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flanaganfilm · 1 year

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Good day Mr Flanagan. please what does "the rest is confetti" mean to you and in the context it was used in hill house??

Okay, here we go. Buckle up for a long read.

To answer this, I've got to explain a little bit about what was happening and where I was when I sat down to write episode 10 of The Haunting of Hill House.

Hill House was not a fun shoot. The picture above is from very early in production, when I was still chubby and happy.

It was my first foray into television. I was absolutely terrified that I'd mess it up. So I'd opted to direct all of the episodes myself, figuring that - if nothing else - I'd have no one else to blame if it went south.

It was the most grueling professional experience of my career. The shoot was by no means a smooth one, every day was an uphill battle from a budgetary perspective, and between the three giant production entities involved with the production, I spent a lot of time fighting over the creative and logistical elements of the series.

I began losing weight. I was smoking two packs of cigarettes a day.

By the end of the shoot, I had dropped almost 40 lbs.

I was very depressed. Every day was a battle, and for the first time in my career, I wasn't excited to go to work in the morning. We were fighting for basic resources, fighting for the show we wanted, and even fighting amongst ourselves by the end. It was grueling.

We hadn't written all of the scripts when we started production. I believe we had finished through episode 7, but the rest of the scripts had to be finished while we were already shooting.

We'd mapped everything out in the writers room, and I had great support on the other episodes, but I was writing the finale solo. I'd thought I'd be able to juggle it with everything else. I quickly fell behind.

I finally got to the script about halfway through production. I'd work on it between takes at the monitor, and then get home to our tiny rental house in Atlanta, where Kate was waiting with our baby son. (One of the rare bright spots of this shoot came when Kate found out she was pregnant about halfway through production. We even named our daughter Theodora, in honor of her origins.)

I'd typically fall down from exhaustion when I got home, but I had to push through it and work on the script. My weekends were spent shotlisting and prepping for upcoming episodes. We didn't have enough time to stay ahead of prep, so every available day was used for that... I went three months without a single day off at one point.

I'd sit up late staring at the script. I was in a dark, dark place. Overwhelmed, exhausted, and feeling like I lived in an eternal present. Each day bled into the next and it didn't feel like there was an end in sight. That feeling of unreality was heightened because we kept returning to the same sets, same locations, and even the same scenes throughout the 100 shooting-day production. Stepping back into the exact room we had shot in days or weeks or even months ago made the whole thing feel absolutely surreal. Making movies is always an non-linear experience, but this one felt particularly so... it was like the days of our lives were happening to us all out of order.

I remember feeling something like despair creeping into my daily experience on the show. And I remember dwelling on that when I got into the scene work of episode 10.

As I worked through the draft, I recall that despair coloring a lot of what was on the page. My filter was breaking down. There's a monologue at the beginning of the episode where Steven's wife Leigh (played by my dear friend Samantha Sloyan) spews out a torrent of eviscerating insults about Steve's value as a writer. That is just me vomiting onto myself. She was voicing all of my deepest insecurities about myself at the time, and of what I was doing with this series.

She says "Is anything real before you write it, Steve? The things you write about, they're real. Those people are real, their feelings are real, their pain is real - but not to you, is it. Not until you chew it up, digest it, and shit it out onto a piece of paper and even then, it's a pale imitation at best."

This was the mindset I was in for a lot of the shoot. The writing became a reflection of a lot of that turmoil, and I knew who I was referring to in that monologue - I was talking about my family. I was talking about how much of their lives I'd used as building material for this show. I was talking about the fact that I'd lost two loved ones to suicide, and seen what it had done to my mother in particular. And I knew I was using - possibly even exploiting - those people for this series.

There's a lot of despair in this episode. The Red Room, as we conceived it, was a place that would feed upon those emotions. Grief, sadness, loss... those were the real ghosts of our series, and where our characters find themselves at the start of the finale. They're being slowly digested - eaten alive - by those feelings.

So finally, it came time to write Nell's final scene with her siblings. I knew from the outline we'd constructed in the writers room what this was supposed to accomplish - she was supposed to be their salvation. She was supposed to take all of these feelings that we'd been wrestling with and finally provide catharsis... finally say something that would free everyone.

I remember sitting with a blinking cursor for a long time. The Crain siblings had just turned and seen Nellie standing by the door, and suddenly were able to hear her speak. But what should she say? What would I say? What would I want someone to say to me?

What she ultimately says lays bare a lot of what I was thinking about when it comes to grief. It exists outside of linear time, much as I felt I existed at the time. That sense of eternal present, that sense of a nonlinear eternity of moments and memories - it all came out in her speech to her brothers and sisters.

I remember feeling, looking at my insane present and looking back at my past, how strangely overwhelmed I was by memories. That I wasn't experiencing time in a straight line, and hadn't been for a while - for the better part of a year, I'd felt more like I was standing in a whirlwind of moments. "Our moments fall around us like..." Nell said, and I recall sitting back and trying to find the words.

"Rain," for certain, but there was something too uniform about that. The moments of life as I experienced them weren't that orderly, they weren't that small. They didn't fall the same way. Some sailed by, fast and unremarkable, while others lingered in front of me, twisting and stretching. So it was a good word, but not the right word. I left it on the page though.

"Snow" was my next attempt. Better, in that I imagined the snow blowing in the wind, swirling and dancing and feeling more organic. More chaotic. More like life. But for some reason, the word that stuck with me, the word I felt Nell Crain would connect with was...

"Confetti."

And that was because I was thinking not of Victoria Pedretti at this point, but of Violet McGraw.

Violet played Young Nell, and I wondered what she might have said if she experienced time this way. As an adult, Nell was despairing. Nell was overwhelmed. But as a child... there was an innocence to the word. There was a joy to the word.

I imagined moments falling around her, this little girl with the big smile and the wide eyes. Her moments would be colorful. They would be of different shapes and sizes, some falling fast and some falling slow, flipping and turning and dancing in the air, independent of the others. Sparkling, whirling, doing lazy summersaults as they sauntered down to Earth.

I thought of myself, and of the members of my family. I thought of those we'd lost. I realized what I hoped for them, and for us all, in the end... was to look upon that mosaic of experience, that avalanche of days and minutes and moments... and to smile with some of the joy we had as children.

And this, I thought, was something that gave me hope. This gave me a glimpse of some kind of salvation for them. This was also how I hoped my life might seem if I was a ghost - a cascade of color and light and shape and movement, something I could dance in.

So Nell smiled and said... "or confetti."

It stuck with me. The rest of her monologue gets heavy again, and gets to the real point of the show - the point of the whole series, if I'm honest - and that's forgiveness.

I figured the only thing that would let the Crain children out of the Red Room was to be forgiven. I thought of the losses in my own family, and I thought of what I wished for my mother and for my aunts and uncles and cousins and I tried to pour that into her final words.

"I loved you completely, and you loved me the same," she said, "that's all." And this was the point I wanted the most to make. That at the end of our life, if we can say this about each other, the rest doesn't matter. The rest is that rainstorm, or that blizzard, that fell around this one central truth, and maybe built itself in piles around it, to the point we lost sight of it along the way.

And I thought again of that little girl, and almost as an afterthought, wrote "The rest is confetti."

I liked the way it sounded, but I was insecure about the line. I almost took it out, in fact. I remember asking Kate to read the scene and talking about that last line with her. "Is it too cute?" I wondered. She was on the fence. "Depends on how it's acted," she said, and I figured she was right. We could always take it out if it didn't work. The scene could end with "I loved you completely, and you loved me the same. That's all."

Why not shoot it and see what happened.

I turned in the script, we published it quickly so that we could start breaking it down and prepping it. And the next morning I was back on set. I'd deal with episode 10 when it came down the pipe again, sometime in the coming months. We had a lot of shooting to get through before I had to worry about it.

I recall Netflix asking me to cut a lot of that monologue, and I remember them also having questions about the "confetti" line. I pointed out that it didn't cost us any extra to shoot it all, it was only words, and fought to keep the script intact.

Ultimately, they insisted I make a series of cuts on the page. I begrudgingly agreed, but left Nell's speech alone. I made superficial cuts around it, throughout the draft, and even considered changing the font size to fool them into thinking it had gotten shorter (I ultimately was told I wouldn't fool anyone and not to risk starting a war). But Nellie's final goodbye stayed intact.

It must be said - Victoria Pedretti SLAUGHTERED this scene.

By the time we got around to filming it, things had never been worse for the production. There was almost nothing left for a lot of us. Tensions were sky-high, resources had been exhausted completely, and we were all ready to give up.

Filming in the mold-ridden Red Room was depressing, morose, and led to a lot of arguments and unpleasantness. The room itself just felt gross, always, and we were in there for days at a time. The last thing we had to shoot in there was Nellie's goodbye.

Victoria came to set having to push through pages of monologue, and she did so with captivating bravado. I recall being teary-eyed at the monitor watching her work. And when we finally made it to the last line, I watched her deliver it with... a smile. A sincere, innocent, longing, joyful smile. A smile informed by the sadness, grief, and loss of her own situation, of her own life... but a smile that finds forgiveness and grace after all. Pedretti knew how to say the line, and how that word would work.

And as she said it, I knew it would stay in the show.

Over the years, that sentence has become something of a tagline for The Haunting of Hill House. I'm always a bit mystified and touched when I see people approach me with the line on T-shirts, or even tattooed on their bodies.

I started signing it with autographs back in 2020 after enough fans asked me to. Now it's my go-to when I sign anything related to Hill House.

The line, for me, represents a lot of things.

It's about the insane, chaotic, non-linear experience of making that show. It's about trying to find and hold onto joy, even in the grips of despair.

It's about the way the moments of our lives aren't linear, not really, and how we may be unable to understand them as we exist in their flurry. It's about finding hope, innocence and forgiveness in the final reckoning.

And it's about how, outside of our love for each other, the rest is just... well, it's fleeting. It's colorful. It's overwhelming. It's blinding. It's dancing. And, if we look at it right, it's beautiful. But it's also light. It's tinsel. It flits and dances and falls and fades, it's as light as air.

The rest is the stuff that falls around us, and flits away into nothing.

It's the love that stays.

#haunting of hill house #the rest is confetti #that was a very long story #man I was not okay while we were shooting that #forgiveness #heal

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moonstruckme · 6 months

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Oooo darling!! Your latest TASM fic sparked and idea!

(Before that, hello lovely 🩷 i hope you're having the best spooky season!)

Big brother!Sirius coming to save some poor sod that upset his slytherin!sister (Regulus' twin). So you have the charming & fun Sirius; quiet & regal Regulus; loyal & volatile reader. And i imagine Sirius calls them his twin stars (because hes deffinately a huge sap).

Where wolfstar is in 7th year and has a great relationship with the twins (maybe theyre trying to become their legal guardians behind the scenes). He and Remus are in their dorm before Peter bursts in, breathless, only saying "y/n" before Sirius is off. He has no doubt to why you were put in 🐍, and god forbid someone actually hurt his baby sister.

On reader's side, someone made a snide comment about Remmy being a halfblood or ruining the Black legacy or something and reader gets pissed because shes actually quite fond of him.

Then whatever you decide love; maybe reader gets hurt; maybe she does the hurting; maybe Remus saves the day with his long legs; or Sirius might show people what growing up in the 'Noble house of Black' does to someone. And idk what Reggie is doing, i imagine he was making out with James and they come in at the last minute ("😱 james!! What have you done!? Youve DEFILED one of my precious stars!!! Let go of him!!!! NO, dont touch him, get away.")

Anyway bub, as always; dont feel pressured and take all the creative liberties youd like!! Love you lots darling x

Hi my lovely, thanks for requesting! I really need to get more creative than bloody noses but ugh they're just so classic

cw: blood

big brother!sirius + (as opposed to x, I guess?) little sister!reader ♡ 861 words

“You weren’t there!” you insist as Sirius stalks back and forth across the room, tapping his wand against his leg in a quick, restless beat. “He said—he—” You look at Remus, the boy’s eyebrows drawn together in concentration and concern as he presses a cloth under your nose, trying to stop the blood that’s already crusted down your chin. You decide to keep your mouth shut.

Remus smiles wryly, and you know he suspects why you’ve chosen to go quiet. “It doesn’t matter what they said, love. I don’t need you getting in fights for me.”

“Who was it?” Sirius demands, for probably the fourth or fifth time. You’re losing count.

“It’s already been hand—ah!” Remus murmurs an episky while you’re distracted, and you flinch, hands flying to your face as your septum snaps back into its proper place. “Fuck, could’a given me some warning.”

“Sorry,” Remus says, and he looks like he means it, tilting your chin up to continue cleaning your face as you look at him with teary eyes. “Thought it might hurt less if you weren’t expecting it.”

“How do you figure?” you ask him, somewhat miffed.

“Back. On. Task.” Sirius claps his hands with each word, coming to a stop in front of you. “Who did this? Remus is my boyfriend, I have twice as much a right to defend his honor as you do, you—you fucking—squirt.”

You sneer at the childish name, but you know your brother means to rile you. “I told you, I handled it. He won’t do it again.”

“And he’s never going to touch you again either,” Sirius promises menacingly, squatting in front of you to look you in the eyes, “if you just tell me the fucker’s name.”

“Alright, that’s enough,” Remus says, taking his boyfriend’s shoulder in a spindly hand, the touch both soothing and controlling as he pushes Sirius back from you. “Let’s just let her rest for a minute, yeah?” Sirius sputters in protest, but Remus moves in front of him, pressing his face into his boyfriends’ dark locks. You roll your eyes at the display, though a tiny part of you loves that your brother has someone who loves him this well. Once he quiets, Remus speaks in a low, soothing voice. “I know, I know, you won’t be deterred from your vengeance, but there’s time for that later. Let’s just calm down for now.”

It’s a lovely prospect, but at that moment, the door opens to reveal Regulus and James, both looking somewhat ruffled. James stops short at seeing you all gathered in his dorm (Remus and Sirius, of course, have every right to be here, but you’d bet he and Reg were hoping for some privacy) and stands there blinking for a moment. Your twin’s blasé facade slips the moment he sees you with blood still crusted to your nostrils and tear tracks down your face.

“What happened?” he asks, pushing past James and into the dorm.

“She got into a fight,” Sirius says, outrage instantly rekindled, and Remus sighs in exasperated resignation, his work undone. “Someone said something about Moony, but she won’t tell who.”

Now James looks upset too, eyes darting to Remus concernedly. “About Moony? When?”

“Just now!” Sirius throws up his hands. “Ten minutes ago! Did either of you see anything?”

James shakes his head, and despite Regulus’ blank expression, you catch the embarrassed shifting of his stance. “No,” James says, “we were, uh…we didn’t see anything.”

“I bet I know who it was though,” Regulus offers, that traitorous scum. He’s just throwing you under the bus to take the heat off himself.

It works; Sirius perks up. “Yeah? Who?”

“It doesn’t matter who,” you say, but Sirius cuts you off, facing your twin.

“Who?” he asks.

“It was the guy you were arguing with yesterday too, right?” Reg glances at you for confirmation, and you glare at him. Don’t you dare, your look says, but he nods and turns back to Sirius. “He’s your year, the one you guys call Sni—”

“Reg and James were coming in here to have sex!” you blurt.

It’s a wonder Sirius doesn’t get whiplash from how fast he turns around. “What?”

You nod, unable to feel guilty as Regulus gives you an appalled look from behind your older brother. “Mhm,” you say. “Their hair is all messed up, and look—their lips are swollen. Plus, they were surprised we were in here.”

You do feel a tiny bit bad for James, whose dark skin blanches when Sirius turns on him. “James Potter, did you come in here to defile my brother?”

James looks to Remus for help, but his friend only turns his palms up like Sorry, what can you do?. After a second, Regulus steps closer to him.

“Sirius, we—”

“Don’t touch him,” Sirius practically retches. He shakes his head, grabbing Regulus by the arm and all but dragging him from the room. “Alright, listen. You are going to tell me who was talking shit about Remus, and then we’re going to have an entirely separate conversation about boundaries.” He casts a noxious look back at James. “And I’ll deal with you later!”

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lixiesfreckless · 2 months

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No Translation Needed | h. h.

➸ synopsis: when the language barrier between you and a stranger becomes too wide, your shared interests bridge the gap for you.

➸ starring: hwang hyunjin x female reader

➸ word count: 2.7k

➸ general content: artist!hyunjin, there is somewhat of a language barrier, both people are complete art nerds and it's way too endearing, takes place in south korea, flufffff(I'm so fond of this man)

➸ warnings: microscopic mention of alcohol

➸ rating: teen+

➸ author’s note: an older fic but I'm still so attached to it. two kinds of people: the type who hear hyunjin speak english and move on, and then me

♫ this fic has a soundtrack! you don’t need to listen to it while reading, but rêverie by the man, the myth, the legend, claude debussy goes SO HARD ON THIS FIC LIKE-

You were never the type to dabble in realism.

A pair of headphones, a wide brush, a blank canvas, and a bucket of red paint; that was your activity of choice on friday nights. Nothing that came from that ever resembled anything in particular, but it was never supposed to. Just looking at it, one could tell what emotions fueled the creative process those nights.

The feelings behind them were real enough, you'd hear people say.

But of course, there's always some people that detest abstract art. They say it takes no talent, no thought, that you're just slathering paint on a canvas and expecting to get recognition for it. Sometimes you think they're right.

Other times you buy a plane ticket out of the country, you know, for fun. If you were a starving artist, maybe you'd think about letting their words get to you.

And while some would argue that booking a spontaneous vacation to Seoul could classify as a form of escapism, the painting in front of you has you wondering whether you could mark this trip in your tax forms as a business expense.

All of your years in art school and not once had you ever learned so much from one piece of canvas.

Art museums are designed to look boring. They are supposed to draw your eye from one acrylic-covered canvas to another, making you forget about your surroundings and immerse you into the various artworks. This one was no different, hues of beige and black and white littering the geometric space.

That being said, you are certain that this painting would have caught your eye even if it was posted in Times Square.

You had made your way across the room, ears picking up on the few Korean phrases you knew as strangers shifted around you. A graphite cityscape. A gouache vase of flowers. A portrait made of ink prints on wood. The exhibit you randomly picked over tonkatsu and soju last night in your hotel room was definitely a good one, no doubt.

And to think you almost walked past this piece.

Bold strokes of blue, tiny specks of white, all on a frame that was wider than your wingspan.

The girl was depicted just off center, in some billowy white dress.

Floating? Drowning?

You settle on suspended as your footsteps slow down, turning to approach the watery scene.

Staring at it feels like staring at a glass of water. You can't definitively say whether it’s half-empty or half-full, whether she’s reaching for the surface or letting herself sink. Her face is covered by wispy brown hair, obstructing her true emotions from view. Somehow you know this was a conscious decision the artist made, to let the viewer come to their own conclusion on the piece.

Even though you know about the negative effects that human oils have on artworks, you still find yourself fighting the urge to reach out and touch it. To feel the ripples of the oil paint and somehow find your own hand soaked, as if you reached through the canvas barrier and felt the cold loneliness yourself.

Impressionist paintings did always have this charm about them, at least to you. They felt abstract upon inspection, just a mess of strange brushstrokes and controversial colors. And yet when viewed from a distance, it feels like a completely different experience. Up close, a dizzying mix of the shades of the sky. A step back, and it's an unspoken thesis on the solitude of limbo, or whatever you've decided to name this piece.

You glance at the info card at the bottom right corner.

Buoyancy- Hwang Hyunjin

You make a mental note to research him later before your eyes get pulled to the subject once again.

‧⋆ ✧˚₊‧⋆. ✧˚₊‧⋆‧

You have been staring at his painting for eight minutes.

He had walked around, chatted with other featured artists, talked with a few strangers, but when he came back, you had acted as though you were one of the items on display; still locked in the same position as before. Eyebrows furrowed, one hand resting on your canvas tote bag, the other in the pocket of your trousers.

In the nicest way possible, you looked like a tourist.

But tourists don't have long attention spans, and you could have been roleplaying a statue with how long you'd been standing there.

A strange mix of anxiety and excitement rushed through Hyunjin when he found you still standing there.

No one had ever observed his art for that long before.

At least, not in one sitting. Definitely not like this. Why haven't you moved on? Can you see something that he can't? Are you thinking of buying a print?

He wants to approach you. To leave you alone. To watch you scrutinize his painting. To run screaming to the event coordinator.

Casually, he sticks both hands in his jeans and stands a few feet from your right side, as if he's one of the visitors.

He takes a moment, gaining whatever’s left of his composure before speaking.

“I'm so glad I know how to swim.”

You snap out of your daze, surprised to hear English in the Korean white noise you've been immersed in. You look over and see the gorgeous young man standing near you, looking at the painting you've been so engrossed in.

“Yeah,” you exhale, “I totally get the fear of open water.”

Hyunjin chuckles, strangely drawn in by the sound of your voice.

“Although, she doesn't seem all that scared to me,” you add, shifting your focus back to the canvas.

“You don't think so?”

“I mean, you could argue that she doesn't want to be there, that she's drowning,” you begin, pointing to the girl. “But…the longer I stare at it, the more I feel like she's just hanging there, not reaching for the surface on purpose.” Your finger trails down to the bottom right corner. “I think that's why it was named Buoyancy, at least that's what I got out of it…”

You trail off, realizing that you're rambling to a total stranger about a random piece of artwork. Looking back at him however, you find your face heating up at the amazed expression on his, as if you had just told him his middle name.

“I wish I had thought of that,” he lies. It was almost scary how quickly you had found the meaning he'd tried to convey after months of fighting with the paint.

“Well that's the fun thing about art,” you say, smiling to yourself. “It's all subjective. What were you thinking?”

Hyunjin opens his mouth to speak, then closes it again in mild frustration.

“I'm not…very good with English,” he says, defeated.

He would argue that he's not very good with any language, even his mother tongue.

Art was the only language he felt he could speak easily without hesitation. It was easy to throw himself into that with reckless abandon, because it was the only place where he truly felt understood.

“But I can still understand you,” he quickly amends, glad to see that spark behind your eyes again. He walks past you, stopping at the painting on your left. “What about this one?”

“This one has some really dramatic lighting, which makes me believe…”

‧⋆ ✧˚₊‧⋆. ✧˚₊‧⋆‧

Evening sunlight filters in through the exhibit windows as you and Hyunjin examine an organically-shaped vase, admiring its handiwork.

“I’ve always wanted to try pottery but…I don’t really like the feeling of cold clay on my hands,” you chuckle, looking at the tall man next to you. He grins, scrutinizing his hands as he contemplates his answer.

“People tell me I have good fingers- for clay,” he adds quickly, even though the meaning wasn't lost on you, and you fight back a smirk to appear unphased. “But I haven't found a good studio? Is that how you call it?”

“I wouldn't know, I've never been,” you say, walking to the next painting. Which happens to be where you both started.

“Wait, have we been through this whole gallery?” You quickly check your watch, confirming that you have been there for much longer than you had intended. Looking back at the stranger you have spent the evening with, you feel heat start to scatter across your face.

“I'm sorry, I didn't mean to take up so much of your ti-”

“I liked it,” he blurts, and you feel reassured as his face lights up with panic. “Talking. With you, I mean.” He looks just past you to the art on the wall, ears turning the slightest shade of red. “No one has ever said anything so beautiful about my art before.”

He watches as your face circles through several emotions, before settling on embarrassment.

“You're…you're one of the artists? Which one is yours?” You say, trying to recall what you said about every art piece.

He nods toward the painting that had first caught your attention, the one that practically jumped out at you an hour ago.

“Hyunjin,” he says quietly, extending a hand toward you in a humble introduction, as if that same hand didn't produce the masterpiece in front of you.

“Y/n,” you whisper, trying not to let your mouth hang open in awe. “And to think I was going to Google you later.”

“You were?” The light in his eyes was unmistakable.

“I always research artists that inspire me,” you admit, bashfully dropping his hand.

“I inspired you?”

You meet his eyes and you know then, the weight that your words carry.

To create is a desire that all artists cannot shake; it is what keeps the painter keep coming back to the blank canvas, the sculptor to the slab of clay. But when the process is finished, all they can hope is that someone will see it, and feel a fraction of what they felt whilst creating it.

Moving someone to the point of giving them the desire to create, through their artwork, is a dream many artists never get to see come into fruition.

And maybe that's why Hyunjin stares at you now, wondering which lucky star is shining down on him now.

“Can I…” he pauses, hoping he's saying the line like how they do in the movies, “can I buy you a drink?”

‧⋆ ✧˚₊‧⋆. ✧˚₊‧⋆‧

When people say studio apartment, this is what you wish they mean.

Floor-to-ceiling window walls on one side, where several canvases sit propped up against the city skyline, and an apartment on the other, with a cute kitchenette and loft bedroom that doesn't feel cramped. It's perfect for someone who needs enough space to think, without sacrificing their space to live.

You hear Hyunjin click the door shut behind you as you set your bag down on a chair, surveying the studio side of his residence.

Several canvases catch your eye.

You can't even blame him for attempting to paint it because with the view he has, you'd paint it every day.

Different versions of the Seoul skyline are scattered across the room, each depicting a different time of day. Sunrise is leaning against the window. Midday is sitting on a canvas. Twilight is hanging up on the wall, and something akin to golden hour lays unfinished, perhaps even abandoned on the floor. You crouch in front of it to get a better look.

“That one is…not finished,” Hyunjin says from the kitchen, pouring two glasses of soju. You can feel his nervous gaze on you even with your back turned to him.

“It's beautiful,” you whisper, looking at the palette he used to mix the colors. An array of browns and yellows are smeared on the glass, which were no doubt used to put the buildings into the scene.

He doesn't say thank you; his face does that for him when he crouches next to you, cheekbones pink as he sets the soju glasses on the floor.

“I can't get the colors right,” he sighs, staring at the painting in discontent. “It looks…dull.”

“Maybe you should try adding red instead of brown,” you suggest, picking up a palette knife. “May I?”

Hyunjin stares at you in bewilderment, before opening a tube of vermillion and squeezing a bit onto the palette.

“I studied color theory for what felt like forever,” you chuckle, taking the knife and adding red to a few of his previous colors.

“I never went to art school,” he says, as if that makes him a lesser artist. You feel a twinge of jealousy at that statement, knowing that the man next to you was this skilled without coaching, before adding, “You didn't miss much. It killed my creativity.”

Hyunjin goes pale at that as you pass him a clean paintbrush and toss the palette knife aside.

“Did you get it back?” He asks, and when you tilt your head, he adds, “Your creativity?”

“It comes and goes.” Sometimes you wish you didn't stake your livelihood on your ability to create. Inspiration is always a welcome guest but it never stays for long, at least on your side of the ocean.

Watching him add your hues to the painting is like having inspiration fed right into your bloodstream. Immediately the painting comes to life, the reds of the sunset becoming visible at the whim of his paintbrush.

He stops for a minute to admire the changes, and turns to you for feedback, eyes twinkling with joy. Or maybe that's just the soju.

“It was beautiful before,” you say, tracing your finger along the side of the canvas, “but now it looks alive.”

“I love the way you talk,” Hyunjin says quietly after a moment of silence, and the bluntness of the compliment nearly has you choking on your soju. But he just looks at you, no hint of humor in his eyes, sitting entirely too close to your tipsy self, and you feel your body buzz with warmth.

“And I love the way you smile,” you whisper back, unable to look away as he sets down his paintbrush, trying to hide his contagious grin.

He turns back to you, and you wish for several things. You wish you didn't have a plane ticket taking you away from this place in a week. You wish that you had finished your glass of soju. You wish you could poke the mole under his eye, or the dimple in his cheek.

You wish that you were drunk enough to close the gap between you two without a second thought.

But when your foreheads touch, your phone buzzes, so you grin and chuckle to yourself.

“I…I think we've had too much to drink.”

He looks at you through hooded eyes and smiles again.

“Or not enough.” He counters.

You nod in agreement at that and pull back, mentally kicking yourself for losing the only chance at finding out what his smile tastes like. But it's probably better this way. You don't want to be remembered as the girl who sweet talked her way into his bed.

You're halfway to the sink with your glasses when he speaks up suddenly.

“I want to see you again.”

You set the dishes down before turning to face him, and you wish you had brought a change of clothes. And maybe an extra toothbrush.

“I don't want to finish it without you,” he says, nodding to the painting that he had moved to the easel.

“I can come back tomorrow morning,” you promise, trying not to sound too hopeful.

“I can make crepes.”

“I love crepes.”

He picks up your bag from the chair and brings it to you, hating how much it feels like he's rushing you out the door.

“See you tomorrow, y/n.”

“Goodnight, Hyunjin.”

You leave the apartment and close the door behind you, but your feet don't advance down the hallway. Hyunjin's hand hovers over the locking mechanism, unable to click the deadbolt into place as he considers running after you.

Before you can talk yourself out of it, you spin around to knock on his door, only to find him throwing the door open and grinning in delight at the sight of you.

“It's past midnight, isn't it?”

His smile tastes like mint and chamomile tea.

#stray kids #stray kids fanfiction #skz #skz fanfic #skz fanfiction #hwang hyunjin fic #hwang hyunjin #hyunjin #hyunjin x reader #hyunjin imagines #stray kids imagines

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save-the-villainous-cat · 2 months

Note

Goofy and erratic villian with an exasperated and somewhat uptight hero who has a crush on the villain? Maybe the villain says something vaguely flirty on accident and the hero has to pretend they don’t like it (and fails miserably)

“Come on.” The villain grabbed the hero’s hands and pulled them towards the dance floor. Eyes glinting, excitement filled up the villain. “Fight me.”

Utterly unimpressed, the hero just rolled their eyes.

“No interest.”

“That’s not very diplomatic of you. Refusing the enemy’s suggestion to resolve our issues? Come on, it’ll be fun. Just a little bit of combat.” They pulled the hero close, grip tight around them as they led the hero through the song. “Or are you scared?”

“We’re calling combat ‘resolving issues’ now?” Their eyes went through the crowd, concentrating. Professional. Obviously, the hero didn’t have time for their nemesis but the villain didn’t care.

At this point, they took whatever fell into their hands. The hero was a master at hiding, at avoiding people and the villain was not going to let them slip through their fingers that easily.

“It’s like couples therapy for crazy people, don’t you think?” the villain asked. They tried to redirect the hero every time they spotted the supervillain among the many millionaires.

Admittedly, the villain had been on their hands and knees when they’d discovered that the hero was going to be here. They’d begged the supervillain to take them with them and thank god, the villain had been assigned to distract the hero.

It was their favourite activity.

“I can’t argue with that, I suppose.” The hero shrugged. “I am not interested in making a scene, though.”

“But it’s so much fun...” Again, the villain pulled them closer, staring through half-lidded eyes at that heroic face.

One time, the hero’s hard shell had cracked in front of the villain. Ever since, the villain tried to crack it again, not because they wanted to torment the hero but because they needed the hero to know that being imperfect and vulnerable was normal.

The hero forgot that they were human sometimes.

“You’re aware that I am going to crush you like a beetle, right?”

And the villain had seen other people lose their mind to that.

“Oh, I’d love that, baby,” the villain answered. The hero’s face remained emotionless.

“If you think that you can distract me with your cheap tricks, then you’re blithely unaware of the fact that I am the best in this business.”

The hero tried to get out of the villain’s grip but the villain knew the supervillain wasn’t done with their investigation yet. So, the villain had to get creative.

“I know you’re the best, that’s why I want to fight you again. Gives me a kick.” The villain brushed the hero’s ear with their lips. “It feels good.”

“Ugh, you’re annoying.” The hero grabbed the villain’s jaw and turned their head away from them. The villain had to giggle at that.

However. The villain also caught a glimpse of their red ears.

The hero was embarrassed.

“Come on, grumpy…you love me.” They couldn’t help but smirk. Annoying the hero was a hobby the villain would never be able to let go of. Sometimes, they committed a crime just for the hero to show up.

“I’m wasting my time with you.”

Unfortunately, the villain spotted their superior. Giving them a sign to go back to the lair.

“You mean you’re having fun,” they mumbled.

The hero was quiet and looked (as usual) quite dissatisfied as they let the villain guide them. They didn’t seem to be passionate about dancing at all. They didn’t seem to loathe it, either.

“Let me invite you on a date, then. You. Me. Tomorrow. Bring your best weapon,” the villain said. They squeezed the hero’s hip, making the other’s eyes widen and somehow, the hero seemed much more human with their red face and their avoidant gaze.

Almost as if they did like the villain after all.

The villain could live with that, though.

#man I don’t know #You’re also blithely unaware of the fact that in 2002 Oscar de la Renta did a collection of cerulean gowns and then I think it was #Yves Saint Laurent wasn’t it? who showed cerulean military jackets…I think we need a jacket here. and then cerulean quickly showed up #in the collection of 8 different designers. then it filtered down through the department stores and then trickled down into some tragic #casual corner where you no doubt fished it out of some clearance bin #however that blue represents millions of dollars of countless jobs and it’s sort of comical how you think you’ve made a choice that #exempts you from the fashion industry when in fact you’re wearing a sweater that was selected for you by the people in this room #from a pile of ‘stuff’#writing snippet #heroxvillain prompt #heroxvillain snippet #heroes and villains #hero #villain #hero x villain #heroxvillain #an answer for an ask #request

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isa-beenme · 9 months

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Hello!! Do you think you could right a sort of enemies to lovers relationship with Azriel? Maybe where he and the reader get into a heated argument, and the bond snaps when the tension hits its peak? If this doesn’t inspire you, please don’t feel as though you have to accept my request! This is my first attempt at making a request, so I apologize if I did it incorrectly. Also, I wanted to note that your writing style is one of my favorites, and I hope you are proud of your work! That’s all, thank you for your time!!

THE SOOOOOOOOOONG

Listen to it please thank you

Loved your request, darling, it's actually much better when you send the whole story, I usually struggle when I try to think of a whole story alone (I swear I'm creative but it's hard to get things in your head out of nothing)

I try to be proud of my work as much as I can, thank you so much 🥺🥺🥺🥺🥺

THIS WORK was sooooooo fun to do, I swear at some moment while I was writing this I laughed at my own story, super cool

I thought: "I'm gonna make this super serious" amd ended up with this, which is much better

This Is Love

Your family always meant everything to you. Being Rhysand's cousin meant you would be inserted in everything he did. Being his second in command meant you would be involved in every plan. And being all of that meant you would be part of his Inner Circle, which automatically involved you in everything they did together. From training, to family dinner and trips around the Courts for the meetings, you did all together. And you loved it. Again, your family meant everything to you, and spending time with them was on your top list of favorite things to do. I mean, when a certain Shadowsinger wasn't completely involved.

Working with Azriel was always fine, perfectly fine, actually. Rhysand often paired you up together to work because everything fell into place with the two of you. Your mind always seemed to think like one. But that teamwork only made itself present when the topic was your position towards the court and your job. Outside that, you both were a mess. Training with him was a dread, from him pinpointing each - non-existent - mistake, to you lashing yourself on him each time he made you angry, it's been more than 250 years of both of you trying to win one another in the training. It never happened.

Family dinner was also horrible since both of you had very different visions in every single topic someone started, not just that, somehow, no matter how many times you and Azriel changed seats with someone, it doesn't take a week until you find yourselves seated next to each other again. On top of that, you and he possess the ability to winnow, yet, Rhysand always thought it was necessary for you to winnow together. No matter how many times you said it wasn't necessary, Rhys only ignored you, the necessity of traveling with him making you hate your life just a little bit more.

But if spending time with your family was on your top favorite things to do, game night with Azriel was on your top things to make yourself miserable. It was a common scene for the rest of the Inner Circle to see you and him screaming at each other at some point. Sometimes one of you thought the other was cheating. Sometimes you started saying the other was winning too many times and should be taken out of the game. Sometimes it was the complete opposite, "if you lose so much, maybe you should step back and stop occupying space". Tonight it wasn't different, your favorite fight was ready to start as Azriel explained the rules to the new game.

Besides the usual crackling tension between you and Azriel, this night seemed to be at its worst peak. For weeks now, both of you seemed to be on the edge with one another, even in work, your usual camaraderie was replaced with sharp remarks and piercing glares. Everyone around the table exchanged puzzled looks, uncertain of what exactly had caused this escalating feud.

Azriel couldn't understand why every word from you grated on his nerves, nor could you fathom why Azriel's mere presence felt suffocating. The build-up of unresolved emotions and unspoken desires had been simmering for days, and now, it was about to reach its boiling point.

The Night Court's game night had started off innocently enough with your usual truth or drink game, something to light up tension (or build it, in your and Azriel's case), but as the evening wore on, the tension between you and Azriel became palpable as the Shadowsinger tried to introduce a new idea to the table. It began with a harmless disagreement over the rules of a card game, but it quickly escalated into a heated argument once the match started.

Azriel's patience was wearing thin as you challenged every decision he made during the game, the cards he dropped and the ones he chose, everything seemed horrible in your eyes. The other way around too, your matches weren't valid, you couldn't pick certain cards and no, it wasn't your turn yet. His usually calm demeanor was now strained, and he couldn't help but feel irritated by your persistent need to question him.

-I don't understand why you always have to question everything I do - Azriel snapped at some point, his shadows flickering around him as a testament to his growing frustration.

-Maybe if you didn't act like you knew everything, I wouldn't have to. "Boo, I'm Azriel and I don't let people play the game because I invented it and none of you understand how to play it" - You quickly shot back, their voice laced with sarcasm

The room fell silent, and your friends exchanged uneasy glances, sensing the mounting tension between the two of you. But there was no going back now; the floodgates had opened, and all the pent-up emotions were rushing to the surface.

-I don't act like I know everything, and I don't talk like that - Azriel retorted, his voice tight with anger - I just wish you'd stop acting like you have all the answers! Sometimes it is okay to listen to help because, guess what? I indeed invented the game and there's no way of you learning how to play it, if you don't listen to the rules!

-Well, forgive me for not blindly following you like everyone else. I'm not afraid to question things when they don't make sense! - Your eyes narrowed, jaw clenching as you shot back.

-And I'm not afraid to take action instead of endlessly debating every damn decision! - Azriel's temper flared, his wings twitching in agitation.

-I think what you're really good at is fucking my life! - Your family gasped at your words, shocked by the intensity.

-It's just a payback for every headache you give me every time you breathe near me - They quickly turned their heads to Azriel, equally shocked by his response.

The words hung in the air, and for a moment, it seemed as if you were both about to explode. Your family exchanged worried glances, unsure of how to intervene in the escalating argument. But just as the situation reached its breaking point, a strange shift occurred. As Azriel locked eyes with you, an unexpected intensity replaced your anger. It was as if the universe itself had decided to step in, forcing you to confront the undeniable truth.

The room seemed to blur around you as you stood there, chests heaving from the heated exchange. The fight had reached its peak, and in that very moment, the mating bond snapped into place. The sudden connection was overwhelming, a rush of emotions and sensations that neither of you could comprehend. Your anger dissolved into confusion and shock as you felt an unexplainable pull towards each other.

Azriel's wings, once tense and defensive, now softened, as if beckoning every step you unknowingly took closer. Your guard came down as well, replaced by a mix of vulnerability and curiosity.

Your friends watched in astonishment as two adversaries stood there, seemingly lost in a world of their own. The room is filled with a charged silence, the kind that accompanies a revelation that changes everything. Even if none of them knew exactly what revelation was going on at that moment.

But as the realization set in, Rhysand and Feyre exchanged knowing smiles. It was no secret for them that you and Azriel had an underlying connection, a bond waiting to be acknowledged. They had witnessed the chemistry and unspoken feelings simmering between the two of you, and now, it seemed the universe had decided to intervene.

Your eyes met Azriel's once again, and this time, there was no irritation or hostility. Instead, there was an undeniable spark of understanding and attraction, a recognition of the emotions that you had been hiding from each other. Neither of you spoke a word, yet you communicated on a deeper level, the mating bond solidifying your connection at each passing second. It was as if all the walls you had built around your heart came crashing down, leaving you exposed and vulnerable to him.

As the reality of the mating bond settled in, your heart raced with confusion and fear. You couldn't understand why fate would choose someone you had built such animosity towards to be your mate. Feeling overwhelmed and unable to face the truth, you turned around and ran, needing time and space to process the whirlwind of emotions inside you.

Azriel, though taken aback and hurt by the sudden rejection, couldn't ignore the pull of the bond drawing him to you. With determination, he chased after your steps, his heart heavy with worry and longing. He caught up to you as you were getting closer to your room. Gently reaching out to touch your shoulder, you recoiled as if his touch burned.

-Please, let's talk - Azriel pleaded, his voice tinged with sadness - I never wanted to hurt you. The fights... They were a defense mechanism, a way to hide my own feelings and protect myself from the pain of loving someone who seemed to hate me. You started this, I just… Thought I should defend myself.

-But why you? Why did it have to be you? - You whispered, voice breaking with emotion. Azriel's eyes softened, and he took a step closer, his hand hovering near your face, yearning for the connection you both feared and desired.

-I wish I had an answer for that. All I know is that the bond doesn't choose who we love, it just binds us to our other half. And for some inexplicable reason, it chose us - He could see the pain in your eyes and knew that he needed to be honest, to show vulnerability despite his fears of rejection - The truth is, the more you fought me, the more I fell for you. Your fire, your strength, everything about you drew me in. But I was terrified of what it meant, so I pushed you away.

-I didn't know what to do with my feelings either - You admitted, opening a place in your heart that you swear to never look at again - I tried to convince myself that I hated you, but it only made things worse. Every fight, every argument, it was just a way to hide how much I… I wanted to be by your side. Everything was simple with them but you? You made me feel things and I didn't want it - Azriel's heart ached at your words, and he took a step closer, finally touching your cheek gently.

-We can figure this out together. I don't want to fight anymore. I want to be here for you, to understand you, and for you to understand me - Tears finally spilled from your eyes, as you looked into Azriel's soulful gaze, feeling the sincerity of his words.

-It won't be easy, but maybe we can try - You gave in, hugging him tightly, filling the void in your soul that you ignored for so long.

You and Azriel knew that you had a journey ahead, to step down from the fights and finally accept the truth that maybe, just maybe, you both were meant to be. Even in disagreement you found a way to each other. Although you would definitely keep your provocations going and Azriel would stay at your feet for anything you did, that was your way of loving and for the first time you were fine knowing what tomorrow would bring.

------------------------------

[Post-Credit Scene]

The Inner Circle sat around the table, looking perplexed and bewildered after the explosive game night that had just taken place. None of them could quite wrap their heads around what had unfolded. Nestha glanced at Cassjan, who raised an eyebrow, silently communicating his own confusion. Feyre and Rhysand seemed to be the only ones who understood the situation, but none of them made a move to say something as they kept talking to each other in their minds.

-So, did anyone understand what just happened? I mean, they are usually weird around each other but… This weird? It's worrying - The general scratched his head and finally gathered the courage to say something.

-Beats me. The brute is right. But I have to admit, seeing them argue like that is always quite entertaining. It's the only reason I've been coming for the past centuries, honestly - Amren replied with a snarl, eyes rolling as she threw her cards on the table.

-Oh, for sure! It was like watching a drama unfold right in front of us every week. But I can't believe they just bolted like that. Do you think they're okay? - Mor inquired, a mix of amusement and worry kicking in.

-If I had to bet I would say they are killing each other - Cassian said, playing with the deck of cards.

-Or fucking - Nestha chimed in with a laugh - I mean, when I didn't accept the mating bond with Cassian I acted exactly like them. If you don't understand the feeling you might as well hurt the person you hold those feelings for - Everyone seemed to agree as the bets started to grow around the table.

-Knowing those two, they probably needed some time alone to sort things out. Maybe it's an understanding finally kicking in - Rhysand leaned back in his chair, his eyes twinkling with mischief - The group exchanged curious glances, trying to understand their High Lord.

-Well, whatever it is, we can't say it was unimportant. That was probably the most explosive family game night we've ever had - Feyre couldn't help but add with a grin.

Just then, the door to the game room creaked open, and you walked in with Azriel by your side, hand in hand, with smiles on your faces. The Inner Circle's jaws dropped in disbelief as they took in the sight in front of them.

-What the...? How did you...? What? - Cassian sputtered, at a loss for words.

-You know, it's funny how things work out sometimes - Azriel looked around at their stunned faces and chuckled.

-Yeah, we had a little heart-to-heart and sorted some things out. Turns out, we had a lot of misunderstandings to clear up - You and Azriel smiled at each other, making the whole Inner Circle shocked.

-So, you two aren't going to be at each other's throats anymore? - Amren raised an eyebrow, a sly grin forming.

-Oh, we definitely will - You said when you looked back at them, your head finding its way to Azriel's shoulder.

-Just not today - He said and kissed you head, hearing some gasps from the table.

-Are we witnessing a truce? - Mor whispered to the General, who just shuddered, as confused as her.

-Let's just say we have a newfound understanding of each other - Azriel replied, you and him sharing a knowing look.

-Well, that's a relief! We were starting to wonder if you two were going to start a war right here in the Night Court - Feyre laughed, reaching out for her mate's hand.

-Glad to see you've made up. Just... maybe tone it down during future game nights? - Rhysand smiled after clearly speaking mind to mind with the Shadowsinger.

-Okay, so… the rules of the game? - Nestha questioned, her cards still secured in her hands.

-It doesn't matter right now, you can choose it - Az said, making everyone turn their eyes to him. Shock covered every face in the room. Never, in their lives, do they think Azriel would give up on something. They turned their eyes to you, expecting some remark.

-Yeah, you guys can keep going - A wave of gasps and terrorized looks were exchanged between your family - I think Az might be hungry, aren't you?

-I might be. Will you make me something? - He asked, getting so close to you that your noses almost touched.

-It will be my pleasure - You said before dragging him towards the kitchen, not even noticing the mouths of the Inner Circle opened.

-Uh uh, no. I prefer the war. Tell them to come back and fight again, I don't like the way things worked - Mor leaned back in her chair, disbelief covering her posture.

-You know what? I think this interaction was more scary than the Cauldron - Amren said, finally giving up her cards as she threw them on the table.

-Come on, it can't be that bad, right? - All of the older members looked at Nestha with scared faces, even Rhysand, who knew exactly what happened between the two of you - Okay, apparently it is.

-What do we do now? - Feyre finally asked after silence filled the room.

-We hope that this Court doesn't crumble down - That was all that Rhysand said as he began separating the cards again, a whole new game starting that night.

#spotify #acotar #azriel × reader #azriel #azriel shadowsinger #azriel/reader #azriel x oc #azriel x reader #azriel x female!reader

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bestanimatedmovie · 1 year

Text

Choose your favorite!

Vote in the other polls!

What fans say:

Kung Fu Panda:

Honestly iconic. The progression of story, the message, the acting.

The way this movie balances tone is nothing less than astonishing to me. It's funny and lighthearted but also intense and dramatic and neither ever take away from the other. Every joke and emotional beat lands excellently. Not to mention. The fight scenes SLAP. And so does the score!!

It's just GOOD. I love how all of them were insanely genuine. Po genuinely wanted to be a Kung Fu master. The Furious Five genuinely wanted to be the very best like no one ever was. And Tai Lung genuinely wanted to kick the shit out of anyone that even looked at that dragon scroll. But seriously one of the best movies.

Treasure Planet:

The setting and focal relationship!

WHALES IN SPACE. Second best treasure island adaptation (#1 is muppets). The song The Song!!

Where do I begin with this movie? It blends CG and hand drawn animation beautifully. All of the backgrounds are gorgeous. There are so many cool alien designs. The score is absolutely perfect. The amount of detail put into the design and worldbuilding shines through. All of the characters are so much fun to watch, especially Long John Silver and Captain Amelia. This movie takes at least partial responsibility for my love of space/sky pirates. Also it was actively sabotaged by Disney so I need to vouch for it at every chance.

Space pirates in a classic novel. It's gorgeously animated with a blend of 2d and 3d. Also, LONG JOHN SILVER HAS A 3D HAND thats hecking impressive for a main character to be a blend of the two in 2002. Did I mention the twink protagonist and malewife for the rich halfwit son? The aliens are beautifully unique, and a mantis guy floats off into space. from a pirate ship. because they aren't just space pirates, they're aliens and cyborgs on pirate ships going through space. Which fucking rocks.

It's a genuinely creative adaptation of Treasure Island that has so much heart and incredible animation. It helped pioneer 3D animationa nd it was the first feature animated film to utilize both 2 and 3 D animation

The animation is so good, and the way that the antogonist isn't black and white, he genuinely cares for the protagonist <3

Pirate ships in space!

Watched this on loop as a kid, gave me solace for not growing up with a dad

It fucks

The ☆A n i m a t i o n☆!! And captain Amelia

It's so fun looking, cool character design. It's funny, it's emotional. I love it so very much please aaaaaaa

How this movie looks is absolutely amazing. A space-steampunk pirate story with fantastic visuals and (mostly) great characters. The vibes this movie has are off the charts. Jim is the bad-boy-good-heart kid, the doctor is a silly-goofy-but-oddly-competent support and Silver is a complex father-figure-who's-made-mistakes. Also MORT the cute little jelly that won me over in 0.5 seconds flat. I am also a slut for a good soundtrack and this one SLAPS. I will stand by my opinion that the Russian version of the song I'm Still Here did a better job of fitting the montage and the mood. That's a hill I will die on.

#Kung Fu Panda #Treasure Planet #best animated movie #round 2 #tournament poll #tumblr's favorite

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rollforfelicity · 1 year

Text

Why Dungeons and Dragons: Honor Among Thieves Didn't Use D&D Combat Rules (And Why They Were Right Not To)

The D&D movie was really fun, and since at this point most of my friends play D&D (or at the very least other TTRPGs), almost everyone I talk to on a regular basis has also seen it and liked it. The consensus is that even though there's no "meta" that the characters are controlled by players sitting around a table, or jokes about the DM, the movie feels like D&D. The jokes feel like jokes people would make while playing. The constant pivoting from Plan A to Plan B to Plan C feels familiar to anyone who has spent an hour at a table deciding what to do, only to have a roll go sideways and screw things up. Before I get too far, I should say this post contains some mild spoilers for Dungeons & Dragons: Honor Among Thieves.

What didn't feel like D&D were the fight scenes. In one scene, a Paladin quickly dispatches a group of enemies before any of the rest of the party even acts, showcasing that even though he's kind of a square, he's an incredible fighter. In another scene, the Barbarian grabs and wears a helmet in the middle of a fight, using it creatively to get the upper hand. During a fight against a gargoyle, the Bard blinds an enemy by throwing a blanket over their head, but gets pulled along with them when a loose rope wraps around his leg. These are all pretty big moments in the movie, and Rules as Written, would never happen at a D&D table, because D&D combat doesn't work like that.

Here's what I think is interesting. The vast majority of the rules of D&D revolve around combat. It's not all of the rules, but most class abilities, spells, items, and rules have a combat focus. So why does a movie that functions partially as advertisement for the game spend so little effort to replicate the bulk of the content of the base game?

In my opinion, it's because, Rules As Written (or RAW), combat in D&D is not, generally speaking, narratively satisfying. Let's look at a few reasons why.

D&D is a game where, RAW, things either happen, or they don't. If someone misses an attack, nothing happens. If someone misses a skill check, nothing happens. DMs can work with this, but in the base game, there isn't a lot of guidance for what to do when a player fails at something they're trying to do. This may seem trivial, but compare that to something like Powered By The Apocalypse, which is much more narratively focused. In those games, a full miss means the Game Master changes things up. The enemy gets the upper hand. A new danger surfaces. An NPC is put into peril. Not only does the player fail at what they're trying to do, but something else, bad for the Player Character (PC) but good for the story, happens. On a mixed success, the PC might get what they're after, but at a cost, or with a complication they weren't expecting.

This calls to mind the example of the Bard throwing a tarp over the gargoyle in the final fight of the D&D movie. That's a classic example of a mixed success. He succeeds at temporarily blinding the creature, but in the process, he gets caught up in the gargoyle's rope and is dragged along for a ride. This is a dynamic thing to happen in combat, but wouldn't happen in actual D&D. Instead, a PC would either succeed at what they're doing, and blind the creature, or fail and not blind them. You could argue that the Bard's action was the result of a Natural 1, but that also doesn't fit RAW, because the Bard does succeed as what he's trying to do, and with a Natural 1, he would have failed and been pulled along.

D&D doesn't really reward player creativity. Something like throwing a tarp over a creature wouldn't be likely to happen in a session at all, because in the actual game, it would take a full action to do that, and depending on the Difficulty Challenge (DC) the DM sets, there's a good chance of a wasted turn. Creative actions end up a huge gamble, and when you're playing a game where it could be 20+ minutes before you get to take another turn (more like an hour if you're playing with a Wizard, amirite), you're disincentivized from "wasting" your turn to do something less than optimal. You can describe what you're doing to add to the narrative, whether you succeed or fail, but that brings me to my next point.

I haven't been able to stop thinking about this question from Rise Up Comus since I read it a month ago. In D&D, a player can describe all kinds of flavor to what they're doing, and there's no change to the mechanics of the game. You could read this as saying "Oh, well that means you have the freedom to do what you want!" but if you look at game design through the lens of "what kind of play does this game encourage or discourage" the takeaway I have is that description just...doesn't matter to D&D. In my experience, that can lead to a few different unsatisfactory outcomes.

Both players and DM treat combat as purely rolling, and describing only what is required. A DM announces, "The enemy wizard casts fireball, roll dexterity save, take 25 damage. Turn passes to the Rogue." Sometimes players who describe what they're doing are seen as showboating or taking up too much time. Worst case scenario, the DM penalizes descriptive players.

Some players like describing what they do, others don't. This has no mechanical effect on the game. Players who aren't descriptive might be frustrated that an already slow process is slowed down even more. Descriptive players may become frustrated because there's no mechanical benefit to what they're describing, and spend time fruitlessly arguing with the DM that focusing on a weak point of the enemy should give them advantage. I think most tables fall into this category. It's not a bad game by any means, but not everyone is there for the same reason when it comes to combat.

Rule of Cool Table! Everyone describes whatever they want, the dice rolls don't really matter! Combat is generally pretty easy because fuck the rules, if it's cool for the dragon to die based on how the fighter described the attack, even if it's only the first round of combat, hell yeah let's do it! For players who like being more strategic and enjoy the confines of the rule structure because it makes things challenging, these tables can be frustrating. (If you're familiar with Dungeons & Daddies, this is essentially how they play D&D).

Because there's no guideline in the rules, people come to the table with different expectations. Some people want combat to feel like a strategy game, where following the rules in the most optimal way (or combining rules elements in an unexpected way) is mechanically rewarding (usually measured by damage output). Some people want to describe themselves doing cool stuff! Some people don't care about their characters looking cool, but want the story to be compelling. If everyone isn't on the same page, this can lead to players ending combat feeling unfulfilled, and when combat is the bulk of a rules set, it feels strange to me that there's no guidance for DMs or players as to how to incentivize the kind of combat your table is interested in.

This leads to a situation where combat in D&D is the part of D&D that takes the longest, that the majority of spells and abilities are focused on, but it is, narratively, the least satisfying part of the game, unless the table alters the base rules significantly.

If you're not familiar with other TTRPGs, you might be thinking "Okay, but that's why the DM is allowed to do whatever they want and make up new rules! My DM gives inspiration when we describe something cool, that solves this problem!" My critique isn't necessarily of individual tables. DMs and players come up with all kinds of mechanics that aren't in the rules. My critique is that D&D is a role-playing game that essentially has no incentives, and many disincentives, for role-playing during combat. For example, RAW, characters don't really have time to communicate during their turns, as each round takes about 6 seconds. There's no time for banter or negotiation between PCs and enemies. You can see this disconnect by the way people talk about D&D. How many times have you heard people say "I love D&D but I don't like combat?" How could this rift be rectified? Let's take a look at some other TTRPGs.

In 7th Sea, if you take the time to describe how your character is doing something, you get a bonus to your dice pool. In Thirsty Sword Lesbians, when you get a mixed success on a Fight roll, you and your opponent are given narrative prompts to build tension (like flirt with or provoke your opponent). In Kids on Bikes, you can fail or succeed rolls by different number ranks, which determines how significant the successes or failures are. In Wanderhome, you get a token when you "take a moment to bask in the grandeur of the world, and describe it to the table." In Good Society, each player gets a "monologue token" which they can spend to prompt another player to deliver their Main Character's internal monologue. I just played a bad-action-movie-themed game called Action 12 Cinema, where players can boost a roll if they call out the song that would be playing during this scene of the movie, and get an even FURTHER boost if anyone at the table sings it.

Each of those game mechanics gives you an instant understanding into the mood of the game, and the kind of stories its built for you to tell. Even if you've never heard of any of those games, I bet, based on the title and the move, that you could hazard a guess as to what playing the game is like. Dungeons & Dragons certainly has rules that add to the lore of the game, and prompt you to create characters that act a certain way. But when it comes to combat, players and DMs are left to their own devices. Some may see that as a strength of the game, but I see it as a source for a lot of disappointing play experiences.

And it seems as though, at the very least, the writers of Dungeons & Dragons: Honor Among Thieves thought the combat rules were narratively unsatisfying enough that they eschewed using any of them.

#ttrpg design #ttrpg #indie ttrpgs #indie ttrpg #dungeons and dragons #d&d #d&d movie #please don't read this in bad faith #i just like thinking about game design

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justanotherwriter140 · 2 months

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Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.

Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

#kung fu panda 4 #kung fu panda #dreamworks animation #kfp #kfp 4 #movie review #i'll add the actual picture of the furious five's cameo when i can get ahold of one of decent quality #my time has come #it wasn't THAT bad #i didn't love it #but it is what it is #it's a tentative 6/10 all things considered #free the five #perhaps i treated kfp3 too harshly #don't get me wrong the movie had good qualities and i can tell a lot of work went into it #a lot of missed potential imo #a lot of characters done dirty #i didn't even mention the score but i thought it was just okay #i wasn't wowed #i know close to nothing about composing though so i should probably just not even go there #credits were the best part both cinematically and musically #i feel mean but i'm not going to be dishonest #bc obviously you all simply must know how i feel about the silly panda movie #a more detailed version of the grievances i have w the dragon warrior plot can be found in my og discussion post if anyone's interested #as well as my thoughts on bringing back old villains #might make some edits to this in the future but this is all i have to say for now

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starlight-eclipsed · 1 year

Text

DPXDC Social Media AU

Fic below!

The video started, the camera focusing on the scene before it. A teenager’s bedroom was shown, decorated with posters of space and model rockets. It was deceptively normal, had it not been for fans pointing out that they weren’t labeled LexCorp, Wayne, or any of the other leading names in aerospace.

“Hey everyone!” The teen in question greeted, smiling at the camera as he waved. “Danny here! Sorry for the radio silence—two of my rogues decided to do a collaboration and kidnapped a bunch of people. My parents grounded me and took all my video games since I kinda trashed a bunch of their equipment saving them, so I finally had enough time to record this. Again, grabbing a smartphone from you guys’ dimension was absolutely the right call. Looking forward to when the ones here will get to that level and I can use mine in public.”

Sitting back in his seat, Danny waved his hands. Papers from around the room were pulled up in the air, showing a variety of news clippings, report cards, and event flyers from the last year. “Sweet, that worked! I know it’s been a year, but I’m still getting used to these powers. Anyway, today’s topic is: secret identities! Specifically how much they can suck sometimes.”

The papers drop as he spins in his chair and folds his arms.

“Okay, so I’m gonna start this by saying I only speak for myself. Your dimension has a ton of other heroes who have all kinds of perspectives on this kind of thing. It’s also not an invitation to start harassing your friends and coworkers if they pull any stunts like the ones I’m gonna talk about. Some people are just flaky, some have other things in their life going on that they don’t want to talk to you about. In the extremely unlikely chance that you’re right and the friend who keeps bailing on you is a vigilante, you should leave that shit alone. No matter how justified you are in getting upset that they don’t have the time for you, trying to expose them can kill not only them, but everyone they want to protect. Don’t do it.”

Clapping his hands Danny tilts his head to listen for something before continuing. “With that out of the way and my whole family leaving the house, let’s get to it. Going ghost!”

A flash of light marks the transformation, revealing Phantom at the end. He adjusts the camera so that he remains in frame as he now floats in his room.

“So if you’re new here, let me run through the basics. When I was fourteen, I died and came back wrong. No, I won’t go into the details—I don’t need any of you getting any ideas. I can appear as human, so me and my two best friends decided to keep it a secret from my parents, who are ghost hunters. The current arrangement is that I go out as Phantom to fight off aggressive ghosts when they attack, and the rest of time I try to lead a somewhat abnormal civilian life.”

“Onto the topic. Now, the main reason people keep their identity secret is so that their enemies can’t use it to hurt them. I…sorta do that? I mean I’d be in a lot of trouble if ghost hunters figured me out, and the government here kinda revoked my human rights so there’s that. But there’s no hiding from other ghosts. Not when we can sense each other. I’m just lucky for the anti-ghost hunter solidarity, it’s probably the only reason my rogues haven’t revealed my human identity to the world.”

He shivered dramatically.

“So, humans. People. Being a superpowered vigilante is all fun and games except when an attack happens during class. I don’t even ask to go to the bathroom anymore, the teachers gave up on stopping me,” He rubbed the back of his neck sheepishly. “Don’t get me started on how many times I’ve gotten grounded or given extra detentions because I was busy stopping someone from torching a building or possessing someone to ruin their life in creative ways. I can’t just tell them why I wasn’t there, so I either have to act like an idiot who forgot that I have classes to attend or pretend like I was skipping on purpose. Which I was, but not like that, ya know?”

“Another thing! My grades have completely tanked. I used to be a straight A student, I needed to be if I wanted to be an astronaut. But no, I had to go and get myself killed, and now my biology is all messed up so I can’t even qualify for the physical if my grades were good enough. Which they aren’t, because now I spend most of my time brawling whatever ghost of the day. And like, sure. I could do my homework and study in the rest of the time I have that’s not spent sleeping. But that’s exhausting, and honestly I’d rather take the F than spend all my time working.”

He sighed, slumping down a bit in his chair.

“It just sucks. My sister is setting records on her exams, and I’m a few pity-grades away from being held back a year. At least now I can handle most of the regulars by myself, so I’m not dragging my friends down with me. They deserve better.”

Danny opened his mouth to continue, but was cut off by mist escaping his lungs. He groaned, using his telekinesis to put his room back in order (notably cramming his graded assignments behind his dresser) and reaching for the camera.

“That’s my cue. Here’s hoping I can handle whoever’s out there fast enough so I have time to get started on my book report. Over and out.”

The video ended there. For many, that would be the last they’d hear of what was speculated to be the best performance-style LARP series for a while. Fans would start analyzing the footage not in the comments section, which was disabled, but in a separate online forum.

However, there was one place, albeit less well known, that one Danny Phantom would respond in.

———

Anonymous said

its good to see yuo posting again, but you looked really stressed. are you ok?

phantompaining

lol no

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metwise said

I completely agree with you on your recent video. Vigilante work is hard; I was lucky when I started out, and I still nearly died many times over. Don’t let your grades get to you, if your school system is anything like this world’s equivalent then it is based heavily on busywork. Next time you’re visiting this world, try looking into online schooling. There should be free resources online you can download and follow along at your own pace to supplement the classes you miss. So long as you score well on tests, you can make up for the homework grades.

phantompaining

oh ill have to look into that, sounds neat. not sure if ill get around to actually studying any of it, but its better than nothing. i cant wait for my earth to catch up with yours, online school sounds so much better

gottabeoakin

Ayo is that Red Robin? Why tf is he takin some kids larp so seriously

implusivefruit

bold words from the deathnote rp acc

—

phantompaining

shoutout to my rogues, who beat the shit out of me, dropped some new ghost lore, then backed me up in fighting an army of the undead

also mech suits hurt like hell how does skulker do it

beetletakethewheel

Mech suits shouldn’t hurt??

phantompaining

my parents’ one runs on lifeforce

anyway if i had a dollar for every time i woke up somewhere i didn’t pass out in these last few days i’d have enough money to buy a burger

killmetwise

How much do your burgers cost

phantompaining

—

phantompaining

when the hell did so many supers start following me where are you people coming from

superttk

‘why r there so many heroes’ says the hero on the hero site

01101001-01100011-01110101

its like the only anonymous platform left that doesnt suck

totallynotharleyquinn

Free entertainment <3

phantompaining

ok fair

phantompaining

wait a second

—

coalminesinger said

Hello Phantom! I just wanted to check in on you after your last few posts. Did you enjoy your weekend off?

phantompaining

nope lol, technus escaped and I used one of my parents inventions to split myself to try and relax while handling the ghost issue and just made more work for myself

metwise

#on the plus side my house is now on the beach #just in time for summer

You live in the middle of town???

phantompaining

yea putting it back is gonna be a pain

—

phantompaining

ok this is gonna be a heavy one folks. like arkham asylum levels of shit. i just spent the last week with my family convinced i was going insane, and i need to vent

:readmore:

discowinginginging

That really really sucks, and I’m so sorry you had to go through that.

I went through a similar experience (only I was under the influence of a hallucinogenic drug that made me see, hear, and feel the villain in question, who wasn’t actually there). I was lucky enough to be on a team with someone who could read my mind and figure out what was happening, but if you can’t do that the next best thing is figuring out code words with anyone in the know. Obviously it’s not perfect, but some kind of word indicating that you feel like something is very wrong could save you a lot of trouble.

More under the cut.

:readmore:

phantompaining

…that could work? ill have to talk to my friends about it, but it sounds good

#thanks #still cant believe so many of yall are following this

#dp x dc #DPXDC #my art #my fic #dp x dc fanfic #dp x dc art #I put far too much effort into this #social media au #as always feel free to send asks if you want to talk to me about this stuff #might write more depending on how this is recieved #just survived finals so yall are getting more content as a treat XD

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waltzingwithspirit · 7 months

Text

PICK A CARD: WHAT MAKES YOU BEAUTIFUL?

Top Left: Pile 1; Top Right: Pile 2; Bottom: Pile 3

Disclaimer:

🪈 Take what resonates and leave the rest

🪈 Disclaimer in highlight applies here

🪈 Thank you for letting me read for you, it has been a pleasure

🪈Personal readings are paid only.

🪈No one is allowed to copy my work under any circumstances.

This is written from the perspective of the divine feminine.

🤍111🤍

Love. The way you love people, how you pour love into everything you do, very soft energy, something not many people have. You were kissed by the sunrise, bringing light, the sun summoner if I may say so, yet your light is not harsh, it I snot the scorching sun one needs to shade away from, you are the shade when necessary, you provide warmth and coolness, I see how you love yourself and others is purifying, like how you see a child smile and you smile with them. Your presence ? Healing. Keep this essence within you, this is Radha Maa helping others through you. It is not easy to bring love and light when you have received thorns and shadows, it is not. You understand how it feels, and the heart is always ready to take another into your arms, an admiring quality, this is what makes you beautiful. You are the essence of beauty itself. Never change, never forgot to love yourself too, be kind to yourself as you are to other, as forgiving and ever ready to love someone from a fresh eye every time. Your sacral and solar plexus is important. Navel is emphasised, do massage your stomach with oil while affirming from time to time. You are the anchor to the ship that is swaying away in the ocean, there is always home within you. You are every ready to sieze the moment, you might be the one’s to say

‘Life is to short for this, so I am gonna go ahead and do it anyway’

‘Better regret the action you have taken than the one you have not’

Comment ‘111’ to claim.

🌙 DM TO BOOK A TAROT READING 🌙

🥀222🥀

Your passion and hunger make you beautiful. The way you charge at your target makes you beautiful. You have enough zeal to power motors to run, and yet there would be enough left for you. If you have seen Bahubali, there is scene in the 1st movie where watching Bahubali fight, others get inspired. This is the reaction people have to you. You inspire them to do better, even if you don’t get to see it, know that by simply being the way you are, you are healing humanity. You belong here. You deserve to be here. Take up space for that space if yours to take, there is no lack only abundance coming your way. Once you take a project, you finish it. You like variety and may have said the “spice is the flavour of life’. It again confirming, you also act as a guide for people, the way you talk, your ideas can shift people’s worldview. You might be the perfect person to endorse a movie or product because of the way you speak about it would have people wanting more. A good salesman (use this ability for the good). You are the bell that people hear when they have lost track of how life is supposed to be lived. If you open a social media, and talk about this stuff, lead by example, you would be successful in that too. You could also act like a consultant to sorts where you are helping people choose something, decide something, doesn’t have to be a profession.

Comment ‘222’ to claim.

🌙 DM TO BOOK A TAROT READING 🌙

☾333☾

Unconventional in the conventional. You might have an ordinary job or do ordinary things is different non-ordinary, creative way. This makes you happy. That is what makes you beautiful. Bringing colour and fun to the most mundane things, you find beauty in everything. Could be super into DIY’s or a least into it. You might be the type to have creative hobbies like painting just for the sake of it, simply because you like to do it. Abundant in nature, could be scrapbooking or journaling especially art journalling. This is what makes you beautiful. You are traditional with a twist. I sense some art majors here, like painting people live like the olden days but the painting itself is modern? Take it as it resonates. A muse to many. You find yourself in poetry, dances almost like they were made for you, it’s because they were, and many more will come regardless of whether you know about the art pieces or not. You will be alive long after you are gone, in the art you made, in the pieces that were made because of you. A lot would not exist if you didn’t. You are absolutely, undeniably beautiful. I love you. What makes you the most beautiful is the faith you have, in yourself, Paramatma, the universe. You do everything with so much faith that it shocks people. People might stare at you when you are not looking, you are the best art you will ever create. Read: Strongest of the Strange by Charles Bukoweski. Some of you could be sculptures or painters of Bhakti and Religious Art.

Comment ‘333’ to claim.

🌙 DM TO BOOK A TAROT READING 🌙

EL TAROT

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bearsintreesofficial · 8 months

Text

a recreation of a sonic fanfiction i wrote when i was 10

ok y'all, some context is needed.

we have a song called cassiopeia coming out tonight. i made a tiktok that said if the sound for cassiopeia is used 100 times, i'll publish the sonic fanfiction i wrote when i was 10 that i joke about a lot but have never shared. anyway, this happened in an hour. i am shocked. i did not expect it to happen so quickly, if at all. i begin my search.

well, it turns out i can't publish it because the places it was published no longer exist, and 10 y/o me didn't back it up (although i thought i had). bummer. an early internet relic gone.

either way, the plot details are seared into my memory because honestly? for some reason, that small act of creativity was a core memory in my life. so while i can't share it, i can retell it, because it's silly and pretty accurately captures what it's like to be 10 and obsessed with a piece of popular media. so here goes.

enjoy, and stream our new single cassiopeia tonight.

SCENE OPENS

the fanfiction was about a page long. the story opens with me - in school, as i did most every day of my life up to that point. in the story, sonic/tails/knuckles live in the human world, and essentially function as superheroes. there's no explanation for it, they just are there keeping the earth safe and such. we are also friends. there is no explanation or backstory for that either.

with the setting established, we're straight into the action; an alien pod crash lands in our school playground after school. me and my friend are the only kids left. where are the teachers? who knows. as is evident, worldbuilding was not my strong point.

anyway, in this alien pod is...an alien. it was a spider that looked a lot like the facehuggers from the alien film franchise, because i'd seen a clip of that as a kid and it freaked the hell out of me. i call sonic (where did i get a mobile phone from?) and let him know something Serious is going down. sonic and tails arrive - knuckles is too busy trying to get the master emerald back from doctor robotnik in this instance.

my friend and i take a back seat and let sonic and tails deal with the weird alien thing. they deal with one, but as soon as they get rid of it 10 other capsules drop in the area. sonic and tails can't take them all, so me and my friend join in to help take them out. i didn't really account for how, but we're fighting all back to back and it's very epic. (sonic x was the prevailing sonic show at the time, and it was y'know - very dramatic. so this was like a scene from that.) tails even brings in the tornado two, his personal plane, to run rings around them. after we finish the final facehugger alien off, a final alien pod descends. but out of this pod emerges...

shadow the hedgehog.

the aliens had been sent by him, and he was here to take sonic down. this was all part of his master plan.

the piece then ended, because i suppose i was going to follow it up at some point. but alas, that did not happen.

moral(s) of the story:

archive the silly stuff you wrote when you were a kid, it'll be fun to look back on later.

stream our new song, cassiopeia. it has nothing to do with any of this, but i think it's neat regardless.

thank you.

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suugarbabe · 7 months

Note

You are SO amazing love, never let anyone tell you any different. I WILL fight them 😤

Tysm for considering wolfstar!daughter, i think youd enjoy the current fics that are currently out for it. Most of them are x fred or george and it just reminds me of you everytime.

Sorry, this is probs going to be long 😬

For the prompt though, i imagine they came about reader when remus found her on a full moon as a toddler werewolf, abandond in the forest (last yr hogwarts or graduated doesnt matter, whatever you decide) and when Sirius finally finds Remus the next morning he's shocked, confused, and then melts. Big, tall, broard Remus has this small bundle of cuteness wrapped in his sweater trying to cuddle into him.

Whether youd like to continue on from there or do reader growing up or a time skip is up to you. Same as if James dies or not, whatever your brilliant mind decides 🧡 but if it helps this is how i see the family dynamic:

I think Sirius would be the overprotective kind of dad, never failing with that wonderful sense of dramatics!

While Remus is the calm voice of reason that talks himself down when he feels like he might be going a little overboard.

Of course we're Uncle Reggies little star, he will be mean to another child if they hurt you. He and James are constantly arguing over who's the better uncle.

James is the uncle that gives you alcohol illegally and doesnt adhere to a curfew.

So skip to hogwarts in some of the last years (im a ravenclaw so i always imagine reader as a ravenclaw but anyhouse would be fun to explore) and reader makes it official with Theo or Enzo. Harry's a tattle tale and tells his dad who then brags to Reggie, who the apparats him self the Sirius' to demand answers because "who was this vile thing that dared touch his star?? Boyfriend?!?! Fucking over his dead body!!" Fully expecting Sirius to agree with him. But he doesnt, he just sighs because at least they made it til 6th/7th yr before boys started, he'll give the poor boy a chance first. And then Remus bursts in and has a full meltdown. Thats his little wolf; his baby. She can have a boyfriend. A BOYFRIEND!?! He might puke. No this isnt allowed. Boys are gross. And nasty. And theyre going to hurt her. But not before he hurts them!! He's going to put the fear of godric into this boy! RIGHT NOW!! Wheres his wand? He needs to go to Hogwarts.

Its so unexpected that both Black brothers are frozen. Until Remus starts searching for his wand and Sirius has to calm him down while Regulus goads him on. And through all of it, reader and Enzo/Theo were standing at the door to 'meet the parents'.

And then however you want it to go from there love! So sorry that was soo long and rambely. Of couese no pressure to write it and take whatever creative liberties youd like!!

Thank you love x

The group had made an agreement that the girls would all get a flat together, as would the boys. So naturally Sirius, James and Remus planned and found one for themselves that was 'absolutely perfect' as Sirius put it since it back right up to a large patch of woods; 'Perfect for you, Moony'.

In the moment Remus had rolled his eyes, but truly he was thankful. By the last full moon of school, Remus had managed to transform back to himself without completely passing out. After the fourth full moon in the flat, Remus was able to still decently function after his transformations.

What neither Sirius nor James expected happened and they didn't know how to react initially. Sirius and James had lost sight of Remus toward the end of the night, now both transformed back to themselves looking for him.

When Sirius found him, he didn't expect the scene he walked upon. Remus shoulders were hunched over, and at first Sirius thought he was crying. But the closer he got, he realized it was not Remus making those noises, but...a child?

"Moony...what the bloody hell is that," Sirius voice was cautious, he was still convinced he might be hallucinating.

Remus turned around slowly, "She's like me, Pads. She...she was a tiny little wolf, I swear it." Sirius was skeptical, but the way Remus was looking down at you, every doubt was melting away. The way your tiny hands gripped on to Remus's sweater.

When Sirius got close enough, you reached out for him, and he was done for. When James caught up with the pair he had the same initial reaction. But like Sirius, one look at you and he was also convinced.

It had taken the girls no time to swoon after you, and the boys were forever grateful. While Remus declared himself your father (Sirius demanding his was Dad number 2). James became your fun uncle (funcle as he called himself, Lily rolling her eyes each time).

To say it had taken a village was not just a cliché, but reality. Sirius was every over protective father, having a flair for the dramatics any time anything happened, good or bad. Remus was more calm, essentially the voice of reason when Sirius was talking circles. You eventually became the perfect mix of the two, which they both loved.

When you got your Hogwarts letter Sirius threw a party, Remus thinking it was a little over the top but Sirius insisted, "Our little star got her letter, we're celebrating Moony." Regulus had brought you off to the side, insisting you owl him if anyone is mean to you, he'll come and fix it, "Even if it's another little twat kid, you let me know, okay Star?"

After fourth year, James let you try his beer for the first time. Sirius lost his mind, Remus reminded Sirius how much worse he was at your age and that if James was letting her try it that it was a better situation than he used to get in to.

What you didn't expect was the commotion that ensued during Christmas holiday seventh year. It was tradition for you and your dads to throw a party on Christmas Eve. You were putting the final touches on the Christmas biscuits you usually made when a loud pop sounded in the living room.

"SIRIUS GET YOUR ARSE IN HERE NOW!" The voice of Regulus rang throughout your house and you instantly froze. Sirius sauntered in, not bothered by his younger brothers tone, "Seriously, with the shouting Reg, what is it now?"

Regulus looked over Sirius shoulder at you in the kitchen before turning back to his brother, "How could you let her, huh? How could you let her do this, with a Slytherin no less? My little star? Who is this vile snake you've let touch our little girl, a boyfriend, Sirius, really?"

You held your breath, fully expecting your dad to lose it, go full on dramatics, but instead he just pinched the bridge of his nose, "Honestly, Reg, calm down. I'm surprised it took us till seventh year for her to finally decide to get a boyfriend, don't get me wrong, I'm thankful," he turned pointing at you, "but I trust her, Reg. And you should too. She's not like us. Really though, darling, a Slytherin?"

Sirius turned to face you and all you could muster was a shrug of your shoulders before your father burst in. "WHAT did I just hear? My wolf has a WHAT? With a WHO? Darling are you mad, who is this boy? A boyfriend? Oh my Godric, I think I'm going to be sick. Who is he, star? Who, tell me now. I'm getting my wand. Sirius, my wand now."

Remus held out his hand expectantly, but nothing happened. Both Regulus and Sirius stood frozen, mouths agape at Remus's reaction before a sly smirk crawled its way onto Sirius's features, "Oh my my, Moony, this is a sight."

At that moment the Potter's all appeared, the air obviously thick with tension. James looked between his friends, "Oi, what did we miss?"

When you saw Harry you were instantly enraged, your inherant traits from Sirius coming in to play, "You little fucking rat, you weasel, you knew I was going to tell them over break, how could you tell Reggie before I could tell my parents, I'll hex you Potter, I swear it!"

You started after Harry, only for James's strong arms to lift you up by the waist and hold you tight, "Woah there, mini Sirius, calm down. I think this might be my fault. Harry told me out of concern and I might have boasted about your feats to Reggie."

You went slump in your Uncle's grasp, "Uncle Jamie...how could you." You were pouting as he sat you down, giving you a tight hug, "I'm sorry, star, I was just so dang proud of you."

You looked over at your parents, Sirius now rubbing Remus's back who was pinching the bridge of his nose. There was a knock on the door, causing everyone's attention to switch towards the distrubance.

Walking towards the door, you looked back with your hand on the handle, "Be nice." The marauders and Harry held up their hands in defense, Regulus crossed his, "No promises."

When you opened the door, Enzo stood there, cheeks slightly pink. "Erm, are you sure it's okay for me to be here?" You laughed slightly out of embarrassment, "How much did you hear exactly?"

"Enough to know I'm more afraid of Professor Lupin than Sirius," he whispered as he followed you through the door.

"Dad, Father, this is Enzo. My boyfriend," You gestured toward Enzo who gave a shy wave.

Remus placed his hand on his own chest, "Oh thank god it's Berkshire. I was really worried, star dear. Really worried. Thought maybe it was going to be the Nott boy."

This caused both you and Enzo to laugh, Enzo speaking up finally, "Merlin, no, sir. Nott's afraid of Y/n actually. So you've done a good job."

"Don't start kissing ass just yet, Berkshire," Regulus stuck a finger out at the boy.

"Uncle Reggie. Behave," you scolded him like a child, he looked down at the floor like one, too.

Sirius stepped forward, extending his hand, "So sorry, my boy. I'm Sirius, Y/n's father. You've met Moony, erm, Professor Lupin, her dad. He's sorry for anything you may have heard through the door."

Enzo grabbed his hand, shaking it firmly, "It's alright, sir. It's a pleasure to meet the men who've raised such a strong woman." Enzo smiled at you affectionately, causing you to blush in front of your family.

"Look at that, Moons. Our little star is growing up," Sirius wiped a faked fear, while Remus was holding back real ones.

You sighed, pinching the bridge of your nose like your dad had done earlier, "Alright, who's hungry, hmm? Shall we eat?" You led Enzo towards the large table. Everyone followed suit, both Regulus and Remus grumbling slightly.

As you sat down, Enzo gave your thigh a squeeze. He leaned over and whispered in your ear, "Star, huh? That's cute." You side-eyed him, giving him a slight glare, "You tell anyone, you're a dead man."

Enzo grinned to himself, "It'd be an honor to die by your hands, love."

Across the table, Sirius gave Remus's thigh a squeeze, "She's growing up, Moons. Our little star." Remus nodded, pouring himself some brandy, "That she is, Pads. Our little wolf is a woman now." Sirius scoffed, "She still needs us though right?" Remus nodded, smiling, "We'll always be there for her."

#wolfstar!reader #enzo berkshire x reader #enzo berkshire x you #dad!remus lupin #dad!sirius black #harry potter #uncle!james potter #enzo berkshire fluff #golden era

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redriotinggg · 4 months

Text

I need anyone who genuinely dislikes Usopp to take a long look in the mirror because yeah, he can be a bit annoying at times but he is honestly a good and interesting character!!

He is just as loyal as any other member of the crew and fights the strongest when he’s fighting on someone else’s behalf. (See: him fighting for Sanji in Skypeia, fighting for Robin at Eneis Lobby, fighting for Luffy in Dressrosa, fighting for Tama and Nami in Wano.) He is a major player in so many of the battles in the series that it baffles me that people can think of him as an unimportant member of the crew.

And Usopp is a fucking genius??? Hello???? He’s able to make weapons powerful enough to create storms and tornadoes. He is canonically a jack-of-all trades that supports the crew in their daily lives and in battle. The Going Merry only lasted as long as she did because Usopp was around to care for her. He was the only one to see her Klabauterman!! Usopp is not only creative and fun but is able to bring those creations to life, whether it be his drawings or his gadgets, and I think that’s so beautiful. I miss pre-TS because of all his inventions we got to see.

Let’s not forget that Usopp is so, so kind!! He made friends with the kids in his village and told stories to Kaya to help her feel better when she was ill. He fought to protect her and Syrup Village from Kuro. Personally, I will never get over filler ep on Fireworks Island (ep. 134) where he cheered up Kodoma and encouraged her to continue her pyrotechnics, assuring that her parents were proud of her. Knowing he also lost his parents at a young age makes the scene hit that much harder. (And again, he showed his genius by figuring out a way to launch the firework that killed Kodoma’s parents!!) It may not be canon to the manga but but I think that episode is super accurate to his character.

What I think makes him the most interesting is that we see his flaws and mistakes more than any of the other Straw Hats. We see his insecurities in Water 7 and his fear in Dressrosa. But we also see him growing and learning and being encouraged by his crewmates. Aside from Robin, I think Usopp has changed and grown the most out of the Straw Hats. With his goal to become a brave warrior of the sea he has so much potential for even more growth!!

Like I said earlier, some people think Usopp is annoying which he can be sometimes, but that’s also because he’s literally comic relief. And he does so well at it bc he’s actually so damn funny?? He makes me laugh out loud all the time. One Piece wouldn’t be even half as funny without Usopp.

I also appreciate that as an individual he has so many moments with the other Straw Hats. There are a lot of relationships that don’t get explored as much as we’d like, but I think we get to see Usopp’s friendships with the crew pretty often. He fights for Luffy, plays around with Chopper, teases Zoro, is teased by Robin, gossips with Nami, hangs around Sanji, and his whole relationship with Franky has so many layers to it.

Aaahh, I have so many hopes for Usopp in the series that I pray will be fulfilled!! I want him to have a badass arc in Elbaf full of character growth. I want to see him develop and continue to use his Haki (which he gained when trying to save Luffy are you KIDDING me). I want his reunion with Yasopp to be emotional and bittersweet. If he could personally beat Yasopp in a fight I would ascend to the heavens.

Usopp is such an important, complex, and interesting character and I absolutely hate to see him reduced to being a gag character or the weakest member of the Straw Hats. He may not be a monster but he is amazing and I love him.

TLDR; if you disrespect Usopp I wish you a very Die.

#usopp #god usopp #one piece usopp #op usopp #HE IS VERY IMPORTANT TO ME #anyone who disrespects usopp is a FOOL and BLIND and doesn’t deserve anything #he is so important to the series why won’t you guys get that #fellow usopp truthers hear my cries!! we will give our sniper the respect he deserves #one piece #strawhats #red’s ramblings #op meta

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ewingstan · 9 months

Text

I've been thinking about how Worm differs from Ward in it's approach to action, and I'm realizing that my dissatisfaction with the latter isn't just "the powers got more complicated." Its that action scenes are being used in completely different ways for completely different ends in each text, but are being paced the same way.

In Worm, each fight was a scenario where a problem was set out that seemed unbeatable given what the protagonists had at their disposal. The satisfaction of the fight was seeing the problem being "solved" through clever and unexpected use of the protagonists abilities. We get this time and time again:

The Undersiders plan for dealing with a few wards at the bank heist, and they get the full team plus the Dallon sisters—how will they make it out of a fight we know they're not prepared for? Time to change things up and go on the offensive!

The villains unexpectedly run into Lung during the ABB crackdown, and we've seen how much trouble he gave Taylor last time. How can she fight someone who seemingly no-sells all her powers? Time to get creative with how she uses her bugs!

Taylor's great at attacking an enemy's weak spots, but now someone with no weak points is on her doorstep. How can she fight off not just one of the feared Slaughterhouse Nine, but the one seemingly most built to no-sell her abilities?

Butcher needs to be dealt with, but she's incredibly powerful and anyone who kills her ends up inhereting a host of problems. How do we deal with her and her team? Hey, who left this emotion-manipulator-in-a-face-worse-than-death lying around for us to use?

It's like watching a puzzle being solved. Here's a clearly defined problem, here's how it's especially hard for Taylor because of her limitations, here's how she uses her powers and surroundings in clever ways to come out on top. It also means that basically every fight advances Taylor's character in some way—for it to be convincing, the audience needs to clearly believe in the limitation, which since we're in Taylor's head so much usually means she needs to belive in the limitation. So when we see her overcome this limitation, we're seeing how we (and she) were wrong about her. We learn that Taylor's willing to take insane risks and be agressive in the bank heist, we learn she can take advantage of other parahuman's powers in brutal ways during the Lung fight, we learn how she can use bugs in fully unnatural ways and inspire people to help her in her fight with Mannequin, we learn that she's thriving in the scarred state of Brockton Bay to the extent of utilizing its spankin-new suicide zone to deal with enemies, etc. This is part of why I never had much of a problem with the all-battles-no-breaks pacing that characterizes so much of Worm: it was never just battles! Every fight advanced Taylor's character an incredible amount!

This is a pretty common genre of action, but it requires a few things: namely, a thorough understanding of an enemies abilities. Its only fun to see a character outsmart a powerset if we understand the powerset. And we need to see the way an enemy is a problem for a character's apparent limitations if we want to appreciate how they're overcome. There's a reason why JJBA villains spend so much time monologuing about their stands, or why Sanderson spends so much time establishing exactly how each magic system works. If an enemies powers were vague and unknowable, then deafeating them wouldn't seem clever and limitation-overcoming, it would seem lucky or brute-force. So, Worm has Taylor teamed up with miss-can-explain-everyone's-deal and has her go up against villains famous enough for their powerset to be common knowledge.

But Ward isn't built for this type of clever power-munchining in its action. It's less Jojo's and more Berzerk, with its protagonist defeating her enemies though indomitable power and horrific force rather than cool tactics. Furthermore, Ward is interested in exploring the fog of war and how it affects violent engagements. Victoria is constantly thrown into situations where she has little idea of her enemies powersets, and defeats them without having ever fully grasped their intricacies. And part of this is because the powers in Ward are too complicated to be wholly "got" through simple demonstration, but also because she isn't approaching each fight with the goal of countering the enemy's specific schtick. She's trained to have specific tactics against different broad types, and doesn't typically analyze her opponent past the point of categorizing them as a breaker or a changer. And it makes sense! That style of engagement is gonna be common for anyone who doesn't have a Tattletale! (Kenzie is not a Tattletale. Her specific brand of all-seeing doesn't extend to being able to quickly give the lowdown on a powerset. It does extend to giving a full view of a battlefield and enemy positions, which helps facilitate the more "military engagement" mode for narrating action that Ward adopts). And unlike Taylor's useless-at-first-brush yet endlessly adaptable powerset, Victoria's powers are a blunt hammer that is very good at giving every enemy the nail treatment. Her action scenes are like watching a kaleidescope being smashed to pieces; we're constantly watching someone plunge into a bizzare sitation and smash their way out of it without really understanding what "it" was.

And to be clear I think this low-information style of action can lead to really cool moments. All we get about Mama Mathers for a while is "she can see you when you think about her" and "this is enough to keep the whole compound in line," so the reader's left to speculate on the actual extent of her abilities. And so when she starts driving people into violent spasming fits all of a sudden during the Fallen raid, its shocking and intense! You really get the sense that existing in the world of Parahumans means being subject to countless horrible and unknowable dangers you can't plan around, and when it works, it rocks!

But it also means that when fight scenes can only go on for so long before they start to drag. There's less satisfaction to seeing an enemy defeated without the puzzle component, and there's less character narrative being advanced in each fight outside of "what is Victoria willing to fight for/against" or "how much is Victoria willing to treat this enemy like a nail." Ward needs breaks in its action in a way Worm didn't, and when fights go on for the same length as they did in Worm it feels like Wildbow's using pacing that worked in one area without realizing how it could only work in that area. It might also be why I appreciate the quieter moments of inter-team banter and therapy sessions Ward is full of (besides those moments being, on the whole, really goddamn good).

#parahumans #wildbow #taylor hebert #victoria dallon #leo reads ward #leo reads worm #leo says

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