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comicaurora · 1 year

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do you have any tips on writing soft magic systems? I only ever see them talked about when people are comparing it to hard magic systems or criticising it, which is a shame because I love systems where magic is just in the background being unimportant, with implied rules that will never be explained

god I wrote up like eight paragraphs of explanation and I was really working out some cool stuff there and then the app glitched and destroyed it all and I'm so upset

Unfortunately this reduces to a previous problem, which is "figure out how Tolkien did it and then do that."

Middle Earth is laden with magic. Hobbits being good at hiding is magic. There's a random throne in the ruins at the end of Fellowship that lets whoever sits in it see literally the entire world, and that's hella magic. Aragorn radiates One True King magic and occasionally heals people with a touch. Galadriel's mirror lets people see any point in time, past or future. Gandalf knows several spells, but most of the time he's doing less granular stuff by making lights or small fires or going all Servant Of The Secret Fire Wielder Of The Flame Of Anor etc etc. Elves are inherently so magical that the words of their language are never forgotten by anyone who hears them, the laws of physics don't apply to them, their havens are magically pleasant and beautiful, and the planet itself is magical for them - flat for the elves, round for everybody else.

The benefit of a soft magic system is that it produces a feeling in the characters and audience that the world is vast, wonderful and unknowable. It's at its best when it can answer why, but not how.

Why did the old empire of men have a throne that let you see the entire world? That makes sense! It's hugely tactically advantageous! HOW did they get the damn thing? No idea, doesn't matter, they clearly made it work somehow because the throne's right there. Why does Galadriel's mirror give you limited, randomized omniscience? Because while it's a useful tool if you can use it, seeing the future is a dicey and weird game, and the future can change if someone knows it's coming. HOW does riverwater in a birdbath do that? No idea.

Soft magic systems start running into difficulties when the writer needs to decide how it can or can't solve a given situation, which is a very common issue in storytelling, a format almost entirely centered on problems and solutions. For hard magic systems with clear parameters on what is and isn't possible, this is comparatively quite easy. The wizard can't magic this problem away because-

They're out of spell slots :(

They don't know a specific spell that can do that specific thing

There's another caster nearby stopping them

The object that lets them do magic isn't working

They need to speak words/do gestures/use materials to cast, and they can't for whatever reason

There's something "antimagic" around stopping them

Etc etc. The possibilities are easy to run through, because the "how" is clearly defined, and can be negated into a "how NOT." If magic uses spell slots, stop the characters using it by taking those slots away. If magic needs a material focus, break or destroy it. This prevents magic from feeling like an unsatisfying "a wizard did it" fix for all difficulties because the wizards can only do specific things under specific circumstances.

Soft magic systems can contrive answers to this too, but it can be a bit tricky to justify, and if it's Too Convenient it can feel like the magic system really just does what the writer needs it to do. When asked "why can't magic solve this problem?" soft magic systems can answer in several ways:

Too tired, sorry :( magic is Taxing and stuff so the caster can tip over whenever's convenient

They're in a Bad Vibes zone that's hindering their ability to cast because soft magic can be impeded by soft problems like "somebody was very mean here once"

That specific magic is tied to a specific location, like a magical elf forest, and doesn't work outside of it because it's intrinsic to the place and can't be replicated

There's another magical being around and their kung-fu is more powerful

These explanations work, but that's conditional on the story not making the audience think the magic SHOULD work in this situation, and this is entirely based on what's been established in the story thus far. If the wizard has been able to fly up until now, parking the gang at the bottom of the cliff and saying "sorry, fly machine broke" feels contrived. But if we've only ever seen other, intrinsically magical beings fly, the audience is unlikely to expect that the party's humble wizard will suddenly bust out a set of feathery wings as a gift from baby jesus himself. On the writing side, it's really a matter of feeling it out and making sure nothing feels too jarring - if the character who's previously displayed a certain specific space of abilities suddenly does something completely unrelated (like going from clairvoyance to slinging fireballs, or from a healing touch to earthbending) that feels inconsistent AND it teaches the audience that this soft magic system is softer than they realized, and can then make it much harder for the writer to then convince them that this caster CAN'T spontaneously manifest a power or gimmick that'll save them. But if the magical characters or objects operate within a specific space - one character that specializes in fire, one object that specializes in remote viewing, one artifact that lets its holder control the winds - then the audience will expect and accept things that fit in those broad, soft categories without speculating too much on the underlying "how" of their mechanics.

But the temptation to explain "how" is very strong for writers, and soft magic systems especially have trouble with this, because soft magic systems start calcifying into fragmentary hard systems when they're forced to explain "how". It locks in a hard-defined axiom that can be logically extrapolated. Because a soft system is not DESIGNED for that kind of internal logic, doing that will usually cause axiomatic collisions as they contradict one another. If a hard system is a crisp, geometric crystalline structure where any tangent line drawn through it will intersect cleanly with other lines in very predictable ways, adding "how"s to a soft magic system is like drawing tangent lines through a bowl of pudding - you're gonna get a lot of intersections in awkward places.

To pull an example out of absolutely nowhere, if a soft system without clear rules establishes something like "this spell can be used to summon an object towards the caster, but it DOES NOT WORK on living things", there are a number of questions that can become relevant:

Who made that spell to have those limitations?

Why can't WE make spells that DON'T have that limitation?

How is the spell defining "living things"? Would it work on a plant or a skeleton or a piercing in someone's body?

Why did you let this character use it on a living thing anyway, joanne?

In a lot of soft systems that try to lock in hard spell parameters, "who made these spells" and "why can't WE make spells" become the first and most obvious axiomatic clash. If magic can be created to do what the caster wants, why and how does that work, and why can't WE do it? This forces the writer to come up with an explanation to solve the clash without letting the protagonists make up whatever spells they want, therefore solving all plot problems forever - sometimes something like "the inventors of spells were intrinsically magical beings, like elves or dragons or whatever, and thus we ordinary scrub mortals can't make new ones." That's a functional explanation, but it reduces to a previous problem again - that this hard-ish magic system was created by someone with access to an unstructured soft system.

In a soft magic system, the only answer to the question "how does this magical thing work" is "because magic." If any other explanation is needed, things rapidly collapse into hard lines and axioms and covering for edge cases. How can elves run on powder snow, shoot targets in the dark and see for hundreds of miles? They're magical. Does that mean they can fly like a balrog or sling fire like gandalf or control weather like saruman maybe can? No, of course not, that's not their kind of magic and we have no reason to expect it from them. They're just magic. Magic means a lot of different things, and in a soft system the audience has to operate based on vibes rather than rules.

This can be difficult to balance. For instance, Star Wars has a soft system in The Force, and if you squint, every single movie and show uses it differently. It's not super disruptive to the audience's immersion because it's never framed like a Hard System with Hard Rules and it almost never pulls something out of COMPLETELY nowhere, but if you look at what it does from movie to movie and then show to show, it expands from "influence the wills of the weak-minded", "seeing the future a little bit" and "force choking" to "general telekinesis" and "limited telepathy" to "FUCKING LIGHTNING FROM THE HANDS MAN" which is a hell of a twist the first time you see it, to some even more buckwild stuff in the two different animated Clone Wars (like Mace Windu fighting an entire droid army Samurai Jack style and using the force to pull every bolt out of one of them at once, or the planet with the living incarnations of the Light and Dark Side) and the explanation never goes further than "The Force is magic, it's in everything, people who are good at The Force can use it to do a buncha stuff." It's not consistent, it doesn't have rules, but the audience accepts that Force users can just kind of do stuff that fits the Vibes of the stuff it's already been shown it can do. And as SOON as they tried to say "The Force is strong in people who have LOTS OF MIDICHLORIANS" everybody hated it, because it gave us a "how" answer to a question nobody wanted to ask and it made this pervasive, wonderous, soft magic system that Surrounds And Binds Us Luminous Beings Are We into "we are space wizards because we contain an above-average number of bugs."

As a chronic worldbuilder myself, I absolutely understand the impulse to explain and overexplain and lock in the Hows and the Whys, but as far as I can figure it, soft magic systems live and die on the writer's ability to restrain themselves from saying "how." The answer is "magic." The rest is just writing the story in such a way that "magic" doesn't become plot-breaking.

#asks #writing stuff

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transmascpetewentz · 6 months

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i meant wrapped not trapped, I do not blame you for misunderstanding me, thats entirely my fault

I think you seem to believe that my issue with transandrophobia as a label is the idea that trans men face oppression (which they do), when instead its the idea that the oppression transmasculine people face is something completely unique to them, instead of being the underlying current of tranphobia

I literally spent the first paragraph explaining my issues with the *concept* of it before segawaying into my issue with it as a conterpart to transmisogyny due to them not sharing an underlying ideological framework

And to touch on some of doberbutts points, trans women are also correctively raped and have suicide rates, and the issue of access to abortion is for every person with a vagina, not just trans men

A frustrating thing that he does there is that instead of giving a counterargument to one of my points (what i personally believe to be a misnomer about the purpose of the label of transmisogyny, were you (nonspecific) view it as a threat to the validity of the trauma we face, and not as a way to describe their own, and what others believe to be just attention seeking) is to bring up severe (often sexual) trauma as a way to put a landmine on that specific point, because any attempt to explain why they are wrong becomes a personal attack on the traumatized parties

this got quite long, so response under the cut. @doberbutts this is the same anon you responded to (by reblogging my post) earlier.

no form of violence experienced under an oppressive system is truly "unique" in that i don't think there are any experiences of violence or oppression that apply to only one specific group, but the motivations behind the violence can differ depending on the demographic it's being done to. i do not think that any specific example of transandrophobia is something that no one who isn't transmasc has experienced, but transandrophobia is the oppression specifically targeting transmascs. i and doberbutts have already pointed out how this works, so i don't feel the need to reiterate that.

you do not understand the concept of transandrophobia, and you regularly demonstrate that your understanding is surface-level and comes from people who have an interest in making it seem less credible. instead of asking people who theorize about anti-transmasculinity (including me and doberbutts!!!) you immediately become hostile and make many incorrect assumptions about our beliefs. i find this highly disrespectful and encourage you to stop getting all of your information about transandrophobia from people who misrepresent it to argue against the concept of anti-transmasculinity.

yes, abortion access is something that everyone who can get pregnant has to deal with, but trans men face unique discrimination wrt abortion access and access to reproductive healthcare that trans women do not. this is because there is a fundamental misogyny component to anti-transmasculinity that you and others who deny it because "it's transmisogynistic!!!" seem to have a failure to grasp. transandrophobia is transphobia, misogyny, homophobia, and the specific modifier of maleness on this oppression all at once. i wish there was a better word for how maleness adds to and modifies oppression in an intersectional way that wasn't associated with mras, but alas there is none that i am aware of. also: anti-transmasculinity never says or implies that trans women don't face some of the issues that trans men do! you are treating this like a pissing contest for who has it worse and that is an attitude i'll need you to drop.

denying transandrophobia is a sentiment that is directly hostile to transmasc survivors of sexual assault, abuse, hate crimes and other things that arise from living under a patriarchy that systemically excludes you from both the male and female classes. the reason why we use this rhetoric is because these types of things arise from the specific intersection that trans men face, and how that can further intersect with sexuality. you are simply making up what we believe on the spot and not actually listening. if you want to come off anon and have a conversation in dms, i'd be willing.

talking to people like you is frustrating because you make these claims about what transandrophobia theory is as if we're a monolith or a homogenous group instead of hundreds of trans men on tumblr dot com all contributing to a larger conversation. no matter how much you claim to be in good faith, you continue to disregard actual transandrophobia theory in favor of some bastardized version you got from someone with "white tme/tma" in their bio. i hope you take this criticism and reflect on how you may be wrong.

#asks #transandrophobia #long post

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bubuslutty · 1 year

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Angel on Duty: the first meeting

All Parts

pairing: demon/angel fem!reader x 141

word count: 2.1k

tags: semi-canon compliant, reader is described as having a tail and horns but calls herself 'Angel', do what you will with her real nature but she's simply sent down to fulfil a wish, no use of y/n, reader is referred to as 'Angel', 3rd person pov, minimal description of appearance, proofread by me so sorry for any mistakes

warning: none

summary: the 141 boys have a fantasy to get captain price the fuck of his life, but also share it amongst themselves, a shared cumdump if you will. which basically translates into "we need a woman to break our miserable old man, and break us in the process and rebuild us again just to do it all over again." they're just miserable and pent up and horny and want to be taken care of, that's all :)

a/n: there's no smut in here cuz this is just the intro. bon appétit either way 💞 also let me know if u wanna be added to my cod taglist 😖

What do you know about prayer? About wishing? Blowing birthday candles and wishing upon a star?

Ever since the beginning of time, it is man's nature to wish, hope and pray. To whom? That has always changed and shifted throughout the centuries, with prayers sent to different deities, angels, ancestors and so on.

But what humans don’t know is that all of their prayers, all of their wishing, if it was strong enough, if they really want it, really bad, their wishes just might become reality. And that was all done through a meticulously built system in another realm, where what humans considered angels worked day and night to realise them.

“Hold on, you’re not about to give me this much work when I’m literally getting paid minimum wage.” A woman said, waving a folder around in the air with wide eyes.

“If you have an issue, you can take it up to HR.” A man said unimpressed, not even looking up from his computer.

“Haha, funny. Seriously, why the hell did I get one wish and what? 8 humans??” The woman said, slapping the folder on the desk, making the man hiss in annoyance.

“Why must you be so difficult? It’s one wish and 8 humans who have the same wish? What’s so hard to understand? Get down there and do your thing.” The man said, visibly irritated, trying to shoo her away with one hand.

“You sent this down to my office and did not expect me to have questions?? If all little boys' wishes about becoming the next Ronaldo could be realised, Sandra down the sixth fraction would have 82 thousand humans, alone, to go through!” The woman said, hands on her hips and standing with her knees to the desk’s edge, casting her shadow on the man sitting in front of her.

“Who’s Sandra?” The man asked.

“I don’t know.”

The man finally stopped staring at his computer screen and stood up, rounding up his desk and grabbing the folder in his hand, “Did you even read the reports?”

“No, just the first page.” The woman said, twirling a hair strand in her finger while the man stared at her with an unimpressed look.

“For fuck sake…Okay, see here?” He said, pointing at the wish, which was a paragraph long. The woman nodded and he kept going, “This group of humans share the same wish, or fantasy to be more realistic, and it’s all linked together through one man.” He explained, flipping to another page and tapping a finger on a man’s profile and picture.

“Oh, he’s beautiful.” She said with a gasp, eyes flashing with a red light that made the man gulp and quickly look away from her face.

“They all work together and have this complex dynamic of friends, but also family, but also this relationship,” He said, flipping through the other profiles, and letting her look at every picture.

“What does that mean?” The woman tilted her head to the side in confusion.

“Their whole thing is a tangled mess of different dynamics with each other, but it all comes down to the first man I showed you, he’s like the glue of their team, but he’s what keeps them whole and sane, individually.” He said and glanced back at her and noticed her confusion but also the amazement on her face.

“They are fascinating…”

The man placed the folder back in her hands and turned to get his desk phone, “They are, now I’m going to call Beck to confirm some last details and you should be down in the mortal realm by tomorrow.

“Tomorrow?!”

“They’re moving in tomorrow, and so are you.” He said and watched her leave his office with a shocked but excited expression nonetheless. He walk out of the door without having to touch it for it to wing open, the long black tail swinging back and forth, poking from under her short skirt and the horns that almost grazed the top of the doorframe.

The woman stood in front of a beautiful house in the middle of London, hugging a white cat with black ears and a black tail to her chest as a lorry parked in the street, next to her taxi. “I guess this is where I’ll be living for the next weeks… Not bad.” She said, petting the furball in her arms while the taxi driver removed her bags from the trunk.

“Thank you.” She thanked the man with a smile, and he smiled back, a blush high on his cheekbones and reluctantly left, glancing at her over his shoulder every two steps.

Then another man approached her, dressed in a blue shirt and hat, “The keys ma’am?”

“Oh yes, sorry.” She gasped, placing the cat on the ground and running to her bag, retrieving a set of keys and handing them out to the man with a small smile.

“Thank you.” He nodded and started walking to the house while other men dressed in the same uniform spilt out of a van, surrounded the lorry and started helping each other in carrying furniture inside the house while she stood to the side, watching.

Suddenly another car parked in the driveway of the house right next to hers, and she watched with curiosity as four men exited the car, looking tired but excited at the same time. They looked huge, carrying dark green and black bags on their shoulders and heading straight to the door, but without glancing at the woman.

She fought against a grin and held eye contact, her cat, Kuromi, purring against her leg. Then she moved before she could think.

The four men froze at their doorstep, still staring at her as she walked up to them. That day she was wearing a back suit with black heels and a black bralette instead of a button-up, the trousers hugging her hips so well along with her legs.

“Hey, I just wanted to introduce myself as your new neighbour. I’m Angela Ali, but you can call me Angel.” She introduced her fake name and gave herself a better nickname, internally snickering at the irony.

“Well, hello, we’re also new here.” Soap spoke when nobody said anything, he even smiled back at the beautiful woman.

Her eyes widened in surprise, both at his thick Glaswegian accent and the information he just gave her (which she already knew but she had to act the part), “Really? I had no idea! Maybe we can be friends and look out for each other in this neighbourhood.”

“Yeah, that sounds great. I’m Johnny MacTavish, by the way.” He finally introduced himself and stuck out his hand, and when she shook his hand, he felt tingles at the bottom of his spine, making him let out a breathy laugh.

“I’m John, John Price.” The second man said, sticking out his hand and keeping his eyes respectfully on her face and nowhere else. It was so stupid, he was tired, yes, but not that tired to be easily dumbfounded by a random beautiful woman. And John prided himself in his manners, so when his eyes landed on her body as she walked up to them, he couldn’t help but drink in every dip and swell like he was deprived.

That’s so embarrassing.

Angel smiled and shook his hand, shivering when his warm big rough hands engulfed her smaller one. He was the same man she called beautiful that day she received her wish file. And he was, not in the way humans usually described something as beautiful. But to her, despite his huge body, thick thighs and arms, deep voice and beard, his eyes held something in them that pulled her in. She could sense the man’s thoughts, emotions, wants and needs.

“Nice to meet you, John.” She smiled at the man and turned to greet the other two, who both introduced themselves as Simon Riley and Kyle Garrick.

Simon was wearing a simple black surgical mask, covering the lower half of his face. But she already knew what he looked like, she has his profile. She knows he has a scar that runs through his upper lip on the left side of his face.

His pale blue eyes were intense, looking at her, calculating, careful, as if she was a threat, someone to look out for.

Angel let him be, staring as much as he wanted.

Kyle on the other hand was all smiley, radiating warmth and friendliness. He was handsome and charming, and made Angel want to talk to him for two hours straight. Did I mention his smile? That man's smile is absolutely beautiful. You would never guess he's a soldier, a killer, a beast in the field.

“I’ll let you get settled, now. See you around!” She said and turned around, walking back to her house, noticing that her bags were moved and Kuromi was meowing by the door while men in uniforms were still working as fast as they could, unpacking everything and placing the furniture where it belonged. She reached the door and picked up the cat, gave her a kiss on her little head and looked over her shoulder and saw how the four men were still staring at her, and they all immediately stumbled inside their house, slamming the door shut behind them.

Angel giggled and finally stepped inside her new home, shaking her head.

Angel lay on her stomach, on her new queen-sized bed with a pizza box on her side and a laptop casting its bright light on her face. She took another bite of her pizza and read through the document on the screen, which was a digital version of her wish file, with extra documents going more into detail about each man she was to work on for the next weeks.

“Alright, what do we have here? Childhood trauma…Oh, oh, poor lad…” She frowned at the screen and read along the lines explaining some of the things Simon went through, she had read almost everyone’s files in detail, and it was already dark out, probably around 11PM. Angel checked the time and gasped when she realised it was actually 2AM.

She even had files about their careers, she just quickly skimmed through them just to see if there was anything serious to watch out for, but ignored everything else, just because she wanted to give a chance for the men to surprise her, it wasn’t very fun when she knew everything. Plus she was going to spend a couple of weeks on this job, so she might as well make it fun for herself.

Her horns and her tail were nowhere to be seen because it was a rule to hide one's true identity when in the mortal realm, or at least the form they like to wear in the wish realm. And hers was a pair of horns and a tail because she thinks it's funny to take on the form of a demon when humans think their prayers and wishes go to angels.

She was not an angel, nor a demon for that matter really, her whole existence revolves around realising human's wishes, and her form? She can take on anything she feels comfortable in. But when she's interacting with humans, she must take on a human form to hide her true nature.

Her phone suddenly rang and she flinched, looking down at the vibrating device. On the screen, a clock and a reminder to 'EAT FOOD' could be seen. She turned off the reminder and hummed, "Yeah, yeah, I'm eating.."

You see, Angel, still struggles to get into the habit of eating regularly when in human form. No matter how many jobs she's completed, she somehow still forgets to eat because you don't have to eat in her realm, you don't even need to sleep or go to the toilet. So setting herself a reminder on her phone is necessary if she doesn't want to suddenly drop.

"Oh, I forgot to read my own files." She gasped, sitting up straight and placing her laptop on her lap. After a few clicks, she opened her own files, highlighting her new identity and timetable.

"Okay, I'm an only child… Single, of course, duh, and my job is a sex therapist!" She said, brows raised and quickly reading next lines. "I only have to go to the office two days a week?... Nice. And I'm a PhD student… in psychology?.."

Angel groaned and fell on her back, her laptop still in her hands, it seems like she needs to start doing some research on human education.

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that-ari-blogger · 9 days

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Something... new? (Moment of Truth)

Here is a question. In a story about repetition, where the central threat is the cycle happening again, where the very concept of the narrative is that trauma and abuse echo in on themselves… how do you tell an interesting story?

Like, on a general level, stories are about change, so something that is, by its nature, formulaic, would probably be inconducive to storytelling. Right?

She-Ra and the Princesses of Power disagrees with this premise in a weird way. The third season of the series has been questioning the formula in increasingly outlandish way. The first episode gave the same story but with a twist at the end, the second dissected the formula itself by examining the foundation it is built on, and the third flipped the direction of the spiral for a time.

Moment Of Truth features, overwhelmingly, some of the most skill on display that the series will have at all. This isn’t a fan favourite episode, but it is genuinely incredible craft.

However, it is important to understand that this episode doesn’t do anything new. Every moment in this episode, bar the last two minutes, has happened before in the series.

All Moment Of Truth does to iterate on the formula, is take events of consequence, and place them immediately after one another. This episode messes with internal context, and it causes the tipping point of the series.

Let me explain.

SPOILERS AHEAD: (She-Ra and the Princesses of Power)

One thing that I thought was interesting, upon rewatching this episode, is how few and far between the jokes are.

The series has a very distinct sense of humour and uses it in an extremely specific way. This is essentially a story about abuse, trauma, and war, which are objectively pretty heavy things. But it is also aimed at younger audiences, so it cushions each of its heavy blows with a joke.

This is why the character of Madam Razz is the most important character in the series. Her kookiness combined with her wisdom allows her to discuss some truly confronting and uncomfortable topics with grace and good nature. The humour is what makes this show approachable.

This is also why Aabria Iyengar’s style of game mastering for TTRPGs is so fascinating to watch. And, though I can’t verify that she is fun to play with since I have never played at her table (@quiddie please), her fellow cast members in Dimension 20 and Critical Role seem like they are having a good time. Essentially, she balances out heaviness with entertainment, effectively artificially shifting up the Garfunkel threshold of the players she is GMing for.

For context to the absolute mess that was that last paragraph. The phrase “Garfunkel threshold” is used by an English teacher that I had a few years ago and literally nobody else. It refers to the area of emotion where a person is out of their comfort zone, but not truly uncomfortable. Fun scary, essentially.

Back to She-Ra. Moment of Truth doesn’t waste time with jokes unless it really needs it. This episode runs at a breakneck pace, and only stops to give you breath at the last moment.

As a result, the jokes that this episode tells are really funny. Although, if they were told in a vacuum, they probably wouldn’t be. For example:

“You won't try to escape if I just pop out for a quick sec, will you?” “Uh... No?” “Okay, great, really appreciate it.”

This is iconic in the fandom, and for good reason. This is one of my two favourite jokes in the series. The other is also in this episode, weirdly enough.

But… it’s not that funny of a moment.

If you heard this conversation in any other episode of this show, maybe if Adora had been captured for a one-off episode like Catra was halfway through season two, this joke would maybe get a smirk, but not much more.

So why does it work?

One word: Context. This episode stresses you out like few other episodes of television can do, and a few seconds before this joke, it successfully makes you think that Entrapta will try to hurt Adora.

Instead, you get a moment to hold in the tension, then a piece of humour that is utterly incongruous with the tone of the episode so far, and you have to laugh.

This is the same premise behind the humour in Alien, directed by Ridley Scott and written by Dan O’Bannon. That film has some incredible one liners that allow the audience to breathe and excise some catharsis in what a pretty gritty plot would otherwise be.

The perfect example of what I’m talking about here isn’t actually that much of a joke. It’s literally half a second that abrasively interposes itself into the break in and forces it to stumble. But the build up gives it so much levity.

The scene is off the back of Glimmer’s teleportation and the tension of Angella trying to stop it, followed by the constant stress of how easily Shadow Weaver is playing Glimmer like a chess piece. Mermista makes a quiet comment on the décor, a moment of levity that Shadow Weaver deliberately undercuts. Then we loose Perfuma to a fight we can’t see, the uncertainty of which is more stressful than knowing definitively that she has been killed.

Then the gang runs into Lonnie and Rogelio, two formidable foes, but two foes they have outnumbered. Stress rises, then the music cuts out for barely a moment as Lonnie flicks the alarm lever that is right next to her

It’s not a joke, it’s a character making an eminently sensible decision in contrast to the entirety of the rest of the cast. But the musical cue pauses the tension of the scene for just enough time for you to give a brief laugh, then the scene resumes in earnest, and continues at its previous pace. It isn’t a lot, but it’s enough to keep the story fun.

Basically, the show is made up of seriousness and humour, and those are held together by a single piece of Velcro, and that is working overtime to a truly extraordinary degree.

Except, that isn’t true. She-Ra and the Princesses of Power doesn’t treat humour and earnestness as separate at all, they run together and punctuate each other.

The other main thing that this episode does is a perspective twist. Moment Of Truth is all about context, and so the events play through the views of unusual characters.

Case and point, Glimmer and co. have gone rogue to do their own thing countless times in this series, and every time they get back, Angella chastises them.

However, this is the first time we have witnessed Angella’s reaction to Glimmer’s disappearance, and we get a sense of desperation from her.

Angella doesn’t have to speak her thoughts out loud to let the audience know what is happening. She sees Glimmer has gone and immediately realises that she has gone rogue again, so she checks Shadow Weaver’s quarters, because she knows what her daughter will do in this situation.

Meanwhile, the shots of Glimmer are from Shadow Weaver’s perspective. Almost as if Shadow Weaver is positioning herself as a replacement mother figure for Angella.

I could comment on the animation of this scene, but my analysis there is very much limited to “oooh pretty”. Which is fine, but nothing anybody hasn’t said before.

So, instead, spoilers for the season three finale (skip to the next paragraph if you’re avoiding those), this is the last time Angella sees Glimmer, and she is powerless to stop her. Angella is a character riddled with guilt, and this will come up later when I discuss the finale.

Back to the episode at hand, a significant chunk of this episode is as told by Shadow Weaver, so we get the full breakdown of how terrifyingly competent she is at her designated skillset. Shadow Weaver is a manipulative character, and so she is playing chess with the plot of the entire series in a way that only one other character comes close to matching, and I’m going to start my discussion of that by discussing her powers.

Magic is a facet of narrative literalism, where a metaphor within a story becomes tangible. For example, Glimmer is impulsive, so she teleports around, jumping to conclusions without taking the time to walk. She is also stubborn, so her powers make her uncontainable.

Shadow Weaver, meanwhile, is a parasite. She has magical talent of her own, but in this episode, all she does is leach off Glimmer’s power to further her own ends.

In a series about freedom of autonomy, Shadow Weaver exists in contrast to Hordack. Where these characters focus on the freedom aspect to contain and confine their enemies, Shadow Weaver twists her victim’s autonomy and takes control of them in a way that is insidious and very realistic. She is like Light Hope, which is interesting.

That parasitic nature actually reflects into Shadow Weaver’s manipulative technique, as she never targets someone who is, for lack of a better term, strong. This is difficult to explain: Glimmer needs something, and Shadow Weaver positions herself as the answer. She finds someone who is at their lowest point, and makes them dependant on herself.

This is, fun fact, why Perfuma, Mermista, and Frosta are seemingly immune to her influence. I’m grasping at straws here for Frosta’s characterisation because she gets about two lines in the entire episode, but I’m onto something with Perfuma and Mermista.

Perfuma is a paragon hero who does not compromise in her beliefs. This causes trouble in the series, as is the nature of this story, but it means that in the several instances Shadow Weaver tries to get under her skin, Perfuma brushes it off. Perfuma considers what Shadow Weaver has to say, but keeps in mind at all times that she is an abuser and therefore not to be trusted.

Mermista, meanwhile, is the best character in the series and you cannot change my mind. In seriousness, Mermista is detached and cold, a strength which, like Perfuma’s ethics, causes conflict at other points in the series. However here, it means that we have a character who does not take Shadow Weaver seriously at all, meaning that her grandiose pontificating is meaningless. Mermista sees Shadow Weaver for what she is, a prisoner scabbling for scraps of power from someone else, and she sees an easy rout to stopping that.

Anyway, the interrogation scene.

There is a spotlight on Glimmer and Bow here. They are on a stage, and Shadow Weaver sits on a couch, watching them. They are performing for her. She is in control.

“You are smart, you want to stop the Horde, and you know I'm the only one who can help you do that. I must admit, I thought it would take you longer to speak with me.”

Shadow Weaver is easing Glimmer into thinking she has control. She compliments her, casually offering her own services as help to the princess. But she also positions herself as lower than Glimmer. The last line implies that she is surprised and that Glimmer has the upper hand, letting her into a false sense of security.

“His machine is complete? And they have Adora? We must hurry. If Hordak has the opportunity to open a portal, he will do so immediately. The Alliance will never get there in time – but perhaps...”

She is surprised again, apparently. Shadow Weaver has taken care to position herself as omnipotent, that’s why the compliment to Glimmer being unexpected is there.

Effectively, if the smart guy is outsmarted, they are on the back foot. If the smart guy is surprised, they are in danger.

So, Shadow Weaver emphasises the danger of the situation, stressing that the alliance’s inability to help. But wait… it just happened to occur to her, just now, that Glimmer might be able to fix this. She wasn’t planning this at all, it was spontaneous, and a piece of knowledge she doesn’t think would work.

Needless to say, I think Shadow Weaver is talking utter bollocks about this. For my evidence, I propose the following questions: If Shadow Weaver didn’t know about Adora’s capture, how does she know about the rebellion’s plans? Is it possible she is pulling facts out of her backside to further her own ends?

“I can make you stronger. I'm still the only sorceress who has ever been able to tap into a runestone. If you allow me to access your connection to the Moonstone, I can enhance your powers. You could teleport us all the way there.”

Here is Shadow Weaver’s gambit. She can solve the problem for Glimmer, she can give Glimmer the assistance she needs. It’s a Faustian bargain, and she doesn’t mention at all what she gains from this deal, that’s just something that slips her mind.

Of course, she could be doing this out of the goodness of her heart, kindness isn’t transactional, but this is Shadow Weaver we are talking about. Shadow Weaver exists on conditional affection and saw fit to make demands as a prisoner of war. I don’t think Shadow Weaver is the type of person to offer aid for nothing.

“I want to destroy Hordak.”

This is Shadow Weaver’s stated motivation, she says it again later on in the episode, and it is mainly used to distract Glimmer and give her a “an enemy of my enemy is my friend” type of bargain. But I’d like to examine this motivation a little bit, because I think she is lying about this as well.

In the end fight of the episode, Shadow Weaver casts two spells, both of which could have been aimed at Hordack, but neither are. Instead, she destroys the room, and she targets Catra. Shadow Weaver is a parasite, and a liar.

Which leads into Catra’s descent into madness, something that is told entirely from everyone else’s perspective. Until the end, but we will get there.

Shadow Weaver physically abuses a child in this scene. That is objectively what this is. The fact that this is magical is the only thing that let the writers get this through censorship. But I want to be clear here, this is not simply punishing misbehaviour, this is not tough love, this is not building strength. Shadow Weaver physically abuses a child in this scene.

This is a mirror of the scene in Promise, to the point where the spell is the same, and it is notable that it would have been easier to just zap Catra and leave her there, but Shadow Weaver decides to torture her.

And this scene is viewed from Glimmer’s perspective, showing her the true monster that she is aligned with, but also the power that Shadow Weaver exhibits. This is the deal Glimmer made, summed up, agency for complacency. Glimmer has to make herself ok, at least partially, with this side of Shadow Weaver, which makes her complicit in what is, again, the physical abuse of a child.

We have seen this scene before, but here it is through a different lens, and that changes how we read it, and keeps it interesting.

It is also notable that Bow is the one who stops Shadow Weaver and pulls Glimmer back. Which is interesting.

Bow is Shadow Weaver’s antithesis. Angella is too, but Bow is her main equal opposite. Bow is kind, uncomplicatedly so, and he is the final character who remains immune to Shadow Weaver’s tricks.

Although Bow stays above Shadow Weaver by playing the same game as her, just more fairly. Bow is a tactician, and a damn good one at that. He isn’t as good as Shadow Weaver, nobody is, but he is easily the second best in the series by a long shot.

But Bow plays fair, at all times. He lets people know what their roles are, he communicates, and he relies on other people as much as they rely on him. His relationships are mutual, where Shadow Weavers are parasitic.

Bow exists on trust.

Speaking of which, when Catra betrays Entrapta, the scene is shot from Scorpia’s point of view, and we again see her utter powerlessness to stop the situation. This is the cycle of abuse in full effect. Catra was denied her own agency, and so the way she tries to reclaim it is by removing others of theirs. Scorpia can’t do anything as her friend is carried away to a death sentence.

The final scene, however, is from Adora’s perspective. We see Catra’s world fall apart around her, quite literally, and we see Adora watch her oldest friend descend into madness. Once again, the watcher is powerless, as Catra continues the cycle of abuse.

You understand that Catra has nothing left to lose, and while you don’t agree with her decision, you can see why she did it, which is important. Reason and justification are not the same, but they do both make analysis easier, which I am grateful for.

This sets up the next episodes and Catra’s characterisation there. Catra doesn’t care about her own safety or the continued existence of the world itself, she just wants to feel better by exhibiting some kind of control over the people she perceives to have hurt her.

Which also sets up my diagnoses of Catra, and I’m not sure how the fandom will react to this, but I think Catra is the villain here.

Catra, in this episode, and in the next few episodes, is abusive, manipulative, and controlling. Essentially, she fits all three of the parameters for evil that the series has established.

Yes, she has a reason for her actions, but she isn’t morally grey anymore, she is choosing to burn the world down out of spite. Cool motive, still murder. Catra is the villain.

But is she irredeemable? I would argue “no”.

Spoilers for the rest of the series, but I can’t really explain why Catra’s redemption is possible to me other than the fact that she was redeemed, and it worked for me.

I don’t believe in good and bad people; I believe in actions. Sure, there are people who do unconditionally horrible things, a lot, but I would argue that the best way to redeem oneself is to stop doing those things and get better.

It’s as if morality is a quality you have to work at, with enough practice, you can improve.

And I think Catra’s redemption is so well executed, specifically because of the fact she is villainous here. If she hadn’t hit rock bottom and then sunk even further, her climb wouldn’t be nearly as compelling, at least to me.

Micah's memory casts a shadow over Angella as she makes her decisions, colouring her argument with her daughter. I wonder if there is some symbolism there.

Final Thoughts

The reason that Moment of Truth isn’t as popular as Promise or Save The Cat, is that it isn’t spectacular, it’s just impressive. By which I mean, the shot composition of this episode is stellar, but I can’t exactly point out every Dutch angle or perspective warp, or how many emotions Entrapta goes through in a single close up.

Also, the pacing of this episode actually slows down, rather than gaining momentum. It increases in tension, but the scenes get longer and more drawn out. We are reaching the event horizon, essentially, and time is getting wibbly wobbly. But that isn’t exactly something that wows an audience.

So if I was to recommend this episode, I would point to the teleportation scene, or the fight between Catra and Shadow Weaver. Both of which look cool, but don’t hold up by themselves when contrasted with other episodes in this series.

Basically, Moment Of Truth is competent, but in a way, its playing things safe on a majour scale, which is unfortunate. This episode deserves more love.

Anyway, next week, I will be looking at Remember, and taking narrative literalism to its extreme. So stick around if that interests you.

Previous - Next

#rants #literary analysis #literature analysis #what's so special about...?#character analysis #she ra and the princesses of power #spop #she ra #spop glimmer #shadow weaver #catra #adora #spop catra #spop mermista #mermista can do no wrong #she ra princess of power #she ra and the princess of power fanart #she ra spop #she ra catra

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hazshit-hotel-hater · 1 month

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What gets me with Vel is that we see she has a good rapport with her coworkers/friends. She may sometimes roll her eyes at the other two and their antics and of course when her direct business gets interrupted she gets frustrated, but we mostly see her on good grounds with the rest of the Vees. They respect her when it comes to serious business and in that last scene of the season they all look to be very much on the same page and in it together, smiling about their future... yet fanon (if it isn't infantalizing her as you've pointed out) is constantly projecting "angry black woman" stereotypes onto her.

It's gross and in my opinion clearly racially motivated that they see her as nothing more than a "bitchy" woman of color. While the fanon I've seen also has separate gross issues with Vox and Val they are at least allowed some nuance on occasion, but I just don't ever see that with Vel, she's just an angry woman rendered to the background in their eyes stripped completely of her professionalism, intellect, and cunning. She's one of my faves and it sucks so bad to see.

Hi. :) I wrote 5 paragraphs in response to this question and Tumblr so graciously decided to delete fucking all of it. :)

The Hazbin Hotel fandom has a serious racism problem and not enough people are talking about it. Aside from the infantilization of Velvette, other BIPOC characters are put into stupid stereotypes or treated like children because either Vivzie can’t handle writing competently or the fandom doesn’t know how to behave themselves. This is especially apparent for the women, but—and this is probably the only time I will talk about him in this way—Valentino is also suffering from this shitass issue.

Firstly about Velvette, just like how this said, Velvette used to be treated like a child in canon (now fanon) and is being portrayed as only a sassy angry black woman by the fandom. This is disgusting! I don’t think I need to say that! For some reason (misogyny) the Hazbin fandom just has this thing where they take a POC person or a woman—usually both—and decide to treat them like a child. Best examples being Niffty and Velvette being portrayed as Angel & Husk’s and Vox & Valentino’s children. Niffty is 22 and Velvette is in her 30’s. And of course they are both POC. I know there’s going to be someone accusing me of just whining about racism or being like “not everything is about race” but shut the fuck up because I’m busy talking.

I think the best scene to depict Velvette’s character—even though she hardly has any scenes. It shows that she will and can respect her colleagues but for other people, you either need to give her something she wants or her respect needs to be earned. She literally sings a whole song about it.

For other characters like Niffty I have a post for her in the works so I won’t spill it all here, but I can’t in good faith talk about the racism problem without mentioning Valentino. The fact Vivzie has made her worst character into the basic tall hot hispanic/latino man with the hot spanish accent stereotype. Honestly this sort of stereotype doesn’t bother me much, there’s a few villain characters I like with it like Alejandro from TDI, but Vivzie making this a big aggressive and dangerous POC person abusing a sad little white guy just grosses me out. It’s not like the situation would be any better if Angel wasn’t white, but it really does just leave that extra sour taste in my mouth.

Also I don’t need to explain why 90% of the POC cast being fucking grey or purple or blue is bad right.

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woojungz · 6 months

Text

their love languages! 💭🎀

❝ xikers x gn!reader

𓂃𓈒 finally wrote something for all 10 members(⁠；⁠^⁠ω⁠^)

word count: 1.5k

( likes and reblogs appreciated!♡ )

✧𓂃𓈒MINJAE.

i'm a firm believer that minjae is so huge on words of affirmation. he's already written roadys long messages before, like i’m saying 'essay long' messages, thanking us for keeping up with them and having fun last tour. he loves pouring his all through heartfelt words he tells you at random times of the day, whether it be through text or if you're hanging out together. tells you he loves you everytime he can, the members even cringing whenever he does that in front of everyone else. they don't let him catch a break😭 the other way around, i think he also likes receiving words of affirmation. remember that one fancall where he asked a roady why they love him? as his s/o, let him know how well he's doing as a leader please. he also incredibly cherishes quality time with you because as the group leader, he doesn't get all the time in the world to be with you even if he wanna :(

✧𓂃𓈒JUNMIN.

i'm not sure if this counts as words of affirmation, but i'll just say it is. junmin really loves updating you throughout the day, like i'm saying tons of messages consisting of his selfies, food he's eaten, and places he's been too. dude is gonna blow up your phone at this point😭 but you don't really mind. even though you're not right there beside him, you feel like you are, because it's like he tells you updates of every single move he makes for the day. you literally have a collection of his photos he sent you, in your gallery. you're actually suprised it's a lot more than the pictures you've taken yourself?! he also really loves to do acts of service for you, he's actually one of the members that keeps their dorm mess free. so if there were times you're stressed or too occupied with work that you weren't able to pay attention to other things around you, junmin will do his best to help ease your workload!

✧𓂃𓈒SUMIN.

i like to think sumin is really into gift giving, and the things he gives you are really personal which makes it a lot more special. he really enjoys having you as his subject in his paintings of drawings, and would love to gift it to you once he's finished. also, you can't miss the sweet messages he leaves you behind the paper of the drawings! everyone knows sumin owns a lot of keychains right, literally his keychains weigh more than the bag it's attached to😭 he'd let you take anything from his collection, and would sometimes even buy you new ones! aside from that, even though we see him sometimes reject physical touch with the members, he'd initiate it himself with you. if you guys are living together, you'd maybe wanna marry him already because this guy knows how to maintain a home. this paragraph is gonna get longer if i explain, so i'll have it at just that.

✧𓂃𓈒JINSIK.

he's kinda on the same level of sumin when it comes to gift giving. our jinsik is an artist right? so he'd spent most of his time making drawings for you so you can turn it into your phone wallpaper! or even does short animations for you, like that stuff takes such a long time and jinsik would just spend his whole day making it for you. sometimes you'd catch him drawing something, but he suddenly hides it from you because he says he wants it to be a surprise!! also this guy is a real enjoyer of quality time too. whenever his family would be going somewhere, he'd want you to tag along with them. it makes him so happy to see all his favorite people in one place together :(

✧𓂃𓈒HYUNWOO.

i don't know if this is kinda unexpected but if you look closely, hyunwoo really likes physical touch. this boy always needs to hug you everytime you meet. and those times where you thought he was making kissy faces to you as a joke so you never reciprocate it, yeah... he was being fr that he wants a kiss. you just realize it when he suddenly sulks beside you as if there was a random rain cloud that manifested on top of his head, that suddenly his mood got sad. but once you do kiss him then he's already back to happy! also, he really likes to backhug you. at first he might be kind of cautious with physical touch if the other members could see, because he's often the center of their teasing. but as time went on, he actually didn't care anymore, he's gonna hug you whenever he wanna!!

✧𓂃𓈒JUNGHOON.

our hoonie really loves quality time with you! everytime he's free from schedule, all he really wants to do is spend the time to explore food spots with you (he really enjoys eating). he'd drag you along to places you've never been to before so you guys could try the randomest food ever. oftentimes he doesn't really show much expression right, so you also love it when you get to eat with him because he gets very extra while eating. especially when the food is good, you'll get to witness a bunch of reactions from him! just like hyunwoo, he's suprisingly into physical touch with you. no one of the members expected that at all! he'd like to have his hand somewhere on you, just making sure that there's no one else around to see this side of him. it's like he doesn't even expect himself to act like that, it's just because he's so in love with you he unconsciously wants to touch you all the time😭

✧𓂃𓈒SEEUN.

he's just some guy that has a lot of love to give😔 i like to think he enjoys giving all the love languages to his s/o, he's really sweet overall as a boyfriend. he would wanna devote himself to you. he's really heavily leaning on physical touch though, like randomly kisses you in moments you don't expect (i mean, this dude kisses his members randomly and even kisses the camera itself when it's on him😭). he can't sit still without having his hand on you all the time. also this guy doesn't like being locked up in their dorms whenever they don't have any schedules, so he's quickly ringing your phone up to ask you to spend time with him, hence another quality time enjoyer.

✧𓂃𓈒YUJUN.

physical touch on top when it comes to him!! sometimes the members have expressed that yujun gets so touchy, and he gives the best hugs. such a cute cuddler you know. everywhere you guys are spotted together, yujun always has a hand around your shoulder, waist, or his favorite: entangled with your hand too. if he's standing near you, he's not gonna let a gap between you too happen, your shoulders need to be touching😭 sometimes how question if he can even exist without being beside you all the time. goodluck dealing with him because it seems like yujun has a never ending amount of energy. also!! quality time with him in the form of playing video games together.

✧𓂃𓈒HUNTER.

he actually said it himself when another roady asked him!! hunter really enjoys quality time. even before then, this guy really loves to travel to different countries. he tells you he'd love to take you there some time, doesn't really care if he's been there for the hundredth time, as long as he sees the smile on your face that you're happy to spend time with him. even locally, he enjoys hanging out at parks and aquariums so expect a lot of your dates to be at those places. another is that hunter loves to give you gifts. it's not just ordinary gifts, he loves to give you ones that he could always see you using. mostly it'll be clothes or accessories, and it makes him really happy to see you show up for dates wearing his gifts :(

✧𓂃𓈒YECHAN.

he's kinda new to this relationship thing, very awkward at first. a stark contrast to how you met him, he's really extroverted right. it's honestly kinda cute to see him try his hardest in doing all the couple things he thought he has to do, so let him know that he can breath sometimes and just be himself!! he tries to ask for relationship advice from his hyungs, sometimes it backfires on him because he accidentally understands it a different way. so then he resorted to asking his older sisters instead. he may struggle a bit with words (in the relationship), even though he's normally so talkative. so he likes to express his love through actions. he remembers your favorite things, would love to buy you gifts even though there's no really occasion. and mostly tries to help you any way he could!! please notice how hard he tries to show acts of service!

#xikers x reader #xikers imagines #minjae #junmin #sumin #jinsik #hyunwoo #junghoon #seeun #yujun #hunter #yechan #xikers

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blushweddinggowns · 8 months

Text

Dustin Henderson was not, or would ever be, a cool guy. If anything he was a certified dork, but oh well. He knew that, and he had accepted it. It used to bother him a lot more, being aware that he would never be a part of the popular crowd. He was too weird, his interests too niche. Not to mention his condition. That had been a bitch to deal with, physically and socially.

But the thing was, despite his own uncool factor, he had the coolest older friends. Like, ever. There was Steve, who somehow managed to give him girl advice that worked, despite the fact he’d never been with one. Girl advice that definitely helped him land the best, prettiest, and smartest girlfriend in existence.

And then there was Eddie, the coolest Dungeon Master to ever exist. Something that Dustin didn’t even feel guilty saying, not when Mike was his biggest fan. He was insanely creative. And he was also in a freaking metal band? And let him and all of his nerd friends come to one of his shows at the Hideout? He was also like, one of the most avid readers that Dustin had ever met, whether that be through fantasy or history books. And he knew like a shit ton about politics, even if it was only to have stuff to back up all of his anti-establishment ideals. He was so freaking smart, maybe not in like, science or math and all of the stuff Dustin was good at, but everything else? Genius, or at least in Dustin’s opinion. Maybe not necessarily his level of genius, but he was still up there.

Which begged the question, why the hell did a guy like that have to redo his senior year? Especially since Steve had managed to graduate.

Dustin loved Steve, he did. And in no way did he think that he was dumb. He was just smart in different ways, like having great instincts and kinetic skills. Well… he did do stupid shit but like, in a smart way? Maybe? Dustin wasn’t quite sure how to categorize his favorite weirdo. But one thing was for sure: if Steve could do it, why couldn’t Eddie?

He doesn’t ask right away. He’d become a little bit more self-aware over the years, and he knew waltzing right up to him and asking, Hey, if you aren’t stupid then why can’t you finish highschool? was not a good idea. But he does wait for an opportunity. Because Dustin is Dustin and works in almost all accelerated classes, he actually managed to share two of them with Eddie. And it’s not until he forces Eddie to be his lab partner in Chemistry when he starts to get it.

It’s not that he’s stupid, he just literally can not pay attention.

“Dude, come on!” Dustin groaned, head in his hands in front of his open textbook, “How are you not getting this?”

He could fucking hear the ghost voice of Steve in his head, bitching at him for his tone, but this was just to frustrating. And Eddie’s nonchalant attitude wasn’t helping things.

Eddie shrugged, too busy spinning his keys on his finger instead of actually reading what was in front of him, "Told you you didn't want me as a partner."

Dustin could feel his eye twitch and if Steve wasn’t in the other room, he probably would be yelling in frustration at this point. But the last thing he needed was to end up under Steve’s armpit for a well-deserved noogie.

“I just don’t get what the problem is!” Dustin groaned, “Like I know you’re not stupid, so why are you acting like it?”

Eddie glared at him, feet propped up on the table, “Rude.”

“Well it’s true!” Dustin hissed, “Seriously dude, what the hell is the problem?”

Eddie sighed, rubbing a hand over his face, “It’s not that I can’t understand. I just… can’t make myself care.”

That was weird. Dustin cocked his head at him, confused, “What does that mean?”

“Like…” Eddie tried, struggling for the words, “It doesn’t grab me? I don’t know, but I can read a paragraph and have none of it stick, no matter how many times I go over it. And you’re right. I’m not stupid, But if I’m not interested it’s like… my brain stops working. I don’t know how else to explain it.”

That… actually made more sense than Dustin had been expecting. He was pretty damn sure he could work with that, “So we just need to find a way to make it interesting to you right?”

Eddie raised a brow at him, “I guess?”

Yeah, he could definitely work with that. He sent Eddie to the other room, to do God knows what with Steve before getting to work. It was kind of a big project to randomly take on during the middle of a Sunday, but he managed. He might not have been as good an artist as Will, but he could at least add a decorative flair to it.

Three hours later and two check-ins from Steve and he was done. He nearly skipped to the living room, too excited to even roll his eyes at the way both of them were shamelessly tangled on the couch together.

He skidded to a stop in front of them, proudly displaying his newly titled notebook, “Tada! The world’s first Dungeons and Dragons themed study guide!”

Was that a nerdy thing to say? Maybe, but Dustin didn’t care. He was proud of this one.

Eddie sat up, wide-eyed as he plucked it from Dustin’s hands while he explained what was inside, “So I set it up with a guide to translate real world chemicals to potions in the game right? And then the formulas are written here but the problems are all worded like you’re trying to do alchemy in the game. And here….”

He explained the whole thing, his smile growing as Eddie got more and more excited. Steve looked… happy for them? Even if he was slightly judging, just a little bit. But there were some things that jocks would just never understand.

Besides, it did work. And it worked pretty damn well in Dustin’s opinion. He was the only one that Eddie even let try to tutor him, because he was the only one who actually understood his problem, despite how clearly Eddie was able to put it.

It definitely made him feel special, because he was special. Eddie even said so, beyond grateful that he found himself able to pay attention to his hard subjects for the first time in… ever. It was the least he could do. Especially since he was dealing with what was probably the only school year in his life to have zero bullies. And he knew it wasn’t because everyone in highschool was magically more mature. He’d walked in on an insane amount of swirlies and heard too many insults hurled at other kids to think otherwise. But luckily enough for him, people just… stayed clear of Eddie. Like he was actually scary or something. And… okay. Maybe he was a little. But only when he was like, insanely angry. Like rabid-dog angry, but that wasn’t an everyday thing. Though that didn’t stop everyone else from avoiding Eddie and most of his friends like the plague.

But Dustin was lucky enough to fit in a little better, which was good for all of the extracurricular shit he had to do with random people. It helped that he was friends with Lucas, who was bordering on the edge of just being completely normal, the traitor. And getting rides to-and-from school from Steve himself was also a major plus. It wasn’t like the equivalent to having a car, but it was close enough. And a surprising amount of girls were silly enough to think they could have a chance with him. Which was kind of insane, considering how he really never tried.

Dustin considered the world lucky that Steve turned out to be gay. Otherwise he’d be too powerful. How would anyone else have a chance?

And weirdly enough, the random crushes actually worked in Dustin’s favor. At least when it came to random project partners and tiny club elections, but still. It was nice to have friends that were so cool. Cool enough to make Dustin not feel like a weirdo among his other peers for the first time in his life, while not having to change a single thing about himself.

It was nice. Really, really nice. So yes, Dustin Henderson was a dork. But now he was a dork with an edge.

from the latest chapter of this fic

#steddie #steddie fic #steddie ficlet #steve harrington #eddie munson #stranger things #the universe trapped in your skin #dustin henderson #i think these are just short enough to work for the tumblrs #not that it's stopped me before #steddie childhood friends au #and shhh im an art student don't question the non existenet chemistry #its fiiiine

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fillinforlater · 9 months

Note

i kinda agrer w the anon like ig the older members r fine but if u plan on writing for new jeans rhe maknae is 14/15…

A measured Response

While I think the other anon who send the initially accusation is still the one sending asks to my inbox, I also think that you are another person. I will strengthen and steel-man your concerns/argument, though it will always baffle me that y'all have these ridiculous spelling errors. Seriously, guys, at least try to type coherent messages/a literal paragraph with no mistakes.

(To those of you who do, thank you <3)

For some fucking reason I feel like I have to make this a thing. I should not, really. These accusations are baseless, I'm not the thing he wants to frame me as, so on and so on, but because I think you are genuinely kinda worried what I meant, I'll explain it to you.

(I'm not sorry if I sound condescending or anything, because I am)

It started with this ask, which basically asked me:

"Do you plan on writing NewJeans in the future?"

Now, being human and (probably) understanding English as well as context, this is what I (and probably 99% of other people with the right context) assumed this person meant:

"Do you plan on writing a fic about any of the 18+ NewJeans members in the future?"

bUt tHaT iSnT wHaT tHeY aSkEd!?

You cannot possibly reach that conclusion. Seriously, go look at literally every fic I ever wrote. Age of the idols? Ranging from 30 something down to 18, the absolute hard legal and (I guess) moral minimum, the line I don't cross.

If you go to my page or just open this weird ass tab from Tumblr (fuck Tumblr), you see stuff like "18+ Girl Group fic writer" or "No minors" or (from my Biaslists & Writelist & Requests tab) "Remember that I said most and 18+. This automatically excluded all 18- idols... I won't write those." This is easily understandable, obvious context to the message from above.

Or did you think I would just write about literal new jeans, like an review or something? No, of course not.

Oh, you can also look at my response, like... I specifically mention Hanni and Danielle, two 18+ idols, very popular, probably the two (including I guess Minji) the asker probably meant.

Now the point where I might look like an idiot if I take you seriously:

I responded to the baseless accusation with a GIF of Hanni, the focus on an easily identifiable part (her ass). The response of the accuser (still in my inbox):

"You just admitted you're a pedo"

Wrong and cringe.

Granted, you did not know this message (if you are a different person), yet you still, after seeing the Hanni GIF decided to say this. Either you are fucking stupid or this is maliciously framing me. Pick your poison.

(BTW: You are stupid because Hanni is 18. International age. Whatever the fuck Koreans use/used to use does not count, but she is also "19"/an adult there)

If you now need it black on white (or white on black), here it goes:

I'm not a pedo. I'm even against idols debuting under the age of 18.

(Why did I even bother? I dunno man, now it's out of the system)

With that said, I got some ideas for a Hanni fic (still very basic, but god, she is gorgeous and hot) and for a Danielle fic (funnily, it's not even a smut).

Everyone, have a nice day and some pretty Minji <3

#kpop smut #female idol smut #newjeans smut #newjeans fanfic #why am I responding to idiots

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localvoidcat · 8 months

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you should tell us about the character misinterpretation...

i was just thinking about. how so many character portrayals surrounding the characters in this series tend to veer towards family dynamics or extremely close friends that would do anything for each other. and im gonna go into both of these. and also the view of characters being seen as girlbosses and all that but thats been talked about a lot so ill be short with that. im putting this under the cut because its just me ranting LMAO. none of these are directed at anyone since i think most of my mutuals seem to get it but this is just in general

im gonna give a disclaimer that theres a very good chance i could be wrong about these, this is mainly based on my own view of some of the character themes/dynamics and how they're framed in-story, i haven't gone back and reviewed canon sufficently enough to be correct on this. with that said i need to be a hater for a bit 👍

i think the family thing. just does not make a lot of sense to me when it comes to like 80% of the dynamics i've seen. literally the ONLY one i understand is thatcher and adam because like. obviously an older character calling a younger character "kid" and helping them out and all that would lead to those characters being seen as having a mentor/trainee or father/son dynamic. i get that. that makes sense ALTHOUGH i will say that i don't think it's quite as simple as that but i wouldn't even know how to explain

but a lot of the time when it comes to other characters. i do not understand how they could be seen as a family dynamic with the knowledge we have of the characters now. like sarah being seen as an older sister figure to bps (which. does not make sense considering she's younger than at least one of them) or like. the mandelatech employees being seen as having any kind of family dynamic (that one just. does not make any sense to me. i feel like the only reason for that is because it's, again, an older character and a younger character that hang out but i cannot see them as uncle/niece or whatever else they are. those are coworkers to me but maybe that's just my view). there's also the idea of the remaining four survivors being seen as a general family thing and i cannot wrap my head around that at all. it makes sense for thatcher and adam as i said in the previous paragraph but it doesn't make sense for characters like sarah or evelin i cannot understand that in the slightest. again this may just be my own personal view

and then the thing with a lot of characters being close friends. this one i can kind of understand because obviously when characters are canonically friends you want to view them as being good friends. which makes sense in a lot of other things but i think with tmc in particular. a recurring theme (outside of characters like sarah and evelin or thatcher and ruth. both of those seem to be character duos that don't have issues in their relationship) is that a lot of these friendships are not good for one or both parties, whether that's a realized thing or not. again, i get how it's a lot more fun to see them as being close but i feel like viewing them as strictly close friends that only have good views on each other or as characters that would really care much about another's death in a very impactful way is kind of undermining the whole point in a lot of these dynamics.

tl;dr: while it's fun to imagine characters as having a family dynamic or as even just having a healthy friendship, as is mainly prevalent in fanon, i don't think that can be applied to canon without ignoring parts of a character/their reactions to things and their story.

final thing i'm going to touch on is something that has been talked about in SEVERAL fandoms by people that could articulate it way better than more. but i personally have a very strong vendetta about immediately labeling a female character as a girlboss or anything like that and not establishing their character beyond that. ESPECIALLY when it doesn't even line up with the character as a whole. most of the time it just feels like a binary where a girl character HAS to be labeled as a girlboss or a girlfailure or whatever other label there is regardless of whether or not they actually fit that. it's understandable to lightly joke about that (like evelin being referred to as the latter. in that case it makes sense to use that in reference to her but using that as the only defining part of her character limits her to that) but when it's used as the ONLY way those characters can be described it just becomes annoying to an extent

even for characters like ruth who we don't know a lot about, there's more to her than just. i don't know. being the singular braincell (which tends to be the view of female characters when it comes to one girl in a group of guys. which i cannot stand) or being the girlboss or being the strong one of the three and nothing else.

for the last paragraph i will admit that the majority of my talking about ruth tends to revolve around her dynamic with her friends, but there's absolutely more to her character outside of that or just being the dead character (even though her death absolutely serves as a driving factor for thatcher's character arc and other things). she does not exist solely for that group dynamic or just to be the dead character she has more depth outside of that and she has so much more depth than just being labeled as a "girlboss" and nothing else.

anyways. this was mainly just me going on a rant towards the end but i just needed to verbalize these thoughts before i exploded nothing i say is canon or the interpretation everyone else has to have this is me yelling into the void. okay goodbye 👍

#tmc #sorry i think i turned into some manner of beast halfway through this. anyways #probably got character info wrong but i hope the majority of this makes sense

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turnwashingtonsbaddies · 5 months

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PLS PLS OKS DEAR GOD GIVE US THE PUSS PUSS EATING RANKING OF TURN CHARACTERS I NEED IT LIKE SPONGEBOB NEEDS WATER (must include robert rogers)

ok im officially done with school (woo 🥳) so i can give everyone in my ask box what they've been waiting for. i am going to keep the list limited to the ppl in this promo photo bc there are so many goddamn characters in that show and if you want heavy-hitting analysis, i've gotta keep a short list (at least for now)

analysis under the cut:

as mentioned before caleb brewster does indeed SWEEP the pussy eating power rankings

as also mentioned before john andre is as mediocre in eating pussy as he is in acting and flute playing. he thinks he's amazing at it tho

now for the fun. i need to get this first paragraph out of the way bc it is about the man who made me begin to ponder this question 2 years ago in the first place. abraham. fucking. woodhull. this beanie-wearing menace to society has NEVER made anyone other than anna strong come. point blank period. even with anna tho, he's done it like maybe once or twice. whether or not he did it by giving her head is up for another debate tho

oh and speaking of anna strong. she gives me pillow princess vibes for a reason i cannot quite explain. it is just kind of a gut feeling i have. maybe it has to do with the fact that ppl are always just throwing themselves at her, so she doesn't have to bother with actually working on pleasuring them

but back to abe for a minute. he's actually (believe it or not) NOT the worst one on the list, and that is because richard woodhull has NEVER ONCE made a woman come. not even his wife. not once. richard has never even eaten pussy before. richard has only ever had sex in the missionary position. abe is a terrible partner for a reason, and that reason is bc he was raised by richard

one member of the woodhull family does possess some finesse however. mary woodhull eats pussy like a mf champion. i imagine her learning it was much like her learning how to fire a gun. at first she was like 'wtf is going on??? i cant do that??' but give it few tries and she easily upstages all the men around her

using mary shooting a gun as my transition here..... let's talk about simcoe. honestly, he does give me the vibes of someone who really wants to be good at eating pussy, and maybe he even enjoys doing it. however, i think he gives toothy head. and i also think he does it on purpose. that's right. he's a biter

speaking of ppl who enjoy eating pussy, i think hewlett slays in that department ngl. ik i said before that caleb is arguably the only man on the show who enjoys eating pussy, but i actually want to amend that bc i think hewlett does too. however, i think the one drawback for hewlett is that his desire and ability to give good head does come from a place of him being (and i mean this with peace and love hewlett enjoyers) a massive simp

i straight up dont have a transition for this one but it was literally an intrusive thought and i just need to expel it. ben tallmadge the type of guy to apologize after eating pussy. why? who knows. it could have even been decent head. he's still apologizing anyway. however my bet is that decent is the best he can do bc he's an overthinker, which can get in the way of having strong head game

finally, and yes i made you read all of this before giving you what you wanted anon, robert rogers. "(must include robert rogers)" is SO REAL. SO TRUE. you're right for saying so. however he is such an enigma to me and i really don't know where to place him both as an eater of pussy and frankly as an entity in general. i know he has to exist in some kind of extreme tho. god-tier head or the most abysmal head ever anyone's ever experienced. maybe he's even literally eating pussy, like in a cannibalism way. i'm not ruling that out either. honestly, maybe the quality of head varies between sessions too. after all, he's always gotta keep em on their toes

#i put this into my google docs and checked the word count for shits and gigs....... this post is 700 words long #but anyway lmk if you want more 🤪

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sokkastyles · 8 months

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Speaking of poor takes on Zuko...

What do you think?

Well, first of all this isn't so much of a hot take as it is straight up abuse apologism. It's not new, or cute, or smart or unique. It's abuse apologism. If you really feel "disgusted" by seeing an abuse victim empowered because you believe the lies their abuser said about them, then you are an abuse apologist.

Second, if you really feel disgusted at Zuko being a powerful bender and being firelord, maybe you shouldn't be watching the show.

Third, I've addressed this before, but it's funny that Zuko is the "salty" one when this entire post is the saltiest rant from someone who is mad that the show ended with a heroic character becoming powerful and a villainous character getting their comeuppance. Surprise, I guess?

Like, seriously, does this person know how fiction works? This post reads like it was written by a cartoon villain, and not the genre savvy kind of villain, the kind that is too dumb and/or too evil to realize why they caused their own downfall.

I am so tired of this. "But power is all she has!" Power is all Azula has because that is all she cared about, and she doesn't have that in the end because that is what happens when you forego actual values in pursuit of power, and when you abuse the power you have

Azula was born with power that she didn't deserve, a natural talent which caused her father to single her out so he could boost her ego and encourage her to be selfish and cruel and obsessed with controlling other people so that she could gain more power. But this is also what caused her to have a poor relationship with her brother, who she mistreated for being perceived as less powerful. It's what caused her to have a poor relationship with her mother, whose lessons she ignored because Ursa had no power, especially compared to her father. It's what caused her to have a poor relationship with her uncle, who she disdained for being a "quitter" and a "loser." It's what caused her to have a poor relationship with her friends, because she had to have power over them, had to control them with fear rather than having a real relationship where she's equal and vulnerable. Her need for power literally destroyed her entire life, and because of that, she ended up losing the power she had, to boot, because people who use their power to harm others do not deserve to have power.

That's the entire point. I can't even believe that someone would actually type that paragraph and think it was a good idea because if you said it to someone in person, you should probably expect to get smacked in the face.

Zuko gets to be powerful in the end because he dedicates his life to using that power to help people. If that disgusts you, then you deserve that smack in the face. I don't know how to explain to you that you should care about other people.

I also don't want to hear about how Zuko only redeemed himself because of "luck" or because he had help, because Azula didn't want any help changing and never made any steps to make any of those things happen. She didn't care about her mother trying to teach her right from wrong (until it was too late and she realized that she had becomes someone she didn't like, but too little too late). She didn't try to stop hunting the gaang. She didn't try to stop waging war on the rest of the world. She didn't try to listen to see her friends as real human beings instead of chess pieces she could control. Ditto with her brother. The reason she's alone and freefalling in "The Southern Raiders" is because she went there with the purpose of killing her brother and the gaang after her friends abandoned her because she tried to kill them, too. That's why she's alone. That's the purpose of that visual juxtaposed with Zuko having the gaang to help him and rescue him, because he also cared about them and tried to fight off his sister to save them.

And you know what? Zuko almost feels sorry for her, because she is alone. Because it is sad. It's a tragedy. But it's a tragedy of her own making, and when she looks back at Zuko, does she express any regret for her situation? For what she did to him? For how she hunted him down and also almost killed his new friends because he had the gall to leave his abuser?

No. Instead, she looks like this:

The whole POINT of that scene is that it is a tragedy, but that Azula already made her choices long ago, and that's why she ultimately can't change her fate. She doesn't want to, she doesn't even realize she needs to. At this point, she's not even sad about her situation because she still thinks she's on top, she still thinks she's better than literally everyone around her, still grasping at that power that she thinks will fulfill her, without any understanding at all of the responsibility that comes with power, and that's also why she ultimately does not deserve it, either.

#zuko #azula #azula stans acting like fascists again

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malleleothreesome · 5 months

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I just wrote a scenario so dramatic, I had to come here and contemplate my life choices in a diary-like manner. So that's what this is. Don't mind me.

I have to break Malleus' heart for this sake of this super steamy, sexy Leona smut I'm writing. I mean, technically I didn't have to break Malleus' heart just to force the reader into sex with a jealous, angry Leona. But I wanted to up the stakes of Leona's jealousy and anger by having him directly interact with Malleus and reader prior to the smut.

And now that I've had the three of them interact... well... tensions are high and someone might die and Malleus needs to be let down gently, alright??? Because he's precious to me.

It was supposed to be a humorous scene. Leona was supposed to have some really funny dialogue teasing Malleus and calling him mocking nicknames. I mean, the "funny" dialogue is still there but now it's surrounded by the intensity of Malleus' wrath in realizing that not only is he unable to be with the one he is pining for, but the guy who does is literally standing there mocking him... oh, what have I done? I'm at 4.4k words already.

Like someone comes up to me and they're like: Hey Erica. Write reader getting fucked by a jealous, angry Leona.

And instead of being like: 📝 [Jealous Angry Leona Sex] ✅ complete

I'm like: 📝 [Establishing reader and Leona's flirtationship with lots of paragraphs explaining how horny they are for each other, trying to set a smutty mood. A little mental foreplay to prepare the reader for the actual smut scenes, if you will]

📝 [Announcer voice: We interrupt your horniness to bring you a dramatic showdown between two furious, powerful, possessive Princes who will stop at nothing to have you (oh but Leona is also lowkey groping you because we have to try to keep some semblance of smut)]

POV: You're Erica and your penchant for the dramatics causes you to create the most extreme emotional responses in every scenario, while also pushing characters to act in a canon complicit way. So now you've allowed Leona to egg Malleus on to the point where like, Malleus wouldn't even hesitate to smite Leona where he stands (except for the fact that Tsunotarou probably doesn't want to traumatize his beloved child of man. Probably.) Also because you're Erica, you love Malleus dearly and you can't just walk away and let Leona fuck reader without writing some sort of dialogue that makes Malleus feel a bit less hurt. Thus, continuing to delay the smut—you know, the entire point of this request.

📝 [Projecting and writing in extreme detail how sympathetic reader is to Malleus' loneliness (Leona voice: *shocked gasp* in MY smutfic? the audacity.) Realizing that I can let Malleus down gently while ALSO sticking with the plot because Leona's gonna be like, why tf are you being so nice to him when you literally chose me??? You don't owe him anything??? Come inside and pay attention to meeeee (Reader: It's because I don't want you to DIE, dumbass.)]

📝 [Jealous Angry Leona Sex???? Like is there anyone still horny at this point?????]

The worst is that, as a smut consumer, I'm the type of person who wants to get STRAIGHT TO THE SMUT. I'm a porn without plot ENTHUSIAST. I'm a hypocrite!!!

But as a writer, I am a no plot holes, all scenarios completely fleshed out, smut completely established before starting. Or I can't sleep at night.

#‧͙+ ̊*・༓☾ i just be saying shit ☽༓・* ̊+‧͙#late night thoughts torture me so much i had to stop writing just to contemplate the monster i created in Malleus #PROBABLY DELETE LATER IM SO EMBARRASSED TO POST THIS BUT IT FELT GOOD TO WRITE OUT MY THOUGHTS

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gureshinlover · 3 months

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There's one comment in an old mysmes Reddit thread, and when I read it some months ago it made perfect sense to me, and I love the way it's written. These paragraphs literally built the base of my opinions about Ray Route when I started replaying his route this year. So I wanted to share it and see what yall also think!

Again: this is not my writing!!! It's by reddit user embergate

I know how you feel. I fell in love with Ray, and then he went away and never came back. But, if you're determined to go through with it for some reason, it can help to understand what's going on with Saeran, and why he speaks the way he does.

Rika is kind enough to explain to you that Saeran uses you as a replacement for Ray. You can also figure it out yourself almost instantly because the things he's saying to MC and the things Ray is saying to himself are identical.

Once, he gives you a picture of a cake when he's starving you. This is a direct reference to the dream he had about his mother doing the same to him. He spoke of his dream before in a phone conversation, as Ray.

Once, he even says to MC "so that's why you live grooming flowers", which clearly does not apply to MC, but does to Ray.

So, when Saeran is speaking abuse to you, imagine a big mirror in front of you. He's not talking to you, he's talking to himself. Very rarely he addresses MC directly. In order to get the true essence of the conversation, you need to swap all "you"s with "I"s.

When you're replying to Saeran, imagine that you're Ray. How would you like Ray to behave when he's starved, isolated, abused, assaulted? Do you want him to cower, or do you want him to stand firm? Then reply how you want him to reply. He doesn't know how to be strong, but he will learn it from observing you. Keep holding that mirror in front of him until he finally sees his reflection. He can't leave the Mint Eye unless he gets stronger. Who said that healing with a power of love was easy?

Rika is also doing exactly the same thing Saeran is doing, imitating her mother in the way she treats her believers. When Saeran finally realizes that, he breaks free from Rika.

Also, lol about the smell... Yeah, for someone who says he doesn't like it, Saeran sure is highly aware of MC's face and smell all the time, to the point of obsession. He keeps saying that he wants to see her face. He even installs a camera to watch her and if you ask him "you want to see me 24/7"? he replies "yes" without a second's hesitation. Especially funny is the fact that he encrypts the camera so that nobody else can use it, and Rika rages about it later on. Also I find it hilarious when he attempts to break into MC's room not once, or twice, but thrice in a short time. Apparently he can't stand being apart from MC any longer.

My biggest problem with Saeran was not all that abuse, but rather than single conversation where he pretends to be Ray. He says that Ray didn't really like MC, and he was simply lonely and wanted someone not to leave him. I... believe he was speaking the truth.

So there's no romance here. Not really. But, remember that conversation between Ray and MC in the beginning.

MC: I thought it was a dating simulator.

Ray: Saving someone is more worthwhile than dating someone, don't you think?

...But... I still can't forget that phone call with Ray when he sang me a lullaby....

#mystic messenger #saeran choi #ray #suit saeran #analysis

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choctalksalot · 7 months

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If Jake is based on archetype of Strong Female Character then I think he should get Evil Woman arc. Let him snap and go bananas. Sburb is his stage and he is gonna became a star, and break fourth wall and if needed all the walls. I just really want Jake to go batshit. And then better but first batshit. And fight with crockertier! Jane because I think it would help them both to have a proper scream match and some stabbing or two.

admission: i have let this ask stew in my drafts for months because i had exams, and also because i needed to fully process everything in this singular paragraph because it threw a wrench in my jello sack processor

so, in short:

thank you for this ask anon holy shit i love getting asks about this stuff i am full of words about it !! that being said

I AM QUESTIONING THE CLASSIFICATION OF HIM AS STRONG FEMALE CHARACTER. I AM SO VERY QUESTIONING IT

that statement triggered a fucking. sleeper agent in my brain because i disagree so hard so so hard, oh my god i'm. okay technically it's a half disagree. sliver of agreement in there but it's for a very specific scenario that I need TIME to explain (which i now have so Buckle Up)

if you want my aabsolute shortest shorty short response to this ask it's yes, i think jake deserves to go batshit insane, i would like nothing more than to see him be a petty deranged bitch. king shit honestly!! But Not In That Way Slash Manner. okay now WORDS

so, we have the idolization/I Know What You Are he has with lara croft. we have all his big talk about being an adventurer, we have fisticuffs and guns and sparring with a bot, but, as many posts before this have pointed out in much more depth than i can attempt to surmise, jake is not that. motherfucker is a coward, avoids conflict like the plague and plays up an oblivious front to dodge responsibility (god i still can't read the jane confession scene without screaming look at that fucking LIAR)!! a defining aspect of jake's character is his continuous lack of agency throughout the comic too, which is a rabbit hole i'm not going down for the sake of my sanity and your patience [:

point is, in the words of a shitton of other people: he's a hapless bimbo archetype, or at least attempts to embody it!!!!

he wants to be a strong female character, makes an idol out of an example of them (lara), but in the end the narrative itself bends backwards to call him pathetic. point and laugh at the moron in the piss coloured underpants. something something, yet another case of lost potential

there are specific circumstances under which jake does hit as a strong female character. that's getting old i'm gonna shorten that to sfc now. big thanks to tony crazyexdirkfriend for this perspective because the one angle where i can read jake as an sfc is from an extremely meta perspective, in reference to how he's built up to be someone with a lot of importance/skill/competence, while in reality his agency is pretty much moot. it's an empty label, all his "strength" is superficial and falls away once you look any deeper than the upper epidermis. that's neat as hell!!!! i don't think that's the take you were going for, but it is an angle i enjoy and appreciate <:

that being said, even with this and any accurate read of jake really, him having an evil woman arc will have to take place in a specific set of circumstances methinks,, like mfer is probably actively performing an insanity act for Some Reason, an angry tired jake is more likely to revert to sopping wet bawling retreat anger than anything else. letting him snap and go bananas will only work if you character arc his ass enough to change a fundamental part of him!!! and a crockertier scream match is more in jane's favour for. y'know all the years of being a vent box for him. which i don't think is accessible on a count of, y'know, Literal Mind Control

i am the no.2 supporter on the Let Jake Be Batshit train (only second because i know at least four people who'd tie for first) but i don't think he'd seek out attention from beyond the 4th wall. because he can't handle the pressure of being perceived. no walls have ever needed to be broken for jake english to be a star - he's always been performing!! for the people around him, for the narrative, to be the oblivious himbo that never meant to do any wrong. the core of jake english and what drives him to extremes has always been to be liked, and to be safe. maybe those two things are the same to him. it gets suffocating, y'know? and when something gets too much, jake does what he's always done: he runs.

so yeah, no, i don't think so. do let him be a catty bitch tho!! he deserves that [:

#choc talks #homestuck #hom3stuck #homestuck meta #jake english #dear god what have i done #most of this is nigh incoherent to me but eeehhhh fuck i need to get this out #hbluh

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