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#feel free to suggest a character from the show
bobbybutterfly · 19 days
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It’s been over 2 weeks since I last posted. Well. I hope that these four pieces were worth the wait.
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Mulori! Boy I’m proud of this piece! I tried experimenting with colour by using warmer colours for shadows and cool colours for lights. She’s really giving angel of war descending from the heavens.
What to say about Mulori? Her death! You’re telling me that scout Gosemdouchi got a whole ass music video dedicated to him and Mulori gets NOTHING?! I’m outraged. But her edition of In the Years I Spent Far From Home is just so beautiful. Now I’m writing about it, I’m not sure if they made a separate cover for when she sings it in Operation White Snow or she was always singing it. Non the less it slaps.
Interesting was to see she’s shown often with Commander Gosemdouchi. He personally sends her off on her mission to stop the weasel spies (I’m sorry I don’t remember the name of their group). He cries when she dies, proclaiming they should fire their missiles for Mulori. The reason why I find it interesting is that when I went to write a short story about Mulori’s time in the military, I made them have a let’s say weird relationship. Maybe it got saved in my unconscious memory. Just like with Udochi being scout Gosemdouchi’s younger brother LOL. I thought I made that up but no!
I should maybe go back to that story sometime. Probably change Commander Gosemdouchi to a lower rank hedgehog that still has authority over her. A country leader would not have time to bully some low rank scout. Even though it is quite funny when I think about it.
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Oewepali! I got told that this piece lacks depth because I use the same colours in the foreground and background. That’s a problem in all my pieces. It’s my fault for trying to use a very limited colour palette. Also what happened to his left arm and now that I’m looking at it, where’s his tail? The lighting too is… With the lighting in these pieces I wasn’t thinking about where it would logically go. I just made the lighter parts where they would look good compositionally. Yeah. I’m not that proud of the last two pictures.
As for what I think of this character… I originally thought that he got some developmental disability. I thought it would be interesting to write about a character during war that doesn’t really understand what’s going on. Kinda like Forest Gump. After rewatching the series (I still have to rewatch last two episodes) I came to the conclusion that he’s neurotypical but bullied by his brothers into thinking that he’s stupid. In the later episodes he’s shown to be actually quite capable. If I ever write a story featuring him I might give him like dyslexia though. I imagine he and his brothers went through a lot of trauma. Because he was the youngest and maybe had difficulty with learning they picked on him to let their frustration out.
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Mulsajo! That’s right! I know his name now! I drew his paw like that because it was like that in the reference. I don’t really like it but I don’t have an idea how I would change it. I did change though, his teeth. My mom shown me rodent teeth because she didn’t like the mice have cat fangs. So he is a little more anatomically correct. Ignore the dog nose and that he’s anthropomorphic. LOL.
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I took just so many screenshots! I should sometime post them. I love how they’re drawn in this picture! SO CUTE!
Mulsajo has one of the best designs in the show. The ripped up purple shirt is iconic. It was a while since I’ve seen the episodes with him. Before rewatching the show I thought he was a decent guy. Then I rewatch the show and he’s so mean to poor Oewepali. Dude can’t get a break. My head cannon still is that he’s nice but because they were starving, he’s aloud to be a bit grumpy. He’s also spiritual. Giving us one of the funnier jokes when Oewepali asks if he can eat the big fish only to be told no and then complain that Mulmangcho should have died earlier. This show’s dark humour is pretty great.
I want to develop my own mythology for my AU. Such as the mouse kings being descended from the sea god because Mulmangcho (he’s a king in exile in my AU) is often shown by the sea. It’s something I was thinking about when I drew this piece. It’s also inspired by Mulsajo’s death. Now if we’re talking about a main side character dying, Mulsajo has it the worst. He is never mentioned again in season 1. If you didn’t pay attention you wouldn’t have noticed he died. He is only sort of mentioned in season 2 episode 1. Mulmangcho is in disguise as a squirrel making up stories about what the wolves did to him and his family. He mentions his twelve dead brothers and how they cut off his tail. You begin to realise that he’s talking about what Flower Hill did to him. Obviously the moral is to never trust strangers no matter what they tell you. But I like to view it as a rare sympathetic scene for Mulmangcho. If someone was to write a continuation of season 2 I would like to see them expand on that scene.
Also fan art idea to design Mulmangcho’s 11 other dead brothers?
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Last one up is Scout Gosemdouchi. Please don’t pay much attention to the plane. I really got to do some airplane studies. For the background I tried something more graphic and non literal. Lots of people I shown it to think he’s jumping out of the plane.
I actually have some trauma dumping I want to do. I swear it’s related to Squirrel and Hedgehog. If you don’t want to hear me whine about my catholic trauma then skip the next paragraph.
Alright then. Let’s get on with it. So I was like 8 years old. Our whole catholic school went to church. The priest starts preaching about this “real” story from China. The communists were cracking down on Christians. Some soldiers trashed a church. Taking special care the throw the Eucharist on the ground and stomp it with their muddy boots. Later a little girl would sneak into the boarded up church and lick the Eucharist off the ground. One day a soldier noticed her doing that AND SHOT HER ON SIGHT! Lesson? Be willing to die for your god.
I guess I like the cartoon because it reminds me of my childhood. LOL. Be sure to share your stories of childhood indoctrination in the comments! For real though, scout Gosemdouchi’s and Mulori’s deaths are to me the grossest parts of Squirrel and Hedgehog. Luckily I’ve got my head cannons that sort of fix that for me.
Originally this was the first picture I talked about but I found what I had to say was quite depressing. Plus religion is a touchy subject. I hope I didn’t offend anyone. I’m just talking about my own experiences. Also it’s good to have it off my chest. Now I don’t have to think about it anymore! YAY!
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hersweetrevenge · 1 year
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unproduciblesmackdown · 10 months
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oh the broadway world review of summer stock (a) loved it as much or more than anyone (b) has as much or more info than anyone and (c) generally has the most vivacity thus far
Summer Stock made its world premiere at The Goodspeed Opera House to a most deserving enthusiastic standing ovation. Based on the 1950 MGM film starring Hollywood legends Judy Garland and Gene Kelly, Summer Stock is a spectacular production with phenomenal dancing, feel-good music, and a sweet story, all modernized for today’s audiences.
Audiences will recognize and love hearing classic songs by Irving Berlin and from The Great American Songbook, including “Happy Days are Here Again”, “Accentuate the Positive”, “I’m Always Chasing Rainbows”, “It’s Only a Paper Moon”, “Me and My Shadow”, “Red Hot Mamma”, “’Til We Meet Again", and “You Wonderful You”. Summer Stock’s writer, Cheri Steinkellner, takes the original film story to a whole new level that both contemporary and classic theater goers will absolutely adore. Steinkellner provides additional lyrics to upgrade the story to first class. It’s hard to believe that she “got the call” to write Summer Stock in October, completed the workshop draft by March, and had the rehearsal draft ready by June for a July opening. Steinkellner clearly works well under pressure - Summer Stock is a diamond.
In the Writer’s Notes, Steinkellner elaborates on the restrictions of bringing the film to stage (like how heavy farm machinery wouldn’t fit up on the Goodspeed stage) and how she tackled answering the many questions that the original film glossed over: “Why is a Shakespearean matinee idol starring in a musical in a barn? What happens when you make show-people wake up at sunrise to muck out the stalls?” and more. She repositioned and repurposed the film’s original songs like “Howdy Neighbor” and “Dig for Your Dinner”, so the classic elements that film fans are looking for are still there - only, frankly, much much better. Lastly, she addresses the challenge of “crafting a [contemporary] story to support a diverse cast of characters with intention, authenticity, and care.” Steinkellner rose to the challenge, knocked it out of the park, and created a great musical in record time.
The story is simple and sweet. Set just after World War II, we meet Jane Falbury (Danielle Wade), a doting daughter working the family farm with her father, Lt. Henry “Pop” Falbury (Stephen Lee Anderson). The Falbury Farm is in trouble thanks to the devious and ambitious Margaret Wingate (Veanne Cox), who has grand aims for a monopoly over the Connecticut River Valley. Scheming with her naive son, Orville (Will Roland), they will stop at nothing to own the farm. Meanwhile, Jane’s showgirl sister, Gloria (Arianna Rosario), has moved to The Big Apple to make it on Broadway. She wins a spot in the chorus line of Joe Ross’ (Corbin Bleu) brand new show. With his sidekick and music director, Phil Filmore (Gilbert L. Bailey II) in tow and a Shakespearean star, Montgomery Leach, ready to take center stage, they hit a snag when they lose their rehearsal space. Gloria suggests uprooting the show to rehearse in her family’s barn. Jane, who is fresh out of farm hands, reluctantly agrees to let the actors stay in exchange for earning their keep. The company’s tight harmonies might not charm Jane at first, but they certainly had us swooning. I won’t spoil the entire plot, but will say that hilarity ensues, hearts flutter, dreams are realized, and it’s wonderful.
When I first heard about Summer Stock, I cynically thought that it felt too familiar. The show is set on a Connecticut farm whose owners have fallen on hard times and risk losing their livelihood. They turn to their Broadway friends, who are amidst the usual uphill battle of making it big in show business, and agree to put on a brand new production in the barn to raise funds to save the farm. It’s based on the film of the same name, features music by Irving Berlin, and includes incredible tap numbers, and spotlights America’s sweetheart Corbin Bleu. Hearing that alone, I’d think this was a copy/paste of Tony Award-nominated Holiday Inn: The New Irving Berlin Musical, which opened at The Goodspeed in 2014 and went to Broadway in 2016. We’ve seen a number of Irving Berlin musicals, including White Christmas, and the most recent Broadway production Nice Work if You Can Get It, starring Kelli O’Hara and Matthew Broderick. So, what more is there to add to this Broadway subgenre? If you’d asked me before, I would argue there’s “Nothing More to Say”. I was very wrong. Summer Stock raises the bar with phenomenal choreography, clever storytelling and humor, beautiful orchestrations, and unparalleled performers.
Speaking of unparalleled performers, the cast is perfection. There’s not a single throwaway line or character. They’re all exquisite gems and I’m running out of words to compliment them all. The “city mice” dancers and ensemble features Erika Amato, Hannah Balagot, DeShawn Bowens, Ronnie S. Bowman Jr., Emily Kelly, Francesca Mancuso, Tommy Martinez, Corinne Munsch, Gregory North, Kaylee Olson, Jack Sippel, and Cayel Tregeagle. Danielle Wade sweetly croons just like Judy Garland and swept audiences off their feet. As I left the theater, I overheard two ladies praising Wade for her stupendous performance, saying it was perfect likeness of Garland, yet even more meaningful. Arianna Rosario, as the sugary sweet sister, is absolutely delightful. Stephen Lee Anderson, as  the veteran and father, tugs our heart strings. Gilbert L. Bailey II and Will Roland had the crowd roaring with laughter as the feisty music director and innocent corporate heir. Veanne Cox, as the melodramatic mother and CEO of Wingate Agricultural Corporate, had the crowd roaring with laughter from the moment she spoke her first line. Not to be outdone, J. Anthony Crane, as the over-the-top Shakespearean star, brought down the house with his entrance alone. Together, Cox and Crane generate instant heat, which is especially appropriate since they rock the stage with Red Hot Mamma. The cheeky, interspersed Shakespearean innuendo is fast-paced, clever, and had the audience hooting and hollering. I would see the show again for this duo.
Last, but far from least, Corbin Bleu, as the show’s director, gives the performance of a lifetime. Bleu radiates pure joy and leads with heart, inviting his scene partners to shine with him. Audiences instantly fell in love with his gorgeous, velvety voice, and, understandably, swooned. Bleu previously won the Chita Rivera Award for Outstanding Male Dancing in a Broadway Show for his portrayal in Irving Berlin’s Holiday Inn, and his transcendent tapping in Summer Stock shows he’s not stopping there. Bleu’s dancing is out of this world! You can’t miss his charming and virtuosic spin on Gene Kelly’s iconic solo dance, featuring the world’s most unexpected dance partner. Corbin Bleu is a national treasure.
The 8-piece orchestra, lead by Goodspeed’s resident music director Adam Souza, performs the remarkable orchestrations, by Doug Besterman, beautifully. The score is demanding, but the musicians don’t let us see them sweat. As much as I’m gushing, I would recommend shifting the show to one hour earlier and give it a little trim. Not a haircutter’s inch, but a discreet tidy-up. As it turns out, I was in slight agreement with the obnoxious subscribers behind me, who disrupted a precious moment to voice their complaints, “This is two hours and forty minutes? Way too long!” I nearly turned to fisticuffs in defense of this phenomenal cast, but chose to deliver an icy, yet effective, glare. I digress, but Goodspeed subscribers are truly spoiled with top-rate performers straight from the Broadway stage. In any case, we could use a couple more developmental scenes to fully flesh out the plot, and I’d be willing to sacrifice by shaving a bit off some of the longer dance numbers (“Everybody Step” and “Dig For Your Dinner”) and songs. (Not too much! Just an inch! And don’t dare recast any characters!)
That isn’t to say that the dance performances weren’t epic: Summer Stock has the best dancing I have ever seen, hands down. The virtuosic ensemble, lovingly called “city mice”, perfectly deliver wildly acrobatic displays all with impossibly high-energy and make it look easy. Director and choreographer, Donna Feore, has made an unforgettable, magnificent Goodspeed debut. Feore makes use of every inch of the stage, making it feel larger than life, and her attention to detail is unsurpassed. The choreography is out of this world! Wilson Chin, scenic designer, set the stage beautifully. The Technicolor New England farm-turned-theater is framed with classic red-sided barn, delicate florals climbing the walls, and hurricane lanterns lovingly displayed as accent pieces. Summer Stock is Goodspeed’s best original production ever. The 12, which opens next, has very big shoes to fill. Summer Stock has its eyes set on Broadway. Does Summer Stock deserve a Broadway run? Absolutely. In this critic’s opinion, it couldn’t get there soon enough.  Perhaps my favorite aspect of the production were the many comedic theater flourishes. Broadway audiences will cry with laughter when they watch the city mice (actors) learn how to play the part of farmhands: “What is the farmer’s motivation?” “E-I, E-I!” Frankly, I want an original cast album yesterday. Finally, when it opens on Broadway, you’ll wish you had seen it at The Goodspeed first.
#this is the full text; the Breaks in [indented format] are from organic ones for ads & stuff on the sitepage#since the way formatting works now has an unbroken [indented text] line as One Block even if there's line breaks & Character Limit applies#fixed up a few name typos i caught....reminds me that i did check goodspeed's site again & someone Did correct ''will reynolds'' lmao#shoutout to not only this review mentioning gilbert / phil but also effectively mentioning the phil / orville duo i know is real & true#also i love that gloria is in the chorus now and not the lead....seems fitting & that eliminates [jane must take gloria's role]#and suggests that mayhaps jane's role is wholly created by/for her which also seems more apropos; thematically anyways lol#i agree re: the charm of calling the ensemble dancers / roles the city mice lol#feel free to have spoiled more plot...loving the Reviewer's feistiness also fr. the fisticuffs & effective icy glares. hooting & hollering#everyone agrees on unshocking points like ''could use a lil polish / honing / tightening up sure'' & ''fewer songs maybe''#here like ''shorter dance sequences a couple of times maybe''....also do recall via that cheri steinkellner interview i quoted#(in a separate post weeks back) that she mentioned her experience in tv serving the need to Write Fast#heard similarly before re: other ppl who worked in tv production then wrangling Shorter Than Usual development periods in other mediums#call that other media....also sure does seem like they can do another run of this show in nyc#between (a) being like ''yeah we want to'' & (b) corbin bleu is there (& others; incl ppl who've been on bway) & (c) nyt critic's pick....#summer stock#will roland#orville wingate#(p.s. i don't get the ''what is a farmer's motivation'' ''e i e i'' lol i get One ref & feel i am missing another theatre related one)
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nanaslutt · 2 months
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welcome to my smau list!! ૮꒰ྀི∩´ ᵕ `∩꒱ྀིა
౨ৎ feel free to send an ask to my inbox if u have an idea for a smau (no suggestive prompts for under 18 characters) ౨ৎ
jjk smaus
✿ asking jjk men if you can hold their 🍆 while they pee
✿ showing the jjk men ur new piercings
✿ asking the jjk men if you can peg them
✿ changing “babe” to autocorrect to “whore” in their phone
✿ “shes busy rn”
✿ leaving without telling the jjk guys
✿ “he’s busy rn”
✿ getting ur nails the color of their tip
✿ forbidden relationships
✿ drawing a heart with their tip
✿ baby fever
✿ drunk texting the jjk men
✿ jjk men having a wet dream about you
✿ asking them for a hand pic
✿ jjk mean reacting to their contact name
✿ asking jjk characters what their fav sex act is
✿ telling the jjk guys you spent $200 on tire air
✿ “wrong person” nudes prank
✿ jjk characters reactions to you getting harassed/ hit in
✿ jjk characters finding out you got injured
✿ ass or tits
✿ giving them suprise flowers
✿ asking the jjk characters to take your virginity
✿ telling the jjk characters you want to get them pregnant
✿ getting flowers from someone else and thinking it was from them
✿ getting jealous of you hanging out with someone else
✿ stealing your panties
✿ cuddles after sex
✿ innapropreate package mixup
✿ wax my 😽
✿ sending them porn you wanna recreate
✿ when they drunk text you
✿ them asking you on a date for the first time
✿ sending nudes in the middle of an argument
✿ getting a necklace with their initial
✿ being a woman/man for a day question
✿ controlling your bluetooth vibe
✿ when you leave a kiss mark on them
✿ asking you to stay the night for the first time
✿ the call ending after you fall
✿ “they just left you can come over now”
✿“if i gave you a pass to call me a bitch how would you use it”
✿ “i didn’t finish last night“ prank
✿“i got arrested”
✿ when they find ur smut
✿ editing them to look bad in a photo
✿ accidentally sending them nudes (pre relationship)
✿ the jjk characters sending you gym pics
✿ getting scared watching a scary movie
✿ finding out they punched ur stuffed animals
✿ when they see you in someone else’s jacket
✿ asking them their fav pet name is in bed
✿ when you start your period unprepared
✿ when you see them with another girls belongings
✿ asking them if they like having sex with you
✿ asking them for happy trail pics
✿ when they ask for nudes and you send an unsuggestive pic
✿ asking them if they have a crush on you
✿ when they find ur toy
✿ anxious before ur wedding
✿ taking pics of you when you fall asleep
✿ asking them for a whimper audio
✿ when they cheat on you
✿ having a dream they cheated on you
✿ when they get hit on/harassed
✿ the morning after ur first time having sex
✿ accidentally saying i love you for the first time before ending the call
✿ asking them if they only like you for sex
✿ offering them head to relax them
✿ asking them to kill a spider for you
✿ their reactions to a sexy picture you posted
✿ pregnancy scary
✿ ”sex has been boring” prank
✿ their card declined prank
✿ getting lost in public
✿ asking them if you can stack donuts on it
✿ asking them to pick out a new toy for you
✿ waking up in their body
✿ them reacting to you crying over a dumb video
✿ catching them masturbating
✿ getting a noise complaint
✿ when they catch you masturbating
✿ when they catch you singing
✿ finding a hair that isn’t urs
✿ telling them their nut tastes bad
✿ trying anal
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bountycancelled · 9 months
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OPLA characters reacting to a sweet, girly reader who turns out to be a a ruthless fighter
genre: headcanons, fem! reader, kinda suggestive??, idfk just read it bro
requested: nope, but reqs are open! pls, for the love of god, request for the opla♡
feat: zoro, sanji
a/n: reader's feminine but not female if that makes sense, only witting again because I'm obsessed with the one piece live action. also, this may be a little ooc, since I haven't watched the anime/read the manga, sorry about that! also, if you wanna be added to my perm taglist, pls feel free to ask!
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☆ZORO☆
when you first joined the crew, zoro was immediately unsure of what exactly you brought to the table. I mean, they already had a swordsman, a sharp shooter, a navigator, a dumb cook and a captain/motivational speaker. so what were you doing here?
from luffy's explanation of you, he was aware that you were a good fighter, but he had never seen you in action.
the only things he had seen from you were stuffed animals laying around the ship, pastel outfits he could spot for miles, and bows that had been put in his hair while he slept.
he was tolerant of you at best, and straight up apathetic at worst, but finally, there came a time where someone tried picking a fight with you since you seemed like an easy target while you were walking with him and nami.
although he wasn't particularly fond of you (lies), he still felt the need to defend you as a crewmate, but the ass whooping you gave the stranger made him freeze in place.
there was blood splatter on your pretty face, deep red sploches of your cute clothes, and a look of pure hatred in your eyes. and you had never looked more beautiful in zoros eyes.
that was the first time zoro had ever smiled at you. sure, he had slightly smirked at your cuter tendencies, but in that moment he was truly smitten with you.
from that day, zoro wanted to train with you. what you lacked that he had in experience, you made up for in absolute cruelty when fighting. you were quick, agile and you weren't afraid to make zoro hurt, and he loved every second of it.
zoro would sometimes smile when he saw bruising on his body from his time training with you but catch himself and go stone faced immediately. no, he was not falling for you, absolutely not.
except he was, and the next time you showed up by his side with a slight limp, some tears in your cotton candy coloured clothes, blood all over you, and a sadistic smile on your face, he would tell you as much.
SANJI♡
sanji is unsurprisingly, enamoured by you the second you join the straw hats.
I'm talking, looking at you like you hung the stars in the sky, cheesy and constant compliments like "you're cuter than any of your stuffed animals, yn-swan~" and even brushing up on his baking skills to bake you aesthetically pleasing sweet treats that always put a smile on your face.
if I'm being completely honest, it doesn't bother him that he doesn't know exactly what your strengths are, you could be amazing at everything like barbie or you could literally not know night from day and he'd still admire you all the same.
one day, you're wearing bottoms that are on the shorter side not that sanji minds at all and you're out exploring the island you're at with him by your side, holding all your bags because in his words "angels don't do hard labour when he's around" when someone decides to hit on you.
you reject them politely, but when they make a less than appropriate comment about your outfit, you click your tongue and shake your head, readying yourself to hospitalise someone.
sanji's mood switches to one of being happy because he's around you to one of murderous intent the second this rando tries you, but you already have them wheezing on the floor with broken nose before sanji can even lift his leg off of the ground.
you're back to usual self, fixing the bow on your hair while complaining about how fucking hard it is to get blood stains off of your clothes, while sanji is thinking about how fucking hard he is
safe to say that this heartless, terrifying side of you makes sanji fall even harder and question whether or not he's a masochist.
he'll still insist on doing things like carrying you anywhere (most of your shoes you impractical as fuck, but style>functionality always) lifting things for you and treating you like a piece of fine china because that's exactly what you deserve, no matter how badass you are.
only difference is, now he'll never come to aid when it comes to kicking ass, because he enjoys seeing you take people to heaven and back more than anything.
he compliments now range from "omg you are the most adorable, lovable, doll-like angel I've ever seen" to "please punch me, step on me, make my nose bleed, choke me-" and he's now ten times more annoying about you than he was before, which no one thought was possible.
believe me when I say that images of you in frilly outfits with your eyes gleaming like diamonds eveytime you make someone bleed occupy 90% of his thoughts. (the other 10% is all things cooking, of course.)
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macfrog · 4 months
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sweet child o' mine | pt. iii
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now taking name suggestions for my joel's duck doodle. must rhyme with a curse word. most creative wins.
pairing: neighbor!joel x fem!reader
summary: as your pregnancy progresses, you and joel are getting closer. dangerously closer.
warnings: reader is literally pregnant so typical pregnancy symptoms & descriptions of stuff like extreme nausea and gagging (reader throws up off-page, no graphic description past sore throat/esophagus afterward), body changing, nerves around birth/becoming mom, another sonogram (gender reveal...?), baby kicks felt, labor pains shhh, age gap (late 20s reader, late 40s joel), joel is dating someone who isn't reader, our girl hates nye (she's valid), tommy uses colors to represent gender (he is Wrong), joel is for sure emotionally cheating at this point and reader knows it, joel kisses someone who is not his partner again, f masturbation, memories of the hot dirty sex they had whew, a SPRINKLING of breeding kink, praise kink, size kink, another parent dies (i love parents i promise ????), jealous!reader, protective!joel, alcohol consumption, cursing, a LOT of angst, lots of fluff, lil bit of smut, and duckie has the best comedic timing of any character in this entire series. :) DISCLAIMER: this series covers some issues which i know may be sensitive and possibly triggering to some. warnings will always be as thorough as possible, but if there’s ever anything you feel i’ve missed, please let me know. feel free to drop by my inbox anytime.
word count: 11.4k (sorry. lots to cover lots to do.)
pt. i / series masterlist | main masterlist | playlist | follow @macfroglets w notifs on to be the first to hear when i post 🩵
December.
The days are funneled by a quick pinch of dark, the breeze heavy in its sail. Houses lined with twinkling lights and windows pierced by pointed trees. Crooning from every radio station, teary-eyed movies on TV, and spiced apple everything.
You hate every fucking minute of it.
“Wait a second,” Tommy sits forward, leaning in, “you never do nothin’ for New Years?”
You shrug, lifting your eyebrows. “Nope. Just don’t like it much. That a crime?”
He considers it as he hands his empty tumbler up to Joel, his head lolling some. He’s on his…fourth drink of the night, right? Though, if you take into account his earlier argument – I’m eatin’ as I go. It don’t count. – it’s probably more like two. But it’s whiskey, so –
Never mind.
“Yeah,” Tommy finally decides, “kinda. The hell’s wrong with you, girl?”
“Tommy.”
Joel’s voice is a warning, edged by the sharp clink of three glasses pinched in his fingers.
His brother laughs amiably in response, though, nodding to your mock-offended expression. “At least you’re spendin’ it right this year. Last one before lil’ Dickie comes along, huh?”
Maria slaps his shoulder, rolling her eyes. “It’s Duckie,” she hisses, glancing over to you.
“Shoot,” he says, chuckling. “I knew that. My mistake.” And then, hand out towards you in an apology which makes your shoulders jerk with laughter, “I did know that, I swear.”
Tommy and Maria flew in a few days ago; the younger Miller adamant that he’d spend one last New Years with his big brother before he became a father. The night they arrived, they showed up on your doorstep – a hamper filled with diapers and muslins and baby socks hanging from Maria’s arm. They’ve asked to hang out with you every day since.
They’re good fun. Tommy likes you, at least, enough to tease you as much as you figure a brother might. He’s definitely the louder of the two – sometimes you swear you notice Joel cringing at him, something caught between a laugh and a frown on his face. And Maria’s sweet; she’s asked probably six times every hour since she first saw you if you’re feeling okay, if you’re tired, if you’re hungry.
Joel text you yesterday morning. Tommy and Maria wondering if you feel like coming over for NYE. No pressure, he added, I lie pretty good.
A smile snuck its way across your lips before you had the chance to tame it. Sure, you typed, I’ll bring the newspaper.
What Joel’s told them, about the wedding and the baby and everything since, you’ve no idea. You guys almost talked about it when he told you they were flying down after Christmas, but before you got the chance to ask him, Vanessa pulled up out front.
Not exactly a conversation you felt like having with the dude’s girlfriend hooked around his right arm.
She smiles at you, now, as you shuffle to the edge of the armchair you’re curled up in. Joel’s armchair – the plaid blanket cradling you, the leather soft and crinkled beneath. Your eyes quickly drop from hers when his hand reaches for your mug, your fingers crossing as you pass it up. “Let me come help,” you say, pushing from the chair.
He holds up a palm, shaking his head once. “Stay. I got it.”
“Thanks,” you murmur, settling back. Vanessa resumes smiling. You wish she’d fucking quit it. You wish you’d fucking quit focusing on her.
Joel knocks the mug gently against your shoulder with a small, almost sympathetic smile, and heads for the kitchen – leaving you sat between Tommy and Maria on one couch, and Vanessa on the other. You tuck your heels under your thighs, picking at a hangnail as you wait for the conversation to thaw.
Maria makes some comment about Austin in the winter: how different it is to Jackson, and the three of you nod and hum in agreement before the chatter fizzles to nothing again. You glance over to the clock, watching the hands chase one another to twelve.
This isn’t what you imagined a get-together with Joel’s family would feel like. Tight, tense. So tense that you can feel the weight on your chest, closing your lungs. Talking about the weather and the holiday traffic, talking about nothing to avoid talking about everything.
Tommy’s chin lifts, after a second too long of silence. “Hey, Joel!” he barks. “You ain’t shown me this nursery yet!”
Joel leans around the doorframe, half-distracted. “Barely even started it, little brother. Crib only got delivered yesterday.”
“Sheesh,” Maria’s eyes widen, “you sure are prepared.”
Vanessa laughs when Joel rolls his eyes and vanishes again. “You got no idea,” she says, “I have never seen him so…pedantic, right?” She looks to you, still smiling. So sweet, you worry your lips are pursing at the sight of it. Your neck tensing. Your eyes watering.
“Yeah,” you reply, nodding shyly and swallowing back the saccharine. “I think he’s more nervous than he’s letting on.”
Joel’s voice calls from the kitchen again: your name. When you answer, he says, “Why don’t you take Tommy up, show ‘im what we got so far?” and then, leaning back around the door, “She picked the color ‘n whatnot.”
“Ah,” Tommy says, palms pushing down on his knees, “so you’re the brains, then?”
You mirror him, accepting Joel’s request. As though you had any choice in the first place. Standing beside the younger Miller, you mutter, “Sure. Let’s go with that.”
He holds a hand out to usher you ahead, following you upstairs. Past the tousle-haired boy in grayscale, past the German shepherd, past the Christmas Day portrait. Wandering like you know the house inside out, like you might’ve picked the exact coordinates of each nail the picture frames hang on yourself.
Like the photographs pinned to the walls aren’t still as alien to you as they’d been that day you first set foot in here, the dress Joel would come to tear from your body slung over your arm.
You twist the gold handle and unveil a homely little room, painted by you and Joel just last week. The soft blue drying into his knuckles, random splatters on your palms and your jeans. The giggles drawn from your chest; the thief either the chemicals from the paint, or the man rolling it over the walls – and you’ve a pretty good idea of which.
Tommy sniffs roughly, nodding. Taps the toe of his boot against one of the two bulky boxes leant against the wall, a crib printed on one and a rocking chair on the other. His tipsy head bob bob bobbing. “Alright. ‘s nice, ain’t it?”
You settle against the window, the glass cold at your back. “Real nice, yeah. Be even better once it’s done.”
“What’s yours look like?”
“Mine?”
“Nursery at your place. Your one pink, ‘case it’s a girl?”
You snort. “Mine is a little greener. More…I guess it’s duck egg. Had some leftover paint.”
He clicks his fingers and points to you. “See what you did there. Duck egg. Duckie.”
“Hm. Wish I were that poetic. I just like the color.”
Tommy stuffs his hands in his pockets, wanders around the bare room. The faint lingering of whiskey putting up its best fight against the clean bite of fresh paint, the sweet scent shaking from him when he nods some more at the blank walls and naked windows. He clicks his teeth and asks, “How you holdin’ up, anyways?”
“How am I holding up?”
“Yep. With, uh…” he nods to the door, eyes wide, “…Vanessa,” he whispers. Louder than he must think – probably echoed, if anything, by the palm he curves around his mouth.
You cross your arms protectively, shoulders bunching. “She’s fine,” you say, voice deliberately low. You both ignore the crack in it when you add, “I like her. She’s – she’s taken this all like a champ.”
Tommy leans on the window ledge, a rugged hand you reckon you’d know was a Miller’s just by looking at it. Same rough-cut quality as Joel’s, like they’re torn from the same sheet of sandpaper. He props the other on his hip. “But, boy – it’s gotta be complicated, right?”
“I guess. But she’s real sweet about it. And Joel’s been great, too.” You sniff, the memory of your kiss flashing behind your eyes. The steady drum of Duck’s heartbeat, the gleam in Joel’s eye when he looked down at you. The guilt seeping from your skin like beads of sweat, prickling along your spine and fizzling against the cold windowpane.
Tommy blinks at you, liquor-glazed eyes scanning. His shoulders jerk, a loud huh propelling from his throat. When your head cocks in confusion, startled from your daydream, he spills. “He ‘n I had a mighty long talk when he told me.”
You feel yourself leaning in, magnetized to him – body hunched as though you’re gossiping in the corner of a house party. Inhaling secrets with the tinge of alcohol on Tommy’s breath. “Oh, yeah?”
Tommy hums. “Just wanted to make sure he’d thought it all through. Not you – I always knew he’d take care a’ you and Duck. But…involving Vanessa,” he lowers his voice again, glancing over to the warm light spilling in from the hallway, “I just wanted him to be sure.”
Your blood begins to warm, heat flooding through your body as you step closer, murmuring, “What’d he say?”
He flicks his head, seeming to toss his initial response to the wind. “You know Joel. He is his own man.”
Your face screws, head jerking back. “What’s that mean? He is his own man?”
A voice from the doorway interrupts. A shadow swimming in the golden light. “Who is?”
Tommy steps away from you, loosening his arms as his big brother drifts into the shadowy room. Dusting the conversation under the rug. The smell of whiskey backs off. “Speak of the devil. Nice paint job, Joel. Missed a couple spots, but – I’ll let you off.”
“Uhuh.” Joel’s eyes thin, his body slanted against the wall. Arms crossed, bottle of beer hanging from his fingers.
Tommy swaggers forward when Joel holds the bottle out, taking it with a wary glance at the tall figure. A dog meandering back to his owner, tail between his legs and ears flat. It takes his gritty voice to jolt you back to the room, splintering your gaze from Joel’s toned arms and huge chest. “Looks real good, you two. ‘s one lucky kid.”
Joel’s jaw lifts, his eyes landing on you. Dogs are terrible liars. “He talkin’ your ear off?”
You smile; recognizing the softer Joel you’ve grown used to over the last three months replacing the stern, cold version you once knew so well. “Only a little.”
“Tommy,” he says then, “Maria needs you for somethin’.”
The denim-donned Miller nods knowingly and heads out of the room, thud of his boots receding downstairs.
“Maria okay?” you ask, making space for Joel as he settles beside you.
He shrugs. “Only said that to get him outta your hair.”
You frown. “You sent me up here with him in the first place.”
“So I could come up ‘n check on you. Know this must be a lot – the two of them, tonight.”
“I’m fine. Promise. I’m a big girl.”
You both sigh, turning to look out at the dark street. Your arms cross, sitting somewhere above the tiny slope of your bump – a new development you’re still getting used to. Your stomach feels tighter, a little more solid than usual when you touch it. A little more…real. There’s someone in there, right? Like, actually there. They’re changing the way you look, the way you feel.
“This is it, right?” you say, staring at the white lanterns illuminating Alice Brown’s rose bushes. “This is the year.”
“The year,” Joel agrees.
“Mhm. Become a mom. Become a dad.”
He purses his lips. “Yeah, I don’t know. I’ve had bigger years, kid.”
“Let’s hear it, old man. Let’s hear about your biggest year. God knows you’ve had plenty to choose from.”
He sucks a deep breath in, eyes tracing the silhouette of the houses across the street as he thinks. “Senior year, nineteen ninety-three. Asked Stacy Moore as my date to the prom ‘n she said yes. I was so nervous that I forgot my bow tie. Was a pretty good year.”
You hum, agreeing, and then, “I see your ninety-three, and I raise you: two thousand and one. There was this bike I wanted for-fucking-ever; it had, like, little beads on the spokes – would make this ratatatat sound whenever it moved. Tassels hanging from the handlebars, all iridescent. I begged my mom the entire year for it, and on Christmas morning I woke up, and…” You lift your hands, air puffing from between your lips. “Santa Claus delivered that year, dude.”
“Well,” Joel clicks his teeth, shell hardening only a little, “thanks for making me feel old as hell.”
“You’re welcome.” You beam back at him, breaking into a laugh when he does.
The two of you stand a little distance apart, denying yourselves the innocent brushing of shoulder against shoulder, the nudging of elbows and swaying of hips. Admiring the empty sky and emptier street, bathing between the cold moonlight of outside and the warm lamplight in.
And from somewhere deep in your belly, somewhere tucked behind your ribs, beneath your slow-growing womb: an urge to ask about her. To bring her up. To tend to the curiosity that Tommy poked a clumsy, drunken finger straight into, tearing it apart at the seams.
Like pressing on a new bruise, satiating the hungry need to know where you were hurt, how you were hurt, when you were hurt. A bent fingertip, pushing heavily into a sensitive splatter of dark purple; the burst blood vessels hissing in response, whispering, You don’t know, and you don’t want to know.
But you defy them. You do want to know. Want to satisfy the disturbed thrill you felt, leaning into Joel’s brother. Hands turning over one another, wet bottom lip trembling as he rounded the corner on some sort of…what was it, a secret? Some sort of truth, a long-buried revelation about the other woman. She’s a witch, have you spotted her crooked nose? She’s plotting something, I swear. She’s up to no good.
Your eyes lift again, focusing back on the dull color of the outside world. The bland canvas of reality. She’s not a witch, nor some genius mastermind. She’s a boring, relatively normal woman. Kind, thoughtful. Naïve and a little too eager to please; too willing to forgive a situation which warrants no such kindness or empathy.
She’s just…fine. Lukewarm. And you’ve no idea why that pisses you off so much.
Which, incidentally, makes the bruise sting all the more.
“Maria, Maria,” Tommy’s voice claws its way upstairs, “turn it on, turn it – Joel? Joel! It’s midnight, Joel, you two better come on down, now! Have we missed it –? Have we –?”
The sound of cheering slowly bubbles to life behind his drawl as the TV volume picks up, the tittering of Maria and Vanessa chiming in.
“…five, four, three, two, one…Happy New Year!”
Joel’s looking over his shoulder, waiting for footsteps or voices or a girlfriend who never shows. And he ignores his brother, for he is his own man, and turns to you instead. Bracing himself on the ledge, he blinks down with a plain grin on his lips. “Happy New Year, Mom,” he whispers.
You return his smile, taking his hand when he reaches out to you. “Happy New Year, Dad,” you reply, squeezing his palm.
He pulls you in for a hug, kissing your cheek briskly as you hook your arms over his shoulders. His beard scratches your cheek, grazes the curve of your shoulder, and you don’t mind. Your small, swollen belly presses against his; the tiny curve safe in the midst of your embrace.
Outside, the sky crackles to life with the distant spatter of fireworks, color shattering across the black canvas – red, blue, green and gold, dissolving as quickly as they explode into the now-January night. A burst of purple light washes between the two of you, and you turn your head on Joel’s shoulder to watch as the sparks rain over your neighbors’ roofs.
“I should get goin’,” you whisper, feeling his heartbeat a little too strongly against your own. Becoming suddenly aware of the weight of your frames locked together.
“Glad you came,” he says as he leans away. “I know this ain’t…I know we’re all tryin’, but you’re tryin’ the most, and I appreciate it. I hope you know that.”
“I know it,” you tell him, rolling your eyes. “Now, go. Go kiss your girlfriend.”
He chuckles, making for the door. “You want me to walk you home?”
Your eyes close serenely, the image of him doused in flickers of gold burning behind your eyelids. “I’ll survive the walk across the hedgerow, Miller.”
Joel nods once and leaves, plodding downstairs to be greeted by his open-armed girlfriend, a peck between them, arms crossed behind his neck. The lyrics of Auld Lang Syne slurred against his lips.
And you think – You know what? If it’ll rip you apart from her, if it’ll keep her bright red lips and her shining curtain of hair away from you, if it’ll stop her sucking in your air and your smell and your attention for thirty fucking seconds –
Then, yeah. Walk me home. Stay for a drink. Sleep in the goddamn guestroom.
Walk me home.
You slip out of the front door when the two couples are in the kitchen, missing Joel’s calling your name – or perhaps just ignoring it altogether.
“Spread the love at St. David’s this Valentine’s Day…”
Joel slows alongside a wall of cerise hearts, each one fluttering like wings whenever the hospital doors slide open and the breeze sneaks inside. Slips scrawled with names and messages: Love you M! and J + A, crude drawings of stick figures holding hands. Your lips curl into a smirk, watching him flick through each one as you palm your round stomach.
You just saw Duck for the second time. The last time, Freya was kind enough to mention, before they’re tearing you in two. Sorry, she mouthed when your expression dropped, and went back to twisting the probe over your stomach. Silently.
You’re getting better at it, you think. Playing Mom. Like some little game of make-believe, which is only real for as long as you’re looking it square in the eye – attending doctor’s appointments, updating the neighbors on your newest list of symptoms en route to your mailbox.
A little surer on your feet, now that you’ve found a balance to it: taking it as seriously as it warrants, a dry little pill stuck on the cliff of your throat, and making it easier to swallow with humor like water, a huge gulp anytime the fear claws its way up your spine.
And no more panic, since at least before Christmas. Only a little flustered this afternoon when Freya asked if you wanted to know the sex.
It felt too big a thing to hear, too real. You’re only just getting used to the backache and the bleeding gums. (And why didn’t you know that your gums would bleed? Isn’t that something they should fucking warn you about? Congrats, you’re pregnant: prepare for blood seeping from your jaw.)
No. No, thanks. Your head shot around to Joel. No, right?
He shrugged. Makes no difference to me.
Are you sure?
I’m sure, kid. Promise.
‘cause we can find out. I mean – if you want to.
He rocked forward on the balls of his feet, tapping you amiably on the shoulder. I don’t. You’re good.
You don’t?
No, I – He sighed, a hand dragging through his hair. If you want to, I want to. If you don’t, I don’t. Alright?
Freya bit back a laugh, the closed fist over her lips doing little to hide it. You guys should write a book on co-parenting.
But then she left the room again, closed the door on that same old little bubble – the three of you perched on the bed, you and Joel blinking up at the grains of your child onscreen – and you cried. Again. More.
Everything clearer, everything even more human than before: the globe of their skull, the tiny slope of their nose. All glowing in the dark waves of your womb, twinkling like the most beautiful constellation you could ever come across. Their ankles were crossed, feet forming a tiny heart shape in the top corner of the sonogram. Your hand lifted to point it out to Joel, and before the words found voice, you choked and broke down again.
He held you, lips to your hair, body solid as a rock as you melted into him in waves of salty tears. Smiled that honey-glazed smile and said he was so proud of you, said, look what your body’s doin’, darlin’, look what you’re growin’ – which only made you weep more.
And you pretended not to wait for it – for the moment when you might tilt your head up and your lips might line with his, and he might close the achy space between you again, might shush your cries by stealing the air from your lungs and the beat from your heart.
But he didn’t.
Which is fine.
Right?
“Somethin’ on your mind, kid?” he asks now, eyes still glued to the sea of hearts.
Your stare snaps from him instantly, unaware it was even held there. You tug on the hem of your sweater and pull the sleeves over your hands, mumbling, “Fine, I’m – I’m just…Come on, man. I’m hungry. I didn’t eat lunch today.”
“’n whose fault is that?”
You glower at him. “How considerate,” you seethe, “Vanessa’s a fucking lucky woman, you know that?”
He ignores you, a dumb smile on his face. The usual. “Let’s leave one for ‘em.”
A hot temper begins to boil below the surface of your skin, squeezing between your teeth in a fist-swinging breath. Also the usual these days, apparently. “For who?”
“Duckie. Somethin’ to mark the second scan. Last time we see them, before –”
Your hand flies up, eyes closing with a wince. Shut the fuck up. “Enough. I know.”
Joel hms, still smiling to himself. His beard has grown out a little: thicker, darker, gray sewn through like little whip stitches lining his jaw. He fishes a heart shape from the tub along with a pen, which he twirls annoyingly around his fingers as he thinks.
You sink back against the clinical white wall, an offensively bright color, holding your cheeks up in something of a smile when a nurse wanders past, nodding to both of you. Your face drops back to a scowl as soon as she’s over Joel’s shoulder, and your eyes meet his again – his brows raised, expectant.
“What?” you ask, chewing on the inside of your cheek.
He holds the slip up. “What we gonna write?”
And whatever charm the moment may have held, withers instantly. You throw your arms up petulantly. “You wanted to do it! Pick something. See you soon, or something, I don’t fucking know.”
“I don’t fucking know,” Joel muses, creases by his eyes when he smirks. “Poignant.”
“That’s what you should write,” you step closer, shoving your shoulder into his as you study the trembling hearts on the board, “if you can spell poignant, write that.”
“Hilarious,” he mutters, bending to scribble onto the shape, shielding his work from your view when you hang around his shoulder to pry. Cupping over the message until he’s straightening up, tossing the pen back to the desk, stealing a pin from the tub.
“Let me read,” you protest, tugging on his flannel sleeve.
“I will,” he says, shaking you off. “Patience, darlin’.”
Joel turns to the wall and pins the heart higher than the rest, in a spot clear of its own on the corkboard – thick arms stretching higher higher higher and pulling your gaze with them. As he steps back, he takes you gently by the waist and positions you in front of his body, your shoulders brushing against his chest. Your ribs hold your heart back from hammering into his.
You push up onto your tiptoes and squint at the note, which quivers when the hospital doors pull open again. “Mom and…Mom and Dad f…You fucking…”
Joel dodges your batting arm, snickering with you as he turns to make for the exit. “You don’t like it?” he tosses over his shoulder.
The heart stares down at you, black ink carved into the paper, watching as you turn and hurry after him, giggling. “Mom and Dad fuckin love you? So much for my potty mouth. And the –” another wheezing laugh you’d otherwise be ashamed to let him hear, “– the drawing? It looks – it looks more like a giraffe than a duck. Or, like, you know those long-necked dinosaurs?”
Joel’s head tips back, his own laughter caught up by the breeze when you wander outside, slipping your wrist around the crook of his elbow. Something infectious about it, something which stirs your own laughter until you’re walking arm in arm to the truck with a man who, six months ago, you’d barely look at twice over the fence.
The blind rage bubbling from your empty stomach seems to dissipate, dwindled to nothing in the face of that same man – his swollen cheeks and crows-feet eyes. And you say, “You’re disgustingly sentimental, you know that? Like, sickening.”
And Joel smirks, the way he always fucking does, and says, “You love it. Can’t lie to me.”
“I love it,” you concede, nudging into him as he opens the door for you.
The drive home is quiet, but not uncomfortable. There’s another thing you’re getting good at: being around Joel without need for snide remarks, without feeling your tongue curl under the weight of some snappy quip, loaded and aimed. Being around him and talking about Duck, asking how Tommy and Maria are. Forcing your teeth and tongue to carve out words which ask how Vanessa is, what she’s up to, when he’s seeing her next.
None of this is ideal, that’s for sure. Joel’s girlfriend aside, you’ve spent the last five months cohabiting your body with a stranger who lives most peacefully in the eye of a raging tornado of hormones – flitting between fits of giggles and pulsating joy in your veins, to waves of tears and an anger so hot beneath your skin that you wonder if your emotions might dry up completely by the time this is all through.
It's tough. It’s scary. And some nights you lie in bed, alone, wet eyes fixed on nothing, waiting for someone to burst into the room and announce that it’s all a prank. Just a silly joke. You and Joel can go back to tossing newspapers and casting glowers.
But for now, sat in the passenger seat of his truck – the seatbelt warped around the curve of your belly, the Eagles lilting softly from the radio – it feels like you’re making a home out of that tornado, too. Feeling the swirling walls of wind toss your hair like the breeze through the truck window; the chilled caress of the evening around your outstretched arm, soaring down the highway.
Yeah, you think. I can make something outta this.
“You know what I’m craving?”
Joel’s watching the light, waiting for green. “What’s that?”
“A fucking bagel. Cream cheese, pastrami,” you groan.
He snorts, cringing when he adds, “Pickles?”
A moan tears from the base of your throat, head lolling against your seat. “I could orgasm just thinking about it.”
The light turns, and Joel swings right. “I’d rather you didn’t,” he mutters, turning the wheel with one palm. “I got bagels back at the house, if you want one.”
You stare at him, jaw loose, saliva pooling behind your bottom lip. “Are you fucking kidding me?”
He smiles, shaking his head. “Let me make you one, ‘fore you go home. Big day, ‘n all.”
And you hate it – hate the way your cheeks fill with a genuine happiness, something swollen and achy, impossible to ignore when it lifts your eyes and hurts your teeth. Appreciation, or admiration, perhaps, that you figure you’ll only ever have for him. You don’t know what the fuck to call it.
So you sum it up into three words. “That’d be nice,” you whisper, and Joel places his hand over your knee, shaking it lightly as he drives on.
It stays there, until he’s pulling into his driveway.
He pushes the front door open and steps back, an arm extended to let you by first. An after you, ma’am, between his lips. And you turn to make some mocking joke, the beginnings of some comment about how gentlemanly he is, when you’re socked square on the nose by a heavy-fisted, bitter scent.
“Oh, fuck,” you gasp, stumbling backwards across the threshold and onto the porch again. Your throat constricting around nothing, your tongue twisting, your stomach lurching.
Joel catches you just in time to stop you from falling on your ass. “The hell’s the m–? Oh.”
“Hi!” Vanessa calls from the kitchen, leaning around the doorframe to wave you both in. “Almost ready! Take a seat.”
“V–? Hey, sweetheart?” Joel calls back, one hand around your wrist and the other between your shoulders. “What – what’s cookin’?”
She pauses, glancing back at the stove. Pulls the dish towel between her hands taut. “I…I made pasta.”
“Yeah, what kind, sweet?”
“…Bolognese.”
He can’t cover his own sigh quick enough. Thick with something which feels like anger. “Shit,” he turns back to you, “I am so sorry.”
You pull in a deep, unsteady breath, your lungs struggling to separate night air from tomato juice. A weight rolling at the bottom of your stomach, your entire body beginning to tremble with it. “I feel like I’m gonna – Joel, I’m gonna –”
“Breathe,” he whispers, voice urgent, palm slipping to cup your jaw. “Just breathe for me.”
But your throat’s tightening, swallowing hard around gags which come stronger and quicker the more you try to fight them down. “I can still fucking smell it –”
Her shadow blocks the stretch of light from the house. A nervous little thing, a timid creature’s shadow stretched wide across the porch floor. “Is…everything okay?”
“It’s – it’s fine,” Joel sighs again, torn between comforting you and letting Vanessa down gently, “it’s just – tomato is one of her…her aversions.” He’s unable to pull his eyes from you, privately asking, “Are you okay?” when Vanessa turns back to the kitchen.
“I didn’t – I didn’t know,” she mumbles, thumbnail between her teeth. “I am so sorry.”
Suddenly, your will not to throw up is overpowered by your will to tell her, “It’s fine,” sucking in a deep, sickly breath before adding, “I’m just gonna – I should go.”
“I don’t want you to go,” Joel says, his teeth guarding the words from his girlfriend.
“I’m gonna clean up in here,” Vanessa points over her shoulder, and you think she must’ve heard him, “get outta your hair. I’m so sorry, again. I would’ve never…”
Joel lets go of you as you stagger backwards, the cold air tearing down your throat to meet the burning acid tickling up your esophagus. “Please don’t apologize,” you lift a weak hand, “how could you have known? I’ll –” another sharp gasp, “– I’ll see you guys around.”
He must say your name, must try once more to pull you back to his side, but the blood’s rushing through your ears, and your heart’s pounding at the back of your tongue, and your stomach’s notching its way up your spine. You make it to your kitchen sink just in time.
He keeps you waiting all of one hour before he’s calling you. Your arm reaches over to your nightstand, fumbling in the dark for your heavy phone, the screen cold against your cheek.
“Mhm?”
“Are you okay?”
Your lungs pull a deep, slow breath. The acid painted across your throat tickles as the air passes by it, an uncomfortable, scratchy feeling.“Mhm.”
“That a lie?”
“Only a little. Is Vanessa okay?”
He takes a second to answer. Lets go of whatever he was going to say with a sigh, replacing it with, “She just left.”
“Is she mad at us?”
Another second. “Just me. Not you.”
You massage the slope below your breasts, the ache in your esophagus throbbing when you move. “Why just you?”
Ruffling, like he’s settling back into his couch. Sinking into the cushion, his body as heavy as yours feels on your mattress. “I should’ve told her you didn’t like tomatoes. ‘cause now I’m a goddamn mind reader. I mean, why the hell wouldn’t my girlfriend be in my house cookin’ a damn pasta dish while I’m out, y’know? Jesus Christ.”
“Joel,” you turn slowly onto your back, bravely waiting for the waves of nausea still lapping around your stomach to turn with you, “it was a nice thing, what she did. She didn’t mean to…She probably thought she was helping.”
“Naw, I know,” he replies, the sharp bite of his words softening again, shrinking under yours. “I don’t care about her and her helping, though, darlin’, I care about y –” He barely catches it in time. “I care about you carrying my child, and I care about making sure you don’t spend your nights fuckin’…throwing up tomato sauce.”
You gulp, neck convulsing. The backwash of bile swallowed back. Your chest floods with a heat of quick panic. “Can we…maybe…not use the word? I just –”
“Sorry, baby. Sorry. This is just – it’s a lot easier if she would just…”
Your eyes close over, a salty sting sweeping behind them. If she would just lay off. Back off. Fuck off. “…but she won’t, Joel. She loves you. ‘n you…”
The words drift off, taken by the tide, swept off into silence. And neither of you bother with trying to retrieve them – you just watch, stood safe on the shoreline, as they fold under the waves of something too big for either of you to acknowledge. Too dark, too dangerous.
So, you say, “I get it,” instead; say, “I get why you’re mad. Just – let’s forget about it, okay? Sorry for…ruining dinner.”
Joel scoffs, that old, pissed-off Joel scoff. You can see his deadened expression on the back of your eyelids. You may as well have just thrown his newspaper to the end of the earth. “You know damn well that you didn’t ruin anything. How you feelin’?”
“Tired. Throat kinda hurts.”
“Still feel like that pastrami bagel?”
“Not really. Sorry. Appetite’s gone.”
“How about a water?”
“I got some here. Thanks.”
“Okay,” Joel sniffs, “how about: you take the hint and let me come over there to see you?”
You giggle, hand over your eyes to mask your expression from the dark. “I hate you. Yeah, come over. Door’s unlocked.”
Date night – six month anniversary or whatever. Call me if you need anything.
And I mean anything. OK?
Your thumbs hover over the two gray messages, an awkward jig as your brain scrambles to offer words back. Where are you guys going? Too interested. Too weird. OK, what if I’m bored? Delete delete delete. Trying too hard. Sure, have a good n–
The ellipsis pops up and you freeze. A stupidly polite swish delivers Joel’s third text.
Boredom counts as anything, by the way.
And the fucker steals another smile from you. You notice it when you look up, clocking yourself in the mirror. Accompanied by a warmth which drips down your spine, swirls around your tummy; a fluttering you’re not sure is Duckie or something else.
Have a good night, Dad, you type back, tossing the phone to the end of your bed when you hit send. Swiping for a pillow, holding it firm to your face. Pressing so deep into the plush that even the linen won’t be able to see your grin.
Joel told you about this six-month anniversary last week. He wasn’t too thrilled about it then, either. Dinner to celebrate six months? A year, fair enough. But six months?
You swallowed your pride, swallowed the same throttling ecstasy which seeped through your pores on New Year’s Eve, on that February evening she cooked– never mind; a desperate desire to tear apart the very notion of Vanessa and her cutesy little date nights and candlelit dinners. I think it’s a fun idea, you said. Y’all should do it.
And Joel listened. Because he always fucking listens to you, these days. Listens when you tell him that you like the watermelon Sour Patch Kids best, and picks them up anytime he’s at the store. Listens to you when you tell him he should move the crib away from the window, in case the streetlights shine on Duck while they sleep.
Listens when you ramble about how sore your feet are, how heavy your belly feels, how there’s a clammy heat lingering under your skin at all times, bubbling and bubbling and never rising to anything more than steam collecting on the underside of your flesh.
Listens when you tell him to go spend time with his girlfriend. And neither of you pay attention to the jealous shadow behind your words, the hesitant quiver behind his.
He replies almost instantly, the ping like a gunshot at the beginning of a race. Pillow slammed into the mattress, body lunging forward.
You too, Mom. Don’t have too much fun without me.
You lock the phone and slide it back under your covers, smiling dumbly.
There’s still a small part of you waiting for the big reveal: none of this is really happening. A dream, maybe, something you’ll wake from with a tiny throbbing headache, a dry mouth and a new reason to avoid your neighbor at all costs.
But it seems that, each time that thought crosses your mind, you’re quicker and quicker to quash it. Realizing each time that what lies ahead – Joel, your baby, this future version of yourself that you’re yet to meet, still just a little out of reach – fills you with more excitement and wonder, than it does fear.
Mom.
It’s not something you ever imagined for yourself. Not someone you ever thought you’d be. And yet, each time you say it out loud, each time you look in the mirror and picture a baby in the crook of your arm, a toddler perched on your hip, a kid stood by your side, tugging on the hem of your shirt – she feels a little closer. A little clearer. She just has to look over her shoulder, notice you waiting. I’m right here, she says. Come find me.
Mom. Mom and Dad.
You imagine Joel right now, sat in some ritzy restaurant with jazz music and stained-glass lamps on every table, ordering Vanessa some glorified lentil soup and slapping his card over the bill before the waiter has a chance to reveal the damage to him. Your lips twist at the thought – her jewels and her long hair and her sweet little smile laced with a smug possession.
And then you slap your own wrists, hissing to yourself to shut the fuck up.
“She’s nice,” you argue out loud, thin air holding no debate. “She’s kind, and I like her. She’s good for him.”
And then the air replies. Good for him, it swirls, but you could do it better.
Your arm lifts, lingering for a beat before batting the thought away.
Three weeks. Three fucking weeks, between pushing yourself out of his embrace in bed, and pulling yourself back into it – armed with a pregnancy test and a chest full of fear. Three weeks of dodging him, of your cheeks bubbling with embarrassment and regret anytime you thought of it; of hoping to God that Alice or Diane or Steve and Kris across the street wouldn’t clairvoyantly know what had transpired that night and corner you on your own front lawn.
A one-night stand. That’s all it was. Two lonely bodies, excitement enough to convince you both that it was a good idea; a fitted suit and a backless dress crumpled together on the floor. Liquid courage lacing it all together.
Three weeks, then, of reminding yourself how it felt: how amazing you were together. Your hand between your legs and Joel’s name between your teeth.
Fuck. If only he knew. Goodforhimgoodforhim she’s so good for him but I’m better.
You did it better. You know you did. The sun was cresting the horizon by the time the two of you stopped. You hauled yourselves down to breakfast and sat at least three people apart, made forced conversation with Maria about the DJ stumbling off with one of her cousins, while the ghostly ache of Joel’s body churned somewhere deep inside you.
It travels through your veins the way that everything does right now: urgent and unforgiving. A need to be dealt with, immediately. Coursing through your body, an arrowhead pointing somewhere you know it shouldn’t. But your hands lift anyway – following it, loosening the waist of your sweatpants and skimming beneath your underwear.
Your body lights at the first touch. The first dip of your middle finger against the plush over your clit. Knees bend, thighs part. You push your underwear down your hips, settling your bottoms loose on your legs. You’re already wet. You’re already there.
Good fucking girl. She’s good but I’m better, right? Take it, baby. Does she take it like I take it? Take it. Can she take you like I did?
Quicker and quicker and quicker, your fingers heavy on your clit. The other hand sifting between your folds, dipping to collect a glimmer of wet. Yeah. Just like that. Do you fuck her like you fucked me? You feel what you do to me? Fuck no, you don’t. You’ve never fucked anyone like you fucked me.
Head back, eyes fluttering closed, lips parting to breathe answers to a man who isn’t here. To a man who, as he dips sourdough into an overpriced soup, sure as hell isn’t thinking about that time he fucked you so good he got you fucking pregnant.
Well. Maybe he is. You are, right?
Voice without body, drawl etched in your memory. Think she can take it all? You hum in amusement, waiting for him to answer his own question. Yeah, she can.
Attagirl. Your legs spread further, knee lifting as you insert two slick-coated fingers. His hands are on your thighs, following the dip of your hips, holding your waist as you guide him back inside. Attagirl. That’s my – Fuck, Joel, you’re so b– That’s my fuckin’ girl. Take it. Touch it. His thumb on your clit – his, not yours. You like that? Yeah, that’s nice, ain’t it?
The flesh of your breasts filling his palms, squeezing and nipping and rolling between. The warmth leaking between your legs: his and yours and fuck, he’s so deep and he’s filling you again and he’s groaning as more dribbles from where he splits your body around his own, holding you still until he’s done. Until he’s empty.
“Joel,” you whine, a third finger pushing in.
Between your hips. Headboard hammering against the wall. The sun hanging loose at the bottom of the sky. Gonna make me come again, baby. Do it. Do something irreversible. Change me forever. Fuck me fuck me fill me and then pull out, push back in with the wet squelch of your come mixing with mine and changing me forever. Making me brand new. Making me yours.
Another moan. Louder. Sharper.
Yours yours yours. All mine? All yours. We’re good at this. I know we are. Who fucks you like this? No one – No one – just you – just me. It’s so big, fuck, but I can take it. Been thinkin’ about this all fuckin’ day, baby. All I do is think about you. All I fucking do – You gonna come for me? – is think about you.
Know you need it. Let ‘em hear you, downstairs.
Fuck, I’m thinking about you. Come home. I need you to come home, need you to –
Fuck me, Joel, I’m –
Good girl.
– fuck me.
Atta fuckin’ girl.
She’s good but I do it so much better.
We’re good at this. ‘s do it again.
She’s not as good as me.
Again? Again.
She’s not as good. She’s no fucking good.
Your walls clamp around your fist, entire body shuddering to a stop. Breath held by something shaped like the hook of his accent, two fingers either side of your throat. The same smirk on his lips that convinced you in the first place. Fuck, baby, fuck me.
“Joel,” you cry out, the sound ripping between your vocal cords, punching against the ceiling and reverberating in your ears. Your body convulses on the mattress, back arching and slackening again. “Fuck, I’m – oh, my –”
Just feel it, baby. Feel me. You got it.
Let go.
Your lungs lurch open again, breath flooding in like waves spilling over the gunwale and rushing down to pool at your feet. A lulling rock to your movements, chest rising and falling like the steady tide. Soothing, coming down. Foam and salt carrying the flotsam away, the jagged glass of his name disappearing to sea again.
And then he’s gone.
And you’re just alone in your bedroom.
Last you checked your phone, now face-down on the carpet at your hip, it was eight p.m. Streetlights on, the sky painted by the pale dregs of daytime.
Now, you lie in near-darkness, blinking up at the ceiling. Hand sifting through a bag of glow-in-the-dark stars, comparing the different sizes, considering where to stick them, and then tossing them back in frustration.
Your front door clicks open, a pause between the sound and his voice.
“Anyone home?” Joel calls, and you lift your wrist as though he can see it from the bottom of the fucking stairs.
“Up here,” you eventually announce, knuckles rubbing your tired eyes until Catherine wheels spatter across your eyelids.
His shadow splits the light from the hallway, the long rectangle crossing over your swollen belly. “The hell are you doin’?” he asks, wandering in.
You lift the bag. “Decorating. The hell are you doin’?”
He pulls your nursing pillow from its temporary home in the crib and tosses it down on the carpet, bending to lift your shoulders and slot it underneath. “Scooch,” he says, groaning as he lays back beside you. He smells like whiskey and cologne. All woody, pine and spice.
“You got a bad back,” you warn him. “You shouldn’t be all the way down here.”
“You’re seven months pregnant,” Joel clicks his teeth, “neither should you.”
“What if you get stuck ‘n can’t get back up?”
Offense pulls his brows together. “What if you do?”
You smile in response, feeling the heat of his shoulder against yours. Sucking the scent of him through your nose. The pair of you exchanging smirks and batting eyelashes, wrapped in the cool darkness of the room. It’s juvenile and intimate.
You’re trying not to think too much about it.
“I can’t fucking figure this out. I put two of the big stars over there,” you point to the far corner of the room, streetlight splintered by the shades on the ceiling, “but it looks stupid having two so close. So, then I thought,” moving your arm to the right, “a cluster of smaller ones, right over the crib. But I couldn’t move the damn thing to climb up, so…I’ve been down here ever since.”
Joel lifts his hand, stopping your train of thought. “Please do not climb on anything, bein’ that you are…with child.” And then, when your eyes roll to meet his, he grins, adding, “Nesting got you good, huh?”
“You should see my kitchen cupboards. Never been tidier.” Your expression dissolves, voice quietens – your most desperate plea since that morning you shook hands on his doorstep. Your broken wardrobes and his lonely wedding invite. “Will you help me?” you ask.
He thinks it over less than once, dragging his gaze from the twirling star in your fingers. A quick shake of his head, like it’s obvious. “’course I will. ‘s what I’m here for.” And then he yawns, lowering a hand absentmindedly to settle on the curve of your stomach; a gentle pat in greeting to Duck.
“How was dinner?”
“Good,” Joel lies.
“Vanessa okay?”
“Good,” again.
“Sorry.”
Joel’s eyes roll, fingers pausing. “Why do you always gotta be sorry for som’?”
You shrug when you realize it’s not a rhetorical question. He’s genuinely asking. “I don’t know. Just tryna be polite. I know you’d probably rather be at home right now, not…deciding where some plastic fuckin’ stars should go.”
“For my kid’s bedroom? For you?” He huffs something shaped like disapproval. “Do me a favor – stop with the sorrys, alright?”
“I’m not even done with the last fucking favor I said I’d do you.” Your eyes flit down to your bump.
He stares blankly. You know there’s a laugh gathering like hot air on a windowpane behind his eyes, threatening to shatter the glass.
“Fine,” you concede, “dickhead.”
“Better.”
You sigh, looking back down at the phosphorescent shape in your hands. Turning it over and over and over, matching the rhythm of his fingers tensing and then untensing on your belly. His fingers, matching the rhythm of your chest rising and falling with breath. The room quiet. The night’s eyes averted, even just for this moment.
“If it’s anything,” Joel says, “I think the stars look alright.”
Another stolen smile. Another defiant show of teeth. You place your hand on top of his: a thankful gesture, an invitation. Something in between.
Joel blinks back at you, his eyes flitting from yours to your lips. The dim light in the room swallowing the two of you whole, secluded in the upstairs of your home. And you think, Kiss me, kiss me kiss me kiss me, and you will the words over your tongue in a ragged breath – hoping that Joel might breathe them in and feel their sharp edges as they absorb into his bloodstream, each cell flipping like the star in your hand and whispering the same two words to him: Kiss her kiss her kiss her.
But right then –
There’s a burst of movement. Under your fingertips. A fluttering, like bubbles popping right below the surface of your skin.
Your eyes snap down at the same time Joel’s do; your fingers separating and hovering over your tummy.
“Did you – did you feel –?”
“Yeah. Did you?”
“Uhuh. Was that –?”
“I don’t know. Was it?”
He takes your hand, pressing it back against your stomach with his on top. Your knuckles safe in the canopy of his palm. Both staring into space as you hold your breath.
“They’re not…they’re not doin’ it, now…”
“Maybe it was just –”
“Wait! Did you feel that?”
A second burst on your womb, a tiny beat on the other side of your bump. A wide grin breaks across your cheeks, a disbelieving laugh escaping.
Joel laughs, too. “Is that – is that the first time they’ve ever –?”
“Yeah,” you sniff, tears prickling at the corners of your eyes, “that’s the first I’ve ever felt ‘em, anyways.”
“Wait,” Joel says, lifting his hand and holding a finger up. Just yours on your belly. “They doin’ it?”
Your head shakes.
When he lowers his hand, Duckie kicks again. The two of you lean in to one another, exchanging laughter. You lift your own hand, watching his expression as he waits patiently.
But then his head shakes, too. “Nothing. They’re only doin’ it when it’s both of us.”
“What the fuck?” you laugh, replacing your hand and waiting for the baby drum. “How can they even tell? What the f–?”
You shift your hands around the globe of your bump, pausing every so often to feel for Duck’s movements. A tiny fist punching, or a heel kicking, or an elbow shoving right above your navel in a way that’s bordering on painful, but numbed by the sheer thrill of it.
And for a while, it’s all you do: play tag with your unborn baby, giggling when they respond to your tapping fingers and cooing voices.
Joel sits up, leaning on his elbow to talk to his kid; runs two fingers across your shirt like a pair of legs scaling a cotton covered hill. And he laughs, and you laugh at his laugh, as if he’s a kid himself again – tearing apart gifts on his birthday, gasping and throwing his head back with glee at whatever he uncovers.
“It feel weird?” he asks, glancing up at you.
“So fucking weird,” you tell him.
“Does it hurt?”
“More…ticklish, if anything. Might get kinda annoying, if they start doing it when I’m tryna sleep, or somethin’…”
Joel lowers his jaw to your stomach, whispering, “You know what to do, Duckie. Make your daddy proud.”
You slap his shoulder, muttering, “Asshole.”
“Alright,” he says, splintered by a laugh. He pushes himself to his feet, swiping the bag of stars from your side. “Let’s get these up so you two can get some sleep.”
You groan as he pulls you upright, one last pat on your stomach, looking at you a second too long and a touch too meaningful. Too warm, too inviting.
It’s the calm before the storm, though you’re still stood motionless. Still trying to work out whether the tornado is moving away, or headed directly for you.
At five in the morning, Vanessa’s sister calls her.
“Heart attack,” Joel tells you a few hours later, the rustle of paper crinkling in your ear. The truck hums in the background. He speaks through a mouthful of sandwich. “Her dad always had a condition, but they thought they were managin’ it with medication,” another crinkle, and then, voice even more obscured, “but he got rushed to hospital durin’ the night, and…”
“Poor Vanessa,” you reply, nail drawing shapes on the curve of your bump in attempt to lull Duck into a more relaxed state than the sharp kicks they’re throwing at your ribs. Now big and strong enough to do considerable damage, your voice falters each time they swing. “Is she – son of a bitch – is she okay?”
“Shaken up,” he says, turn signal ticking over his voice. “She’ll be alright. She’s pragmatic like that. Problem is – they’re in Houston. Her whole family. So I guess that’s where the funeral’s gonna be.”
You swing your legs off the couch, heaving your awkward, nine-months-pregnant body to your feet – the irritating scratch of hunger suddenly gnawing at your stomach. “Yeah?” you say, waddling through to the kitchen. “So?”
“So,” Joel takes another bite of sandwich, “she has to – I mean, we have to…go. To Houston.”
“We?” You slot the phone between your cheek and shoulder as you fish out a couple slices of bread.
“Me ‘n Vanessa.”
“Uhuh,” you carve a knife around a jar of peanut butter, “you gotta be there for her.”
Joel sounds a little defensive. “I know. And I am. I’m goin’ to be. ‘s just – I gotta be there for you, too. For – for Duck.”
Your stomach swirls, a fire catching which lights your chest in a trickle of flame.
“You are. You will be. Houston’s only, like, three hours away.”
He sighs.
The turn signal fills the silence between you, between Joel and an appropriate answer. Clicking like the sound of a tennis match, his head spinning between his grief-stricken girlfriend, and the third-trimester mother of his child.
“I’m here,” he says, and you hear the squeal of brakes out front. “Give me a sec.”
The door pushes open as you sink back into the couch, balancing the plate on the planet beneath your breasts. Joel crumples his sandwich paper in his fist and lowers his hand over the back of the couch, scrunching his fingers over your belly as he passes.
“Thought you hated that stuff,” he calls over his shoulder, disappearing into your kitchen.
“I had a craving,” you say, ripping the first bite from your sandwich. “You made me hungry.”
He returns a minute later with a glass of water which he sets down on the coffee table in front of you. He lifts your legs, letting them fall gently in his lap when he collapses into the opposite end of the couch, heels of his palms pressing against his eyes.
You tap his thigh with the ball of your foot and he turns to you, placing a hand over your ankles. A sticky paste of peanut butter and bread between your molars, you ask, “What’shup?”
Joel holds back a smirk at your chipmunk cheeks. “Just – just worried that you…you know, while I’m gone, is all.”
You scoff, gulping. “Come on. I am not gonna go into labor in the, what – two days? How long would you even be gone?”
He seems to wince at the thought, fingers sifting through his hair – a gray sweep sat casually over his left eyebrow; flicks following the curve of his ear towards the hinge of his jaw. “Less than that, if I can help it.”
“Joel.”
He turns to you, saying your name just as deflated in response.
“You have to go.”
He rolls his eyes, thumb and middle finger massaging his temples. Crosses his arms and huffs like a teenager. “Well, I ain’t happy about it.”
You snort, unable to hold it in as you take another bite. “I ‘on’t think Vanesha’sh too happy about it, either, to be honesh wih ya.”
Joel’s jaw slackens, a choked laugh bursting from the back of his throat. He lifts a cushion and swings it in your direction. “Heartless. That’s heartless, you know that? Jesus, baby.”
He leaves on Saturday morning.
You stand on your porch, watching him shove a suitcase into the backseat of his truck, squinting in the sunlight as he stalks across your front yard. Joining you in the shade, he leans into you, shoving you lightly.
“Quit it.” Your hand locking with his, steadying yourself. Something in the back of your mind begging him not to let go.
And as if he can hear the thought: “I can stay. You know I can stay, right?”
“I don’t want you to stay,” you tell him, sweeping the hair from his forehead. “We will be fine. We’ll stay up late, eat junk food and watch TV; I’ll do audio description for Duck…”
He scoffs, glancing across the street.
“…and then you’ll be back home, back to buggin’ the hell out of us. It’ll be Monday before you know it.”
Joel’s jaw tightens. “And what if…?”
“You really think that’s gonna happen? You think your kid’s that much of an asshole?”
He doesn’t miss a beat. “Yeah,” he shrugs, tongue in his cheek, “they’re half you.”
“Alright,” you click your teeth, turning away from the simper on his lips, “why don’t you just fuck off to Houston now, asshole?”
“I’ll fuck off, that’s what I’ll do.”
“Uhuh. Here’s hoping you don’t break down, or get a flat, or get struck by lightning, or anything.”
“You’re so funny,” he whispers, leaning closer.
“Hm. Now go.”
His jaw turns, beard grazing your skin. And then his lips; soft and warm, damp when he kisses your cheek. A moment too long. And he doesn’t pull away, doesn’t lean back the way you both know he should. No, he lingers – his lips by your ear, eyes flitting up to the street to make sure nobody sees.
“Joel –”
“I know.”
“We shouldn’t –”
“I know.”
But your arm is hooking around his neck, asking him to do it anyway, and his lips are lowering to yours, submitting to your request, and what’s supposed to be a goodbye kiss lasts at least a few seconds too long for it to mean anything less than a don’t go kiss.
You pull away when you feel the wet dab of his tongue against yours, realizing with an ice-cold shock where you are, and who he is, and what’s happening. Realizing how fucking stupid it’d be for both of you, how catastrophic and terrible the outcome.
A one-night stand.
A one-night stand.
A one-night –
He leans his forehead against yours, nose nuzzling your cheek. “I’ll call you when we get there.”
Your arm loosens, letting him go.
Just – letting him go.
Saturday Night Live ends just after midnight.
You arch your back into the couch, your swollen belly pushing forward. It’s an effort to get to your feet, what with the steady ache in your back all day, the weight on your front, and the fucking human being smushed into every vital organ inside you.
A deep breath feels like it inflates your lungs only halfway, Duck using the bottom half as a fucking ass cushion, and scaling the stairs takes another ten minutes – by the end of which, you’re slumped against the handrail, pausing before making off for your room.
You sink into the mattress, creasing the cool, smooth sheets. Duck stirs inside you, stretches out and throws a right hook against your bladder. You curse under your breath, hoisting yourself back to your feet.
“We gotta sleep, baby,” you hum, swaying back and forth with a hand under your belly. “Shh, ‘s okay. Take your fuckin’ fist outta my bladder, you little asshole.”
Whichever traits of yours and Joel’s have blended into the human cocktail growing in your uterus, you know one thing for certain: this kid has your stubbornness. The weight remains on your bladder, regardless of how much swaying, or pacing, or rubbing, or threatening you do.
You growl, wandering through the upper floor of your house in attempt to shift Duckie, or distract yourself, or, at the very least, tire the two of you out enough to fall asleep.
From the nursery door handle hangs a little wooden star, a tauntingly sleepy smile painted on it. You push the door open with two hesitant fingers, stepping into the still bedroom, the weak wash of streetlight meeting moonlight on the greenish walls.
You suck in a deep breath, floorboards squealing as you take your first step. Over the crib hangs a plastic mobile, soft plush shapes twirling slowly. The matching changing table slotted alongside it, a rocking chair over by the window.
You pad across a fluffy rug and lower yourself into the chair, tilting back and forth on your toes as you glance around one of the two rooms you and Joel have spent the most time in since that October morning bonded you forever. A baby duck ornament perched on a shelf above the dresser, its orange legs dangling. A multi-photo frame Joel’s mom bought you, both scans in the first two slots and the third empty, lying in wait.
Your breathing fragments, struggles, eyes slipping over to the baby clothes hanging in the closet. “You know, little Duckie,” you whisper, rubbing your bump and thinking back to Tommy’s words six months ago, “you are a pretty lucky kid.”
The hooded towel robe on the back of the door, the perfect size for a newborn. The framed prints sat atop the chest of drawers, waiting to be nailed to the wall: a rainbow, a frog, a starry sky.
“You got two houses. Two bedrooms, all to yourself. You got two parents who already love you more ‘n the whole world. And,” you gulp, “you got Vanessa. And she loves you, too.”
You glance down, watching the tiny pulse of movement when the baby stretches in your womb. Your hands scoop them up, as if holding them closer than they already are. As if already cradling them, forcing yourself to feel less alone.
Duck seems to quieten, to still; seems to consider what you’re avoiding. Reads between the lines, hears the words you’re not speaking.
Two of everything, you think, and I barely even had one.
The most evidence you have of being loved by anyone in your life is the house you live in. Four brick walls and three decades’ worth of belongings, more inheritance than memories. But they roll around like marbles – they echo against the walls when they hit them. There’s nothing binding them, no thread of love, or family, or anything real enough to hold it all together.
You’re the only living organ inside a skeleton’s cage. A lonely little heartbeat, making noise for no one to hear.
And that’s the way it has been, at least since you were eight. The absence of warmth and safety isn’t anything new to you – it left the second your parents did. The last scrunch of your mom’s nails on your head, the last kiss of her lips to your plump little cheeks. The passing over to your grandma, like you were cargo, like you were a box to be checked.
Maybe you found some distant flicker of heat in the way Joel looked at you, the day you told him you were pregnant. Maybe you saw the same glimmer of a flame that you used to see in your mom’s eye. The rosy smell of her perfume, the feel of her finger inside five of yours. Maybe, for the first time since you were a kid, you felt safe.
We’re gonna work it out, he said. I’m here. We’re in this together, alright? I am not running out on you.
Together. And yet, now, sat in your child’s nursery – a room built from scratch by Joel’s two hands and strung together by every beat of your heart – you’ve never felt more alone. The same two hands that are wrapped around Vanessa right now, consoling her, wiping her tears away, massaging her shoulders and sweeping her hair from her eyes.
And the same heartbeat which quickens now, fueled by an angry desire, an impulse scratching deep into your flesh to march all the damn way to Houston and tear the pair of them apart. Like he’s yours; like the way he touches you and looks at you and talks to you means anything more than his child growing inside you.
Like it’s you he’s touching and looking at and talking to, and not Duck. Like his attention won’t cease to shine on you, the second this little baby leaves your body.
And then, washing over the scorching hot sand of anger: a foam-lined wave of guilt. Of shame, for wishing for the breakdown of something that clearly makes the two of them happy. That makes Joel…happy.
He doesn’t owe you anything – he was never yours to begin with. Just one drunken night, a mistake until you noticed the two pale lines on the pregnancy test. And by that point, he was already hers again. You had missed him without even knowing it.
You sigh, pushing up from the rocking chair and reaching for a tissue from the changing table. Turning back, giving the room one last teary glance before closing the door, you sniff.
“You’re just…the luckiest little kid who’s ever gonna live.”
At one twenty a.m., cicadas chirping and trees rustling, the low breeze carrying the sounds through your half-open window – your back begins to ache. A blunt, gnawing pain. Feels like your period, and in your doze, you stuff a pillow between your legs and pray you don’t stain the sheets with a show of blood.
The realization comes over you as if that stifling breeze flips to freezing. You slowly come around, eyes peeling open as you think it over twice, then three times, then four. Duck shifts somewhere deep inside you, somewhere you’ve never felt them shift before.
“…No. Not right now, Duck. You gotta give me, like, twenty-four hours. Just – wait until your dad gets ho–”
A blinding pain interrupts you, the moonlit-blue room fading out of focus for half a second before you’re wide awake, clutching the bottom of your spine where you’re sure the kid just tore a fucking hole straight through your uterus.
“You’re a fucking dick,” you whimper, fingers clenching in tight fists around the bedsheets. “You’re a fucking – dick.”
One twenty-three. You go into labor.
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aangarchy · 7 months
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I just saw a post from someone saying "zuko obviously never wanted to be firelord" and.... did we watch the same show?
Like at this point i've gotten used to people grossly misunderstanding the show's characters (mainly aang and katara) but i've never seen it happen so blatantly, and to ZUKO of all characters.
Zuko, the guy that asked his uncle to let him into the war meeting when he was only 13 because "he'll be firelord one day" and he wants to learn as quick as possible. Zuko, the guy that interrupted said war meeting also at age 13 because even that young he already felt a massive responsibility for his nation and the people in it, and he couldn't just stand by as these generals were planning on killing them. Zuko, who at age 13 BEGGED his father not to punish him, because he only had the Fire Nation's best interest at heart.
Zuko, who despite what his father did to him, still traveled to the world's most desolate places for a chance of getting his honor, his family and his throne back. Zuko, who at age 16, looked his father in the eye and told him he was going to free his people, and the whole world of his tyranny. Zuko, who at age 16, said he wasn't betraying his nation by joining the Avatar, he's saving it. Zuko, the teenager with so much love for his nation that he questioned his own uncle when he suggested Zuko should be firelord, because he didn't feel like he deserved it, because his people deserve a leader that hasn't made as many mistakes as Zuko.
And you're telling me you think this kid never wanted to be firelord? What version of atla have you watched, genuinely?
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schattenhonig · 23 days
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The A in LGBTQIA+ doesn't stand for aspec because they're not repressed!
(please read the disclaimer at the end of this post)
Ummm, excuse me? Would you mind telling me what your definition of repression is, then?
Because I feel repressed when a doctor asks me about my sex life, and if I say I have none, it gets marked down as a symptom without being asked if I suffer from it.
I feel repressed when my gyn tells me I can't get a hysterectomy yet despite losing so much blood on every period that I need to take iron supplements all the time, because I could change my mind about not wanting children (which is a whole other post, I know, but it's most likely linked to sex).
I feel repressed if I can't use dating apps or platforms because my sexuality doesn't even exist there, and the one time I tried, I got called names because I didn't want to meet for because it was clear where this date would go, despite my explicit "what I'm looking for".
I feel repressed when I think about how recently a paragraph was finally abolished in my country that considered sex a vital part of a marriage, basically entitling the spouses to having sex with their partner (both gender neutral, because entitling people to having sex with somebody else by law is wrong. It's basically a rape permission).
I feel repressed when I can't watch any film or show without it being about love and/or sex, no matter if it fits the narrative and furthers the plot.
I feel repressed when I plot my own stories and automatically put a romantic couple in there as main characters, even though I have no idea why this would be important for the plot. Not even my own stories, my own thoughts are mine.
I felt repressed when I was asked accusingly in a relationship if I wasn't missing something before I even knew asexuality as a spectrum was a thing, and having to lie about this being a side effect of my medication instead of genuinely not feeling attracted to someone in this way.
I feel repressed when I can't tell people I'm not sexually attracted to them because they will take this personally no matter how well I explain myself.
I feel repressed when everywhere I look there's advertising relying on naked skin, suggestive posing and objectification. Why are expensive cars still presented by women considered beautiful and tempting? It's not like that's necessary to convince people of spending so much money on a thing that gets you from A to B. Couches with women in smart dresses and high heels. That's not what a normal person looks like on a couch. But the worst is a truck in the town where I live: it's from a small fruit and vegetable stand, so whenever I see it, it comes from the warehouse, delivering groceries. On it is a woman clad in very little, presenting fruit. I'm sorry, but why? Does a misogynistic picture convince you of the necessity to avoid scurvy?
I feel repressed when I tell people and get the answer "you just haven't found the right person yet", because there are two possible assumptions from that point: I'm either not trying hard enough (so it's basically my own fault) or something about me is not right, appalling even (which circles back to I'm not trying hard enough or frames me as a victim of my genetics, upbringing or circumstances to be pitied).
Do not tell me how I feel. Do not try to tell me everything is fine and I shouldn't complain or ask for acknowledgement if everywhere I look, I'm reminded of how odd, how weird and how not normal I am. How much it inconveniences you to even acknowledge my existence, let alone respect any of my traits, views and choices.
And while I can only write from my own asexual point of view, I wrote this with all kinds of flavours of aspec in mind, so I'm explicitly including aromantics, aroace people and every shade of the spectrum in this. Not all my examples may apply to you, but I hope you can find something to relate to.
ETA: please feel free to add your own experiences of repression!
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mockerycrow · 7 months
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Lately I've been dying with stress induced migraines and was wondering if I could request the 141 or any character of your choosing to take care of the reader suffering from them??
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MIGRAINES (Ghost x GN!Reader)
ghost masterlist
[WARNINGS; medicine/drugs, inaccuracy of medicine stuff, inaccuracy of military, fluff, physical hurt/comfort, mention of overdosing, it’s implied you do not have regular sleeping problems.]
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You know a migraine is about to come on when you’re looking down at the paper in front of you—something about a past mission—and you can’t see the lower right corner of the paper. You blink harshly and rub your eyes, the blotch not leaving which leads you to believe it’s a migraine aura. A heavy feeling forms in the bottom of your stomach, a weird sensation blooming in the nape of your neck. You put the paper down for a moment and rub your eyes—it’s only Tuesday and this will be your second migraine. 
You feel frustration ebb at your nerves as tears threaten to spill, causing you to let out a shuddery breath. You stand up from the office chair you’re sitting in, near your desk in your barracks. You decided that you should warn the Captain about your aura and that you would need some rest for the incoming day and maybe even tomorrow.
You can already feel the light sensitivity setting in. It doesn’t hurt just yet as you open your door and you’re forced to be under fluorescent lights, but you can tell your tolerance is lower than usual. You offer quiet greetings to those who you pass in the hall, making your way across base to the offices. You squint a bit more, the muscles surrounding your eyes tensing. You can’t help but wonder why they use such shitty lighting in an office space.
You stop in front of a door with a name plate labeled “CPT. JOHN PRICE”, and you knock on the door a couple of times. You hear his gruff voice, saying something along the lines of come in. You open the door and close it behind yourself, looking at Price who is looking up from his paperwork; probably surrounding the last mission like yours is, too. “I feel another migraine coming on, Captain. I came to ask for the day off.” 
Price’s eyes narrow for just a moment in concern. He knows your history with migraines, and how they’re usually induced by stress. “Alright, but you make sure to go see medical if it persists, yeah?” Price says with a lifting tone, but it’s not a question, it’s an order. You go to open your mouth, but Price beats you to it. “I know they can’t do much for you, but those painkiller cocktails are very much worth it.”
You close your eyes as a wave of nausea passes over you, causing you to freeze for a moment. The man in front of you utters your name which prompts your eyes to open back up. His eyes are scanning your face. eyebrows lifting ever so slightly to prompt an answer. You press your lips together and give him a nod; those cocktails are lifesavers, but they don’t last as long as you need them to. You’re thankful for his suggestion anyway. Price gives you a firm nod. “Hope to see you tomorrow feeling better, sergeant.”
“Thank you, Captain.” You reply before leaving his office, pinching the bridge of your nose, trying to stave off that beginning twinge of pain beginning in the base of your skull.
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Something was off—Ghost could feel it in his bones. When you don’t show up for morning PT, he knows something is off, especially when for the second time in a few days, Price hands him a signed off medical emergency paper from you. It contained no details, nothing other than “1 day medical absence” signed by Price himself. It left Ghost feeling uneasy; you are not the type to do this type of thing, even when you had the seasonal flu, it was like the entire 141 had to lecture you to slow down, or maybe even rest a bit.
Ghost half expects you to show up anyway, but just like a few days ago, you are nowhere to be found. Ghost finds some free time a bit after 1500, so he makes his way towards medical. Perhaps you were physically injured? He steps into the infirmary and is met with a few pairs of eyes, a couple of them shocked to see him. “Lieutenant! How can we help you?” A medic at a cart parked against the wall asks, quickly packing up something he was doing. Ghost utters your name, glancing around. “Are they here?” He grunts.
“No, sir,” The medic replies. “They did stop by for some treatment, though.” Ghost’s eyebrows furrow for a moment; treatment? Treatment for what? Ghost doesn’t bother to ask, knowing the medics wouldn’t likely tell him anyway, so he murmurs a shirt thank you before leaving the infirmary. He racked his brain—what possibly could keep you out of commission willingly when not even a GSW would? Ghost then decides right then that he will head for your barracks.
He makes his way across base, going from the infirmary unit all the way across to the on-base barracks. Gears are turning in his head as he tries to not jump to conclusions—is there a physical injury he’s not being told about?—and Ghost is failing. You’re one of the couple of folks who don’t have a roommate, so he knocks with a purpose as there isn’t anyone else to worry about bothering. He waits for a few moments and is greeted with silence, so he knocks again with a loud and deep, “Sergeant?”
Ghost is met with silence again, which doesn’t soothe his nerves. He tries the doorknob and to his surprise—and concern—it works. Ghost slowly opens the door to find your room in complete darkness, the only light being the one from the hall which is illuminating your bed. He sees you hunched over in your bed, wrapped in your blankets with your face half buried into your pillow. Near your bed is a TV tray stand with two plastic bowls with separate washcloths hanging off of the side of the bowls. There’s an orange medicine bottle and a small white medicine bottle next to a half empty water bottle and another full unopened bottle.
Ghost closes the door behind himself as he walks over to you, narrowly avoiding the TV tray stand. He peels back the velcro of one of his gloves before removing it, pressing the back of his hand to the part of your forehead that is exposed. Your temperature feels fine at first so he turns his hand over and presses his wrist to the small part of your forehead and he receives the same result. Ghost blinks for a moment, noting that you have no fever. Immense relief floods over him; he’s not exactly sure why.
He calls your name and puts a hand on your arm, shaking you ever so slightly. You don’t move a muscle, but you’re breathing just fine. Ghost looks over at the bottles of medicine and leans over, grabbing both of them. He reads “Zaleplon” and “Rizatriptan”. With a quick google search on his phone, he finds out they are both prescribed medications, which makes his eyebrows furrow in confusion. You have prescribed medications? For sleeping and migraines? You’ve never mentioned this before.
Ghost puts them back down on the TV tray stand and he shakes your shoulder a bit more forcefully as it seems you’re really asleep. He feels bad, knowing he should just let you rest, but he doesn’t know if you’ve eaten. He has no idea if you have only drunk that one bottle of water all day, if you have left to go to the bathroom—nothing. He calls your name louder which still does not harbor a response from you, making his gut tighten once again.
He knows it’s the anxiety talking, that you would be careful with medicine, careful enough to not take too much—but he can’t help but still worry. Ghost doesn’t know that maybe you forgot you took a sleeping pill before popping another, putting you in a deeper sleep. Your breathing seems fine, so you’re definitely not struggling in that department. Maybe you’re just sleeping heavier than usual?
But what if you did take more than needed? What if this is you in the middle of an overdose? You are indeed turned over, your face halfway smushed into the pillow. That’s enough to strike anxiety into Ghost’s soul so he grabs your shoulder and forcefully rolls you onto your back, a heavy relieved sigh leaving him when he doesn’t see any vomit or excess saliva on your pillow or hoodie. Your skin is its usual color, as well as your lips. Ghost’s fingers grab your wrist to feel your pulse, counting the beats. Your heart rate is fine.
So why are you not waking up? And why is he so anxious about it?
Ghost calls your name even louder and his shoulders relax when he hears a quiet groan leave your lips. Your closed eyelids squeeze together for a moment before an expression of pain floods your face, causing Ghost to press his lips together underneath his balaclava. “There ya are,” Ghost murmurs, putting a hand on your shoulder. Your eyes flutter open and they land on Ghost after a moment. “Ghost,” You breathe out, pain lacing your tone.
The room is dark so you’re both struggling to see each other, but Ghost doesn’t mind. If it helps your head, he will gladly squint. “Have ya eaten?” He grunts out, his voice rumbling and low in his chest. You let out a tired breath and rub your eyes, taking a moment to answer. “What time is it?” You croak, your hands moving from your eyes to your temples. Ghost pulls out his phone, it being too dark to look at his watch. “1321.” He replies, making you inhale sharply and let out a groan. “Shit, didn’t mean to sleep that long.” You slur ever so slightly.
“Did’ja miss a dose?” Ghost questions, and you let out a quiet “mhm”. You hear Ghost reach over to the TV tray stand, but you can’t tell what he’s doing. You hear one of the medicine bottles pop open. His hand finds yours and gives you a pill, and then you hear the water bottle crinkle. “Up.” He orders, and you comply, sitting up just enough to take the medicine. You wince at the change in angle so easily irritates your pounding skull, but you appreciate the soothing water running down your throat. Ghost caps the water bottle and puts it back. You hear water sloshing around and one of the washcloths being wrung out, and you flinch ever so slightly when you feel a cold washcloth being tucked underneath your head and against the nape of your neck.
“When did you start ‘aving migraines?” Ghost asks. His tone isn’t accusatory, but it’s clear he’s confused on why he was never let known. He’s also your superior next to Price, looked over the necessary files. You let your eyes shut, focusing on the cold feeling seeping underneath your skin. You appreciate the man keeping his voice down. “Always had ‘em, but they’re stress induced. They aren't constant.” You reply, your voice also remaining low, barely disturbing the silence of your room. “Had one a day or two ago, guess that shit never left.” You joke, earning a huff from Ghost. “Y’didn’t answer my question. When’s the last time you have eaten?” Ghost inquires, making you let out a sigh. “Mm, maybe 4 or 5 hours ago,” You hum. “I should go grab something soon, helps the medicine kick in faster.”
Ghost shakes his head even though you can barely tell. “No need, I’ll grab it. Are you experiencing nausea?” Ghost stands up from the bed, the mattress leveling out. “A bit, yeah. Could you grab something light on the stomach?” You request, your fingers grabbing your blanket as a warm fuzzy feeling in your gut begins to distract you from the pounding in your temples. “‘Course.” And with that, Ghost leaves you with your thoughts for the time being. You don’t understand why he’s being so nice and generous—it’s not like Ghost is not nice, but he’s usually more teasing and serious about getting shit done. 
To be fair, the last time you got injured, he also took care of you. You had earned a nasty brush with death after being too close to a large explosion. You had been thrown back into a wall, crashing through the other side, earning you a broken shoulder and a piece of wood through the major artery in your thigh—as well as the classic severe concussion, of course. This happened about a year ago and when your shoulder aches, Ghost somehow knows and offers to rub cream into it. It’s similar to Soap’s knee pain, so he knows what to do. Countless nights over a year of rubbing cream into the part of your shoulder that you can’t reach, the words left unspoken between you two? 
Ghost returns with a light meal for you as well as a cup of ice water, knowing it’ll help you more than your room temperature water bottles. Something about Ghost being so domestic over this past year up to now, taking care of you and bringing you food, rubbing cream into your shoulder when needed, when he took you to those temporary physical therapy appointments for your shoulder? Something snapped inside of you and you could never look at him in the same friendly way and by the way he looks and speaks to you, it seems to be the same for him.
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tornioduva · 4 months
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Dungeon meshi and body proportions
Ok, i'm feeling the rush i got from binging the manga this last week is starting to fade away, i'll be back to being a normal person soon i think. at least, that is before i find a new something for me to dive into uhuh.
Before that happens, i want to praise Ryoko Kui for one last think. The design of the characters!
For years i've expressed (maybe not so much online) my hate towards the "anime style", this homogenization of traits and beauty standards to an artificial degree, and the mass spread and consumption of it. yes, trends exist for a reason, this is not the first nor the last art current to be popular and i'm not the first detractor of one in history. I do think there is something uniquely harmful in this one though, and that is why i'm able to find the energy to be such a pretentious dipshit about it. That is a discussion for another day though.
All this to say that going through Dungeon Meshi and seiing these characters, plus (and in a way because of it) all the additional sketches of the daydream hour bonus sections, was such a breath of fresh air! (at least for what concerns japanese exported stories)
All i could say and praise in regard to character designs in general is perfectly expressed in this video, which i recommend you to watch if you want to hear my opinions (and the video author's too, uhuh):
youtube
I want to leave you though with at least one specific praise for me: Falin.
i've seen countless time people (online) just not understanding how people's body work, how much differences there can be and how proportions do distribute and affect the body. in anime I see a lot of short and tall people (mostly women girls) that share the same proportions despite their actual height, and that often leads to think "yeah, she is short" and than she's tall when around someone, or (most often) the contrary. same lenght of limbs, same head to body proportions, and little details like this.
Falin you can tell at a glance she is a tall woman before she's around anyone, even when she is standing near her brother who is taller than her.
Kui did her homework in studying bodies and variations, and, whether consciously or not, she differentiated her in body in subtle but fundamental ways: her head being slightly smaller than her body, the neck being fairly long, and her having somewhat broader shoulders.
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I accept that there might be an element of suggestion at play here, considering also how she is dressed most of the time, but I really do think there is a direct effort at differentiation here.
This is the first time in a long time (in a series like this at least) where i've seen a woman carrying herself around others and the space around here kind of like a person like me, tall, would; at first i didn't think much of it, but then i saw her near other characters and....i don't know, i felt a warm, joyful feeling, seeing that i was right in recognizing that trait and being right.
I was especially happy in seeing her next to marcille. not so much for the height difference, but for how different they were in proportions and mannerism. A lesser manga i fear would have used marcille's body type and way of moving and interacting as the default for most other girls, but here she was uniquely herself!
Now, i could've used more extreme exemples to show how this author rocks in body types representations (while aknowledging there could've been even more diversification still), given there are far larger, taller and stranger women, but to me, nailing the little, most subtle details in such a chirurgical manner shows a greater level of mastery and comprehension. As such, Falin left me with a deeper fascination than most other characters.
Sorry for this wall of text, but i needed to let my happy thoughts go, so that i could be free again uhuh.
Feel free to tell me that i'm wrong, or that i should just accept anime media as is. i'm just really happy Dungeon meshi exists as is and i want Ryoko Kui to keep refining her craft, and drawing beautiful women and dwarves.
Plus, this was very much a stream of consciousness, i didn't go into technical details about what i think conveyed what i described, but if someone is interested, or does not get what i'm saying (while expressing it in a curious and gentle way, i won't respond to spiteful assholes), i'll be happy to make a follow up post in which i try to dissect this! For example, i didn't reread the whole manga to find examples of her, i just went to the wiki uhuh. in a follow up post maybe i'll try to go through chapters and pick more specific examples of her.
Anyway, have a good day!
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grandline-fics · 8 months
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Green Eyes, Red Lips
DESCRIPTION: When jealousy leads to a confession
WARNINGS: swearing, some suggestive themes(maybe?) 
CHARACTERS: Zoro
WORDS: 1,386
A/N: I really liked how this came out so I might do this as a series with other characters. Feel free to request any you’d like to see.
*REQUESTS ARE OPEN*
MASTERLIST
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“Shit, Marines!” Usopp hissed with worry. Zoro lazily slid his good eye open to spy the two uniformed men walking down the street. It wouldn’t take long for their presence to be known and that would mean a fight. His hand dropped to rest over the hilts of his swords in preparation but frowned when his crew-mate’s hand griped his shoulder tightly. “We promised Nami! No attention, we’re only here for supplies, not fights.” The sniper reminded him sharply. Zoro clicked his tongue in annoyance and kept his eye on the marines as they stopped to briefly talk to one of the locals. It seemed they were just on a routine patrol, that was good. If they weren’t actively looking for them it gave them more time.
You poked your head out from the doorway and followed Usopp and Zoro’s stares. Your mood soured to see the Marines, you and Nami were hoping to actually enjoy a relaxed shopping day on this island before having to set off. Oh well, at least the others were almost done. A movement caught your eye and you scowled to see Zoro’s fingers twitching against his swords. He was hoping the Marine’s noticed them and from the burning glare he was sending their way it was clear he wanted a fight and damn the promise he’d made when he left the Sunny that afternoon. Roughly you slapped his forearm, knowing it wouldn’t actually hurt him but it was enough to make him turn his attention to you. 
“Don’t you even think bout it! You’ve been itching for a fight since we left the last island. If you can’t control yourself go back to the Sunny.” Zoro’s behaviour had been pissing you off lately. Normally you didn’t mind his colder attitude if you knew what was wrong but this time there had been no warning. Up until the night before you left the last island things had been good. It was just exhausting having your mood spoiled by him and it was clear you were the one he was taking it out on.
Zoro glared down at you, his jaw clenched and eyebrows furrowed so tightly together you thought a vein was about to burst where they met on his forehead. “Well it’ll be a fight either way once they realise it’s us.” he ground out tightly. “Unless you’ve got a better idea? They’re getting closer.” You rolled your eyes at him and strode back into the store, grabbing a pair of sunglasses and hat from their displays. After telling the owner to add it to your crew’s bill you put them on while ignoring the curious stares you were getting from Nami, Franky, and Luffy as they were lifting the crates of supplies into their arms. 
Spotting a mirror you reapplied your lipstick and pulled off your jacket, shoving it into Zoro’s chest as you stormed by him and out into the street. “Make yourself useful and hold this.” You instructed and he was half tempted to just let it fall to the ground. But Zoro couldn’t help but grip it tightly as he watched you with practiced apathy. Despite how guarded he was he couldn’t help but push away from the wall when you looked around yourself as you walked and purposely bumped into the two Marines, even making a point to gasp in surprise, whirling to look at the two men. “Oh I’m so sorry!”
“Please don’t apologise!” the shorter of the two men dismissed with a bright smile while he looked you over with interest. “Are you lost?” Zoro ground his teeth together to hear you laugh shyly and play with the end of a lock of your hair. 
“Was it that obvious?” You asked stepping closer to the two Marines and pointed behind them, to make them turn. “I’m trying to get to the Fountain Square. Everyone says it’s beautiful at this time of day but I just keep getting turned around.” You explained looping your arms through theirs. “Could you both show me the way?”
“Oh it happens to everyone! Don’t worry you’re in safe hands with us!” the taller Marine promised as he began to walk with you and his companion in the opposite direction. While they rambled, you glanced over your shoulder and gave a single nod to Luffy before you disappeared into the crowd. 
“Looks like they’ve got it covered!” Luffy cheered with a unfazed grin. “Let’s get this back to the Sunny, I’m hungry.”
“Zoro?” Zoro stood where he was, barely registering Nami’s call. Everything told him to follow you and make sure you got away from the Marines safely but he couldn’t bring himself to say anything about it or move. If he did it would only admit the feelings he had for you that he’d been trying to kill with his harsh words and cold attitude. “Zoro come on! Don’t tell me you’re lost already. The ship is this way!” Nami called louder. The swordsman bit back a growl and turned on his heel, catching up with the crew and lifted one of the crates from Usopp’s shaking arms. With every step he took, he let his nails dig into the box. 
By the time you returned to the ship everything was restocked and you were ready to set sail. As the Sunny pulled from the docks you climbed the crows nest, knowing you’d find Zoro there with your jacket. Only when you saw it had been thrown carelessly over one of the benches you rolled your eyes and grabbed it, ready to go back to your own quarters. You didn’t want to deal with the first mate when the tension rolling off of his body was a hundred times worse than it had been that morning. “Sad to be leaving your boyfriends?” He sneered at you. Angrily you slammed the hatch closed and turned to glare at him. 
“Alright what the fuck is wrong with you?” You’d had enough of this and you weren’t leaving until you got to the bottom of this. “Did I offend you in some way? Rip your favourite bandana or something? What have I done that’s so bad for you to look at me like I’m your enemy?”
“Just forget it.” 
“No, Zoro. I won’t forget it but do you know what I will do?” You hissed viciously. “I’ll do us both a favour and leave. Unless I get an answer out of you I’ll leave at the next island we get to and never come back because I’m not dealing with this bullshit anymore.” 
Faster than you could blink Zoro was in front of you, hands slamming against the wall on either side of your head. Before you could say anything else his lips were on yours; strong, insistent, and overwhelming. Your head was spinning but you managed to regain enough control to return the kiss, hands finding purchase on his broad shoulders, pulling him closer. Hungrily Zoro’s hands slipped to grip your waist and thread into your hair. He couldn’t tell you how he felt but it all came out through his touch and powerful kiss. Finally you broke free and caught your breath enough to manage out a dazed. “Oh…so you don’t hate me then…”
“Definitely not.” You didn’t think that Zoro’s voice could get any lower and you held back a shudder to meet the burning stare that finally made sense. “Hated those assholes cosying up to you though.”
“Two nobody Marines made you jealous?” you asked with a small laugh. You couldn’t help but find it funny, the Demon Pirate Hunter Roronoa Zoro was capable of jealousy. “They’re far too scrawny to be my type.”
“Not just those runts. That last island-”
“Oh him!” you gasped with a grin, remembering the self proclaimed King that you and the rest of the crew helped save. “I didn’t think anyone heard him propose to me before we left though.”
“He what?!” Zoro growled suddenly making you yelped in surprise as his grip tightened and he pushed you against the wall. His lips claiming yours once more with the intention of wiping that stupid king and any other man from your memory until it was only him on your mind and you were only too eager to let him. 
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reiding-writing · 1 month
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Hiiii, first of all i wanna say congratsss!! You’re an amazing writer and i LOVE your stuff! Secondly, i would like to mention that i’ve never actually made a request before so bear with me 😬 Okay okay, so i was wondering if you could write cold!reader with angsty prompt 28. "I can't believe I didn't see that coming." and general prompt 23. “I thought I’d lost you.” Maybe spencer gets hurt and reader shows emotion (maybe some tears) and the team is all like ???
(feel free to ignore this btw 💗💗)
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CLOSE CALL [CLIMACTERIC]
28. “I can’t believe I didn’t see that coming.”
23. “I thought I’d lost you.”
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WARNINGS: fem!reader, guns, hostage situation, character death, reader is her typical rash self, happy ending
spencer reid x cold!reader || hurt/comfort || 2.8k ||
a/n: thank you <3 i’m honoured to be the conduit you chose for your first request and i hope this is what you envisioned 🫶
main masterlist!! ⋆。°✩ cold!reader masterlist!!
event masterlist!!
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Spencer’s hands shake so much as he pulls off his bulletproof vest you’re not sure how he has enough articulation in his fingers to do so in the first place.
“Reid, you’re not ready to do this.” Your words aren’t as harsh as they are truthful, but it cuts him down the same anyhow. “Let me or Hotch do it.”
“No, I need to do this myself,” Spencer shakes his head determinedly, and if he wasn’t so focused on the sheer amount of adrenaline running through his veins right no he’d probably be proud of himself for standing up to you and not just following your word as law, but alas, the only thing he could feel right now is absolute dread. “He won’t listen to you.”
Why was it always him that got personally involved with the unsubs? It was like they were a heat-seeking missile locked only onto his location.
Literally locked onto his location in this case. He’d seen him —Daniel as he called himself— on the train home from work, in the coffee shop he frequented, the local library, and he swears he also saw him parked in his apartment building’s parking lot.
It was like he was silently screaming at Spencer to notice him, and when he finally got to speak to the man, he asked for help. He was afraid. He was afraid of himself because he was having horribly intrusive thoughts that made him want to do terrible things and he viewed Spencer as his only scapegoat. Pros and cons of being all over the news for his job he supposes.
Spencer really did try to help him, but every suggestion he made was shut down like they weren’t good enough, like Daniel wanted Spencer to physically go into his brain and remove all of the faulty parts that were making him feel insane.
Spencer’s help just wasn’t good enough, and it lead to multiple people dying as a result.
And now Daniel was holding a woman hostage in her own house.
How was he supposed to not feel solely responsible for that?
Spencer had to be the one to speak to him. Not you or Hotch and your negotiation training, him and his personal connection to all the deaths that had happened because he wasn’t able to help someone that was begging him to save them from their own mind.
He practically shoves his revolver into your hand as he commits to going inside, taking a second to regulate his breathing before emerging from behind the SUVs to approach the closed front door, leaving you all in wait, guns raised at every window in the event that something goes wrong.
Something was bound to go wrong.
“Reid the minute that something feels off you leave, understand?” It technically wasn’t your call to make, but as you spoke into the small radio on your chest you weren’t really thinking about that. It’s not like Hotch would disagree with you anyway.
There’s a few seconds of silence over the radio, even though you know he heard you from the slight jolt in his spine as he reached the front door of the house. “Reid. Tell me that you understand that.”
“Copy,”
You had half the mind to drag him back into the car from that response alone. He clearly wasn’t listening to you, not properly anyway, and having such an emotional involvement in something like this was going to get him killed if he treated it the wrong way.
“Be careful,” Hotch was less antagonistic in his warning, but it held the same message.
Spencer threw an arbitrary thumbs up above his head before knocking on the door of the house and entering slowly with both his arms raised.
Then it was a waiting game. A stalemate where you had to sit with your guns trained and just wait for any sign of change. It was like absolute torture.
It was virtual silence and tumble weeds for the best of five minutes, and then there was a loud gunshot sound that echoed from inside the walls of the house, and all of that waiting felt for naught as you pressed the button on your radio with a steady stream of trepidation raising in your throat that he might not answer you. “Reid? Reid come in.”
You wait for something to come from the other side of the radio, even if it’s just the crackle of static from him pressing the button without actually speaking into it. But all you get is silence, and it makes that sinking feeling grow until you literally feel like you’re about to throw up your stomach.
You don’t think twice about running towards the front door of the house after you don’t get an answer, ignoring the calls of Hotch for you to back down and let SWAT take care of it so he didn’t possibly lose two agents instead of just one.
He knew you weren’t going to listen to him either way.
You open the door with your pistol raised at your eyes, the weight of Spencer’s revolver tucked into the waistband of your jeans acting both as an instrument to ground you and as a torturous reminder that the gunshot you heard couldn’t have possibly been from him.
It had to have come from Daniel.
Logically you should’ve swept the ground floor first before rushing straight into the dining room where you knew the three had been last, in case Daniel had left the room and approached you from behind.
You don’t of course, and you kick open the barricaded dining room door with enough force to splinter the door frame holding the hinge pin in place, the door hitting the wall with a thud.
The sight you’re met with is not what you expected to find.
“Reid—” You drop your gun to your side the second your eyes land on the back of his head, his back to you and his eyes locked on Daniel, lying on his back on the dining room floor with a bullet hole to the side of his head, his blood slowly pooling on the linoleum.
The woman he had hostage was alive too, thank god, practically trying to melt into the corner as she cried into her hands, obviously still in shock over what happened.
“I can’t believe I didn’t see that coming,” Spencer’s words didn’t feel like they were coming from himself as he spoke, his voice feeling detached from his consciousness as his mind focused on fully comprehending the situation.
“I can’t believe how stupid you are—” Your body forces a sharp breath to leave your mouth as it cools don from the adrenaline rushing through your system, and you pull Spencer backwards by his arm to stop the blood from Daniel’s body reaching his shoes. “What the fuck were you thinking?”
“I just- I don’t know,” Spencer gives up on trying to find an explanation for his actions before even really thinking about it. He knows there’s no use, because he really wasn’t thinking, it was just acting on instinct.
“You see this Reid?” You give the radio on his chest a pull with your hand, causing him to stumble forward towards you in the process. “It’s a radio, use it.” There’s no denying the insurmountable rage in your tone as you berate Spencer for his carelessness, something that he most definitely deserves as he stands there nodding at you like an idiot.
You let go of his radio with a small push, sending him stumbling backwards this time, and you take a second to compose yourself before pressing on your own radio to communicate with the rest of the team. “I’ve got Reid and the hostage alive. The unsub shot himself.”
“Copy that, we’re coming in.”
Hotch’s voice may as well be a leaf in the wind as Spencer puts his full focus into how absolutely furious you seem with him.
“I’m sorry—”
”Sorry isn’t good enough.” You ignore the arrival of your teammates in the house, how they carefully guide the hostage outside to get her looked over by the ambulance waiting outside and how they secure the scene for the forensics team to deal with. “You cannot throw your life away by running head first into a dangerous situation knowing you can’t defend yourself.”
“I thought—”
“What? That it’d be fine? That you all of a sudden had all the training you needed to talk down an armed serial killer with serious delusions that could leave you as his next victim?” Maybe you we’re being a bit too harsh on him, but it was important he understood exactly what could’ve gone wrong. “You might be a genius Reid, but you are the dumbest goddamn person I have ever met.”
Spencer presses his lips together into a line at your declaration, lowering his head until his gaze is firmly planted on the floor.
“You are not an expendable resource, you can’t be replaced, and you need to understand that before you throw yourself into a possible line of fire do you understand me?” You ignore the lingering gaze of Hotch as you continue your verbal assault on Spencer, and you know you’ll probably get an earful yourself for being so hard on him, but he gave you a real scare, and you were expressing that to him in the way that suited you most.
“Yes I understand, I’m sorry…” The slight waver of his voice as he responds to you is enough to knock your anger down a peg, and you drag your hand down your face with a sigh.
“We were scared for you Reid, you could’ve died.”
“I know…”
You give another soft sigh at the voice he barely keeps his voice controlled as he whispers out his answer to you, on the verge of tears from your thorough verbal assault.
“Don’t do it again. I thought I’d lost you.” You lift up one of your hands to put it on his shoulder, although it lands closer to the curve of his neck, prompting his face upwards to meet your eyes once more. “And as much as you can be idiotic, the team needs you alive.”
He gives you a soft hum as an answer this time, not trusting his voice to not crack if he were to speak properly.
He tries not to focus on the warmth of your hand on his neck, nor on the fact that you’d said ‘I’ instead of ‘we’ when talking about being concerned for his safety under fear of only worsening his attempts at keeping himself composed.
Your gaze softens marginally as you spot the glassiness of his eyes, and for a second he swears that the protective shield you cover yourself with disappears to show the amount of concern you truly felt for him.
“I’m okay… I promise,” He nods softly at you with rounded eyes. He’s mildly flattered by how much you care, but he doesn’t want you to show it as concern, positive emotions suited you much better he thinks.
“You’re lucky, and it won’t last forever,” You use you hand against his shoulder to turn him around, pushing him gently towards the front door and using the opportunity of him not facing you to swallow the start of your own tears, clearing your throat into your elbow as he takes your lead in leaving the house.
“Reid,” Hotch is on top of the two of you before you even walk out the door. “Go and meet Morgan by the ambulance, I want you checked over,”
“But—“
“Go,” Hotch’s inherent ability to be authoritative trumps Spencer’s resistance immediately, and Spencer begrudgingly leaves your side with a small “yes sir,” to go and be checked out by one of the EMTs.
You attempt to follow him at first, but you’re promptly stopped by Hotch raising his hand in your direction, and then gesturing you over to him.
“Berating somebody for running into a dangerous situation head first with how you responded is very—“
“Hypocritical, I know,” You interrupt the end of Hotch’s sentence by finishing it yourself. “But if he hadn’t gotten into that situation in the first place then I wouldn’t have had to respond the way I did,”
“I understand you care about Reid,” Hotch crosses his arms over his chest, and although there is zero malice in his expression or his tone, you can still tell that he’s not exactly happy with you right now. “But you also need to be more careful with how you handle yourself,”
You narrow your gaze at him a little, and he mirrors it right back at you. “You can’t worry about keeping Reid alive if you’re not alive yourself, you need to be more careful, understand?”
“Yes sir,” The words are almost begrudging as they leave your mouth, but you know he’s right really. Running in after Spencer without a second thought and then berating him for being reckless was hypocritical, and you probably deserved to be reprimanded for it.
“You really gave her a scare you know,” Morgan speaks, prompted by Spencer’s very obvious lingering glances in your direction as you speak with Hotch.
“I know,” Spencer sighs dejectedly as he finally removes his eyes from you to allow the paramedic in front of him to check his pupillary response. “She made sure of that,”
“She cares about you Reid,” Morgan gives him a squeeze on his shoulder. “You’re gonna give the poor girl a heart attack if you keep this up,”
“That’s quite dramatic, the chances of somebody going into cardiac arrest from shock is extremely low, only 5% of all cases, and technically it would actually be cardiogenic shock, which isn’t a heart attack,”
“It’s a figure of speech Reid,” Morgan gives him a small playful shove after the paramedic has finished his evaluation, rolling his eyes. “Point is, you scared her, and I don’t know whether to be amazed or concerned at the fact that’s even possible,”
“She’s just as likely to be afraid as anyone else,” Spencer bites his cheek at Morgan’s declaration, unsure whether he should feel guilty or flustered at just how much you seemed to care about him, from the words of the rest of the team anyway.
“I mean yeah we were all worried about you, but she ran head first into the house with a potentially manic shooter inside, by herself, after Hotch told her to wait for backup,” Morgan gives Spencer a light nudge with his elbow, raising his eyebrows with an amused expression. “You know what I call that? Favouritism,”
Spencer lets out a small airy laugh, shaking his head as he stands from the edge of the ambulance.
“Face it pretty boy, you’re stuck with her for life, even if it means she follows you into an early grave,” The teasing in Morgan’s voice is unmistakeable, but his words ring truth either way. “Let’s just make sure you don’t end up in an early grave alright?”
“Yeah—” Spencer lets out another small breath through his mouth as Morgan pats his hand between his shoulder blades, gesturing for Spencer to follow him towards the rest of the team with a nod of his head.
Spencer doesn’t want to cut himself short just yet, especially if that means you’ll serve yourself the same fate. Although the idea of having you accompany him, even if it did mean in whatever lies after death, didn’t sound like too bad of an idea.
495 notes · View notes
minimallyminnie · 10 months
Text
Lipstick Stains
Gn Reader leaving tiny remnants of themselves on Diasomnia
Tw: None but if you don’t like reader wearing lipstick I suggest you read something else…
Characters: Malleus Draconia, Lilia Vanrouge, Silver Vanrouge (I will die by this.), Sebek Zigvolt
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Malleus Draconia
Ok, ok, it wasn’t like you were the bigger person in the relationship but you two needed to get to class!
It was sweet that he spared a few minutes just to talk to you in the morning near the emptier area of the busy hallway
He could after all teleport away
But he needed to get back to class asap! You knew his class times by heart and currently, he had a minute left!
You told him to go to class five minutes ago…but he gave you those eyes and you couldn’t refuse
“Tsuntaro, you need to go!!”
Damn those pretty emerald eyes of his!
While he’s talking with you, you take some time to just put a layer of your favorite lipstick on, rolling it smoothly on your lips
When you finished putting it away, he’s still talking and you know he’s about to get in trouble with Trein soon!
“Silver was ecstatic when he saw the red dragon, almost fell back if not for Seb-“
You kissed him on the cheek, imprinting a kiss mark on his cheek
He blinks for a second speechless as he sees your smudged lips. His cheeks grow a soft pink. Connecting the dots, he warmly laughs
“It’s that time huh? My apologies dear, I’ll be getting going.”
Before he teleports, he wraps a hand around your waist and kisses you. When he pulls back, he whispers
“Could I have more of your kisses later my love?”
Lilia Vanrouge
Absolutely just adores your time with him
Doesn’t matter how, when, or why, just adores it and is willing to take as much as he can get
Both of you are just so lovey dovey
(Silver has complicated feelings with his friend possibly being his step parent…)
He always adorns you with compliments but…since he’s in light music club, course he’s going to get a lot of fans
“Awh, jelly of me my love~?”
“Hmph.”
One time you read a fan mail from one of the students from Nobel Bell and oh boy, that letter felt like it was from a classic romance movie with how sugary sweet it was
Lilia laughed when he saw your annoyed face at the letter
So, before one of his concerts you put on a layer of pigmented lipstick, pulled him to the side, and kissed his face all over
You then stood back panting a bit from how fast you kissed him before looking up and admiring the shocked expression on Lilia’s face
“Oh my great sevens…”
He chuckled before pulling you in a kiss again
“My, my…Had I known you were so jealous, I would’ve made it known you are my significant other….”
Silver Vanrouge (I will die for this.)
Head over heels, he’ll be your sleeping beauty however long you want him to be
Silver is the type to always try to protect his significant other, so he’ll always be by your side when he can if he’s not with Malleus
Because of his curse though…he feels bad that most of the time he spends with you, he’s sleeping
Makes him feel really upset, he brought it up once when you crossed paths one day
“I…I really do want to spend time with you. I hate this…I can’t keep my eyes open sometimes…”
“Sil…”
His upset face made your heart ache.
In the afternoon, during both your free times, you two went near the forest to have a picnic
Of course, he fell asleep again but you didn’t mind
You smiled as he slept in your lap and then you pulled a tube of lipstick out, layering it on your lips
Then, you pressed kiss after kiss on Silver’s face softly.
He wakes up when you kiss his lips, a smile gracing your face. You take your phone out and tapped on the camera app to show him
“I feel like an art piece. I guess so since you’re the artist behind this after all.”
He sits up and smiles at you, kissing you gently on your head
“Thank you for this…Would it be selfish if I asked for even more?”
Sebek Zigvolt
Ah. There we go. Loudest man on Earth in Wonderland.
He’s surprisingly a soft and gentle lover, very sweet but still having his usual loud and boisterous personality
Sebek doesn’t mind your soft touches or gentle kisses as long as it’s not in front of Master Malleus!
(Who really is more entertained by it than annoyed…)
He’s like those strict knights, following every rule by the book to please his master!
“Master Malleus Sama!!”
“Sebby, he’s ok. Don’t worry!”
You don’t mind, but you want to show at least a tiny bit of love for him.
So! One day, you’re invited to the Diasomnia dinner and you dress yourself up for the occasion like the students in the dorm
Before you meet at the entrance with Silver and Sebek though, you carefully line your lips with lipstick and walk nonchalantly to Sebek
He’s a bit blushy at your more elegant appearance but his face turns apple red when you kiss his cheek
“Wha-what?!”
You can hear a small muffle laugh from Silver but then Sebek whispers, stuttering
“…N-not here! But…c-could I have more later when..when we’re f-finished with dinner..?”
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We love a blushy Sebek here and a sweetheart Silver here. I ran outta tags—
@ryker-writes
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am-i-interrupting · 2 months
Note
Hi! I loved your Hazbin hotel with nails head cannons. Could you do an extension of that where you get nails to match your s/o? Please 🙏 ❤️❤️❤️
There are two ways to take this so depending on whether or not the character would let someone do their nails dictates how I’ll do it. For characters who will, you get matching sets of nails. For characters who won’t, you get nails that are inspired by their aesthetic.
(Part two— the gals)
Alastor
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When you show him nails that are red in color with radio dials and deer antlers decorating them, his smile widened and he tilted his head, curious.
“What do you think?” “I think that you look lovely, darling.”
Expect some extra hand holding.
He will be bringing your hand up to his lips to kiss. Looks at the design, smiles a bit more genuinely, squeezes your hand, and let’s your hands drop.
When your in private, expect to be brought into his lap.
He lets you do whatever you like but he is holding one of your hands the entire time.
Running his fingertips down your finger.
He will run his thumb over any ridges that appear due to the design.
When you’re asleep, he memorizes the design, his color, his symbols on your hand against your skin.
Husk
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He’s actually shocked when you take his suggestion. He thought you were just asking out of idle curiosity. He didn’t actually expect you to get it done.
He just kind of stares, shocked at your hand.
The nails are matte and coffin shaped.
Most have a black base and have a card type design. The spade, the clover, the diamond. The first two white and the last red.
What he didn’t expect the heart to be yellow and your free fingernail to have the white and pink stripes of his ears. (Listen, I love his pilot design)
He placed a kiss to your hand and compliments them.
He’s not as obvious as Alastor would be (in comparison to Alastor’s normal no touch behavior) but he would be holding your hand a bit more.
When he thinks no one is watching, he’ll stare at your nails with a quirked little smile.
Lucifer
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You go get your nails done together.
Lucifer gets a little duck design with a white background.
He just sort of stares at them, surprised at how much he likes it.
He starts going with you more often to get his nails done. It makes him feel good. He starts wearing his gloves less.
When you get nails inspired by him, he’s absolutely speechless.
The pinstripe design of his favorite waistcoat. The apple and snake imagery.
He loves it so much.
He placed a kiss on every single finger.
When the two of you next see Charlie or anyone from the Hotel or Ozzie, Bee, or any of the other sins, he grabs your hand and shoved it in their face.
“Look at their nails! See! They’re inspired by me! They put that on their hand!”
Vox
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“So, what did you get this time, my dear?”
His brow would raise when he saw the design.
The Voxtech logo, a wifi symbol, some red and black hypno circles, and the rest same blue as his claws.
“Well, well, what sight. I do believe these are my favorite set yet.”
Would bring your hand up against his and measure how they line up.
He would then curl your hands together so he was holding yours.
He would then pull you into your lap and give you a kiss.
Ideally he’d run his hands along your fingers but that’s just something he does without them.
Secretly (not really) he likes the fact that you’ve willingly put his symbols on you.
Would try not to give away his liking to them away too much so he doesn’t really do much aside saying they’re his favorite set.
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kamaluhkhan · 3 months
Text
I BET ON LOSING DOGS
ENVY — part ii of we'll write sins not tragedies
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pairing: luke castellan x nemesis!reader (she/her pronouns) word count: 1.6k summary: luke is getting tired of keeping your relationship a secret, you get a new sparring partner, and silena beauregard wins a bet. warnings/disclaimers: jealous!luke, suggestive but no smut, biting + some blood bc of course author's note: i had to include some friend group shenanigans and silena x clarisse moments ♡ i'm imagining that this takes place during tlt/season 1 of pjo when the kids are on their quest, and the characters are slightly aged up to 20/21 years old....anyways, enjoy and feel free to reblog + comment :)
♪ "i bet on losing dogs" by mitski
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"rumor has it that lee wants to ask her out." 
silena tilts her head towards the other end of the ping pong table, where you sit next to lee fletcher, a pair of wired earbuds and an mp3 player shared between you as everyone waits for the senior counselor meeting to start. 
luke clears his throat. “why would he want to do that?”
in theory, it shouldn’t bother luke: how you and lee nod along to music only the two of you can hear, how your shoulder presses against his ever so slightly, how he seems to lean into you even further. 
you and lee had always been friendly, but since when did you become such close friends?
“hm. let’s see. she’s strong, gorgeous, the right amount of dangerous, and perfectly single.” 
again, luke pretends that he doesn’t feel something ignite in the pit of his stomach. 
as far as everyone is concerned, you and luke are friends, too. 
the rush you both got from the whole secret relationship thing was fun, but, gods, sometimes luke wanted nothing more than to show everyone you were his and he was yours. 
“sounds like you’re the one who wants to ask her out.”
silena rolls her eyes. “please. i’m a happily taken woman.” clarisse turns to them as if she knew she’s been referenced. silena blows her a kiss before adding: “can’t really say the same for y/n, can we? i think her and lee would make a cute couple.”
chiron finally enters the room before luke has a chance to respond. he sits through the whole meeting, jaw clenched, hands curled into fists. 
throughout the day, luke reminds himself that he’s the one you’re with. and silena’s theory that you and lee would make a good couple?
ridiculous. laughable. unimaginable. 
later, during swordfighting, you and lee practice together. any time luke is leading a session, you usually pair up with silena, but she seems to have twisted her ankle. not enough to warrant a trip to the infirmary, just a seat on the sidelines. 
luke has no doubt that she’s trying to work her daughter of aphrodite, matchmaker magic. 
between teaching the younger campers, luke glances at the two of you, yours swords colliding and limbs occasionally intersecting. luke demonstrates a new technique, eyes sliding over to you, positioning yourself behind lee and correcting his form by gently adjusting his hips. something bubbles in the pit of his stomach.
gods, if he could switch places with lee fletcher.
you square up for another round, but the fight is over relatively quickly. even with the advice you seemed to have given lee, you manage to get him on the ground, straddling his waist while you point your sword at his chin. you smile down at lee, canines sparkling in the afternoon sun. 
luke remembers what silena had said earlier, about you — the right amount of dangerous.
out the corner of his eye, luke can see silena gazing dreamily at the pair of you, no doubt overjoyed that a new romance seems to be blossoming. 
overjoyed is certainly not a word luke would use for himself now, as you lift your shirt to wipe the sweat from your brow. for a split second, your entire torso is visible to everyone. including lee, whose eyes seem to linger on the tattoo on your ribs for a little too long.  
luke tells the kids to pair up and practice before walking over to your side of the arena. 
“hey,” you exhale, dropping your shirt and smiling at him.
luke doesn’t waste any more time, though, and crashes his lips onto yours. 
he thinks you start to melt into the kiss, but then you bite down on his bottom lip — hard. 
“ow!” he turns away to spit out some blood. “why did you —”
“you just landed me two weeks of extra laundry!” 
“i…what?”
 if silena looked overjoyed before, she’s ecstatic now, practically skipping over to where you stood, her ankle miraculously healed. 
“aha! i win — again! that’ll teach you to question a daughter of aphrodite, especially when it comes to matters of the heart.”
luke, slightly lightheaded, has no clue what is happening. things don’t get any clearer as chris, clarisse, and beckdorf join you. 
chris shoves luke’s shoulder. “bro, you just cost me 30 drachmas!”
“seriously, dude,” beckendorf shakes his head. “you couldn’t have kept it in your pants for, like, a few more days?” 
“okay, but lena totally cheated,” clarisse huffs, stabbing her spear into the ground. 
“what! how?”
“you used lee to make him jealous!” the boy in question waves at you awkwardly before walking off to the archery range. 
“i did not cheat. i had a strategy, and just needed to add some drama to move things in my favor,” silena reasons. “besides, all’s fair in love and war. i’m sorry you had to find out this way, baby. ” 
she plants a kiss on clarisse’s cheek, which does make clarisse’s lips turn up ever so slightly, despite the accompanying eye roll.  
“okay, is someone going to tell me what’s going?”
you sigh and swipe your thumb over luke’s bottom lip, wiping away more crimson liquid that had emerged thanks to your bite. 
“i found out a few days ago that our lovely friends placed bets on when we were going to tell them about our relationship.”
“wait….” luke looks around at everyone. “you all knew? since when?”
“the whole time.” you grin sheepishly. “apparently, we weren’t as subtle as we thought we were.”
“you weren’t subtle at all,” beckendorf corrects, hands fiddling with some spare bolts he kept in his pocket. 
“love is difficult to hide,” silena defends, like you’re her favorite couple on a reality dating show. “the amount of times you’d both show up late to the dining pavilion together, with your clothes and hair messed up was enough to give you away. not to mention, the way you look at each other.” 
“yeah, like two idiots in love,” clarisse mockingly agrees with silena, who jabs her in the ribs playfully. clarisse gestures to her orange camp shirt. “by the way, these aren’t designed to hide hickeys. there are children here to think of.”
“be thankful you don’t have to hear them on the roof of the hermes cabin every night. it’s a wonder any of us get to sleep.”
"oh, and then there’s the showering at weird times and then smelling like the same body wash —” 
“moving on,” you interrupt, much to luke’s appreciation. “when i figured out what they had going on, i wanted a piece of the action.”
luke looks at you, teetering the line between frustration and awe. “so, instead of telling me about this bet and finally having everything out in the open, you got in on it and kept me in the dark, just to get someone else to do your laundry?”
“you know how much i hate laundry,” you shrug. “besides, like you wouldn’t do the same if you had been in my position.”
“well….” you raise an eyebrow. “yeah. i would,” luke admits. 
despite everything, luke is a son of hermes. he’s pretty sure that’s part of why you love him: for his mischievous grins and vices that were woven into his dna, imposed by the fates themselves. the urge to gamble, steal, sneak around, all the lying — everything you couldn’t help but indulge in, as well. clearly. 
you smile, and pull the front of his shirt towards you, kissing him like you’re proving a point. if luke wasn’t so preoccupied, he could have heard silena squealing in delight. 
“ow!” you groan as luke bites your lip.
luke smirks. “karma,” he teases, relishing in how you pout for him.
“get a room,” clarisse grumbles. 
“preferably not in the hermes cabin, please,” chris cringes, and this time luke is the one to shove his shoulder. 
it’s a little too silent in the arena, and luke realizes it’s because you’d all just given them quite a show. a few campers were watching eagerly, while others didn’t seem to be phased in the slightest, only taking advantage of the lack of supervision to goof off. luke tells the campers to keep practicing; you tell your friends to give you and luke some privacy. 
“40 drachmas that they’ll break up at the end of summer,” chris offers, and luke really wishes that he’d shut up. 
“nah, i think it’ll be sooner,” clarisse adds. “maybe right after the solstice.”
“i don’t know, guys. i have a good feeling about this one,” beckendorf says. “i think they’re gonna last.”
“thank you, charlie. i think they’re soulmates,” silena muses.
luke watches as the corners of your mouth turn up slightly, listening to your friends as they walk away. 
“so.” he hooks a finger through one of your belt loops to get your attention again. “everyone knows.”
“everyone knows.” you smile at him. “so, what do you think, tiger? are beck and lena right — that we’re gonna last?”
he can sense that there’s something more behind your teasing inflection. you’re gnawing on the inside of your lip, discreetly picking at your nail polish. 
even with the front you put up, sarcastic and cutthroat and sharp as your celestial bronze knife, you still had a heart. and here you were, looking at luke like he had already stolen it, and you didn’t care. 
you were just waiting to know if he would break it. 
but, luke doesn’t have the heart to tell you how this is going to end. 
how could he? he’d given up his to you, years ago.
he can keep pretending, for now, so he will. 
“i’d bet my life on it.”
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welovelouisandbucky · 5 months
Text
My two favorite Slytherin boys headcanons bc why not?
T/w: few swear words, my writing, and some out of character stuff because im delusional, little suggestive if you can call it that, and yes aside from that if you find any pls let me know:) also my writing
A/n: hi y'all, I just want to say pls be kind as this is my first time writing for these characters so if there's any mistakes pls overlook them thank you! Also I tried my best to keep this GN so everyone can read and enjoy this and yeah that's it, have great day!!!
S/n: requests are open so feel free to send in ideas, I'll love to write what you guys suggest. Also feel free to ask for more Slytherin or any Harry Potter characters you want headcanons/blurbs about, I'll love to write and add more🤗
Masterlist
Mattheo Riddle
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(gifs credits to the rightful owner)
Also this one's long as you can see I got carried away😁
Mattheo who always looks forward to see your face after the end of the day
Mattheo who will fight any one who looks at you funny or talks shits about you
Mattheo who glares at every single person but the seconds he spots you his eyes softens up in millisecond in adoration
Mattheo who holds your books or bag everywhere you guys go, because God forbid if his princess/prince ever has to worry about those things when he's there to do them for you
Mattheo who waits after you when the class is over so he can walk you to other class while he pulls you as closer to him as possible
Mattheo who searches for you before every Quidditch game so he can have his good luck charm kiss from you
Mattheo who pretends to hate and act tough when you baby him while secretly melting into a puddle inside every time you call him sweet names. ( He absolutely loses his shit when you call him baby but shush it's a secret 😌)
Mattheo who has probably drawn you only few hundreds of times in his super, super duper, very classified sketchbook that no one knows of.
Mattheo who always encourages you to do things you want to do but are too scared to actually do it.
Mattheo who always supports your decisions, even if they are stupid
Mattheo who appropriates your little hobbies and interests even if they are weird, he just wants to you to feel safe and heard around him
Mattheo who's always there for you whenever you need him, always there to hold you close on bad days because he knows how it feels when you are at your worst and there's no one to comfort you (thankfully he doesn't have to worry about being alone now that you are here as well as his friends)
Mattheo who struggles with expressing his emotions and feelings but still tries his hardest to show them to you because he wants you to know how much you mean to him.
Mattheo who's not that good at comforting but still pulls you to him because he can't stand seeing you cry and not do anything about it.
Mattheo who willingly listens to you rant about everything and anything because he loves hearing your voice (even if half of the things you said are going above his head but hey at least he's trying! ☺️)
Mattheo who hates not knowing what's happening around him because it makes him feel helpless and he hates feeling weak. That's why he always, and I mean always knows what's going on everywhere
Mattheo who's touch starved (bc yk all that being dark Lord's son and growing up with death eaters and all) and craves your touch. He's always in any way touching you, whether holding hands, or a hand on your thigh or waist just any kind of physical touch because he wants to be as close to you as possible.
Mattheo who loves loves cuddles, doesn't matter who's spooning who as long as you guys are in each other's arms.
Mattheo who loves you so much that it physically hurts him, and there's nothing he wouldn't do you
Mattheo who will always protect you no matter what
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Theodore Nott
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Theo who loves to tease you throughout the whole day just so he can see you all worked up for him
Theo who looks forward to your quick comebacks every time he comments on something he knows he will get reaction out of you and absolutely loses his shit when you roast the shit out of him for it
Theo who calls you sweet endearments in Italian because he loves to see your confused smile, contemplating whether he roasted you or called you something sweet in foreign language
Theo who keeps you company while you finish your homework in library
Theo who loves spending time with you on Astronomy tower (he just in general loves spending time with you but astronomy tower is more special to him) while you are snuggled up against his side as you guys look at stars.
Theo who will read with you, doesn't matter what kind of books you guys are reading as long as both of you are together.
Theo who prefers reading classic novels but will happily read cheesy rom-com books with you because you said so (secretly he enjoys them too but hush🙈)
Theo who actually enjoys reading poetry, and sometimes when you guys are alone he'll read few to you
Theo who's always there to comfort you whenever you have problems with your family because he knows how it feels.
Theo who's always there to stand up for you in any situation
Theo who starts to smoke less around you if it bothers you, but if you smoke too then both of you guys will smoke together at the Astronomy tower
Theo who loves silence and doesn't enjoy talking much but is always ready to listen to you talk for hours, you are the only person he can talk and listen to for eternity without ever getting sick of it.
Theo who loves when you wear his clothes
Theo who said I love you first time when he saw you curse someone out because they said some shit about him, he doesn't really care whatever shit they were saying but seeing you stand up for him made him feel emotions he never felt before.
Theo who just absolutely loves you and wants to spend entirety of his life with you
Thank you so much for reading, likes and comments are very much appreciated. As well as positive criticism, pls don't hate this is a safe place for everyone!! Bye bye have great day!!!
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Enzo's headcanon!
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