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#contrivance
whiise · 7 months
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Right after reading the first chapter, in which Train said that he would leave Lucius with Krewel. I immediately wondered what it would look like, and it was born.
Krewel has little experience with cats... But he will definitely learn...
Let's just wish him luck.. ( and Lucius)
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tenth-sentence · 26 days
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Again she read on; but every line proved more clearly that the affair, which she had believed it impossible that any contrivance could so represent as to render Mr. Darcy's conduct in it less than infamous, was capable of a turn which must make him entirely blameless throughout the whole.
"Pride and Prejudice" - Jane Austen
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j-august · 1 year
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To me, the way I see it, it looks as though certain things were decreed to happen and that, therefore, they did happen: they had it in their blood, these people, that certain things should happen to them, and I could no more contrive these things than they could evade them. But Hilary and Guy, murmuring together in that astonishing unison which can only be found in two Englishmen who disagree upon everything in the world but on the fact that conduct is three parts of life, are of the opinion that my substitution of the word "ptomaine" for "septic" really affected the course of events.
Michael Arlen, The Green Hat
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egophiliac · 5 months
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ok so as someone still relatively new to TWST (and someone just taking the events as they come to EN instead of keeping up with the JP side) and as a Jack Howl simp
I am of the (CORRECT) opinion that he should absolutely get an Applepom look because... fwuffy. and hat with ear holes. and he'd be SO insistent that he's used to the cold and doesn't need it but he will take it once it's insisted on because he's polite and won't refuse Gramma Felmier
Also I think a fun twist on the "someone's sled breaks and their plushie tears so they have to come up with another idea" bit from the other event is that Jack goes wolf mode to pull the sled (because as said in his starsending wish he pulls sleds back at home on breaks to try and get faster as a wolf!)
I'm biased though because I need more Jacc in my life
Thoughts?
thank you anon for bringing the mental image of harveston Jack into my life. he would be SO fluffy...so warm...he would haul so many apples...
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also while I love the imagery of him pulling the sled, I feel like that would probably get them insta-disqualified. :( unless they can somehow 1) convince the judges that this enormous talking wolf is actually a very well-made plush, and 2) get Jack to go along with it (I do think Jack would instantly respect Marja as being more alpha or whatever and would have to, like, choose between his sense of JUSTICE, or going along with cheating at this sporting event so an authority figure doesn't get mad at him) (...wait this is just the plot of episode 2 again) (DANGIT)
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winterprince601 · 8 months
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"he was never unfaithful to robert, was he?" - jaime, acok
ha. ha ha ha. the irony of this line is incredible. what's so striking to me is how one dimensional the realm's understanding of eddard stark as an honourable man is - honour itself is an incredibly complicated and unattainable ideal in asoiaf and i think ned as the stereotypical emblem of it encompasses many of the reasons why. because whilst he absolutely does consider acting in a conventionally honourable way important, he always prioritises those he loves. he defended cat's actions as his own without a second thought when she arrested tyrion. his main priority in king's landing is to see his daughters safe, not to secure the succession. lyanna is the prime example: jon's existence is not the result of the lapse of honourable ned stark, it was honourable ned stark choosing his love for his sister over his duty to his king. that and his personal ethical belief that the political murder of a child is never morally acceptable.
no one in the realm has the insight into his personality we get in the first book. none of his children, vitally, understand that he would always prioritise their safety over any honourable scruples. all of the starklings question what their honourable father would think of their actions - killing in self-defence, marrying jeyne westerling, sleeping with ygritte to name a few examples - without recognising that ned's true first priority was always his family's safety.
in fact, he betrayed robert far more than he ever betrayed cat and he would have betrayed honour for his family's safety every time.
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terrific-crow · 1 year
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Watched the Teen Wolf Movie. Incredible experience.
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seventeen year old creature-boy Light Yagami, who is Totally Interested In Women And Definitely Not A Serial Killer, looks at porn magazines (porn magazines is generous; he's looking at scantily clad women, really) in the privacy of his own room and is so supremely weird about it that L, the man that has been Intently Observing Him Through Hidden Cameras, sees him doing it and goes, "oh. something is wrong." meanwhile, Light is internally monologuing himself into a frenzy. "ha!! take THAT. what're you gonna do now, L!? I look SO normal!!" but he doesn't. he never has. he never will. he's just used to everybody around him being too distracted by his artfully styled bangs and extensive collection of soft knitwear to notice his incredibly off-putting demeanor. he is So used to it, in fact, that he doesn't quite grasp that someone might find the image of him lounging around on his stomach and kicking his feet in the air while he stares at breasts to be. a little different. maybe even. disingenuous. oh no. shock and horror, shock and horror.
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froganni · 2 months
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Delivery! A little Postmaster Pearl to brighten your day! :D
(Reblogs appreciated!)
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redundantz · 10 months
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Ancient Loz AU Story
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10,000 years before the events of BOTW the Princess of Hyrule and the Hero who wields the sword that seals the Darkness first fought off the Calamity. With the help of the Sheikah, Guardians, Champions and the Divine Beasts. However, the hero and her best friend; the Prince of the Gerudo, were now missing. The only one to return from the fight was the Princess… Bloodied and bruised. She emerged from the castle alone. No longer the energetic, and free spirited person she used to be. Now, she is filled with a sole dedication to her Kingdom. But cold, and filled with deep sorrow. She orders the Sheikah to create shrines to train the next hero.They prepare the towers, store the Guardians under the castle till they are needed. Research started on the slate where it can be used for building infrastructure and even battle. Anything to help prepare for another Calamity.
The Gerudo Prince wasn't seen again and the heroes identity was forgotten But, the Royal blood of Hylia lives on….
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Link is from a traveling caravan. His family has blood from the ancient Zonai tribe. He travels with a decent size troupe along with his sister, father and grandmother.
He meets Zelda during a festival where he was entering an archery contest in castletown. Zelda, who was disguised as Sheik, was also entering. She beat him at the contest(barely), but was extremely bothered by how good he was.
The festival goes on for about 3 days and at the end there is the sword ceremony where all the people coming of age(18) can attempt to pull the sword. She was presiding over it and witnessed him pull the sword and his whole life change. Not long after they meet officially and Link is appointed as her Knight; She introduces him to Ganondorf, her best friend from childhood.
And the chaos and comrade-ere ensues~
Over 3 years they travel, train, fall in love and wait for the day when the evil is supposed to show itself. With no sign of the great evil, they start to relax a bit. But that is when it strikes. Ganon travelling by himself at this time. Explores a cave in the Gerudo desert and encounters something ominous. Whispers in the dark speak to him and his fears and wants and his distaste for the King of Hyrule…. The voice is familiar, much too familiar, and before he can fight back it consumes him. When he awakes he is alone. He isn't instantly ‘evil’ but over time it twists his thoughts and actions. His closest friends and mother grow concerned. He becomes harsher and radical. Cruel. During a secret meeting with the King, Ganon assassinates him. Zelda happens upon Ganon covered in blood. She thinks he's hurt and is concerned by his behavior the past year. He snaps. He tells her every dark thing he has been thinking, and that he killed her father. In shock, and devastated, she can’t move as Ganon is about to strike her. But Link manages to get to her in time because the master sword was glowing, something he has never seen before but an instinct so old took over him. He races to escape with her. Ganon takes over the castle. But only as a steward because the King and the Princess are nowhere to be found. No one is the wiser to his malevolent plots. Yet. He knows she has to act fast since Zelda and Link escaped.
Zelda and Link make it all the way to Kakariko Village and Impa and they are all Informed that the Calamity is upon them. No one can believe it is their Ganondorf who is doing this but it is undeniable. They grieve, but they must act fast. With the help of the Sheikah they gather the guardians, monks and send word to the Races and Champions to prepare for battle. Zelda listens as Link hums an old Zonai Lullaby his mother used to sing to him. And it makes her remember something she read about. A story about there being an ancient Zonai device below the castle that would help defeat the Demon King.
Impa knows the tunnels She can help them sneak in. So they prepare to infiltrate the castle.
Under the castle they find the Zonai Artifacts that were left behind for sealing the great evil.
Ganon's followers saw them enter however and informed him. Knowing this is his chance he stops all pretenses and releases his power. Unleashing a mob of monsters and a cloud of malace into the castle and across Hyrule. But the Champions and Shekah are prepared to meet them.
Looking around for any clue. Trying to think of anything they read or that Link heard from his family that could be used to turn on the sealing jewelry. They don’t know how to activate it, but Ganon is going to be upon them soon as they had to fight through hordes of monsters beforehand.
Out of the dark behind them he emerges.
Zelda and Link manage to avoid the surprise attack. They both go on the defensive. They fight and try to reason with him. They can’t believe this is their friend, their lover. The fight is tough, because they all know each other's moves after training together for years along with the emotional turmoil. Zelda tells Link he needs to figure out how to activate the artifact if they are to succeed. She will hold him off. But by this point they are both exhausted.
Ganon manages to cut Link, spraying blood over the floor and the statue. Link falls to the floor and Ganon towers over him ready to strike him down, but Zelda blasts him away. Ganon turns his attention to her. Annoyed with her meddling and manages to land a blow on her also. Cutting the tip of her right ear off.
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The statue lights up from the blood. The blood of a zonai. That  was another part of the Lullaby from Links family Zelda realizes. The Jewelry glows and expands before flying off the wrists of the statue to Link. He is surrounded by a green glowing light that blasts Ganon and Zelda back. The bands constrict around his arms and legs disintegrating the clothing underneath. He screams. Zelda watches on in horror as Link transforms before her. His skin is turning black and his bones and skin stretch until he is 6 ft tall. What did she get him into? This was supposed to help them what was happening… She is living in a nightmare. What else will she have to give up. She cries as she looks at him, feeling his pain and fear. His hair band she had given him falls from his hair. Rolling across the floor towards her. “..Zelda….” He says 
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She picks up the hair band and goes to him! But he is not really responding. He is restrained and struggling within himself. His head is filled with the spirits of the Zonai he knows what he must do…he knows this is the last time he will see Zelda and Ganon. To seal the Demon King he must sacrifice himself. He says the last part of the Lullaby to Zelda and she knows. This is it. She kisses him. Though a bit strange now that he's so tall and his lips are cold. Ganon is getting up across the cavern from them, laughing. He mocks them and their weak attempts at thwarting him. One last clash. Zelda manages to get his weapon from him and Link plunges his arm into Ganons chest activating the sealing power. Glowing green. They both freeze in place and all is quiet. Entombed under the castle. The malice and monsters disappear. Zelda cautiously goes up to them. She doesn't touch them lest she break the spell somehow. The only thing she does is grab the hair bangle that fell to the floor in the final fight. It was the one from Ganon’s hair. And she left for the surface.
Alone.
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Thanks for Reading! <3
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cleromancy · 7 months
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i have posts which are good. and reasonable. this is not going to be one of them
but mentally i am mashing up red robin 17 where tim breaks lynx out of prison and then they make out on a rooftop with robin 182 where he breaks jason out of prison and they do not for some reason make out on a rooftop
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tenth-sentence · 27 days
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Elizabeth then contrived to sit by her aunt.
"Pride and Prejudice" - Jane Austen
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jouxlskaard · 14 days
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Strap in, fuckers. This is a long one.
I've seen a lot of discourse and discussion recently about why TMAGP isn't resonating with listeners as much as TMA did, with a lot of people pointing towards the infrequent structure of each episode and the lack of subtlety that TMA had once excelled in. And while both of these are true, I think the main culprit that has caused these problems for listeners is one thing: the pacing.
TMAGP is only going to be 60 (Edit: 90) episodes long, compared with TMA's absolute behemoth of 200. When I'd found out about this, I'd assumed that it meant TMAGP would have a much smaller story - not having to establish as much information as TMA did, and allowing the story to have lower stakes as a result. This certainly wasn't a bad thing, as many sequels that have tried to one-up their predecessors have gone disastrously wrong, but I knew that the structure would be different to TMA as a result.
However, from the 12 episodes that we've seen so far, it appears that TMAGP is going to have similar levels of stakes to TMA - not the same stakes, of course, but they'll likely be on close to equal footing. This means that TMAGP has to establish the same amount of information to listeners with significantly less time to do it in, and the pacing has to speed up to adhere to that. In the first 12 episodes of TMA, we had established one possible recurring statement character (Gerry), a disturbing worm woman (Prentiss), and the fact that Jon doesn't like his assistant and refuses to believe any of the statements. In the first 12 episodes of TMAGP, we've established every important protagonist and what they sound like, two recurring statement characters (Bonzo and Ink5oul) with one that has already physically appeared, much of Sam's backstory and his ties to the Magnus Institute and the fact that something is deeply wrong with their workplace. That is a big difference.
This difference in pacing is what I believe is turning listeners away from what they'd originally enjoyed about TMA, because there's no longer that warm, comforting atmosphere when you listen to it. Its sound isn't designed to come from a tape recorder and a tape recorder only anymore; it's no longer a sit-down and listen to the Archivist tell you spooky stories for 20 minutes anymore; and, like I mentioned earlier, the structure is no longer the same throughout each episode. The horror anthology aspect, whilst still being there, has now taken a back-burner to the metanarrative because so much has to be established in so little time. To many, that's a bad thing. They listened to the original because they liked the statements, and the little things connecting them hinted to a much larger story at play. When this story was revealed, we got to see Jonny Sims and his brilliant prose at its best, because there was no longer anything to hide and the statements were in their purest forms - no longer having to establish information to the audience, and simply basking in the fear.
I'm sure we'll get to see the same thing in TMAGP once the narrative reaches that point, but the current pacing has uprooted a lot of listeners' expectations for the show. I'm going to listen to the entire thing, personally; yeah, it's different, and it doesn't deliver the same vibes and comfort as TMA did, and I probably won't be able to fall asleep whilst relistening to the more obscure episodes like I could before, but in a frankly disturbing way, I'm still fascinated with what Jonny, Alex and the other writers have created. This type of horror is the only kind that I genuinely enjoy, and I'm excited to see what direction Protocol goes in.
Edit: I feel like I should clarify that I don't see this comparison as something that takes away from TMAGP. Alex has said that it's going to be different from the get-go, and I do think that comparing it to TMA is an exercise in futility to an extent. I just wanted to talk about the shows together because I feel like they complement one another, and the narrative beats that I've talked about are less to do with TMA on its own and more to do with general narrative structure. We have buildup, payoff and pacing no matter what show it is, because that's what makes a story. I think TMAGP could be taken a little bit like Deltarune in terms of its relation to the original source material: separate entities with some overlap in character and themes. At the end of the day, it's still early days for the show and this entire spiel could just end up gathering dust - I just think it's a cool thing to think about, and it gives me an excuse to infodump about how pacing can affect a narrative and the audience's response to it.
I wrote this while my cat was laying on me. Have a picture as a reward for reading this whole thing.
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solarmorrigan · 2 months
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steddie and 💗 for the kiss ask game!
Hello! Thank you for the prompt, I really enjoyed writing this one <3
💗 slow kiss / gentle kiss / inevitable / soft
Prompt from this post
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If anyone asks, Eddie will say he prefers to work while standing because he thinks better when he can move around.
And this isn’t a lie; whether he’s crafting a campaign, working on a new song, drawing, or doing some writing, he has a tendency to get up and pace, or to run to grab something for a reference, or stand and try acting something out to see how it rolls, or– well. His desk chair doesn’t really see a lot of use.
So it’s true that he thinks better while standing; it’s just not the main reason he prefers it.
The main reason is that he happens to be a night owl, and his boyfriend—his beloved, his one and only, his baby—is a horrible, horrible morning person. Which means that he tends to go to bed earlier than Eddie. Which means that when Eddie works late into the night, eventually–
“Hey.” A warm, familiar weight drapes itself across Eddie’s back, arms coming up to circle his waist, the voice a sleepy purr in his ear as a chin rests on his shoulder.
“Hey.” Eddie smiles, tilting his head to the side just enough to bump it against Steve’s. “What’s up?”
Steve hums, the sound sighing out of him as he leans further onto Eddie. “It’s late.”
“Yeah?” Eddie glances at the clock; it’s just gone midnight, which isn’t that late, but he’ll play along. “Guess so.”
“I think I’m heading to bed,” Steve says, pulling back just enough to press a kiss to Eddie’s shoulder, before tucking his chin right back where it had been.
“So is this goodnight?” Eddie asks, pressing back into Steve a little.
“Mm,” Steve hums again, more contemplative than in agreement. “Doesn’t have to be.”
“You gonna stay out here with me, then, sunshine?” Eddie teases, and Steve leans a little more heavily against him in retaliation, just enough that Eddie has to readjust his stance so he doesn’t topple over into the desk.
“Bed’s cold without you,” Steve says, predictable as ever. “You should come with me.”
As if Steve isn’t the main reason the bed is warm when they’re both in it; Eddie’s own personal space heater.
“But what if I’m busy?” Eddie asks, nudging Steve with his elbow.
“Are you busy?” Steve asks.
And it’s an honest question, Eddie knows; if he tells Steve ‘yes,’ then Steve will let him be and he’ll head to bed on his own without any hard feelings. But he’s really just been doodling for the last half hour, and he doesn’t mind the idea of being convinced to follow Steve.
“I guess I could find a place to stop,” Eddie hedges.
“Yeah?” Steve asks, turning his head to press a few more kisses up the side of Eddie’s throat.
They’re slow, sleepy, gentle things; not leading anywhere, really, just affectionate. In spite of that (maybe even because of it), they still make goosebumps pop up across Eddie’s skin.
“For you?” Eddie says, wiggling around in Steve’s hold until he can turn enough to face him. “Anything.”
Steve’s bright smile paired with heavy-lidded eyes is probably one of Eddie’s favorite things.
“You’ll find a place to stop your super important doodling, just for me?” Steve asks slyly, and Eddie can’t help but laugh.
Busted.
“Just for you, baby,” Eddie says anyway, leaning in for a quick kiss that really ends up being more of a brush of smiling mouths.
“Well,” Steve says, his gaze warm and pleased, like Eddie’s done something great (the way he always looks at Eddie, the way Eddie will never, ever get enough of), “lucky me.”
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heliianth · 10 months
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every day i get more upset that “i think i found the ultimate lifeform / i think it may be you” line (and sonic’s subsequent pondering about it) gets IGNORED they DROPPED THAT SHIT like a HOT POTATO & i understand why because the sonic heroes tone pivot and the amnesia plot but u dont understand im so mentally ill over the concept of shadow completely shedding this massive huge important part of his identity onto sonic before dying and sonic having to grapple with that. what does he do with that. he doesnt want that kind of title or responsibility or idea of himself, hes just a guy who likes adventure. but shadow gave it to him happily. & when shadow comes back and is basically affirmed in his previous assumption that whatever he would do with it, sonic is already doing. only to be met with sonic giving it back to him like “hey buddy thanks for letting me borrow it but i dont want it ;^-^”. what do you mean you don’t want to be the ultimate lifeform? ITS TOO GODDAMN HOT IN THIS GODDAMN HOUSE i need to kill something. U UNDERSTAND RIGHT. U UNDERSTAND.
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mlobsters · 3 months
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supernatural s11e20 don't call me shurley (w. robbie thompson)
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prideprejudce · 10 months
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the more i think about Oppenheimer the more disappointed i get because at its core it’s such an interesting story to tell. like the whole manhattan project catapulted the entire world into a new atomic era that we could never go back from whether we were ready for it or not. and the fallout from the project not only changed and devastated the lives of hundreds of thousands of people (including of course the victims in hiroshima and nagasaki + the people living in new mexico where they tested the bomb) and the continued generational trauma of the bombs. also just the general mass panic and fear that the Cold War instilled into every citizen in the states who were literally waiting to one day be just annihilated by a nuclear attack. the whole creation of the atomic bomb had so much impact on the world. so doing a deep character study of both oppenheimer and his colleagues on the moral ambiguity of their work in the project and the outcome of it is such a great movie concept. but the film didn’t feel like that at all. instead Nolan gave us the watered down story that he’s best at and spent almost three hours forcing us to watch whether oppenheimer had to lose his disneyland government fast-pass due to his communist ties or not (spoiler: he does) and how strauss doesn’t like him because he got his feewlings hurt once. all the other scientists and physicists were given one or two minutes of screen time and were really just names to a face. the actual bombs creation was given a sidelong glance and trivial explanation at best. and of course to tie it all off the main female side characters were either naked/having sex for 80% of their screen time or was given the character depth of a piece of tissue paper
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