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the-modern-typewriter · 11 months
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The Art of Turning 30
“So, am I allowed to talk?” Annabelle gave an awkward little laugh, that she immediately wanted to stuff back into her mouth. “I’ve never done this before!”
“You can talk.” Julian flashed her a quick, reassuring smile. “At least until I tell you not to.”
They both laughed, then. Julian’s laugh was not awkward.
It was six months until her thirtieth birthday.
She had met him at her girlfriend Camille’s twenty-ninth birthday party, a few weeks ago, only to be surprised that they’d somehow never crossed paths before. London was big, but it wasn’t that big surely, and Julian was an artist.
Annabelle felt like she spent half her free time at artsy bohemian parties and amateur gallery openings, though maybe that was why. He wasn’t an amateur, was he?
She’d looked him up online after and seen several shining reviews of his first exhibition, and a rosy buzz of anticipation at what he’d do next.
She remembered that buzz. People used to get that buzz when they talked about her. Apparently, his work was ‘visceral’ and ‘felt startlingly alive’.
It seemed impossible that he wanted to paint her, of all people.
Annabelle shifted on the stool, glancing around Julian’s studio space as he finished setting up his easel and paints. Oils. He’d said he was using oils. That mattered in painting, didn’t it?
The studio was everything she’d always imagined a professional artist’s studio to be. It was quite large, with clean wooden floors and white walls crowded with stacks of sheet-covered canvases in progress.
There was only one that was ready and visible; a painting of a beautiful blond man, probably nearing thirty too, lounging on the same stool that Annabelle was perched upon. He gazed out at the viewer with a hungry sort of hope. Like they were the best thing he had ever seen.
The studio smelled like drying paint and the sandalwood diffuser wafting its calming scent from the window sill. Sunlight coated the room like honey, or gold.
“You’re not going to make me look ugly, are you?” she asked.
He smiled again, meeting her eyes. “I couldn’t possibly.”
He probably flirted with all of his models, but she still felt a blush of heat rise to her face.
He looked like he could be in a painting, or one of those classical sculptures still concerned with archetypal ideals of beauty. Of course, she was with Camille, so nothing would happen…but still. The attention made her heart pound. Camille was usually too tired from work to flirt with her anymore.
Annabelle wasn’t sure how good she’d be at seeing a painting of herself that she hated, and not letting it show on her face. She’d probably tear up. It would be embarrassing for both of them. She shifted on the stool once more, and tugged at the hem of her summer dress.
“This is for your next exhibition?”
“I think I’m going to call it ‘The Art of Turning 30’.”
“Explains why I’m your muse instead of some gorgeous twenty two year old ingenue.” She laughed again. He did not. She continued, even as she willed herself to stop babbling, because he wasn’t looking at her with the expectation that she do anything. He plucked up a pencil, beginning his work. “It’s like, when you’re a woman, after you turn thirty your life is over, right? It’s like with my acting. And then by the time you’re forty all of a sudden all you can possibly be is, like, a mother or a witch. Or, you know, the dead wife. It’s all downhill.”
“You wouldn’t want to be a witch?” He raised a brow. “They always seemed pretty powerful to me. I could see you as a witch.”
“But do you know what I mean?”
“Can you turn your head a little the left, please?”
“What? Oh. Yes.”
She turned her head to the side, towards the window, and hoped the sunshine made her seem younger rather than highlighting every growing crag and wrinkle.
She could only watch him out of her periphery vision now; a wistful muse, seemingly unaware that she was being observed. She tried to look deep and mysterious.
“Perfect,” he said. “Thanks. You’re just perfect.”
The canvas of the blond man fell to the floor with a soft thump.
Annabelle jumped.
“Sorry.” Julian shook his head, another easy laugh on his breath. “The landlord never lets me put proper hangings on the wall here. Says it wrecks them. I guess so long as they don’t do that at the exhibition?”
“I don’t know, you could probably play it off as a stunt…lean into the photorealism.”
“Now, there’s an idea. Genius.” 
She probably didn’t look deep and mysterious. She probably just looked smitten.
***
She sat for Julian three times a week for the next several months.
It became a pocket of peace in her life, the hours when it was okay to finally stop and be for a while, because everything else seemed to be hurtling through her fingers faster than she could clutch hold of it.
She’d always imagined that she would be a successful, or at least up-and-coming, actress and screenwriter by the time she turned thirty.
Sure, women only made up around 30% of the directors or writers behind the camera, but back in school everyone always said that maybe she’d be the one to change that. She wasn’t entirely sure when they stopped saying it, but they had.
It was three months until her thirtieth birthday.
“Here.” Julian caught hold of her chin, featherlight, angling her back towards the sun. The days were getting shorter. Time was running out for them both. “You were like this.”
She had got in the habit of always sitting a little wrong, because he’d always adjust her, oh so careful and attentive, like she was his masterpiece.
She would have probably preferred to be her own masterpiece, but being his seemed like the second best option. She could practically feel the ghosts of forgotten, underappreciated female muses-past screaming at her that no, it was always better to be somebody than someone’s, but frankly she wasn’t sure she could be picky.
She’d been getting less and less call backs, and was starting to feel more like she was a part-time waitress dabbling at film than a part-time actress-filmmaker working hours in hospitality to make ends meet.
It was like a window was closing. Her window. That morning she’d found an honest to the devil grey hair on her head!
Camille told her that she was being ridiculous – that she’d become increasingly vain since Julian started painting her.
Annabelle had snapped back that vanity wasn’t vanity for an actress. Her looks were her currency.
It hadn’t always been so hard, had it?
All in all, it didn’t seem like a sin to let him touch her. It was nice to be touched. There was nothing untoward in that.
She peeked up at Julian, standing over her, his star ever on the rise. Their stares met again. He smiled that quick, reassuring smile of his.
“You look tired,” he said softly.
“Sorry.”
“No, no.” He widened his eyes. “I didn’t mean—” he huffed gently, and let go of her. “I haven’t got to your mouth yet. If you want to talk about it.”
Annabelle grinned back before she could stop herself.
It had become a standing joke. She sometimes felt she spent their whole time together talking about herself, but he always said it was interesting and made the hours fly. He was a very good listener.
More privately, she sometimes suspected that he was leaving her mouth for last just so they could continue chatting, but she wasn’t allowed to see the painting to check. The thought was thrilling though.
 “It’s nothing,” she said, even if she already knew she’d probably tell him everything on her mind. “I don’t know.”
What would she do when the painting was done? She’d see him at his exhibition opening, probably, but there would hardly be a reason for them spend time together like they did when she was sitting for her portrait.
Maybe it was silly to consider him one of her friends. She’d miss it, though. She’d miss him.
Maybe he’d want to do another one of her, but who was she kidding? Maybe in ten years, when he did a gimmicky but charming follow up. The Art of Turning 40: Where Are They Now?
What did he know about turning thirty anyway? He couldn’t be more than twenty-five. He had loads of time.
“There’s an intimacy,” he murmured, “to painting someone. Especially like this, in the old fashioned way. A lot of people use photographs and quick studies because they’re more convenient and you don’t have to catch the right light, you know? But I love it.” The air filled with their breathing, and the soothing dab of his paint brushes on his palette, mixing up the colours of her. “You really get to know people this way. It adds soul to the work. It’s magic.”
She felt, more than saw, his gaze cut over her again.  Her blood was electric beneath his scrutiny.
He continued, softly.
“I knew from the moment we met that I wanted you to be my centrepiece for this one.”
“Flatterer.”
“It’s true!” He laughed. “You have this great energy. I knew you were going to be interesting, and I was right. And you know how to model well. Because you’re an actress, right? You’re used to people looking at you.”
An actress, no ‘wannabe’ or ‘aspiring’ or ‘failed’ tacked on front. She couldn’t help but sneak a glance at him as best she could without turning her head.
“My boss always says I should have more energy, then I’d wait tables faster.”
“What does Camille say?”
“Camille—” Annabelle blinked in surprise, then swallowed. Her hands curled in her lap. She resisted the urge to sigh.
“Uh-oh.”
“No, no,” she said. “It’s fine. I just – she thinks if I’m not happy I should do something about it. She’s always telling me about other things I’d be really good at that have better pay, or more sociable hours.”
“So, give up on your dreams already.”
“Yeah.”
Annabelle deflated. She knew that Camille didn’t mean anything bad by it, but that was what it implied, right? She was never going to be a famous and successful actress or screenwriter, so she should settle for something manageable.
“Well, she’s not a creative, like us,” Julian said. “She doesn’t get it.”
Like us. Annabelle was a horrible girlfriend for feeling a swell of pleasure at that. It was true, though. Still.
“We’ve been together for a really long time, and she’s been really supportive. I think she’s just finding the whole ‘me turning thirty’ thing annoying. Mainly because I won’t shut up about it. Which I’m sure you sympathise with!”
Camille said that anyone who claimed life stopped at thirty was an idiot. There was no limit for potential, no one age where everyone had to have their life together and perfect by.
She was probably right, but Annabelle could still feel the panic of it clawing at her the closer her birthday got. Even if she was successful after thirty, she wouldn’t be one of those young geniuses that everyone had expected her to be. She wouldn’t be exceptional.
She would just be Annabelle. It didn’t feel like enough. Maybe if she could see herself like Julian apparently saw her, it would be better.
“Chin up,” Julian said.
Annabelle cleared her throat again. “Right, yeah.”
“No, I mean.” His voice was deadpan. “Your head. You’ve moved. Drooped.”
She shot him a look over her shoulder. The melancholy shoved itself down again in the pit of her stomach.
He tossed her a wink from behind the easel, to indicate he was joking. Only trying to cheer her up and lighten the mood.
“So, I still don’t get to see what else you’re working on, huh?” she asked.
“I’d have to kill you.” He switched to another, smaller brush in her periphery vision.
She snorted.
“It would be very inconvenient all around,” he said. “Rigor mortis sets in fast. I’d never get the painting done in time.”
“Well we can’t have that. After you’re finished with me then, I suppose.”
“Our art is a part of us, Annabelle.” He shot her another glance in turn, brush poised above his image of her, considering. “So how, then, could I ever truly be finished with you?”
Her breath hitched in her throat. She debated possible responses to that, and how he could have meant it. Her body felt warm and flushed.
He gestured that she angle her head left once more, not looking away for a second himself.
Annabelle turned.
The summer waned outside the window, but in the painting she would still be in her sundress, legs tanned and toes painted sky blue.
Thank god he kept his studio warm. The minutes ticked by, the air between them settling tranquil once more.
“Sometimes,” she said, softly, “I wish we could stay like this forever. Freeze the moment. Is that stupid?” It felt a confessional thing to say. Bold.
“No.” She could hear the equally soft smile in his voice. “It’s not stupid. Isn’t that how I got you to agree to do me this favour?”
She remembered the party; an adult version of what they all used to do, even if it still felt like they were all pretending to be grown-ups. Or at least, Annabelle felt like she was pretending. She didn’t feel twenty-nine.
She’d clutched her glass of wine and hovered near a somewhat strained conversation about mortgages and the state of the housing market, and how none of them were going to be on the property ladder before they were fifty, before she caught sight of Julian coming in. 
She echoed his words, and didn’t have to fake her wistfulness that time.
“To be remembered in art is the closest any humans’ get to immortality.”
He echoed the next line back at her. “Doesn’t that sound like fun?”
And she’d said yes.
***
“I’ve got a date for the exhibition,” Julian said, from behind his easel. “A few weeks after your birthday. Short notice, I know. Soz.”
“Ugh, don’t mention the B word. But that’s exciting! Can I come?”
“Of course you can come,” he said. “It’s why I’m telling you. This wouldn’t be possible without you.”
“I mean, while sitting here is terribly difficult,” she said, “I do feel like you should get some of the credit. Just some.”
She heard him laugh.
She’d grown to love Julian’s laugh; he was so ready to do it, at least in their sessions.
She couldn’t remember the last time she’d heard Camille laugh at something she said. Then again, she wasn’t sure the last time she and Camille had spent all that much time together.
By the time Camille got back from a day of teaching, Annabelle was usually already out for the night shift at the pub she waited in. Yet another thing in her life that wasn’t working like it was supposed to!
Camille said that could be worked on if, hey, Annabelle was willing to actually prioritise their relationship.
It had been one of their worst arguments to date.
“There’ll be thirty paintings in total, I think,” he mused, more talkative than normal. “Yours being the main one, like I said.”
“I’m sure you will perfectly capture the raw turmoil of turning thirty.”
He laughed again. It had been one of the most notable reviews of his first exhibition – except the exact wording had been that his work perfectly captured ‘the raw turmoil of adolescence, as an emotional and nostalgic period of change and growth’.
He’d finally caved and showed her some of his previous pieces, other than the ones she’d managed to find online, as a compromise of his refusal to show her how his painting of her was coming along.
Most of the individual pieces from his first exhibit had been sold off, but he’d kept the main one.
His main piece – Girl On Swing – got the most praise, so it had apparently been a bit of a scandal that he hadn’t sold it. He’d had offers.
It was a triptych (Julian’s word) of a girl, unsurprisingly, on a swing.
In the first of three paintings she was a child, carefree and giggling. In the second, a young teenager, her face a storm of emotion. In the final one, she was a young adult, caught mid-leap flying off the swing she’d been sitting on for seemingly eighteen years. Her arms were painted halfway to transitioning to a bird’s wings. She was no longer looking back at the viewer but forward, to all that life had to offer.
Annabelle wondered what people would say about Julian’s version of her.
People liked to fantasise about how amazing being a teenager was when they were an adult, but she hadn’t met anyone who fantasied about turning thirty. It wasn’t nearly as glamorous.
She hoped he made her glamorous.
“Of course,” he was continuing, “with the date so near, we might need a few more sessions to get finished on time.”
She looked over at him again, then, even if she wasn’t supposed to be moving.
The golden light danced across his handsome features, and caught the edges of the canvases behind him. There were twenty nine of them waiting.
“I make a pretty good lasagne,” he said, biting his lip. “If I say so myself. Compensation. If you don’t mind finishing late. There’s also a nice wine I got for Christmas that I really couldn’t drink alone.”
“I don’t mind,” she heard herself saying, before she’d even thought about it. “I don’t mind at all.”
“It’s a good venue,” he said. “A really good venue. Everyone’s going to love you.”
With him, maybe, the window wouldn’t close.
***
“I’m done, except for the varnish.”
The words sent a bolt through her, stirring away the sleepy content that came with posing for an extended period of time. She felt seen. Now, though, she wanted to see. Finally.
It was the day before her thirtieth birthday, and Camille had a massive surprise party planned, that Annabelle was both pretending that she didn’t know about, and dreading like a punch to the gut.
It was sweet that Camille was doing it. But also, maybe, if she didn’t celebrate the date she could still, somehow, be in her twenties for another year. That was how it worked, right?
“You are?” She leapt off the stool, and felt her joints click. “Can I see? I feel like I should have a right to see before everyone else. I won’t tell anyone.”
“It is top secret.” He pretended to consider.
She took the opportunity to relish actually looking at him for once; there was a kiss of red on the cuff of his painting shirt that hadn’t yet dried. It was the exact colour of her lipstick. She smiled.
He really had left her mouth for last.
“Fine,” he said, and gestured her over, eyes bright with amusement. “But only because I know you won’t tell.”
In the short space of walking over, Annabelle had time to feel her stomach clench. Her old fears boiled nauseously to the surface.
What if it was awful?
What if it wasn’t what she wanted, as if that had ever been the point?
What if her immortality looked like the part-time waitress she didn’t want to be?
She would have to keep a straight face, and not hurt his feelings. He’d been working on it for so long. It would ruin everything if he knew she hated it. It would no doubt be technically very skilled. She should have researched painting techniques she could comment on.
She rounded the easel, a little dizzy.
His hand fell on the small of her back, thumb tracing the curve of her hip, idly almost.  
She stared.
Her painted self was lovely. So alive, as if thirty couldn’t possibly contain her.
It was not as realistic as ‘Girl On Swing’ though.
She was caught in the motion of talking, hands gesturing animatedly in the air despite her best efforts of posing, and though her face was turned towards the light of the window it was as clear as confession that her eyes were always turning towards him, trying to steal a glimpse.
She looked at him, at the viewer, like he was the best thing she had ever seen.
Camille would see the painting too.
She had already said that she had to come to the opening, especially ‘after all the time her girlfriend had spent with this Julian fellow instead of her.’
Annabelle swallowed.
The perfect bubble burst.
She released a shaky breath, abruptly more aware of his hand through the thin material of her dress.
They hadn’t done anything.
Even the night when she ended up staying over at his, after lasagne and wine, they hadn’t done anything.
The painting made it look like they had, though. She wasn’t even sure she could accuse Julian of exactly making it up, either.
He had painted the truth. Raw. Even when it would have been politer to hide it.
“Oh,” she said. “Wow. Um. Julian—”
“Happy Birthday,” he murmured. “For tomorrow.”
His hand moved up to the back of her neck and all of the colours of the painting swirled and rushed forward to meet her.
“Oh, and Annabelle?” His voice sounded very far away. “This is the bit where you stop talking.”
***
Annabelle had been thirty for nearly a month. Well, not exactly.
They all said that she looked amazing. So realistic.
She couldn’t move. She couldn’t feel her body. But, she could watch, from her frame.
She’d watched as Julian approached her with a paintbrush dipped in varnish – to seal the work – and she’d watched with her world turned sideways as they carried her canvas from the studio to the gallery.
She’d watched as they hung her up on the wall and made comments about her like she wasn’t there at all.
She’d screamed, too, or tried to. They hadn’t been able to hear her.
Julian had approached her again when they were alone, hands in his pockets, perfectly relaxed and pleased with himself.
“It’s a good trick, isn’t it? I’ve always had the knack of turning people into portraits.” He’d flashed her the same quick, reassuring smile he always did as he peered up at her. “As I said, it’s all about getting to know the person. Getting them to pour their soul out to you.”
He’d laughed, like he so often did, only this time it was at his own joke instead of hers. Or maybe she had always been the joke. 
“I did worry for a moment that I wouldn’t be finished in time. But, don’t worry. We made it. You’re twenty-nine forever! Just like you wanted. Just like I promised. I’m not that cruel.”
She’d wanted to tell him that this was not what she’d wanted. She wanted to ask a million questions. She wanted to punch him.
Instead, Annabelle watched as Camille stepped into the exhibition room, on opening night.
She watched Camille scan the crowd, feverishly, expecting her to be there.
She watched as Camille’s attention snagged on the vast painting of her across the room.
God, Camille.
Her girlfriend made a beeline over. It had been an age since Annabelle had last looked at her, properly looked at her, hadn’t it?
Camille’s face crumpled a little as she studied the portrait; a myriad of regret and fear and confusion. Hurt. Her eyes were red and swollen like she’d been crying. She raised one hand towards Annabelle’s life-sized face, as if to touch, but didn’t. Her fists curled at her sides instead.
Guilt twisted in Annabelle’s gut. Camille looked exactly like how one might when learning that their girlfriend had cheated on them.
She felt an absurd surge of hope, despite everything, that Camille might see her where no one other than Julian had. The portrait, for all of its intimacies, suggested a grand love affair. People didn’t vanish fairly from grand love affairs, they just didn’t! It was suspicious, right? He was the last person to see her. The proof was in the painting!
Camille stared at her for a moment longer, her jaw set with grim determination. Then she scrubbed a hand over her face. Her shoulders hunched against some unbearable, undefinable weight. Her dark hair was greasy with worry.
“I’ll find you,” Camille still whispered. “I swear, I’ll find you.”
Annabelle’s stomach sank.
“No, Camille—” Of course, the words didn't come out. Nothing did.
She’d had been such an idiot, hadn’t she?
She felt a fresh stab of longing for that surprise birthday party.
How long had they waited for her to arrive? Waited for her.
Had Camille reported her missing? There would be no body to find, no evidence. The painting, the wanting limited eyes she looked out of, felt like a mockery.
Maybe the life she had with Camille hadn’t been perfect, not by a long shot, but at least they’d been alive. At least they’d been real.
Camille began to turn away.
“Please.” Annabelle’s voice broke. “I’m so sorry. I’m here, please. Don’t leave me! Camille!”
More attendees bustled to claim prime spot in front of the painting, murmuring about how talented Julian was, speculating on if Annabelle was his lover. Camille flinched.
“It makes me feel,” one of gallery attendees said, “like I’m interrupting them in a private moment, you know? Of course, it’s so Julian that she’s not actually a nude—”
She couldn’t see Camille anymore.
She was never going to see Camille again, was she?
CAMILLE. CAMILLE. CAMILLE.
Annabelle screamed it with everything she had, every atom of her, with the absolute certainty that if her girlfriend walked out the gallery door that Annabelle would never escape the painting.
She would never get to say sorry, or kiss Camille, or tell her properly that nothing had happened or would ever have happened, despite what she may have let her foolish heart feel.
She’d just liked the way he looked at her.
She didn’t want to stop the clock.
She wanted her life back, to live.
The painting hit the floor of the exhibition with an almighty crash.
Everyone scattered back. Red wine spilled like a crime scene against the polished floor.
Camille whirled back around too, alone a few metres away, her eyes wide and startled.
Julian appeared, clutching a glass of champagne in one hand.
“Goddamn these hooks. Who set this up? It’s a hazard. Everyone alright?” He looked around at his adoring fans, and summoned up a rueful smile. “I should have just got eyes to follow you all around the room instead, huh?” He looked down at her, where she stared up, in the same narrow periphery vision he’d painted her with. “Really leaned into the photorealism.”
Past him, past his taunts, Camille looked between the two of them. Uncertain misery flashed across her features once more. She opened her mouth, as if to say something, before closing it.
Annabelle willed her painted self to move again too, to speak, to do anything. She willed Camille to question, to press, to not give up on them and on her. Not now.
“Camille!” Julian had caught sight of her too, and straightened. He gestured for one of the gallery employees to get Annabelle back into position. “I’m so glad you could make it! Is Annabelle not with you? She was so excited for the exhibition…”
“You haven’t seen her?” Camille’s voice broke. “I – I thought she’d be here, at least. With you.”
“With me?” Julian spoke mildly. Innocently. “No, no. I haven’t seen her. I thought she was with you. Is something wrong?” His tone gentled, as he walked towards Camille. “She mentioned you’d been having some problems…”
“No – it wasn’t like that – Camille—”
Crowds swarmed Annabelle’s painted self once more. She was lifted back on the wall, as if nothing had happened.
"Let me get you a drink," Julian said. "You can tell me everything."
She caught a glimpse of Julian's arm wrapped around Camille's waist. The way she leaned into him, looked up at him. His lips by her ear.
"Camille—"
By the time the room cleared, they were already gone.
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quirkle2 · 3 years
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yucebilgiler · 4 years
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wallpaperpainter · 4 years
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I know you're probably doing a lot of typing today, sorry lol, but would you mind going into the info you have on soaking dragons? Everything I've heard suggests about a 10 min bath ~once a week, depending on the dragon. I pay attention to how my guy reacts to temp and baths in general. He doesnt loves baths so I dont do it more than 1x a week and I know it doesnt hydrate him. Anyway, I was wondering if you have other info, just so i can keep learning and have a happy baby! Thanks in advance!
No problem, and don’t feel bad, I love to answer asks! There’s actually several reasons why I don’t care for bathing bearded dragons on a scheduled basis.
The reason that I’m not a fan of bathing bearded dragons is that it’s not really something they seem to need in the wild (you don’t see them going out of their way to soak themselves after all) and because it seems to contribute to early bowel movements and potentially dehydration. Being in water tends to make beardies defecate, and that’s pretty well known. It’s also fine and good in the case of a constipated animal where that stool needs to come out, but more often than not a dragon who is kept in the correct temps, given the correct diet, and supplemented with oral water doesn’t have problems with constipation, and forcing them to poo before they’re ready can actually have negative effects.
In an animal like a beardy that eats a lot of plant matter there’s a lot of water that goes to the digestive tract to help with the process of digesting it, and therefor poo tends to be one of their sources of water loss (possibly one of the greatest in the case of reptiles) despite the reabsorption that happens in the colon. Because of this, pooping in the bath can actually make a dragon lose water, especially if they aren’t drinking in the tub. Pooping too soon also allows water that would normally be absorbed to be lost, and interferes with nutrient absorption to some degree since beardies likely do a lot of their plant digestion in the cecum, which is located just before the large intestine and the colon (which doesn’t actually give them a whole lot of space for absorption anyways). 
Furthermore, the idea that they absorb water through the cloaca is a myth that has been disproven. Facebook seems to have taken down the post since I saw it, but a veterinarian did run an experiment using dyed water and a dragon (that was later dissected for the experiment) to prove that water absorption, if any, is minimal. 
A lot of dragons are also stressed by water and can accidentally inhale it while thrashing around in a tub, and there have been some thoughts that bathing frequently may contribute to making them more susceptible to CANV (yellow fungus). 
Basically, if your dragon is dirty or constipated, it’s fine to bathe them, but there’s very little reason to make a habit of it unless there is a medical reason behind it or you can’t get your dragon to drink from a bowl, dropper, or spray bottle. If your dragon likes to splash around too its fine to let them do it every once in a while, but the same can be accomplished by providing a large enough water dish that lets them do it on their terms. Silkie beardies are a little different because of their skin condition and how it makes them much more prone to dehydration/ dry skin problems, but even they can get by if you use moisturizer and pay attention to their water needs (but its best not to get them because like most scaleless reptiles their lack of scales causes health problems).
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emotoothtiger · 3 years
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18thC printing of 16thC Scots poems at the University of California • Berkeley Dated MDCCLXXXII (1782) (Scanned document) From the book collection of BERTRAND H. BRONSON bequeathed by him or donated by his wife Mildred S. Bronson
TWO ANCIENT SCOTTISH POEMS  THE GABERLUNZIEMAN, AND
CHRIST'S KIRK ON THE GREEN, WITH NOTES AND OBSERVATIONS. B Y JOHN CALLANDER, ESQ OF CRAIGFORTH. By ftrangc chanellis, fronterls, and forelandls, Uncouth coiftis, and mony vilfum Arandis, J^ow goith our barge——— G. Douglas. EDINBUI^GH: PRINTED BY J. ROBERTSON. §PLD BY J. BALFOUR, W. CREECH, AND C. ELLIOT, EDINBURGH ; DUNLOP AND WILSON, GLAS- GOW; ANGUS AND SON, ABERDEEN; W. ANDERSON, STIRLING ; AND A. DONALDSON, LONDON. [Er.... Here’s the firft page. Occafional f’s are s’s. However, the scanning software has probably failed to sort out typographical liaisons where one letter is close to or carried near to another. Some lowercase H’s when been scanned seem to have been replaced with lower case L’s.
The stanzas are liberally interspersed between lines with notes and etymologies. These themselves are afflicted with html coding. Even Boolean algebra was a good 75 years away.
The Gabberlunzieman attributed to James V of Scotland.]
THE pauky auld Carle came o'er the lee, Wi' mony gude eens and days to mee. Saying, Gaherliinzie\ This word is compounded of Galer, Gab' her, a Wallet or Bag, and Lunzie, loin, /. e. the man who carries the wallet on his back, an itinerant mechanic, or tinker, who carries in his bag the implements of his trade, and flrolls about the country mending pots and kettles. In fuch dilguifes as this James V. (as is faid) ufed to go about the country, and to mingle, unknown, with the meaneft of his fabje<5ts. Thefe frolickfome excurfions often gave birth to little amorous adventures, which our witty Monarch made the fubjeds of his fong, as he was fecond to none of his age in the fciences of poetry and mufic. The root of the word gab is the Celt, cab, fignifying to con- tain. Hence Scot, gab, the mouth, which contains our food; Englifli gobbet, a morfel ; the French gober, to fwallow, and gofier, the throat. The large barks on Loch-Lomond for C carrying i8 THE GABERLUNZIE-MAN. carrying wood, are called gaherts. From gah^ and gab^ come Englifh gabble ; and gabbing is ufed by Douglas for idle talking, Prologue to I. ^n. p. 6. v. 43. Rud. Edit. — and laft line of leaf 3. Lond. Edit. 4to, 1553. *' Quhilk is nae gabbing fouthly, nor no lye." In the fame fenfe, Ifl. gabb ; Ludibrium, gabba, to deride ; A. Sax. gabb an, and many more words of the fame import, gaggle, gaffer, and Old Fr. gaber, gabbaffer, to mock ; gaba- tine, mockery ; Iflandic gamman, drollery ; Gal. geuhbeth, falfchood ; and ganv, canv, gab, cheating ; Old Fr. ganelorty a traitor. We have collected thefe words from various lan- guages, as they not only explain the primitive idea of the word gaber, which none of our Etymologifls have done, but prove what we fhall every moment have occafion to (hew, that the radical term once afcertained, throws light on all its de- rivatives, which are eafily reducible to it, though fcattered far diftant from each other, among the various dialeds ufed by different nations. To this family belongs Lat. capio, whence our capacity, capture ; the Scots cap, a drinking vefTel ; cab, a meafure, mentioned in the Verfion of the Old Teflament ; and many more, all including the idea of capacity, or content; as cahin^ Belg. kaban; Welfh, cab, caban, all fignify- ing the fame thing ; Gr. v.a.-TrdLv^ ; Eat. cabana, cabbage, from the form of its top, refembling a bafon or large cup, which has much puzzled Junius ; Lat. cavus, our cave, and the Fr. and Engl, cabinet. Lunzie'] We have elfewhere obferved, with Mr Ruddi- man, that the Z, by the old Scots writers, is always ufed in the beginning of the fy liable for the Englifh Y. The reafon is, that the figure Z much refembles the Saxon G, which the Englifh often change into Y, as yard^romgeard; yea iwmgea; year TPIE GABERLUNZIE-MAN. 19 y^ar from gear^ &c. Thus Yetland is by us written Zetland, And ye, year, young ; ze, zere, zyng ; ranzles, fenztes, for reins, feigns, and the like. This we remark once for all. In other fifler dialeds Z has the force of S. Thus Bel. zour, four ; zuid, fouth ; zon, fun ; Slav, zakar, fugar ; Ital. zanni, Gr. ^et'vtyi, and in the Bar. Or. ']ia,i'oi, buffoons, whence our zany, Lunzie~\ Lung, loin, lunzie ; bene, the thigh bone. In Swed. lend, land, the loin. In the Laws of Gothland, cap. 23. 4. Synes lend oc lyndtr ; fi appareant lumbi et pudenda. They alfo write it Ljumske ; Ihre, in voce. Ifl. lend, boh, kdivi* Ger. lenden and lanken, and hence ovlv flank. Welfh, Lhvyn; and in Finland, landet, the loin. Ital. longia ; Fr. longe ; Scot. lend. Vide Not. S. Kirk. St. From the ancient Goth. Ljumske ; the Lat. lumbus ; Dan. Ijufke ; whence our lisk. The primitive is Lat, Let, broad, extended ; whence the Gr. '^hctrvc, and the Latin Litus. Thus the Gaberlanzie-man literally fignifies the man who bears a bag, or wallet, on his back or loins ; a pedlar ; Scot, a pack-man, S T A N Z A I. Ver. I. Pauky'\ Sly, cunning, Bel. Paiken, to coax or wheedle. Douglas, p. 238, v. 37. Prattis are repute policie, and perrellus paukis. Juld~\ Old Ger. alt, as eald. Ifl. aldradur. Dan. Eeld. Scot. eild. Cafaubon brings this from ccokoi;, vetus, and Lye from fltA</^?6>, augeo ; as if our anceftors had no word to ex- prefs old age, till they got it from the Greeks. But this is indeed an old wife's tale. The primitive E denotes exiftence ; every thing that lives. Hence Eve is called emphatically, the mother of all living. Lat. ejl. Fr. etre, being, effentia, whence our epncef what conllitutes the being of that thlag. Hence C 2 Hebrew zo THE GABERLUNZIE-MAN. Hebrew hei, life, and God emphatically ; {, t. He nuho Iheu heie, to live, life itfelf. Arab, hei — hi, to live, to be glad. In Zend, gueie, foul, life. This word furnifhes a remarkable example of the truth of our general principle, explained in the preface, and therefore we hope the reader will allow us to trace it a little further. The afpirate H, in the northern dia- lejfts, is changed into W, and Qu^, and hence Swed. sweety luight, living animal ; Engl, and Scot, ivight ; Goth, qnvick, lively ; e^icka, q^uicken, quick-lilyer, from its Hvely motion. In Sued. qnuick-Jilfwer. The Latins ufed the V, and fo formed vita, vhere, vivax, vidiusy vidio, vis, vigor, vigeo, and a thoufand more ; as alfo the derivatives we have adopted from that language, vivacity, violent, vivid, &c. VolTius, able to get no further than the Greek, deduces vit^ from CtoTY\ : but Cioiy life ; Cia, violence, CiciKo^ctt, Ciou, all come from one primitive, as alfo Gr. i^, the vis of the Latins, /f%u^, liX'^'^y '^3C^P°^» ^"^y ^y fiippreffing the afpirate. In the more ancient dialedls of Scandinavia, we find the fame word denoting the fame objedts ; Teuton, vuith. 111. vatir, a Sax. vught, vight, all fign. animals, living creatures ; and the Alam. quick, quickr. Old German quecL Dan. queg, living, animal, every thing aHve. Suab. vich, viech, animal. From the fame fource we formed ivife, Bel. nuyf, Swed. nuif. Suab. nuih, all fignifying ixjoman, mother of a family. Thus we have followed this word from the remotefl Eafl, to the fartheft extremities of the Weft and North. Such coin- cidences of found and meaning, demonftrate that language is no arbitrary thing, nor etymology that fallacious fcience it has been called, by thofe who find it more eafy to decide in hafte, than to examine at leifure. Carle'\ The true fpelling is karl in all the Scythian dia- lers, in which it denotes a ?nan, or nuarrior. The primitive is car^kar, flrong. This root we have preferred in the Ar- menian, THE GABERLUNZIE-MAN. ai mcnian, in which car^ pofTe, valere, et caroU potens. Not attending to the univerfality of language, the learned Ihre did not fee the juftnefs of this Etymology. From kair^ kary the Mefogothic, vair^ a man ; whence the Lat. vir, vira, a woman, as from the Gothic kasj they formed vasy which Voflius could make nothing of, though he has flung together every paffage almoft, where this word occurs. From karl arc formed the Alamm. karl; Ger. kerl; A. S. ceorlj 111. karl; L. B. Carolujy karlus. Vid. Cange Glofs. in V. From kerl. Sued. karlklader, men*s clothes ; karlftnathery ^.nAkarlfvoagy the high- way ; and in the old Gothic laws karljbo, man's habitation. The word karl is oppofed to gaje, a youth ; the former denoting a man of ripe age. We find that of old, in the Gothic, as now with us, karl, and carl, were ufed to fignify people of a low rank, fuch as farmers, mechanics, l^c. In the old laws, (ap, Ihre glofs. Vol. I. P. 1033,) karl oc konung, plebs et prin- ceps ; and in Gothr. Saga, cap. 86, opter that I karls huft er ej er in congs rann'i, oft do we meet in a cottage, what we feek in vain in the palaces of kings. In general, karl is ufed to fignify a husband ; and in Sweden the country-women call their hufbands min-karU In the Swedifii tongue the gander is called gas-karl. So in Engl, a carle-cat, is the male of that fpecies. The Anglo-Saxons fay ceorl, for a hufband, and ceorlian, to marry. As this word was commonly ufed to fignify rujilcs, the En- lifh from it formed churl, churlifl). In the A. S. ceorlhortn is a man meanly born ; ceorl'ife, a rulHc \ ceorlife hlaf, loaf made of the fecond flour. In Dutch, kaerle a ruftic ; whence the Italian phrafe, a la carlona, like a ruftic, ill-bred. The Welch carl has the fame meaning. As karl, all over the north, denotes an elderly ?nan, from it we have formed carling, an old woman of the lowefi: caft, a word which occurs in all our poets. The 2i THE GABERLUNZIE-MAN. Saying, Gudewife, for zour courtefie.
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bagswom · 4 years
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^!@# 4 Pack Halloween Tote Bags, Reusable Trick or Treat Candy Sack Bags, Large Canv https://ift.tt/3gVMhpx
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I just added this listing on Poshmark: Ion Maroon with Black Lace Pattern Large Canv Tote.
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arplis · 4 years
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Arplis - News: Amazing Golf Bag Organizer
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Product features roomy compartments large enough to hold two golf bags, 3 wire baskets for storing balls, tees, gloves and 4 metal hooks for additional storage. Buy Two Bag Golf Organizer on Amazon.com FREE SHIPPING on qualified orders. Results 1 24 of 844 Shop a wide selection of golf bags at Amazon.com. Find great prices and discounts with free shipping and free returns on eligible items. Carry the golf bags designed for dedicated golfers and developed with insights from Tour Players, Caddies and top amateurs. Titleist golf bags are available in a. , Phil added that once we empty out our bags, its a good idea to inspect . If you have a stand bag, make sure to check the carry strap as well as. All Scotty Cameron Putters Select Futura Concept X Putter Selection Guide . The new Titleist 818 hybrids allow you to take dead aim like never before. with the highest quality materials and our commitment to constantly push the standards of golf club manufacturing. . No Tour player would play off-the-rack clubs. Results 1 60 of 5453 Golf Equipment : Free Shipping on orders over $45 at Overstock.com Your Online Golf Equipment . Black Metal Golf Bag Organizer. Shop golf sets, clubs, bags and golf cleats at prices you can afford. FREE shipping on qualifying orders. Big 5 Sporting Goods gets you ready to play! Take your golf game on the go with Titleist golf travel bags. Whether youre looking for a large or small bag, find the right golf travel gear at Titleist today!
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Arplis - News source https://arplis.com/blogs/news/amazing-golf-bag-organizer
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coleenmalto · 5 years
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The Original, Abstract Painting Contemporary Art Oil Painting Extra Large Wall Art Black White Canv http://bit.ly/2LFXPTf
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msfavorsgiftshop · 5 years
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Cool Doggie Fabric Canvas Clutch with Kiss Lock Closure| Animal Print Cloth Canvas Clutch With Wooden Handle | Clutch |Vintage Clutch for just $75.00 Item details Vintage Clutch Made by Printed Canvas Materials fabric-Printed Canvs Charming, cool doggiel print, canvas fabric, large clutch. Metal frame with kiss lock closure, sewned by each stitching Lined with cute cotton fabric. Measurements: 29CM*30CM*9CM
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Exhibition Review: The Aviary
The Aviary is the current exhibition on display at downtown Orlando’s Canvs Gallery. This show, which feels like a borderline ornithological exhibit features the work of UCF alumni Sarah Jane Rozman in her first solo show. Rozman displayed work ranging from acrylic paintings to pen and ink illustrations. The variety of work was linked together by a single theme, birds. Rozman’s large scale paintings displayed the head and upper body of groupings a species of birds in a field of image type format. The painting “Seagulls” features a flock of seagulls nonchalantly looking in various directions. Each seagull appears to be a unique bird with intent and it’s own story, some look up longingly at the sky while others fight over a french fry. The artist renders the gulls in a very stylized clean illustrative manner that does not appear as uninformed illustration. The color pallet is vibrant and the paint is applied on solidly, containing little to no blending outlined by solid black contour lines around each figure. The bold color choices and clean lines brought to mind contemporary tattoo artist like Earl Funk whose work draws inspiration from graffiti. The larger acrylic bird paintings were countered by small delicate illustrations. These smaller mono-colored works were less stylized and more observational than the graphic acrylic paintings and each featured a species of bird in various mediums. These works had more of a focus on technique and knowledge of material. Rozman presented the illustrations in grey wooden frames that gave them a rustic antique look. While I did enjoy the contrast in the two styles of work I felt they were so different that the only feature linking the two methods was the bird theme. While I enjoyed them both for certain aspects I seemed to lean toward the subtly humanness of the small intimate drawings of works like “Pigeon”. In closing The Aviary was a fun light hearted show which expressed Rozman’s range as an artist as well as sentimentality and is not “one for the birds” 🐦
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wallpaperpainter · 4 years
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The Biggest Contribution Of Canvas Wall Art To Humanity | Canvas Wall Art
The Ogden Building of Southern Art reopened Monday, June 15, afterwards locking its doors for three months to advice abolish the coronavirus contagion.
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The Camp Artery academy has taken measures to ensure company safety, with online admission reservations, accessible masks, artificial barriers for board cadre and new directional signs to advice cross the building afterwards disproportionate alternation with added art lovers.
The O’s exhibits accept been in mothballs for 90 days, but some accept emerged alike added acute than they ability accept been earlier. The two exhibits on the museum’s fifth attic angle out.
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“What Music is From Within: Atramentous Absorption from the Permanent Collection” is a alternative of works by 14 atramentous artists from beyond the South, including several acclaimed New Orleans artists. “Crossroads” is a abandoned appearance by nationally acclaimed atramentous sculptor Melvin Edwards.
‘Agricole,’ a abeyant adamant artwork by Melvin Edwards
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The two exhibits acknowledge the contributions of atramentous abreast artists to abreast American culture. They additionally admonish us that atramentous artists accept not consistently accustomed their due in the art exchange and building world. The shows were absolutely accordant back they were aboriginal installed. But as artery demonstrations adjoin badge atrocity and white supremacy accept swept the world, they assume abnormally on point.
‘Doe Poppin’ by John Barnes evokes a acquaintance peeking through window blinds.
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Dillard University assistant John Barnes, whose carve is included in the accumulation appearance “What Music is From Within,”  said the exhibits are “in accompany with bodies reexamining the atramentous association now and accepting a faculty of empathy.”
“Art is added than aloof article to
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Event - Elegant Ad Board, Classified Joomla Template
New Post has been published on https://www.uberbuyer.com/2018/07/26/event-elegant-ad-board-classified-joomla-template/
Event - Elegant Ad Board, Classified Joomla Template
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LIVE PREVIEWBUY FOR $48
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Sj Event is one of the best classified ads Joomla template ever. Based on the professional AdsManager classified ads component for Joomla, Sj Event can hold any classifieds portal websites.
Sj Event Joomla template uses the leading classified ads component for Joomla – AdsManager that is the perfect classifieds script for building classified advertisements website with high customization and flexibility. Besides, Sj Event comes with bundle of advanced features: Sp Page Builder (free), responsive design, 65+ useful shortcodes, powerful mega menu, RTL supported, sample data included and many more . You can also customize site as the way you wish, of course.
Note: AdsManager is the 3rd Party component and is not included in the purchase package. To use this component, please download the free version HERE or purchase the gold version HERE to unlock the pro features.
Check out our Demo to feel the real experience!
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# Main Features 1. Compatible with IE10+, Firefox, Safari, Opera and Chrome 2. SP Page Builder Free Version 3. Visual page builder 4. Support responsive layout 5. AdsManager component compatible 6. Helix3 Framework 7. Support various Font Family as well as Google Fonts 8. Support many styles for RESPONSIVE Menu: Mega Menu and Off Canves menu 9. Allow to set JavaScript for Menus, set start/end level and Keep on top 10. Support many extensions 11. Social integrated 12. Typography and various module variations 13. Use Lazy Load for handling large images 14. HTML5 Validation 15. Support SHORTCODES 16. Support LESSCSS 17. 100% table-less design, based on CSS3 18. Optimize CSS/JS/HTML/Merge File
WHAT ARE INCLUDED?
Sj Event Template Package Use this package to install on your current site
QuickStart Installation Package This package includes template, modules, plugins and sample data. By using this package, you will have a complete site look like demo site.
Extension Packages Modules and plugins used for the demo.
Full Documentation Detailed documentation to configure template
Change Log
VERSION 1.0.0 : Released on 10 July, 2018
– Initial release BUY ON ENVATO
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themesparadise · 6 years
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New Post has been published on Themesparadise
New Post has been published on https://themesparadise.com/sj-expnews-clean-drag-drop-news-portal-joomla-template-2/
Sj ExpNews - Clean Drag & Drop News Portal Joomla Template
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Sj ExpNews is a premium Joomla blog template that is tailored to present your content in an effective style. It comes packed with lots of features for news, magazine, editorial websites in mind.
Sj ExpNews is a clean, user friendly, flexible, functional and fully responsive Joomla News, Magazine, Newspaper, and blog template. Featuring both grid & list listing, a variety of post layout formats and numerous advanced extensions, Sj ExpNews surely exhibit your work in an airy and cohesive presentation.
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# Main Features 1. Compatible with IE10+, Firefox, Safari, Opera and Chrome 2. SP Page Builder Free Version 3. Visual page builder 4. Support responsive layout 5. K2 component 6. Helix3 Framework 7. Support various Font Family as well as Google Fonts 8. Support many styles for RESPONSIVE Menu: Mega Menu and Off Canves menu 9. Allow to set JavaScript for Menus, set start/end level and Keep on top 10. Support many extensions 11. Social integrated 12. Typography and various module variations 13. Use Lazy Load for handling large images 14. HTML5 Validation 15. Support SHORTCODES 16. Support LESSCSS 17. 100% table-less design, based on CSS3 18. Optimize CSS/JS/HTML/Merge File
WHAT ARE INCLUDED?
Sj ExpNews Template Package Use this package to install on your current site
QuickStart Installation Package This package includes template, modules, plugins and sample data. By using this package, you will have a complete site look like demo site.
Extension Packages Modules and plugins used for the demo.
Full Documentation Detailed documentation to configure template
Psd Resources Graphic design files are included
Change Log
<p><strong>VERSION 1.0.0</strong>: Released on 28 August, 2017</p> <p>- Updated the extensions package</p>
<p><strong>VERSION 1.0.0</strong>: Released on 13 July, 2017</p> <p>- Initial release</p>
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