My friend shared this article about Robert Nozick's 'now in-famous thought experiment':
Suppose there were an experience machine that would give you any experience that you desired. Superduper neuropsychologists could stimulate your brain so that you would think and feel you were writing a great novel, or making a friend, or reading an interesting book. All the time you would be floating in a tank, with electrodes attached to your brain. Should you plug into this machine for life, preprogramming your life's experiences?
My response:
"I remember reading somewhere that in order to keep living we must have some faith that life is good, that it has good things in store for us. I suspect that as life gets worse the appeal of the experience machine will only increase. Not just because pleasure is nice, but because (at least temporary) respite from pain is necessary. Cue the worn-out story of the rat park versus addiction (though I have no idea of its scientific credibility).
"I also remember reading Brave New World at the peak of my adolescent depressive era and thinking, "Dystopia? I'll talk a shallow life of pleasure over whatever the fuck I'm in right now." I kept on living (obv) and at some point (no doubt after things improved somewhat) I decided to fight for a meaningful life rather than happiness or pleasure. I can't always choose for my life to be happy or pleasurable, but I can fight for it to be meaningful (although even that is not particularly stable ground c.f. absurdism)."
What I didn't include in my response, though I was tempted, was this David Foster Wallace passage on suicide (the ultimate form of escapism):
The so-called ‘psychotically depressed’ person who tries to kill herself doesn’t do so out of quote ‘hopelessness’ or any abstract conviction that life’s assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling.”
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"Don't just throw ripped jeans away, you can repair them using these 10 cute Visible Mending techniques!!" unfortunately my friend the first point of failure for every single pair of jeans i have owned in my life has been the Crotch and Ass. Knees: fine, cuffs: fine; but 3 years in, and all that stands between the world and my astronaut-patterned taint is 0.5µm of denim worn so thin that every squat threatens to tear it to shreds like wet toilet paper. If the Tiktok craft community could figure out a way to resurrect jeans afflicted in such a way that doesn't involve adding a whole ass buttpatch like some sort of inverse assless chaps situation then that'd be great
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Großartige Schauspieler, Großartiges Drehbuch, Angenehme Regie und ganz anders als der klassische Tatort.
Philosophische Überlegungen als 90-minütigen Tatort.
15/10 Sternen (noch bis 22.04.2024 in der ARD Mediathek)
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FOOL MASK (GITM BY @venomous-qwille)
Handbuilt porcelain with slip, overglaze, glaze, and gold lustre accents. Paint and lacquer detailing added post fire. Handsewn fool's cap and bells added post fire.
This mask is a part of a (loosely connected) mask series, all hand-built and fired using a range of different temperatures and techniques.
My favourite mask to date, Fool from Ghost in the Machine by the wonderful @venomous-qwille !! GITM is absolutely incredible and I cannot put into words eloquently how much I adore it and Fool so instead I made this mask! Hi!
My word was this mask a struggle to make. The mask itself is entirely one piece, and entirely porcelain!! That's right, those long thin rays are solid porcelain!! The eyes and tips of the blades are done in 22 carat gold lustre. All colouring save for the black and the satin sections of darker red on the face were done with only slips and underglazes. The red colour was correct without the paint, but I thought a contrast from the rest of the gloss would look nice :)
Made to scale, the mask measures 50.8x60.96cm without the hat, and 50.8x116.84cm with it! (20x24in without hat, 20x46in including hat). He is Large, but turned out absolutely lovely and I send my many many thanks to the kiln gods for producing him unscathed.
(naku & wall for scale)
(he's so big guys i have large walls (the top of my head is only slightly above the top of the bookcase beneath him) look at him at the wall it's nuts)
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FLORENCE WELCH sharing a moment with a fan about to risk it all
within_and_without on TikTok, September 10th 2022
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