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#like... just... there needs to be a lot more learning here
markrosewater · 17 hours
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Elegance
Here’s my original article for Elegance.
 This is a topic I’ve wanted to write about for a long time.  Ironically, the words needed to explain the concept kept the column from being elegant. So I did what all artists do.  I found a way to say a lot in a little space.
 Enjoy,
 Mark Rosewater
 [NOTE: EACH OF THE ABOVE FIFTY WORDS IS HYPERLINKED.  BELOW IS THE FIFTY HYPER LINKS.  THE HEADERS SHOULDN’T BE ON THE LINKED PAGE.  I’M JUST INCLUDING THEM SO YOU KNOW WHAT EACH LINK IS.]
 ELEGANCE
 Merriam-Webster’s Collegiate Dictionary has five definitions for elegance:
 • refined grace or dignified propriety
• tasteful richness of design or ornamentation
• dignified, gracefulness or restrained beauty of style
• scientific precision, neatness and simplicity
• something that is elegant
 The common elements appear to be dignity, simplicity, and taste.
 THIS
 Elegance requires thinking, but it also requires feeling.  Elegant prose is judged by how it makes the reader feel. It needs to generate a sense of calm that puts the reader at ease.  Everything in your writing should feel as if it was carefully positioned to create the proper effect.
 IS
 Pound for pound, the writer’s greatest writing tool is the verb.  Nouns add substance and adjectives add flourish, but it’s the verb that drives the sentence.  Choose a strong, descriptive verb and the sentence has flair and purpose. Choose a weak one and the sentence lacks any sense of drama.
 A
 Here’s a little game to test an elegance relevant skill (based on an old game called Inklings).  Randomly choose a noun.  Try to convey that noun to the other players using the least number of letters possible. You’ll be surprised how much you can communicate in just a few letters.
 TOPIC
 One of the greatest stumbling blocks to elegance is the inability to choose a single focus.  Elegance requires simplicity.  Simplicity requires a single purpose of thought.  This means that elegance starts before you write a single word.  A good sculptor must know his image before he picks up his chisel.
 I’VE
 One of the common misconceptions of elegance is that it requires a writer to be fancy. Elegance though is more about familiarity than formality. You shouldn’t be afraid of friendlier language such as slang or contractions, assuming that such language adds an element of ease rather than one of laziness.
 WANTED
 An important element of elegance is a sense of passion.  Brevity does not mean pulling away emotionally from words, but rather the opposite.  When you find yourself limited to fewer words, you must pack each individual word with extra emotional punch.  You are not reducing your message, simply your messenger.
 TO
 A good tool in understanding elegance is studying poetry.  Poetry is the most concise of all written art forms.  It strives to maximize impact while minimizing expression.  Each word carries the burden of evoking some essence of the poet’s message. If it cannot carry its own weight, it is excised.
WRITE
 To be an elegant writer, you have to become a student of prose.  You have to study the mechanics of language to understand how it can be shaped.  Once you have learned how to transfer the feeling in your head into meaningful words, you are on the path to elegance.
 ABOUT
 Be careful not to fall in love with ambiguity.  While intoxicating in its beauty, it is the enemy of elegance. Remember, the goal is not to make the reader struggle for comprehension.  Rather it is to lead them to the obvious conclusion. Elegance should be used to illuminate, not confuse.
 FOR
 Elegant prose requires connecting with your reader.  To do this, you have to understand who that reader is.  Nothing should come before this task.  It needs to be done before writing can begin. I like to compare this to planning a trip.  Maps are useless until you know your destination.
 A
 Another major key to elegance is the understanding of the importance of the tiniest detail.  Just as a chain is only as strong as its weakest link, a piece of prose is only as tight as its messiest detail. A good writer doesn’t stop at the nouns, verbs and adjectives.
 LONG
 Don’t confuse elegance with brevity.  Elegant things are short not because they have to be but because the difficulty to craft an elegant piece of prose combined with the limitations of time forces writers to be brief.  Elegant novels, for example, do exist, but they are few and far between.
 TIME
 To quote Roman orator (and letter writer) Marcus T. Cicero, “If I had more time, I would have written a shorter letter.”  
 Simplicity takes more time not less.  Anyone can get a point across with ten thousand words.  But a true artist can do it in ten (or possibly fifty).  
 IRONICALLY
 Irony is a potent tool for commentary.  Its genius lies in the fact that it comments not on what is, but rather on what isn’t.  Like all good humor, irony makes you laugh.  But like the best type of humor, it also makes you think.  It’s both funny and funny.
 THE
 Elegance in writing is about more than words. Equally important is how the words are woven together. Tempo, pacing, rhythm – these are the tools that set the mood for the piece.  Try reading aloud your text.  The natural beat of language is more suited for the ear than the eye.
 WORDS
 To realize the power of words, you must first understand how they work. Art is expressive; words are connotative.  That is, words draw their power from their ability to extract different ideas from different people.  A circle is a circle, but the concept of “scary” varies from person to person.
 NEEDED
 Elegance is not the result of any one attribute.  It is the combination of numerous factors coming together in harmony. This is why it’s such a hard skill to master.  Most people can pat their head or rub their tummy.  But put them together and it’s not quite so easy.
 TO
 An elegant piece of prose needs to hit the reader at a gut level.  Often they won’t know exactly why they like it, but they will recognize that something about the piece moves them.  There are many types of writing where subtlety is lost.  Elegant writing isn’t one of them.
 EXPLAIN
 There are many ways for you to explain an idea.  The most elegant one though is not through definition but by example. By connecting your idea to one already known by the reader, you’re leaving the work of teaching to someone in the past.  Education is hard.  Comparison is easy.
 THE
 If writing is like building a house, the structure is like the foundation. Its design will dictate how the house is built.  If it’s faulty, no amount of fancy brickwork will undo the damage.  So take the time to ensure your structure is building the kind of prose you want.
 CONCEPT
 Never underestimate the power of a concept.  An important part of elegance is condensing big ideas into little words. This is far from an easy task.  It often takes a genius an entire lifetime to create a truly innovative concept.  So take advantage of all their hard work and inspiration.  
 KEPT
 A common barrier to elegance is the belief that only one way will work. Often a writer is unable to abandon a beloved piece of prose even when evidence demonstrates otherwise.  If something doesn’t add to the larger sense of the piece, you have to learn to let it go.
 THE
 Readers notice things at a minute level far beyond their mind’s ability to interpret. This means that although they may not consciously notice many of your tiny details, they will do so unconsciously. Aesthetics teach us that it’s this unconscious structure that will determine whether or not it feels “right”.
 COLUMN
 All communicators, whether through speaking or print, need to find a voice. A voice provides familiarity and it teaches the listener or reader how to more quickly absorb the information. Elegance is all about the conservation of ideas.  Having a pre-learned voice to guide you is a very valuable tool.
 FROM
 I’ve spent some time talking about understanding your reader.  But there is one more person who is even more important to understand – yourself. Writing is about sharing your ideas with others.  If you haven’t spent the time to figure out what you think, how can you possibly communicate it?
 BEING
 “A picture is worth a thousand words.”
 Or so the saying goes.  What the cliché forgets to mention is how many words a single word is worth.  For example, take the word “being”. To capture the essence of what “being” represents is tens of thousands of words if not more.
 ELEGANT
 What is the value of being elegant? Why should you care? Elegance adds aesthetics. It evokes poetry.  It grants beauty.  Elegant prose draws the reader closer because it gives them something to not just learn but to admire.  Good prose stimulates the head, but elegant prose resonates in the heart.
 SO
 Who, what, where, when, how - all important questions.  But for a writer they pale next to why.  If you don’t understand the reasoning beneath the surface, the other details are irrelevant.  The act of elegance is cementing the why.  It’s taking the purpose and engraining it into the piece.
 I
 Elegance is a very personal thing.  If something doesn’t resonate with you, there’s no way for it to resonate with your reader.  Writing is an art, not a science.  There is no rulebook for how things must be done.  If your instincts are telling you that something isn’t working, listen.
 DID
 An important tool in your toolbox is time. Elegance cannot be rushed.  Mental ruts only get deeper the harder you focus on them.  Make sure to work time into your schedule so you are able to walk away from your writing. An hour next week is worth a day today.  
 WHAT
 Don’t let attention to detail pull you away from having a larger sense of what you’re writing.  Take this column as an example.  While I spent a lot of time fine tuning each entry I never lost sight of the effect they created when all the entries were put together.
 ALL
 Elegance requires taking a holistic view of writing.  Every word, every sentence, every paragraph is a piece in a larger puzzle. It’s not enough to understand the impact of a single element. You must understand how any two elements interact if you want to understand the potency of your text.
 ARTISTS
 Elegance and art are very intertwined.  Both seek to achieve a similar goal: to illuminate and inspire with a conservation of expression.  If you’re trying to be elegant, I think it helps to think of yourself as an artist. The instinct for the latter mirrors the needs of the former.
 DO
 An important part of any writing is understanding the feeling you’re trying to evoke.  And then realizing what mechanic tools you have available to evoke that feeling. Diction, verb tense, sentence length, alliteration, word flow, phonetic juxtaposition – each of these will control the mood and tone of your piece.
 I
 A writer’s life is the ultimate fodder.  Don’t be ashamed to plumb your own experiences.  You understand them deeper and more personally than anyone else.  No painter would refuse to use his finest paints. And, as a bonus, by using your own experiences, you will become better educated about yourself.
 FOUND
 Don’t forget that the act of revealing is also an act of exploration.  Don’t be afraid if you learn more than the reader you’re trying to educate.  Writing is not an exact science.  (Or even an exact art.)  Often you will find that the road to salvation has a fork.
 A
 Your future is paved with your past.  If you want to learn how to grow as a writer, you need to look back at what you’ve written. With time and a detached eye, your will find your mistakes become clearer.  Remember that it’s failure, not success, that bests drives education.
 WAY
 The problem with looking for a single solution is that you’ll never find more than one.  And the first one isn’t always the best.  But if you’re open to the possibility that every problem has an infinite number of answers, you’ll have the freedom of choosing the solution you want.  
 TO
 Sentences are filled with freeloaders.  Because writers seem to love overwriting. (I include myself in this camp.)  Make sure to create time for the editor side of you to prune unnecessary words.  If a word can be excised without any harm to the sentence, it has no right being there.
 SAY
 I’m spending my time today talking about elegance in prose, but most of what I’m saying is applicable in speech.  The key difference is that prose has less defining attributes like appearance or tone.  The key to elegant speech is making people focus on the words rather than everything else.
 A
 It’s ironic that something designed to be so simple can be so complex.  But that, my faithful readers, is the joy (and mystery) of elegance. Like an onion, elegance has numerous layers that reveal themselves as you slowly peel them away.  Oh yeah, and it can sometimes make you cry.
 LOT
 An interesting exercise is to look at each word you’re using and think about how much content is loaded in that word.  Then explore what other words exist that fulfill the same role but with added content.  Once you’ve found the word you can’t best, move onto the next word.
 IN
 A good way to get better at understanding elegance is to look for it in every day life. I think you’ll be pleasantly surprised where and how often you find it.  Study each example carefully and try to see if you can put your finger on what makes it work.  
 A
 Writing is a shared endeavor.  No one owns the words.  If someone uses a technique that works, there’s no shame in borrowing it.  Like science, writing creates technology that’s brought back to the group to spur further advancements.  Elegance is hard enough to accomplish without refusing to use the toolbox.
 LITTLE
 How big should a piece of text be if you want it to be elegant?  The answer is as big as it needs to be – and not a word more. Just think of it as playing the game Jenga. Keep pulling words out of your prose until it collapses.  
 SPACE
 One of the most important lessons in art is learning the value of negative space, the idea that the eyes are equally drawn to what isn’t there.  Prose has a very similar quality.  When writing pay careful attention to what you aren’t saying. Often it will speak the loudest volume.
 ENJOY
 For some reason people tend to equate dignity with seriousness.  And as such they come to the false conclusion that elegance has no room for humor.  Ironic as humor is one of the most elegant of styles.  A good joke is no longer than is necessary to do its job.
 MARK
 As is always true when I head off the beaten path, I am curious to hear your feedback.  What did you think of this article?  Was it entertaining?  Was it educational? Did you actually read all fifty links?  And if not, why not?
 Tell me.  Inquiring mind wants to know.
 ROSEWATER
 I couldn’t end this week’s column without my trademark closing.  I mean, how inelegant would that be?
 Join me next week when  I go from being a letter man to a Letterman.
 Until then, may you learn to appreciate now just the “what” but the “how” and “why”.
 Mark Rosewater
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we-are-maladaptive · 2 days
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a story in which katsuki's bratty son tries to blackmail his mother! how terrible
— characters. katsuki, reader, katsuma (the son)
— contents. fluff, katsuma is a little shit
— word count. 600
— authors note. GJFCK MFGVFDXK GRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRDOMESTICTRASFJNRRRRRRRRRRRRRRRRRRRRRRRRRGJBJFNVDSLM
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Your son is alot like his father, in good ways mostly.
He stands up for himself at school, and is mostly independent. For the most part, Katsuma was a pretty easy kid.
However, he can also be the most major little shit on the planet, much like in the situation you're in now. He's learned what blackmail is, and he loves it.
You were in the kitchen, baking cookies, when you heard Katsuma’s voice from the living room. "Ma! What's this?" he yelled.
You turned to see your five-year-old holding the pregnancy test you had thrown away earlier.
Oh no.
Your heart skipped a beat. "Katsuma, where did you find that?" you asked, trying to stay calm.
"In the trash," he said with a mischievous grin. "I'm gon' tell Dad unless you give me extra cookies- and I wan' that brand new hero figurine at the store...AND I wan' my own bb gun- AND!!! I wan' a brand new pair of boo-"
"Katsuma." you sighed. You've known your son to be a major handful all his life, but also know realizing he did indeed have you in a tight spot. "Katsuma, this is important. I wanted to tell your dad in a special way."
Katsuma pouted, crossing his arms. "Fine, but I still want extra cookies...and the figure...an' can I still have the bb gun?" You sighed once more.
"Alright, you can have two extra cookies- AND the figurine... but you have to promise to keep this a secret for now," you said, hoping to buy some time.
"Deal," he said, his eyes gleaming with pride.
As you handed him the cookies, you couldn't help but feel frustrated, yet a bit amused. Katsuma was a lot like his father—brash, stubborn, and always wanting to be in control. You watched as he stuffed the cookies into his mouth, crumbs falling everywhere, and shook your head with a small smile.
Just then, you heard the front door open. Katsuki walked in, looking as intense as ever. "What's going on in here, hm?" he asked, sensing the tension.
Katsuma jumped in before you could speak. "Mom's got a secret, but she won't tell me!"
You shot a look at Katsuma, then turned to Katsuki. "It's not like that! I just…I found out something today and wanted to surprise you..."
Katsuki raised an eyebrow. "Yeah? What's that?"
Taking a deep breath, you decided it was now or never. "Katsuki, I’m pregnant. We're having another baby."
For a moment, he just stared at you, processing the news. Then, a rare, genuine smile spread across his face. it was sadly short lived, and replaced with a smirk instead. "Oh really?".
Katsuma looked between the two of you, his earlier mischief forgotten. "So, does that mean I get a little brother or sister to boss around?"
"Katsuma, you will not be bossing your them around." you said, ruffling his hair. "You have to be a good big brother, okay?"
Katsuma's eyes widened. "I’ll be the best big brother ever! Can I teach them how to play hero games?"
You chuckled. "Sure, but you'll also need to help take care of them."
Katsuki walked over and pulled you into a gentle hug. "I'm really happy, you know," he said quietly. "This is good news."
You relaxed into his embrace, feeling a wave of relief. "I was so nervous about telling you."
He pulled back slightly, looking into your eyes. "Why? You know I’m always here for you, no matter what."
Katsuma tugged at Katsuki’s pant leg. "Dad, does this mean we need to buy more baby stuff?"
Katsuki laughed. "Yeah, it does. And you can help pick it out." "Good! Yknow dad...when we go to the store,I wanted to see if you could buy me a new figurine..or a bb gun...or a brand new pair of boo-" "No." "Oh.. DAMNIT!"
The rest of the evening was filled with excited chatter about the new baby. Katsuma kept asking questions about what it would be like to have a sibling, while Katsuki suggested names and joked about teaching the new baby how to be tough like him.
Later, after dinner, you all sat together in the living room. Katsuma was snuggled between you and Katsuki, half-asleep from all the excitement.
Katsuki looked over at you, his expression softer than usual. "You know, I never imagined myself having a family like this," he admitted. "But I wouldn't trade it for anything."
You smiled, feeling a warmth spread through you. "Me neither. We’ve come a long way, haven’t we?"
He nodded, reaching over to squeeze your hand. "Yeah, we have. And it’s only going to get better from here."
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qqueenofhades · 2 days
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Hoping you can explain this because you’re smart but why in the world are the same people who scream about a labor shortage worried about the border and immigration? Isn’t more people coming to our country a good thing if we train them properly to fill vacant positions (a lot of which are service jobs anyway)?
Alas, you are forgetting what is quite possibly the chief shibboleth of Western white supremacy/far-right nationalism: that all people from other countries, especially *gasp* the brown ones, are invaders, murderers, job-stealers, polluters of the (white) body politic, etc, and that under no circumstances should they be invited or allowed to stay. This isn't just an American thing; witness the Tories in the UK salivating over the idea of torturing migrants, trying to shut down any legal migration routes even with the employment black hole caused by Brexit, steadfastly denying that their workforce problems have anything to do with Brexit, steadfastly denying that they need to loosen immigration rules, etc. This is also the case with the European right/far right, the Australian far right, and anywhere else in the world that has historically been built on systems of white colonization, white supremacy, and other racial and legal scaffolds of privilege and exclusion. The white people who come to a country and settle it are bringing "civilization" and therefore should be welcomed and encouraged, but the non-white people who already lived there are "savages" and need to be exterminated for the good of the "master race." If they try to come back to the (white) nation state after their homelands were colonized, moreover, they are "invaders" who just want to "soak up the money of hard-working citizens" and etc etc.
The core fascist hatred of immigrants is also why Trump is directly echoing Hitler's anti-immigrant rhetoric with his "poisoning the blood of America" screeds, his promise to round up and deport migrants en masse, and otherwise be as massive of a dick as possible. The fact that there's no economic benefit and indeed a lot of economic pain is entirely beside the point. Trump and his deranged followers like the cruelty and the idea of torturing brown people for daring to come to "their" (white) America, and think that if they can be outrageously monstrous enough, this will finally deter all the other ones from coming. It won't, and no globalized economy will run without immigrants, but again, this isn't the point. Reality or pragmatic calculations have nothing to do with it. It's only about what can cause the maximum amount of cruelty and chaos to everyone who doesn't wholeheartedly worship and fit the (white) fascist model. That's why the Republicans yelled about wanting a border bill before they'd fund Ukraine; the Democrats obligingly gave them one with some of the toughest restrictions in years, and the Republicans yelled and threw it away because Dear Leader Trump told them to trash it. In some sense this is a good thing, because it meant that Ukraine got funded without being beholden to performative partisan cruelty at the border, but it also shows that they don't actually care about any of this. They have bluntly stated in so many words that they want a manufactured crisis at the border so Trump will have it as a campaign issue. Then he can take office and implement all his terrible concentration camps and all the other genocidal fascist bullshit of Project 2025 (bUt bIdEn iZ thE wOrsE oPtiOn!!!!!)
So: yeah. There's no point looking for any actual consistency or logic in the modern far right, because that is so far from the actual aim. No matter if migrants are essential, no matter if Americans literally won't take many of the jobs they do, etc. I live in a big city that has had a ton of migrants coming here and have read many, many news articles about how all they want to do is get a work permit, make their own money, learn English, and integrate into American culture; they are often far more positive about the prospects of America than actual Americans. But because the entire project of a (white) fascist ethnostate as advocated by Trump and co. in America, the Tories/Reform in the UK, and the far-right European parties, Russia, and other places (this is all connected worldwide -- again, it's not limited to one country or region), rests on demonizing (brown) immigrants as subhuman scroungers who come to rape, murder, steal jobs, and otherwise threaten (white) law-abiding citizens, that will always win out above every single other consideration.
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nanamiscocksleeve · 2 days
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3 + Choso?
- @dilucs-princess
Hi there! Here you are!
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“Please teach me.” Choso looks at you imploringly. You blink and repeat what he said to make sure you haven't misunderstood.
"You want me to teach you how to eat pussy?"
He nods earnestly, and you feel like pinching his adorable little cheeks.
"And why do you want to learn this?" Choso blushes and shyly looks away.
"I-I heard that...girls like it. And that it feels good. And I want to make you feel good."
You lean up and kiss his cheek. The sincerity in his voice makes it hard to resist. "Ok I'll teach you. But it'll take time and you'll need a lot of patience."
He nods eagerly. "Anything for you."
You lay back, already a little wet from the converation and shuck off your shorts and panties. Choso kneels between your legs and waits for instruction.
"Ok...you need to spread apart my slit first. Gently," you begin. A shudder of excitement passes through you as Choso's warm, thick fingers gently spread apart the fatty labia and he gets his first look at your pussy. His eyes widen.
"It's so...moist," he says blushing. You chckle softly.
"Yeah that's a good thing Cho. Means a woman wants you. Now if you spread a little more right at the top, be very gentle, you'll see the folds kind of coming into a point. right under that, there's a little bulb." You can feel yourself getting more turned on as you issue the instructions.
Choso follows and spreads the uppermost folds, and sees the little bud peeking out. "I see it."
"That's the clit. That's what you need to focus on to make it feel good."
"Do I lick it?" he asks. You feel like you might lose all control with his innocent questions.
"Yes you lick it. Why don't you start and I'll tell you how?"
Tentatively, Choso starts licking your clit, his hot, wet, tongue gliding over it. At the first lick, a loud hum of satisfaction leaves you. "Just like that Cho...go in circles...yeah..."
You pant and gasp as Choso follows your instructions. "Fuck...that's so good Cho...such a good boy yes yes...like that...keep going..." you moan encouragingly, rocking your hips as he pleasures you.
"Yeah...I'm close...don't stop..." Choso keeps up his movements, and with a loud whine, you cum on his tongue, moaning as wave after wave of orgasmic pleasure racks your body.
"Was that good?" Choso wipes his lips and looks at you. You grin at him.
"That was fucking amazing."
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asidian · 3 days
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I've seen a lot of really excellent analysis on Charles' reaction to Edwin's confession, but there's a huge aspect that I haven't seen talked about at all yet. And that is, namely:
Charles Rowland is a people-pleaser.
Doesn't seem like there's a connection there, does it? Have a seat, my friends. Let me break this down.
The show lays the groundwork for this aspect of Charles' personality early. It's one of the very first things we learn about him, in fact. He's kind and agreeable and helpful, and he's always, always smiling. When Crystal insults him, he laughs it off. When Crystal and Edwin fight, he scrambles to diffuse the situation. He calls himself "a good sort of a chap," and it's important to him that he is.
In episode 3, we find out why. At home, love was always conditional for him. He spent his entire life trying to please his father, and he confesses to Crystal that no matter how nice he was, or how good at sports, it was never enough. That's how Charles sees the world. If he can make people happy, he might actually be good enough for them to love him.
Not only didn't he earn his father's affection, he didn't even manage, in his own eyes, to clear the low bar of being good enough to earn the privilege of not being hurt. And his mother, he says, was "quiet." From the flashback we see, she never stepped in for him or defended him. However hard he was trying, it wasn't enough to get her to intervene on his behalf.
So who else does he have? His "friends"? The ones who literally murder him when he steps in to stop them from doing a terrible thing? The act he put on wasn't enough to win them over in the end, either. However friendly he was, however personable, they turned on him and left him for dead.
Then he meets Edwin.
And when he meets Edwin, he's at his absolute lowest. He's not smiling and putting on a show, for once. He's in a corner of an attic cowering while he slowly freezes to death. But here comes Edwin, offering him kindness, and company, and comfort.
All these things that Charles has spent his whole life chasing, trying to be good enough to earn? Edwin just gives them to him.
Of course he stays with this boy. Edwin is there when he's lost in the dark, shining a light to guide the way. Edwin has seen him unsmiling and afraid, not a shred of his usual act in place, and Edwin has offered him kindness anyway.
So they begin their time together. And what are the things Charles will pick up on almost immediately?
Edwin says right away that he's spent ages in hell. He's plainly had an awful time. He doesn't know how to handle people anymore, but Charles, he knows how to be amiable, how to smile, how to offer levity when things get grim.
So he does. He falls back into what he thinks Edwin needs, the way he always tried to be what his father wanted to see. In the very first episode, he tells Crystal, "I try to be extra happy for all of us, don't I? And I do a pretty good job."
He doesn't ever discuss his own trauma because these boys are terrible at communication, but more than that. He doesn't ever bring it up because he's busy being the support he thinks Edwin needs.
And importantly, Charles doesn't have the self-reflection skills to realize that's what he's doing. Crystal clocks him with shocking accuracy, three episodes in. "He's been hiding it from you," she tells Edwin. "Probably been hiding it from himself." She's spot-on here: when Charles doesn't want to examine his own emotions, or can't face them, he shoves them down under a smile and he carries on pretending.
But that's not the only thing Charles will have picked up on from Edwin.
It's blindingly obvious that Edwin is bad at people. He's terribly repressed. He's from a culture in which emotional honesty and physical affection were not valued or encouraged. But more than any of that, Edwin has his sexual awakening during the events of the show. Before then, he is absolutely clueless about his own wants.
So we have a situation where a consummate people-pleaser who has spent his entire life learning that he has to earn affection finds his way into a friendship with the first person who ever saw him with his mask down and gave him kindness anyway.
Of course he stays with this boy. Of course he wants to keep this.
And what's the best way Charles knows to win someone over? Well, by being what he thinks they want.
So, out come the smiles, for Edwin's sake as much as his own. But more importantly, out comes whatever Charles thinks he needs to perform, in order to keep what is the single most important relationship in his entire life and afterlife.
At this point, Edwin has shown zero romantic or sexual interest, not just in Charles, but in anyone at all. He doesn't especially seem inclined to dating, or to romance, or even to physical affection.
So Charles takes his cues from Edwin, and the cues are very firmly, for thirty years: this boy doesn't have a glimmer of interest in him, not that way.
Fast-forward to the events of the show. Fast-forward to a staircase in hell, where they are being chased by a literal demon. Suddenly his best mate, who he has spent thirty years with, who is his most important person in the world, is saying that he's in love with him.
Of course he needs a minute. Of course he has to sort that through. Any feelings he has for Edwin are things that he has spent literal decades firmly ignoring in the scramble to try and earn affection by being what he thinks Edwin needs him to be.
Because Charles is a people-pleaser at heart. And he may be dreadful at self-reflection, but he is aces at hiding things from himself.
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weird-an · 13 hours
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holy fuck i need more jim adopting billy fluff gdkdbdksbdksbkdbdks its so good and healing 😭
Billy Hargrove is the new bad boy in town - speeding, drunk driving, getting into fights, he has done it all.
Or so, Jim thought, but now he'd been called to the supermarket, because now the kid is also a thief.
He has braced himself for a smug little shit, trying to get away with whatever fancy stuff he can grab. But he comes face to face with a silent Billy, chewing on his bloody lip.
"What is it?" Jim sighs, waiting to the shop's manager, to start his rant, because the guy looks like he's got a whole speech prepared.
"He stole toast!" A crushed plastic bag gets waved in Jim's face. "He's also the one that always hangs out in the parking lot, even at night. And just look at him, with his hair and all - he's not right."
Billy's fingers twitch, but he doesn't say anything.
Jim stares at the bread crumbs in the plastic wrapping. It's the cheapest brand. Something doesn't sit right with him.
Billy stays silent, but he meets Jim's eyes. He seems tired. Like he hasn't been sleeping much.
He knows the type. Angry kids with nowhere to go. They deserve a chance. He knows, because he's lives with El and he loves how she learns to love the world, even though she had mostly lived through bitterness and pain.
"How much?" Jim asks, before he thinks too hard about it. "For the toast?"
"You should arrest him," the guy barks.
"You should shut up," Jim tells him and gives him a few dollar bills. It's too much, but he wants to fucking leave.
"C'mon, Hargrove," he says, grabbing the toast.
Billy follows him, shoulders tense and eyes wide. Jim leads him to the station wagon.
"Get in."
"Another night in the drunk tank, Chief?" Billy drawls, but his voice is unsure. He seems to consider his options, but gets in.
Jim shakes his head. "No, your sentence is overcooked macaroni and a shitty couch."
Billy squints at him.
"How many nights have you slept in your car?" Jim asks.
"I'm not a charity project," Billy snaps - which probably means more than one night.
"No, you're an asshole," Jim says. "But you're a kid and you deserve a place to go to."
"I don't want to go anywhere." Billy stares out of the window.
"That's not true." Jim turns on the engine. "You just don't wanna be here."
He's been there. It's awful, the feeling, like getting lost in a maze and not finding the exit.
Silence stretches between them.
"I wanna go home," Billy mumbles. Jim knows he doesn't mean Cherry Lane.
"Maybe I can help you with that," Jim offers carefully.
"Why would you?" Billy asks, each word dripping disbelief.
"Because you give me way too much work and I'm a lazy fuck." It's a little true. Billy doesn't seem to believe in chances, but Jim will take his.
Billy groans. "I hate this town. Who overcooks macaroni?"
"Careful, kiddo." Jim hopes he can help Billy find a way home.
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therethatstar · 2 days
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i think the show has made it pretty clear that phum grew up pretty isolated and lonely his whole life. but this episode went out of its way to make that painfully obvious. phum is being put in an territory that he's entirely unfamiliar with and you can see throughout the episode how visibly uncomfortable he is. and the only person he could seek some kind of comfort in is peem. yet here comes this new dude, kluen. who is hawking all of peem's attention. who keeps pulling peem away from him. who is much more friendly than he is. who has much more in common with peem than he does. who can casually expresses his feelings to peem. who fits in almost right away into peem's group of friends. so effortlessly. and all phum has been doing is trying and trying. yet somehow, he keeps feeling like he falls back to square one each time.
and the last few minutes of this episode did a fantastic job at highlighting just how lonely and vulnerable phum really is. he isn't good at expressing his feelings as much as he would want to. he feels a bit all over the place. he is going through the motions and these feelings that he has for peem are all so new to him. he simply does not know how to communicate them to peem with words. he has never been on the receiving end of being loved and verbal affections. the only way he knows how to deal with his emotions is by isolating himself. and that's exactly what he did to peem.
yes, they clearly need to talk about their feelings and that's another tangent that we can go off on another day. but these two are actually quite insane at communicating. and it's pretty unconventional. because peem knows almost immediately that something is off about phum. the moment he realizes that phum is feeling down, the tone he uses with phum changes almost instantly. he's soft with phum. he's careful with him. he's asking phum questions but he's not pushing it. he gives phum time when he can sense that phum needs it. and he'll ask phum again if he couldn't get through him the first time. and he does so in a way that makes phum fold almost immediately. neither them are that great at verbally expressing their feelings for each other but boy, don't they know how to do in their own way. it's like they're communicating with each other in a way that they know how to and in a way that they know both of them are comfortable with. they never pushed each other out of their comfort zones and they are both so attentive to one another's feelings.
i can't wait to get to that point where peem starts to learn about phum's childhood and how devastatingly lonely he has been all of this time. phum needs a lot of love and peem has so much love to give. god they're going to be so good for each other.
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dinogoofymutated · 2 days
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Omg I love your headcanons/fics!! I really need to ask if you'd be willing to write an addendum for the jealousy headcanons for Wolverine? Of course no pressure if you can't/don't feel like, just thought I'd try to ask! :) Hope you have a nice day/night, and keep up the good work! 💗💗💗
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Jealousy Headcannons!- Multi/GN!Reader - Wolverine, Morph, Angel, Sabretooth. You got it man!! Had a version of this requested for Logan so many times lol. I went ahead and added more characters to round it off into a full multi character hcs. Logan doesn't explicitly punch anyone in this one, so sorry if anyone was looking forward to that! (Sorry though, his is pretty similar to cable's) I'm also testing the waters while writing for Morph. I know everyone is starving for fics with them, but I'm not really used to writing for they/them characters (despite the fact that I try to avoid pronouns for the reader, weird I know, but its mostly due to me using you/your.) forgive me if I slip up with their pronouns, and let me know if I do so I can fix it! TWs: Violence (not towards reader, but some pretty mean names are called tho) Men can be creeps/harassment. Unnecessary changing scene with Warren bc I love non-sexual intimacy like that. Flirting, Barfights again but this time it's a little bloody (sabertooth) Drinking mentioned.
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Wolverine
Okay, so Logan here is a bit of a mixed bag when it comes to jealousy. I really feel like it depends on the situation? In general, he trusts you more than just about anyone. When someone flirts with you, he's generally just very grouchy and most of the time, quiet. He glares a lot, and if you meet his gaze he'll raise an eyebrow, basically asking if you need an out, and then he'd act accordingly.
Buuuttt. If he's in a bad mood or has had a tough day, he's more likely to resort to threats and intimidation to handle any romantic attention you might receive. He gets more physically protective and will usually have an arm slung around you at all times.
That's not to say he only gets jealous of romantic attention though. I feel like he also get jealous of anything and anyone taking up your time, really. he'd probably stay quiet until he just kinda snaps and drags you away from whatever has your attention for smooches and cuddles. Don't let him fool you by telling you he's not cuddly, he totally is.
"Back. Up. Bub." Logan's rumbling voice is venomous, a growl of warning as he bows up on the man in front of you. The two of you had been out on a mission together, which normally would have gone perfectly fine. Unfortunately, you'd ended up running into some old acquaintances of his. Both of you were bristiling at the contact, but you knew that coaxing Logan into a fight was just what he wanted. The man had been making moves on you the entire time- and although you were practically an expert in ignoring the flirtation from asshole guys, you were beginning to get more and more uncomfortable with it. It was when the man had started to make sexual comments about your body that Logan snapped.
"Who you callin' bub, pipsqueak?" The man smirks, looking down on Logan with arrogance. Anxiety had begun to worm it's way into your stomach.
"You better learn to watch your mouth." Logan growls. His fists flex as his claws unsheath, the adamantium practically itching to dig into the guy's skin. This was escalating fast, and you needed to stop it now. You both needed to complete the mission without any complications, extra fights included.
"Logan, Please, can we just go?" You say, grabbing his wrist and tugging before he can launch himself at the man. Logan's angry face remains intact, but you can see the way his shoulders slightly loosen. He glances at you, before backing off from the man with a snarl. You sigh in relief as Logan turns to follow you as you drag him away, just thankful you've avoided a problem at that point.
" 'bitch's got you on a hellava tight leash. Who knew the wolverine would be so whipped over some cheap whore." Logan stops abruptly at the words, sighing deeply as he looks at you, rage burning in his eyes. Whatever reserved attitude you had about this fight was basically gone, evaporating at the insults. You let out a long sigh, before you pull your hands away from him and shrug your shoulders. Logan grins at you wickedly.
So what if he came home with a few more bruises than normal? His knuckles would heal- but the ass whooping he gave out would damage that guy's ego forever.
Angel
Warren is the silently jealous type. No matter how bad he's being cooked with jealousy, he's really just going to keep an eye on you from afar. Growing up as a rich kid, I feel like his dad was very strict on manners and how not to make a public scene, which has kinda carried over into his adulthood.
If someone just won't give it a rest and keeps trying to pursue you, Warren will be not low-key about it. He'll come over and set his hand on your back, or sling his arm around your shoulder, or if he's feeling really cocky, Shake the person's hand and introduce himself as your boyfriend/husband. He'll only outright tell them to back off if they start to get out of hand and he knows you're getting really uncomfortable.
"I just don't like him." Warren says, leaning against the doorframe of the bathroom. He's still in his suit from before, the red and bright white standing out starkly compared to the muted warm tones of your shared bedroom. You laugh at him as you begin to change.
"What? Why? I think Pietro is kinda funny." You ask, beginning to take off your shirt. Warren sighs in a petty way.
"Yeah, exactly." He mumbles under his breath, walking over to help you when your head gets stuck in the neckline like it always does. You give him a kiss on his cheek when you're free, not quite having heard him.
"Can't I dislike him just to dislike him? I don't need a reason." Warren speaks up this time, and you can't seem to hold back your amused smile as he digs his hole deeper. "-but, if I did, I'd say he's just too friendly with you. I don't like it." You can't help but laugh at that as you finish changing into more comfortable clothes. He turns around on autopilot, letting you unzip him from his suit- careful not to catch his blonde hair with the zipper.
"It's not like he's taking me away from you, Warren." You say, pressing a kisses to his exposed neck and back as you help him navigate his wings through. Warren huffs a little, his wings twitching as his voice goes soft.
"I never said that. I know he's not. I trust you enough to know so. I just..." He trails off, stepping out of his suit and left in his boxers. He lets you pull his shirt over him, stretching his wings in the confined space of the bathroom when its on correctly. You cock an eyebrow at him now that you're facing him, waiting for him to continue. He doesn't, simply looking away from you to avoid your knowing gaze. You let out an amused chuff before closing in on him.
"It's okay to be jealous, Warren, but I promise you, I'm not going anywhere." You say confidently, wrapping your arms around his shoulders. He sighs again, but smiles as he looks at you with a soft and loving gaze. His arms wrap around your waist as he rests his forehead against your own, closing his eyes as the two of you begin to sway a little.
"Yeah, I know."
Morph
I really think that Morph is more of an insecure jealous type, but they're more likely to hide it behind humor. If you're being flirted and don't seem to be overly uncomfortable, they're probably going to fade into the background. They know that you love them, and they trust you, but they're so used to being second best for everyone they know that they just feel like they're bothering you. Later on, when whoever is flirting with you leaves, Morph will shift into them and start joking about it. Don't let the humor fool you, they're hurting right now. Just give Morph some extra love and kisses and reassurance and they'll feel better eventually.
Now, if it's clear that someone is bothering you, Morph won't be afraid to roast the everloving shit out of them. They take the moment to really embarrass the person, and if you're in a bar he'd totattally shift into the dude just to offer a drink to everyone and then dip, sticking the asshole with the bill.
You really didn't like clubs. They were busy and loud, but you had a friend celebrating her birthday in one, so who were you to turn down the invite? You certainly couldn't go without your favorite shapeshifter by your side either. The only problem was that Morph wasn't the only one who had eyes for you that night. Morph hadn't said anything in the moment, but you knew stuff like this bothered them. Even while walking home from the club, they still seemed to be trying to brush it off.
"Hey, Good-lookin. You interested?" Morph says, having shifted into the guy who had been flirting with you earlier. They're leaning against the side of the payphone like a goofball, having waited there as you called the school to let the others know you were finally on the way home, tipsy, but still hoping the fresh air would sober the both of you up. You roll your eyes as you giggle at them, shoving their shoulder and sending them stubiling.
"In that guy? No way!" You laugh, walking past Morph before they quickly catch up to you.
"You gotta admit, he was pretty handsome for a POS." They joke, puckering their lips and making kissy faces at you.
"Mmhm. suuureeee." You hum, pushing their face away from yours as they laugh.
"Come on, you saying' that tall dark and handsome isn't your type?" Morph shifts from the man at the club, and into the blonde, blue-eyed Warren worthington, wings hidden underneath the supposed coat. "-Or maybe you'd prefer blondes. I hear Warren's quite at catch." You huff at them, and shake your head again. Something in their tone of voice just seems to set off alarms in your brain, and they doesn't seem to be acting as genuine with you anymore, a vulnerability creeping into their voice no matter how hard they were trying to hide it. This goes on for a rather solid minute, Morph shifting into different people you know and asking who you prefer with a laugh and a fake smile. You shake your head every time, but it's starting to become more than just a bit. You begin to lose your patience, your own hurt seeping through the cracks.
"You're into the gruff, muscly, Logan, right? Hafta' be if you're still-"
"Kevin." You finally cut them off with a stern tone of voice, grabbing their wrist as you abruptly stop walking. They flinch at the name, eyes blowing wide with concern as they shift from logan, then to the dark haired version of themselves- before then settling on the form you know so well.
"... Not the government name." They mumble, more caught up in the strict way you said their name rather than the words themselves. You grab them by the collar of their leather jacket, pulling them close to you as you look into their eyes.
"How many times to I have to tell you I love you for you to believe me?" You whisper after a moment, voice coming out a little broken. Morph's seems to panic a little, making a concerned face as their hands catch hold of your wrists gently.
"I- no, that's not what I..." Morph says, trying their best to fix the situation. They can't seem to come up with the right words, their eyes avoiding your gaze as their mouth opens and closes with no luck. You cup the side of their face, bringing them back to face you.
"I. Love. You." You say purposefully. "Not some guy at the club- you, Morph. Any part of you that you want to give me, Any form you want to take. As long as it's you, I don't care." Morph relaxes at your words, sighing as you bring them closer to you, resting their forehead against your own.
"Yeah?" They ask, eyes fluttering closed.
"Yeah." You reply, finally leaning in to kiss them lovingly. They return the kiss softly, only separating from you when you begin to drag them down the sidewalk with you once again, hand in hand.
Sabertooth
He does not handle jealousy well at all. Honestly, I wouldn't put it past him to put someone in the hospital. It doesn't matter if they're just flirting, or if they're actually bothering you, he's going to start some shit. The man loves to start fights, and he couldn't care less what the reason is for. I will say though, he's gonna be a lot less smiley if the person insults either of you. He may be a shitstarter, but he doesn't take disrespect, especially not disrespect towards his S/O.
He's never mad at you for it. If anything, he's glad you gave him the chance to take some anger out. He'll encourage you to wear sexy and revealing outfits because he wants to see you wear them, and also because he's gonna beat the shit out of the first guy (and every guy, honestly) to look at you the wrong way. ESPECIALLY if you have boobs. Those are his boobs. He wants them to be popping out of your clothes 24/7 but no one else is allowed to look at them. Did he just see someone glance at you? Say goodbye to your teeth, motherfucker. (and your balls too.)
Victor loved shitty dive bars, as gross and unsanitary they may be. He liked to bar hop a few of them every other night, and although you weren't necessarily the dive bar type, you did enjoy spending time with him. Normally you'd just wear casual clothes, but today you had wanted to dress up a little bit. Nothing too fancy, but your shirt was a little low cut compared to what you normally wear. Victor had been loving it, especially since he got to have you as his eye-candy. That was what you were going for, and you succeeded! The only problem was that he wasn't the only one appreciating the view.
You were sitting at the bar, watching Victor win another round of pool while sipping on your drink. A man had sat next to you earlier, but you didn't think anything of it at first. It was a busy saturday night, and there weren't that many seats open at the bar. At most, you had a uneasy tingling on the back of your neck, feeling that someone was watching you.
"What's a fine thing like you doing in this shitty place?" The man suddenly asks. You send him a questioning glance, almost baffled at the flirting. He must be new here, because every other regular of this place knew for a fact who you always come here with, and no other man is stupid enough to try their luck with you while he's lingering around.
"Who, me? Enjoying some peace and quiet, obviously." You say in a sarcastic tone. The man chuckles next to you.
"Aw, not interested, sweetheart? I swear I'll make it worth your while." You make an obviously disgusted face at that, beginning to wonder who this guy thinks he is. The tingling feeling you feel hasn't let up, in fact, it's only gotten stronger. The hairs on the back of your neck are standing up, and you can't help but feel like something is seriously wrong here. You brushed it off on the alcohol, but Victor had always been a bit more perceptive than you. He barely glanced over in your direction before he was storming over. For a split second you think he's mad at you, until he violently grabs the man next to you by the collar, his claws scraping across his collarbones and causing him to yelp as he shallow cuts begin to bleed.
"Did I just see you staring?" Victor huffs, glaring so hard you swear the man shrinks underneath his gaze. Every bit of confidence he had a minute ago had vanished completely.
"W-what? I... Uh..." The man stutters, unable to say a complete sentence through his fear. Victor turns to you slightly, his grip not letting up for a second.
"He say something to you, Doll?" He asks, and you wonder if you should tell him the truth. You almost felt bad for the guy in his grip, knowing that he was probably just stupid and new to this bar. You shake your head in response, even though the stranger had been giving you off vibes since the moment he sat down. Victor grins at you, a loving excitement in his eyes as his grip only gets tighter.
"Aww, you don't have to lie, sweet thing." Victor chuckles, and you grimace when you realise that he totally saw that lie coming a mile away. Vic turns back to the man, his smile dropping instantly as his other hand slips the guy's phone out and slams it on the counter of the bar. "Open your camera." Vic snarls. The man starts to panic now, squirming to get out of his grip.
"N-no! Let go of me Man!" The man stutters. Vic only begins to grin again.
"Nuh-uh. I want you to show my baby the photos you've been taking all night." Photos? You didn't know anything about any photos. Your brows furrow as the man begins to whine and panic, squirming to no avail. Vic smirks at you as he send you a nodd, and you grab the phone and open the creep's gallery. There has to have been over thirty photos of you from just tonight, sitting at the bar, ordering your first drink, even one from when you had gotten up to use the restroom.
"Oh, gross!" You say, recoiling from the phone and wiping your hands on your shirt, not wanting to know where this guys hands had been all night. The man in Victor's grip has gone completely pale, freezing at the sight of Vic's terrifying smile. He reaches over towards the phone with his free hand, picking up the device before crushing it with his bare hand.
"Why don't you head outside, honeybee. I'll take out the trash while you're gone."
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vivi-blue · 13 hours
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IT IS FINALLY DONE!
God, this took me way too long...xD
After days of work I finally finished the challenge that I set for myself: Sending out props to a lot of artist here on tumblr that I really enjoy! (Actually there are way waaay more people, but I really had to set myself a limit, I'm sorry fellas ;w; I still love you!)
These people inspire me every day with their creative concepts, stories, humor and passion for art and give me the drive to continue drawing myself. With this little collection I wanted to say "thank you" for all that you do and create. You rock, guys!
(I really hope I didn't mess up any of the tags and I apologize if I might fu**ed up your designs/characters ;3; I know I'm not the best in proportions and all, but I really tried. <w<´´ Also I really hope Tumblr compresses the text by itself, so that you don't get smacked by this wall of text. I'm still a rookie on tumblr, so I don't know what to do ;w;)
Okay, heeere we go! THE TAGS!
@tv-tower / @uuberwachen - with PB aka Swap Pizzahead (I really love the idea of the au and adore the character designs. PB sure is one of my favorites -w- He is literally the most reasonable of them all XD)
@technically-a-kiwi - with Cosmic Peppino ( The design of Cosmic Peppino is simply beautiful and the idea that this chef has strong star powers and needs to take care of Cosmic Noises shenanigans is super funny to me XD )
@sirtotallynotatimetraveler - with Mel Sproutbloom / Sagebloom (I'm sorry, I wasn't sure which name is canon ;w;) ( I loooove Mel! He is such a gentle, colorful guy and looking at him makes me all happy <3 )
@alextydaisuda123 - with their version of Vigilante ( I can't repeat enough how much I adore their artstyle. I love Vigi's design the most. I don't know it's just...THAT'S Vigi for me, you know? Simply fitting, cool, but also stylish -w- )
@alice-the-demon - with Vittoria ( I was first thinking of drawing Archangel Peppino, since this guy is the softness itself, buuuut I have to admit that I love the lively and passionate personality of Vittoria. She is great -w- )
@misdreavusplush - with Eyelashes ( I can't help it. I saw that character and was in awe. How adorable can you be?? I was barely able to draw her eyes as pretty as they are xD <3 )
@creature-of-pizza - with Pepp ( Seriously, the idea to see a "Fake Peppino" with more cat dna is such a win for me. He is dynamic, sassy, derpy and so damn cool! >w< Also love how colorful their pictures are.)
@eskariolis-con-salsa - with Gnocchi (I was thinking about drawing their version of Fake Peppino first, but...*looks at picture* ...let's be honest, you can't get pass that little guy. ;w; He purifies my soul. Have some soap, little guy.)
@oddpizza - with Caramel Jam aka CJ (Such a creative and powerful character! I've seen so many artworks of them and I adore them. You need more joyful people like this ^^)
@pizza-tower-secrets - with Lycheecheechee ( A small, adorable bundle full of surprises and of course secrets! I love their drive and colorful design. Simply a delight! :3 )
@rhaytronik - with Red ( A dynamic and enjoyable character with their love for adventures! Not only a great character but also the Pizzasona of my best friend. Thanks to them I was brave enough to start a tumblr account myself. So thank you for being there for me <3 )
@cutechan555 - with Mage Gustavo (To be honest, I had a very hard time to pick a character here, since their account is full of stories and ideas. I chose mage Gustavo, since I love his design and story. I'm currently into "Delicious in Dungeon" and to imagine that he goes dungeon crawling with his bros to safe Peppino is such a cool idea XD)
@bigbeastcyruspt - with Trion (I have to be honest, at first I was very startled of Trion, since his design is very mighty and scary. I mean, it's his chase form after all. But the more I learned about him, the more I grew to like him. Very damn cool design! Also couldn't help to add dah baby ;w;)
@lunar-dal - with Pizza Cruise Peppino (Another au I simply adore! The design of the characters is colorful and bright, and to imagine Peppino as a singing gondolier brings me great joy. Also I'm a big fan of otter Brick ;w; )
@smalltimidbean - with Pea Pod, Sugar Snap Pea and Snow Pea (Believe me, I never before had such a hard time to pick ONE of so many wonderful Peppi clones! THAT was torture XD But in the end I guess I picked my favorite. Such a tired, but very cute one. Not to forget about the little ones <3 To draw a PT character with 4 fingers and 2 thumbs on one hand was quite a challenge lol )
@tinderboxofsillyideas - with Coffee Peppino (Probably one of the most adorable au versions of Peppino. Seriously, if I had the chance to get my coffee in his café, I totally would! Give that guy all the tips! <3 First thought of drawing their wizard Peppino version, but the adorable barista won lol)
@xbeih - with Metal Peppino (One of the first au's I started following. Seriously, how cool can one person be?? I mean, the whole au is amazing and I enjoy every person in it. But damn...Peppino takes the cake. ówo He is so badass, you can't imagine <w< Also I'm very sorry, it was my first time drawing a guitar and aaaaaaa )
.....*looks left and right* ...ok, we did it. Wow!
God, I'm exhausted now...XD
Well, thank you very much for reading and sorry for the wall of text ówq I can only recommend you to check these people out. They are all very talented and should be appreciated!
Have a pleasant morning / day / evening / night everyone. (Depending your timezone lul .w. )
See ya next time! Vivi out!~
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a-d-nox · 3 days
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hello there can we please have something about human designs and how to decipher them ? Thanks
human design: the five types
i have being doing some reading on the subject so we can talk about it here and learn together!
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manifestor
motor center: ego, solar plexus, root
defined: throat
undefined: sacral
keywords: rare, impulsive, self-made, powerful, energetic, powerful, driven, frustrated, influential, self-absorbed, successful, lone-wolf, impatient, mysterious, secretive, etc.
mission: more communication, less asking for permission - tell people what you are doing. this works the other way for people dealing with manifests - don't ask them, tell them.
trends in relationships: they often can't finish what they start (they need to do things when they have a burst of energy), their mind tends to move faster than their mouth does (they tend to miscommunicate/under-communicate), they don't tend to slow down for others (they end up alone because their focus is on a task instead of a team), etc. these people don't need others for growth and often find themselves alone.
how to manage a manifestor: set boundaries and let them rein free within them. trying to quiet them causes them to become angry/tense - instead let them talk/be frustrated. you don't even really have to actively listen or comment in their rants its more so letting them have the space to express their thoughts/emotions that matters.
generator
motor center: solar plexus
defined: sacral
undefined: possibly the throat
keywords: everyday, consistent, sustainability, sexually magnetic, high energy, masterful, self-aware, easily frustrated by life, quick to quit, slow and steady wins the race, morning bird, focused, yes or no answers, etc.
mission: pause; these people tend to jump the gun. it is very important they take a pause before doing something too rashly. it is likely to make them anxious, but it will be better they wait then do something and regret it.
trends in relationships: they are meant to be with others. they have to engage with others to grow. however, it is unlikely that they will make the first move in any of their relationships. they need signs of interest in order to try anything / make a move.
how to manage a generator: they shouldn't be told what to do. they should be coaxed to do a would you rather and pick the one that interests them most. make sure they are well rested and they will be just fine.
manifesting generator
motor center: solar plexus that connects to throat
defined: sacral
undefined: -
keywords: energetic, doer, getting the job done, finds the shortcut, multitasker, self-aware, angry, easily frustrated, rushes, "make it happen", impatient, lacks follow through, quick, scattered, etc.
mission: visualize. inform. respond. inform and respond are basically the combo of the manifestor and the generator missions. visualizing is the new mission here - they have to know what it is they are chasing in order to catch it.
trends in relationships: take an adventure this these people - disappear for hours at a time to spark creativity. like a generator they are not supposed to be told what to do but rather they need would you rather questions to make headway and get things done.
how to manage a manifesting generator: these people need a lot of stimulation- they are very go-go-go energied so just let them do their thing. let them do a lot physically and mentally so they can properly deplete their energy daily. they need freedom to do what they want, so do your best to not get in their way - let them experience new things don't stress over it being the wrong move. they need to learn for themselves what is good and bad for them. try to make it their idea and not solely yours.
projector
motor center: solar plexus
defined: -
undefined: sacral
keywords: manager, guide, direct, sees the bigger picture, wise, insightful, intuitive, magnetic, attractive, focused, lazy, sensitive, lacks self awareness, bitter, misunderstood, lacks work ethic, playful, etc.
mission: wait to be recognized/invited. these people often feel unheard and as though they are never really acknowledged. so it is important to wait until they have full attention before sharing - what they have to say is worthwhile.
trends in relationships: they have a hard time knowing themselves and their needs though they can often see others and know them. they don't need tons of friends but rather they just need a few great ones and a partner who has time to listen to them and be present. strange as it may sound in this generation but in a relationship, they sleep best when they have their own bed.
how to manage a projector: give them recognition - ask them to share and you will be pleasantly surprised. whatever you do, don't ignore them it just leads to them getting frustrated and saying something that will cause you to listen.
reflector
motor center: -
defined: -
undefined: all
keywords: very rare, the 1%, talkative, passionate, unique, peaceful, prosperous, highly sensitive, easily disappointed, needs consistency, struggles with grounding, clingy, "right place right time", honor, valued, value system, sympathetic/empathetic, etc.
mission: wait. they are lunar beings so it is important to wait 28 days to make sure that they are doing what they truly want. if they don't, then they are often very disappointed by the outcome. if they do wait, they should talk with others before acting.
trends in relationships: they need support and consistency. they are easily disappointed in relationships because one of these areas are lacking. it is equally important that they get alone time so they can shake off the energy they stored from others. they are sensual beings so touch is big for them - a hug goes a long way.
how to manage a reflector: they just need a good environment - somewhere stable and consistent (that goes for the people in that environment too). so value them and their boundaries and everything will be smooth.
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Busy days give cute ideas-
Since the Hotel was rebuilt, Lucifer has stepped up and has started doing Kingly things again. Talking to the Sins- helping them sort out arguments basically- but also helping Charlie brainstorm ideas for bringing in Sinners and activities.
He forgot how busy being a King made him-
Then Reader, a Sinner that came after the Extermination because they saw the King Himself saying to try redemption -plus free room!- grabs him one day without warning, and throws him into bed. Just full on waits on his every need, watches a movie he hasn't seen before but does like, makes lunch and dinner for him, plays card games-
They do everything Lucifer has been seen enjoying. And Reader remembered? He barely spoke to them, but here they are. Being kind to him.
Basically a full day of reasons why he deserves a break, Lilith wasn't anywhere near as caring as he falsely remembered, and that he REALLY needs to get to know Reader now-
Lazy Dayz in a Dreamy Haze
Busy Lucifer x GN!Reader
TW: Overworking, relationship issues, sad feelings
(I am almost positive I made this completely gender ambiguous. Please tell me if I missed something or gendered the reader at all!)
Your fall from grace wasn't anything to really write home about. You were a grade-A lazy person in your mortal life, and that inevitably led to your less-than-amazing death. You could sleep wherever and whenever, find the best binge-worthy shows, and overall, you know how to relax for a good time. 
You were a little confused when you saw Charlie's original broadcast for the hotel. How could you ever be redeemed when your sin is just simply enjoying your free time? This seemed like too high a task for a mere princess to accomplish, not to mention that once word got out that the Radio Demon was helping her, it was even more of a put-off. 
You followed the story, though; Kattie Killjoy documented it every time something happened in Charlie's unsuspecting life. You also were one of the lucky few to witness the downfall of Vox’s pride due to the Radio Demon. 
When the extermination got pushed up to only a couple of days away, you had even more doubts about this redemption policy the princess wanted. When the broadcast showed Lucifer there, ready to strike down, the angels soon to torment more than just the hotel if they didn’t win; something moved in you. 
The following day, you packed up your small things and made your way across the city to the hotel. You didn't expect much when you joined the Hazbin Hotel. You saw that the king endorsed it, and if the king said it was cool, then why not? You didn’t reasonably expect your whole life to change, though. 
Not only did you gain a little family of friends, but you also got free room and board so long as you completed Charlie's exercises and you got to see him. Lucifer Morningstar was a pragmatic character in the grand scheme of things. Where his daughter had illusions of grandeur, he was there to make things happen and make things work. Doing this, however, cost him what looked like a great deal.
Lucfier worked day in and day out. Even though you lived in the same hotel as him, you hardly saw him not doing something for Charlie or one of the other inhabitants. Seeing someone doing so much to make a dream come true and not take care of his own was sad. Maybe this was when the first inklings of your feelings for the king kicked in.
Growing close to the others in the hotel, you eventually learn all about Lucifer's problems in his past, from harboring poor feelings towards his fellow angels to having to deal with losing Lilith and his daughter. Luckily, he and Charlie rekindled some of their relationship, but it was clear Lucifer worked himself to death to avoid thinking about the missing person. Lilith, though a once prominent figure in hell, was still not found, causing a lot of people, including Charlie, to assume she just never was going to come back.
You got confirmation about Lucifer's depression one rainy night sitting at the bar. You were busy talking to Husk about Charlie's upcoming bonding retreat when a groggy Lucifer came down to get a drink. While he sat next to you, the bags and lines around his face were as clear as day. For an immortal being, he looked like he was knocking on death's door. He had been working long into the night to ensure Charlie’s next adventure went on without a hitch. 
You had nothing against Charlie and immensely enjoyed her company. You can only assume Charlie hadn’t given her father a break because he was never this vulnerable around her. You knew Husk had a way to get people to open up, but you were surprised he was opening up in front of you. He looked exhausted, as if sleep had invaded him for nights. You wanted to hug him, wrap him in blankets, and tell him to sleep.
While looking over the man, you noticed a band of gold on his hand that he awkwardly fidgeted with. Taking the context clues and knowledge from those in the hotel, you'd bet that was his wedding band. While watching him drink his fourth glass of whiskey for the night, you leaned over and placed a comforting hand on his. “I know you don’t know me well, but Lucifer, you are doing an amazing job. It’s okay to stop and breathe a little. You won’t be letting anyone down if it’s to help yourself.”
His look was no less than shocked; from what you gathered, no one ever really talked to him in a comforting manner. “Uh, well, thank you, Y/N;  you know I am happy you joined the hotel. You will be an excellent Winner if we can ever redeem a soul.”
That statement struck a cord in you again. Why did he know that you would make a good Winner? He had barely even met you when you joined the hotel. He was always so busy and working that the most you two said to each other on a given day was a small hello. Yet he knew enough about you to tell you would make a great Winner. You didn’t know that Lucifer was paying attention from the beginning of your journey at the hotel. He always said his job was to help make dreams come true, especially his daughters. So when you came along and started helping everyone with your calming aura and comforting ideas, he took extra notice of you. That's why he knew all your favorite napping spots, how you put self-care and rest above everything, and how you wanted to help others as much as he did. 
From that day forth, you looked at the King of Hell differently. Instead of wondering why he was so busy and never saying no, you looked for all the times he grabbed that band. In doing this, you learned he liked to make rubber ducks, enjoyed the circus, had a fixation on apples, loved to sing randomly, and had a knack for helping others. 
Honestly, the last part wasn’t that surprising. Charlie had to have gotten that trait somewhere. With Liltih being AWOL and the stories you heard in passing about the woman, you figured she wasn’t where Charlie's helping streak necessarily originated from. Taking this knowledge, you devise a plan to help the King of Hell finally get some reprieve. 
Executing this plan flawlessly took a couple of days. From finding all the proper materials to convincing Charlie to make sure no one called on Lucifer, you had your work cut out for you. You didn’t know why you cared so much about what happened to Lucifer other than it tugged at your once-beating heart that he was so overworked and undervalued. 
The day finally came for you to stop the overworked man and get him to slow down. As he started his day bright and early, you were already downstairs waiting. His arrival was right on time, and everyone knew that when he asked the dreaded ‘what can I do for everyone today’ question, they all had to say nothing. 
When he heard he had nothing to do, Lucifer returned to playing with that ring on his finger. This was your cue to help him find a better way to distract himself than taking on millions of small tasks. You stood before Lucifer, hand outstretched with a broad smile, “Do you trust me?”
You were met with little hesitance, and before you knew it, you had taken Lucfier up to the day room on the top floor. You had set everything up for the first half of your relaxation day. There was a giant pillow fort taking up center stage of the room. 
Lucifer was taken aback. This was the sweetest thing anyone had done for him. It is a little cozy retreat away from having to work, a welcomed distraction. He was excited to see what your mind came up with. The whole interaction left a warm feeling in his chest, one he didn’t know if he was ready to explore yet. 
Crawling in, you beckoned Lucfier to join you inside and get cozy. The magnificent fort was littered with various comfort foods, cozy blankets, and a TV with what Charlie called his favorite shows. Turning on the fairy lights and TV, you immediately saw the tension in his shoulders begin to relax. 
You two stayed there for hours, watching shows, eating good food, and talking. Lucifer didn’t know when the last time he allowed himself to be this free with another person. You were content making sure he understood how valued he was, but you couldn’t deny the proximity, and the ease of the conversation was beginning to make you feel some type of way. 
When the final movie was put on the TV, you let out a slight yawn. You had never disrupted your sleep schedule and nap time for someone else before, and your body was beginning to disagree with you. Lucifer took note of this and scooted a little closer to you. When you looked up at him, he just patted his shoulder, and you understood he was offering assistance to you.
You laughed gently in your hand, shaking your head. “No, mister. I am supposed to be helping you, not the other way around. Come here.”
As you said this, you repositioned the situation, so Lucifer rested against your chest. Your arms were wrapped around him, and you were gently playing with his hair. Lucifer hadn't complained about this, so you deemed it safe to continue. His hair was soft, with a little gel from when he woke this morning. Eventually, your hand stopped moving as you drifted off to sleep. 
Lucifer was content like this. He hadn’t been held in so long. This was something he only dreamed of doing with Lilith once more. He thought about all these things and felt your hands slow and your breathing even. 
Lifting his head slightly to look at you and not wake you, he realized you were lovely. The thought initially scared him as he hadn’t thought of another since Lilith, but your compassion and kindness were a refreshment. Slowly, he rested his head back on your chest and took a much-needed nap. 
You had woken first, feeling Lucifer tighten his grip subconsciously around you. Smiling, you stroked his hair again as you pulled out your phone. There was still an hour before the final stage of relaxation day could continue. You closed your phone and realigned your attention to Lucifer. 
He looked so beautiful, almost angelic if you were allowed to say that. He let out tiny snores, and you could nearly not see the bags under his eyes. You gently caressed his cheek without thinking, and when he nuzzled your hand, your face lit up. You told yourself he wasn’t ready and to diminish these feelings immediately. 
Once the hour was up, you gently woke Lucifer with a light shake. He rubbed his eyes and stretched, looking at the now-darkened TV. Once he was situated, he got out of the fort with you, ready for you to lead him on the next adventure. 
You strategically chose the top floor for the fort retreat so everyone else could set up downstairs. See, your plan helped kill two birds with one stone. Charlie wanted a fun way to bring in more sinners, and you wanted to help take the stress off Lucifer's plate. In doing so, the Hazbin Hotel Annual Carnival was born. 
As you arrived downstairs, the carnival was in full swing. Flashing lights, games, food, and even a circus event were happening. You turned to look at Lucfier and shouted, ‘Surprise!’ He was astonished that you not only considered giving him a brain break but also made sure to add something physically fun. 
This was particularly useful in two ways: he loved the circus and would be tired when he went to bed if he got worn out at the carnival. You showed him around the carnival with a broad smile on your face. All the regular inhabitants of the hotel were the carnies and some outside friends Alstor enlisted. 
As soon as you explained everything, Lucifer had your hand in his and dragged you around. Though you were still exhausted, seeing this man so happy was well worth it. You participated in the games and the face painting. Lucifer laughed hard when he saw you get his Iconic makeup done. 
As you made it to one of the last games, you found Angel managing the Apple Bobbing contest. With a broad smile, you drug Lucifer over and place your bets on who could get the largest apple. You hoped the newly painted makeup would withstand this trial as you went first. Coming back up with a tiny apple, Angel had to make one of his inappropriate jokes. 
Next, the king himself went for an apple, not before blushing at the lewd comment Angel had made about you. He really needed to teach him that it's okay to keep thoughts inside. As he went down for an apple, he found a golden one and took his chance. Popping his head up, Angel rang a bell, signifying the grand prize. 
Lucifer was handed a giant white snake plushie with a top hat as his winnings. He smiled, holding the cute item, and then turned to you. Gently, he wrapped the snake around your arm and shoulders, smiling wide. Your heart fluttered at the notion that he had given you his grand prize, no questions asked. 
Over the loudspeakers, an excited Charlie could be heard asking everyone to come to the big top for the show. Lucifer was excited that his daughter, as a ringmaster, would entertain all these guests. As you two took your seats in the crowded room, the lights dimmed, and Charlie, in an adorable outfit almost identical to her father's, came out. 
The smile on Lucifer's face when he saw Charlie look and act like him was heartwarming. You could almost see tears in his eyes. Lucifer was notably the most involved watcher of the show, answering questions, raising his hand for volunteer options, and even performing a song with Charlie. It was a fantastic event that left many impressed. 
As the circus act ended, Charlie approached you and thanked you for taking over this task. She had already gotten many people asking to enroll in her redemption program. While Charlie was talking to you, it was missed by all the knowing soft smile Lucifer had while staring at you. He realized that he hadn’t gone to rub his band once this entire day since you showed up.
Looking down at his hand, he moved the band from his left finger to his right. He wasn’t fully ready to let go of Lilith, at least not in the semblance of her being the mother of his child, but he was ready not to let his past hold him back anymore. He walked over to you and Charlie and gently interrupted the conversation, asking to steal you away. 
Charlie said yes, giving you a big thumbs up before she went on her own way, too. You gave Lucifer your full attention again as he led you to the Farris Wheel. Climbing aboard, you two faced each other and began talking like earlier that day. The conversation seemed so fluid for you two, making this a beautiful moment. 
Once at the top of the wheel, there was a sudden jolt, causing you to move forward and land in Lucifer's lap. Both of you laughed gently as you resituated back in your seat. In doing so, however, you noticed his left hand was bare. You panicked, “Where did your ring go? Did it fall when I moved? We have to look for it.” 
Lucifer just laughed at you and shook his head. He showed you his right hand now adorning his wedding band. You calmed down and looked at Lucifer as he explained, “I have never been so well taken care of, Y/N. To say I appreciate you would be an understatement. For seven years of my life, I have lived in this dark shadow that I was at fault for losing all I held dear. Though Charlie has been there trying to help, I still drown myself in work to forget Lilith.”
Lucfier repositioned to sit closer to you, looking you in the eyes, “However, you have impacted my life since the day you arrived. I have been watching you and find your efforts to comfort and help those around you refreshing. I find it so amazing you even took time out for me to plan all of this.”
Lucifer gently touched your cheek as he continued, “I have loved every minute of this day, and as I began to love it more and more, I realized I couldn’t let Lilith control my life forever, especially if she wasn’t here. I am not ready to completely let go; she is the mother of my child, and I hope she is alive and well. I am saying, though, that I am ready to move on and try to live more carefree again. You, Y/N, have been a dream come true.”
Tears welled up in both your eyes as you took in the words. You smiled and reached your hand out to hold his. Hand in hand, you two laughed and looked over all of hell from the top of the wheel. You were happy he finally accepted being free from his past and taking self-care and love for himself seriously. It was also astonishing that you were the one to teach him this. 
As the Farris Wheel ended and let you two off, the darkest point of the night finally hit. Grouping up at the front of the hotel, Lucifer's arms wrapped around you. A beautiful array of fireworks went off while you looked up to the sky. Turning to face Lucifer, you felt like you were living a dream. Who knew Lazy Days would result in a beautiful Dreamy Haze.
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your-honor-im-zesty · 18 hours
Text
Nico was having a good day.
He was having a really good day, actually. He’d been allowed to sleep in (an anomaly indeed), had gone for a walk with Mrs. O’Leary, and even received word from Hazel that she’d been granted permission to visit next week. All while being blissfully free of Will Solace. Son of Apollo, head medic of the infirmary and the resident pain in his ass. 
It wasn’t that he hated Will- to the contrary, when the blond wasn’t squawking about the medical dangers of shadow-traveling or pestering Nico to drink water (dehydration was apparently very bad), he could be…nice. Funny. Chill. Cute, even. His humor even resembled Percy’s, to some degree. In fact, Nico could see them being acquaintances, almost. 
But unfortunately for him, Will Solace seemed to only have two settings whenever he was within Nico’s presence: annoying and loud. 
“Shadow-traveling again?” he said accusingly as Nico emerged from the shadows of the pavilion. “Come on, di Angelo, you know that’s a health hazard-”
“Running your mouth is also a health hazard,” Nico muttered as he brushed past the blond, making his way towards the Hades table. “I don’t see you shutting up, do I?”
Will spluttered indignantly behind him, while the rest of the Apollo kids exchanged wide grins. Fuckers. It must be a family trait to be a little shit. 
The Hades table was empty, as usual, which was fine. Nico liked it that way- quiet, alone, peaceful. He didn’t need all that chatter and rowdiness that came from all the other tables. In fact, he shuddered to think of what would happen if he had to sit through that every day. 
He watched as Connor Stoll grabbed a banana peel and hurled it towards his brother, Cecil, who ducked and hollered, “Motherfucker, I’ll get you for that!” Thank the gods for being an only child, he thought. 
Still, there was a part of him that ached for Hazel’s presence. Even if it was promised to him a week from now. 
—----------
It was halfway through lunch that Nico noticed something peculiar.
Well, more peculiar than usual. The demigods at Camp Half-Blood were the weirdest you could get; he’d seen some pretty strange stuff the last few years. In fact, weird was normal when it came to these people. He’d learned long ago not to question it and to just accept that he was surrounded by idiots.
But this was something peculiar even for him. 
Will Solace. 
Nico wasn’t trying to notice him (he swore he wasn’t), it was just…natural. Really, with that blond hair and peppy demeanor, anyone would notice Will. Nico was pretty sure that a lot of people, in fact, noticed Will. Often. Very often. (Not that he was one of them, or anything. Nico wasn’t weird like that.)
He saw the tears first. 
Will’s eyes were his strongest characteristic: blue, bright, and round. Always crinkling, widening, narrowing- always doing something. The vividness of those eyes always gave off the impression he could read your mind, your feelings, your thoughts. It was unavoidable, really, to be captivated by those eyes. 
But the baby blues were now welling up, growing glossy and wet. Tears. Nico didn’t even know Will was capable of crying- it was a foreign notion, an impossible thought. It was like Annabeth being stupid or Leo being serious. Very rare, and very unlikely.
He watched, dimly aware that his mouth was open, as Will Solace- the sunshine boy of Camp Half-Blood- flung himself out of his chair, wiped his eyes furiously, and rushed out of the pavilion, crying. 
What the hell?
—---------
“What are you doing here?”
Nico stood in the strawberry fields, hands hanging awkwardly by his side. He was painfully aware of the oppressive heat (where had the good weather gone?) and the mosquitos buzzing around them. Fuck. He really should’ve just stayed at the pavilion. 
“I dunno.”
Will’s eyes were bloodshot and swollen- his lips were still trembling, like he might again burst into sobs any moment. Nico hoped he didn’t. He never knew what to do when people cried- hug them? Tell them it’s okay? Reassure them that he was there? Each person always seemed to expect a different thing, and Nico was never able to deliver.
“Do…do you wanna talk about it?” he asked tentatively. 
“No.” Will’s voice was harsh; it felt like a slap. Which was stupid, really, since Nico himself never liked talking to people about things. 
“I’m fine,” the blond added, wiping his eyes again. His disheveled appearance contradicted him so severely Nico almost felt like laughing. “Just…tired. That’s all.”
Tired. Lack of sleep tired or out of patience tired? Nico really wished people would elaborate sometimes. It would make social situations so much easier. 
“You don’t have to talk,” he said. “Just…come, I guess? Everyone’s looking for you.”
That part was true. Immediately after he’d run off, the entire Apollo cabin had run after him, calling his name, pleading him to come back. They were out searching for him right now, in fact, along with probably half the camp. How Nico and just Nico had been the one to find Will was beyond him. 
Will sighed and rose from where he was sitting; his shirt was muddied and his fingers were clenched around strawberries he’d picked from the fields. Up close, he looked less like a 15 year old kid and more like a war veteran. 
“I’m fine,” he said, as though Nico had asked. “Really. I am.”
Nico looked at him. “Okay,” he said. “Okay.”
He wasn’t an expert on reading expressions- he always seemed to do those wrong, even as a little kid- but he could tell that the look Will gave him wasn’t it’s usual scathing or exasperated manner. It was tired, yes, but it also held a glimmer of relief and…appreciation. 
Will Solace. Still a pain in his ass, but maybe not as bad as before. 
-----
this is genuinely some of my best work i think.
also yay enemies to lovers solangelo :D
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elvgreen · 2 days
Text
tips for 4t3 converters/CAS clothing creators
3 main things:
non-recolorable presets
DDS. settings
Adult to Teen conversions
disclaimer: i'm not a CC expert, but these are things i've noticed and learned these last couple months converting cc. special thanks to thornowl and the other converters in the TS3 Creators Cave discord.
Non-recolorable presets:
we obviously know that ts4 lacks a CASt tool, so ts4 creators rely on recolors. In my conversions, I do include a couple of the item's recolors. these usually are patterns that CASt does not have.
one thing I've noticed more and more converters doing is putting such item recolors in the 'Overlay' tab in TSRW.
let me show you what that looks like for a non-recolorable preset:
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it looks over-saturated, and almost crunchy. but there's another place you can import the recolor into: stencils.
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stencils will be found at the bottom, under patterns. hit the plus sign next to stencils to open it.
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opening it will show you this:
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by default, it will be enabled as false. import your recolor into the texture tab as you would do for any other texture tab. make sure you tick the 'false' to 'true.' stencils override overlays, so if you want to use an overlay, enable stencils back to 'false.'
here's what the recolor imported into stencils looks like:
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here's the two side by side:
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see how different they are? let's see how they are in game:
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click on the pictures to really see the difference in quality. since TS3 uses DDS. format, it compresses the texture, which results in the crunchy texture. importing the recolor into the overlay tab makes the DDS. compression more noticeable. it ultimately is up to you and whichever one you prefer, but do keep it in mind.
the overlay tab is good for small details that you want to maintain on all recolorable presets, like zippers, buttons, tags, etc. just look at EA clothes for reference, especially their shoes and male clothes.
another thing you can see from the images are the bumps on the mesh. doing normal maps can help you keep those same details on the recolorable presets without importing the recolors.
-----------------
DDS. settings:
something I also see and used to do myself is bloat package files with large file sizes, specifically normal and specular maps, as well as masks. the Sims 3 Tutorial Hub provides a link to plain maps, but the file sizes are unnecessarily big.
let's look at some of EA's maps in TSRW:
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here's the specular from one of the basegame sweaters. notice the image size, DXT format, and compression size.
a lot of converters don't want the shine on regular clothes, so we use a plain, black specular map. but ask yourself, why do you need a 1024 x 1024 purely black specular map with no details?
let's try sizing it down:
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notice the difference between the image and compression size. instead of bloating the package file, we can keep it down by using a 32x32 plain black specular map instead, since there aren't details we want from the specular map.
same goes for normal maps:
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and masks (meant for 1 channel only):
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now, notice how I underlined the info about DXT MipMaps. see how the normal map has a different number there compared to the specular map and mask.
the reason these textures use different DXT is because of the colors and alpha channel.
here's how my DDS. settings appear when saving:
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DXT1 (no alpha): this keeps only the 3 color channels and has the strongest compression. it results in half the file size as DXT3/5. 3 channel masks should be saved with this, as they don't need an alpha channel.
DXT1 (1 bit alpha): this includes an alpha, but only black or white. it also results in half the file size as DXT3/5.
DXT3: this one is rarely used for TS3 textures. it really is only used for overlays. it compresses the same as DXT5, but may not be the best for images with smooth-blended alpha regions (Neely).
DXT5: multipliers and normal (bump) maps should only EVER be saved with this. it's best for colors but has a larger file size. this is why it's important to reduce the multiplier and normal map image size, especially if you don't make a normal map.
if you DO decide to do a specular and normal map, they should be regular image size, 1024x1024, and saved in the right format.
here is more information on which textures should use which compression.
-----------------
Adult to Teen Conversions:
the default for converters is obviously AF and AM. a lot of people want the items for teens too. I've seen several converters just enable it in TSRW:
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please don't do this. it's honestly the lazy route. you can hardly ever get away this, specifically because of the body differences between adult and teen.
some major issues with this include gaps, seams, and unnatural body characteristics:
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so please, either skip the teen mesh entirely or spend the time reshaping the mesh. @/sweetdevil-sims has a great tutorial on converting meshes from AF to TF here. the inevitable seams on TF meshes are also now fixed, thanks to @/thornowl with their new version of mesh toolkit.
@pis3update
---------------
here are reduced file sizes and corrected settings of the plain mask, specular, and normal:
download
Sources:
Neely, G. ‘Buckaroo’. Working with DDS/DXT Files. Available at: https://www.buckarooshangar.com/flightgear/tut_dds.html (Accessed: 28 May 2024).
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max1461 · 3 days
Text
My first encounter with the broad concept of "people who want to live in the woods" came in the form of seeing people, online and in media, actually living in the woods, in one capacity or another.
As a teenager I watched Ray Mears' Bushcraft. It's a really good show that I would strongly recommend to just about anyone. Ray Mears (who in fact popularized the term "bushcraft") is a British wilderness survival/outdoorsmanship expert, and in Bushcraft he travels around the world, meeting with people who still practice some form of traditional subsistence-off-the-land, and documenting their knowledge and techniques. He shows traditional bushcraft in the Amazon, among aboriginal Australians, etc., and talks to the people who practice it about their way of life.
This show had a pretty big impact on me as a young person. I was already avidly interested in nature and the outdoors, and I had been intrigued by the concept of "wilderness survival" since watching Survivorman as a kid. There was something very appealing about the idea of placing oneself in nature with as few barriers as possible; getting to experience the natural world not just in a removed, "sightseeing" way, but in a real, engaged and "tactile" way. But what Mears presented added an additional layer of appeal: "wilderness survival" not as a chaotic fray to stay alive, but as a body of skills, refined over the centuries, which can be taught and learned. A mature art, something sophisticated and deep, in which one can become a practitioner. Something, in other words, a lot like mathematics, which I already knew that I liked, and a lot like language, which I had just recently become aware I was fascinated by. This inspired in me a much more lasting and serious interest in bushcraft. I began reading about it more seriously, and practicing as much of it as I could (not very much) in my parents' back yard.
I still count "becoming truly proficient in bushcraft" as one of my life goals, although I am not anywhere near that point yet.
A further point stressed by Ray Mears was that these traditional bushcraft techniques are a dying art. As people's lifestyles change, they are not getting passed on, and soon they may be lost. I want to stress here (because I'm on tumblr, where Big Ideas and Grand Narratives rule) that I have no desire to chastise people for living a different lifestyle than their grandparents! That's fine! I do not believe that, I don't know, the children of bushcraft experts should be forced by government decree to live in the woods or whatever. I have to make this clear, because "what should we force people to do by government decree?" seems often to be the only level at which tumblr discoursers are willing to think. What I am claiming is that this loss of knowledge is sad, it is unfortunate, and being that I and others (including most principally many of the practitioners) would not like to see these arts die out, it would be nice if they continued to be taught and learned and thereby passed on into posterity.
There need not be some kind of Decree! Maybe people just do some kind of outreach, as Mears himself did, and get more people interested in these things. Maybe, if you're an Amazonian guy or an aboriginal Australian guy, you do that outreach in a community-internal way, because your desire is principally to increase interest community-internally. I don't know; my whole point here is that I'm not really trying to get into the political dimension of this. That's not where my interests lie. Other than expressing a general sentiment that "bushcraft is cool and readers of my blog should think it's cool", I don't have any particular agenda here.
Anyway, this is the sum total of the context in which "people going out and doing shit in the woods" existed for me until just a few years ago. Then I came into the internet discoursosphere, around 2020, and I realized two things very quickly:
everyone was debating the relative merits of living in the woods
no one seemed to have any interest in or experience with anything even passingly related to living in the woods on a practical level, either first- or second-hand.
It was all, all this purely abstract, "theory"-based, grand narrativizing politico-philosophical debate. Nobody gave a shit about friction fire-lighting or shelter construction at an object level. Nobody gave a fucking shit!
This is a microcosm, and in fact not just a microcosm but perhaps the type case, of why I hate the discourse. The discourse is insistent on taking everything real in the world, everything that is (permit me to get a bit philosophical myself) vibrant and living and actual, and turning it into this dreary, sterile, empty word game. Are the Marxists the True Leftists or are the Anprims the True Leftists? Which one is it? I don't know and I don't care. Why is our interest in being in nature mediated by meaningless word game abstractions? Why must our interest in science or history be reduced to meaningless word game abstractions (shape rotator/wordcel discourse)? Why must our interest in, say, video games be reduced to meaningless word game abstractions (any of the thousand video game discourses)? Etc. etc.
It's actively, fucking, toxic to the idea of just being a person in the world. Everything you do has to be some symbol in a bullshit fucking symbol game. Worse, everything everybody else does becomes to you a symbol in a symbol game, even if they aren't playing.
I am dedicated to an alternate project. I want to be in the world and I want to be in it with others. In fact, I am so dedicated to this, that I can appreciate the reality of others' lived experience and actions even in spite of the symbol games they might be playing, even if I think these symbol games might be a little bit bullshit. This is a plainly virtuous way to be. This is the way I was raised to interact with people; it is parablized in various different ways, we're told (among other things) "everyone has a story", and "everyone is valuable in their own way", and so on. And these things may seem trite but they are true, they are obviously fucking true and many people in "discourse" have forgotten.
There are some anarchists who are really into urban community gardening. They're into it for various reasons. Some feel that it gives them autonomy over and knowledge of their own food in a way that buying things at the grocery store does not. That's fair, and kinda cool. If you're into that I support you. Some of them think that the whole economy could be replaced with urban community gardens. That's a bit silly. But I will come to these "silly" anarchists' defense every single time without question, because, fuck, they're doing something. I mean they're fucking doing something, ya know? They see meaning in this thing, and they're doing it, and that's cool! I would rather go to the overly idealistic anarchist community garden than the just-the-right-tendency Marxist reading group or whatever the fuck every single time.
Buncha "got lost in the world of symbols and forgot what they signify" mfers on this world wide web of ours istg.
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drwstarkeyy · 2 days
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01. white dress
JJ Maybank x Reader
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Series Masterlist here
Can also be found on wattpad as JJ x Oc here
Series warnings; abuse, smut, underage drinking/smoking, alcohol, drugs, jj is a dick so is Rafe, death, eating disorder (only a little)
"THE club sandwich, please." JJ wrote down the order on his notepad.
"Honey, what about a salad?" Y/n frowned at her mother. Camila Torres was one special lady.
"I'm not craving a salad, mom." She looked down to her hands, that were placed on her lap. Going against her mother was never easy, she always won.
"But midsummer is coming up, you need to think about what you eat." It is not the first time she had mentioned it. Her mother had already bought the dress. It took a whole day and a lot of wine, but finally Rose and Camila had decided what Y/n and Rafe should wear, she would be furious if Y/n could not fit in it.
"Midsummers is six months away." The girl spoke quietly. Fidgeting with the Chanel bracelet Rafe had gifted her.
"She'll have a caesar salad. I'll have the same." JJ scratched out the 'club sandwich' and added two salads. This was more common then you would think, and JJ learned it is best to just do as you are told.
"Coming right up, ma'am." The blond said before disappearing inside.
"Maybe you would like to join me for pilates this afternoon. You'd be amazed how fun it is." Her mom have always asked her to join, but Y/n did not see much fun in hanging out with women who had a midlife crisis, talking about how hot the guy who works for them are.
"Can't, Rafe said he would take me out." Truthfully he was, and for once she was glad she did not have to make up an excuse.
"Oh, how lovely. I can't remember the last time I had a date. You're so lucky to have him." She knew that already, and somehow it made her feel guilty, like she did not deserve him.
"And how is tennis going? All good I hope." Tennis. A sport she hated, but did it to please her mother.
"It's going good. My coach says I have the potential of getting an athletic scholarship." It was true. Although she hated the sport, she had played it for so long, and was really good at it.
"That's great, honey. Although you won't need it." Before Y/n could respond, the same blond walked up to the table, placing the food down. Muttering a quiet 'enjoy your meal', before he left.
Taking a sip out of the lemon water her mother had ordered for her, she plucked up the courage to question her. "Why?"
Taking a bite before she responded, her mother chuckled. "Well, you're going to studying law, like me. That athlete thing is only temporary. Besides it would be a surprise to even see you working after school, dating Rafe and all."
Y/n picked her fork up, moving the food around with it. This doesn't look appetizing at all right now. "What's that supposed to mean?"
"It's nothing bad, honey. I just mean that Rafe is a very hard working man. Soon he will inherit his father's company, and have a busy life. You guys would need someone to take care of your children, I just think it would be a good option for you to be at home. You've always loved kids, and cooking, it is perfect." Y/n felt like she would throw up. To some that life might seem as the perfect one, but to her it felt claustrophobic. She would feel trapped.
The girl picked up the napkin that was in her lap, before standing up. "Excuse me, I have to go to the bathroom." She didn't even care for her mother's response, before she turned and headed inside.
THREE MORE HOURS then JJ's shift was over. Three more hours of spending time with ignorant kooks. Three more hours of torture.
As he picked plates from an abandoned table, he look up to meet Camila Torres eyes, who waved him over. He noticed the other girl was not there, and her food was untouched, but he would be lying if he said he cared.
"One more glass of red, thanks." JJ nodded at the request, walking away towards the kitchen. Dropping the dirty plates he was caring into the sink, before he made his way towards the bar. Picking up a serving plate, although it was only one drink, a drink he could easily just hold in his hand, his boss had given him hell about it before, 'it doesn't look good'. JJ thought that was weird, because it looks worse with just one drink on the service plate. When he finally had the glass with red wine, he made his way over to the lady.
He did not get far though, because just seconds later Y/n emerged from the bathroom, crashing into him. JJ cringed at the red beverage, that was now covering the girl's white summer dress.
"Oh my god, I'm so sorry." At least she had the decency to acknowledge it was her fault. Luckily, the glass had fallen on the service plate, so he wouldn't have to pick up broken glass. Feeling is boss starting at him, he quickly got into service mode.
"No, no, it's my fault, really. I apologize." The blond moved quickly to get some napkins, although he knew it would not help. As she received the napkins she looked up at him. JJ would lie if he said she wasn't attractive, she was drop dead gorgeous, but he already decided she was horrible, and her dating Rafe just proved it.
"Thank you." She sweetly thanked him. JJ took the wet napkins, and placed them next to the empty glass.
JJ leaned down a bit, not being able to resist. "Good thing daddy's money can buy you a new dress." Y/n looked up at him, a frown on her face. "Besides, white isn't your color, anyways."
"Asshole." The girl muttered, before making her way back towards her mother.
As JJ went and filled another glass with red wine, she sat down in front of her mother.
"You need to look where you are going, honey." He bit down a smile at her mother's words. Placing down the red wine in front of her. Not one single 'thank you' or even a glance was spared at him. Spoiled fuckers.
RAFE CAMERON was anything but happy when he picked the girl up, later that evening.
"You're telling me that fucker ruined your dress?" His fists clenched around the steering wheel.
"No. I'm saying I ruined it by accidentally bumping into him. He was just an asshole about it though. Saying, and I quote, 'daddy's money can buy you a new dress'. Trying to make me feel guilty or something for being born with money." Yes, Y/n ranted a lot to Rafe. It was not like he minded though, although more then half of her little rant sessions, he could not even remember.
"I told you he was a dick, babe." Rafe's right hand landed on her thigh, his left one still on the steering wheel.
"Anyways, where are you taking me?" Date night with Rafe was always a surprise.
"Topper's throwing a party. Have to make an appearance." She just nodded. Rafe was hard to figure out sometimes, and one of the things Y/n never understood was the lack of information he gave out. She just knew he was taking her somewhere, and that means everything between the fanciest restaurant in Chapel Hill, or a party. Luckily she had gotten pretty good at choosing outfits. A simple black dress did the work just fine. Usually Rafe would have been telling her to change, since it was low cut and short, but during kook parties, he loved showing her off. Like a trophy.
THE HOUSE was crowded. It was unusual for Topper to invite pogues, and knowing him he probably didn't. Yet everyone was too drunk to give a shit. The smell of alcohol and sweat, mixed with the lack of fresh air, was something the brunette was used to now. Every week, there were at least one party Rafe dragged her to.
Pouring a new drink into the red solo cup, Y/n felt someone's presence next to her.
"Told you white isn't your color. Black looks so much better." JJ Maybank had a talent for showing up where he wasn't wanted. Without even looking at him, she walked away, rejoining Rafe, who pulled her down to his lap.
Her face frowned as she spotted the white lines on the coffee table. Annoyed by the situation she decided to leave.
"Where you going?" Even though Rafe was high, he wouldn't let her wander around the house alone.
"Bathroom." She saw as he sniffed a new line, and without waiting for his response, she walked away.
Seeing the long line to the bathroom, made her realize she didn't need to pee that badly. But she didn't want to go back to Rafe, not right now. So she headed outside for some fresh air. Even though it was warm during the day, the February air made it chilly during the night.
She could still hear The Nights by Avicii blasting, followed by people screaming the lyrics.
"Finally ditched your bodyguard?" There it was again, that annoying voice that belonged to JJ. Y/n chose to just ignore him, maybe he'd go away, but it seemed like he had made her his personal target, ever since the wine incident.
She saw a sudden light in the corner of her eye, turning her head towards the blond, she found him with a lit joint between his lips. Meeting her eyes, he removed the joint from his lips, and held it out towards her.
"I don't smoke." She simply said. An answer that made JJ let out a chuckle.
"Of course you don't." Her eyebrows pulled together as she looked at him.
"Little miss perfect, right?" She didn't know why that nickname annoyed her so much, but it did.
"Why do you even bother talking to me?" She finally questioned, ignoring his statement.
"Not sure. Maybe because seeing a frown on your face, makes me happy." He spoke simply, taking another drag of his joint.
"You know that's kinda psychotic, right? Wishing pain on others." She didn't know why she even bothered talking to him, yet she continued.
"I didn't say I wish you were in pain. I just like seeing that stick up your ass disappear." He chuckled coldly. "Plus, I know you want approval from everyone, and won't be able to stand the thought that someone out in this world hates you."
"You hate me?" Her question was real, and JJ couldn't understand how dumb she was. She is a rich kook, of course people hated her.
"Damn right I do." He answered blankly.
"How can you hate me? You don't even know me." She hated that he was right, approval meant everything to her.
"I know enough." He moved closer, pulling a strand of hair behind her ear. "Little miss perfect. Virgin, straight A's." He leaned down to her ear. "A spoiled fucking brat." She pushed him away, her hands hitting his chest. A grin covered his face, this was exactly the reaction he was looking for. Without a word she left the blond boy for the second time that night.
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shadowqueenjude · 2 days
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Eris makes a deal with Keir
for @the-darkestminds
Eris interlaced his hands before him, smiling insouciantly at Keir Darkbringer. Despite technically being Rhysand’s subordinate, Keir had little to no fear of the man, and shockingly, Rhysand had let him stay in power for centuries despite being a despot. Having just learned of his position of power and the second game afoot with Rhysand and the Night Court, Eris set out to figure out why. It seemed that however much Rhysand and his dogs claimed to care for Mor, they hadn’t cared enough to warn her about their deal-making with Keir and himself.
Which left it to Eris to be the compassionate one. Shame; compassion was certainly not his strong suit. There were perhaps only two people in the world he had ever truly been kind to, and one would barely speak to him.
Eris shut out the pain at that thought, focusing instead on the man before him. “Hello, Keir.”
“What is this about,” Keir asked flatly, sitting down at the long table with Eris. They were on neutral ground in the Middle, just feet from the infamous mountain where Amarantha had ruled. Eris gestured towards it. “You know, that’s the place where much of Prythian was trapped and tormented by the dark queen for decades. Seems rather ordinary from here, doesn’t it?”
Keir’s lip twitched. “Quite. But I’m sure all the magic occurred underneath.”
Eris raised one leg onto the table, the picture of the arrogant prince. “You would know all about that, wouldn’t you, Keir? In fact, I wouldn’t be surprised if Amarantha’s domain was modeled after your own.” Keir’s brown eyes turned dark with rage, and Eris noted his hands fisted against his thighs. “Not my domain,” he hissed. “It was Rhysand’s father who trapped us here. The High Lord is merely continuing the family tradition.”
Eris chuckled. “One would think after fifty years in that place Rhys would be more sympathetic to your plight.”
Keir looked mollified at that, straightening his baby crown over his blonde waves. “Instead he has only cracked down more on us since coming back.”
Eris clucked his tongue sympathetically. “Rhysand got special privileges,” Eris drawled, twisting a golden ring around his finger. “For being Amarantha’s whore, he didn’t suffer as we did. He didn’t need to worry about seeing his mother die right before his eyes, or being impersonated by those creepy Attor, or becoming the nightly entertainment, which typically involved lots of blood and torture. For giving her a little dick every now and then and killing some children, he got away scot-free.”
And Eris knew much of Prythian would never forgive him for it; especially not when Tamlin himself stood against Amarantha for as long as he did. When it was a mere human who freed them all. Eris did not forgive or trust Rhysand, but he supposed he was in no place to judge considering all he had done in his father’s name. He just wished Rhysand would stop acting like such a hero. It made him insufferable.
“Dirty, sniveling bastard,” Keir muttered under his breath.
“Anyhow, I understand your position where even Rhysand cannot. He wasn’t restrained to Under the Mountain like we were. He went there often, yes, but he was free to leave. But now then, Rhysand being a prick doesn’t make you any less of a jackass. Nailing and mailing your daughter to me, Keir? Could you be any more barbaric?” Eris spoke lazily, popping a cork of a champagne bottle as he finished, pouring it generously into a glass he conjured from midair. He then poured another glass to Keir and offered it to him. He didn’t take it.
“She was of no use to me here,” Keir answered coldly.
“No regret about torturing your daughter?” Eris crooned. “Were you hoping I’d accept her still out of pity, perhaps? Surely you knew there’s not a kind bone in my body.” That was true, but preventing Mor from crossing into Autumn territory was one of the greatest kindnesses he could’ve done. Being in Autumn Court territory would have bound her to him forever, and Eris knew she did not wish that at all. Better dead than suffer as his spouse.
“She deliberately disobeyed me and gave herself over to that savage,” Keir snarled, slamming his fists on the table. “This occurred long ago; what is the point of mentioning it now.”
Eris shrugged, tracing a finger across the rim of his glass, toying with Keir. “Well you see, it has always been a lifelong dream of Mor’s to free those girls from the Hewn City. Girls like her who have been trapped in cruel marriages to cruel men. And I can make it happen. I shall, if you wish to make a deal with me.”
“I tire of these games,” Keir snapped. “I already have a deal to be able to access Velaris. Why do I need you?”
Eris smirked. He had Keir right where he wanted him.
“Oh please, Keir, we all know you despise Night Court land, and I wholeheartedly agree,” he purred. “The atmosphere is terrible and the land is barren and who wants to live with all those Illyrian brutes anyway?”
Keir hesitated before he nodded. “True.”
“And as I’m sure you know, I am not merely the general of the Autumn Court armies. I am also lord of the Hestian plains, some of the finest land in Autumn.”
Keir raised an eyebrow, starting to put everything together.
“So, I’ll allow your people to begin to relocate there. But,” Eris raised a hand, interrupting Keir as he was about to speak, “only select citizens of my choice. This is my land, so I get to choose who lives on it. You will, of course, be provided with a fine estate of your own there, and plenty of comforts. Is that not a better deal than the closed city Velaris?”
Keir narrowed his eyes at Eris, considering his offer. “And if I reject your offer?”
Eris shrugged. “You won’t be rejecting it.”
“And what makes you so sure?”
Eris stood up, leaning across the table towards Keir. “There’s a reason you wanted your daughter to marry me so badly,” he murmured. “There’s a reason that after my rejection, you seek me out still. Unfortunately for you, I have discovered it. Why you desire me to be part of your family so.”
For the first time, Keir truly looked afraid. Eris relished that look. “And? What have you found out?” Eris was sure it was meant to sound like a demand, but Keir was far too breathless for his words to sound remotely commanding.
“There aren’t many who delve into the mystical arts,” Eris hummed, not letting his eyes leave Keir’s. “It took…more time than it ought owing to my father’s interference, but I discovered the one you went to before you were trapped under the mountain. And, well, with the right encouragement, the woman was perfectly happy to talk to me.” Eris didn’t elaborate on what he meant by “encouragement,” instead drinking in the scent of Keir’s growing anxiety.
“Your daughter will possess the power of Truth,
She shall attain great success with her strength and youth,
Her spouse shall come from Autumn or Night,
Listen carefully, oh Darkbringer, for she may be your plight,
You’ve been gifted the boon of invincibility,
But such a blessing must always be accompanied by an Achilles heel, silly,
Yours is her. Despair, for you cannot have her killed,
Your destiny by her shall be willed.
Should she marry Autumn’s heir, you shall attain untold amounts of power,
But should she marry an Illyrian, soon not even your servants shall cower,
For Autumn’s son shall be your sword,
But the Night’s son shall be your lord.”
Keir’s skin paled. Eris had recited his prophecy to completion. He knew his darkest secret. He had no cards left to play.
“I don’t think you want this information in the Inner Circle’s hands, do you?” Eris whispered.
Keir’s body swirled with darkness. “I could just kill you and be done with it,” he mused. Eris had to laugh. Powerful though Keir might be, he was no match for a High Lord’s heir, especially not Autumn’s.
Eris let his body encircle itself in flame. “I’d like to see you try. You do know what light and heat does to darkness and cold, don’t you, Keir?”
Keir stayed in a fighting stance for a moment longer before he relaxed. “Fine. I agree to your deal.”
“Swear to it,” Eris insisted. Keir looked murderous, but he grumbled, “I swear.”
Eris watched as black swirls creamed up the inside of Keir’s arm. A matching gold mark formed on Eris’s. He winked at Keir. “Good boy. Pleasure doing business with you.”
Then he winnowed out of the meeting spot before Keir could snarl insults at him.
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