When you (generic, universal) talk about theories about the end of Season 2 and Aziraphale going to Heaven, you often run up against either:
taking everything at face value to the point of ignoring that some details contradict one another
or
accidentally nullifying major emotional, plot, and character beats by implying that they Didn't Really Happen.
A lot of the differences in analyses, especially ones that I like (LOL), can be explained by the fact that we're analyzing a character who is experiencing massive cognitive dissonance and believes a number of contradictory things at once.
Nobody is wrong to point out Aziraphale's need to Belong to a Good Cause, which makes his acceptance of the Supreme Archangel position entirely in-character; nobody is wrong to point out Aziraphale's anxiety around the Metatron, which indicates that he may have been coerced.
Did Aziraphale go back to Heaven because he's afraid of what will happen if he keeps refusing, or because the Metatron made an implicit threat? Did he go back to Heaven because he's vulnerable to flattery and wants to feel important? Did he go back to Heaven because he thought it would be a way to be permanently safe with Crowley? Or did he go back because he missed belonging to something Good, something bigger than himself? All of the above. It's all of them.
Yes, even though it's incredibly dissonant to believe a system that he KNOWS is dangerous and coercive can accomplish true Goodness, that is in fact his belief.
Admittedly, this is no one I follow - just random comments I see around from people I don't know very well - but it seems like some people out there are assuming Aziraphale can't possibly be making any plans to do anything remotely intelligent, because this would mean that he is already aware that Heaven is bad and would therefore leave no room for character growth.
Except no, that's not necessarily what it means. In fact, the cognitive dissonance is the main thing he is going to have to resolve. Having that dissonance - the belief that Heaven's ideals are genuine, along with the understanding that Heaven is dangerous and needs to be carefully manipulated - is what will move his plot forward. Mindless obedience wouldn't progress his story any more than magic brainwashing coffee would, and it would be equally inconsistent with his story and motivations so far.
The dissonance is the point. And part of the dissonance is that he already knows Heaven is dangerous - he just hasn't accepted what that means yet. It would make sense for him to simultaneously try to work within Heaven's system and watch his own back.
Also, only partly related: Neil might write a story about how the worst people exploit the need to belong and to be Good. He might write a story about how we have to become our own greater good. He might write a story about how to rebuild after you discover your greater good is not so great or good after all. He is not going to write a story about how having any faith or trust in something objectively bigger and stronger than yourself makes you a stupid clown who is wrong about literally everything and shouldn't have even tried.
Let Aziraphale fuck up. He needs to and he will. Whatever plans he was making in that elevator won't actually succeed. But give him credit where it's due.
Edited to add: And you know what? When he fucks up, he's going to get through it. And then he's going to do the right thing. And he's going to get it right when it matters the most.
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The Joker was apprehended, sitting on the ground as Batman guarded him, but the kid--"Bruce Wayne's newest ward, how tragic! Hehehe!"--was nowhere to be found. Nightwing and Red Hood desperate searched the warehouse until a shuffling noise grabbed their attention.
A kid, black haired just like the kid in the Joker's broadcast, crawling out of a pile of boxes. "Is it over?" the boy asked quietly.
Nightwing guided him to the only exit, unfortunately walking past the boy's own kidnapper. "Yeah, kid. It's over. Come on-"
Like a shot, the boy rushed the Joker and kicked him right in the balls.
The Joker wheezed like a dying squeaky toy. Red Hood froze. Nightwing immediately snatched the boy up by the armpits, but all that did was give the boy the height to attack again, punting Joker in the jaw. The clown went down and cracked his head on the floor. He did not get back up.
There was a moment of silence before Red Hood roared with laughter, his helmet distorting the sound.
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Dan hates his Nicer Self.
He does. He really, really does.
The kid is naïve, cocky, strong in the weirdest ways that don't make sense-
And he's such a busybody! Always helping, always jumping into things, and always saying that he's definitely not trying to be a hero.
It's annoying.
It's so annoying.
For instance, Phantom got called in by the JL for an all-hands-on-deck situation right before a super important test. Phantom accepted the call.
But the JL had dealt with threats like this before, a million times-there was literally no need to answer the call.
Yet the little dumbass had.
And now Dan was at home, staying on the other side of the room away from Vlad, and watching the fight on TV.
Phantom takes a hit. Then another. Then another.
Good; he'll learn not to jump when the JL says jump, then.
Phantom goes down, disappears behind some rubble.
Dan doesn't care. He doesn't. Let the kid learn a lesson.
Phantom doesn't get up.
Just like Jazz didn't get up.
Or Sam, or Tucker, or his mom or his dad-
Dan sees red.
He barely hears Vlad as he rips a portal to the fight and steps out, in his own ghost form, and decks the bad guy-some demon named Trigun or whatever, fucking weeb-so hard he knocks the guy back.
The fight pauses.
"You touched the twerp," Dan growls, voice distorting and allowing his powers to manifest at full capacity for the first time in years, "So you get to lose your head."
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Computer Johnny, violently shoving the other two computer ghosts aside the second he hears Celia coyly listing The Entities: OH MY GOD FUCKING MOVE!! CELIA!! CELIAAAAAA!! HERE'S A STORY WITH A RECOGNIZABLE PLACE NAME ABOUT SOMEONE WHO TAKES OVER A JOB POSITION AFTER THE PREVIOUS MANAGER PASSED AWAY AND IT ALL GOES TITS UP AFTER THE WIZARD CABAL MOVES IN AND SETS UP SHOP!! CELIA THERE'S PARA-MILITARY GOVERNMENT INVOLVEMENT NOW!!!!! IT'S ALL GOING TITS UP CELIA!! DO YOU GET IT?? DO YOU GET IT?? CEEEEELIAAAAAAAAA!!!!
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going insane thinking about the harrow and palamedes friendship. harrow, who has never met another necromancer her age forming a bizarro 3D chess rivalry while pal worries about her safety at every possible turn. harrow, who is up to her eyebrows in paranoia and secrecy, trusting the sixth house with gideon unconscious and hurt, letting them into the ninth house quarters unsupervised. if “i cannot conceive of a universe without you in it” is goth for i love you, “death first to vultures and scavengers” has got to be goth for i love you (platonic). pal’s first reaction when harrow comes into his bubble in the river is to scoop her up in a hug, and at this point she doesn’t remember anything about him because cutting out all her memories of gideon is impossible without cutting out memories of the sixth, but she still makes him a skelehand to inhabit anyway. when harrow’s memories are finally whole, she tells dulcinea she couldn’t face pal knowing that his pen pal girlfriend died on her account, but the next time she “faces” him, palamades’s soul is in someone else’s body and harrow’s body is full of nona’s soul. he spends six months protecting and caring for harrow’s body (and nona obv), believing in the possibility of bringing her back to it the same way cam believed in him. “god, do you know i miss harrow terribly.” and by the time harrow comes back to her body at the very end of ntn, pal is gone forever, fully pauled. the last time harrow and palamades see each other as their complete selves is in canaan house, alive and unlyctored. two of the smartest and loneliest people in the solar system meet each other in the worst of circumstances and spend the rest of the story dancing around each other as fragments of themselves, trying to care about each other in the interim but never fully meeting like they did the first time. a friendship made almost entirely of missing the other person. “do you know i miss harrow terribly.” god. i need to lie down
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he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.
except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?
at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.
except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.
about a decade from this experience, you'll type into google: how to know if a relationship is codependent.
he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.
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