Tumgik
#like i'd love to see EVERYTHING
kimbapisnotsushi · 2 years
Text
okay here's a list of things i am VERY much hoping will get animated for the series:
"thanks, motoharu" cut to flustered igarashi and "you do remember me . . ." I'M GOING TO GO SO FERAL. HELLO??? THE LOOK ON IGARASHI'S FACE??? MIMA LAUGHING FOR THE FIRST TIME EVER??
when shun gives souma the pep talk about holding his head high and being proud of his smile and we cut to souma on the fuckin train. . . god souma is going to look SO perfect i can't wait to see it!!
the mima and hayate bookstore scene it's just a full five minutes of hayate crushing on mima that's going to be SO funny
SHUN'S DOG DRAWING SHUN'S INCREDIBLY STUPID DOG DRAWING I AM SO EXCITED TO SEE IT ON SCREEN
"two hot iced coffees please"
mima and igarashi reuniting for the first time and igarashi messing with mima
when hayate enters the cafe for the first time literally when i read that part i could just FEEL the breeze hear the bells i KNEW something big was about to happen!!
my queen futami asami
shun being the absolute best boy and trying to catch ririka
THE AD. THE FUCKING. ADVERTISEMENT. FOR THE MOVIE ADAPTATION. JUST. THE LOOK ON IGARASHI'S FACE WHEN HE SAW IT.
uni uni uni uni uni uni
"are you a pyschic store employee :0000"
SHUN STABBING HIMSELF WITH THE PENCIL LMAO
on that note i can't WAIT to see akai, kida, and aoyama being the funniest little shits alongside him
"futami-senpai, this is class a - " "I KNEW THAT"
souta being so soft for souma
"would you like a shoehorn?" "yeah, i - wait, what?"
the bit with igarashi making a modern manga title out of nowhere that was SO on point oh my god the explosion of titles that are really just like that is UNBELIEVABLE
MIMA AND IGARASHI BACKSTORY MIMA AND IGARASHI BACKSTORY
72 notes · View notes
mobius-m-mobius · 4 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
It's a pretty cool name.
Loki + the progression of saying Mobius' name for @percheduphere
722 notes · View notes
fishofthewoods · 29 days
Text
Oh my god I woke up this morning and my Stardew Valley meta post had almost 150 notes????? Hello?????????? Anyways I started writing this last night because @moon-is-pretty-tonight left nice tags on the original so thank you so much!!
We know from the starting scenes of the game that the farmer's grandfather loved Stardew Valley. So why did he leave? Pelican Town is a good place to grow old; George and Evelyn are just fine. It's a fine place to raise a kid, but maybe he just wanted to raise his child closer to real schools and other children.
Or maybe, just maybe, he understood.
Was there a day when he was in his thirties where he looked at his friends and realized they weren't like him? That he could run faster than them, work longer, explore deeper into the hidden places of the valley?
Was there a day when he went to the wizard to ask him for help, for knowledge if nothing else? Did he learn then that his family was different? Special? Chosen? And how did he react? He couldn't possibly raise a child in the valley if they would be as strange and fey as him. He had to leave. There was no other way.
But years later, on his deathbed, did he regret that choice?
Is that why he gave the farmer the letter?
Is that why they went back home?
When the farmer steps off the bus that first day, the valley is still on the cusp of winter, just barely tipping over into spring. The flowers are starting to bloom, but a chill still hangs in the air. As soon as the farmer's boots touch the soil there's a change. The air gets warmer. The trees get greener. Not by too much, not all at once, but it changes.
The junimos watch the farmer as they do their work. They're new to farming, but take to it with frightening speed; their first batch of crops is perfect. None of the townsfolk tell them that parsnips don't normally grow in less than a week, that cauliflowers don't grow to be ten feet tall, that fairies don't visit when the sun goes down and grow potatoes and beans and tulips overnight. The junimos talk amongst themselves in their strange, wild language, and agree: this is the one. They're back. The valley recognizes its own, even when they've left for a generation. The farmers have come home.
Things change fast in the valley. The community center, empty and decrepit for so many years, is rejuvenated. (Lewis says it was abandoned only a few weeks after the farmer's grandfather left. Strange coincidence, he says, that it both came and went with the farmer's family.) The mines and the quarry, similarly abandoned, are explored for the first time in ages. The town becomes cleaner, brighter, more vibrant, happier.
And it is happier. Not just the environment, but the people. It's the talk of the town for weeks when Haley does her first closet purge. Leah's art show in the town square is a huge success. Shane's smiling for the first time since he moved to the valley. All of them, when asked, say it's all thanks to the farmer.
People love to ask why Lewis didn't fix the community center on his own. Why Willy never repaired the boat to ginger island. Why Abigail or Marlon never went down to fix the elevator in the mines, or why Clint didn't fix the minecarts.
But isn't it so much more interesting to ask how those things were there in the first place? How they got so broken down? If the stories the townspeople tell are true, the valley was once a beautiful place, flourishing and full of life; why did that change? When did it change?
Was it when the farmer's grandfather, the locus of the valley, its chosen representative, left town?
And if so, what happens when the farmer comes back?
154 notes · View notes
werewolfsmile · 2 days
Text
The Eliot Spencer Details Masterpost
I have been recording details about our beloved Eliot Spencer on my latest watch through. And now, it's finally time to reveal the details!! If I have gotten any details INCORRECT, I beg of you to correct me, at which time, this post will be updated and credit given. (Note: S1 was aired out of chronological order. I am going by chronological episode numbers - aka the correct order - and providing the episode titles as well to minimise confusion.) !! This post contains details from Leverage: Redemption! Read the episode references carefully if you are wanting to avoid certain spoilers !!
Shirtless Moments
S1 E7 The Two-Horse Job: The flashback scene when Aimee asks Eliot what his excuse was for not coming back to her, we see him being dragged/tortured, shirtless. "Tell us what you did with the monkey!" (Note: S1 was aired out of chronological order. I am going by chronological episode numbers, and providing the episode titles as well to minimise confusion.)
S2 E2 The Tap-Out Job: Eliot is shirtless for the fight match.
S4 E9 The Cross My Heart Job: Ehh he's not completely shirtless here but whatever. At about 16 mins in, Eliot and Parker are getting changed together, Eliot strips to a singlet then throws his shirt at me the camera. (I didn't include other scenes of Eliot in a singlet here because in this scene he's actively undressing, whereas in others he's not.)
Necklaces
The earliest sighting of his guitar pick necklace is S1 E2 The Homecoming Job. It continues to pop up frequently in episodes, though noticeably less in S1. I thought about recording every occurrence of it here but ... lmao it's in legit waaayyyy too many episodes for me to bother.
S2 E10 The Runway Job: Honourable mention of the necklaces Eliot wears with his fashion week outfit. The longer one is kinda dogtag-esque, the shorter one is ... I think it's a fleur de lis? He also wears a range of chain necklaces later in this episode.
Dammit Hardison
S1 E13 The Second David Job: The FIRST INSTANCE of dammit Hardison in the entire show! Said upon discovering each other in the gallery, around 4 mins 15 seconds.
S2 E1 The Beantown Bailout Job: Said around 22 mins 30 seconds, immediately following, "What are the odds that Eliot's crotch will actually explode?" Iconic.
S2 E6 The Top Hat Job: When setting up for the magic show and discovering the rabbit missing, roughly 19 mins 45 seconds.
S3 E3 The Inside Job: Running from security, around 31 mins 30 seconds.
S3 E4 The Scheherazade Job: Trying to enter McRory's at the same time, around 1 min 30 seconds.
S3 E5 The Double Blind Job: This is an honourable mention because this time NATE is the one to say dammit Hardison! 9 mins 15 seconds.
S3 E6 The Studio Job: Upon discovering the master tape isn't in the case, roughly 32 mins.
S3 E7 The Gone Fishin' Job: Eliot and Hardison running in the woods for their lives, arguing as always. This one is a bonus 'dammit' because Hardison says it straight back to Eliot after Eliot yells it at him! Around 21 mins.
S3 E12 The King George Job: Discussing Hardison's forgery work, followed by Eliot regretting touching anything. Around 23 mins 55 seconds.
S3 E13 The Morning After Job: Pretending to be cops and accidentally ending up with a prisoner to take back to jail, around 16 mins 20 seconds.
S3 E14 The Ho Ho Ho Job: Honourable mention of Chaos mocking Eliot by saying dammit Hardison. Roughly 21 mins 15 seconds.
(phew, S3 was rough on Hardison! given what Eliot was going through with the whole Moreau thing.... ooh that's delicious angst)
S4 E4 The Hot Potato Job: Honourable mention for Sophie saying it this time! While playing the role that was meant for Eliot, around 24 mins.
S4 E6 The Carnival Job: Mixing chemicals for a distraction, roughly 25 mins 30 seconds.
S4 E17 The Radio Job: Hardison running away from being thrown off a high floor, around 5 mins.
S4 E18 The Last Dam Job: Sneaking around at the Bellington Dam, roughly 13 mins 35 seconds.
S5 E1 The (Very) Big Bird Job: 'Accidentally' putting a brew pub menu in front of Eliot, around 10 mins 20 seconds.
S5 E15 The Long Goodbye Job: Emotional scene that we do not speak about, around 12 mins 40 seconds.
RS1 E1 The Too Many Rembrandts Job: After knocking Harry out and asking Hardison to help carry Harry, and Hardison refuses. 11 mins 40 seconds.
RS1 E2 The Panamanian Monkey Job: Upon discovering that security is headed to the vault where Parker is, and the only way down there is through the vents. Around 34 mins 10 seconds.
RS2 E1 The Debutante Job: We get 3! In this whole episode! Probably to make up for Hardison being gone for most of Redemption. Anyway! First one when Eliot and Hardison are in Ralphie Roy's place and Hardison has no idea who Ralphie is, around 23 mins 15 seconds. Second is when they're breaking into the elevator and Hardison won't help fight or move the unconscious guards, roughly 37 mins 40 seconds. And third, after the job when Parker says that Hardison was the one who took out all the guards. Around 45 mins 10 seconds.
RS2 E3 The Tournament Job: Right at the start after Eliot says gaming isn't a sport and Parker texts Hardison, so Hardison starts blowing up Eliot's phone. Lmao. Around 4 mins 20 seconds.
Dammit Parker
S1 E4 The Snow Job: Parker jumps out of a second floor window, Eliot catches her. 15 mins. (Parker gets a dammit from Eliot before Hardison does!!)
S3 E8 The Boost Job: Parker driving erratically, Eliot thrown around in back seat. (Technically there's a pause between dammit and Parker but I'm still including it) 35 min 35 seconds.
S5 E12 The White Rabbit Job: Searching the mark's house, Parker wants to steal a shirt. Again, this isn't technically a proper dammit Parker, as Eliot instead says, "Put it back! Dammit." But I'm still including it because it was aimed at her. 21 mins 20 seconds.
RS1 E10 The Unwellness Job: At end of episode, after Parker admits that she didn't even learn Eliot's name till after the team broke up the first time. 44 mins 30 seconds.
RS1 E13 The Hurricane Job: After washing up on shore and entering the Beacon Inn, Parker and Eliot are bickering about Maria. He doesn't strictly say dammit Parker but there's absolutely no doubt who he's directing the dammits towards. 3 mins 30 seconds.
RS2 E6 The Fractured Job: When farewelling Billy and Parker says next time she'll finish telling him about the robot bodies. Again, it's just dammit not dammit Parker but it's close enough. 41 mins.
RS2 E8 The Turkish Prisoner Job: Another standalone dammit that is most definitely aimed at Parker! When breaking Romero out, Parker says she's a firefighter (with far too much glee), around 14 mins 30 seconds.
RS2 E11 The Work Study Job: A full dammit Parker this time! When Parker reveals that it's super easy to steal from a university and produces a whole bunch of stuff, roughly 22 mins 40 seconds.
Very Distinctive Moments
S1 E2 The Homecoming Job: Eliot ID's the weapon from the gunshots, around 8 mins. Later, he ID's a guy off his knife fighting style, around 18 mins 50 seconds.
S2 E6 The Top Hat Job: ID's a CIA guy from his stance, roughly 7 mins 45 seconds.
S3 E11 The Rashomon Job: ID's the smell of peppermint on Hardison's breath, around 21 mins.
S3 E12 The King George Job: ID's former British paratroopers by their haircuts, 30 mins 10 seconds.
S4 E1 The Long Way Down Job: ID's a former spetsnaz guy by his footprint, 13 mins 45 seconds.
S4 E5 The Hot Potato Job: Honourable mention of Eliot ID'ing ex-military personnel by their stances, he just doesn't say very distinctive. 18 mins 50 seconds.
S4 E11 The Experimental Job: Honourable mention of Eliot ID'ing a helicopter by the whumpa-whumpa (there's 7 of them did you know). Around 7 mins.
S5 E3 The First Contact Job: ID's military satellite transmission by the static, 7 mins 20 seconds.
S5 E9 The Rundown Job: ID's a Navy Seal who enlisted between '90-'95 by his watch, around 16 mins.
RS1 E2 The Panamanian Monkey Job: ID's a drone (Breanna's) from the sound. 11 mins 50 seconds.
RS1 E3 The Rollin' On The River Job: ID's Russian mob by the tattoos, 36 mins 30 seconds.
RS1 E7 The Double-Edged Sword Job: Honourable mention for Maria ID'ing the way Eliot disarmed her gun, 7 mins 50 seconds.
RS2 E4 The Date Night Job: Eliot ID's a guy as not having a distinctive anything - which is what is so distinctive. 20 mins 40 seconds.
RS2 E13 The Crowning Achievement Job: ID's MI6 off their search pattern, 6 mins 50 seconds.
Known Family
S1 E6 The Miracle Job: When discussing Bibletopia, Eliot says his nephew would like it. This is the ONLY mention of a nephew in the entire show, Redemption included; nor is there any direct mention of a sibling beyond this (which leads me to believe that this nephew is actually the son of a close friend/cousin/military buddy, rather than a direct family relation, but that's just my headcanon).
S2 E3 The Order 23 Job: When talking to the abused boy, Randy, Eliot says he has an uncle named Randy.
S5 E11 The Low Low Price Job: Eliot's dad owned a hardware store and he wanted Eliot to take over one day. But Eliot wanted to get out of that small town, so he joined the service. Fought with his dad the night before he left and hasn't been back since. He goes back at the end of this episode and knocks - but his dad never answers the door 😭
RS1 E9 The Bucket Job: While interrogating/torturing Eliot with Red Haze, Bligh says that Eliot's dad's friend from Vietnam has invited Eliot to join them for Christmas. At the end of the episode, Eliot goes to join them for dinner, only to get a message from 'J' that his dad was a no show. This 'J' is widely accepted as Eliot's unknown sibling but that is incorrect! 'J' is Eliot's dad's buddy from Vietnam!
RS2 E6 The Fractured Job: The ultimate Eliot family backstory episode!! (if you haven't seen it yet and don't want spoilers, skip this one!) Eliot was adopted by a black couple, Billy and an unnamed woman, after being abandoned/surrendered at a hospital as a baby. His father was a war hero who got none of the glory and sustained a wound, ruining his civilian career path, so Billy never wanted Eliot to follow in his footsteps. Eliot loved the stories of his dad in the military so joined up to be like him. His mother died while Eliot was on an op and he couldn't get leave to come back for the funeral, deepening the rift between him and Billy. Ultimately, they reconcile, (Eliot says his dad was always a hero to him, Billy say's he's proud of Eliot, they hug), and I cry every time 😭❤️ [Edit: Eliot being a baby at the time of being found at the hospital and consequently brought home by his adopted mother is unconfirmed and my presumption. We have no clear info on his age at adoption. Thanks to @nival-kenival for picking that up!]
Phrases: Ain't
S1 E4 The Snow Job: Said to Nate, right before Nate tells him to go skip some rope.
S1 E9 The Stork Job: Says it twice while conning Irina.
S1 E10 The Juror #6 Job: Upon being told to go help Parker instead of watching a sports game, Eliot takes his beer back.
S2 E2 The Tap-Out Job: Discussing the fights the mark runs, says they ain't the UFC.
S2 E3 The Order 23 Job: Said right before threatening to throw Randy's abusive father over the railing of a stairwell.
S2 E4 The Fairy Godparents Job: Upon spotting a hitman sent to kill McSweeten and Taggart.
S2 E8 The Ice Man Job: After hearing Hardison call himself the Ice Man, says he won't bail him out when things go wrong.
S2 E9 The Lost Heir Job: While trying to get Parker to the court room and end up cut off by the police.
S2 E11 The Bottle Job: When Hardison wants help to clean up Nate's apartment and Eliot refuses.
S2 E14 The Three Strikes Job: When Nate says to meet outside the ballpark but Eliot refuses because now he's sucked into the sport.
S3 E3 The Inside Job: Twice while arguing with Hardison about how to rescue Parker, once when Parker offers him a lift down the stairwell with her on her harness rig and he refuses. This is the most he says ain't in a single episode!
S3 E7 The Gone Fishin' Job: Once when the militia try to make him kneel, later when the militia kid catches him and Hardison near the train tracks.
S3 E11 The Rashomon Job: When Sophie changes her story to mock Eliot's accent and mannerisms.
S3 E15 The Big Bang Job: When confronting Moreau with Hardison.
S4 E1 The Long Way Down Job: Upon arriving at the base camp and complaining to Nate.
S4 E7 The Grave Danger Job: When looking for a buried Hardison and hearing the sprinklers.
S4 E10 The Queen's Gambit Job: At the end, swearing revenge on Sterling.
S4 E12 The Office Job: Arguing with Hardison about Eliot's sandwich while searching the warehouse.
S4 E13 The Girls' Night Out Job: When trying to convince Nate to socialise at the very start.
S4 E14 The Boys' Night Out Job: Exactly the same as the previous episode, so this one barely counts.
S4 E17 The Radio Job: In the patent office, when trying to figure out who lured Nate into this situation. The same scene is used later as a flashback.
S4 E18 The Last Dam Job: Warning Nate of the consequences of taking a life with your own hands.
S5 E2 The Blue Line Job: When ambushed by Marko when leaving the ice rink.
S5 E9 The Rundown Job: Once when going to wring information on the hit out of Riley, once when Hardison steps on the trigger plate of the claymore.
S5 E13 The Corkscrew Job: First time talking to Betty about how Leonard's a jerk.
RS1 E1 The Too Many Rembrandts Job: Twice when ambushed by RIZ thugs in the warehouse.
RS1 E2 The Panamanian Monkey Job: Once when discussing Ryan Corbett at the start, once when refusing to let Hardison have a turn with the diamond-tipped drill.
RS1 E3 The Rollin' On The River Job: When warning Breanna to be certain of her calculations for how to get him and Parker out of the casino's vault.
RS1 E8 The Mastermind Job: Once when discussing hiring people to overthrow a government, once when discussing how they're going to do like 6 things at once, including saving Harry.
RS1 E9 The Bucket Job: Said twice while talking with Blanche, after Blanche helped rescue Eliot from RIZ.
RS1 E14 The Great Train Job: While digging through the tainted soil with Harry.
RS2 E1 The Debutante Job: When trying to get to Volkov's plane with Parker and seeing that two guards are in the way.
RS2 E5 The Walk In The Woods Job: Talking to Paul after rescuing Harry, who was pretending to be Eliot.
Fun fact: for every ain't that Eliot says, Hardison says at least two more. And that's too many for me to bother recording!
Phrases: Y'all
Never. Not even once.
Hardison, on the other hand, says y'all all the damn time - every season, multiple times, sometimes even multiple times in the same episode.
Honourable mention for Chaos saying y'all as an incorrect mockery of Eliot's accent in S3 E14 The Ho Ho Ho Job.
... Okay, okay! So Eliot says it a few times in Redemption! But only in ONE episode!
RS1 E1 The Too Many Rembrandts Job: Said 4 times when playing a character and convincing people to clear out of the auction house.
That's it.
Aliases
These are all the names that Eliot's gone by or used on cons that I could find, not just full blown aliases.
S1 E1 The Nigerian Job: Detective Lieutenant Carden (the scene with this alias was cut from a lot of versions of this episode)
S1 E4 The Snow Job: Vince Fetkey, Hans Von Schwesterkrank
S1 E7 The Two-Horse Job: Brad Mackie
S1 E9 The Stork Job: Dale
S1 E12 The First David Job: Professor Sinclair
S1 E13 The Second David Job: Professor/Dr Adam Sinclair
S2 E2 The Tap-Out Job: Kid Jones (on the fight match poster)
S2 E4 The Fairy Godparents Job: Coach Brewer
S2 E5 The Three Days Of The Hunter Job: Earl
S2 E9 The Lost Heir Job: Officer Hilts
S2 E10 The Runway Job: Julian
S2 E14 The Three Strikes Job: Roy Chappell
S3 E1 The Jailhouse Job: Dr Abernathy
S3 E2 The Reunion Job: Lloyd Hickey
S3 E4 The Scheherazade Job: Guy Hamilton
S3 E5 The Double Blind Job: Phil
S3 E6 The Studio Job: Kenneth Crane
S3 E7 The Gone Fishin' Job: Agent Quint
S3 E8 The Boost Job: Skeeter
S3 E9 The Three-Card Monte Job: Detective Moffat
S3 E10 The Underground Job: Eric
S3 E11 The Rashomon Job: Dr Wes Abernathy
S3 E16 The San Lorenzo Job: Ray Laroque
S4 E2 The Ten Li'l Grifters Job: Charlie Siringo
S4 E4 The Van Gogh Job: Lieutenant (only granting him this one because CK played him in the flashback)
S4 E5 The Hot Potato Job: Tom Boonen
S4 E12 The Office Job: Mr Dennis
S4 E14 The Boys' Night Out Job: Luigi
S4 E15 The Lonely Hearts Job: Jackson Cooper
S4 E16 The Gold Job: Tobias Bowden
S4 E17 The Radio Job: Cowboy (*cough* John McClane *cough*)
S5 E2 The Blue Line Job: Jacques "Jack" Labert
S5 E3 The First Contact Job: Willie Riker
S5 E5 The Gimme A K Street Job: Steven Turner
S5 E6 The DB Cooper Job: DB Cooper/Young Steve Reynolds (again, technically not an alias but whatever it's here anyway)
S5 E7 The Real Fake Car Job: Barry McElroy
S5 E11 The Low Low Price Job: Archer
S5 E14 The Toy Job: Carl
Honourable mentions of Eliot being called: "Emeril" by Parker in S1 E3 The Wedding Job [thanks @aardvaark for this one!]; "Sparky" by Parker in S1 E10 The Juror #6 Job and by Tara in S2 E15 The Maltese Falcon Job; and "Skippy" by Hardison in S3 E7 The Gone Fishin' Job.
RS1 E1 The Too Many Rembrandts Job: Will Gallagher
RS1 E6 The Card Game Job: Glenn the Savage
RS1 E7 The Double-Edged Sword: Emmett Milbarge
RS1 E8 The Mastermind Job: Frank Farmer
RS1 E10 The Unwellness Job: Hank
RS1 E12 The Golf Job: Reed Wilkins
RS1 E13 The Hurricane Job: Calvin
RS1 E15 The Muddy Waters Job: Armus Vagra
RS2 E7 The Big Rig Job: Kris
RS2 E8 The Turkish Prisoner Job: Nick O'Brien
RS2 E10 The Work Study Job: New Blood
Honourable mention of Eliot being called "Skipper" by Hardison in RS1 E16 The Harry Wilson Job.
Known Associates
This is in direct reference to hitters/people from the criminal world that Eliot knew or was aware of prior to the Leverage Team. Quinn is not included in this list due to that distinction (sorry Quinn).
S1 E3 The Wedding Job: The Butcher of Kiev
S2 E7 The Two Live Crew Job: Mikel Dayan
S3 E15 The Big Bang Job: Chapman, Damien Moreau
S3 E16 The San Lorenzo Job: Damien Moreau
S4 E4 The Van Gogh Job: Frank, Randall
S4 E6 The Carnival Job: Roper
S5 E4 The French Connection: Rampone
S5 E9 The Rundown Job: Riley
Trivia
S2 E6 The Top Hat Job: Eliot claims he only sleeps 90 minutes a day, and that he cured his claustrophobia as a kid by locking himself in the woodshed behind his house for a couple nights.
S3 E6 The Studio Job: Eliot is nervous to perform in front of an audience, to the point that Parker startles him and she's surprised that she did. Interesting to note that he seems to have no issue playing sport in front of crowds.
S3 E7 The Gone Fishin' Job: Eliot says he hates beets.
S4 E5 The Hot Potato Job: Eliot chews gum. He does this throughout a LOT of episodes across the seasons but I've only noted down this one episode for it.... thanks, past me 🙄 [Edit: thanks @nival-kenival for more info! Another confirmed episode is S1 E2 The Homecoming Job!]
S4 E9 The Cross My Heart Job: Eliot says he fought a guy with a Nerf sword in Damascus, 2002.
S5 E11 The Low Low Price Job: Eliot drives an F-150 to his dad's house in Oklahoma. This is a THIRD vehicle that apparently belongs to Eliot, in addition to the Chevrolet Silverado and Dodge Challenger we see in other episodes. The F-150 is not seen again.
S5 E12 The White Rabbit Job: Eliot has 'special sedatives' aka a little psychotropic he picked up outside of Bogota.
Eliot mostly walks at the back of the group, presumably to be the rear guard and make sure no one falls behind. See ... just about every damn episode for evidence.
RS1 E3 The Rollin' On The River Job: Parker says that Eliot has cut his way out of an ice cave, escaped a gorilla enclosure, and catered a wedding for the mob.
Eliot is seen wearing glasses throughout various episodes. A flashback in S1 E1 The Nigerian Job shows him wearing presumably his own glasses. All other instances of him wearing glasses (that I can think of) are when he takes someone's glasses for a con. It is unconfirmed if Eliot actually needs glasses to correct his eyesight or not, but is a fandom headcanon. [Thanks @independent-fics for picking this up!]
And there you have it! All the details that I've spent the last 3 months collecting!! Now it's time for me to take a good, long break because my brain is fried! 😂
Once again, let me know if you find any errors so I can update the post. Data from Redemption S2 is where I've most likely missed things, since I don't have it on DVD and it's sooo much harder to scrub through streaming footage to find things. When will they release RS2 on DVD I need itttt.
If you've made it this far, thanks for reading! I hope this post can be a helpful reference for you!
113 notes · View notes
celluloidbroomcloset · 6 months
Text
"Stede wanted to be a pirate and now he's not going to be one, which is bad."
Did he really want to be a pirate? Stede wanted to be a storybook pirate; he wanted to be the pirate in his games and his imagination, who had swashbuckling adventures. The entire first season deals with him learning what piracy really is. He sees what it has done to Ed, quite literally history's greatest pirate, within the first half hour of their meeting. Most of the fun he has, has nothing to do with actual piracy - it's playing games with his crew, going on treasure hunts with Ed, putting on plays. He likes making up plans, but he doesn't like actual piracy. When he accidentally kills a man, it horrifies him and haunts him, and continues to until the end of the season. He goes to therapy about it.
Tumblr media
Into Season 2, the entire point of Stede's piracy is still not piracy. It's to get back to Ed. Stede's fantasy in the beginning is about being the storybook pirate who defeats the villain and runs across the beach to his one true love, who isn't mad at him and never was. It's a fairytale. And even there, reality is creeping in - dream-Izzy tells him, "I didn't make you leave him. You did that yourself." The reality is that Ed has gone into a suicidal spiral, and Stede finds him mostly dead.
The one time that Stede becomes a "real pirate" in the real world, it goes to his head, but it's not even because of his love of piracy. It's because he's suddenly popular. People are buying him drinks and clapping him on the back. No one's calling him "Steve." No one's making fun of him. And still, the only thing he wants to do when he does something cool is go tell Ed about it.
Tumblr media
And even then...it's hollow. Everyone around him are sycophants. Ed has left him. His crew are suddenly leaving him. It all ends with him getting his ass kicked by a real pirate. He didn't even like doing the thing that made him popular; he kills Ned Low and runs off to hide. The whole sequence at Jackie'z is a mirror of the sequence at the pub when he goes home - everyone thinks he's cool, but for none of the reasons that are authentic to who he is or what he really wants.
Tumblr media
Stede wanted a family who loved him. He wanted friends who liked him for him. He wanted someone to play with. He wanted to marry for love. And he has all those things at the end.
He's not a pirate. He's not having second thoughts.
Tumblr media
I'm not sure why this is hard to see.
393 notes · View notes
xenomorphicdna · 7 months
Text
On the string propaganda
Heeellll yeah
Tumblr media
Bestie is an entire PLACE
I look at those guys and let me tell you the soul of that thing ain't just in the puppet, it's in all the neurons carrying the thoughts and emotions, it's in the power rails that serve as the heart. All the memories in the memory conflux and all the numbers we see flicker across displays, the flux condensers, the puppet; a little avatar.
No way these massive machines see life the same way we do. They have their own experiences and senses and things they hold dear. A world we can't imagine, a way of living we couldn't even comprehend.
I could never tear an iterator apart to be just a puppet. Who am I to decide how's life supposed to be enjoyed or perceived?
You treat your creechurs however you want- I ain't gonna dictate that. But damn, hearing the thrums and buzzes of the linear systems rail? They are alive with so much power, these mechanical beasts are exactly what they should be.
#sorry im just a really passionate on the string believer#you cant tell me that these massive structures kilometers wide capable of things we cant even image would look at something thats#thats comparable to a speck of dust and be like#yes i would like to rid myself of practically my entire body to be that tiny#this aint no “if i were a supercomputer i'd be sad i couldnt see the sky like i do now”#thats only because you have something to compare it to#if i were to suddenly loose everything to be just some microscopic creature i'd be miserable but only because i know what im loosing#id be loosing the ability to think like i do now id be loosing the ability to enjoy the things i do now#i dont know what life is like as a microscopic creature but i wouldnt be willing to give up my life as i know it now#and i think with iterators are the same#just how different is their life from ours and what things can they see that we are missing out on?#give up everything comfortable and known and for what??#to feel the sun? they absolutely have various temperature sensors#see the sky? those overseers were made to see things those visuals are in 4k#other animal comforts?? what about computer comforts??#what makes a lil creature happy may not necessary make a massive supercomputer happy#sorry big rant in the tags um just wanna say this is no hate to anyone who wants their creatures off the string#these are fictional beings and you do whatever makes you happy take them off the string set them loose yess enjoy little robots running#around be happy i love reading ya alls off the string shenanigans#rain world#iterator#drawins#oc veil of dreams#rw talk#rain world oc#iterator oc
369 notes · View notes
skrunksthatwunk · 5 months
Text
landing
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
206 notes · View notes
quinns-art-box · 8 months
Text
Tumblr media Tumblr media Tumblr media
and an extremely late thing i did for saimatsu week day 7!! tiny little comic the prompt was birthday :] absolutely adore the hc that kaede's bad at cooking but she is trying so hard and that's always good enough. plus they can just do it together <3
227 notes · View notes
pistatsia · 7 months
Text
Karasu and control
I've been thinking about this for a while, and this part of Hiori's novel (previous reblog) just brought it back to my attention.
Tumblr media
Karasu really likes to control things. I'm not saying he's a control freak, of course, but he certainly likes to feel a safe base beneath his feet. You can see this in his play style (when he gathers all the available information and acts only after that; his choice of France) and his fear of water (if I remember correctly, the thing that scares him the most in it is the unknown). AND also from the whole Marisa (his childhood crush) story (assuming it's true lol) - he's not the type to rush into anything: neither in relationships nor hobbies. I don't think he would have chosen to join Blue Lock if he wasn't really sure in his abilities. He's really mature about things like that.
I was thinking in the context of him probably going to university (data analysis please!) in addition to his sports career, since he seems like a really rational guy when it comes to serious stuff? He gives Hiori some great advice about not wasting his time on something he doesn't like, Ego mentions that his greatest skill is his analytical ability - he never acts because-he-just-feels-it, he was the one who argued with the referee in the U-20 game about Rin's injury (so responsible!), and generally acts very logically (except for the whole Hiori and his legs theme lol). I don't think he would be able to fully relate on the sport, he certainly knows about the statistics of failures and broken careers.
Tumblr media
He loves football, of course, but he is really right about "people who only play football can't become great players". But that's more because for Karasu, it's unrealistic to be stable (which is sometimes a deciding point in the game) when your whole life depends on it. When everything relies on you winning. Karasu really has a glimpse of Snuffy's philosophy in that, and it's great to see that in the character: Failing at one thing doesn't say anything about you. And you should always be more than one thing to have the right mental balance.
That's what makes him so strong - not that he'll never fail. Of course one day he will.
But rather the knowledge that he has done everything to be stable in case of failure; that any possible failure will not ruin his life. 
Because he has made sure that his back is covered.
175 notes · View notes
cluescorner · 14 days
Text
I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc
#damian wayne#damian al ghul#damian al ghul wayne#batman#batfamily#for all of the issues that come with having Steph as your fave having too much wild shit happening at once is never one of them#btw I quite like The Boy Wonder Issue 1. wow shocker an artist and writer who I have liked everything they've ever done#has once again written something that I am enjoying with art that makes me want to be part of its world.#it's almost like Juni Ba is really freaking talented or something#like I have some problems with it but it seems like many of those are part of the point. Damian is learning that his siblings are more#three-dimensional than he realized and that is part of this 'coming of age' story merged with fairytale#so I can't be mad at the oversimplistic defining of Dick and Jason and Tim until the conclusion of the series. that might be the point.#I hope that the series will address Steph as a Robin but if not then frankly it's not an issue unique to this series.#I'll be annoyed and disappointed but ultimately roll with it like I am with Babsgirl being here. There's too much good stuff here to get#hung up on shit that seems to be almost an editorial mandate at this point. at least that's where I'm at.#I am also very sorry that Chip Zdarsky is massacring your boy. he has 'X (Tim for him) is the best Robin so everyone else must suck' diseas#where a writer really likes one specific Robin and in trying to uplift them demeans all of the other Robins. instead of like...just writing#for that one character only or alternatively not demeaning the other characters in order to make his blorbo look good#it's wild because I actually think his writing for Tim is pretty solid. but he's not writing a Tim series. he's writing a Batman series.#and if you are going to write a Batman series and include other Batfamily members you need to actually write them well.#instead of assigning them like 2 personality traits while Tim gets to be a whole character#I accept that behavior in fanfic where I have lesser standards because it's fucking free. not a comic run that wants me to pay#tens of dollars in order to understand what the fuck is going on. he's been going for a while now it's gotta be a lot of money.#I can buy Steelworks with that money. I can see John Henry and Natasha Irons in a trade. Fuck you Chip.#it's why it takes such a special person to write a good ensemble story/a good Batfamily story. you have to be good at writing a LOT#of different characters. which I don't think most people are. I sure as hell am not. I can write maybe 3 at a time confidently well.#and you also have to give all of them at least SOME love or else people will be upset that you aren't focusing on their fave#and also the writing as a whole will suffer. Chip Zdarsky is a pretty good Tim writer. I'd maybe read a Tim solo written by him.#I would not read a story focusing on multiple characters that I like written by Chip Zdarsky. because every character who isn't Tim#is at least a bit weak/inconsistent/out of character INCLUDING FUCKING BATMAN. THE NO. 1 GUY MOST ARE HERE FOR
62 notes · View notes
general-cyno · 7 months
Text
I finally got to thriller bark and of course I'm having many feelings about it, so long ramble ahead. what makes this kind of sacrifice have so much impact narrative-wise is precisely bc of which character does it and imo there was no better choice than zoro.
while his life was certainly in danger, zoro still joined luffy's crew in way less dire circumstances than most of the other straw hats and he's someone that luffy actively sought out to embark his journey with. zoro's dream of becoming of the world's greatest swordsman is one that matches luffy's own of becoming king of the pirates. this doesn't lessen the importance of the crew's dreams, but imo it's clear that there's a reason why zoro's the first to join. why luffy trusts him to take care of everyone and lead them when he's otherwise busy fighting the biggest bads, incapacitated or just not present for whatever reason and why zoro does exactly that. why, for example, he trusted zoro's judgment abt usopp coming back even though luffy was initially ready to accept him without even an apology needed.
another thing to note, which I don't think is a coincidence either, is that zoro's either been mistaken for the captain or has left ppl wondering why he isn't more than a few times already, throughout the manga. zoro's strong, a very independent guy, who already had quite the reputation before he decided to be part of luffy's crew. ppl still call him the pirate hunter. he's got a dream he's hellbent on achieving, and it's not only his, but also kuina's. he's not afraid of dying for it but it's not like he wants to, yknow? and he's never one to go down without a fight. zoro also admits during the davy back ordeal that there's no point to him being a pirate if he's not part of luffy's crew. all of these things make thriller bark so special.
this?
Tumblr media Tumblr media
is zoro renouncing to his dream, his promise to kuina, to his own life - not in battle, and certainly not as a way to achieve the very dream he's forfeiting - and he's doing it to keep luffy safe. bc zoro's absolutely certain that luffy WILL become the pirate king and if zoro has to cast all that aside to make sure of it, he will. this is zoro taking all of luffy's pain as his own while protecting luffy's life and dream, putting them even above his. which, to an extent, also guarantees (from his pov, at least) the rest of the crew's safety. that's huge, so much that even kuma questions his decision.
Tumblr media Tumblr media
and yeah he's protecting the crew, but it's very obvious that he's doing this for luffy. kuma points it out, as shown above, and he had already voiced out his intention to leave with luffy's head only, specifically. it's luffy's pain that zoro's willing to take on and die for.
also perhaps you'd think this seems a bit one-sided no? but if you ask me, zoro choosing to pretend nothing happened is proof that it isn't. sure, it's not like zoro's the type of character who'd boast or openly talk abt this kind of sacrifice, but this is what he said to luffy when he agreed to join him:
Tumblr media
luffy adores his crew. he's willing to die for them, protecting and saving them always, and he takes their dreams very seriously. zoro has witnessed this from the very beginning, and also took it upon himself to remind luffy of how much they all relied on him back when usopp left the crew, so that luffy wouldn't doubt himself. imagine how luffy would've reacted or even felt knowing that zoro had done this. for him.
in hindsight, this panel from the beginning of the arc is a bit of a tragedy honestly. (still cute though!)
Tumblr media
131 notes · View notes
townslore · 10 months
Text
Tumblr media Tumblr media
watching the miraculous movie has done irreversible damage to my brain. hands you miraculous shuake au.
164 notes · View notes
kalena-henden · 3 months
Text
*fingers crossed* that ep16 will mostly be a-long-happy-flash-forward-to-2023 epilogue so we can finally see all our good couples and their kids living life to the fullest
57 notes · View notes
sciderman · 15 days
Note
(Idk if someone asked this already) since we’re on the topic of gender
sci what is gender to you and how do you see it in you and how you express it in your art?? (Just a young queer artist who wants some light shined upon them 🥺)
i 'unno ¯\_(ツ)_/¯
#gender is soup#sci speaks#i'm so sorry i know you might hope for something profound but... i think when i'm put on the spot like this i can't say anything really#i think whatever i am is definitely pervasive in everything i write#but like.. gender means something different to wade than it does for peter.#just like it'll be different for everybody. we make different associations based on our experiences and our trauma.#like.. wade associates femininity with love. because of his mother. associates masculinity with violence. because of his father.#peter associates masculinity with responsibility. because of uncle ben. associates femininity with confidence. because of aunt may.#i think there's all kinds of reasons why we choose to present the way we do. and what gender means to us.#just like we'll associate a colour with something. or a smell with a memory. it's complicated.#i don't think i'm some kind of expert on gender things but... i just find it interesting to explore. the psychology of it.#i don't think it's supernatural. it doesn't come from nowhere. but it should be a playground.#i don't think anyone in this world should be restricted to a certain role to play. i want to try all the roles and see how it fits.#see how well i can play them.#maybe because i haven't found one that quite fits. so i want the opportunity to try whatever i can. see what feels right.#i think it would be fun to be a wife. i think it would be fun to be a husband. i think it would be fun to be a firefighter. i think it wo#shrugs. different outfits for every day. different roles to play.#today i'd like to try...#i think it's like kids learning how to be adults by playing pretend. by playing roles.#i'm learning more about myself and other people and fitting into the world by trying on different roles.#kids playing house. you be the mom. i'll be the dad. yadda yadda.#i still feel like a bit of a kid who hasn't figured out how to be an adult yet. so i'm still trying out roles to see what fits.
36 notes · View notes
welcometogrouchland · 2 years
Text
Tumblr media Tumblr media Tumblr media
[ID: three images of fanart of the owl house. The first image shows Eda during kings tide. Half of her is fading away into dark feathers from the draining spell, and she's looking distraught into the distance. The lyrics "our mother has been absent" are written next to her.
The second image shows the silhouette of king and the collector, floating in the distance. The backdrop is the moon, but changed to look like the collectors logo/iconography. The lyrics "ever since we founded Rome" are written beneath them.
The third and final image shows Luz in her season 3 poster design stepping out of a bright white portal onto a dark background. She's stylised to have no eyes but is smirking with a determined expression. Written above her is the lyrics "but there's gonna be a party when the wolf comes home". End ID]
(@toh-described) CAN I GET A FUCKING WAHOO(T) FOR SEASON 3??? 🦉🔮✨
896 notes · View notes
rmbunnie · 3 days
Text
Another little inconsequential red hood thing and I'll admit that I'm decently biased but it irks me to see the whole "Jason can't shut up about his death/he makes his death everyone else's problem" take really frequently because he simply does not do that enough for it to be a thing in like any actual Red Hood story.
It's a thing you see sometimes in modern annuals/comics with large casts, particularly if a writer doesn't seem super confident with writing all of the characters that they're working with or if he's just a background character in this one, because with comics it's quicker to reduce a character to recognizable landmarks than to try and work out a whole new complex voice if you don't really need to, so it's tire iron, Jane Austen, Joker, and death, and it's all written out in dialogue because every character in a group event can't have their own internal monologue, but like. That's pretty much it. UTRH is the establishing event for Jason Todd post death so of course a lot of it is about his death, although it's arguably about the lack of response to his death more than his death itself, and he certainly makes it Bruce's issue but one beef doesn't make a trend. Plus if his death is anyone's issue beyond his own Bruce and Joker are like the number one guys whose issue it is. He THINKS about his death a ton in Lost Days, but it doesn't really reflect externally on any of his interactions besides with Joker, which again, that's justified and relevant beef. Teen Titans 29 is more about his place in the hero community/feeling like he was an outsider even before the bomb/Tim being the new robin than about his death, and side note, that being counted as an attempt on Tim's life also bugs me. He beat him up and then left of his own volition. That's not an assassination attempt its called a fight, albeit a sneaky and unfair one. But anyways. I can't speak on Battle for the Cowl because i haven't read it, both that and Batman and Robin 2009 don't really compel me, but it's entirely possible that's an outlier to my point seeing as I kinda sorta haven't read it and don't care to lmao. Even New 52 (although HIGHLY unpopular) and Rebirth/Dawn of DC/Whatever we're doing now Red Hood content don't really have him talking to people about it besides the occasional little quips. He might make stances that were developed because of his death other people's problem, like in the Mia Dearden Green Arrow situation with the "getting involved in other people's business" issue, but acting like he makes specifically his death everyone else's problem is ignoring all of the perfectly valid actually canon things he makes other people's problem. Most of the unpleasant traits he brings to the table are a result of his death and the sense of abandonment and betrayal that came with it, but that doesn't mean he's bringing his death into it when he acts unpleasantly any more than he's bringing his birth into it when he shows up in the first place. The consequences do not equal the event. All this to say it's irritating when people say the character is grating because he doesn't stop whining about his death when that kinda just indicates to me that they're working off fanon based on fanon based on kinda mid batman annual.
24 notes · View notes