rewatching Zou and thinking about how the Heart Pirates really wanted to meet Luffy but Law had almost immediately asked Luffy to talk in private and the Heart Pirates were all like "not cool captain come on” and giving thumbs down to him.
i know this is a stretch but
Luffy and Law weren’t together for maybe a couple hours, maybe a day at most???? and Law is already stealing Luffy away like they didn’t just an arc and filler together lmao. Law’s crew just wanted to meet his boyfriend😭 and hang out with him, the last time they saw Luffy, he was like half dead you know? this is good blackmail material for them though, Law being all clingy is adorable as hell.
friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me
the thing about disco elysium is that it has women in it. what you see on the internet about it might lie to you about that but it has women, gay women even, very compelling women even, in it.
ok this sounds insane but in 2018 i went to a few carnivorous plant talks at the botany conference in minnesota. i got caught up in conversation with one of the guys there who was a huge nepenthes guy who told me a story about another collector in the pacific northwest who'd been buying poached plants, like a huge amount, and eventually got staked out by the fish and wildlife service and arrested and had all his plants seized and went to prison for it. idk if i ever talked about this on this blog before-- i know i liveblogged a lot from that conference but cant remember what all i posted-- but ive avoided talking about it since then because i was never able to find like, news articles or anything covering it, but behold.... we now have proof it was real, and im like 80% sure this was this guy he was talking about. the raid happened in 2016 and they'd been staking them out since 2013. he had nearly 400 plants and had been sourcing many of them from poachers in indonesia and borneo.
remember folks: poaching happens with plants too! it's a huge problem not only in carnvirous plants (nepenthes especially, which this piece is dedicated to talking about) but also in native plant populations in the US, including native carnivorous plant populations (north and south carolina's venus fly traps, california's darlingtonia, and sarracenia from the east coast), native orchids (historically one of the most poached categories), desert plants/cacti/succulents, and slow-growing woody ornamentals (cycads, for example). never buy bare-root plants off ebay or facebook! your best bet is local nurseries (which usually purchase farm-raised plants that do well in a wide range of conditions, and as a result have a healthy population in the wild) or specialty greenhouses (more expensive, but at least in the case of carnivorous plants offer young plants bred from established adult plants in-house, raised in captivity).
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
their kisses with you.
fem. reader. suggestive.
feat. bi-han, kuai, tomas, syzoth.
bi-han —
steady and sure, grabbing at your waist, wrapping a hand around your throat to keep you still as he indulges himself in your lips. although he is not the most affectionate man, bi-han has an exceptional fondness for kisses. perhaps it’s the breathless sounds you make, or the soft gasps in between his tongue — perhaps it is simply that he prefers you at his mercy, a pretty little thing caged beneath or within strong arms. typically at night, when the moon is high and all is silent, he allows himself to calm, to open before you and allow you to initiate. bi-han tends to lose himself in these moments all too easily, an annoyance at his expense. most times, without even trying, simple kisses from you lead to sleepless nights and sore bodies.
kuai liang —
ardent, unrestrained, grasping at hips and breasts and hair, unable to keep what little space remains between the two of you from heating up — figuratively, literally. his lin kuei ways may have taught him restraint, focus, but kuai’s hotheaded tendencies always get the best of him when it comes to you, only for you. his kisses trail like fire all across your body, his teeth leaving scorches in their wake, a tongue like that of flames licking at tender flesh until you melt like caramel in his hands. kuai is unrelentingly keen on smothering you with every bit of adoration he has; his lips alone are more than capable of proving it. you are a goddess worthy of worship, and he a devotee all too willing to bow down and serve, evermore shall his love burn for you.
tomas —
soft like daytime mist, cupping apples of cheeks, the tremble of fingers when his lips touch yours. he has little experience with romancing women, much less the gift of their kisses; you are his beginning, his end. it is precisely why tomas pecks, rather than lose himself to your lips, for a bashful nature keeps what eager will he has in check. his boyish charm only adds to the endearment, and often he finds you to be the one most content in initiating them. it’s a strange comfort, that you still pursue him despite his meeker approach to affection and love. assuring him that he is wanted sends his self-confidence soaring, and gradually does he ease into the idea of receiving and giving kisses on a more constant basis — privately, of course.
syzoth —
quick and light, flurries of kisses, all about your pretty face, your petalsoft lips, sometimes at those sensitive sweet spots across your décolletage if he’s feeling cheekier than usual. syzoth, fairly new to the concept of kissing with warm, wet mouths, tongue and teeth and all, hadn’t expected warm-blood affection to be so pleasant. he is cautious of physicality, having grown to live without its softer aspects for years prior to you, but kisses are easy, innocent enough to practice. you have made it this way for him, precious as you are. he kisses you hello, goodbye, as luck before either one of you leaves for calling duties, and simply when he feels like it, even if friends are around to witness and tease. he doesn’t mind them, as long as you don’t.
and dean winchester thought he was unlovable and didnt deserve happiness he hated himself and thought eveyone would eventually leave him and then a literal fucking angel fell in love with him. like loved him more than anything else in the world.
Leo being put into a situation where there is absolutely no fighting, just verbal manipulation and perception games, would be amazing to witness. We see a lot in the series how good he is at subterfuge and how he uses his perception to manipulate to great effect, so it’d be so cool to really see it put to the test even more.
Manipulation is one of the most effective tactical strategies of all time, so just imagine Leo putting this skillset of his to the full test. Imagine the boys slowly get up to busting bigger and more powerful criminals, including those with networks of crime under their belt, and a simple fight isn’t enough to take them down. For criminals like this, Leo’s skills in subterfuge would be deadly.