allison chronic divorcee until renee confesses and they live happily ever after but this trope is not for the angst...its for the idea of putting the foxes in multiple weddings just andreil watching allison walk down the aisle and going "five months" "i say three" and renee being the only one who's super upset over these weddings but doesn't realize she has a chance (she's the only one who has a chance)
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Anyone else ever notice how many opportunities Amber had to kill Tara that she didn't take?
1. The opening attack. She very easily could've killed her. Her and Richie's goal of luring Sam back to Woodsboro would've still been achieved even if Tara was dead, and yet Amber doesn't kill her.
2. The hospital attack. Amber once again could've very easily killed Tara, but she doesn't. She drags out the attack, and doesn't even do any physical damage to her.
3. Right after shooting Liv. Once again, perfect chance to kill Tara, and yet she ties her up and puts her in the closet instead.
4. When Tara attacks her with the crutches. Amber could've killed her once she got the upper hand. But she doesn't, again. She incapacitates her instead.
We see Amber intentionally pass up opportunities to kill Tara four times. Instead, it feels like she's trying to get her away from the danger.
She's not protecting her, obviously, but it almost seems like she's convinced herself she is.
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We Wrote Stranger Things Season Five But There's Gay Vampires And It's A Puppet Theater
I wrote a 95 page treatment of how Stranger Things season five would go if I got to be in charge of it and then we acted it out scene-by-scene in the Hedgefrog Puppet Theater and made our friends voice characters with us and also there's a musical number and a drag bar and Eddie is alive and he and Steve are hooking up but it is NOT romantic it is PURELY sexual and also Steve and Robin are a horse and Max gets to have a sword (as a treat) 💕🦇✨🐎💕
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I made a Vocaloid channel but I'm having trouble getting views. I like making covers for fun but I wish I could get more than a handful of views, especially since I haven't even gotten 5 on my latest ones. I use Vocaloid 6, which may be the problem since not many people talk much about it as much as the older versions
Would you have any advice as to what I can do?
m m m m m , , , , , , i feel like it's hard to say—back in the day when i was doing UTAU work, most of the interaction i got with my work was from my friends from UTAForum. we all sort of just shared our work with each other and supported one another doing our fun little hobby. though the sort of forum culture that spawned that sort of friend circle has kind of disappeared by this point , , , , ,
but honestly, even still—find folks whose work you like and get involved!! share your work on other sites and shout out people you like!! support the folks around you and establish yourself as part of a community
(of course like. don't treat it as a transactional thing. if there's one way to ensure No One interacts with your work it's to. comment on people's things or shout people out and then get passive aggressive expecting a response back. doesn't work like that. you support people because you love them and their work—not because you want something in return.)
but even more than that, honestly just keep doing what you do and the love in your work will come across in heaps and bounds, and someone will be bound to listen. people also tend to get interested the more you put your own spin on something, whether it's creating your own PVs, adding your own harmonies, sharing some of your files, or linking multiple covers together as part of a kind of overarching story. if you make it yours, it'll be yours for good.
like, at the end of the day we can all agree that views are just a number on a screen and are kind of meaningless and no one should base their worth on them, but also yeah it kind of wears you down after a while to keep sharing things you've put a lot of love and effort into with no response.
i'd just like to encourage you not to lose your passion for it—views or not, there's a lot to be gain by pursuing something you love. your VOCALOID endeavors are only just beginning, and who knows where you'll end up ! ! ! ! take the journey as far as it'll take you, and have fun all the while ! ! ! ! ! ! !
also send me your work i want to listen 👁 👁
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never forget El isn't just touchy feely as a random personality trait, she's spent most of her developmentally critical years horribly starved of touch and warmth and love :)
and every moment of physical comfort she receives is precious to her as an antidote to some specific moment in her past when she suffered the lack of it :) and you can also see the shadow of her traumas in the ways she thinks to give physical comfort :)
and also don't forget that her trauma didn't end with the lab :) when we first meet her her traumas are drawn from lab days but by later seasons it's clear some of the traumas guiding her behavior are just... the show :) such as the crushing pressure of everyone counting on her to find Will :)
and if I spend more than 2 seconds thinking about what any simple little moment of closeness/physical affection/comfort must mean to El I will start sobbing and never stop :)
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will: well, mike and i started dating.
max, to mike: just try to hurt will and i'll throw you and your bike into the lake.
mike: if i hurt will, i'll trow myself an my bike into the lake.
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5-year-old Gohan driving a jet plane before Goku and Piccolo knew how to start a car
Funnily enough, it still makes sense that he doesn't know how to cross the street despite the fact, because:
He has never lived in the city before.
He's always with adults when they go to the city (unless he's flying with ki to get there).
Knowing how to cross the street is not a requirement in driving aircrafts or in fighting world-ending threats.
He can literally fly. What would he need street signs for?!
Which then got me asking, WHY does he need to drive an aircraft?!
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