un jour dans ma vie !
by frxncoquxtte
05:30- je me réveille
05:30 à 05:45- je me prépare. je me brosse les dents, me lave ma visage, et mets des vêtements d’exercice
05:45 à 06:10- je fais du yoga. faire du yoga m’aide détendre le matin. j’aime écouter la musique, aussi
06:10- je m’habille pour l’école
06:30- je cuisine et mange le petit déjeuner
06:50 à 07:25- j’écris sur mon journal, lis une livre, ou nettoie
07:30- je pars aller l’école. parfois je marche avec mes copines
08:30 à 16:30- l’école. comme une élève américaine, j’apprends le programme pour les français et les américains !!
16:45 à 17:30- j’étudie et fais mes devoirs dans la bibliothèque. parfois mes copines vient aussi
18:00- je rentre chez moi. je prend une douche et mange le dîner ma maman a préparé
19:00- je prépare quoi porter pour le prochain jour
19:15- je me brosse mes dents
19:20 à 20:00- je finis mes devoirs, écris dans mon journal intime, ou lis une livre
20:00-21:00- je passe du temps sur mon portable (pinterest, instagram, tumblr …)
21:30- je dors ! 💤
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rook hunt is ripped with muscles and here's why
because some of you guys don't give him enough credit and my brain is rotting; let me live
i'll get straight to the point, i've tried out archery to see what it's like in the past—learned the basics and such—and for those who have never held a bow in their life, let me tell you it gets extremely tiring after shooting for more than an hour or so. so imagine how strong you must be to be shooting bows and arrows since you were a child. that is Rook Hunt, who was practically born from the womb with an archery set in his hand /j
bows have different draw weights that affect the speed, force, and distance that is needed to shoot an arrow. typically, children use bows with a 10-pound draw weight, as young adults and adults use bows with 20 pounds or more. to put this into some sort of perspective, i remember my stamina with the 20-pound bow lasted me about half an hour until my arms began to weaken and shake with how out-of-shape i am but anyways 💀
i've heard that the typical draw weight for hunting is about 40 pounds. and assuming with how long Rook has been an archer, i can imagine that he is physically well-fit enough to exceed the 20-pound draw weight and move onto more efficient bows for hunting like the 40-pound.
think about how developed your muscles must be if you began shooting with 10-pound bows since you were just a kid, moving onto 20 pounds as you get older, and eventually using the 40-pound draw weight as you gain more strength and hunting skills. knowing with how much Rook uses his bows and arrows, it's safe to assume that he most likely hones these skills by practicing archery quite often (i can see him going out to practice at least once a day; don't quote me on that though, this is just a thought i have considering that other hobbies also require daily practice to maintain a person's skill).
there are so many muscles involved in a human body's shoulders, back, chest, and arms that you must use when drawing a bow. exercises focusing on the muscles needed for archery are often done to strengthen an archer. this is where Rook's very toned figure comes in lol.
with the numerous muscles needed to carry out his hobby on a constant basis, Rook would need a strong set of biceps and shoulder muscles to keep up with the bow's general weight and stamina for however long he goes out hunting for. bro has built up muscles, man. built up muscles.
in game, though, i will admit his body does look on the more slim and slender side. i can see why some people in the fandom don't see him as a character with buff arms, but i would like to respectfully disagree. Rook Hunt has scrumptious arm and back muscles i'd shamelessly stare at as his magic hands do whatever wonderous things they do with his bow OH AND GUYS HIS LEGS I MEAN-
ahem. anyways.
i know many in the fandom tend to bully this observant hunter—with his questionable haircut and uh huntsman habits of his—however, these targets for harmless memes cannot overshadow the fact that Rook Hunt is ripped. from head to toe, this man is most likely relatively high among the list of twst characters that are incredibly strong (with Jack trumping them all) and is probably covered in toned muscles, which he maintains with his hunting.
this isn't even me simping anymore; it's just simple logic if we all go by what we know about the Pomefiore vice housewarden. i'll defend this man with my life—and that includes writing a useless essay on why Rook is more muscular and buff than we may think lmao
so in conclusion, Rook has beefy arms that the world is not prepared to talk about just yet. the end.
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Triage: Initial Thoughts
Hello! Venus back at it again with the 4-5 AM theory time! This time we’re looking at Shidou’s second MV, Triage!
I’m going to be going through my various thoughts on everything as usual, going point by point to analyze each thing. I’ll be referencing Triage, his first MV Throwdown, and the always-fast audio drama translation by @onigiriico!
Alright, let’s do this!
Shidou’s kids died immediately, but his wife had a chance to live.
I’m basically just going to give a quick play by play of what I think happened in the video.
Surprise, Shidou has kids! And a wife, but we figured that already. They’re all very cute and all until they fade out like ghosts pretty early on. Before that happens, though, I think that, chronologically, the opening sequence of Shidou walking with some groceries happens first.
He’s just going about his day, walking around, having a great time. He’s intending to take stuff back to his family and cook dinner or whatever he usually does that we see in the cute scenes.
Then, though, he gets a phone call. He answers it (this is the untranslated “Kirisaki desu” part; please let us know if you find a full translation of what he says on the call there!) and we move on to the next scene. However, later, at 1:57, we hear the line die. I think that this is probably Shidou getting a phone call from the hospital. He sounds casual in his initial response because he probably assumes it’s work related, but once he hears what happened, he drops the line and immediately heads over.
I think Shidou’s kids must have died immediately because of Throwdown. Throwdown has absolutely no references to his kids (though he does mention liking children and stuff like that in his first audio drama, which now kinda stings) and, were he also trying to save them, I’m sure there would’ve been at least some references.
I think it’s far more likely that, whatever happened, both his kids died immediately, but his wife was in a condition where he could still try to save her. That’s when Throwdown occurs. Shidou probably focused intensely on trying to save his wife as a way to cope with the death of his children. Then, after his wife officially died, it really hit him that he had nothing left, and he was forced to process it. That’s when he started feeling all the guilt and wishing for death.
This isn’t really relevant, but my best bet is a car crash. It seems like a likely and viable way that his kids could’ve died instantly while the wife could’ve kept living. As a minor note on that, he’s also walking back with groceries, which could indicate that someone else (the rest of his family) might’ve had a car. I don’t remember if Shidou mentions anything about driving or anything like that at any time, but if I had to call a method of death right now, that’s what I’d go for.
NOTE: I do want to disclaim this by saying it’s also possible that one of his kids was the flower person in Throwdown. He gives a receipt to one of his kids, so that could make some sense. I need to go back and compare the flower person in Throwdown with the people in Shidou’s family now that they have appearances. I also need to reread his first audio drama; he says something about it being fitting that Es is judging him, which could check out if his crime relates to trying to save his kid instead. If I am wrong and it was one of his kids that he was trying to save, then everything about what I’m saying still checks out; just swap everything I say about his wife with one of the kids.
Shidou purposefully showed us the least forgivable parts of his crime in Throwdown.
Looking back on it, Shidou painted himself in an awful light in Throwdown, and I’m sure it was intentional. After all, he was trying to get us to give him a guilty verdict. If you say that a prisoner like Muu might have been altering what part of her story we received in order to get her desired verdict in the first round (innocent), Shidou could absolutely do the same thing with a guilty verdict.
He doesn’t show us any of the context of his loved ones and how much he loved them; that was all stuff we had to read between the lines of. We see him butchering plant after plant only to end in horrific failure without ever seeing him succeed at anything surgical. (He still should’ve hypothetically been saving lives while doing all of this; it’s not like he was ONLY killing people.)
He even shows us the horrified reactions of the loved ones of patients he killed. I can only imagine that he would do that if he was trying to spark a negative reaction in us.
In contrast, this MV is very straightforwardly showing how the day he lost his family went for Shidou and directly examines what verdict Shidou wants (more on this later). I think, therefore, that this is probably a much more honest view of the situation than Throwdown, at least in terms of how Shidou perceives the truth.
Shidou is constantly plagued by the guilt of what happened.
The simplest way to explain this is with this image:
When showing Shidou’s family turning to ghosts, he views the man that he used to be as dying with them. Shidou, as he was, is dead. Still, what happened clearly still impacts him. That’s pretty obvious, but I’m talking down to the details. He mentions kids and liking them in both of his audio dramas. Further, take this lovely image:
Pancakes. Shidou made pancakes for his kids. In BOTH Minigrams 3 (Pancake) and 24 (Pancake: a Second Trial) Shidou is directly shown talking about pancakes and their relation to children. He really wants Amane, the young child, to try some. It seems like he used to make pancakes for his kids before they died. He’s very clearly not recovered in any sense. That’s not surprising, but it’s still something to point out.
Triage takes place almost entirely before and after Throwdown.
That sounds a little confusing, but all I mean is that Throwdown is completely isolated from this MV. Some parts of this MV happen before the events of Throwdown; those are the ones featuring Shidou’s wife and kids, as well as the ones where he simply looks younger. The other parts are clearly looking back at the same time frame, but are from Shidou’s present perspective, here in Milgram. Those are the ones where he reflects on his verdict or directly addresses what verdict he wants.
Most directly, I think the part at 2:14 indicates this. Shidou, looking back on the death he caused (knives in the pomegranates and other food, dead flowers, receipts from the surgeries that we also saw in Throwdown), says “I want to be INNOCENT / I want to live.” That’s him, in the Milgram prison, right now, coming to terms with the fact that he actually, genuinely wants to live right now.
In the audio drama, he’s clearly conflicted. He still says that he wants to die, that he wants to atone for his sins and that dying is the only way he can make it up to the people he killed. He also, though, says that, at least for right now, he wants to live. Futa and especially Mahiru are on death’s door, and there’s no telling what other injury might occur. He believes he’s essential to saving lives within the Milgram prison (and I think he’s 100% right).
He even directly references this in the song lyrics, talking about “extracting the fang.” The fang is clearly Kotoko, given that Milgram has referred to the damage Kotoko does with fang imagery before and given that that’s what he’s currently healing. He has to be the one to save them because he’s the only one who can; as a result, to save lives, he has to care about his life right now. While he’s still unsure of what final verdict he wants, he knows that he needs to stay alive, at least going into trial 3.
VOTE: INNOCENT
Personally, this one’s a no-brainer. Es theorizes in the audio drama that Shidou only harvested organs from braindead patients, and though he never outright confirms it, based on his responses, it seems to me like that’s true. That means his crime isn’t as severe as we initially thought it was.
Additionally, he’s right; he is indispensable to us right now. He outright says in the audio drama that if he stops giving Mahiru care, she’ll die, whether or not anything else happens to her. That basically tells us that voting Shidou guilty means Mahiru dies. That’s not good, and I’d rather avoid prisoner death when we think it’s possible.
I also just don’t think it’s smart to change verdicts on him here. If we decide that, after all is said and done, we can’t forgive Shidou, we should do that with the third verdict. Here, we want to leave both options open. Right now, Shidou is torn between wanting to live and wanting to die. If we switch to guilty, we’ll ruin any chance he has at recovering a will to live and a will to atone through any means other than death. If we want to preserve the option of forgiving him in the end, I think we have to forgive him here. We can debate whether his actions were forgivable or not in the last round.
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