👙🍉 Gojo is right.....backlighting is the best! 🍉👙
Summer may be over, but I did one last shoot to celebrate it! I can't believe I finally did a Marin Kitagawa....and it wasn't even one of my four in-progress cosplays from the series 😅 I had a lot of fun doing the styling for this shoot!
Photo by @silencedrowns , editing by me
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Jujutsu Kaisen X Souta Yamazaki
This man, hardly what you could call an industry veteran, is carrying my favorite JJK S2 cuts on his back. So I though I'd talk about him a little.
So, what'd Yamazaki do in this episode? Oh, just all the incredibly cool looking Nanami shots.
Yes, I do know and acknowledge the fact that these drawings are pretty far away from Nanami character's design, and that they sorta basterdize his whole sequence. But man, they're so cool? I'm alright with uber angry Nanami rather than cold and deadly Nanami considering what we got from Yamazaki, but I do really wish the other pieces of the fight could have been somewhat better animated.
Anyways, Yamazaki isn't a one hit wonder, he actually did a really great cut on episode 9 as well: Gojo ripping Jogo's arm off. Between those two you can really see the style that Yamazaki has been carving out for themselves as of late, and while with their older work they didn't have quite the same style, the most certainly had the same quality.
Yamazaki would get their start on anime with doing inbetweens on movies, namely Ride Your Wave and Weathering With You. From there they quickly migrated to Cloverworks to do some second key animation on Fate/Grand Order Absolute Demonic Front: Babylonia.
It was then that the first of their two home studios was found, followed up by the first season of Jujutsu Kaisen not long after. Since then, Yamazaki has been putting out some really crazy cuts.
Just look at the work they did for Wonder Egg Priority.
Or what they've done with My Dress Up Darling.
It's crazy, but Souta Yamazaki is only 4 years into the industry at this point. But they're delivering cuts like it's been 20, such an insane talent. I can count the number of series they've worked on with my own hands. This is 100% an animator people should be looking for on future projects. Maybe not for their ability to provide incredible adaptations, but to provide insane style and detail in their cuts.
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