you how you use it.  And use it well, he did.

And then, there was you.

The daughter of Thanatos Swansworth, a former associate of his late father.

He had gotten to know you as the girl who craved his attention and thirsted for his validation.

The last time he saw you, he knew he might have broken your heart.  You were just good at covering it up with your smiles.

And until today, he is seeing that exact same smile from across the room.

The air around you is different.  You are more mature, more sure of yourself.  You carry yourself with confidence like how a real Capitol woman does.

“While ethical implication might raise some concerns about the modified epigenetics, the boldness of the concept and the possibility of pioneering a breakthrough is reason enough to continue this research.  My study can advance the frontiers of science in a way that benefits humanity on a broader scale.”  You spoke calmly to Dr. Volumnia Gaul as she cross examined you for your research.

Coriolanus sat with his back resting against the chair, his calculating eyes watching your firm yet inviting demeanor.

A few more questions from Dr. Gaul did not make you falter, you managed to make every query an opportunity to showcase your work.  It was something that he can commend.

“Miss Swansworth, I would like you to come to my office later on to further discuss these ideas of yours.”  Dr. Gaul grins at you.

A glint of pride is visible in your eyes, making Coriolanus narrow his.

“Of course, Dr. Gaul.”

It seems he has competition for Dr. Gaul’s odd fascinations.

Coriolanus watches you return to your seat, his finger tapping atop his desk.

A focused look was plastered on Coriolanus’ face the entire day, he almost cannot wait to meet you by Dr. Gaul’s lab later.

When classes are over, he makes his way to the secured lab of Dr. Gaul.  The strong smell of formaldehyde greets his nose, he has come to get used to it.

His steps are long and purposeful but he was careful enough to silence his glide.

And he was glad he did.

He finds you crouched in a corner, your skirt touching the floor, you are too engrossed with a mutated animal that was trapped behind the glass.

“You found Thumper.”

The startled squeak you made had a sadistic smile spreading on Coriolanus’ lips. 

You glare up at him before standing up.  “Do not sneak up on me.”  You say coldly.  “Especially here.”

The mutated rabbit in front of you gives a jolt with the sound of your voice, its eyes trained on you.

“What did she do to it?”  You ask silently, looking at the mutated animal with chin slightly tipped higher.

Coriolanus stands next to you to eye the poor rabbit. 

Its once soft fur was replaced with a coarse beard-like iridescent coat.  Its paws were bigger with ears larger than normal, and its eyes, ghostly pale.

“Nothing.  The rabbit was exposed to the toxic aftermath of an outdoor experiment.  We had it captured in case it proved dangerous.”

“Is it?”  You ask, trying to maintain your indifference.

“Do you pity that mutt, Miss Swansworth?”

Both you and Coriolanus straighten your posture as Dr. Gaul saunters inside her lab.

“It simply piqued my curiosity.”  You respond carefully.

Coriolanus leaves your side to sit himself in a desk set off for him and your eyes squint at how he acts so casually in the place.

“That was a good presentation you gave earlier.”  Dr. Gaul says as she cuts open what you think is-...was a salamander.

“Thank you, Dr. Gaul.”  You try to not to sound too giddy, you must have failed as you hear a snicker from Coriolanus.

Her hand stills and she looks at you with those dangerous eyes of hers making you hold your breath.

“You mentioned earlier that your study can advance the frontiers of science and that humanity can benefit on a broader scale.”  She looks at you fully now.  “To whom are you referring to, with this…‘humanity’?”  She waves her blood red glove in the air as she asks.

The scratching of pen stills from Coriolanus’ desk and you match Dr. Gaul’s intense stare with yours.

“Who else but us, Dr. Gaul.  The outcomes of my research will contribute to the collective well-being of the Capitol.  Subsequently, the Districts can derive…some advantages from the positive outcomes we achieve.  We cannot reap the same rewards.”  You tilt your head to the side, looking at her coyly from under your eyelashes.  “Afterall, anyone who is not us is an enemy.”

Coriolanus looks up from his desk to eye you.  Dr. Gaul recognizes the look.  It was the same one Crassus Snow had when he married his wife, and the exact same when he submitted the idea he had stolen from Casca Highbottom.  Dr. Gaul only laughs as she resumes her work.

“Would you be interested in studying under me?”  She asks after calming down from her crazed outburst.  “I see potential in you, just like Mr. Snow.  I would love to watch the two of you rise to power.”

You glance at him from your shoulder and find him already looking at you with so much intensity.  You had your eyes on him as you uttered your next words.  “I would love to, Dr. Gaul.”  With much satisfaction, you watched his jaw tighten, bringing a sly smile to your lips.

Having to work after classes in the laboratory gave Coriolanus a chance to observe you.

You were very much like the person you were before he left, but ironically, also really different.

He recognizes the way your eyes narrow and how your hand finds your chin when you encounter a setback.  You also became really proper.  The smiles you gladly throw at everyone back in the academy are gone.  You attended the social events alone too, no longer following Coriolanus around to get him to ask you to come as his date.

There was also the swarm of boys he loathed.

You did not entertain them of course, kindly declining their invites for coffees and luncheons.

“You seem awfully popular with the male population of the Capitol.”

The comment did not stop your movements, not even for a second.  The decadent caramel tart was far too good to waste a moment.

“Mmh, it appears so.”  You reply to Corioalanus who seated himself in front of you at your table.  You preferred having lunch alone, it gave you time to think.  But apparently, that was too much to ask.

You saw this a mile away.  He was coming to talk to you sooner than later, and here he is.  His caramel tart ignored as the polished man found you more interesting.

Wiping your mouth with a napkin, you reach for your coffee as you locked eyes with him.  Almost taunting him to say something about it.

Now, with his slicked back platinum hair, tight jaw, and eyes so cold and calculating.  He looks every bit like his father.

“Is that all you are here for? To talk about my suitors?”  You lean back in your chair, careful to keep your posture straight.

Certainly, that is not all he is here for.  You have witnessed this all around you, even back in the academy.  Protégés sizing up their enemies and rooting out possible competition.  It was not your fault Dr. Gaul was interested in how your mind works, although you have to be responsible for your mischievous glances after you win an argument against him.

Winning arguments, if only you knew how much he was holding back, to save you the embarrassment, to not scare you away with his twisted arguments.

He is letting you go as you please, letting you think you are winning, it would be far more rewarding when he steals the prize right before your eyes.

Coriolanus wonders if he can get you to cry.

“No.”  He grins charmingly, making your blood freeze.  “The Plinths invited me to golf this Sunday.  They asked me to bring a friend.”

Your eyes dart all around his face, trying to search for something that would give him away.

“What are you playing at?”  You spoke slowly.

Coriolanus only laughs heartily, a hand placed over his chest in feign hurt.  “You wound me.  I simply wanted to catch up.  Afterall…”  His eyes dart to the family crest pinned on your chest, his eyes suddenly darkening, smile sharpening dangerously as he looks up at you with hooded eyes.  “We’re childhood friends, aren’t we?”

He can be very persuasive. 

Especially those eyes of his.

You heave a sigh and gently bring your cup to your lips, taking your time to sip. 

“Alright.”

“Perfect.”  He beams brightly.  There is something awfully unsettling about it.

Coriolanus Snow finds your distrustful nature inviting.  You are right to be wary of him. 

Sunday comes faster than you would have appreciated. 

The Plinths were very kind people.  Partly because they oh so wanted to be accepted in the Capitol. 

You are leaning on the golf cart, arms folded as you watch Coriolanus laugh with Sejanus Plinth’s parents.

Your thinking posture returns as you observe them.  Back in the academy, you do not recall Coriolanus and Sejanus to be very close.  They were acquaintances, yes.  Nothing beyond that.  In retrospect, Sejanus was a really lonely kid.  Everybody loved his money but friendship with him was something the Capitol kids never crossed.  The kindness Coriolanus showed him, he must have mistaken it for bond.

Poor Sejanus.

“Y/N.”  Mrs. Plinth calls you over and you fix your sunglasses back on and you head their way.

“Sorry, needed to cool off a bit.”  You smile at them.

“Oh, of course.  Would you like some refreshments?”  She asked, worried.  You smile at her, watching closely if this is real or not.  It might be.

Coriolanus swings his club and sends the ball flying to the cup.

Mr. Plinth slaps his back showering the young boy with compliments.

You are unaware that it was you who is being watched now.

“It has been difficult for my husband and I.”  Mrs. Plinth says softly as she guides you under the shade and pours you a tall glass of lemonade.

You thank her but are not letting your guard down for whatever she may spring at you.

“Our son is gone but that boy.”  She smiles in the direction of Coriolanus.  “Our son loved him like a brother.  It may be selfish on my part but I see my boy in him.”

You drop your head, watching your reflection in the lemonade.

“And he has the Plinths’ full support for his endeavors.”

This catches your attention and the woman smiles at your expression.

“In every victory Panem has, there is always a Snow behind it.”  She raises her chin to gauge your reaction.  “And a Swansworth to help them see it through.”

You tip your own chin up and watch Coriolanus do a perfect swing.

“And so there is.”  You give her a sly smile and she returns it with her own.

You might have just met an ally.

The day ends and you cannot be upset with how it turned out.

“In a better mood, are we?”  Coriolanus says cooly, lips tugging up to one side.

You shrug as you both enter the building where you both live.  “Mrs. Plinth is not an awful company.”  A playful smile is also thrown his way.  “I also enjoyed the view.”

There it is.

“Oh, you did, didn’t you?”  He stops you dead on your tracks, preventing you from getting in the elevator.

You did not let his height be a great advantage as you met him with a proud smile.  “The golf course, I mean.”

“Indeed, the golf course.”  He nods as he looks down at you, a smirk tugging on his lips.  “The golf course with its blistering heat and dry wind, that golf course.”

“Exactly.”  You smile sardonically.  “Now, if you don’t mind, I must get to my apartment.”

He lets you inside the elevator and he follows closely.

You stand next to him in silence as the elevator ascends.

A couple of times, your gazes meet in your reflection.

“I’m running as president.”

You sigh as your back meets the cold elevator wall.

“I know.”

He looks at you now, arm leaning on the handrail.

“I want you with me.”

You roll your eyes, arms crossing.

“I was afraid you’d ask.”

He chuckles lowly.

For a moment, only the soft whirring of the elevator accompanied by the classical tune playing was the only noise filling the space.

“Forgive me.”  He finally says.

It is long overdue but you appreciate it still.

“There is nothing to forgive.”

The elevator dings and you get off.  He walks you to your apartment. 

“Good night, Y/N Swansworth.”

“Good night, Coriolanus Snow.”

And you gently close the door, your eye contact never breaking until all you see is the hardwood door.

You stand there for a long time, contemplating.  Your apartment is cold and empty but the lights from Capitol reflect inside your apartment, casting a soft glow in your family portrait and you look at your father in the eyes.

“Snow will land on top.”

Hunt for Glory

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