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egyptian-sun-god · 3 years

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Never Have I ever S2

SPOILERS.....Turn back now I’m serious.

I’m waiting....

Okay cool your fault at this point

I was fairly critical of NHIE S1, I won’t lie. And I’ll be real I still stand by the fact that NHIE S1 was fairly meh overall.

But holy shit, they knocked this season outta the world man. The show really really found its proper footing this season. They were smart to keep the cheating for only two episodes and explore the repercussion for the other 8.

1.Devi Vishwakumar.

Let’s start with the main character. Devi still does immensely fucked up shit this season. Dating two boys and have them find out in the MOST humiliating way possible. Yikes. Being a really sucky friend to Aneesa and starting that rumour about her (inadvertently) and pretending to her. Stalking her mother and being possessive of her. The really awful apology that was pretty self centred, a bit not good.

But she really does do her best to improve and I am SO proud of that. She uses her father’s advice and apologizes better to Aneesa, she actually handled the Ben and Aneesa dating WAAAAY better than I’ve seen some people handle things like that. I might’ve blown a fuse if two of my friends had 4 tickle fights and had major PDA sessions when we were trying to do a group project. Like she handled that shit fairly well all things considered. Devi actually gets into the beginnings of delving into her trauma and her temporary paralysis and healing from it. I

really see how the label ‘crazy’ weighs on her and how she blew up with it and the message of destigmatizing mental illness. (Crazy Aneesa and Crazy Devi) Her properly bonding with her mother and watching videos of her father and remembering/honouring his memory hit REALLY HARD (since I lost many people in my family recently and that fear of forgetting them has been real). Devi is actually beginning to heal from the loss of her father by strengthening the relationship with her Amma. And the slap from Paati was so so needed, it really gave her a better respect of her mother and fixed the problem I had with Devi mouthing off so much to her Amma. I live to see good maamiyar marumagal relationships. Her relationship with Paxton is really good and it gets developed very logically and having her be scared of being pathetic but in the end she accepted her own self worth and stopped chasing after them which was good.

Overall Devi really blossomed into her own developing person and I actually like her so much more this season.

2. Paxton Hall Yoshida

I was honestly, like genuinely sad last season he was like 80% eye candy with not much else going for him. Paxton had so much faith as a character and Ms Kaling has really pulled him into such a better person this season.

Paxton got hit by a car before swim season, lost his ticket to college and wow, got two timed by a girl he liked all in two episodes. If he was salty about that for more than one season I would’ve completely accepted it. Cause that’s a bad public humiliation.

Paxton episode really really made me love him as a character (honestly more so than Ben) I think because I heard Paxton’s entire worry and irritation that he was being underestimated and no one really expected him to go to college from a friend of mine not more than a month ago. That shit is real, and it hurted my friends a lot that people were really underestimating them and just seeing them as a dumb athlete who has no hope of college. It’s really nice to see Paxton actually want to go to college and learn Japanese American side with his Oji-chan giving him advice and supporting him. And him bringing his grandfather to speak about the internment camps, that seriously do not get spoken about enough.

Also him putting effort and making a genuine effort to work hard and bring up his grades with Devi and therefore bonding with her was really nice to see. I wouldn’t mind them being endgame but Devi does really work a lot better as his pushy Indian mom/best friend/tutor. And Devi getting mad at him for him expecting him to hold his hand throughout really hit well. Was it deserved yeah. But Devi also did blow him off after promising him to study so his anger is justified there. I’m just kinda vibing with Paxton like coming up and taking a better interest in school and being a full 3D character. And that one scene where he gives the extra credit presentation and Trent high fives the man. Classic.

Can I also just say, it’s kinda valid that Paxton didn’t want to date her in public. Is it a dick move...yeah? But he’s within his rights to ask and she’s within her rights to deny. And he didn’t press her once she said no, he went along with it. And what Devi pulled on him is awful, and speaking as someone who’s seen popular kid cliques. Reputation really is important. Like what Devi did made Paxton lose face, if he gets back with Devi he ain’t gonna have any respect left in him. And Paxton was pretty right in deciding to not date her publicly, like even in the end he knows that his reputation is shot for what he did. Do we even know if Paxton has friends that aren’t fixated on his social status? Because becoming a social pariah without having any support of friends is gonna hurt like a bitch. Lord knows how Paxton gonna deal with it. I think Trent might be his only homie after the social downfall he will inevitably face.

I’m just gonna say, Paxton is my favourite now and I’m really rooting for him. Something I decidedly did not do last season. I’m happy Ms Kaling developed him so much and got me interested.

3. Ben Gross

Ah. Ben. Ben’s not my faaavouriteee.......like he’s fine. But I don’t love him. I can definitely see him and Devi becoming an almost endgame couple though. Especially with S2 ending.

Ben is fine and he’s pretty developed, especially with his episode in S1 and it was good he took a backseat this season and let everyone else star. I feel like he’ll come back strong next season though.

Personally do I ship him with Devi? No. I’ve been in a friendship with the similar competitive dynamic as Ben and Devi. And it was terrible. We loved to argue and we got each other’s super brainy side as Devi puts it. But we pushed each other faar too much and even the small things became arguments and each pthers achievements became jealousy. So yeah....I don’t have too much faith in the dynamic due to personal bias, but I’d love to see how it gets handled.

Also my brother Ben, PDA is a thing and it is common courtesy to refrain from it. Man’s really going at it with Aneesa half the time. But also the moment where Aneesa sort of choked on the presentation and Ben’s irritation at it gave me BAAAD vibes. It feels like while Devi can match him, they might push each other too far,

4. Kamala

I LOVE KAMALA. Girl is an ENTIRE vibe. My sweetheart, love of my life. I could go on. I really like her development as well and the banter between her and Nalini. The part where Nalini practically said she looked like a call girl and she was like ippadi potathaan velaila mariyaatha kidaikum. I legit had to pause, scream in laughter for a good few seconds.

They had such a good story with her and wanting to fight against the fact that they took her work and didn’t credit her and everyone was telling her to like take it bowing. Prasanth’s advice unfortunately checked out to me, because I’ve been told that all my life. My dad says it a lot and I know he doesn’t say it cause’ he doesn’t believe in me, but he loves me and wants my life to be easier and for me to succeed and his experience is that he’s had to deal with things like this and fighting won’t help. So yeah, what Prasanth said did not rub me the wrong way at all and I agreed with it and I’m fairly disappointed about that. I get that she got nervous and had cold feet about marriage but I do hope she and Prasanth can work this out through communication. Because I really don’t feel like Prasanth is the bad guy here. It’s just a miscommunication.

So yeah, a LOT of Kamala’s storyline continues to really hit me hard.

5. Nalini Vishwakumar

Nalini really had so much more screentime to blossom. I love that she has a good relationship with Mohan’s amma. It’s wonderful and I love it. Also I was shocked to see the house in Chennai. Like this house...in Chennai. The Chennai I’m used to and the Chennai they are used to are different Chennai’s. Basically wealth gap is crazy as hell and I was lowkey highkey confused if the actually shot this shit in Chennai. But props to the directors for putting some proper Tamil vibes in there. Like the scene where they kaala thottu kumbudurathu (touch the elder’s feet) before they leave for the US is so real and so vibes. I like that they decided to bring paati back. I was like hoping for it.

Also they really went at developing Nalini’s character as a workaholic mom who doesn’t get her daughter. That’s also a really common thing in Indian households with one working parent so I’m happy they portrayed that. I’m happy Nalini actually has a life outside her family portrayed and is still such a typical mother that it hits HARD. I love Nalini and she really developed as a character dealing with grief from Mohan’s death, the wish to move on with Dr.Jackson but knowing that she isn’t ready yet.

They gave her character a life and proper working outside Devi and it really has shown to develop her character and impact her relationship with Devi. The advice to “just say yes” works with cousins and younger siblings as well, I’ve heard it before and used it..and it saves so much time. Especially with small children.

(A memory I have is of my younger cousin going on and on about a princess and a castle and fighting a dragon and the witches and so much fantasy shit and ended with do you wanna come? I just clocked off my CCA’s and I had no energy left to question it so I just went yeah sure. Easiest decision, and 10/10 advice. )

6. Aneesa

I’m not gonna lie. I was skeptical of Aneesa and I didn’t like how Devi saw her in the trailer. But Aneesa reminds me so much of me....and its killing me.

Also the scene where she charms the hell out of Nalini and paati ma has literally happened to me before. Most of my Indian friends hate it..because I was raised with a lot more traditional manners with my grandparents so me and my siblings all are old fashioned which parents LOVE. And I really saw that Aneesa charming them and Devi also realizing, Damn none of my friends actually treat my family the way they should be treated, perks of having an Indian friend.

Also the scene where she gets Devi out of trouble is so so real. Because if you have one responsible friend that you parents trust, you could lie the hell to them, get you homie to back you up and it will work. Personal experience. So yeah, Aneesa character resonated with me a lot.

I also like that she wasn’t just a popular 1D Indian girl but she was genuinely cool and actually had proper issues and development where she gets more open to Sherman Oaks and actually kinda properly rebels against Noor, with having Ben as a boyfriend.

I feel like Aneesa has a lot more potential for growth, especially with the relationship with Ms Noor and Aneesa acting as a foil to Nalini and Devi’s. Also, I feel like Aneesa can grow within her social status at school as well and have Devi maturely handle it. Aneesa I feel will really really challenge Devi’s ability to be mature.

7. Eleanor and Fabiola’s plotlines

Okay like actually, major props to Ms Kaling man. This show touches so so many teen issues in one goddamn show. Emotionally manipulative relationships. So SO good. A lot of newer age relationships have a much more subtle and dangerous line of abuse that’s hard to find out. Like honestly it took me a while to see it as well and I realized oh fuck. oh fuck...I see it it’s bad. They really got the essence of Eleanor’s flamboyance matching with Malcom? (is it Malcolm..fuck it it’s Malcolm now) his “suaveness” and traditionally charming tendency. It made sense and it’s very realistic how Eleanor got played like a damn fiddle. I also again feel that the make up was faar to quick but I really appreciate that Eleanor got her own storyline with her step-mom and understanding of relationships instead of the show hyperfocusing on just Devi. I respect that a lot. Petition to get a Eleanor narration episode.

Fabiola’s storyline also was well taken. It’s an interesting added layer to the queer experience and how queerness can be expected to be performative and but really its all about being more of yourself. The idea that queer people don’t owe nobody anything or have to perform an ideal version of queerness and Fabiola struggling with that kinda hit. The part where they talked about her mother learning to support them and being Cricket? Queen/King. Like being trailblazers for the POC community and the LGBTQ+ community having overlapping struggles. Again, I liked that Fabiola was getting more personal screentime and less of her story revolving around Devi’s.

8. Everything else

I liked that there was more Tamil being casually thrown around. Like the Kamala vaadi to hold the suitcase down as they zipped it together was funny and relatable. The accents were really interesting because I promise you, I had no clue what they were saying sometimes. Nalini’s dialogues in Tamil were like immensely difficult to understand, and my Tamil is fluent. This isn’t a criticism... I’m fairly certain the difference is to do with the regional difference. American Tamil and Malaysian + rural Tamil slang are going to have huge accent differences so there’s no surprise that I found Nalini’s Tamil hard to understand.

I’m really really really meh about the Kamala and Manish/Mr Kulkarni thing. I still think she should sort it out with Prasanth maybe but I’m open to seeing where it goes. I might change my mind with it.

This show like any other show had its highs and lows. But I really really do feel that NHIE season 2 managed to truly figure out what the hell it wants to do and developed into a very strong and very entertaining show in terms of representation and diversity. I’m looking forward to season 3.

#nhie netflix #nhie season 2 #nhie s2 #nhie spoilers #nhie review #never have i ever #never have i ever season 2 #never have i ever spoilers #i have a lot of thoughts #bear with me here

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bular · 3 years

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Welcome to Live Commentary

I had no one to talk to while watching the movie and I hate being alone with my thoughts so I wrote everything down in my notes app. It's not coherent! Enjoy!

Aw yeah 1.5 seconds of Bular that is all I needed! Might as well stop now I've seen my boy I'm satisfied.

Why is there a nearly 4 minute recap as if I haven't watched the show at least 50 times. I should be the one giving the recap.

The beginning felt a bit forced to me but maybe that's just me? Like they just tried to squeeze too many things into a small timeframe without any buildup, it just didn't really work. Congrats on the engagement! This is my OTP so I'm very happy! But it came out of nowhere.

Nari in Douxies body is so wrong and I love it and hate it at the same time (positive)

Eli is BIG. I knew he was gonna be tall but I was not prepared for that chiseled face. Or the fact that he stepped off the ship without glasses? I wear glasses and I would not choose to step off a spaceship blind.

OkAY who had mpreg on their bingo card?

AAARRRGGHH actually said a full sentence 🥺 there is no heterosexual explanation for this scene and I'm here for it

Arcadia being the center of the universe really does make a lot of sense. I hate how much sense it makes. Despise it.

Strickler in a Christmas sweater is something i didn't know I needed. Jim's jacket too but that's just adorable, Jim's adorable. Oh sweet baby you're about to get fucked over so bad.

Love seeing Barbara actively participating in battle too. Good for her! Power family!!

Where are the kids tho? Is NotEnrique babysitting? Either that or they hired the girl from the Incredibles movie.

Nomura is so talented I love seeing her fighting on the good side. I can't explain it but I love digitigrade legs they're just so pretty?? Aesthetically pleasing??? Fuck yeah, legg! I could watch Nomura run around and be badass all day.

WAIT NO OH SHIT HOW DARE YOU FUCK

STRICKLER DON'T YOU FUCKING DARE NOT YOU TOO THAT'S TOO FUCKING RUDE DON'T DO THIS TO ME

THERE'S NO WAY HE'S DEAD RIGHT WE SAW NO BODY

Barbara does not deserve this I refuse to accept it. He's fine he'll be back they wouldn't kill two Changelings at once. Also Nomura is with Draal now I take no criticism.

So my favorite characters were Bular, Draal, Gunmar and Angor. And before this movie I always half-joked that everyone I love dies, how I still like Strickler and Nomura but apart from them all of my faves were killed in the very order of favoritism. AND NOW LOOK AT THIS. THIS IS WHAT HAPPENS WHEN I LOVE A CHARACTER. MY LOVE IS TOXIC.

OKAY I LOVE GUN RO- WAIT NO I DON'T LOVE HIM FUCK ABORT ABORT

It's great tho omg

I didn't realize it was Gun Robot when I saw it in the trailer this is amazing

Okay but imagine you're chilling in your trollmarket minding your own business when some misfit group of strangers waltzes in, steals your favorite shiny and celebrates your death before running off

"I AM GUN ROBOT" IS THE HORN LMAOOO

Nana better show up at some point to reunite with her boytoy, I'll cancel this entire franchise otherwise

Something bad is going to happen to Toby isn't it. He's getting too much screentime

Jim's hand got DEEP FRIED

ARCHIE NO

We can play Scrabble okay if they don't free them (which they must) I want an after credits scene of them playing scrabble

Douxie and Nari's bond 🥺🥺🥺

Nari pls just say what you fuckin mean the world is ending

Oh god is she going to remember killing Nomura oh nooo

Claire don't make the portal you will die again. Your hair gon be white all over

EVERYONE AVOIDING THE SCHOOL JUST RIGHT THERE LMAO RIP

I love how Darci is just with the school bus. Civilian girlfriend. But also love how the world is ending and Coach is like "fuck that I'm gonna teach these kids"

Does he know his son is pregnant

"Going back to the city where it's safe" buddy have you been to that city

Whatever happens, Nari has the coolest looking titan. Giant four legged gremlin. I'd adopt him.

WAIT SHE CAN FEEL THE PAIN?

Me: oh i love that titan

The titan 5 seconds later:

Did Nari just fucking die what the FUCK

Oh of COURSE the pages are stuck together RIGHT THERE

Seriously tho how do you not notice an entire nougat nummy in a book

Wait so Arcadia has another heartstone? Or OH SO IT'S ALIVE. OKAY GREAT. GUNMAR COULDN'T EVEN DO THAT RIGHT HUH

Love how the Heartstone has been dormant/dead for months and apparently heard Blinky say it's alive and decided to wake up RIGHT THEN

Finally they're evacuating the city. This is like, the third apocalypse there. About time.

Okay so you can't pull Excalibur from the rock, but you CAN carve out the stone. Couldn't you just carve it off the sword as close as possible and like. Use that? Just swing the whole damn rock around?

God i can NOT get over Steve's pants. I mean I read a spoiler he was gonna be pregnant but I thought it was a prank or shitpost. I did not see this coming and I am never going to be over it. I love how he and Aja just roll with it and nobody else even cares. They've seen weirder stuff. So he's pregnant now. Whatever.

Jim's hand is bandaged and his ribs still hurt. I love that they're actually consistent with his injuries. I mean sucks for him but hell yeah for hero that doesn't always win!

Okayyy here comes the heartstone. Why not!

IS HE IN LABOR

So if you kiss an Akiridion 7 times you will have 3-5 babies in a few hours. How are they not overpopulated?? Also Aja couldn't have WARNED STEVE BEFOREHAND?

Eli is so supportive omfg

So uh where are the babies gonna come out of? I'm not into mpreg how does this usually work

OH STEVE THANKS FOR ASKING MY QUESTION

Oh good thing he happens to have 8 friends still alive. Otherwise this would've never worked. Nomura had to die otherwise there would've been 10 of them.

Why is everyone bowing to Jim? Did they rehearse this?

Stuart if you hadn't taken a bathroom break you would've thrown off the math and doomed the world. That was a poop of fate my man

Ahhh the signature quote. Where did Douxie and the Akiridions learn it? Did they rehearse this too? It's really cliché but I do like it tbh

If Strickler were dead we'd see more Barbara right?

WOOO BLINKY DRIVING

Ah Jim just used she/her for Bellroc! Finally we're learning some pronouns. I've been wondering this whole time.

MY VIRGIN EYES. WHAT IS GOING O N

How are they not dying with all this lava?

She really just yeeted Varvatos

Did Claire just tell AAARRRGGHH to jump off the titan and he did it without question

I want to say I like Stuart and want him to have more screentime, but I won't say it because I don't want him to die

Jim's poor ribs

Toby can drive yoooo

Tobyyy you're scaring meeeee

So did they really need the different stone or was the amulet just waiting for Jim to choose death over giving up

I saw the armor before but it looks VERY COOL

Also I didn't mention this before but I love that they cut Merlin's name from the incantation. Good for them.

Toby you lost your helmet noooo

For real tho I'm terrified for Toby rn. I saw a comment somewhere earlier that just said "Toby no" with no context and I am AFRAID

So do Bellroc's eyes work after all? I thought she was blinded back in Wizards in the past.

DID SHE JUST FUCKING STAB MY BOY

TOBY YOU SHOULD NOT BE THERE GET OUT THE TRUCK

Bellroc maybe screaming "i'm powerless" in front of your enemy isn't the best idea

She sploosh

DID JIM SURVIVE THAT FALL AND ALSO IS THE TACO TRUCK OKAY

How is he lifting Claire like that buddy you have bruised ribs and just got stabbed

ELI HI CAN WE SEE THE KIDS

SEVEN KIDS! AND ELI JR I LOVE IT

This show really loves to give people more than the recommended amount of babies with no warning huh

She immediately knows which one is Eli Jr 🥺 okay listen I'm not the biggest fan of comic relief sideplot surprise babies, but I have to admit they're cute. Cute couple. Throuple. Eli is in on this. He even has a Junior.

I TOLD YOU WHERE'S THE DAMN TACO TRUCK NANA WILL NEVER FORGIVE YOU AND NEITHER WILL I

Oh yea he better fuckin be alive I will commit murder

HE BETTER FUCKIN BE ALIVE BITCH

FUCK YOU

THAT'S A WHOLE ASS CHILD HE ISN'T ALLOWED TO DIE IT'S ILLEGAL

JIM IS GONNA LOOK DOWN AT THE GREEN GLOWING BITCH AAARRRGGHH CONVENIENTLY THREW THERE AND SEE HIM ALIVE OR SOMETHING

YEAH USE THE SWORD TO UNDEAD HIM! THAT'S HOW YOU USE SWORDS!

Unbecoming Part 2

So is Jim just gonna Groundhog Day it until everyone is fine? There's only 13 minutes left we're gonna need a bigger movie

Also I screamed so much about everyone's death and now everyone reading this after they already saw the whole thing is gonna shame me for clowning huh

The scene where Blinky is giving his goodbye speech, there are no babies and Steve has a round belly? Did he reabsorb them?? I mean I know Jim is about to un-birth them but he hasn't started yet

JUST HOW FAR BACK IS HE PLANNING TO GO

WAIT HOLD UP EXCUSE ME WHAT

Oh they did NOT just do that. I though he was just gonna go back to like, the start of the movie maybe. Not all the way

Imagine being in your early twenties with as much trauma as this kid has and having to pretend you're 16 again

Somewhere Unkar is complaining because "oh sure NOW it's a good idea"

I know Jim is wondering where Toby is because he was there before. But before, he made an entire meatloaf AND did his homework before leaving the house, so honey maybe wait a minute

For a second I thought Toby wasn't gonna be there and Jim would return to the right time. But there he is!

Alright so they're in school now, did they take the canal and just didn't mention the amulet on screen or did they pass it as if the Unbecoming episode hadn't been that traumatizing? Jim you know what happens when you ignore it

Jim maybe you're being too obvious here lmao

Soooo. Anyway. These whole past years I've rewatched this show over and over and over again are cancelled now?

OKAY AT LEAST WE SAW NANA FOR A SPLIT SECOND THAT'S IRONIC TIMING

So we get the quote again. And Trollhunter Tobias is nice. Cool. Cool AU I mean, but I don't know. I don't knowwww. I've been way too invested in everything to just accept that it never happened?? So uh. Hm. How about this.

Strickler survived because fuck you, and Toby also survived and just has scars now. Maybe a wheelchair but he's fine, also he can use the Warhammer for super speed and make it awesome once he's used to it. Archie and Charlie get freed once they rebuild the bridge (and they were playing scrabble to pass the time). Nomura is still dead because she died on screen and I can't really deny that but she's with Draal so it's okay. Everyone is traumatized but they'll be fine. NotEnrique is still babysitting 500 babies and Steve is about to bring 7 more.

In summary, I reject Groundhog Day ending but everything else was great, as long as it actually happened. It was a good movie. But you can't just cancel years of passion. Having the prospect of a million "canon AUs" sounds great for writing but at the same time nooo you can't do that he didn't have to go back THAT far HHHHH

I liked the movie. It was a great watch and a satisfying end to a franchise, but I gotta say I do not fancy the ending of it so I will from now on be in denial. I honestly feel kind of betrayed that this show was my whole life for so long, I learned every smallest fact, and they basically deleted it from existence. I know what they were going for, I think, but no thank you I will be going with my own opinion. Still gonna rewatch it a few dozen times though ✌🏻

And that concludes my live commentary that was supposed to be a small handful of notes. Feel free to shame me for my opinions. See ya!

#rott spoilers #trollhunters #tales of arcadia #this got a LOT longer than expected #i'd be surprised if anyone actually read the whole thing but oh well #i just. have a LOT of opinions #i started out so optimistic too #mpreg mention #can't believe i have to use that tag on a post about canon

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kachinnate · 3 years

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,,,,okay i know i just said i wasn’t going to talk about the deh movie but actually yeah imma talk about it for just a sec bc y’all actually make me legitimately distressed sajkfndsmjkgds

https://www.youtube.com/watch?v=hLQ_A0H1otc i dont have the braincells to do a shot by shot analysis right now but here’s what we’re lookin at

under a readmore because ghhhhhhh

firstly, let me lead with this: yes, from what we know, there’s a lot of things wrong with this movie.

the worst, in my humble opinion, being the bts treatment of the (very few) actors of color, and the lack altogether of any production team members of color. that’s something that should be acknowledged, talked about, and fucking dug into especially at the current fucking period of time we’re living in. it’s unsurprising, but disgusting nonetheless, and it set this movie up for failure from the very beginning. i’m a white person so by no means so i feel inclined or like i have any authority in saying what one should feel wrt all of that, however i will say if there’s to be a boycott in not watching this movie, that should 100% be the reason why. it’s fully poc’s choice whether or not to forgive the production team or give this movie a chance for the irredeemable shit it did in regards to handling the movie’s production. the movie imo definitely doesn’t deserve their forgiveness, but again, that is not for me to say.

there’s some little things too that i can’t fully think of off the top of my head - like, the whole making larry connor’s stepdad thing fucking irks me, for example, but, like...... listen.

if you know me like at all, you know my favorite word is nuance.

so, i’m going to say it outright: the way you people are approaching this three minute trailer shows literally.... none?? no nuance ??? is it no-nuance november over here or ???? like i’m begging you i’m BEGGING YOU to put aside your pre-determined prejudices against this movie and like stop pretending to be a renowned film critic for ten seconds because it’s really not as outright fucking abysmal as you are saying!! and also it’s possible to have opinions that aren’t completely fucking polarized to one side because guess what, the deh movie? a piece of media! what is the shit y’all are constantly preaching about having the ability to consume media critically ? because you’re trying to cancel a fucking trailer based on the contents of the trailer alone !!!!! hello !!!!!!!!

media is bound to be problematic. if y’all were as quick to judge any movie as you did this one, guess what you wouldn’t be watching any movies like ever <3

anyway lets get into the parts that are probably going to get me cancelled lmao

ben platt - listen. LISTEN. listen i know he’s too old to be reprising evan we ALL know he’s too old to be reprising evan i’ve heard this same argument since the announcement was made we get it we all know. haha he’s a grandpa yes bestie ur so right ur so funny wow. i do agree that we should’ve maybe had a not-ben-platt evan moment but here’s some things to keep in mind: the arguments of “oooh ABF is right there !!!!!!” 1. who’s to say he was available? 2. the environment of a movie is so, SO much different than that of a musical -- as much as you wanna pretend you know everything from just a trailer, there’s no way of knowing what scenes were added that might’ve made the movie like.. idk possibly more intense story-wise not even COUNTING the fact that just inherently a movie set is different than a musical one? like yes ben platt might be just being used as a device but that’s probably not the sole and only reason. Also, if i see One (1) more comment about his FUCKING HAIR 😃 first of all it’s not that deep like... if you’re so distracted by an actor having their hair different that’s on you, but going as far as to call it bad or distracting or being like Vehemently a way about it? y’all i know it’s most likely not your intention but that is literally just ben platt’s natural fuckin ETHNICALLY JEWISH hair sajknfgkjds!!!! i’m not the first to make this point, but like dsjnfkjdsg!??! y’all are being so mean about it and for WHAT? again, maybe not intentional, but it reads as like high key Very antisemetic and you should.... maybe not 😳 be that way

connor. the thing about a trailer is that they don’t show you all the scenes because they want you to come see the movie. right? can we agree on that? all the connor scenes in the trailer had SEVERAL hard cuts, omitting a lot of the scene -- like the computer lab scene! we see the beginning of it, there’s a VERY obvious hard cut, and then he’s running out! in my opinion my first watch through of this trailer i had a very like “:// hmm all these actors feel a lil like dry”, but man oh man the comments ive seen about connor. holy shit guys. this boy gets 7 minutes of stage time in the actual musical, and the whole thing is we DON’T KNOW VERY MUCH ABOUT HIM. not to burst your bubble, and i by no means hate connor, i love me some good connor lives fics and stuff, but everything we write with connor being alive? that is !! speculation on our part !!!! those are headcanons and us using the little context we have!! connor doesn’t have any significant development IN THE SOURCE MATERIAL that is being adapted into a movie !!! you 1. can’t fully judge a character with already limited screentime in a 3 minute trailer, 2. can’t really call what connor has canonically in the musical as in depth character development !! what is his arc then !!!! he pushes evan, goes to the computer lab, has an outcast loner kid moment, gets upset, takes the letter, DIES. sorry stans, that’s just how it is !! and, AND, everything in between, all the idiosyncracies, that depends on the actor playing connor! speaking of, you know who the actor is playing connor in the movie? that’s right, colton ryan! so, i don’t know, maybe... have some trust in the process, in an actor who ALREADY has played connor on broadway???? and also trust that you will get more connor content then u are seeing from a 3 minute trailer!! dhgnijsdg and some of the comments on like his appearance specifically? like are you really made that he doesn’t have long hair?? they kept his nails and his rings but nahhh the hair was apparently a MUST HAVE (even though like.. not all connor actors on broadway always had/have long hair but w/e).. REGARDLESS. tldr on THAT , the movie would have to do a pretty shitty job if they want to take something from someone who doesn’t have much to begin with and i think y’all are being extremely harsh on this point

jared. honestly i’m a bit worried too about the like... name change, because it does have the potential to be taking out some representation, but... they did change the name to fit the actor’s ethnicity? it’s a really [hmm] topic because, again, from a trailer and from what we have been told we don’t KNOW a lot of the context, but i think it’s important to remember that uh.. jewish people aren’t just? always white ?? there’s a possibility they changed the last name to fit with the [ethnicity] while keeping him jewish?? ofc there’s the possibility that they Didn’t and ... again hm that’s its own thing altogether but just reiterates the point that you can’t knock a whole movie just based on the trailer. you can’t talk about things you know nothing about.

alana. same thing as before, you can’t.... completely bash a character based on a 3 minute trailer. there was discussion about how she seemed ‘shy’ when talking to evan, which like.. maybe she is but also that scene was them talking in a library like if u actually take notice of what’s happening in the scene jdskngsd though i do share the general consensus with many others that she won’t get a lot of screen-time but that’s neither here nor there 😔 moving on

scenes and the setting. one of the things i was most like.. tentative about in regards to a switch from a musical to a movie was how they were like... going to do certain scenes? naturally, a lot has to be different when we’re going from a minimal stage set to an entire movie with like.. settings. there are going to be new scenes because a movie lends to have like, physical places that aren’t just [evan’s bedroom] and [murphy kitchen] and [implied school]. so new scenes, new conversations, slightly different pacing.. this is all to be expected right like are y’all geneuinely surprised here or ........

there’s a lot we aren’t seeing yet because this is a TRAILER. again i already mentioned this re: connor but like... again, y’all are making some Claims that just... fucking outlandish. there are so many moments in the trailer that are very obvious Hard Cuts. you don’t have all the information yet. you are angry at a tiny fragment of something that is confusing you because you don’t have all the context. is there a chance that some of this shit is just genuinely Bad? yeah but you really cannot 100000% say it with your chest and gauge it without seeing the movie and understanding what that scene is in context. lowkey uhhh saw some jokes about the zoe scene in the car and :’))) ? jesus? christ????

concluding thoughts because my brain hurts but like. you don’t have to like the movie. you don’t have to WATCH the movie. like all media if you choose to consume the movie you should do so with some CRITICAL THOUGHT. but, just like the novel (and i do not want to have any discussions about that i don’t care if you think it’s good Or bad that’s not what this is about) you guys are going in this WANTING to believe it’s bad and completely polarizing your thoughts on what this is going to be. yeah, maybe there shouldn’t be a movie. i genuinely think we could’ve gone without. but it’s just a piece of media, it’s not a progression like all your (musical is good, novel is bad, MOVIE IS WORSE OH NO) posts are suggesting. they are all just. different pieces of media stemming from a source. at the end of the day it’s just a fucking movie. if you already hate it so much, guess what? you don’t have to watch it! you don’t have to put so much needless fucking hate into a 3 MINUTE TRAILER. you can stop being performative and dissing it for its poor treatment of POC while then going on to make fun of ben platt’s hair and just targeting a different group like! please !!!

i’m not trying to be a fuckin’ advocate for this movie because there’s so much opportunity for it to suck, i do Not have high hopes for it, and i’m not even really sure i want to watch it (i bought the novel when it came out and have yet to read it, and i’m sure the movie will like.. elicit very similar vibes from me lsdngjkdsg like im just not uhhh feeling it) but y’know what? watching the trailer did not bring forth the fucking onslaught of hatred in me that apparently has fuckin posessed all of y’all and like djnsgjksdg plagued my dashboard for this whole evening. don’t come into my inbox trying to like.. argue with me about this (preemptively im turning off anon because i like i Can’t lmao) this is just like... a rant i needed to get out of me real quick.

SO. tldr for now: have critical thought about shit you consume, there’s no ethical consumption under [the film industry], you can’t judge a movie entirely on its trailer, and y’all need to calm the fuck down

#garbage.txt #deh movie #ask to tag #irrelevant #bc this is lowkey a vent bc jfc #this isn't @ anyone btw this is just [in general mostly just from my dash] bc.. sighs #anyway im gonna refrain from making any more comment on this its just. frustrating.#edit: ok to rb

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ihatetaxes99 · 3 years

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A Brief Retrospective Look At MVA (In The Anime)

Well. Here we are. Every end of the time is another begun. After what has felt like years of anticipation (mostly because it actually has been years), My Villain Academia has been fully animated. Well, "fully" may be the wrong word here, but that's something I'll get into later.

To honour the end of the arc, I decided to do two things: One, I re-read the entirety of the arc in the manga all in one sitting; Two, I rewatched all five episodes of the anime's adaptation back to back once again. My life is pain and I know not of sleep. Anyway, the reason I did this is because of a little project I proposed to myself back just before the first episode aired; Once MVA was done and dusted, I would go back and give my own retrospective on the whole thing. Because why the hell not, sounds like fun. This will also hopefully be less emotional than my thoughts I shared as the episodes were still airing, but who knows?

So, let's begin. And I wish to start by stating that My Villain Academia is my absolute favourite arc in the manga. It did a lot of things right. It focused entirely on my favourite faction, the villains. It offers a glimpse into their lives and goes a long way in humanising them, particularly Spinner and Shigaraki. It sets up key points for others too, such as Mr. Compress' habit of thinking more about the bigger picture than the others, which would factor into his major reveal during the Paranormal Liberation War and of course the formation of the Front itself. It introduced us to Rikiya Yotsubashi, one of my favourite characters in the manga, even if he honestly peaked in this arc and was never as good again. And it gave us a large-scale, grueling fight for supremacy in which I found myself actively rooting for the League. It is, in my mind, the very best of BNHA, the only arc I would want them to do well in the anime. They could screw up literally everything else and I would be happy if MVA was even just as good as the manga, it didn't even need to be better. I would have been delighted to have an excuse to experience the arc all over again, seeing my favourite moments with the sublime soundtrack and voice acting.

Yeah…

But before I get to that, let us take a little trip of sorts down memory lane to see the road to MVA, what led to it. So, 2021 rolls around. What a fun year. It's just 2020 without the excitement of everything being so uncertain, and frankly it's been really fucking boring as a year. However, BNHA Season Five was announced. In February, we get the first trailer for the upcoming season. It's... It's fine. Obviously, it focuses heavily on the Joint Training Arc (in fact, that is all it shows) and although I despise that arc with a passion, it's not too bad. I had not watched the anime since Overhaul ended, so my plan was I just wouldn't watch JTA and would wait until the big attraction, MVA. And so, Joint Training starts. And it goes on. And on. And on. I checked back almost two months later to discover it still wasn't over yet. Now I found this odd. Joint Training Arc was horrible for many reasons, but the big one was that it dragged on for so long as a result of Horikoshi's health complications, which is by no means his fault. But, surely the anime, which would consistently release on a weekly basis, wouldn't have the issues associated with this. Episodes of BNHA have always encompassed around three to five chapters, and Joint Training's were shorter than usual, so why was it taking more than ten episodes to adapt it?

Very strange, but I didn't question it much. Then, the key visuals released, confirming that MVA was at the very least happening. Great, wonderful. I love it. We've got the whole gang there, seeming like they're in Deika, looks pretty good.

Wait, did I say whole gang? Yeah, my bad, there was someone missing. Spinner. Now, I am not the biggest Spinner fan so I wasn't prepared to riot over his exclusion like I would have been if Compress wasn't in it. But this was starting to get strange. Spinner was the main narrator of MVA. Even if his importance was not on the level of Shigaraki, Twice and Toga, it was certainly more than Dabi and Compress, who did both appear in the art. Why was he excluded? Obviously, I bet you're all having a good old chuckle to yourselves right now because in retrospect, this makes perfect sense now.

Alright, then. I heard from a friend around June time that Joint Training was finally over. Awesome, great, time for the good stuff- why is there a Christmas episode here?

Yes, this was probably what really started to get the alarm bells in my mind going. The Christmas episode- in June. Very, very strange. Also, absolutely no mention of Rikiya, which even if they were reshuffling things, I would have expected him to appear in the episode of Bakugo and Todoroki getting their licenses, since it directly ties in. Concern levels rising, I shrugged it off and waited for next week.

Bam. Major reshuffling. Now, Endeavour Agency comes first, fuck you if you want context for who the hell the PLF are or the significance of Destro's memoirs. This was really starting to worry me now. I told myself that the key visual meant that MVA had to be happening, but it was starting to seem like the villains were being shafted. A fact not helped by the new OP.

Look, I'm sorry. I don't mean to complain or whine, but season five's second OP is just bad. The music is fine, I have no problem there. But the visuals are just awful. Not only is there an extended focus on that stupid bloody trio of Midoriya, Bakugo and Todoroki, not only is there more screentime given to characters who don't appear in MVA or EA than the main cast of the former, but the animation itself is just so stiff and lacking. It had potential, but the visuals are the worst out of any recent anime opening I've seen in a good few years and this was what got me really panicking.

Boom, a beach episode smack in the middle of Endeavour Agency to promote the upcoming movie. Boom, adapting two chapters per episode during EA. Boom, the Shirakumo episode, which I always thought was part of the War Arc and not EA. But finally, mercifully, the title leaks came and it was revealed that episode 20 of season five would be the start of MVA.

20. Out of 25. And it was pretty obvious that they weren't going to end the season with MVA, so really, up to 24. Ohhh no…

But hey, I'm an optimist sometimes. I was excited to just finally be clear of all this nonsense and get to the real good stuff. Hell, in preparation, I watched the entirety of the season up to that point. I finally realised why JTA took so long and it's one of the most depressing things I've ever learned, in a bad way. Were all those flashbacks really necessary? EA was okay, as someone who as a manga reader, already had the necessary context for the PLF stuff. The beach episode, I watched half of, got too bored and skipped the rest of. And you know what, I liked the Shirakumo chapters. They weren't as good in the anime, but it was nice to see.

And then, finally, in comes episode one of My Villain Academia, on a cold, dark August morning. I even bought Crunchyroll Premium to watch it as soon as possible, I was excited. All the messing around, all the crap, it was finally over and the time had come to enjoy what this season was really all about.

I can now safely say why Bones kept pushing back MVA, because if I was them, I would be embarrassed to show this.

No, that's not fair. I promised I wouldn't get too snarky, so let's reek things back in. As a whole, MVA has been… fine. Just fine. Not good enough to justify the bullshit, but not horrendous (mostly.) In fact, right now, I'll give a ranking of the episodes, my worst to best:

5) Episode One

4) Episode Two

3) Episode Three

2) Episode Five

1) Episode Four

Yeah. So, there's a clear pattern here, that things more or less got better as time went on. From just straight up bad, to still not great, to alright, to the final two episodes being what I would comfortably call good. This is not a good look. I'm sorry, but Episode One, an episode that I just called bad, is still one of the season's best in spite of that. That spells out awful things for this season as a whole. But what exactly made this such a disaster?

Well, cut content is the big thing. MVA in the anime cuts out:

The League's battle with the CRC

Their struggle with poverty

The sushi joke setup

All of Spinner's character

All of Rikiya's character, including most mentions of Detnerat and Miyashita

Fairly integral pieces of Skeptic's character

Most of Giran's integrity and bravery

This doesn't look too bad at first. It could be far worse. We got basically everything else from the arc, so what? Well, I would already be annoyed about all of these cuts, but the issue is that they cause a knock on effect. Without the establishment of the League's poverty, the payoff of Toga's duffle coat now makes no sense. Without the setup of Spinner's characterisation, his battle with Hanabata now feels hollow. Rikiya's surrender to the League now makes even less sense, as his love of human life and desire to cause no more death is completely non-existent. The first time Rikiya being a CEO is mentioned is in the closing minutes of the arc. The sushi scene is hamfisted into a two second flashback just so that the payoff makes some sort of sense, but again, it is hollow without it being at the start (this is also the first mention of the League's poverty and it literally happens just as they are freed from it.) Can you see how these little seemingly unimportant cuts spiral into bigger problems? I would have been pissed even if they hadn't caused some tremendous cascades, but the fact that they did just makes this from a subjective issue to an objective one.

Yes. They did some things well. Toga's backstory is mostly intact, SMP is just as satisfying as the manga, Tenko's backstory is one of the best things the anime has ever done, the awakening is very well done, I adore the PLF formation as much as I did in the manga. Everything important is intact, but as I keep saying, you cannot just keep the bare minimum and expect it to work. How about in the next arc, they decide to cut everything involving Bakugo out, and only keep him jumping in front of Midoriya because it's the only absolutely necessary thing he does in the arc? People would be pissed, and it's the same thing that's happening here. It's a problem, it's not just a bad adaptation, it leads to bad storytelling in general.

The animation. Now, I do not believe this is a be all, end all. BNHA's anime is never going to look as gorgeous as Horikoshi's art, that is a fact and I do not begrudge them for that. They have a week to draw hundreds upon hundreds of frames, it's not a process that lends itself well to good looks and the animators and artists do their best with what they have. This does not change the fact that it is extremely hit or miss. Some things, Tenko's backstory in particular, look fantastic. Other things, mostly every action scene, make me laugh at how bad they can look and some things, particularly Twice and Re-Destro's hideous designs in the anime, make me cringe. The lighting is also an issue. Garaki's lab looked fantastic, but every other scene is just boring mid-afternoon with dull, basic lighting. I don't expect huge detail, but sometimes, it fails to achieve competency and as an extremely popular show, I don't think that's okay. I don't blame the animators, I blame the higher ups. And while I wouldn't mind the poor animation and art in an MVA that at least has all the story content, this does not have that and so I am even harsher than I would have been.

MVA was rushed. That's not up for debate. It took forever to get to it and once it came, things moved so quickly that they gave me whiplash, with no time to think or lament. Now, this could be attributed to the story structure of the arc, which is essentially a series of big fights, and it just isn't as bad in the manga because I can stop at any time to catch my breath. But I think it's worth noting that the anime at least highlights these issues. Curious dies in the same episode where she first appears, really driving home how pointless she was in the end. Episode Two alone tries to cover everything from the journey to Deika up until Jin finding Toga's body. That's a lot of content to fit in one twenty minute period and it was bound to feel messy in the end. I will say that, much like everything aside from the animation, this did get better as time went on, with episodes three, four and five adapting more reasonable amounts of content, compared to one giving us almost nothing and two giving us too much.

At the end of the day, that was it. The show's over. MVA has been closed in the anime. It will never be given a chance to improve, to go from just fine to anything even close to the manga. Why did this happen? I don't think we'll ever truly know. Some blame the new movie, others the studio's lack of faith in the villains, and there are those who say that it's just how fate turned out. I personally think it's a combination of all of these things. Without the movie, that beach episode wouldn't exist, giving more time to MVA, without the studio's hesitation, we'd perhaps get stuff like an actual good OP and perhaps some more general hype for it (I mean, MVA didn't even get a trailer.) Whatever the reason is, we got what we got. My verdict is something that's very overplayed as of late, but seriously, just read the manga with the fantastic soundtrack playing in the background. The anime's adaptation of MVA is not worth the time investment, when you could read the manga in roughly the same length of time and get more content, a more coherent plot and beautiful artwork.

So, what may come next for Season Six? I don't know. Season Five has definitely been one of the most unpopular seasons in the anime, with a lot of people speaking out against it, but this mostly seems to come from the Western fanbase, so it's up in the air if Bones will learn from their mistakes. Since they'll have a full season to do presumably the War and Rouge Deku arcs, then I feel like they'll put on a better show. But we just don't know. Spinner had his spotlight stolen this time around, will Compress suffer the same fate in Season Six? Dabi and Toga will probably be handled well, since they have inexplicably high amounts of popularity, but with his own lack of recognition rivalling Spinner's, I can see Sako ending up much the same way. Time will tell, I suppose.

#my villain academia #mva #league of villains #Meta Liberation Army #studio bones #bnha season 5

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santiagonex · 5 years

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As 2020 is nearing, it’s time to see what 2019 has brought us when it comes to gay representation in tv shows and movies. Below ‘read more’, there’s a whole list of tv shows/ships/movies (with pictures and basic description) which include/are about gay (used as an umbrella term) men and couples (so basically have gay storylines and at least one gay person is a main character of the show/movie).

Since I’m a gay man, I keep up mostly with mlm, if I included wlw as well, I don’t think the list would be complete with my lack of knowledge, so sorry about that. I’m pretty sure there are more competent people who can do that instead of me.

Total Count of TV Shows in the list: 65 Total Count of Movies in the list: 27

Anyways, here we go.

TV SHOWS

TV SHOWS WITH TITULAR/CENTRAL GAY CHARACTERS/SHIPS

The Other Two: the funniest most-relatable show centered around three siblings – one of them is gay (left). A must-watch for sure. He’s pretty much the hugest part of the show, there are some love storyline (...and they were roomates), some self-loving moments and iconic lines. Just watch it, you won’t regret it.

Sex Education: show about two best friends, one of them (right) is gay. His name is Eric and he gets involved with his enemy Adam (left). Amazing show.

Special: show about a gay man Ryan (right) with mild cerebral palsy, who wants to live his life as an independent person to the fullest. Easy and short show to watch.

Druck (German SKAM Remake): if you don’t know SKAM, it’s pretty much a show where each season is devoted to one character. Third season of German SKAM aired this year and it was revolved around a gay guy (left). For the first time in SKAM history, the main character’s love interest is a trans guy (right).

Skam France (French SKAM Remake): the French version of SKAM had a gay season this year as well.

WTFock (Belgian SKAM Remake): Belgium has a season focused on the main gay character this year as well.

El corazón nunca se equivoca: I’m pretty sure you’ve heard of Aristemo from ‘Mi marido tiene más familia’. Well, they’d already aired the first season of the new spin-off centered around their lives in college (I think).

Merlí: Sapere Aude: Bruno (left) and Pol (right) fans, it’s time to make some noise. Brunol is coming back because Pol is getting a spin-off which will be taking place in university. Bruno will be in it as well. First episode airs on 5th of December this year.

Pose: second season of Ryan Murphy’s popular show with main transgender and gay characters has aired this year.

The Politician: another show from Ryan Murphy was created. The main protagonist of the show (right) is played by Ben Platt and he’s gay. The show contains many LGBT+ main characters.

Tales of the City: the revival of the Tales of the City sequence of miniseries aired this year. The show includes many LGBT+ storylines.

The L Word: Generation Q: the revival of The L Word show will air on 8th of December this year. The show is mainly about lesbians, but based on trailer, there will be a gay couple included as well.

Years and Years: very futuristic show with a political message. Includes both mlm and wlw as main characters.

The Red Line: the plot of this show involves a white cop in Chicago who mistakenly shoots and kills a black doctor named Harrison. Harrison had a husband (left) and daughter (right). The show deals with the consequences of the event.

Now Apocalypse: all I’m gonna say is that Beck from Victorious got to make out with Scott from Teen Wolf, Matty from Awkward and Jake from Glee. The show was renewed for second season and later this statement was taken back and it got cancelled – which I guess says enough about the show.

This Close: the show is about two best friends who are deaf. One of them (left) is gay and has a storyline and spicy scenes with the guy on the right and some other guys as well.

Schitt’s Creek: David (right) and Patrick (left) aka the cutest softest couple of all time. The last season of the show will air next air. Watch the show if you wanna laugh and watch the healthiest gay couple on tv. They also got engaged this year, which was beautiful.

NEW TV SHOWS (1 SEASON) WITH MAIN GAY CHARACTERS/SHIPS

Daybreak: both main characters and basically on different sides of the battles. Who wouldn’t want to watch enemies being in love Romeo & Juliet style.

El Juego de las Llaves (The Game of Keys): very interesting and fun show to follow, the one on the right is the main character. He’s closeted, has a girlfriend and gradually realizes there’s something else out there. Nice kissing scenes, plus one very spicy scene. Doesn’t hurt that the guy on the left he will be involved with looks like a dollar store Chris Evans if you squint hard enough.

Five Bedrooms: 5 strangers moves in. The guy in the middle is gay. His mom is a very traditional Indian woman who just wants grandchildren. The whole show is heart-warming and sad at times. The guy gets fair share of screentime and some love interests including a cop from the neighbourhood.

Made In Heaven: Indian show that follows the lives of Tara and Karan (left), two wedding planners in Delhi running an agency named Made in Heaven. Karan is gay. Very progressive show with spicy gay scenes.

What/If: haven’t seen the show yet but friends said these two have a nice storyline in the show. Threesome included.

Bonding: show about two best friends Pete (left) and Tiff (right). Pete is gay. They basically... do freaky shit for work... umm. Just watch trailer or something.

Osmosis: I have no idea what the show is about but the guy on the left is set to betrying to find a soulmate or something. I think I remember seeing some spicy scenes.

Pretty Little Liars: The Perfectionists: basically some gay romance with the guy on the right and someone else. The one on the left dies the first episode so I did not even bother after that. But you can be the judge of it.

Doom Patrol: Larry (left) is a superhero, kinda. There’s something haunting his past, though. Something that involves being gay.

The Umbrella Academy: Klaus (left) my favorite character. He’s kind of a hero along with his other siblings. There’s a deep gay storyling along the way.

Weird City: anyways... all I’m gonna say is that Dylan O’Brien played a gay for one episode in a show. Wish there wasn’t this huge ugly age difference.

Roswell, New Mexico: cowboys, aliens, bisexuality, homosexuality and all that. Didn’t really see the show but there’s a lot of content with these two.

Good Trouble: never saw the sow but the guy on the picture is a main bisexual characters. There are some mlm scenes.

The Society: Grizz (right) and Sam (left) literally the highlight of the show. Just watch it, it is worth to see it for both of them. Sam is also deaf. The show is basically about a bunch of teenagers getting stuck in a town with no one else in or around.

High School Musical: The Musical: The Series: The High School Musical tv show has just started airing on Disney+. Carlos (left) is confirmed to be gay and to be getting a nice development this season which will probably involve Seb (right) as well.

The Heights: Australian tv show. Sully (left) is gay. Got a thing for Ash (right) at the start. Then things were messy. Then they suddenly kissed. And the things are messy again.

El Club (The Club): very interesting show. The gave these two really (like REALLY) spicy scenes. Some romantic stuff. But there’s really not much depth in my option. Check and see.

Volevo fare la rockstar: didn’t see it but it’s an Italian show and there’s a romantic storyline between these two.

No Good Nick: Jeremy (right) came out this year on this sitcom. Nice and very weid sitcom. Unfortunately it was cancelled, but the way they handled his gay storyline was rather nice.

World on Fire: follows lives of ordinary people from Britain, Poland, France, Germany and the USA during World War II. Two of them are gay. And yeah one of those two is Will from sense8.

TV SHOWS (1 SEASON+) WITH MAIN GAY CHARACTERS/SHIPS

Andi Mack: the show that made history. Andi Mack is a Disney Channel show and for the first time in Disney Channel history, Cyrus (right) came out using the word ‘gay’ and made it official with the recurring character TJ (left) this year. The two-season slow-burn was really worth it.

Shadowhunters: Malec got married this year. Yay.

Grey’s Anatomy: Levi and Nico still going strong.

La Casa de las Flores (The House of Flowers): despite the first season making it seem like it was the end for Diego and Julián, that’s not the case. In season 2, they’re stronger than ever, the scenes are spicier than ever and the show is gayer than ever.

Baby: first season was mostly focused on Fabio (face on right) realizing he’s gay. The second season has shockingly showed us that Brando (face on left) is gay as well. Very toxic ship so if you enjoy Gallavich this is probably for you.

Élite: Omar and Ander continuing their journey.

Shameless: Ian (up) and Mickey (down) came back to Shameless season 10 as main characters. About time.

Station 19: new love interest (left, a deaf character portrayed by a deaf actor) was introduced for Travis (right) in the season 2 finale. Let’s see what happens in season 3, which airs in 2020.

Ackley Bridge: they pretty much baited us with Cory (left) and Naveed (right) this season. They stayed just friends, but Naveed found a love interest, so that’s nice.

Find Me In Paris: Never saw the show, but Jeff (on the picture) is gay and his love interest Isaac gets introduced in second season that aired this year.

13 Reasons Why: Tony and Caleb going strong. It was also revealed that Monty (right) is a closeted gay and had a storyline with Winston (left). There’s probably more to come with them in next season.

Insatiable: unfortunately they didn’t serve much Bob (right) & Bob this year. But they introduced detective Rudy (left) and there were some scenes and twists and turns. Whatever.

Riverdale: I don’t care. Kevin (left) is still there. There are some gay charcters based on wiki, but yeah. Crumbs, I bet. Whatever.

Charité: second season (which has the two main gay characters) takes place in Berlin in 1943. You don’t need to watch the first season at all, to understand the second one with them, it’s basically a stand-alone.

Animal Kingdom: Deran and Adrian’s story coming to an end?

The Magicians: Well, they killed off the central bi character Quentin (on the picture), so fuck them.

How to Get Away With Murder: Connor (left) and Oliver (right) still there.

Dear White People: haven’t seen it, but Lionel (on the picture) is still there and he’s gay.

Zoe Valentine: there’s this web series and these two have a storyline in second season that aired this year.

SOAP OPERAS AND TELENOVELAS

Sturm der Liebe: Boris (left) and Tobias (right) are married and lived happily ever after. Really cute and sometimes dramatic storyline overall. Check it out.

Malhação: Vidas Brasileiras: Santiago (left) and Michael (right) had a gay storyline but the show ended this year.

Malhação: Toda Forma de Amar: Guga (right) and Serginho (left) have a gay storyline in the show.

Eastenders: Ben (left) and Callum’s (right) storyline has begun this year.

Neighbours: David (right) and Aaron (left) aka husbands still in the soap.

REALITY SHOWS

Queer Eye: five gay guys helping others. Season 3, 4 and a special have aired this year.

Are You the One?: for the first time in the show’s history, season 8 of this dating reality show had an all-sexually fluid cast this year. Which means mlm and wlw and anything else. Really fun show.

MOVIES

Benjamin: don’t even remember what the movie was about but I rec because it was cute and I mean hello Merlin.

Boy Erased: homosexuality and religion. Has a Troye Sivan in it. Very decent movie.

And Then We Danced: my favorite gay movie of this year. All the things they had to do to be able to film this in homophobic Georgia (the country)... just wow. It’s a must-watch.

Who Would You Take to a Deserted Island?: didn’t know what to expect from this movie. It is based on a play and it shows. Watch and be the judge of it. The acting was really highlight of the movie.

This Is Not Berlin: hasn’t seen it yet since it was just officially released. But it is included in an LGBT+ section so... hopefully they didn’ lie.

Rocketman: movie about Elton John with Taron Egerton and Richard Madden... I mean, phew.

Un Rubio (The Blonde One): gonna watch this, apparently it’s amazing based on what some of my mutuals have said.

The Death and Life of John F. Donovan: Jon Snow being gay and kissing Chris Zylka. Made by Xavier Dolan. A literal tripple threat. Genuinely enjoyed the movie and the soundtrack.

Ranchlands: haven’t seen this but my friend said it’s amazing.

Steam Room Stories: this movie was something... Eating Out levels of ‘I-’ but without all the sex. I guess watch this if you are bored.

Posledice (Consequences): very spicy and intriguing movie. Slovenia snapped with this one.

Papi Chulo: didn’t like this movie and the concept of it but... you can check out and see for yourself.

Dolor y gloria (Pain and Glory): Antonio Banderas kissing a man. Hopefully it really is a gay-related movie because I haven’t seen it yet.

Die Stropers (The Harvesters): brilliant cinematography but I expected much more from the movie.

Giant Little Ones: what happens when you’re into your best friend’s sister but the best friend gives you a BJ. Well... watch and see.

Kanarie (Canary): a war musical about a small town boy who gets chosen to serve his compulsory two year military training in the South African Defence Force Choir and Concert. Loved the involvement of the Boy George music, aesthetic and story. One of my favorites this year.

Luciérnagas (Fireflies): haven’t seen it yet but the description says that the main gay character (right) “flees from persecution in Iran and ends up living in the tropical town of Veracruz.”

El Angel: haven’t seen it but apparently there are some implications it was lowkey gay... so yeah.

Dear Ex: from wiki “San Lian was devastated when she discovered her late ex-husband left his insurance payout to his male partner Ah Jie. She decided to bring her son to fight for their rights, but her son instead chose to stand on the other person's side.” Will watch this soon, sounds interesting.

Sauvage: one of the best gay movies this year. Don’t know how to describe it so let me copy paste the description “ Léo is a sex worker who uses drugs whilst longing for love.”

Sócrates: haven’t seen it yet as it was just released.

Marilyn: story about a farm worker who discovers his sexuality in a hostile environment. Didn’t see it since someone has told me there are some scenes that are really HARD to stomach and I ain’t about that life.

Les Crevettes pailletées (The Shiny Shrimps): the movie is about an Olympic swimming champion who makes a homophobic comment in a television interview, and is disciplined by the national swim team with the responsibility of coaching a gay water polo team who aspire to compete in the Gay Games. Sounds and looks like an amazing comedy and can’t wait to watch it when I will be able to.

Fin de siglo (End of the Century): it’s not out yet as far as I know, but it’s about two men who meet in Barcelona and realize they have met already 20 years ago.

Matthias et Maxime: another excellence by Xavier Dolan. Story about life-long friends who question their sexual identities after they kiss. Looks amazing and I can’t wait for it to get released finally.

The Goldfinch: not a gay movie, but I’ve seen many people considering it as LGBT+ cinema because of the book and you know what, they kissed after all so you can perceive it beyond friendship if you want. If not, then just skip it. I feel like it is worth mentioning it tho.

Mapplethorpe: movie is about the life of photographer Robert Mapplethorpe. Didn’t see it but Doctor Who plays him so there’s that.

UPCOMING

TV SHOWS

9-1-1: Lone Star: The spin-off of a popular show 9-1-1 by Ryan Murphy is premiering 19th of January 2020. It’s confirmed that the main character TK (a firefighter, left) will be romantically involved with the main character Carlos (a police officer, right). The show will also have a main trans man.

Love, Simon: The Series: A Disney+ Love, Simon spin-off is on its way and will premiere in 2020. The series will follow Victor (right) and his coming-out story at the same high school where Love, Simon took place. Didn’t find a photo with his love interest. The guy on the left will most likely be his enemy.

#lgbtcinema #gallavich #tyrus #ballum #lgbtedit #love simon #the goldfinch #hsmtmts #brunol #wtfock #lgbt #gay #text #*#gay rec

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hoodhookage · 3 years

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mimi here !!! I NEED TK TALK ABOJT THE TRAILER GOROU HE HES ,,,hes so pretty wjat even oh my . God HES SO ADORABKE AND SOSO PRETTY AMD TOHMA????? ¢£^€¢£!($ but gorou yeaj he <333 his ears his tail that i couldn't even see whole time i was like squints where the fuck is his tail does he have a tail WJERE IS IT <//3 also baal yea she ,,,, i take everything back i love her SHE HAS A MOLE ON HER FACE TOO SHES SO #&@%@&! im weak for pretty people no shame in admitting that !!!! also i was supposed to send this like two days ago when the trailer dropped but yeah... ANYWAY literally shooting hearts at you with my heart eyes rn <3

I KNOW M SORRY I WAS SUPPOSED TO ANSWER THIS BEFORE but i think gorou is so adorable

having a search party for his tail, has to be there..for reasons….

every single time someone made a 2 second appearance on the trailer i was like OK!!!!! THERE THEY ARE! even tohma with his like one frame of screentime. still appreciated.

but gorou gorou can be talked about forever they all can baal too i was like wow like i know it sounds mundane over text but everyone in it was so exciting

thank you i needed to know there’s others who felt that way when they saw him<3

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bow-woahh · 4 years

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She-Ra season 5 thoughts

A chaotic summary of my feelings/ reactions of each episode! Spoilers. Obviously.

Episode 1 — Horde Prime

- First of...Adora stop throwing yourself into battle challenge - "You're not She-Ra anymore" — TELL HER SIS - The way Catra was so smug but Glimmer was not having any of it "You're just as alone as I am" if that ain't the truth idk what is - Catra wanting the climb up the ranks? Sis I don't think so let's see how long that lasts - The DINNER pissed me the fuck OFF - Oh yeah here's my obligatory SW FUCK OFF CHALLENGE - Micah, King, glare at her!! Yes!! - The way Scorpia said "Catra thought my singing was annoying" honey - That clone was SO annoying stfu about Prime being omniscient and omnipresent and shit like ugH idC - Bow and Adora are the BROTP - Scorpia stinging Adora to keep her safe - and that's on friendship - The way Prime INSTANTLY called Catra out "Adora means something to you" listen I hate the gay but damn he's smart. He saw right through her act. - "Adora chose her side and I chose mine" that doesn't mean you don't still care Catraaa - Also that was REALLL quick lmaoo the way five seconds she was like "imma climb up the ranks" then in about two secs HP was like "sis I have no use for you" - "What are you going to do to me?" IM CRYING - Adora and those weird flashback PTSD things -- are u okay sis?? - This was the first episode and I already want to cry so....wow

Episode 2 — Launch

- Adora omg she's so fatigued girl S L E E P - Bow getting pissed at everyone for not letting her rest...what a king - Catra disobeying HP and talking back to that clone but then HP took its form...fuck man that shit scary - STOP CALLING HER LITTLE SISTER CHALLENGE JESUS FUCK - Everyone hates Entrapta wow ouch - Literally Entrapta being horny over robots is hilarious lmaoo - Mermista is a great leader and they worked so well together ahhh! I'm loving Scorpia and Frosta's friendship - Entrapta got the signal!! I'm proud - Adora stop following holograms and illusions challenge - Adora being all like "I don't know my destiny anymore but I know I need to save my friend." LIKE YES HONEY - Glimmer is sO volatile like honey,, did you need to break HP's crystal ball thingy?? DID U?? - also she knows her dad is alive now and that H U R T S ++ I bet she doesn't know the sword is broken so fuckkl - Micah as She-Ra?? something I never knew I needed - SW not being in this episode at all? love that for us - "I reinstate my horray" I LOVE YOU SCORPIA - "Can you stay?" MY FUCKING HEART GLITRA FRIENDSHIP HERE WE COME

Every episode I just feel immense f E AR

Episode 3 — Corridors

- THIS STARTS W BABY CATRA AND ADORA?? NOELLE WHY ARE TRYNA KILL US?? - Catra and Glimmer talking about sleepovers and Adora...damn my heart - Adora and her stupid ponytail 💀 - "I'll never say sorry!" - THE WAY YOUNG CATRA WAS SO JEALOUS EYE— - "There's no one in the entire universe who cares about me." - "Im sorry! For everything." IM SO UPSET WTF - CATRA IS FUCKED BUT SHE SAVED GLIMMER - HP GTFO CHALLENGE - I'm so proud of my baby tho wow... - What the fuck we gone do now? - so much happened in this episode so this is a lot shorter because my brain is numb. Catra is gonna get brainwashed?? isn't she?? - "I want to do that one good thing in my life." IM CRYING Y'ALL

Episode 4 —Stranded

- Adora is like "Catra, Catra?? saved you?? wtaf?” Lmaoo - Bow and Glimmer fighting is hurting my HEART - KYLE HAS A CRUSH ON ROGELIO?? SCORPIA DONE EXPOSED IT AHHH - Swifty tryna contact Adora?? kinda cute - him impersonating everyone was onbrand and kinda funny ngl - The way Adora is like "it's complicated" lmaoo girl everything is w you - I live the star siblings omg yeS - "I have to save someone. Someone I—" omFG ADORA - Adora is S T R O N K - she GLOWED OMFG SHE RA?? IS THAT U?? - BOW AND GLIMMER BEING OKAY?? MAYBE - Etherians really are wilding out here - YESSS THEY JOINING THE REBELLION - "Maybe we'll never be friends like we used to be." Glimmer...I love her sm - "I can't just leave her there. I have to try." Adora actually cares so much about her!! and I love Glimmer being supportive wow we love a queen! - THE BEST FRIEND SQUAD IS BACK TOGETHER!! LETS GOO - "She-Ra is back." Swift Wind is annoying but thank you. thank you for saying that horse.

I literally threw my hoodie across the room and forgot that I did that wow lmao

Episode 5 — Save the Cat

- My friend who's ahead me said wait for episode 5 now I'm fucking S H OO K - this episode name has me shook I can't - its WRITTEN BY NOELLE?? WE'RE FUCKED - I love Wrong Hordak SM what an idiot - Catradora really is gonna be canon wow - WTAF IS THAT SHE IS NOT MY CATRA SHE IS A CLONE her hair tho?? kinda nice - the way HP said "your Catra." like low-key he said gay rights - "You broke my heart. And he has made me whole again." - "We both know I don't matter" and "you're and idiot" "I know" THESE TWO ARE MADE FOR EACH OTHER - SHE JUMPED OFF A CLIFF FOR HER - the way she's holding her?? so soft - SHE RA IS LOOKING FLY -- and is she taller?? - "You miscalculated" YES QUEEN I LOVE HER. THAT WHOLE FIGHT SCENE WAS AMAZING - FuCK HORDEP PRIME - Darla is the best Light Hope SUX - the "Hey, Adora" was SO SOFT IM SO HAPPY

That episode really hiT different Catradora is DEFINITELY canon EVERYONE SAY THANK YOU NOELLE

Episode 6 - Taking Control

- Adora. Chill. - Catra's trauma...wow - honestly I have SO MUCH TO SAY and so little at all. - The ending w Catra joining was so cute and all the Catradora interactions are SENDING ME this is the development I need - "Adora. Stay." MY HEART - thank fuck that chip is gone YAY - Entrapta and Catra making up? Catra saying "Thank you and I'm sorry" her least favourite words -- characters DEVELOPMENT - The way Catra blushed when Adora transformed GIRL YOURE GAY - SHERAS POWER IS TOO MUCH SLAY GIRL - Horde Prime FucK off challenge I hate him - Micah tryna be a father figure? cute - the endING FUCK WHY WOULD THEY DO THAT SPINNERALLA??? POOR NETOSSA

okay but where tf is DT, KYLE, LONNIE AND ROGELIO??

my mum is so tired of me screaming lmaoo

Episode 7 — Perils Of Peekabloo

- Catra just SAT on Adora's lap the PDA is unmatched - We love a filler wow - we literally can't trust anyone this shit sucks - SCORFUMA STANS STAY WINNING - Mermista and Seahawk kinda cute tho (the heart eyes) - DT I KNEW IT - CASH KITTEN? EYE—JUST SAY SUGAR MOMMA AND GO - NETOSSA DOESN'T DESERVE THIS - MERMISTA TO - EVERYONE is chipped WTF - DT is a theatre gay through and through - THEY'RE FUCKED WE'RE FUCKED - NOOOO SCORPIA 😭😭😭 - "I'm the muscle, remember?" - SCORPIA'S POWER, HER REACH, IT'S AMAZING - everything is going downhill FAST - "Happy Anniversary" EYE—😭😭😭😭😭

well that sucked What the fuck we gone do now?

Episode 8 - Shot in the Dark

- The soft smile Catra gave Adora while teasing? love that - loving this new squad - the wAY HER TAIL FLUFFED UP SHES SO SCARED MAN - Wrong Hordak is my main g - the LAUGHING!! THE BLUSHING!! EVERYONE CAN SMELL THE GAY TENSION - omg Catra being the brains of the operation?? yes please - "Catra's first mission" THEY'RE SO OBNOXIOUS I LOVE THEM - "I'm going to kill your friends." "Please don't." we are ASCENDING - Casta? Strike her down anyway please 🙏 - Adora is SO WHIPPED the way she blushed at Catra making the door - "It's such a cute sneeze" BOW KNOWS IT CATRA IS CUTE AND THATS THE TEA - literallyyyy I hate SW GTFO CHALLENGE get OFF my screen 😡 - CATRA WHY DID YOU LUNGE AT THAT THING?? - OMFG MAGICAT?? (Nope dumb bitch) - "I'm coming!" "Hurry." - "I'm sorry. I got angry. It's something I'm working on" ADORA GLOWED AND SAID "You are?" WE LOVE SELF GROWTH AHH - It was Catra's hand OMFG IN THE TRAILER - Adora and cat thing being magic? we love it - MELOG IS SO CUTE and Catra can talk to it?? wowow - they love taking strays lmao - Wrong Hordak's character arc is the best one in the show - CATRA HAS AN IDEA?? YES - Preach Casta shut Weaver up - "That about sums it up, yes." I love them as a team - the hand holding? so cutee Catra don't pretend you're not whipped - oml Glimmer kissing Catra before Adora? EYE— Glitra shippers gonna be so happy at that one moment lmaoo - THEY'RE HOMEEEE

ahhh we're getting close to the end nooo

Episode 9 —An ill Wind

- oh god oh god - Catra is so badass with Melog i LOVE HER EMOTIONAL SUPPORT ANIMAL - having to fight your own wife? that shit sucks - Erelandia? it's free - omg HP is angry asfff - FROSTA CHILL SHE PUNCHED HER HARD - Adora and Catra are soft 🥺 that's all I have to say

Episode 10 — Return to the Fright Zone

- omg are we gonna see Kyle?? Lonnie? Rogelio?? (also nope, stupid hoe) - okay but Netossa getting screentime? YES PLEASE - I love the intro sm ahhhh - also her knowing everyone's weakness? love that shit - ouch Perfuma ouch didn’t have to go so hard on Catra and YET - omg I forgot Bow's dads existed - "Mostly bad memories" 😔😔😔 - competitive gfs for the win - Catra FLEW tho WOW Scorpia is STRONK - the dad jokes are immaculate - "I'm working is being a better friend. That has to count for something right?" - "We don't throw tanks at our friends" sis you don't give flowers to your them at this current time either - "why did I get stuck with the water Princess?" Catra...baby I love you - omg there's a fail safe THANK FUCK I was legit speechless - "There's real power in love and friendship" preACH IT GIRLIE - SCORPIA FIGHT IT YESSS - legit forgot Spinny and Netossa were fighting lmao oof - FINALLY ANGST OVER THE WIVES ARE BACK - omg THE PAN TO ADORA ABOUT BEING VULNERABLE AHHHH - Perfuma is Catra's therapist that's my headcanon - OMFG I FORGOT ABOUT SW FUCK SHIT CATRA BABY IM SORRY

damn I'm stressed out

Episode 11 — Failsafe

- Weaver STFU challenge - them taking about their abuse? we love to see - "We— I could really use your help" KILL ME NOW THEY'RE TOO MUCH - "Not because I like you" she says SMILING - Melog is Catra's affectionate side prove me wrong - Stan Entrapta for clear skin - SW doesn't deserve rights (as per usual) - DONT TOUCH HER BITCH LITERALLYYYY WHYYY - and now She Ra is glitching?? fuck - Catra is so jumpy eye— "Trust Me" MY HEART SBSBDB - Weaver really called her a DISTURBANCE STFU 💀💀💀 - Entrapta and bird horse ftw what a tag team - OMG NO BE CAREFUL - "Did you just jump in fire to save me?" SHE WAS SO SMUG - can SW burn like... now? - "It's none of your business" LITERALLY BUTT OUT - "Catra, she distracts you, confuses you." WEAVER I FUCKING HATE YOU SM I FUCKING I WILL PUNCH MY SCREEN - Entrapdak being a thing? I do not know how to feel - "Your imperfections are beautiful." I am.... conflicted - SW doesn't deserve screen time - Catra is an i no cap (I genuinely have no clue what I meant so sorry about that) - i think the fuck not - this episode is so stressful - Catra saving Adora >>>>>>>>> - what an awful reunion for Glimmer damn - "It doesn't always have to be you!" IKR IT SHOULD BE WEAVER - fuck dark magic fuck it all - Catra's upset?? no my baby 🥺 - this whole episode is just traumatising - Adora's heart do be glowing - Catra's LEAVING?? why?? - "What do you want Adora?" - MY HEART BEEN BROKE SO MANY TIMES I DONT KNOW WHAT TO BELIEVE 😭😭 - omg this time instead of Adora leaving it's Catra (you are a dumbass DUH) - that H U R T S - ADORA TELL HER YEs QUEEN

omg HEART NEXT???

Episode 12 — Heart Part 1

- I am not prepared for this - Adora...baby I'm so sorry - Glimbow moment with a banjo?? that was cute - Adora really is a party popper - "Adora doesn't want me. Not like I want her." AND THAT'S ON LESBIANISM BUT ALSO FUCKING OUCH - but really Catra...do you really think Adora doesn't want you? girl are youb B L I N D?? - Wrong Hordak is MY GUY - Stan the rebellion for clear skin - NOOO WHAT THE FUCK MY HEART DON'TPLAY WITH ME LIKE THAT THEY NEARLY KISSED AND IT WAS A FUCKING SIMULATION - real Catra be CAREFUL - "We have to warn Adora" YES SIS WARN YOUR GF - "I thought I could make my own destiny" U STILL CAN SIS - I'm scared I'm fucking scared - my HEART IS BEATINGG FASTT - I really hate Horde Prime uhhhhhhhgg - for once in your sorry life do something good Weaver jfc - "I can't leave her behind again" - BEST FRIEND SQUAD + MELOG YES - "Bow, I love you." GLIMBOW IS BACK ON AHHH - BUT AT WHAT COST??? (literally what am I saying??) - "You deserve love too." AND THAT'S ON PERIODT - Glimmer coming in clutch!! - Mermista and Seahawk do be cute tho - Micah is actually the worst rn wow - "Goodbye, my oldest enemy" CATRA COME QUICK AHH

the last episode....I'm not ready to say goodbye

Episode 13 — Heart Part 2

- ofc this is written by Noelle - "Hey, Adora" MY HEART - "I'll catch up okay? Get to the heart." - SW ACTUALLY DIED?? THANK YOU MY GIRLS CAN HEAL NOW

andd that's as far as I got before freaking the fuck out with everything that was happening onscreen but THE CATRADORA KISS WAS EVERYTHING and the ending was perfect 🥺💖

—

Thank you Crew-Ra, Noelle for making such a beautiful and heartwarming show, this will be remembered for years to come because what this show did was incredible and unlike anything I've ever watched.

#she ra #catra spop #adora spop #spop spoilers #spop s5

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mattbrothersscriptwriter · 4 years

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My Top 20 Films of 2019 - Part Two

I don’t think I’ve had a year where my top ten jostled and shifted as much as this one did - these really are the best of the best and my personal favourites of 2019.

10. Toy Story 4

I think we can all agree that Toy Story 3 was a pretty much perfect conclusion to a perfect trilogy right? About as close as is likely to get, I’m sure. I shared the same trepidation when part four was announced, especially after some underwhelming sequels like Finding Dory and Cars 3 (though I do have a lot of time for Monsters University and Incredibles 2). So maybe it’s because the odds were so stacked against this being good but I thought it was wonderful. A truly existential nightmare of an epilogue that does away with Andy (and mostly kids altogether) to focus on the dreams and desires of the toys themselves - separate from their ‘duties’ as playthings to biological Gods. What is their purpose in life without an owner? Can they be their own person and carve their own path? In the case of breakout new character Forky (Tony Hale), what IS life? Big big questions for a cash grab kids films huh?

The animation is somehow yet another huge leap forward (that opening rainstorm!), Bo Peep’s return is excellently pitched and the series tradition of being unnervingly horrifying is back as well thanks to those creepy ventriloquist dolls! Keanu Reeves continues his ‘Keanuassaince‘ as the hilarious Duke Caboom and this time, hopefully, the ending at least feels finite. This series means so much to me: I think the first movie is possibly the tightest, most perfect script ever written, the third is one of my favourites of the decade and growing up with the franchise (I was 9 when the first came out, 13 for part two, 24 for part three and now 32 for this one), these characters are like old friends so of course it was great to see them again. All this film had to do was be good enough to justify its existence and while there are certainly those out there that don’t believe this one managed it, I think the fact that it went as far as it did showed that Pixar are still capable of pushing boundaries and exploring infinity and beyond when they really put their minds to it.

9. The Nightingale

Hoo boy. Already controversial with talk of mass walkouts (I witnessed a few when this screened at Sundance London), it’s not hard to see why but easy to understand. Jennifer Kent (The Babadook) is a truly fearless filmmaker following up her acclaimed suburban horror movie come grief allegory with a period revenge tale set in the Tasmanian wilderness during British colonial rule in the early 1800s. It’s rare to see the British depicted with the monstrous brutality for which they were known in the distant colonies and this unflinching drama sorely needed an Australian voice behind the camera to do it justice.

The film is front loaded with some genuinely upsetting, nasty scenes of cruel violence but its uncensored brutality and the almost casual nature of its depiction is entirely the point - this was normalised behaviour over there and by treating it so matter of factly, it doesn’t slip into gratuitous ‘movie violence’. It is what it is. And what it is is hard to watch. If anything, as Kent has often stated, it’s still toned down from the actual atrocities that occurred so it’s a delicate balance that I think Kent more than understands. Quoting from an excellent Vanity Fair interview she did about how she directs, Kent said “I think audiences have become very anaesthetised to violence on screen and it’s something I find disturbing... People say ‘these scenes are so shocking and disturbing’. Of course they are. We need to feel that. When we become so removed from violence on screen, this is a very irresponsible thing. So I wanted to put us right within the frame with that person experiencing the loss of everything they hold dear”.

Aisling Franciosi is next level here as a woman who has her whole life torn from her, leaving her as nothing but a raging husk out for vengeance. It would be so easy to fall into odd couple tropes once she teams up with reluctant native tracker Billy (an equally impressive newcomer, Baykali Ganambarr) but the film continues to stay true to the harsh racism of the era, unafraid to depict our heroine - our point of sympathy - as horrendously racist towards her own ally. Their partnership is not easily solidified but that makes it all the stronger when they star to trust each other. Sam Claflin is also career best here, weaponizing his usual charm into dangerous menace and even after cementing himself as the year’s most evil villain, he can still draw out the humanity in such a broken and corrupt man.

Gorgeously shot in the Academy ratio, the forest landscape here is oppressive and claustrophobic. Kent also steps back into her horror roots with some mesmerising, skin crawling dream scenes that amplify the woozy nightmarish tone and overbearing sense of dread. Once seen, never forgotten, this is not going to be everyone’s cup of tea (and that’s fine) but when cinema can affect you on such a visceral level and be this powerful, reflective and honest about our own past, it’s hard to ignore. Stunning.

8. The Irishman

Aka Martin Scorsese’s magnum opus, I did manage to see this one in a cinema before the Netflix drop and absolutely loved it. I’ve watched 85 minute long movies that felt longer than this - Marty’s mastery of pace, energy and knowing when to let things play out in agonising detail is second to none. This epic tale of the life of Frank Sheeran (Robert De Niro) really is the cinematic equivalent of having your cake and eating it too, allowing Scorsese to run through a greatest hits victory lap of mobster set pieces, alpha male arguments, a decades spanning life story and one (last?) truly great Joe Pesci performance before simply letting the story... continue... to a natural, depressing and tragic ending, reflecting the emptiness of a life built on violence and crime.

For a film this long, it’s impressive how much the smallest details make the biggest impacts. A stammering phone call from a man emotionally incapable of offering any sort of condolence. The cold refusal of forgiveness from a once loving daughter. A simple mirroring of a bowl of cereal or a door left slightly ajar. These are the parts of life that haunt us all and it’s what we notice the most in a deliberately lengthy biopic that shows how much these things matter when everything else is said and done. The violence explodes in sudden, sharp bursts, often capping off unbearably tense sequences filled with the everyday (a car ride, a conversation about fish, ice cream...) and this contrast between the whizz bang of classic Scorsese and the contemplative nature of Silence era Scorsese is what makes this film feel like such an accomplishment. De Niro is FINALLY back but it’s the memorably against type role for Pesci and an invigorated Al Pacino who steals this one, along with a roll call of fantastic cameos, with perhaps the most screentime given to the wonderfully petty Stephen Graham as Tony Pro, not to mention Anna Paquin’s near silent performance which says more than possibly anyone else.

Yes, the CG de-aging is misguided at best, distracting at worst (I never really knew how old anyone was meant to be at any given time... which is kinda a problem) but like how you get used to it really quickly when it’s used well, here I kinda got past it being bad in an equally fast amount of time and just went with it. Would it have been a different beast had they cast younger actors to play them in the past? Undoubtedly. But if this gives us over three hours of Hollywood’s finest giving it their all for the last real time together, then that’s a compromise I can live with.

7. The Last Black Man in San Francisco

Wow. I was in love with this film from the moving first trailer but then the film itself surpassed all expectations. This is a true indie film success story, with lead actor Jimmie Fails developing the idea with director Joe Talbot for years before Kickstarting a proof of concept and eventually getting into Sundance with short film American Paradise, which led to the backing of this debut feature through Plan B and A24. The deeply personal and poetic drama follows a fictionalised version of Jimmie, trying to buy back an old Victorian town house he claims was built by his grandfather, in an act of rebellion against the increasingly gentrified San Francisco that both he and director Talbot call home.

The film is many things - a story of male friendship, of solidarity within our community, of how our cities can change right from underneath us - it moves to the beat of it’s own drum, with painterly cinematography full of gorgeous autumnal colours and my favourite score of the year from Emile Mosseri. The performances, mostly by newcomers or locals outside of brilliant turns from Jonathan Majors, Danny Glover and Thora Birch, are wonderful and the whole thing is such a beautiful love letter to the city that it makes you ache for a strong sense of place in your own home, even if your relationship with it is fractured or strained. As Jimmie says, “you’re not allowed to hate it unless you love it”.

For me, last year’s Blindspotting (my favourite film of the year) tackled gentrification within California more succinctly but this much more lyrical piece of work ebbs and flows through a number of themes like identity, family, memory and time. It’s a big film living inside a small, personal one and it is not to be overlooked.

6. Little Women

I had neither read the book nor seen any prior adaptation of Louisa May Alcott’s 1868 novel so to me, this is by default the definitive telling of this story. If from what I hear, the non linear structure is Greta Gerwig’s addition, then it’s a total slam dunk. It works so well in breaking up the narrative and by jumping from past to present, her screenplay highlights certain moments and decisions with a palpable sense of irony, emotional weight or knowing wink. Getting to see a statement made with sincere conviction and then paid off within seconds, can be both a joy and a surefire recipe for tears. Whether it’s the devastating contrast between scenes centred around Beth’s illness or the juxtaposition of character’s attitudes to one another, it’s a massive triumph. Watching Amy angrily tell Laurie how she’s been in love with him all her life and then cutting back to her childishly making a plaster cast of her foot for him (’to remind him how small her feet are’) is so funny.

Gerwig and her impeccable cast bring an electric energy to the period setting, capturing the big, messy realities of family life with a mix of overwhelming cross-chatter and the smallest of intimate gestures. It’s a testament to the film that every sister feels fully serviced and represented, from Beth’s quiet strength to Amy’s unforgivable sibling rivalry. Chris Cooper’s turn as a stoic man suffering almost imperceptible grief is a personal heartbreaking favourite.

The book’s (I’m assuming) most sweeping romantic statements are wonderfully delivered, full of urgent passion and relatable heartache, from Marmie’s (Laura Dern) “I’m angry nearly every day of my life” moment to Jo’s (Saoirse Ronan) painful defiance of feminine attributes not being enough to cure her loneliness. The sheer amount of heart and warmth in this is just remarkable and I can easily see it being a film I return to again and again.

5. Booksmart

2019 has been a banner year for female directors, making their exclusion from some of the early awards conversations all the more damning. From this list alone, we have Lulu Wang, Jennifer Kent and Greta Gerwig. Not to mention Lorene Scafaria (Hustlers), Melina Matsoukas (Queen & Slim), Jocelyn DeBoer & Dawn Luebbe (Greener Grass), Sophie Hyde (Animals) and Rose Glass (Saint Maud - watch out for THIS one in 2020, it’s brilliant). Perhaps the most natural transition from in front of to behind the camera has been made by Olivia Wilde, who has created a borderline perfect teen comedy that can make you laugh till you cry, cry till you laugh and everything in-between.

Subverting the (usually male focused) ‘one last party before college’ tropes that fuel the likes of Superbad and it’s many inferior imitators, Booksmart follows two overachievers who, rather than go on a coming of age journey to get some booze or get laid, simply want to indulge in an insane night of teenage freedom after realising that all of the ‘cool kids’ who they assumed were dropouts, also managed to get a place in all of the big universities. It’s a subtly clever remix of an old favourite from the get go but the committed performances from Kaitlyn Dever and Beanie Feldstein put you firmly in their shoes for the whole ride.

It’s a genuine blast, with big laughs and a bigger heart, portraying a supportive female friendship that doesn’t rely on hokey contrivances to tear them apart, meaning that when certain repressed feelings do come to the surface, the fallout is heartbreaking. As I stated in a twitter rave after first seeing it back in May, every single character, no matter how much they might appear to be simply representing a stock role or genre trope, gets their moment to be humanised. This is an impeccably cast ensemble of young unknowns who constantly surprise and the script is a marvel - a watertight structure without a beat out of place, callbacks and payoffs to throwaway gags circle back to be hugely important and most of all, the approach taken to sexuality and representation feels so natural. I really think it is destined to be looked back on and represent 2019 the way Heathers does ‘88, Clueless ‘95 or Easy A 2010. A new high benchmark for crowd pleasing, indie comedy - teen or otherwise.

4. Ad Astra

Brad Pitt is one of my favourite actors and one who, despite still being a huge A-lister even after 30 years in the game, never seems to get enough credit for the choices he makes, the movies he stars in and also the range of stories he helps produce through his company, Plan B. 2019 was something of a comeback year for Pitt as an actor with the insanely measured and controlled lead performance seen here in Ad Astra and the more charismatic and chaotic supporting role in Once Upon a Time... in Hollywood.

I love space movies, especially those that are more about broken people blasting themselves into the unknown to search for answers within themselves... which manages to sum up a lot of recent output in this weirdly specific sub-genre. First Man was a devastating look at grief characterised by a man who would rather go to a desolate rock than have to confront what he lost, all while being packaged as a heroic biopic with a stunning score. Gravity and The Martian both find their protagonists forced to rely on their own cunning and ingenuity to survive and Interstellar looked at the lengths we go to for those we love left behind. Smaller, arty character studies like High Life or Moon are also astounding. All of this is to say that Ad Astra takes these concepts and runs with them, challenging Pitt to cross the solar system to talk some sense into his long thought dead father (Tommy Lee Jones). But within all the ‘sad dad’ stuff, there’s another film in here just daring you to try and second guess it - one that kicks things off with a terrifying free fall from space, gives us a Mad Max style buggy chase on the moon and sidesteps into horror for one particular set-piece involving a rabid baboon in zero G! It manages to feel so completely nuts, so episodic in structure, that I understand why a lot of people were turned off - feeling that the overall film was too scattershot to land the drama or too pondering to have any fun with. I get the criticisms but for me, both elements worked in tandem, propelling Pitt on this (assumed) one way journey at a crazy pace whilst sitting back and languishing in the ‘bigger themes’ more associated with a Malik or Kubrick film. Something that Pitt can sell me on in his sleep by this point.

I loved the visuals from cinematographer Hoyte van Hoytema (Interstellar), loved the imagination and flair of the script from director James Gray and Ethan Gross and loved the score by Max Richter (with Lorne Balfe and Nils Frahm) but most of all, loved Pitt, proving that sometimes a lot less, is a lot more. The sting of hearing the one thing he surely knew (but hoped he wouldn’t) be destined to hear from his absent father, acted almost entirely in his eyes during a third act confrontation, summed up the movie’s brilliance for me - so much so that I can forgive some of the more outlandish ‘Mr Hyde’ moments of this thing’s alter ego... like, say, riding a piece of damaged hull like a surfboard through a meteor debris field!

3. Avengers: Endgame

It’s no secret that I think Marvel, the MCU in particular, have been going from strength to strength in recent years, slowly but surely taking bigger risks with filmmakers (the bonkers Taika Waititi, the indie darlings of Ryan Coogler, Cate Shortland and Chloe Zhao) whilst also carefully crafting an entertaining, interconnected universe of characters and stories. But what is the point of building up any movie ‘universe’ if you’re not going to pay it off and Endgame is perhaps the strongest conclusion to eleven years of movie sequels that fans could have possibly hoped for.

Going into this thing, the hype was off the charts (and for good reason, with it now being the highest grossing film of all time) but I remember souring on the first entry of this two-parter, Infinity War, during the time between initial release and Endgame’s premiere. That film had a game-changing climax, killing off half the heroes (and indeed the universe’s population) and letting the credits role on the villain having achieved his ultimate goal. It was daring, especially for a mammoth summer blockbuster but obviously, we all knew the deaths would never be permanent, especially with so many already-announced sequels for now ‘dusted’ characters. However, it wasn’t just the feeling that everything would inevitably be alright in the end. For me, the characters themselves felt hugely under-serviced, with arguably the franchise’s main goody two shoes Captain America being little more than a beardy bloke who showed up to fight a little bit. Basically what I’m getting at is that I felt Endgame, perhaps emboldened by the giant runtime, managed to not only address these character slights but ALSO managed to deliver the most action packed, comic booky, ‘bashing your toys together’ final fight as well.

It’s a film of three parts, each pretty much broken up into one hour sections. There’s the genuinely new and interesting initial section following our heroes dealing with the fact that they lost... and it stuck. Thor angrily kills Thanos within the first fifteen minutes but it’s a meaningless action by this point - empty revenge. Cutting to five years later, we get to see how defeat has affected them, for better or worse, trying to come to terms with grief and acceptance. Cap tries to help the everyman, Black Widow is out leading an intergalactic mop up squad and Thor is wallowing in a depressive black hole. It’s a shocking and vibrantly compelling deconstruction of the whole superhero thing and it gives the actors some real meat to chew on, especially Robert Downy Jr here who goes from being utterly broken to fighting within himself to do the right thing despite now having a daughter he doesn’t want to lose too. Part two is the trip down memory lane, fan service-y time heist which is possibly the most fun section of any of these movies, paying tribute to the franchise’s past whilst teetering on a knife’s edge trying to pull off a genuine ‘mission impossible’. And then it explodes into the extended finale which pays everyone off, demonstrates some brilliantly imaginative action and sticks the landing better than it had any right to. In a year which saw the ending of a handful of massive geek properties, from Game of Thrones to Star Wars, it’s a miracle even one of them got it right at all. That Endgame managed to get it SO right is an extraordinary accomplishment and if anything, I think Marvel may have shot themselves in the foot as it’s hard to imagine anything they can give us in the future having the intense emotional weight and momentum of this huge finale.

2. Knives Out

Rian Johnson has been having a ball leaping into genre sandpits and stirring shit up, from his teen spin on noir in Brick to his quirky con man caper with The Brothers Bloom, his time travel thriller Looper and even his approach to the Star Wars mythos in The Last Jedi. Turning his attention to the relatively dead ‘whodunnit’ genre, Knives Out is a perfect example of how to celebrate everything that excites you about a genre whilst weaponizing it’s tropes against your audience’s baggage and preconceptions.

An impeccable cast have the time of their lives here, revelling in playing self obsessed narcissists who scramble to punt the blame around when the family’s patriarch, a successful crime novelist (Christopher Plummer), winds up dead. Of course there’s something fishy going on so Daniel Craig’s brilliantly dry southern detective Benoit Blanc is called in to investigate.There are plenty of standouts here, from Don Johnson’s ignorant alpha wannabe Richard to Michael Shannon’s ferocious eldest son Walt to Chris Evan’s sweater wearing jock Ransom, full of unchecked, white privilege swagger. But the surprise was the wholly sympathetic, meek, vomit prone Marta, played brilliantly by Ana de Armas, cast against her usual type of sultry bombshell (Knock Knock, Blade Runner 2049), to spearhead the biggest shake up of the genre conventions. To go into more detail would begin to tread into spoiler territory but by flipping the audience’s engagement with the detective, we’re suddenly on the receiving end of the scrutiny and the tension derived from this switcheroo is genius and opens up the second act of the story immensely.

The whole thing is so lovingly crafted and the script is one of the tightest I’ve seen in years. The amount of setup and payoff here is staggering and never not hugely satisfying, especially as it heads into it’s final stretch. It really gives you some hope that you could have such a dense, plotty, character driven idea for a story and that it could survive the transition from page to screen intact and for the finished product to work as well as it does. I really hope Johnson returns to tell another Benoit Blanc mystery and judging by the roaring box office success (currently over $200 million worldwide for a non IP original), I certainly believe he will.

1. Eighth Grade

My film of the year is another example of the power of cinema to put us in other people’s shoes and to discover the traits, fears, joys and insecurities that we all share irregardless. It may shock you to learn this but I have never been a 13 year old teenage girl trying to get by in the modern world of social media peer pressure and ‘influencer’ culture whilst crippled with personal anxiety. My school days almost literally could not have looked more different than this (less Instagram, more POGs) and yet, this is a film about struggling with oneself, with loneliness, with wanting more but not knowing how to get it without changing yourself and the careless way we treat those with our best interests at heart in our selfish attempt to impress peers and fit in. That is understandable. That is universal. And as I’m sure I’ve said a bunch of times in this list, movies that present the most specific worldview whilst tapping into universal themes are the ones that inevitably resonate the most.

Youtuber and comedian Bo Burnham has crafted an impeccable debut feature, somehow portraying a generation of teens at least a couple of generations below his own, with such laser focused insight and intimate detail. It’s no accident that this film has often been called a sort of social-horror, with cringe levels off the charts and recognisable trappings of anxiety and depression in every frame. The film’s style services this feeling at every turn, from it’s long takes and nauseous handheld camerawork to the sensory overload in it’s score (take a bow Anna Meredith) and the naturalistic performances from all involved. Burnham struck gold when he found Elsie Fisher, delivering the most painful and effortlessly real portrayal of a tweenager in crisis as Kayla. The way she glances around skittishly, the way she is completely lost in her phone, the way she talks, even the way she breathes all feeds into the illusion - the film is oftentimes less a studio style teen comedy and more a fly on the wall documentary.

This is a film that could have coasted on being a distant, social media based cousin to more standard fare like Sex Drive or Superbad or even Easy A but it goes much deeper, unafraid to let you lower your guard and suddenly hit you with the most terrifying scene of casually attempted sexual aggression or let you watch this pure, kindhearted girl falter and question herself in ways she shouldn’t even have to worry about. And at it’s core, there is another beautiful father/daughter relationship, with Josh Hamilton stuck on the outside looking in, desperate to help Kayla with every fibre of his being but knowing there are certain things she has to figure out for herself. It absolutely had me and their scene around a backyard campfire is one of the year’s most touching.

This is a truly remarkable film that I think everyone should seek out but I’m especially excited for all the actual teenage girls who will get to watch this and feel seen. This isn’t about the popular kid, it isn’t about the dork who hangs out with his or her own band of misfits. This is about the true loner, that person trying everything to get noticed and still ending up invisible, that person trying to connect through the most disconnected means there is - the internet - and everything that comes with it. Learning that the version of yourself you ‘portray’ on a Youtube channel may act like they have all the answers but if you’re kidding yourself then how do you grow?

When I saw this in the cinema, I watched a mother take her seat with her two daughters, aged probably at around nine and twelve. Possibly a touch young for this, I thought, and I admit I cringed a bit on their behalf during some very adult trailers but in the end, I’m glad their mum decided they were mature enough to see this because a) they had a total blast and b) life simply IS R rated for the most part, especially during our school years, and those girls being able to see someone like Kayla have her story told on the big screen felt like a huge win. I honestly can’t wait to see what Burnham or Fisher decide to do next. 2019 has absolutely been their year... and it’s been a hell of a year.

#top 20 #films of the year #films of 2019 #10-1 #toy story 4 #the nightingale #the irishman #the last black man in san francisco #little women #booksmart #ad astra #avengers endgame #knives out #eighth grade

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bylerly · 5 years

Text

alright everyone. after my rush of emotions after that season, i’ve had time to decompress, and make an actually cohesive list of my thoughts about the season. as you could probably guess - MAJOR SPOILERS UNDER THE CUT!

first, let’s get the (much) shorter list out of the way. here’s what I enjoyed:

the acting. i want to mention how good millie was, because she was fantastic, but i almost feel like i shouldn’t, bc el took SO MUCH screen and plot time, that millie was given every opportunity to be good. she doesn’t really need any more special mention. otherwise - noah (with the little he was given) and sadie were particularly great. so were winona & david, but that goes without saying.

the elmax friendship. these two deserved it. and max bringing el out of her shell, showing her how to become her own person.... incredible. 10/10 i love them both

alexei. feels weird saying this, but he was probably the new addition I enjoyed watching the most. it would have been kind of cool to see him live past season 3.

an lgbt+ confirmed character. this one is a little.... tricky for me. as happy as I am that there is a queer woman written into the show... I feel like it’s a cop out to not have to confirm will’s sexuality. robin confirms her sexuality in less than a season, but after three with will, we still only get ~subtext~? still, this is a positive portion, so.... I guess that was something I was happy with

el moving in with the byers at the end. finally. this is one of the only things that is keeping me excited for s4. i guess i can only hope for there to FINALLY be some good willel interactions next season, but if this season has taught me anything, it’s not to get my hopes too high :-)

jancy ending s3 on a good note. parts of their storyline were fantastic, some were disappointing. but i really dug their dynamic, and the realistic struggle between the two of them, with nancy not really understanding jonathan’s class struggles, and jonathan not grasping the weight of the misogyny being thrown at nancy. their final moments at the empty byers house at the end were especially lovely.

el no longer being OP, and not being undefeatable. i love el. i really, genuinely do. i love her character, i love her traits, i lover her power. but the duffers were relying too heavily on her to constantly save the day with her powers, and it was happening too often. one of the faults of s2 was the constant thought of how easily el could’ve fought off all these threats if she was just there. i think it’s incredibly interesting to not only see her get completely worn out, but totally lose her powers. like mike said, i’m sure they’ll come back, but i want so badly for el to not just be defined by her powers.

a platonic m/f friendship. yes, one of them is confirmed queer, and they would’ve probably been romantically linked if she was straight. but i’ll take what i can get when it comes to this. platonic opposite sex relationships?? r i s e

now for the meat of my thoughts ~ what I didn’t like:

mike’s characterization. the writers completely made him into a dick this season. i get it, he’s a teenager, so he’s going to be an asshole sometimes. hell, in a recent post, I defended that, saying it’s good writing. but I underestimated just how awful he’d be, completely blowing off his friends for any chance for a second alone with el. I understand that he loves his girlfriend of course, but s1-2 mike loved his friends just as much. he was so utterly unlikable this season, that it seemed like he was a different character.

lucas as comic relief. this is so lazy, and i’m so angry for both the character and caleb, both of whom deserve so much better. he really had nothing to do if it wasn’t related to max, and the writers further reduced him down to a one-dimensional, kind of dumb, mediocre boyfriend, and that is not the highly intelligent, brave, kind lucas that i know and love.

will’s sidelining. god, this made absolutely no sense. noah fucking shined last season. he stole pretty much the entire thing. every critic, even those who disliked the season, had nothing but good things to say about his performance. furthermore, will has so much potential in so many different directions in so many aspects of his character. however, once he revealed to his friends that he was feeling the upside down/MF’s presence... they may as well have written out his character. he was sidelined almost to the point of background character. they gave him very little to do emotionally after that castle byers scene, and even fewer lines.

total lack of willel scenes. phew, if this wasn’t a bummer. will spoke a single line to el, and maybe one or two throwaway lines about her. if there is one thing most of the fans can agree on, it’s that will and el have the biggest connection to the upside down, the biggest unspoken connection, the most parallels, and the most intriguing potential relationship... and they really just said “fuck it” and didn’t have them interact at all. (that’s poor writing folks!) they better make up for this now that they’re living together.

amount of eleven scenes. i love her so dearly. i really do. and i’m so happy she grew into her own, not through mike or hopper. but the amount of el plot and screen time this season was actually difficult to watch. every other scene centered around her. so many characters and so much of the story went undeveloped, while she got way, way more than was necessary. additionally, take any kid’s plot (other than dustin), and guaranteed, it revolved around el. people were starting to catch on that the show was favoring her character more than even most shows’ mains.... and this season took it to a level i actual didn’t think it would.

the comedy. it was so awkwardly written. so much of it threw off the pace of the show. it seemed forced, and just... not very stranger things-esque, where the comedy was typically well-written and blended into dialogue.

the baddies. this was a huge letdown, too. i understand that the monster was large, but it was far less menacing to me than, say, the MF’s physical form. it had gore points, sure. it felt incredibly boring and predictable. in the same vein, i thought the ‘zombie’ style storyline of heather & co. would be deeper than that, but that was literally all it was. again... not interesting to me. billy was a rehash as well. the russians definitely had potential, but even that plot wound up being incredibly one-dimensional.

billy’s screentime. this was one of the things i was absolutely furious about. he got more screentime than the party (minus el) combined. they wanted for us so badly to empathize with him, to humanize him... i’m sorry, but you wrote a character that almost killed a boy for being black, that abuses his sister, and is a misogynistic asshole. abuse doesn’t excuse that, and it’s insulting to abuse survivors to say that billy inevitably became this way because of his dad, and that he deserves our uwus for it... and actually got el’s. he took screen time away from characters who desperately needed it, and that’s something i will never look at the duffers the same way for.

the scoops troop. I wanted to love erica... but i feel so indifferent to her. she was way too much this season. and robin. again, i love that she’s confirmed queer. and i dug her character more. but even then... i don’t know. i would have rather never had her introduced, and allowed established characters to have been better developed. and as a whole, the whole storyline of the troop was just what I feared: underwhelming and awkwardly placed.

high steve & robin. won’t elaborate on this too much, bc there’s not much to elaborate on. it just felt so wildly out of place and unnecessary.

that dustin/suzie number. what the hell was that? what could have been a 20 second joke was stretched out WAY too long and was bizarrely placed. just because you have an actor from broadway, doesn’t mean he needs to sing. and even if he does sing... you couldn’t have found a better time or situation? i literally was just staring at my screen in disbelief as that whole thing happened. entirely unneeded.

the amount of flashbacks. i understand most casual viewers wouldn’t remember certain things because of how long it’s been. but they literally put a recap at the beginning of the season. that’s what it’s for. and there were also plenty from like.... the episode before??? the amount they included took away so much time, that it almost just seemed like they didn’t have enough footage, and they had to fill their time stamp somehow. at some point, it just becomes insulting to the audience’s intelligence.

the overall tone. this season did not feel like stranger things in the slightest. off the top of my head, the castle byers scene and the byeler scene in mike’s garage were the exceptions. the first few episodes did have some moments. but overall... it kind of felt like some weird, high budget commercial or something. the charm, distinct aesthetic, and nuance of seasons 1 and 2 was non-existent.

the post-credit scene. there was some last-minute hype up in the reviews for this. was that supposed to be shocking in some way? i suppose this is more the fault of the reviewers who hyped it, but... really? a demodog? we’ve seen that before... i guess more the point was to show that the russians officially have some kind of technology for this. but still, an underwhelming reveal. more intriguing to me, was if hopper was the american in the cell he mentioned at the start of it. or maybe brenner?

the neutral:

that ending. on one hand, it was incredibly predictable. they literally placed an obvious shot of it in the trailer (easy to deduce that the byers had moved out, and that it was fall, so it was an epilogue scene). i was convinced that there would be a twist element they weren’t showing us, but nope. on the other hand, i thought some things were done beautifully (which wasn’t exactly a trend this season). as i mentioned, i loved the jancy moments. i really did like the hopper voiceover, although it was a little trope-y and heavy-handed... i still got a little emo, ngl. those goodbye hugs were somethin’. and, as i said before... el! moving in! with the byers! gimme

so uh... that’s it, i guess. no one really asked, but i needed to get my thoughts out. what did you guys think of the season?

#stranger things #st3 #spoilers #i very well might add onto this the more i continue to think about it

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kob131 · 5 years

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Might have asked you this earlier but what did you think about the video on Adam by the Judgemental Critter

It’s awful.

The thing starts out fine enough with only minor problems (’We never see Adam in the earlier Volumes!’ Well, he didn’t really fit anywhere aside from cutting out Torchwick.) Then we get to the WF lieutenant and things start collapsing.

‘This guy has an introduction on par with Adam’ ? What introduction? You yourself admit he just appears in Volume 2 and acts threatening. He clearly lacks alot of the things Adam is praised for (Like his connection to Blake) in this very video.

And this gets worse when you get to the next part, the one about the Albain brothers. Here, she bitches about them ‘not having any character, monologing about shit no one cares about, having no differences between them ect.’ Not only is the second one an OPINION (I actually do care about what they had to say, since it gives more info on the WF and how their philosophy works.) but the other two are blatantly wrong (the brothers are kind of like cult leaders, working to control their members in order to achieve their goals with Fennec having issues with working with Adam while Corsec is more confident and controlling.)

The part that pisses me off the most is one part where she goes ;why are they in the White Fang? Why are they okay with killing people like Ghira? No?’ when the show actually does give a reason (they wanna make things better for the Fanaus and they think that Ghira and the Belladonnas will get in the way). It’s not much but they only have three appearences and the WF Lieutenant (who has two) CAN’T answer these questions.

Why did he join the WF? ...

Why is he okay with killing humans? ...

Why is he happy to kill Weiss? ...

The Lieutenant has no character and the Albain brothers do...but the Lieutenant gets praise and the brothers don’t. (Also, she completely glosses over one of their appearances which ANSWERS her questions).

Then we have Illa which is...fine. Only one line is a problem. (”I just wish they gave this level of complexity to other villains’) ... Note she hasn’t finished talking about Adam.

Then the bullshit starts to crumble as we get to her talking about Adam again, where she bitches about Adam acting like a child, getting hit by Blake and running away and trying to blow up Haven ‘with no reason;. ... Ignoring how Adam sounded in Volume 3 which was equally childish, he’s never been seen actually taking a hit before AND was vastly outnumbered and he directly wants to cause suffering.

Yeah, her video basically self destructs at this point. She said Adam was ‘cool, suave, threatening and interesting’ but her reasons given made it certain that she didn’t get the memo about Adam, buying into the ‘Adam is such a cool guy’ illusion instead of the ‘dangerous sociopath’ the show hammered into the ground. Adam not being cool makes sense as he’s lost what made him intimidating. Blake isn’t scared so Adam can’t frighten her. He’s outnumbered so his power means shit. Blake is in a better state of mind so she can deal with him better. Adam’s gone a bit power hungry and lost his mask of sanity so he’s not gonna appear cool and ‘suave’ (ignoring how he was suppose to be seen as scary and frightening, never suave). Hell, the whole ‘smacks Blake around and slices Yang’s arm off’ is INCREDIBLY disingenuous (ignoring Blake being scared and rushing to save someone while Yang lost not because Adam was THAT strong but because she did something stupid).

It just feels like bitching that the obviously unstable, sociopathic manchild, repeatedly said AND shown to be unstable, sociopathic and childish, is portrayed as unstable, sociopathic and childish, This shit was always there. It wasn’t communicated the best but she never mentions that. No, apparently Adam was a TOTALLY different character.

She then talks about Adam in Volume 6, saying ‘I don’t care’ but it’s been made clear that’s on her, not the writers. She bitches about Adam constantly ‘citing three lines in the fight in Volume 6 while I remember his five in Volume 3 as someone ‘talking all the time’ (and tries saying he makes ineffectual threats when A. That’s the point and B. He did similar shit. unironically. in Volume 3 which she praised.)

Then we have the stupidest thing I have heard in a LONG time.

‘We never learned anything about Adam.’

... We never learned that he was a victim of the Schnee Dust Company, we never learned that he originally never wanted to kill people but Sienna used him to promote her ideals, we never learned he was a victim and permanently scarred by his suffering to the point it frames all his actions as a child desperately trying to get back at the people who robbed him of his humanity and control.

She even says ‘we never get to see why he joined the WF, see him transform from a loving man to the violent killer he is or why he became this way. He just see him as a crazy radicalist and he dies..’ ... when the Adam Trailer (which she will go on to say says NOTHING NEW) explains ALL of this. How did he transform into a violent killer? He killed a human in trying to save Ghira, was shocked but then Sienna used him to promote her ideals and he got praised for his murder. Why is he this way? Because he was abused in the mines and wants revenge due to...you know, basic human psychology (see: our own fucking world). The only thing it doesn’t answer is ‘why did he join the WF?’ which...doesn’t matter. His goals changed, he became a different person. Those reasons ultimately mean nothing.

Hell, she even has the GALL to say that because Adam’s scar was revealed an episode before he dies, it means nothing. Again ignoring that he’s had this scar SINCE THE BEGINNING and all the reveal did was give context to his actions. It honestly feels like hindsight and introspection (something that is INTEGRAL to a critic) doesn’t exist with her. She never talks about how Adam’s scar can change people’s perspective on him or how it can change his character in hindsight. Incredibly powerful writing techniques are just...ignored. This isn’t the first time either. She mentioned how the WF never talks about their racism...while never considering the suffering that Adam and Illa go through.

She ends by saying the WF was disconnected and needed more screentime which I would have agreed with...but just as Adam’s scar changes the perspective on him, her video changes my perspective on this. Just HOW disconnected is the WF storyline if she can only say it after ignoring and separating huge chunks of it? Just how much screentime is really needed if these compliant can only exist by ignoring canon?

It says a lot when cutting her explanation would have made her point stronger. Because it now looks like someone said 2+2=4 because she rolled a six sided die and it landed on 4.

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travllingbunny · 5 years

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The 100 episode 6x01: Sanctum

I have mixed feelings about this episode. I'm very glad that I got to see this and 6x02 together, since 6x02 was amazing.

Season premieres on The 100 are rarely among my favorites of the season (and in season 1 and 4, were the weakest of the season), except for season 5. Season 2 premiere was also pretty strong. Here’s how I’d rank them:

Season 5 (Eden) 9/10

Season 2 (The 48) 8.5/10

Season 3 (Wanheda, Part One) 7/10

Season 6 (Sanctum) 6.5/10

Season 4 (Echoes) 6/10

Season 1 (Pilot) 4.5/10

First to get it out of the way - the things that bothered me about this episode:

So, Shaw is another black guy who got Killed First, and Zaven got Clexaed. Was this really necessary? JRoth says it was because Jordan Bolger got a role on another show, but They could have left him cryo-frozen for some time until Jordan finished his other obligation, like they did with Kane/HIC, who also now has a major role on another show.In any case, killing him off in the premiere not long after he and Raven had sex for the first time is a really lame old trope. And I wasn't even particularly invested in that relationship or his character, but it's such a waste after he was introduced in season 5, let's face it, pretty much just to be Raven's love interest and finally give her a good relationship.

I am glad that the show is following up on the things that happened in season 5 and that everyone is talking about their issues with each other. For them, it happened yesterday (I am just going to ignore the 125 time jump, since it practically didn't exist for any of the characters other than Monty, Harper and Jordan, and the people of the new planet). And I was in favor of characters not forgiving Clarke immediately, before I saw this episode. However, the way they did felt so forced and unnatural. Murphy's remarks made no sense, as if he forgot or re-wrote all of seasons 1-4. Not only was he hypocritical, but I don't even know what he was on about. Clarke's 5th chance? What?? Does he mean all the times when she saved them? Did he confuse Clarke with, well... himself? Shaw felt particularly OOC. It's like JRoth wanted random characters to blame Clarke and deliver speeches about morality and redemption to her, and didn't care who it was, or as if Shaw was a stand-in for Raven, Sure, it makes some sense he's angry she gave them up, but to that extent and in such a personal way? Especially since we don't see him showing anger over the fact that Echo wanted to murder him? Or that Raven at one point was OK with Echo murdering him? The latter would have actually been more of a reason to feel hurt personally, since they already had some kind of a relationship up to that point, and he had helped her. But he was not Clarke's friend - she did betray her friends when she sided with McCreary: Raven, Murphy, Emori - but Shaw was nothing to her. Their only interaction in S5 was when he was one of the people (together with McCreary and Diyoza) who had her captured and tortured and threatened her daughter.

Echo lecturing Bellamy about forgiveness made me roll my eyes. Is this an even worse line than her season 5 line about finding each other in a cage? "Who knows that better than us". Err, I don't think "I did so many horrible things to you, and you forgave me (after being stuck with me for years in close quarters and with just 5 other people and I tried to make you forgive me for 3 years)" is such a great selling point or a positive thing about a relationship. And no, Bellamy doesn't have to forgive Octavia. I think he will eventually, but it's certainly not an obligation or Octavia's right, or anyone's right. No one has to forgive anyone. It's entirely due to the person who was hurt/wronged. Nor is "well, you forgave other people who hurt you, so why not that other person?" a good argument. Also, did she forget that he only forgave her after 3 years? Octavia threw him into a fighting pit (not to mention everything else she did) just a few days ago (obviously I'm not counting the cryo-sleep time). Their relationship is also complicated and different,, Bellamy probably has a time dealing with what his little sister has become and didn't expect that from her.

On the plus side:

The visuals are amazing, and everything about the new planet moon is really interesting. Including the setup for the next episode, with all the mysteries of the new planet, including the past of the people from Eligius, and the psychosis that first overcame Emori. I love the bright colors - they feel both hopeful and fun, and psychedelic and sort of disturbing. For once, it's great to see a post-apocalyptic drama that doesn't have muted colors and dark cinematography.

Jordan is lovely - it's great to have an optimistic, innocent character, as a contrast to all the damaged, angry people, and he also obviously has many capabilities worthy of his father.

All the callbacks to season 1 were fun., especially Murphy playing the role of season 1 Octavia. Also, Bellamy telling Clarke that others will come around felt like a callback to their season 4 scene where Clarke was comforting him and telling him that Octavia would come around and forgive him.

Jackson was so excited to realize he and the other humans are "aliens" now, LOL.

Even though it was awkward in execution, I generally like the fact that they're dealing with everyone's issues, guilt and resentment from season 5. Clarke and Octavia are both set up to have great arcs. Abby and Miller also deal with guilt. There are so many interesting relationships between people who need to sort out their issues: Bellamy and Octavia, Abby and Raven, Octavia and Abby, Bellamy and Clarke...

I think Abby has a very interesting storyline now - trying to stay on the wagon and not relapse into addiction and trying to do better and make up to Raven, and her relationships with both Raven and Octavia will be interesting to watch. Kane might not really have a story of his own now, but, contrary to what many think, it would have sucked if he had died now, with how Abby felt guilty over letting him down and then tried everything to save him.

The scenes between Abby and Raven were really strong. Raven is very hurt and angry and unforgiving - of Clarke, but most of all of Abby, her substitute mother figure who really let her down and hurt her in season 5, in ways that reminded her of her biological mother. Neither of them beat around the bush, and this relationship will be interesting to watch.

Octavia scenes were amazing. I really don't get those stans of hers who justify everything she did, but I do appreciate her more and more as a great character. She acted exactly the way I'd expect her to act - angry, confrontational, unable to apologize and admit to her mistakes. While Raven is refusing to forgive, Octavia is refusing to say sorry to anyone. We saw at the end of last season that she feels guilty, and she wanted to have a big heroic redemptive death, but she didn't get that, and now she has to work harder for that redemption in the way she isn't used to - to try to really change, accept responsibility, admit mistakes and change her way of dealing with things. She'll have a long way to go and a lot of character growth to do. Octavia talked about Kane's past, but Kane did acknowledge his mistakes, almost 7 years ago, and changed and learned from them, something Octavia needs to do.

Niylah waking up Octavia after explicitly being told not to was funny - it's not a great thing to do, but I could have guessed she would, with her huge crush on O.

I'm glad that Bellamy is not forgiving Octavia easily. I think their relationship had been pretty dysfunctional way before season 5, and that she treated him like crap way before season 5 (including that time she chained him and beat him bloody because she needed a punching bag for he pain, and after that, it was still somehow all about her having to forgive him for an entire season...) so I don't want them to make up immediately. That relationship needs to be changed and reinvented, and Octavia has to change, and learn how to treat both Bellamy and others in a different way, before they can be reconciliation.

The Bellarke moments were great - especially the radio calls conversation. It's clear that this is definitely not the last time they talk about that: that plot point has been brought up since the beginning of season 5. It took the whole season for Bellamy to learn about them, after Clarke was too embarrassed to tell him. Now she knows he knows - and it was cute to see the panic on her face when she thought he had heard all that she was saying (and we never heard all the things she said during those 6 years, so who knows what else she said!), and then the way he used a joke to lower the tension and let her off the hook. But we know from the trailer that both the radio calls and the fact she left him behind to die in 5x09 would be brought up. Yes, he has been forgiving and supportive of her since he found out the truth about those radio calls - his real problem was that he thought Clarke left him because she didn't' care, so learning that it was the farthest thing from the truth changed everything - but that doesn't mean he has fully forgiven her in his heart. He still wants to understand how exactly she feels about him, and they have so many issues to discuss.

And just look at that plAtOnIc chemistry:

I generally don't mind the Becho stuff, which continues to be along the same lines as season 5: no matter how forced those scenes feel, they're very easy to ignore, since their one-on-one interactions take up about 30 seconds of screentime (which could as well been written by some computer program for how to insert a perfunctory scene to remind people that characters are in a relationship), and, no surprise, a lot of their overall screentime is scenes where Bellamy, Echo and Clarke happen to be in the same scene or same shot, and their narrative purpose is not hard to figure out:

(How awkward when you're the third wheel to your own boyfriend and his... whatever exactly Clarke is to Bellamy.)

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