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stray-tori · 3 years

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TPN Vol 8 - Chapters 66-70 Thoughts

[we're already on vol 9 but I'm slow with compiling]

I know I always rag on the "cop out" deaths and it is true that no corpse no dead, and I am curious if there will be any more worldbuilding regarding Lucas' survival (hello deus ex machina person) but uh. Idk. I'm sure it has a point and it makes sense in universe (having him be the reason for the knowledge among GP kids is good) but it just feels a little. Eh. Like it feels like paddling back on a small part of geezers guilt and feelings. In part it also feels like a "reward" for choosing the heroes moral side and going to help save Emma (why ever that happened - ig bc Gilda would blow up the shelter if he doesn't so. YAY).

...

Obviously the development is still his, and he obviously isn't expecting to find anyone alive there, but ig i felt like he was leading up to... healing more through the kids and not one epic Emma speech and "oh your one friend is alive btw" reveal later on. It feels like a spark of hope and happiness for him that I'm not sure if was needed narratively. He already decided he wouldn't harm them.

Like maybe they handle it very differently so i might be jumping the gun here but idk. It just feels a little... weird to me. Probably in a similar way how speeches about Norman hurt but also kind of get that "well uh about that...." Air once you know. I feel for the characters and their separation but it doesn't have the same weight it could have anymore.

In theory it reminds me a bit of the whole gate reveal structure in s2. With a setup being built up or established and a reveal just going "nvm that's not what we're doing".

It makes sense, I'm just not a huge fan of what it does for me for previously established things.

But i guess writing wise it puts its cards on the table with small scale Lucas and then Norman haha.

I find it rly funny how much the arc sort of mirrors the s2 arc so far (character assumed dead is alive, new cast of demon kill children introduced, a plan to kill demons).

Ig that might be intentional, for all intents it's a good method of conveying character change. Or different specifics or how things might be judged differently with different specifics (like hunting for enjoyment vs. farming)

I'm totally jumping in on this too early but idk it's interesting to think about.

That and also our whole "There's someone I want you to meet" - "ITS NORMAN" jokes made me think, like you could probably ACTUALLY restructure some of this in a way that would allow Norman's return here instead lol. Could be a fun AU, esp since we have the seeds of a (small-scale) demon annihilation plan anyway.

I also just find it funny to think about Norman grumbling from his future self that Emma agreed to some random guy's plan so easily udkhjsd

Obviously the time is a bit of a mess -- it's only been 3 months? is Adam out bc Norman's escaped already or was Adam just shipped to GP? if he already escaped, our boy is quick - plus, why would he go to GP. the supporters in Lambda probably know it's been compromised, so aside from freeing the children, there isn't a lot of reason to go there and while that may have priority, I feel like 3 months is a bit of a short timeframe for Norman to settle in there well enough -- so it's more wonky than anything BUT IT'S FUN TO THINK ABOUT.

btw I find it so funny how Emma has that whole "intent to kill" thing going on now, considering her later moral stance - like it's fair but coming from s2 it's a bit of whiplash haha especially since she's so determined about it right from the start. (though I have no idea if she ever addressed killing demons before this, memory bad)

Though notably she said "she wants to shut down the hunting ground too", not "want to kill them too" - and it's good that she draws a line but IDK IT'S JUST INTERESTING because what bothers her is the toying / no respect for their lives, right? - "this kind of hunt", not hunting in general.

... so like, if you were hunted by a demon in the wild, who didn't toy with you, just killed and ate you, that would be fine then? Idk, it's a very fine line and I get it, but it's interesting to think about. A quick, suffer-less death is of course a valid thing to want if you will die anyway, but you're dead afterwards in both variants.

Of course maybe I'm reading it wrong and it's just her sort of realizing that between mass production farms and GP, they really did have it good, even if they died an early death, and how this is much more hate-worthy than GF's method. Which is true, I suppose, and might expand on the building blocks of her moral development down the line (as in "there's different stages of demon-badness").

Also a more funny thought but imagine if Lucas DID have the pen, would... Geezer-senpai just not find the way back? And even if he did would he even get into the bunker? That'd be one tragic ending pff. Tell the person to run away and they can't even go back inside sudhdjd

Also i thought about it and isn't it weird that none of the books or materials mentioned what goldy pond actually is? Like youd expect sth that important to be in there.

We know WM wasn't at the bunker in the last 13 years and we know that the books he supplied to GF, the newest one was 2015. What if he was discovered or had to limit his WM activity 30 years ago?

So 30 years ago, he still sent people to goldy pond.

I'm just realizing.... That totally sounds like a setup for minerva to actually be on the demons side or a demon himself sjdhjddj. Like he orchestrates escapees (who are likely to be smart) and then sends them to GP where he and his noble friends can hunt them.

But where i was actually going with this uh, what if GP 30 years ago (potentially longer depending on how long ago he was there last) wasn't actually a hunting a ground? Why would you send kids there without a warning otherwise? What if it WAS a small human community (tho that would likely have been passed around by the inhabitants) or it was at least WM supporter base like the bunker, intended for humans to live there. Not sure about mansion then but YKNOW.

If it was, i wonder if it being discovered was a huge part in WM cover being blown OR if the demons decided to keep it secret bc you know this place is rly convinient haha

I also wonder how wm even finds and builds all these underground things lol. Bc it can't have existed since before the world split i think?

Man has some big construction projects running pfff.

I'm also not sure how that underground thing works-

its tori is confused about minor things hour

[Emma takes the axe with right hand, her right hand is still behind her as if she was winding up, but the axe is already thrown?]

like if she had the axe still in hand it'd make sense or if it was in her hand AND spinning, it'd be like "2 frames".

but this?? i am just-

im rly late with this but the glove is Lucas' memorial. the pair will only be together again when they reunite :<<

what I want to know is HOW. like the John thing is already questionable but I guess he could have gone back again?? but with this.

he has both gloves when they part he still have one glove on when his arm is gone. but the arm Leuvis has, doesn't have a glove?? So either Leuvis took it off but i wouldn't know why, and just dropped it on the ground for geezer to come pick up ORRRR he took one off for some reason?? maybe he threw it at the demon pff something is very un-continous here and i need answers-

the duality of man... not wanting people to know a) your age and b) your name (which you may have forgotten, who knows)

we just assumed geezer's name is censored here but I guess it could be anything haha-

#tpn #tpn manga #tpn manga thoughts #tpn manga theory #tpn theory #tpn spoilers #tpn manga spoilers #ynn spoilers #ynn manga spoilers #tori talks #tori has opinions

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teruthecreator · 4 years

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THS IS A ROBBERY 🔫YOUR ROLESWAP LORE!!! HAND IT OVER 🤲if u want 2 :)

just took my melatonin bc i have to wake up at 4:30 AM to drive 16 hours to my mother’s so i’m sorry if this becomes derailed but uh. here’s the roleswap lore! or, at least, everything i’ve decided (along with matthew and corinne bc the three of us tagteamed on it)

gonna chuck it all under a readmore bc this is going to get long

so first off, just gonna run out in front and say i have no idea how this fits into graduation plot. i haven’t gotten that in plot consideration, given their character differences in comparison to their canonical selves. so, for the most part, it’s a lot of background establishment and character traits. but i do have a few plot bits that i’ve figured out bc i thought it was cool. why such a long preamble? i don’t know. help me

fitzroy maplecourt:

first off, he’s not called sir!!! because he doesn’t go to knight school!

my idea for his backstory is that the way he decides to grapple with his identity crisis/imposter syndrome (which he definitely Still has) is that instead of becoming a grander, larger than life version of himself. he just. goes the opposite.

not necessarily becoming a degenerate (bc he just smokes pot and that’s not bad he’s just vibing)??? but more just like. leaning into the laid-back nature of life that one might pick up from a lifetime in rural country.

he goes to a liberal arts school a ways away and just decides to bum around and take life not seriously. he develops a pretty large group of acquaintances being a hippie stoner; he doesn’t really pursue a degree either. i think if he picked up any major it was probably like. an art major or an english but he basically fails most of his classes bc he doesn’t care!

unlike his canonical counterpart, fitzroy doesn’t mind being called nicknames!! ones i think he has the most are fitz or roy, but basically you could call him anything and he’ll respond. that is because, instead of clinging to the concept of his identity bc it’s the only thing he feels he has, his identity is nebulous!! he doesn’t understand it and it scares him too much to be concrete, so he just lets people decide shit about him for him.

his personal philosophy is more about floating through life and letting people assume shit about him than having a solid personality and backstory that people understand and recognize. it is a more dissociative way of having an identity crisis! how fun! he also barely talks about his past, and what he does talk about are cherrypicked points of his past that fit his narrative of being a casual down-to-earth hippie

the moment that this all changes is when order decides to pop in and grant him powers!!!! wahoo!!!! here’s how that happens:

he’s baked out of his fucking gourd in his dorm room, in the spring semester of his junior year. he’s alone (which is rare) and he’s maybe a little sad, but he decides to just ignore it. he looks at his table and laughs. “hehe, what if this table just. blew up?” he says to himself. it isn’t that funny, but he laughs. then he lays his hand on the table.

the table blows up.

after that, he has magic!!!

i’m going to go into detail a little bit later about how fitzroy’s magic manifests in the roleswap universe, but i wanna get through the backstory first. basically, he gets really freaked out after his magic comes to him because it is So New and Wow What and What The Fuck.

he realizes that this new addition to his character Completely changes how people who know him would perceive him (as a bum stoner chill guy), and he can no longer have control of his narrative with this magic business. so he drops out!

well, he actually just transfers. to a school far, far away where people will never know who he was and he can rebuild his narrative with this magic incorporated into it. he chooses wiggenstaff’s because he figures the school would have more of a knowledge of magic than his libarts school, which would mean he could understand why the fuck weed gave him magic (sidenote: it wasn’t weed, obvs, but he thinks this so for a while he doesn’t smoke!)

he is now the chill hippie of wiggenstaff’s!!! most people like him because his personality is fairly easy to digest; some people think he shouldn’t be there, but he is! he starts out as a sidekick and he would’ve honestly been fine with that forever, but then he’s suddenly thrust into the hero track!!! wow!!!! i will also explain this with the magic.

but yeah!! that’s fitzroy, for the most part. now we’ll move onto the other boy

argonaut keene:

he actually prefers if people call him argonaut, but he’s less likely to correct people than canon fitzroy Or canon argo. he’s a tad bit shyer in this universe!

argo’s backstory pretty much follows the same idea of his canonical background, but with some key differences that shape him into the character he is in the present!

basically he still grows up on shebrie’s ship, surrounded by crewmates and the salty sea air. but his fascination with the sea doesn’t manifest into this swashbuckling lifestyle that he has in canon.

what fascinates him more is the ship itself. how it functions, how water wears down wood, how directional currents can affect navigation. basically, he becomes invested in the sciences part of sealife more than the pirateering. he has special interests in marine biology, but his heart remains in nautical engineering. figuring out ways to make the ship run better, faster, and more efficiently consumes his childhood thoughts!

shebrie encourages her son’s craving for knowledge with tomes and books from all over the world about anything related to engineering and nautical things. he’s homeschooled, basically, but he becomes rather intelligent within a few short years!

and then, well....shebrie dies. yeah we aren’t escaping that finality, sorry folks. that part of canon Still Applies.

after shebrie’s death (coughMURDERcough), argo is. traumatized! and he makes the decision to almost entirely sever himself from his life on the sea. it’s all too painful to look back upon--the times he spent studying with his mother in the captain’s quarters, rattling off dolphin facts as they sailed onward, dreaming of turning gears as the ship gently rocked him to sleep--and so he just decides to throw the whole thing out!

he can’t ignore his lifetime of education, though, so he continues to pursue it. with the remainder of money his mother left behind, he enrolls himself in a boarding school of science and technology, with plans to continue study in Only engineering. no more nautical Anything on his roster.

eventually, when he is old enough and graduates high school, he roams around...trying to figure out what to do. he doesn’t have enough money for college, so he can’t continue his scholarly efforts yet. he works around, job-to-job, city-to-city, and just notices how...delayed everything feels. like society is suffering under this slow pace towards innovation.

and that’s when he decides his next course of action. if he were to discover the root of some problem and engineer a solution, he would be famous! he would gain notoriety and praise and--and all the things his mother had as a captain. but he would have it on his own, separate from his mother, and separate from his past.

he figures out his next course of action: attend a school that will give his prestigious enough marks to be accepted onto a research team, find a problem, solve it, help the world, maybe earn a little bit of that credit and respect that would make him feel like he was doing his mother proud.

the thing i want to emphasize here is that argo’s take on helping the world comes from that morality that canon fitzroy has. canon fitzroy wanted to be a knight because he wanted to fairly and justly instill ideas of “good” and “bad” onto the world. roleswap argo has a similar moral sense, but instead of establishing rules he wants to fix the “bad” and make it “good” in a technological/scientific sense.

the only school argo can think of that can get him that kind of notoriety is wiggenstaff’s. getting onto the HOG board would mean he’d have access to countless resources and be respected by a large audience, which would give him the opportunity to make change happen. even if he’s only a sidekick On Paper, what matters is that the diploma would give him the ability to Apply to the HOG. so he drafts a carefully worded letter for a scholarship and achieves a full-ride!!! epic

like fitzroy’s magic, i’m going to break down argo’s relation to the unbroken chain after i get through backstory stuff. but trust me, I’ve Thought Of It

argo sort of blends into the background at wiggenstaff’s. or, he would, if his roommates/friends weren’t so Fucking Out There. fitzroy is enough to make him always be visible, but even the firbolg’s massive frame means eyes are always on him. which makes him nervous!! he doesn’t like the attention (as opposed to his canonical self, who revels in it for the self-esteem fuel) his insecurities manifest more in what he’s Doing rather than what he Is, mostly because his identity is barricaded by a wall of trauma repression

he’s still plenty funny and witty, just quieter. also he’s a lot Meaner than canon argo, at least to me. because if you irritate him he Will just completely shut you down with words. motherfucker doesn’t bark but he will most DEFINITELY bite

that’s their backstories, for the most part! in terms of how they interact together:

as established, they meet prior to wiggenstaff’s on a tinder date (during the grace period of argo working odd jobs and fitzroy about to be granted immense fucking power) and end up casually dating during the course of their wiggenstaff education. argo is a nervous goober and fitzroy just likes making him blush. it’s very cute.

fitzroy is still less inclined for the romantic than argo, who remains a steadfast absolute romantic internally. fitzroy still holds a lot of the self-doubt and distrust that canon fitzroy has, only it manifests in him not taking anything seriously! which means when he catches Feelings feelings he basically freaks out

argo still falls in love really quickly, only now he’s more conflicted about it because being in love means trusting and trust means communication and communication means Oops Years Of Trauma Are Being Unloaded Uh Oh!

now i’m going to touch on the big points that i find really interesting: fitzroy’s magic and argo’s relation to the unbroken chain

fitzroy’s magic:

chaos is not the being that grants him magic. it’s order!

my take on what this means for what deity is on what plane of reality is that chaos is more Needed so they are the one that is physically On Nua, while Order remains in dreamscapes because they are already a constant amongst the tangible world. yes i know this directly contradicts the reasoning for why theyre Supposed to be where in canon, leave me alone i’m having fun.

my reasoning for this switch is because chaos stands to be a contradiction to everything canon fitzroy has going on. he has a very strict, nailed-down understanding of himself and the world. everything he thinks is in black and white, bold statements, no questions, he follows rules and obeys the law. untiiiiil chaos gives him magic and shocks him out of that complacency. they lean into his inner impulses and that rage he’s kept locked deep inside. they allow for magic to Explode out of him, rather in calculated bursts or with intent.

which is why order is more fitting for roleswap fitzroy!! because fitzroy, in this world, has less of a concrete grasp of himself and the world. he purposely lets himself be nebulous and goes with the flow. thinking of the future in real terms is not something fitzroy Does, he has no plans and that’s Fine. order seeks to give fitzroy a backbone, to put it simply.

his magic doesn’t go impulsively out of him. it is calculated--it comes with thoughts and intentions. the reason it surprises fitzroy when the table blows up is because he didn’t think his thoughts or wants would amount into that, but that’s what order is trying to show him. that his intentions matter. that he matters and he has to Think and Focus and Be Here.

i’m still not sure if his power would manifest as lightning??? because the imagery for the lightning works perfectly for canon fitzroy because of the random power of lightning strikes. but for roleswap fitzroy it’s more like...thunder. like Purpose. thunder happens because of a reaction--it comes with intent. if differing air temperatures collide, it creates thunder. that combination is purpose + intent equating in magic.

i think that part needs word bc like. how would one quantify thunder?? i think fire might also work really well because the idea of a controlled fire. like things have to Happen in order for fire to start, it can’t just appear like lightning can.

order’s manipulation relies more heavily on the concept of boosting him up as a savior/hero, rather than boosting his ego and desire for power. fitzroy Has no desires in roleswap world--he’s just there. but when he gets put on the hero track, now he’s suddenly been given purpose. and order uses that to be like “wow, look at all these people who rely on you! look how important you are! don’t you want to use this magic for good?? to do good?? start a war with a demon come on pussy :-)”

OH YEAH also he becomes a hero in this universe (like in terms of tracks) because of the fact that it directly contradicts how he views himself. for canon fitzroy, it was showing him how much more he is capable of without the restrictions of morals (i.e, king fitzroy). but roleswap fitzroy doesn’t Have an image he wants to bolster! he doesn’t think he needs it and, frankly, he doesn’t care for it. the hero tracks carries with it all these stereotypes and expectations that now directly contradict his personality--thus showing him he is capable of more.

okay now for argo’s business jesus christ this post is so long and im NOT EVEN DONE WITH ALL THE POINTS I WANTED TO MENTION

argo’s relation to the unbroken chain:

so since roleswap argo has less of an association with his past (and, by extension, the memory of his mother), he is less inclined to join the mysterious cult that his mother was a part of.

moreover, he doesn’t necessarily believe the shit he’s told??? he’s way more skeptical of jackal than canon argo is--immediately questioning why and how jackal knew his mother, and constantly trying to poke holes through his narrative.

generally speaking, if you try to talk to roleswap argo about his mother or his past, he Shuts Down. like completely. and that usually results in him snapping at you or just clamming up completely. mostly he just gets really snippy and angry because Hey Shut Up Dickhead I Don’t Want To Talk About It

a part of me still isn’t sure whether or not argo would take the unbroken chain up on their offer. but i also know that, plot wise and character arc wise, it is a necessary part of argo’s story. so i think, at most, he agrees but is extremely hesitant and might even let fitzroy on immediately once he’s given the task of digging into fitzroy’s life

also, they’re boyfriends in this universe, so how could he Really keep it a secret for that long. come on jackal, you idiot, you know they’re kissing.

i think he’d Eventually warm up to jackal as a sort of father figure, but only after many nights of conversation and dancing around the subject of shebrie.

OH YEAH. this argo doesn’t know the commodore murdered his mother! important to note! he just assumes what he was told was true, that she sailed into dangerous territory and was ambushed.

during the tribunal bit If That Even Happens In This World, i think fitzroy actually is the one who figures it out Before argo. and once argo does, well............fuck!

OKAY last little bit, just gonna talk about some random extra parts of the world that i’ve thought of already:

in this universe, grey takes on higglemas’s identity instead of hieronymous’s!!! this is for good reason actually

okay so basically my thought was that, instead of whatever happened in canon yadda yadda dog time, hieronymous and grey are fighting and it’s a pretty evenly matched battle. there’s a cooldown moment where hiero thinks he’s safe but grey uses sneaky backhanded tactics to try and get the drop on him.

only higgs sees it in time and saves his brother, taking the hit himself. he collapses, extremely wounded, and hiero rushes to his aid. he’s cradling his brother’s body, trying to keep him alive, when grey approaches to deliver the final blow.

hiero is completely crushed and defeated and basically will let grey do anything to him by this point. the only thing he begs of is to let him live long enough to save his brother.

now, grey isn’t nice. let me make that clear. grey fucking SUCKS and the reason he agrees is because he wants a Real War with hiero and he can’t get that if hiero is basically like “if you let higgs die then you might as well kill me”.

so, grey agrees, and hiero ends up saving higgs by turning him into a cat. was supposed to be a temporary solution until he could find a better spell, but he wasn’t the magic guy in the duo. eventually, grey gets tired of waiting and decides to do some other shit. like turning the school the brothers have been running into a backalley place for demons!!

he takes the form of higglemas and leaves hieronymous locked in his office as basically a mascot. he’s like the queen and grey is the parliament--grey makes all the rules, but everyone assumes it’s hiero. faux-higgs is more on the ground, changing things and making the school a place more fitting for an eventual war. he builds up the concept of heroes and villains being Real, in the hopes he can sway some mortals to his side when he’s able to open a portal to hell.

hiero still tries to stop this from happening, but his pride and his self-image is wounded by what happened. he feels guilty and puts the blame entirely on him, instead of doing the whole cowardice route like higgs did in canon. he gets people to help him eventually, via mind control and all tht jazz.

also in this universe, buckminster is the one who gets birdified instead of leon!! has to do with my leon/buckminster and higgs/hiero narrative parallels that i’ve thought of for far too long.

firbolg is exactly the same in this universe. it is hard to swap three people and i didn’t want to think about him.

fitzroy doesn’t pick a grab. i think he’d rather a lizard, like a bearded dragon. he names him something stupid. like scaly. or kyle.

uhhh yeah!!! i think that’s....everything i’ve thought of so far!! lemme know if you wanna hear my takes on any other elements in the roleswap world!!!!

#taz graduation #taz sir fitzroy maplecourt #taz argo keene #roleswap maplekeene #ignorance cloud on #thanks em!!!!#sorry this is a mile long i had a lot to say #and now...i sleep!#jesus christ i have to drive 16 hrs tomorrow #help me :-)#ember360

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normadeathmond · 4 years

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the spanish princess ep 2 thoughts

I’ve been enjoying all the reaction posts so here’s mine (spoilers included):

- I’ve had kind of a revelation this week regarding The Spanish Princess. This show is basically the modern day version of those dubiously accurate medieval historical chronicles. Not only do we have extra supernatural elements (the cuuuuurse, prophetic dreams), but we also have the contemporary authors’ personal biases inserted all over the place, and the addition of mythical stories about the heroes (Catherine fighting at Flodden this week). For some reason, this has made me a lot more forgiving towards the show. (it probably also helps that my fave Maggie B is dead now, so I don’t have to worry about them shitting all over her anymore, and I don’t have a particularly strong attachment to any of the other historical figures depicted)

- erm wtf, did anyone else catch that scene with Maggie and Edmund de la Pole in the previously on that we’ve never seen before?? I guess this plotline was supposed to be included in episode one as well, which probably would’ve helped it feel a bit more developed and less like something they suddenly remembered had to be tied up from last year. The whole sequence of Edmund being reintroduced and killed off in less than five minutes was very rushed.

- I’m glad baby Henry’s death hasn’t been totally forgotten, but do we really need so many grief-stricken sex scenes between these two? These are supposed to be the years they’re deeply in love, let them have some happier sex

- ehh I’m not sure that Catherine’s big reveal to the council actually changes much. A very early pregnancy, possibly with a girl, doesn’t really make the line secure. I think the focus should have been on Henry’s own desire to prove himself in battle, which would also have added to the humiliation when Catherine successfully defeats the Scots while his military exploits fizzle out.

- I really like General Howard, Peter Egan is fantastic (albeit a bit too polished for a grouchy, uncouth soldier type)

- “and now this book is closed” - god I hope so, bc I hate Maggie’s plotline from last year. It was interminable watching her whinge about how unfair it was that the Tudors suspected her of plotting against them because she had always been the most loyal person ever, as though she was suffering from some kind of selective memory loss about literally being a spy for the Yorkist rebellion in The White Princess. ffs Maggie can be either a completely innocent woman unfairly maligned by the Tudors or she can be a badass Yorkist rebel, not both.

- it seems her memory problems are back this episode because she goes storming off to complain to Catherine about Edmund de la Pole getting his head chopped off, conveniently forgetting than she was also heavily involved in his plot and her family is only out of the Tower thanks to Catherine interceding for her with Henry. Catherine was 100% in the right here, Edward of Warwick was innocent whereas Edmund de la Pole was a fully cognisant adult who spearheaded a revolt to take the throne (and likely would’ve had both Henry VII and Henry VIII killed if he had succeeded), so the idea that she’s suddenly heartless because she apologised for the former’s death but not the latter’s is ridiculous. The whole scene, including Maggie’s kids’ ‘whoomp here she goes again’ reactions, unintentionally have her coming off as rather hysterical.

- hopefully the rest of her story this season focuses on her mending her relationship with her sad silent son instead and possibly getting her leg over Thomas More

- ahhh Lina’s face when Catherine bitchily says she’ll be having a girl. Catherine’s not going to be able to stop herself from lashing out at her now that she has twin boys.

- first the clothes comment last episode, now they have Ursula saying Charles may not be good-looking but he’s rich as fuck. I guess she’s being set up as a gold-digger.

- is it just me or does the Anne Boleyn’s actress look a little bit like Charlotte Hope? The dress they had her in when Henry returns even looks like something Catherine would’ve worn in season one. I’ve no idea why they’ve brought the Boleyn girls in this early though – are they going to be sent to France then come back later? Henry still has to make his way through Anne Hastings, Bessie Blount and Mary Boleyn before he gets to Anne. The episode summaries make it look like his infidelities won’t start until episode four so he’s going to have to have a new girl every episode to get through them all.

- I’ve kind of come around on the whole Catherine-in-armour thing. Frock Flicks wrote an interesting article this week where they pointed out that while historically battle armour for women did not exist and women very rarely wore armour, depictions of women in armour have been around for a long time and would have existed in the Tudor period. In this pseudo-historical retelling of Catherine’s story mythologizing her as a warrior queen, it does make sense to carry on that visual tradition and have her armoured up.

- Unfortunately I think they did kind of undermine the visual impact of the armour on screen by focusing on it so heavily in the promos for the season. Possibly it wouldn’t have affected a casual viewer so much, but anyone who’s followed the show’s promo cycle has been seeing pictures and clips of Catherine in the armour for weeks now, and when she entered stomping down the corridor in her full battle gear it didn’t blow me away like the first look at that outfit should have done.

- I know this series is never going to have the budget of Game of Thrones, but Flodden was a disappointment, from the rousing speech (“mothers are warriors too, amirite ladies?”) to the battle itself. You can tell they really wanted this to be their big epic action sequence and unfortunately it felt underwhelming. I remember the battles in TWQ/TWP being much more impressive, for what was probably a similar budget.

- as soon as I saw how heavily pregnant Lina was this episode, I knew a birth/battle juxtaposition was coming. I get what they were trying to do with the whole ‘childbirth is women’s battlefield’ theme, but the attempt to fake-out Lina’s death fell flat - there’s no way they were killing her off. (I’m not sure why she was giving birth in the hallway, with apparently no midwives, but it was inadvertently hilarious watching Maggie - the only one with any childbirth experience - try and talk her through it while the other three were basically no help at all.)

- also everyone being like “omg Princess Mary you can’t possibly be at the birth” felt so out of place given that Meg and Catherine were both hanging around a battlefield at the same time

- on the one hand I did like that Catherine didn’t end up being some amazing warrior just off instinct; she’s almost immediately pulled off her horse, staggers around looking confused as fuck and then is shocked when she actually kills someone. But on the other, what was the point of all the warrior queen build up if she barely even does anything useful on the battlefield? (also why did they have her kill someone who looked so much like James?? I’ve seen several people think she killed James herself and I thought that too until he was shown being taken down afterwards - it was needlessly confusing)

- JAAAAMES. I’m so sad he’s gone. Georgie Henley knocked it out the park this episode, especially in her big mourning scene. Although given how sweet he and Meg were this episode, and her comment about him being her best friend, it just makes the punch last episode seem even stranger.

- I’m so sad we were robbed of seeing Catherine try to send James’ corpse to Henry as a victory gift and have to be talked into sending just the coat. If you’re going to make her ride out in armour let her keep her savage penchant for gruesome war trophies!

- oop, Catherine absolutely fails to sell the lie that she’s pleased about Lina’s two boys, and Lina can definitely tell.

- with Maggie B gone, Wolsey is the new evil religious cockblocker in town!

- I would like twenty more scenes of Lina and Oviedo being cute and bitching about their work days thanks

- I like Catherine defending Howard to Henry. It would have been nice if there was more time to show the development of a begrudging respect between those two.

- overall I found this episode disappointing. The big sequences weren’t impressive in the way last week’s were and there weren’t enough character moments to make up for that. I’m still looking forward to the rest of the season though, especially Meg, Mary and Maggie’s storylines.

#the spanish princess

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young-bev · 4 years

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An essay abt Fabian Aramais Seacaster

This is the essay that i wrote for my greek myth class. The assignment was to find a contemporary example of Hubris and Nemesis.Understand that some story elements are simplified and glossed over bc this was only supposed to be three pages and i wrote five. Idk like one person on tumblr wanted to see it and a few ppl on twitter as well. So enjoy??

In recent years there has been a rise in popularity in TableTop Role Playing Games (RPG), this is due to shows like Critical Role, The Adventure Zone, Not Another DnD Podcast and Dimension 20. These shows have amassed large followings and have even gone and performed live around the world. Viewed as a collaborative storytelling medium, using dice to define the success of one's actions, it is only reasonable to wonder if the traditional storytelling devices seen in classic mythology translates into this medium. Examining the plot to Dimension 20 Fantasy High a clear example of hubris comes to mind. This hubris is shown by a Player Character (PC) named Fabian Aramais Seacaster in the second season of Fantasy High. To understand the significance of the hubris and Nemesis, one must understand Fabian’s personality in the context of this show and how that relates to the situation he was placed in. Understanding Fabian as a character will also allow the viewer to understand how cruel Nemesis was to him. Nemesis’ cruelty can also be examined as a part of games mechanics and reflected in the relations between Dungeon Master and Player.

For ease of understanding, I will first explain the context in which Fantasy High takes place. In the introduction to the show, the Dungeon Master (DM) Brennan Lee Mulligan explains that: “Now we can answer the age-old question of; What if John Hughes ran a tabletop RPG game?” The show follows a group of heroes who call themselves the Bad Kids as they attend the Aguefort Adventuring Academy: the world’s premier training ground for would-be Heroes. It is the first episode of the show that Fabian is introduced. He is a half-elven fighter raised by infamous pirate Bill Seacaster and Hallariel Seacaster. Played by Lou Wilson, Fabian is: “Everything [Lou Wilson] wanted to be in high school; rich and hot.” as he stated in an episode of Fantasy High: Extra Credit. It is here in Fabian’s very first scene that the viewer is given a key insight into Fabian’s hubris. While talking to his father before the first day of school, Bill Seacaster says to Fabian; “You’re my son, you’re a direct reflection of me! You and your glory is the same as mine and my glory! That’s how we relate to each other!” (Mulligan, S1 E1). This statement is important because it will directly play into many of the choices Fabian makes in the following episodes. In the very same interaction, Fabian is gifted by his father an Auguefort Owlbears letterman jacket, as Fabian hopes to make it onto the team with the tryouts happening later that day. The jacket becomes a great symbol for both Fabian’s hubris and identity as he does not initially make the team but still decides to wear the jacket to school nearly every day. As hubris is defined as someone viewing themselves as either above or below their true social rank. hubris is also seen as acting out of an overblown sense of importance. In a society where a social ladder is clear, Jocks and cheerleaders ‘rule the school’ and the nerds find themselves at the bottom, wearing a letterman jacket for a team that you are not a part of is very much believing yourself above your true position on the social ladder.

While the jacket is a minor display of hubris in the first season as Fabian does eventually find his way onto the Owlbears, it is not until Fantasy High: Sophomore Year that Fabian’s hubris is met with Nemesis. In sophomore year, the Bad Kids find themselves on a quest to retrieve the crown of the Nightmare King. Their journey leads them to the pirate city of Leviathan. Here the city is made up of ships roped and assembled together, it floats in the Celestine Sea. On their first night in Leviathan, Fabian separates himself from the party and heads off, now pensive as this city reminds him of Bill Seacaster. On his own, he meets members of his father’s cult. Warlocks who have given patronage to Bill Seacaster as he is now causing chaos as a devil in the nine hells after dying at the end of freshman year. Initially, these pirates praise and celebrate Fabian as he is their patron’s son. They believe Fabian their saviour. Their reaction changes, however, when they ask Fabian to describe how he defeated Bill Seacaster in combat. These warlocks believe Fabian to have killed his father in a grand and epic battle. Although, in actuality, Fabian killed his father in an act of mercy after their home was attacked by mercenaries. Fabian tries to explain this to these pirates and they immediately become frantic and fearful of the lack of potency and power of their patron. They believed Fabian a powerful enough swordsman to defeat Bill Seacaster, thus powerful enough to defeat one of Bill’s long standing rivals, a man named James Wicklaw (Mulligan, S2 E5). With a hurt pride and desperate to prove himself, Fabian declares: “I am perfectly capable of leading an army, Alright? I am my father’s son through and through. And I am as good as he is...” (Mulligan, S2 E5). It is here with wounded pride that Fabian sets out to prove himself in the eyes of his father’s cult. He leads them in an attack against James Wicklaw. Fabian’s hubris here comes from overcompensating for his hurt pride. He goes above his social standing, believing himself powerful enough to defeat Wicklaw on his own. This is however not true, as Dungeons & Dragons is a game where antagonists have challenge ratings and players gain levels in certain abilities. It is up to the Dungeon Master to balance encounters and choose antagonists appropriately. James Wicklaw was a Mind Flayer, listed in the Monster Manual as a level 7 challenge rating. Fabian at the time was a level 8 Fighter (Perkins, p.222). While this seems balanced, Fabian was immediately grappled and stunned, leaving him unable to do anything but watch, while Wicklaw and his crew slaughtered the 20 followers he had brought into battle. Nemesis comes to Fabian by removing his sense of identity. As Chungledown Bim, one of the warlocks says to Fabian before dying; “Ye ain’t no pirate and Bill would spit in your eye…I’m gonna shit in your mouth” (Mulligan, S2 E5). Ultimately these words would affect Fabian so much that they will come to haunt him in later episodes. Punishment in Dungeons & Dragons does play out differently then it does in classic Mythology. Where the gods of the pantheon are near impossible to reason with and are cruel and unforgiving in their punishments, the ones in control of the world of D&D are you and your friends. A good DM is on the side of their players but it is their job to react as the world in which their players find themselves. In this situation, Lou Wilson made a series of dangerous and reckless decisions as Fabian but these decisions were exactly the decisions that Fabian would make. He is prideful, he is overconfident, he is selfish and ultimately insecure when his pride is threatened. By losing his sense of identity, Lou and Brennan made the decision away from the table to push Fabian’s punishment past simply a character choice and into the mechanics of the game. At the table, we see Fabian shed his father’s eyepatch and sword along with his letterman jacket. These items are obvious symbols of Fabian’s sense of self. It isn’t until a later episode that the viewer sees the true effect that losing his identity has on Fabian. He suffers from exhaustion and pneumonia in the following episode and seems to have fallen into a depressive state. In episode 8, the Bad Kids go to face Wicklaw again, this time together as a team. It is here that the viewers and the other players learn that Lou and Brennan decided to remove all classes and feats Fabian had taken throughout the campaign. This leaves him with a single attack. Talking about this decision in the Fireside Chat, Brennan and Lou said: “[Lou Wilson]: A lot of it is a relationship and trust between you and your DM; in that your DM sees you make that choice, the less strategic choice…and meets you in the middle...It was so much more fun because...Brennan rewarded my choices with the reality and groundedness they deserve...’[Brennan Lee Mulligan]: ‘I think there comes a moment when playing D&D, where you can say: ‘I can really blow it and tell a better story’...I need to honor the danger Lou has put himself in and I need to put consequences here and I just can’t be vindictive.” This quote highlights the main difference with how hubris is treated in this media. Nemesis and the other Greek gods do not care, as characters, if their punishments are juste. They are particularly vindictive and often do not care if you die because of your hubris. Athena did not care about the importance of storytelling when cursing Arachne for boasting of her weaving skills, she simply cared that Arachne be punished for her hubris (Buxton, p.80). In opposition to this, a Dungeon Master and their players are more similar to the poets composing the myths. They make choices while considering the narrative, they enforce nemesis in a way that adds to the narrative. Using Nemesis allows the DM to enforce consequences onto the players allowing their decisions to feel more significant and raise the stakes. However, because of teamwork between player and DM, Nemesis will be much more forgiving to a Player Character then a Non-Player Character (NPC) or those showing hubris in myths. In conclusion, hubris and Nemesis still find their place in the world of RPGS. Fabian Aramais Seacaster is a clear example of this. He boasts of his abilities, believes himself a captain, when in actuality he is at his best when working in a team. Nemesis removes his sense of identity and confidence, forcing him to face his enemies without the skills he had honed in the past few years. She forced Fabian to realize that his true strength comes from the bonds he has with his friends and not borrowed from another's reputation. Nemesis forced Fabian to face his insecurities for which he was overcompensating, playing a key part in the larger elements of Fabian’s journey to becoming his ‘own darling man-boy’.

#dimension 20 #dimension 20 fantasy high #dimension 20 live #dimension 20 spoilers #this is the second school project ive done about fantasy high #fabian aramais seacaster #Fantasy high #Lou Wilson #brennan lee mulligan #an essay

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purgatoryandme · 4 years

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(Sorry this is gonna be long) I went through your entire letter by the water tag (sorry for spamming your notifs) and you have me blown away!!! The contrast between the realism of it being set during WW2 and the mystical, fantasy-horror of Ophelia, merchant of death, extremis etc. You mix the fantastical so so well with the nitty gritty of war with the bad bad mental health of all included, the intrigue, the mystery of it kills me.

(continued) the dynamics between Tony and bucky, peggy and Steve are just so realistic and the the way the howlies w stevetony are this figures of hope? During a time of revolution and change and violence as they carry pieces (The significance of art here kills me) of people's soul to show that they existed! Lw reminds me of IM, the intensity of your writing and the pacing n layering makes it read like an epic (w one definitive goal but small stories dozens of layers). It's, just, vey good (3/3) I won't even start about the plot n else bc that would actually kill me but also if you decide to not work on Lw is there any way you can collect the snippets on tumblr n post it on ao3 bc tumblr is finnicky at best and I don't wanna loose what you've created!! Thanks for being you and creating something literally so amazing!! I'm really sorry for the long ask and my English (it's not my first language)

Woah, thank you! Never be sorry about long messages! God, yeah, I fucking love the contrast between realism and fantasy in LW and it’s why it’s pretty much my favourite AU. WWII is such a heavily explored topic that like...often lacks any real introspection into the human element of both the suffering and LIFE that occurred during it (with obvious exceptions - a lot of biographies get into it, as do Jewish authors, but by and large published works tend to focus on the military elements and sheer scale/horror of things in a way that reads as voyeuristic or oddly detached). I was reading a really great historical fantasy book that dealt with a post-WWII Europe that was being torn apart between Japan and Germany with these magical elements that really...idk, allowed the true humanism of events to shine through with symbolism and ideas that are easier to connect to than just sheer grit?? And then two months later I was thinking on Civil War and a bunch of Tony meta and techno-fantasy (Extremmmmiiiiiiisssssssss), then boom! Letter by the Water just took me over for a few months. Tony being a child in it wasn’t even the original intent, but once the idea blindsided me I just couldn’t let it go. Getting back into those blurring lines between realism and fantasy, SO MANY children were involved in war in ways that are intensely difficult to grasp - in a way, they were all forced to become adults (either through work, through losing parents, or simply living under martial law). Tony being a living breathing symbol of that? Tony HATING that? It literally being a symbol of his regression? AHHHHHH. Genuinely an element that blew my mind and I never would have thought of if not for Guilt For Dreaming by Vetinari on AO3 (this fic has time travel Tony with like...a lot of genuine limitations of being a child and magical realism and oihdiuashjdnasjk - it’s a VERY GOOD Tony fic). Ophelia is his foil in so many ways and I absolutely adore her being a teenager - hanging just on the cusp of adulthood but never EVER making it there despite being (maybe) older than them all. I find the Howlies endlessly fascinating and am really disappointed that Marvel never went further with them. They’re this mixed race, mixed country regiment with wildly different skillsets and that’s ???? so interesting? They are normal men (and women bc Peggy ALWAYS should’ve been more involved with them) who kept up with Captain America!!!! They literally represented no country (despite Steve’s hero name) and were just this symbol of liberation - screw the system, screw orders, screw WAITING for help to come. Bucky complicates their whole dynamic in such interesting ways if you assume people KNOW Hydra took a special interest in him or that he survived their experiments, which presumably people /do/ know. They would’ve given people on the frontlines SO MUCH to gossip about!!! This is what I mean about the human elements of WWII - people are people, and they are going to hunger for stories and heroes in times of strife. The thing about art in wartime is that it WAS a huge thing in WWII. Art was specifically targeted and destroyed (museums, libraries, religious symbols), it was specifically commissioned by oppressive powers (the Nazi uniform is a HUGE example of that, as are the flags), and it became symbolic of resistance and propaganda both! Art permeated the ghettos, with little homemade theatres putting on plays and tiny paper strips containing poetry no one would ever see in concentration camps or shipped out in furniture the original owners will never touch again. Art was such bittersweet resistance, allowed for contemplation on religion, both could (through destruction) and could not be taken away (through never ending creation)...ugh. It’s such a huge element of how humans express themselves when all else is taken away. Ghetto poetry was a massive inspiration for this, but then the idea of audio caught me by the goddamn throat and refused to let go once I was going through historical resources and rediscovered the story of the Cellist of Sarajevo. LW is very much so meant to read like an epic (rather specifically the seafaring kind, because it deals so heavily in time and the unknown and blue blue blue). I’m really happy so many people FEEL that in it. It’s such a massive idea that I don’t know if I’ll ever actually be able to write it in full, though I certainly want to try. I’ll totally post the snippets eventually. My transition into proper adulthood just keeps stopping me from actually sitting down and just writing - what with going back to school, looking for a job, getting a job, moving across the country - it’s been a lot. But soon! I definitely want to go back to work on CBT and Charybdis.

#reply #letter by the water

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octaviadblake · 5 years

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Ὀδύσσεια + τό ἑκᾰτόν

OR The Odyssey + The 100, an in-depth look at parallels to Homeric canon in season 6, and how the themes and motifs present on Sanctum mirror Odysseus’s 10-year journey back to Ithaca.

DISCLAIMER: I was a Russian Lit major, not a Classics major, so I’m not an expert on this. I did study Ancient Greek and Ancient Greek Drama for 6 and 2 semesters in college, respectively, though, but my expertise is more on The Iliad than The Odyssey so just...cut me some slack lol

If you’re not down for this 2.7k word mini-dissertation, here’s your chance to turn back.

So for those of you who don’t know me, I’m a major Classics nerd. I studied The Iliad in the original in college (and yes, I will be writing a series of metas about how s1-5 are The Iliad so keep an eye out for that), but The Odyssey remains, arguably, Homer’s most prolific epic. I’ve never parsed the text in the original, so I’m not going to be doing any sort of text-to-quote analysis because I think using a translation would be a disservice to the text (major Classics nerd. cannot stress this enough.), but I’m gonna be doing a rundown of all the major stops on Odysseus’s journey and how The 100 has mimicked each and every one of those stops in season 6 thus far.

Still reading? Cool, let’s do this thing.

Some of you may have already read my theory on the anomaly and how I think what lies inside is something like the Island of the Lotus Eaters. If you haven’t read it, you can check it out here, but brief summary: the Lotus Eaters is the first stop Odysseus and his crew make. The Lotus plant is so entrancing that it makes people forget all about their lives outside the island and coerces them to stay there, stuck in a sort of opiate-like blissed out haze of chillness for the rest of their lives, and I think that may be what’s happening in the anomaly, not time travel like others have theorized. Cool, moving on.

The next stop of Odysseus’s journey is the island of Polyphemus, the cyclops who intends to eat him and his men.

(Giulio Romano, Polyphemus)

They manage to escape when Odysseus (using the fake name of “Nobody”) blinds Polyphemus and they hide under the bellies of his sheep in order to avoid detection as they escape his cave.

Let’s think, how does this relate to our heroes? What’s happening right now on the show, going into episode 6x12?

(gif credit: @commander-anya)

Clarke is pretending to be Josephine in order to blindside the Primes and help her people escape.

In The Odyssey, this is a continuation of the theme of “hosting” or “guest-friendship” (a term I’m borrowing from wikipedia since I’ve been out of school for over a year and don’t feel like actually thinking for this pseudo literary analysis). We saw this with the Lotus-Eaters, and we see it again with Polyphemus. But the Cyclops is a bad host. So are the Primes.

Polyphemus’s host gift to Odysseus is that he tells him he’ll eat him last. He won’t spare him, but he’ll give him longer to live than the rest of his men. One of the drawbacks, is that means Odysseus is going to watch all of his people die, one by one, until he meets his demise.

God, how many times have Clarke and Bellamy watched their people suffer? And now the Primes have a way to make nightblood. They’ve turned Echo into a nightblood. Who’s next? Presumably all of them, one by one, until all the Primes are brought back to life. And with Clarke masquerading as Josephine, how many of her people is she going to watch be tortured? How many might she lose in tonight’s episode and in next week’s episode before they manage to beat the Primes and escape? How much have they lost? How much more must they lose?

We also get our first hint of the theme of “cunning over strength” (a term I’m borrowing from SparkNotes because, again, I really don’t feel like putting more effort into this than I already am lmfao) at this point in The Odyssey. Odysseus devises a plan to escape the Cyclops that involves very little violence compared to the blood-soaked battles that we saw in The Iliad. Rather than brute force, he uses his cunning to escape.

Clarke is going in as Josephine. She's not going for brute force. She’s not barging in with an army (that part comes later). This move is pure Clarke, all head. Going with the most cunning plan, not the most direct, not the most violent, the most strategic.

Clarke Griffin is Odysseus.

GODDAMN IM LOVING THIS. I digress.

The next major plot point in The Odyssey is Odysseus running into Aeolus, the god of the winds.

(source unknown by me, but this image is public domain)

He gives Odysseus a bag containing the four cardinal winds which, when opened at the right time, will send him straight home to Ithaca. His men think that the bag secretly contains a treasure that Odysseus is hoarding for himself and they open the bag, releasing the winds, and sending their ship even further off course than before, prolonging their journey.

I stumbled over this one for a second because it could be a few different moments in season 6. Gabriel giving Clarke info on how to take down the Primes? No, where’s the sabotage there? Murphy attempting to help Josephine to get mind drives for him and Emori? No, he ends up doing the right thing and puts them on the right track. Spacekru & friends devising a plan to defeat the Primes and Madi attacking them, sending them off the proverbial course? Hmm, sounds about right.

To make this easier for me, let’s call Bellamy, Echo, Emori, Murphy, Jordan, Miller, and Madi Spacekru 2.0. Well, they’re trying to make their plan to “work with” the Primes so they can get a compound, a home, for them and their people. But Madi is the crew to Spacekru 2.0′s Odysseus. She has her own agenda. She wants the treasure, she wants her revenge.

She attacks the Primes, releases the winds as it were, and all hell breaks loose.

(gif credit: @bellamyblakepositivity)

They’re thrown off course. How will they ever get their compound now? How will they get their home?

[Fun etymology fact break: Homecoming is stylized in The Odyssey as “νόστος” (nostos), when an epic hero returns home via voyage by sea, aka the MAIN theme in this epic. We get the word “nostalgia” from nostos, mixed with άλγος (algos) which means pain. Nostalgia is the pain of yearning for the past or for home. Is nostalgia/homecoming not one of the key themes of The 100? Is it not one of the key themes of The Odyssey? (also you could probably write an analysis of how nostos is a hero returning by sea and the way that space and the sea are often visually/metaphorically compared, the way you navigate both domains in a ship, the way you have an odyssey and a space odyssey....but that’s a discussion for another time)]

Next up on the journey? Aeaea, Circe’s island.

(gif credit: ? if anyone knows, hmu so i can give credit please!)

Circe was a witch who turned men into animals (mainly pigs in The Odyssey, but in another myth, into a woodpecker, which isn’t relevant, I just think it’s funny). Here we get the motif of transformation and false appearances, a continuation of the Nobody plot, and a motif that we also see with the Primes taking over other people’s bodies, constantly transforming their appearances.

While climbing a mountain to reach Circe’s palace, Hermes points Odysseus to a plant which will make him immune to Circe’s transformation magic. Why does this sound familiar......

The neural mesh in Clarke’s head gives her resistance to the mind drive allowing her consciousness to survive the “transformation.”

Like the Island of the Lotus Eaters (and the anomaly) Circe has the ability to manipulate the passage of time, or rather, the perception of the passage of time. Odysseus loses quite a significant amount of time trapped on her island. (It’s not actually 5 years, the mini-series fudged that bit a little since Homer never specifies how long it is, but I’ll forgive you, The Odyssey mini-series, because I love you so very much that I cried when I found you on DVD in a tiny Wal-Mart in the backwoods of Tallahassee two years ago)

We also get another look at the complicated theme of guest-friendship on Circe’s island. She is, quite simply, a terrible host. She traps Odysseus’s men, just like the Primes trap Spacekru 2.0. Odysseus frees them. It’s on Clarke to free her people from the terrible hosts that are the Primes. There’s a joke in there about the Primes bodies being hosts to the mind-drives. Anyway.

Odysseus’s next stop is the land of the dead. He descends into Hades (a very perilous feat) to talk with the blind prophet Tiresias. He also talks to Anticlea, his deceased mother.

My god, if that stop isn’t exactly 6x07 Nevermind.

Clarke talks to Jake Griffin, and tells him she thinks she’s dead, she’s ready to give up, she’s ready to let go. Odysseus tells Anticlea he feels the gods are against him, his journey is fruitless, he’ll never make it home. I don’t think that parallel could be more obvious if it punched you in the face.

I think maybe Monty is Tiresias in this scenario, giving Clarke advice and helping her navigate the mindspace so she can send a message to Bellamy that she’s alive which will give her the advantage of having an ally on her side. Odysseus promises Tiresias he’ll make a sacrifice to him once he gets back into the world of the living bc the dead feast on blood or something like that, but that’s like Clarke promising Monty she’ll do her best to continue to honor his challenge to her to do better. So cool. Love it.

(gif credit: @janemichaels)

Thematically, this mimics the theme of “testing” that’s present in The Odyssey (thank wikipedia again for helping me on this one lmao). You get Odysseus’s men’s loyalty being tested, and you get Odysseus’s identity itself being tested.

Clarke is tested when she is faced with the option of giving up and letting go. Spacekru 2.0 (and particularly Murphy and Emori) are tested when they learn Clarke is gone, then learn she’s alive. Will they be loyal enough to her to save her? Hint: yes, obviously, because Spacekru 2.0 is way better than Odysseus’s crew. Will Clarke decide to push forward and fight for her life? Hint: yeah, duh, because she’s just as badass as Odysseus.

Next comes the sirens.

Odysseus’s ship sails through the isle of the sirens, whose song lures sailors to their deaths. Odysseus makes his men stuff their ears with beeswax so they won’t be tempted by the song, but he ties himself to the mast, wanting to hear it. I kinda struggled with this one, but then I realized, at this point, we’re not looking at Clarke as Odysseus.

We’re looking at Octavia as Odysseus.

Octavia is faced with her greatest fear. She ends up running into the anomaly after Diyoza. If I’m right about the anomaly being sort of the Lotus Eaters, then we could assume that the anomaly holds Octavia’s deepest desires; that might have been what she’d have seen if she’d chosen the green box. She hears the call, and resists. The temptation and the overcoming thereof.

I think that’s clear enough, so I’m gonna skip ahead to the passage between Scylla and Charybdis.

Earlier, Circe had warned Odysseus of this choice he would have to make. Choose the 6-headed monster on the left and lose at best, 6 of his men. Choose the whirlpool on the right, and lose them all.

[Sidenote: how interesting is it that the anomaly is associated with a spiral shape, mimicking that of a whirlpool? Should we believe that if they enter the anomaly it is, in fact, certain death that awaits them? Or is it a metaphoric whirlpool, and they’re just being sucked in, never to return to their original mission of returning home (*cough* Lotus Eaters again *cough*)?]

(gif credit: @aryastarktheshewolf)

So I think this choice is reminiscent of Octavia’s choices of the red box versus the green box. Presumably, face her greatest fears or her deepest desires. She chooses the red box. Better to face her fears and risk dying that way than face her desires (the same green of the anomaly anyone??) and risk getting sucked in like Diyoza was, never to return.

She never saw her deepest desires in the forest (from what we saw) so it makes sense that she would choose the red box. She knows she can escape her fears. Blodreina no more. But if she faces her desires, who’s to say she could ever turn back?

(gif credit: @daeneryskairipa)

Cool cool, so freaking cool, I love these parallels so much, y’all.

Now we get to explore the most Prime-like example of “guest-friendship” in The Odyssey.

Ogygia. Calypso’s island.

[Fun etymology fact break: “Kαλύπτω” (kalupto), the word that lends its root to Calypso’s name, means “to conceal” or “to deceive.” Calypso is “the one who conceals,” she’s “the deceiver.” “Ὠγύγιος” (ogugios), which lends its meaning to Ogygia, means “primeval” or “primal.” The Primes...the first settlers of Sanctum...the ones from the earliest ages (another interpretation of the word). The Primes, the deceivers. The Primes, the primeval ones. Hmmm.]

(screencap from The Odyssey mini-series, 1997. btw, Vanessa Williams will ALWAYS be Calypso in my mind)

Calypso offers Odysseus a home on Ogygia, but he will have to abandon his dream of returning to Ithaca, to his home, to his wife, Penelope, and to his son, Telemachus. She actually prevents him from leaving for seven years (more warped passage of time a la the anomaly), effectively keeping him prisoner. But he wants for nothing there. He is fed and clothed and bathed and sheltered.

Our heroes are offered a home on Sanctum, but it’s not all it appears. It’s not the paradise they’re lead to believe it to be. They’re deceived.

[EDIT: Leah @braveprincess offered an interesting take on Calypso, which I absolutely HAVE to share with y’all:

Anyway, let my rant continue]

In order to stay, they must sacrifice Clarke, Madi too, and well, now, all of their people the Primes want to make into nightbloods. They’re prisoners in Sanctum. They can’t leave, not only because the Primes won’t let them, but because what awaits them is the Children of Gabriel and the mysteries of this new planet. Their best chance at survival is with the Primes. But that also means compromising and losing people they refuse to be without.

Bellamy is Odysseus now. Clarke is his Penelope.

(gif credit: @bellarkedaily)

He won’t negotiate with the Primes. He won’t sacrifice Clarke. Shut up, I’m not crying, you’re crying.

Athena asks Zeus to intervene, so he sends Hermes to tell Calypso she must release Odysseus. Odysseus leaves to continue the next, and last, part of his journey. His return home.

Bellamy leaves Sanctum to save Clarke. Once he has her back, they can continue their final journey, building a home on this new world. Or so we hope.

But who knows? We haven’t seen the finale yet. Maybe they’ll stay on this world. Maybe not.

Some people have been theorizing that they’ll return to Earth (via time travel or whatever it is, which I don’t really buy but whatever), which would be a really nice conclusion to the theme of nostos, but the problem with that is right now, there is no Earth to return to. Nostos only works if there’s a home to go back to. And that home, usually, must be unchanged from when the hero left to fit into the proper meaning of the word.

So, what would be the best way for The 100 to get our heroes back to Earth to fulfill this Odyssey-esque narrative that they (probably unwittingly) have set up?

SEND ‘EM INTO THE ANOMALY!

Let them chill there, enjoy a little bit of paradise, let time pass super fast in the outside world while it passes normally for them, let Earth recover, and send ‘em back. But that bit is more of a pipe dream than anything else and I doubt that’s what they’ll do. I’m not a big fan of most anomaly theories, but I think that could be a cool one. Who knows.

Anyway, that’s all I have for today. Next week post-finale, I’ll probably work through the rest of The Odyssey, with Odysseus’s return to Ithaca, defeating the suitors, and winning his wife back, if all goes to plan with beating the Primes. So if you liked this (admittedly rambling half-cocked mini thesis paper), keep an eye out for that one.

After this season, I’m gonna be doing a series on how seasons 1-5 are actually The Iliad, so if you wanna scream about Classics & The 100 with me, just drop a line in my ask :)

#the 100 meta #meta #the 100 #the100meta #the 100 spoilers #the 100 is homer and you cant convince me otherwise #my transliterated greek is ancient greek pronunciation not modern greek #so dont @ me about that lmao ik upsilons are different in modern #i hope u enjoyed and uhhhh come yell with me about classics

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badanimereviews · 5 years

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summer 2019 anime sum-up

lmao i realized i never did this and posted the fall season b4 this.... oops

kimetsu no yaiba: tbh started out kinda meh. and now it’s turned into one of the new big shounens. i was not expecting that. nearing the end got rly good and i was rly looking forward to more episodes! tanjiro gets cooler and cooler! animation is rly nice (thanks ufotable) and the way tanjiro’s water is animated. like. aesthetic asf. it’s so good. i love black-haired emo dude and zenitsu (my spirit animal) and ofc nezuko she is adorable im c r y. side note: the hashira? i think they’re called? some of the ugliest fkn characters i’ve seen in ages like flame boy? stone boy? i HATE them. and the gem dude too like man get a new tattoo artist on god.... he needs it.,,,,,,and inosuke is so pretty it’s unfair

dr stone: ok man dr stone rly went off. tbh. i’ve always been a whore for chemistry since reading the flavia de luce series (btw, i want more books of) and watching this just tickles my noodle brain in a good way... who needs prozac when i get a shitton of serotonin from watching senku dick around.... (btw what is going on with what’s his face and the girl. yuzuriha????? i can’t remember. i love senku don’t get me wrong but i need their perspective too... bc i hate lion dude... so much.... dick....) again i will repeat that i am a whore for chemistry so i get oFF on this. backgrounds are amazing/ animation so nice n clean (most o the time lmao). i thought i would hate the black n white haired trickster boi and ms yellow ponytail and suika but no! dr stone is such a good show that they are now great, loveable characters. also i am senku and chrome’s whore so jfc. man, i love the explanations of all the chemistry shabang, but some things i think would be better if explained! like senku doing physical labour at the beginning- ex. making all those pots and building that shit by hisself. i know he weak af. yes he smart but like. construction? difficult. pottery? even for me the artist . difficult. and that shed of his was filled to the brim. HOW. anyways, i love this so much i am crying constantly

just realized i didnt need to write about dr stone. oh well.

danmachi 2: wtf yo. haruhime is so pretty but not a fan of her personality! bell still cute af and still don’t rly like aiz! animation good as always, and my god i shit myself whenever the argonaut theme starts up bc that is ? one of the best pieces of non-sawano hiroyuki pieces i’ve ever heard? addicted to it. and the opening! love the dynamics, the brief ‘rain’ scenes like when mikoto slashes the raindrops and just her motion basically? as an animator that is what i aspire to accomplish because i just love that. tiny little scene.

arifureta: this would have been so much better had they dragged out mc’s op-ifying process! made him suffer more! i explained this briefly in my ‘first thoughts’ post for this season, but story-wise and pacing-wise his power-up could have been so much more deserved and gratifying. think shield hero- loser suffers, gets angry, slowly builds up power in an epic payoff! would have been so epic too. and also if they’d made his gained powers less.... crazy nerfed. again: HE SHOULD HAVE SUFFERED MORE AND THIS WOULD HAVE MADE A BETTER SHOW. harem thoughts: yue- meh. sucky char honestly. shea- my fav girl, she is a great character don’t judge- sexy and love her personality and love her character design and love how much fanservice she gets lol. panty flash ftw. dragon girl- discount darkness honestly , tho nice design. and mermaid girl- yuck, annoying, DO NOT like the ‘papa’ trope! (ahem sao.) it’s gross. also just fuck mc’s classmates honestly- paladin dude sucks ass, healer girl OOF that last episode ruined her, samurai girl is ok i guess. hate ai-sensei too like shut UPP annoying ass HOEEEEE (postscript: opening=very epic too)

kanata no astra: plot twist? check. trillion well-done plot twists? check. this was done very well. i am so happy. all those plot twists and turns would usually suck in any regular anime- but this was written with GODLIKE ability. thank you, lerche. legit, this was such an enjoyable ride, i eagerly awaited each new ep! typically i hate space-related stuff but like! survival stuff gets my goat.... like this was good- (tho maybe more technical-stuff in the survival theme would make it so cooler) what shocked me the most: (spoilers alert) didn’t end up hating quitterie or funi. (tho the puppet made me want to strangle smth) luca’s gender had rly confused me but i’d decided on him being a boy- so basically that reveal left me like WHOA. i died. did luca rly have to show emo boy their tity tho... kanata losing his arm gave me the yeeeks, charce being the traitor was made sO WELL into a surprise even tho i’d kinda already suspected him<- like that was just fucking amazing writing there. gj. and ares the princess! ok man! shocked! AND also the whole clone thing, just fucked me right up. up the ass. like there are probably more plot twist layers in this than a fkn ogre has.... anyway shrek aside, yun?’s character arc was very pleasing, i think that was done very well! and the ending made me UwU like BRO? goals tbh. yeah this is a hidden gem and is just so good, so well-written overall.

cop craft: didn’t have high expectations. i am now,,, quite,,, shocked &,,, blown away. sweetheart this is a good fucking show. so why @ livechart.me DOES IT HAVE 7.40 STARS WHEN FKN ARIFURETA HAS 7.72. can someone explain this to me? i’m outraged. LIVID. matoba and tilarna were amazing characters btw! loved their dynamic! briefly i thought it might get romantic! nope, it didn’t, so it’s all good. actions scenes were epic, tilarna’s design and outfits were so much nicer than i thought they’d be like. she is so cute. and the op- man, if that is not such a bopper vibe then idk what is. i could watch it forever. it deserves so much more than what it’s got rn.

naka no hito genome: (serious question: is this considered some sort of isekai?) genome gave me btooom vibes honestly but like- this is SO much better than btooom and most game/trap/ kinda shows. fkn BOP of an op, especially the sequence at the end with short clips of each character in action (nutt). paka-san was a good boy and he deserves irl merch. i fell in LOve with all the characters (bubble boy= hot, akatsuki= ok meh actually kinda boring, karin= hot and i want her to punch me, ruromori= beautiful 12/10 would let her stalk me, sleepy eyes boy= baby + dazai vibes and hot af, twin boy= also hot, onigasaki= hot and love him so much, and loli girl= her light grenades got annoying but nice char design) anyways yeah more of this would be epic. i wanna see sakura and her twin reunite, and how they get out basically! also animation quality was very good which is surprising considering it’s a silver link anime.

kono yo no hate de koi wo utau shoujo yu-no: i include the whole title bc this is a good anime. (also livechart.me why 7.27 stars i will fuck you up) only meh part of this is the return to earth from dela granto bc that was like a culture shock and honestly at that point i’d forgotten a lot about what had happened on earth and didn’t care as much. btw, f ayumi and f the other brown-haired oneesan. mio and kanna ftw. obvs i didn’t understand the sayless x takuya thing like dumbass horny teenager . why u gotta creampie the worst girl. u have mio. bruh. (tho mio x ‘oyabi!’ boy is a great ship) also, takuya’s mom? keiko-san? idk if you’ve noticed but that’s literally my name so yeah just glad to finally have some keiko representation. altogether goodass anime. the time travel/ rezero esque reset thing almost got me but this was done well. so no problems. both ops very good. first song was bae, second also bae (just realized it’s by konomi suzuki, one of my waifu idols, so yea nice) and ed2 also so pretty! also yu-no’s design was rly pretty, the outfit colours, and her pigtails rly suited her :)

granbelm: sorry this is the last one lol this was a long ass post! other than the fact i dont rly like mecha this was good.... action, CHARACTER designs aesthetic asf, honestly rly pretty ok. i liked the cast, very diverse and more depth than most shows of this ilk. op was nicely choreographed- especially the part where the girls’ faces are contorted by their gems, showing their magical girl side. nicely done. mangetsu didn’t end up being that bad a char, and honestly? suigetsu is best girl and deserved better. and the ending too- like, bro, that made me kinda sad. some off points: anna’s mom was a little unrealistic as a mom like woman- please learn to control your child, and, white-haired girl’s sister should have played a bigger part, based on how her parts in the opening were emphasized! (quick note- blue girl, love her, great bad guy, when she dumped anna made me so happy honestly, she is beautiful, and i couldn’t actually decide who i wanted to win between her and suigetsu....)

hope u enjoyed this bad review. pls share ur opinions w/ me on some of of these more controversial shows. thank.

#anime #review #anime review #textpost #long post #dr stone #danmachi #kimetsu no yaiba #demon slayer

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satoshi-mochida · 5 years

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JRPGs have a tendency to follow a series of tropes — some classic ones being that the main protagonist is a happy-go-lucky kind of character or a character that suffers from amnesia. Regardless, whenever players get a hold of a JRPG, they can expect to go on an epic adventure full of highs and lows. FuRyu and Spike Chunsoft’s Crystar, on the other hand, doesn’t seem like it’ll be like any JRPG we’ve played before as one of its main gameplay mechanics is crying. We couldn’t help but cry out for more details about the upcoming melancholic action RPG, coming to PlayStation 4 and PC via Steam on August 27.

At GDC 2019, we had the opportunity to interview the game’s producer and director Fuyuki Hayashi, Spike Chunsoft’s marketing coordinator Mimi Saito, and Spike Chunsoft’s project coordinator/content & product translator Hiroya Watanabe (who helped with translating Fuyuki’s answers) to find out what exactly Crystar is all about.

Brad Crespo: Can you explain the relationship between Rei and her sister?

Mimi Saito: Rei and her little sister get dragged into the afterworld called Purgatory and they get attacked by a monster. Rei tried to protect her little sister by unleashing her internal power, but the power went out of control and then Rei accidentally kills her sister. Rei signs a contract with demons in order to revive her little sister and that’s when the story begins.

BC: It looks like there are a number of real-world elements in Purgatory. Will the player find out why this is the case as they play through the game? How did you go about creating each stage?

Fuyuki Hayashi: There are eight chapters in the game, and the scenery [in the game’s world] changes based on what’s happening in the story. These changes are explained as players progress further into the game. One of the stages is actually a scene of a tragic bus accident, so you’ll see elements of that, like broken glass and other things as well.

BC: Crystar clearly has an emotionally-driven story that’s generally not found in other JRPGs. Most JRPGs generally have a high-and-mighty, brave hero who wants to save the world. Why did you decide to have a more dramatic story and main character?

FH: One of the many motifs and ideas that I wanted to implement in this game was that anyone can move forward and overcome hardships. So instead of showing this strong and badass hero, we wanted to show more internal and personal conflicts of this one girl and how she overcomes that and becomes stronger. I think that way it’s more relatable and personable for the player, so that’s why we decided to do that.

BC: Basically, you realize that players themselves could be going through their own struggles, so you wanted to have a main character that players can truly connect with.

FH: Exactly. That actually ties in with the reason why we decided to make Crystar an action RPG because I think it’s easier and better for players to step into Rei’s shoes since they’re really playing as her and experience the struggles she faces.

BC: As far as development goes, what was it like, especially since the game is so dark? Were there any issues or hardships that came up while making the game?

FH: There were some things that we struggled a bit with, like the main motif in the game which is tears. We wanted to really focus on creating the characters beautiful eyes and we wanted to really depict a lot of emotion within them. We also focused on the crying animation and the voice acting and making sure everything was perfect.

BC: How deep does the game get with its storytelling?

FH: To add a deeper level of emotional storytelling, we have this element called “Memoirs of the Dead” where after you defeat enemies, which used to be humans, you get a glimpse of their memories from their life before. The more enemies you defeat, the more memories you get and we have a lot of different stories for each enemy in the game. So, there’s a lot of lore in the game for players to go through.

BC: Oh, I see. So, the player needs to go out and piece together the story themselves?

FH: That’s right. The main story is about Rei, but players can enjoy going deep into the game’s lore, which is what we wanted for players.

BC: There are quite a few notable names in the English voice acting cast for Crystar. As far as English voice acting talent goes, is that something that Spike Chunsoft or the developer focuses on to the point that it matches the quality of that of the Japanese voice-over audio?

Hiroya Watanabe: So, they [the developer] leave it up to us to handle the English voice-over audio. We’re involved with voice over cast selection, and when we record English voice-over, we listen to the Japanese voice-over as well to ensure that it matches well.

MS: He’s [Hiroya] been recording for a long time, so he’s like a specialist in English voice-over work.

FH: I believe that the mood and just the overall voice quality for the English audio work match the Japanese audio work very well.

BC: What can we expect post-launch? Any additional content, like additional storylines?

FH: Nothing like that is set-in-stone, at the moment.

MS: I can answer this a little bit. In terms of other additional content, we plan to release a lot of costume DLC, like seasonal costume DLC — for example, there’s a winter themed one that has a Santa Claus costume.

BC: One popular Twitter account “Can You Pet the Dog?” shares games that let players pet dogs. I noticed there’s a dog in Crystar, so I have to ask: Can you pet the dog basically whenever you want?

FH: Yes, you can pet the dog. Players in Japan love that you can pet it too.

#Crystar: Then The Bad Ending #Crystar #Spike Chunsoft #PS4 #Action RPG #Noisy Pixel #long post

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stairset · 6 years

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So admittedly I'm not sure EXACTLY what I'd do differently if I rewrote tlj, bc there's so many problems and lots of stuff to consider that it'd take forever to rewrite everything. But I do have some very messy miscellaneous ideas:

-Instead of starting off right at the second where tfa ended, skip ahead like, maybe a month or two? I dunno like a time skip that's fairly short, but long enough that both sides could plausibly be able to regroup and regather their forces after the losses they suffered from in the last film.

-Rey's been training with Luke and learned a few things but not a ton. Finn woke from his coma a while ago but still needs to get his back injury looked at regularly.

-Finn and Poe regularly talk to Rey and they give each other updates on how they're doing throughout the movie. This way we can have like, actual character interactions despite our trio being light-years apart.

-Like in the film, a fight between the Resistance and FO fleets towards the beginning results in some heavy casualties for our heroes. However these casualties are not the result of Poe being ooc and doing dumb shit for no reason.

-Poe's main character arc is still learning to step up and lead, but this time in a way that actually makes sense for his character. Maybe he beats himself up for losing so many people bc he's lost someone important to him before, and he has to accept that no leader can save everyone. Accept what you can't change and have the courage to change the things you can. Or something else like that. Just something that does his character justice.

-Paige doesn't have to die. Like I never expected her to have a big role bc there's so many characters to keep track of, but I'm sick of this franchise killing woc right after introducing them so let's say Paige just gets seriously injured. Enough to motivate Rose.

-Somehow Rose and Finn meet but in this version she has a consistent personality and they actually become friends and she doesn't taze him or talk down to him.

-I haven't thought of EXACTLY what I'd do with Rose's arc so if anyone has any ideas feel free to add on.

-The tracking the Resistance through hyperspace thing can stay bc it is interesting in concept, but there has to be a little more to it. Maybe the Resistance is trying to figure out how the FO is even getting all this super advanced tech and how to beat it.

-Finn doesn't know everything but he does know the FO has funding from many corrupt new Republic senators and other officials. So Leia sends Finn, Poe and Rose (plus BB-8 and 3PO bc 3PO needs something to do) to Canto Bight, which is actually designed well in this version.

-While they're doing that, Leia and Ackbar lead the Resistance fleet to the Crait base with the FO fleet hot on their tail, hoping to send a distress signal to their allies.

-At Canto Bight they meet up with Lando who was already on a separate undercover mission for Leia. He helps them get the I they need from some skeezy rich bastards who help the FO and tags along with them.

-Rose is the hacker bc it simplifies things a bit.

-They don't spend nearly as long on Canto Bight. Instead, sneaking around Snoke's ship takes up the bulk of their half of the plot. The animal subplot is taken out entirely bc it's pointless. They come for Lando and the info and go.

-Meanwhile with the force stuff:

-Snoke telling Kylo to stop acting like Vader didn't make sense. He should want Kylo to act MORE like Vader to make sure he stays away from the light and shit or something.

-Snoke takes Kylo to Vader's old castle on Mustafar to complete his training as he said he would in tfa, and the Knights of Ren tag along bc they seem cool and ignoring them in favor of the lobster guards was a mistake.

-Mustafar is not only significant to Kylo's family's history, but also canonically was once the sight of a sith temple, a perfect place to complete Kylo's training. Plus as a bonus it connects the prequels and R1 to the sequels in a natural way.

-Kylo's Mustafar training serves as a parallel to Luke training Rey on Ach-To.

-Luke actually teaches Rey some cool shit insteas of just being grumpy and wasting precious screentime with pointless crap, and they have a meaningful relationship.

-Instead of just giving up and going to Ach-To to die, Luke instead came for Important Plot Reasons.

-Basically, we learn that Snoke is an ancient and powerful dark side weilder, far more powerful and more sinister than even the Sith themselves. The very first Jedi knights formed the group to stop Snoke, and during the battle they gave him his injuries, severely weakening him, and imprisoned him in the unknown regions of space.

-Through the force, Snoke witnessed the history of the Star Wars galaxy as we know it unfold. The centuries of war between the Jedi and the Sith. The near destruction of the Sith. The creation of the rule of two that allowed the Sith to rise again and get their revenge. The Clone Wars. The creation of Darth Vader. The fall of the Republic and the Jedi. The rise of the Empire. The Rebellion. Snoke watched it all from behind the scenes, waiting for the right moment to return.

-His opportunity came with the end of the Galactic Civil War. The New Republic exiled the remnants of the Empire to the unknown regions, where they ran into Snoke and he somehow convinced them that he had the power to help them restore their precious Empire.

-So we now know Snoke's backstory, but his exact plan isn't revealed just yet. There are hints, but save the big reveal for episode 9.

-Luke didn't go looking for the first Jedi temple for no reason. He went in hopes of learning about Snoke, and more importantly, how he was defeated the first time to give an idea of how to stop him now. Unfortunately, he hasn't figured that part out yet.

-Make no mistake, Luke may not be bitter and hopeless here but he's not without his own problems. That crap with him almost killing Kylo doesn't happen, but he does beat himself up for not saving Kylo. He was so sure that if Vader could be turned than so could Ben. But the sad fact is that you can't save someone unless they want to be saved, and Ben didn't want to.

-And the big one: Somehow, maybe through that weird force mirror or something like that, Rey and Luke discover that they are in fact father and daughter. Because like it or not that's very obviously what tfa was hinting at. And like it or not, her being his daughter adds more weight to everything. Rey finally concludes her arc of finding her family. And through Luke's training she becomes the worthy successor to the Skywalker bloodline that Kylo failed to be.

-As for how she ended up on Jakku, why Luke, Leia and Han didn't recognize her sooner, etc. That I haven't thought of a good answer to yet, but I'm sure something plausible could be figured out if given enough thought. Maybe Snoke wanted to make her his apprentice but Kylo was jealous and somehow tricked everyone into thinking he killed her and left her on Jakku to die? Or something? Idk. Again, feel free to give ur ideas.

-Back to the Resistance plot. So while all the force shit is happening, Finn and co. have been undercover on Snoke's ship to not only destroy the hyperspace tracker, but hopefully find a way to stop the FO's whole flow of supplies from their sympathizers.

-Since Snoke is away on Mustafar training Kylo, Hux is in charge of the Supremacy. Unsurprisingly, it didn't take him and Phasma long to discover that they had intruders, and they've been onto them the whole time, adding tension for our heroes to hurry the hell up.

-Finn runs into a small group of his old friends and former squadmates from his stormtrooper days, and discovers that his defection inspired them, and they've been secretly sabotaging the FO in small ways.

-So these defectors take the heroes to some important database or something where they can get the information they need.

-While there, Finn also ends up finding a big secret in the FO's database, who his parents were and where he was born.

-For who his parents are, there's lots of interesting paths to take, maybe they're members of the New Republic, or royalty, or Mandalorians, or force sensitives, or something else interesting. Either way, it's possible they could still be alive, leaving things open for them to play a role in episode 9.

-Back to force stuff again, Yoda ghost can stay but only if Anakin and Obi-wan are there too, with Hayden and Ewan reprising their roles of course. I don't know what exactly they'd do, as long as it's plot relevant and more interesting than what we got lol. Also Anakin and Kylo especially have to have some sort of conversation.

-Maybe Anakin tells Kylo how he turned back to the light, and tells him that if he truly wishes to finish what he started, then he should too. Kylo decides that the great Darth Vader he looked up to all this time is weak, and he destroys his helmet, deciding to do things his own way.

-Kylo somehow finds out where Luke and Rey are, maybe through a force vision or something. Instead of telling Snoke, he goes himself with the Knights of Ren as backup, believing he can capture them himself and prove himself.

-So we get Rey and Luke (plus Chewie and R2) vs Kylo and the Knights of Ren on Ach-To. After the epic battle, Luke eventually surrenders himself if it'll get Kylo to spare the others. Luke is only doing this because at this point he has yet to accept that he can't save Ben, and is attempting to save him by doing the same thing he did with Vader, but tragically it won't work out so well this time.

-So Luke is taken back to Snoke's ship where Snoke plans to finally destroy him, and the Jedi with him, thus eliminating the biggest threat to his plans. Rey, Chewie and R2 stage a rescue mission.

-They somehow manage to rescue Luke, and he finally realizes that his nephew is gone for good and he must accept this.

-Meanwhile, Finn, Rose, Poe and Lando got the info they needed, but have been caught, and like the film, Phasma attempts to have them executed.

-3PO and BB-8 find the defected stormtroopers who rescue our heroes right before they can be executed, resulting in a huge chaotic battle of stormtroopers vs stormtroopers.

-During the chaos, Rey, Luke, Chewie and end up in the same hangar and all the heroes meet up.

-Finn has his climactic battle with Phasma, only here it's a little longer with more buildup, thus making it more intense and satisfying. Also that bit where he reveals that she shut the shields down stays bc it was so cool.

-During the course of the film, there are many hints dropped at force sensitive Finn. These finally pay off during his fight with Phasma where she knocks him down and attempts to stab him with her spear. He throws his hands up and accidentally force pushes her back, giving him the upper hand he needs to defeat his powerful opponent.

-So after a short but epic fight Phasma is killed, and our heroes all gather in the Falcon and meet up with Leia and the rest of the Resistance on Crait.

-At long last, Rey, Finn, Poe, Rose, Luke, Leia, Lando, Chewie, R2, 3PO and BB-8 are all united, the hyperspace tracker has been sabotaged, and they have information on how the FO gets their resources which they can possibly use to beat them in the next film.

-Celebrations are short lived however, as the FO fleet followed the Resistance fleet to Crait, and the fight is far from over.

-During the space battle, our heroes, like in the film, board the shuttles to the planet below, and Ackbar stays behind to pull off the epic sacrifice that helps them get down there safely.

-Like the film, they send out the distress signal to their allies.

-As everyone is preparing for the coming battle, Finn and Rey have A Moment and kiss.

-So Kylo and Hux lead the assault on the Resistance base. The battle of Crait is epic and intense with all our heroes using their combined skills and abilities to fight their attackers.

-Like in the film, the Resistance is eventually overpowered and pinned down, and Luke walks out to distract Kylo to buy them time, only this time it's the real Luke with Rey by his side.

-Luke and Rey have another epic duel with Kylo and his Knights of Ren, but this time things go a little different. The distress signal pays off, and the remnants of the New Republic fleet (possibly led by an older Hera Syndulla, not required but it'd be awesome) arrive to help the Resistance.

-Our heroes manage to escape Crait, and now have the Republic fleet aiding them. Luke has reunited with his sister, and comforts her over Han's death. Lando promotes our newer heroes for their actions, the defected stormtroopers join the Resistance/Republic, maybe Paige wakes up and has a small moment with Rose, and Finn and Rey are set to become the first of the next generation of Jedi, and to uphold Luke's legacy when Kylo couldn't. However, Snoke, Kylo, Hux and their army are still out there, and we have yet to learn what Snoke is planning or how to stop it, leaving plenty of things open for the final chapter of the saga.

As stated before this is all just random ideas, and there's probably some stuff I forgot to mention bc there's a lot to think and talk about with this film, so if anyone wants to add anything go right ahead.

#star wars #shut up tristan

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enbouton · 6 years

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Better Call Saul Rewatch, Part 4/30: Upon This Rock I Will Build My Church

Hero (Season 1, Episode 4)

Written by Gennifer Hutchison / Directed by Colin Bucksey

This episode deals largely with identities. Jimmy is Saul Goodman, he’s Slippin’ Jimmy, he’s Howard Hamlin, he’s his own receptionist on the phone, he’s Tony Curtis in the bath scene in Spartacus, he’s a local lawyer and a local hero. It’s fitting that we open with a flashback showing young Jimmy using the name “Saul” for the very first time, and just as fitting that it’s done without fanfare: it’s tossed out as a half-joke. “S’all good, man!” Jimmy, in a garish, slithery-looking striped shirt, leads his mark down the alley where his partner in crime awaits. The unhurried pace of this sequence is very effective, suiting the stillness of nighttime Cicero and the low-key nature of Jimmy and Marco’s con.

The flashbacks on this show (with the exception of the corner-store one) all take place at night or in dimly lit rooms; here’s some good meta that touches on how Jimmy thrives in darkness. Is it significant that the first Slippin’ Jimmy con we see is one that wouldn’t work on an honest person? Jimmy needs a mark who’s willing to make off with the "Rolex”, thinking he’s got one over on the rube who settled for $1,580 in cash.

Afterwards, Marco is radiant with admiration for Jimmy— “I love watching you work”— but Jimmy says his talents are good for beer money, and that’s about all. Again: what would have happened to this guy if he hadn’t had to leave Cicero? This is not the face of a man who’s happy with where he is in life:

(It is the face of a man who’s being "haunted by the ghost of vladimir lenin” (@deadpanwalking), but I digress.)

Back in the present, Craig and Betsy stand over a pile of money and stress that what they did was “for the kids” (sound familiar?). In substance if not style, Jimmy’s pitch to the Kettlemans bears more than a little resemblance to Kim’s pitch to Mesa Verde: “What are you gonna get from me that you won’t get from those other guys? Passion. Commitment ... If you’re with me, you’re my number one client, morning, noon or night. You call me, I’m there. I would be singularly devoted to you.” But Betsy isn’t swayed: “You’re the kind of lawyer guilty people hire.” Ouch. Exhausted and beaten down, Jimmy takes their bribe.

Nacho, now released, surmises that Jimmy tipped off the Kettlemans. I like that Nacho is as smart as Jimmy. I like that the show generally surrounds Jimmy with people who are as smart as he is. Jimmy counters that Nacho didn’t need any help making himself look suspicious, and Nacho stalks off.

As Jimmy launders his money, assigning stacks of cash to “consulting fees”, “research” and “travel expenses”, he constructs yet another alternate self, this one belonging to a narrative in which he worked for the Kettlemans.

We see Jimmy getting measured for an expensive, conservative suit, yet when the tailor steps out of the room, something wonderful happens:

#it’s like watching a baby being born #a really tacky baby

But Jimmy isn’t just using his windfall to smarten up; he’s playing a long con involving a billboard exactly mimicking one of Howard Hamlin’s, ringlets and all.

Small brain: using your ill-gotten seed money to advertise your business

Galaxy brain: dressing up as your enemy, buying a provocative billboard that you know you'll be forced to take down, hiring a film crew, then bribing a worker to fall off the billboard so that you’ll get on the local news for rescuing him

“He’s… you know, a free spirit,” Kim says, having been dragged out of the office to look at it. She demurs when asked if she and Jimmy are still friends, which, tbh, is fair enough, given how Jimmy behaves around Hamlin (we’ll get into that later). There’s lots to think about with Jimmy literally dressing up as Hamlin, recreating his look down to the smallest detail. Once again he’s taking on another persona, albeit just to achieve a short-term goal. “What kind of lawyer are you going to be?” Kim will ask him in season 2. It’s a question Jimmy seems to keep asking himself.

In the midst of Jimmy and Hamlin’s clash, we get an early glimpse at the tightrope Kim is expected to walk at HHM. She shouldn’t feel the need to lie about who her friends are in order to stay in her boss’ good graces, yet she does, and later on she breaks off a friendly conversation with Jimmy to hand over a cease & desist letter. With Kim, BCS dodges the “successful woman has to choose between career and relationship” trope in favour of something much more interesting, a woman facing uncertainty and unfairness in both spheres. Kim’s relationship with Jimmy isn’t even the main reason she’s treated unfairly at work, and her allegiance to HHM isn’t what’s keeping her and Jimmy apart.

The billboard comes down, but not before Jimmy has himself filmed in front of it, first speaking to camera about the injustice he’s faced, then racing up a ladder to rescue the worker whom he bribed to take a fall. It’s fascinating to watch how Jimmy tells his story here. He hits all the right beats— patriotism, bootstraps, public service, the dream of owning one’s own business— and casts himself as the all-American underdog who “scrimped and saved” to buy a billboard only to have it snatched away from him. We’ll see Jimmy employ a lot of these tropes in his advertising later on; this is his skill at face-to-face communication writ large, but the foundation of the billboard con is his ability to create situations that he can manipulate to his advantage.

When Jimmy drags the worker back up onto the walkway and the two slap hands, we finally see his angle. Watching him on the news in the HHM boardroom, Howard mutters “whole thing’s a damn stunt” and walks off. Kim gives a little smile.

The one part of the situation that Jimmy can’t control is his brother. He has the foresight to keep the newspaper from him, but he can’t account for Chuck’s pedantic attention to detail. Of course Chuck will wonder why his newspaper wasn’t delivered; of course he’ll look outside and see that all his neighbours have theirs; of course he’ll deduce that there’s something in the paper that Jimmy doesn’t want him to see, and cross-reference this against what Jimmy told him about a sudden change in his fortune; and this, perhaps combined with the urgent care receipt that fell out of Jimmy’s pocket a few weeks prior, will concern him enough that he’s compelled to go outside.

The show has already tipped its hand re: the true cause of Chuck’s symptoms, but that’s almost beside the point here: what matters is that they are real and debilitating. As soon as he steps outside, he’s overwhelmed, his senses are deranged, and he nearly runs into the path of a car in his haste to get across the road. The chaotic, visceral sequence ends with a blackly comic cut to his neighbour’s perspective. From the outside, this proud, suffering man is just a crazy guy in a space blanket, scurrying back to his door.

Misc.

“You assume that criminals are gonna be smarter than they are,” Jimmy muses to Mike. “I don’t know. Kinda breaks my heart a little.”

IIRC, the billboard, which went up for filming in Albuquerque in 2014, was how we all found out Saul’s original first name.

A wall of glass blocks appears prominently behind Jimmy and his mark as they walk down the alley. Marco’s fake ID, in the name of Henry Gondorff, bears an issue date of July 1991.

What we see of Kim’s office is devoid of personal items, except for a pair of sensible sneakers on the floor.

Timeframe: this episode picks up right where “Nacho” left off and covers a period of about two weeks. The Albuquerque Journal is dated June 20, 2002; Chuck’s copies of the New York Times and Wall Street Journal bear cover stories that were published on June 19th or 20th (they are “Israel Acts to Seize Arab Land After Blast; Bush Delays Talk” and ”Unhappy Returns: IRS Moves to Bring Back Random Audits”).

Music

“Smoke on the Water” by Deep Purple (1972), sung by Marco

“Listen” by Chicago (1969), as Marco and Jimmy smoke

“Battle Hymn of the Republic” by Herbie Mann (1969), as Jimmy launders his money. Saul plays a different version of this song in his waiting room in Breaking Bad.

“Unsquare Dance” by the Dave Brubeck Quartet (1961), as Jimmy calls the media

References

Young Jimmy offers to take his mark to a place “a couple blocks off Cermak”. He’s referring to Cermak Road, a major east-west thoroughfare that runs through Cicero, neighbouring Berwyn, and parts of southern and western Chicago.

“Super 170 Tasmanian wool”: the “Super” number corresponds to the diameter of the wool fibres; the higher the number, the finer (and more expensive) the cloth. 170s wool suiting is very fine, soft and lightweight. More info here.

Sea Island cotton: a variety of extra long staple cotton historically grown in the Caribbean and named after the area of South Carolina:

“Sea Island cotton is the ultimate choice for any suiting connoisseur due to its unrivaled softness and second skin-like feel. This ancient fibre is now grown mainly in the paradise climates of Barbados, Antigua and Jamaica; its inherent long staple yarns create a silky yet strong surface, resisting wear while smoothing over time. Extremely scarce, it makes up just 0.0004% of longer staple yarn production.“ (Turnbull & Asser, where you can buy a Sea Island cotton shirt for £345/$456)

French cuffs: double cuffs that are folded back and fastened with cufflinks; a very formal style

Club collar: a white collar with rounded points, created by alumni of Eton College who wanted their dress to indicate that they belonged to that exclusive “club”. All in all, the elements of Hamlin’s signature look connote wealth and sophistication in a formal, conservative way.

Jimmy refers to Tony Curtis’ appearance in a particular scene in the 1960 epic Spartacus. It’s worth noting that the scene, which features two men bathing together and some heavy innuendo about “snails” and “oysters”, was considered so homoerotic that it was cut entirely by the censors and only restored to the film in 1991 (source). You can watch part of the scene here.

Kim invites Jimmy to a screening of The Thing (1982), a horror film about a group of researchers in Antarctica encountering a parasitic alien entity.

While talking to reporters, Jimmy mentions Bob Woodward and Carl Bernstein, investigative journalists who covered the Watergate scandal.

The Groucho Marx mirror routine Howard refers to is this scene from Duck Soup (1933).

< PREVIOUS EPISODE: NACHO > NEXT EPISODE: ALPINE SHEPHERD BOY

#bcs rewatch #better call saul

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swaglexander-the-great · 7 years

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Hey!!!! Dumb question but what exactly is the Iliad?

THE ILIAD: A SUMMARY

The Short Version: A yarn about blokes getting shitmixed in a war over Miss Hellenic Beauty Champion because some gods thought it would be a Lol.

The Long Version: A Homeric epic poem passed down through spoken word over generations that was penned down in about 800 BC. In the mythological timeline, it ends the Age of Heroes (by wasting them all). It covers the Greek seige of Troy, a whole lotta gods Messing With Shit, a Poseidon who needs anger management, a few hundred names and lots of General Epicness ft Diomedes and Patroklus. Sit back my buddy, let’s go through a quick summary of the books.

Book 1: Apollo ghettoblasts the Greeks with Pain because Agamemescunt kidnapped his priestess Chryseis. Being a douchebag, Agadouchebag Mr Steals Yo Girl from Achilles, which leads to in͟ten̛şȩ ͟śul͜ki͢n̶g͡ . Achilles’ divine Ma brokers a deal with the Zeus goose (not literally thank goodness, although it’s a definite possibility) so that the Greeks won’t win until they realize how fucked they are without Achilles and go crawling back to him for help.

Book 2: Zeus messes with Agafuckface by telling him to attack Troy. Agamemhoe messes with Zeus by telling his entire army to fuck off back to Greece. Odysseus, with Athena’s help, uses his wicked ol’ tongue to lick Agaiceheart back into shape (not literally, although very possible in Ancient Greece). There are 31 paragraphs of names about Greeks and 16 paragraphs of names about Trojans going to war. The epic story continues.

Book 3: The armies meet. Memealaus (sorry, Menelaus) and Paris decide to have a 1v1 to end this shindig. Paris is saved by Aphrodite and a cloud because he is a Weak Bitch, so we gear up for another 9 years and 11 months of war. Helen tells Aphrodite to go fuck Paris herself if she likes him so much, but Aphrodite threatens Godly Bitch Revenge is Helen ever talks back to her like that again.

Book 4: Menelaus gets grazed by an arrow. Like a football player with a stubbed toe, this means war. He also apparently had ‘shapely thighs and fair ankles’. Watch out for the Zeus eagle, boi. Fighting commences. Diomedes appears. He is awesome, as usual. We continue to the next chapter.

Book 5: Pretty much an entire chapter about Diomedes being a son of a gun and killing fucking everything thanks to Athena. A dude called Sthenelus gets a rock hard boner watching all of this. Aeneas thinks it’s a good idea to take on Diomedes. Mistake. Big Mama Aphrodite has to save him, also with a cloud. Diomedes hasn’t quite reached Critical Awesome yet, so he stabs Ares and Aphrodite as well. Hera calls Ares a little bitch and we carry on.

Book 6: Just a lot of death really. Diomedes was going to kill a bloke, but they realize they are family friends, so just do a little swapsie of armour. Hector gives Paris a spray for being a cowardly little bitch, Paris agrees, and they set off for battle.

Book 7: Hector decides to 1v1 and get this over with. Menelaus tries to accept, but his wingmen Restrain Him. Ajax gets picked out of a hat to fight, but after a bit of a tussle it gets dark, so the fighting pair give each other presents and go home for the night. The next day, they all take a holiday from fighting and the Greeks build a wall. Poseidon is triggered. (reason here.)

Book 8: Due to Poseidon being triggered, Zeus forbids any godly interference on both sides of the war. Hera and Poseidon bitch about Zeus as the Greeks get casually wreckt by the Trojans, but decide not to act on it. Lucky for the Greeks, the Trojans decide sleeping is better than winning, so leave off for the night.

Book 9: The Greeks hit Fuck It and decide to grovel to Achilles for help. Before they do, Diomedes gives Agasaggytitnon a spray for being a douchebag, and everyone agrees that he is indeed a douchebag. Sthenelus probably pops another boner. Back in the tent with the power pair, Achilles and Patroklus, Patroklus tries to be the polite bf to the pleading Greeks, but Achilles is still thinks Agamoomoo called him a ‘vile tramp’ so refuses to help. The drama continues.

Book 10: Odysseus and BAMF Diomedes go on a sneak mission and heroically stab the Trojans in their sleep. They also heroically steal some horses. The epic heroism continues.

Book 11: Hector takes a leaf out of Diomedes’ book and decides to shitmix the Greeks. He successfully shitmixes the Greeks, giving Agamugface a well-deserved arm wound. Paris shoots Diomedes in the foot, but Diomedes literally does not give a shit. Some random dude gives Odysseus a bit of a stab, Ajax gets Confused By Zeus but survives, but things still look Grim. Sweetheart Patroklus sees the Grimness and decides to try and use his wiles to break Achilles out of his Uber Sulk.

Book 12: The Trojans continue to roadhaul the Greeks, which will come back to bite Hector, but we do meet a dude called Thootes. He doesn’t do shit, but his name is great. There is graphic violence, and the Trojans go to chuck a Greek ship on the barbie.

Book 13: Poseidon rises from the sea, back being a buddy to the Greeks now the his great enemy The Triggering Greek Wall has been overcome.There is a shit ton of fighting wherein the Greeks do well and Poseidon is happy because he’s getting vengeance for his other traumatic wall experience.

Book 14: Hera sees Poseidon disobeying Zeus and getting sweet wall vengeance and while probably thinking she married the wrong brother, decides to use Titty Distraction so that the Greeks don’t get chucked on the Trojan barbie. Titty Distraction predictably works A+ and the Trojans get slightly shat on with gratuitous eyeball violence. Hector gets hit by a rock and almost has the most anticlimactic death since Amycus, who suffered death by Elbow Punch.

Book 15: Zeus wakes, calls Hera a scurvy knave and tells Poseidon to Fight Him. Poseidon does not want to Fight Him, so melts back into the ocean and stops helping the Greeks. Apollo resurrects Hector from his rock to the face and the Trojans joyously return to their mission to barbeque the Greek ships.

Book 16: Honeyboo Patroklus (still on his way to Achilles since Book 11) sees Apollo and his Brojans on the warpath and breaks Achilles’ heart with Man Tears. While Achilles and Patbroklus have a very, very long, heartfelt conversation, the Trojans start to toast the Greek ships. Achilles gives (yes gives) Patroklus his armour and tells him to fuck shit up, but not to win without him. Fighting commences, we discover the word hurly-burly, Sarpedon dies in a shower of Zeus-induced blood rain and Patroklus becomes Diomedes 2.0 until he is gang bashed by Hector, Apollo, a literal god, and some awkward random called Euphorbus. Sasstroklus delivers a final fuck you, pulls the finger at all three of his killers and blazes it down to Hades.

Book 17: Hector takes Achilles’ armour off Patroklus, marking him as target #1 for the Sulk King. The Trojans and the Greeks spend an entire chapter having a tug of war with Patroklus’ body. Ajax and Menelaus comment mildly on how Zeus is helping out the Trojans, and the god shines a bit of sunlight in chagrin for being called out. The Greeks win the tug of war thanks to Double Ajax Tactics.

Book 18: In which Achilles goes nuts. Everybody has a cry because Patroklus was a Swell Guy (seriously,as swell as a Hawaiian surf that guy). Achilles goes and therapy-screams at the Trojans, who see the mad bloke and back the fuck off - rightfully so, as Achilles is planning some good old human sacrifice to his dead ‘rider’ Patroklus. Meanwhile, Hephaestus quick-smelts some smashing new armour for Achilles with his household robots.

Book 19: Achilles gets dolled up for battle. Agadickbutt and Odysseus try to placate the madman with gifts, including Briseis, the dame Agamemnope stole from Achilles, but Achilles’ quota of fucks has run out indefinitely. He saddles up and gets ready to fuck up his bae killer.

Book 20: Zeus R͡ELE҉ASE͜S̵ ͝T̀H͜E͡ ́ǴO̷D͞S͝ and lets them play for whichever team they like, so long as Achilles doesn’t sack Troy just quite yet. It’s probably a friendly game similar to football in god terms. Athena invents the spear boomerang, Hera and Poseidon do some casual sunbathing, while Achilles paints the town red rather literally.

Book 21: Achilles finds men too weak and decides to take on a literal river (Scamander). Achilles realizes this was A̴ B̸ad ̶I͜de͟a͡and decides he’ll stick to men. We’re not sure whether Diomedes would have backed off from a river, but I guess we’ll never know. Apollo saves a dude called Agenor from Achilles molestation and in doing so also saves the Brojans. The epic story continues.

Book 22: Apollo says surprise Achilles, tricked ya into chasing me boi, I’m immortal. Achilles stares him dead in the eye for a full minute then says ‘fuck you’ and rides off back to Troy. Hector decides it’s time for another 1v1, but at the last minute considers that this idea was insane and fuckin legs it. Achilles chases Hector around the wall of Troy three times presumably to this soundtrack. Hector finally stops to fight, and thanks to the Athena Spear Boomerangᵀᴹ, Achilles avenges his Patroklus. Hector performs the minor miracle of talking whilst having a spear sticking out of his throat before he dies, then Troy’s hero gets roadhauled and everyone is Sad.

Book 23: Ghost Patroklus pays Achilles a visit, like a sexy Obi wan Kenobi and tells Achilles to bury him already. Patghostklus also beseeches that their bones be laid (ha) together when Achilles inevitably gets fucked on by Fate. Achilles says of course bby I was gonna do that anyway, and tries to make out with a ghost, but this isn’t a Whoopi Goldberg type deal, so Patroghost gets sent back down under. They put the fun in funeral by having games and giving out toasters and such as prizes.

Book 24 (The End): After ‘yearning after the might and manfulness of Patroklus’, Achilles continues to roadhaul Hector until Apollo gives his fam a spray about the dishonour of it. Hera says he’s only mortal scum so who gives a fuck and Zeus says chill wife and commands Achilles to RE̵L͘E̡A̷S͢E ̴T́HȨ H̀ȨC̕T̵O̷R͡ (sorry I can’t help it). With Hermes as a bodyguard, Priam (Hector’s dad) goes to get the body back. Achilles and Priam have a man-cry bonding moment over Dead Loved Ones, Hector is whisked off to be buried and there ends the Iliad! There’s none of the ankle-shooting, wooden-horse-building shenanigans in there, they all come in later texts such as the Aeneid and Ovid, although I still can’t find the exact text where Achilles gets shot. If y’all know, send me the link ;) I fucking found it nvm

Anyhoo, that was…Jeez, that was The Iliad (aka the longest post in existence). Well, my retold, abridged more slightly less serious version.It’s definitely worth a read, if you can get past all the names!

Check out more Greek Stories here :D

#stories #the iliad #greeks #homer #Achilles #HOLY SHIT THIS IS LONG #the iliad summary

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troofless · 4 years

Text

BNHA semi romantic/platonic bkdk Steelheart AU time!

Basically if you haven’t read Steelheart by Brandon Sanderson it’s set in a semi-post-apocalyptic world where one day a giant firey star (Calamity) appeared in the sky and gave a few people superpowers. These people, now called Epics, got drunk on their powers to the point of extreme arrogance. They would start fights with other Epics for the right to rule cities and kill humans if it suited their whims bc they thought normal humans were underneath them. Epics are treated with extreme reverence and terror bc of the massive powers they wield.

Epics can be classified into Lesser and High Epics, the difference being High Epics have an additional superpower (called prime invincibility) that make them almost impossible to kill eg Invincibility (impenetrable skin), Self-Reincarnation, Regeneration, Precognition. Epics can have more than one superpower.

However Epics are possible to kill when you target their sole weakness (fear), usually stemming from past trauma eg drowning to death bc past trauma of drowning in a lake etc etc.

>> Main plot of the trilogy is how this dude joins the Resistance (called Reckoners) to kill Epics and save humanity and maybe find the truth about humanity along the way.

Izuku takes p much the same role bc like David instead of a hero otaku he’s a Epic otaku

His mother was killed by an Epic but he still believes in the inner goodness of Epics (for a certain number of reasons), but agrees that most Epics are doing it wrong and should be killed to save innocent people who are suffering

Yeah he tells everyone his intensive research into Epics is p much a hobby bc when he was young he really wanted to be an Epic to save people and that’s why he started keeping notes and it’s just a habit now

Anyway the story starts with him tracking down a High Epic to track down the Resistance bc he wants to join them, and there he meets Bakugou engaging in a fight w said High Epic which Izuku theorizes to be the Resistance’s next target

‘KACCHAN????!!??’

Izuku pops up out of nowhere and assists Bkg, they kill the High Epic and return to base where Izuku convinces them with sparkly eyes that can he join them?? Everyone is suspicious but then Bkg brings up Izuku’s nerd notes and grudgingly (very grudgingly) says that they would help a lot. Everyone immediately accepts Izuku into the fold.

Why does Bkg know about Izuku’s nerd notes? Izuku comments that he didn’t think Kacchan would remember, and reveals to everyone that they were childhood friends/classmates all the way to high school, when the Calamity happened and Bkg disappeared into the void

Anyway Bkg is furious at Izuku, w all the inferiority complexes and trauma being there, bla bla bla you know the drill all the edgy childhood ‘can you stand’ stuff happened in the past

But there’s a good reason why Bkg keeps Izuku at an arm’s length, trust me

Anyway the night Izuku is initiated into the Resistance he bumps into Bkg in the corridor and basically Bkg drags him into somewhere isolated and threatens him, saying if Izuku ever revealed his secret Bkg would kill him

Bc Bkg is an Epic

And Izuku knew this bc he was there in class when Bkg manifested his Epic explosion powers and burnt down his home, killing parents in the process. He may or may not have also burned down his high school and killed his classmates and tons of students, leaving Izuku as the sole survivor

Bkg’s powers: Explosion, superhuman reflexes (though he keeps telling everyone that he was born talented like that bc Bkg FLEXES). Technically his powers classify him as a Lesser bc he doesn’t have prime invincibility (or so he says) but the multi-usage of his one (1) epic power kinda make him one. He indirectly gains flight (explosions…), mini bursts lasers (useful for lockpicking, or so he says), and other useful stuff. Bkg is Bkg, basically.

But like in this AU Bkg hates his powers for good reason too (being a bipolar mass murderer fucking sucks), and pretty much live in denial that they exist. Uses mainly guns and cc gun kata, but can handle sniper rifles. Has a soft spot for machine guns but hates using explosives and is queasy when Ashido tries to get him a rocket launcher (ROCKET LAUNCHER!!!!). Funnily enough he is voted by everyone to be Person Least Likely To Be An Epic In Disguise bc though he has the personality of an Epic (extreme hubris), they theorise he would long have acted on his impulse to kill everyone (extreme compulsion to boast reason for said hubris), but he hasn’t, so he can’t be an Epic

Todoroki’s conspiracy theory is that he’s an Epic’s lovechild explaining his intense hatred for Epics and revulsion for being compared to having the personality of one

Anyway they plot to kill the Big Boss of the city! Which will be *spins wheel* Mirio (Epic name Lemillion)(bc you know. he’s killed millions of people) with *throws dart* Dabi and Toga (interns from another city of Epics ruled by AFO/Shiggy), Tokoyami, Asui, and Iida as subordinate Epics

Amajiki, Nejire and Nighteye were killed by Mirio’s hands in this AU bc extreme hubris :))) Also Mirio has the history of killing Overhaul, the previous ruler of the city

Mirio has the power of permeability, super reflexes and dexterity, and teleportation (the gist of it is that he was OP just like he was in the original world)(Overhaul was right in nerfing Mirio he is too strong)

Izuku knows Mirio and Nighteye but keeps that a secret, but he does share w everyone his theory that after studying his fight w Overhaul he thinks Mirio’s weakness is indirect attacks (when he shielded a little girl from a bullet he bled from it). Izuku knows this bc he saw Mirio in the aftermath, but he doesn’t tell anyone that and says he got that from studying old camera footage that Mirio destroyed a few days after the fight bc he got corrupted and took over the city

The plot is p much them plotting to assassinate Mirio and his henchman (luring him out? infiltration? both??) and saving the city in the process

There is of course arguments against this saying the city would collapse w/o the protection of the super powerful High Epic Mirio but they agree it’s for the best that he dies (insert recent incident of unstable Mirio destroy stuff)

Ppl in the Resistance: Aizawa (leader of branch Resistance in current city), Yaoyorozu (second in command, in charge of making plans and intel), Todoroki (ops guy? normal dude), Uraraka (sniper), Kirishima (support w Bkg), Kaminari (mechanic and support) and Ashido (in charge of weapons stocking and uncertified medic whose solution to everything is duct tape and staples)

Endeavour is a morally grey High Epic ruling another city in this AU (he’s p chill here actually he doesn’t kill anyone and protects the people from other Epic attacks), Todoroki left and joined the Resistance and denies having any connection w Endeavour bc dad issues

All Might is the legendary Epic who never got corrupted, but disappeared one day and was never seen again, everyone assumes he’s dead

Anyway they lure the subordinate Epics individually and kill them

Throughout the whole story Izuku and Bkg are always at odds w each other so to shut them up Aizawa puts them on a mission to kill like one of the more powerful subordinate Epics

Everyone: WHAT

There are some people arguing that Izuku hasn’t proven himself to be exactly trustworthy yet but Aizawa argues that the person who would keep the closest eye on Izuku and not hesitate to kill him would be Bkg (jokes on you bc this is bkdk but anyway) and hence Bkg and Izuku would be a great pair for the mission

Although we all know like Aizawa knows that it’s just UST and he pairs them up to make them solve their previous trauma issues

They get into a scuffle before, during and after the mission bc they are that disaster duo

They definitely fail the mission and Bkg has to resort to using his Epic powers to bail them out

Bkg becomes more short tempered than usual bc of that

Also they have a lot of witty banter throughout the entire thing, before Bkg withdraws into his tsun shell again (there is no dere Bkg is wholly tsun)

Note that their relationship is still rocky, no Deku v Kacchan 2 yet but at the point of let’s say Final Exams Arc, where they grudgingly accept that they would work together for their shared goal

Anyway one day the subordinate Epics aka Dabi and Toga sniff out their hideout and appear and knock Bkg out and capture him. They reveal that they noticed that Bkg was an Epic and when they told Shiggy he told them to capture Bkg so they could convert him to the dark side. Meanwhile subplot of Toga getting trashed by absolute eight pack abs Uraraka

They tell him if they want to save Bkg they have to surrender and bring their leader to see Mirio at a specified location

(of course the interns’ goal is to make the Resistance and Mirio take each other out like Yakuza Arc style)

Izuku kinda loses it and wants to go rescue Bkg, but Aizawa says Bkg would have told them to go ahead w the plan to assassinate Mirio and not care for his safety as a hostage

(Izuku. Although Bkg doesn’t have prime invincibility he is still an Epic, he won’t die that easily…)

Anyway they kill Mirio in a fight, and once Izuku sees Mirio is dead he nyooms straight for Bkg’s location w Uraraka, Kirishima, Todoroki (everyone else is incapacitated)

They find Dabi and Toga there trying to corrupt Bkg (they ignored Mirio’s order to kill Bkg once the Resistance attacked bc have their own agenda remember), and they save him (damn Bkg why you Princess Peach like this)

Yaoyorozu arrives with backup and distracts them long enough to regroup, but Twice appears to bail Toga and Dabi out when Mirio dies, and they escape the city through Kurogiri

The building/ship on an ocean/underground base (idk haven’t fixed a location) is on fire and Yaoyozoru orders everyone to escape, but the falling rocks separate everyone as she says that

Izuku and Bkg both hobble out, but ha ha guess what Bkg’s weakness is?

If you said fire you are 100% correct

Anyway Bkg kinda freaks out bc he’s useless in situations involving fires (both w his usage of Epic powers and his fear) and kinda faints, and so Izuku, now all alone in the fires, whispers to Bkg ‘hey remember during one of our fights you accused me of keeping secrets from you bc you thought that was my way of looking down on you? well here is my secret and well on the 1/10000th chance that you’re still conscious and almost-but-not-really-delirious I’m deciding to share my secret with YOU’

And here is plot twist number 420 of the day: Izuku is an Epic.

Anyway Izuku busts out of the hideout with his super strength and gets them out of there safely. He hands Bkg to their medic Ashido who staples him up JJBA Fugo-to-Mista style and pronounces him Good to Go

The city celebrates and Aizawa takes control by saying the city is now under the protection of Endeavour (bc Endeavour is a High Epic who is secretly collaborating w the Resistance to end other Epics bla bla insert real life political examples about how to correctly go about revolutionising an entire city)

Anyway a day after the aftermath Bkg pulls Izuku aside and confronts him w his suspicions bc although he was unconscious there was no way Izuku busted them out of there w/o a superpower.

Also Izuku is a bad liar and he has been hinting w his actions throughout the entire plot like telling Kacchan that he has been entrusted with the hopes and dreams of a better future after one of their fights (but from WHO?? and entrusted with WHAT exactly???) and also Izuku accidentally bending forks in his stress and when someone calls him out he panics and calls them magic tricks or smth, or the time there was an event where they visited the market for weapons and he witness a slave ring selling kids for unpaid labour and when he thought no one was looking when he went out in the middle of the night and destroyed their hideout with one stomp but the next day they see it in the news and think it was a small earthquake (upon hearing that Izuku breathes a small sigh of relief, someone comments he must be relieved that the kids don’t have to suffer anymore right? and Izuku is like Yeah! That is Totally What I Was Thinking About And Not The Fact That I Am Afraid Of Having My Epic Powers Found Out And Subsequently Lynched) idk small foreshadowing stuff like that throughout the entire plot ok

Bkg is like dude. is this the reason why you’re so agreeable to keeping my Epic powers secret?! bc you too have powers and were looking down on me??! (Deku v Kacchan 2: Electric Boogaloo)

Izuku’s powers, inherited from All Might before he died a peaceful death: Gifting (permanently, or for a short period of time), Super strength and dexterity (but not reflexes), Minor prediction powers (though Izuku claims that is his own skill and not part of his Epic powers). Izuku is also, unexplainably, unable to be corrupted by his powers

Izuku’s fear is being powerless to act, which is why watching helplessly as Kacchan was kidnapped hit him particularly hard, but he overcame that which also alludes to his 100 level mental strength to resist corruption

Bkg, whispering: Holy shit.

Anyway the main story ends there with a hint of part 2 where they solve the mystery of OFA/AFO (where Calamity occured when AFO appeared and gave everyone powers to watch the world destroy itself for fun, and the only way to make the Calamity disappear and return sanity to the Epics is to *insert plot mechanic I have not figured out yet which has to do with Izuku’s OFA power* *or maybe it’s just as simple as killing AFO and Shiggy. idk*)

Hawks would appear in part 2 as an insider agent who recons w the Resistance at the start of part 2 and gives them intel on how to kill Shiggy. He is a normal person.

But the start of the start of part 2 definitely starts w Bkg and Izuku in chains in some kind of prison in an Epic hideout in another city. Bc Izuku tripped and fell while doing parkour during their mission. (Bc Bkg was forcing Izuku to train his usage of Epic powers bc more firepower is good in fights in the future!!!) While Epic who captured them is having a turf war with another Epic outside they do a prison break showing their pretty competent relationship now (and yeah both of them are too emotionally stunted have a relationship)

i’m sorry there is 0 continuity in this plot i wrote this at 1am while delirious and hungry please take it and leave

#troofless writings #troofless stuff #want to eat cup noodles now...

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