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#might change the layout we will see
corrodedparadox · 1 year
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Tma art masterpost…. Two!!
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garoujo · 7 months
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saetoru is talking abt you on her private blog (@/clorindes) yuckkkkk
CW BULLYING, LITERALLY IMMATURE HIGH SCHOOL DRAMA, SUB POSTING.
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hi nonnie, thank you for letting me know! since i’m leaving this blog & this platform for the foreseeable future i figured i might aswell get a few things off of my chest before i go. i apologise in advance for the vibes this post will probably bring, the discourse & the posts that will ofcourse follow, but i honestly i am not the first person to be targeted by this creator and i’m sure i won’t be the last considering the amount of creators that have been bullied off of this app by them.
first off i’ve had multiple blogs that would be considered bigger blogs such as @/hvnlydmn, @/atsymu + now this blog which is the biggest of all 3. i think there’s a sort of unspoken responsibility that comes with being a bigger blog which i know is no fun but it’s also because it can be super harmful on a site like this, when people weaponise their following.
on that note i’ll start this post by saying that i’ve known tee for probably around 3/4 years, maybe? we were mutuals on hvnlydmn & atsymu and we continued to talk on discord even when i was off of tumblr. i will honestly admit to this day i have never had a negative interaction with tee to my face and she was genuinely supportive of me during any discourse i was involved in. i am not some angel, i’ve had my fair share of crap on this app (of my own doing) but this post is not meant to come across like “oh she doesn’t like me so i’m calling her out” no. im sorry if this doesn’t line up with my brand and my ‘victim complex’ but i’m not gonna lie down and let someone on a power trip on a hobby app drag me through the mud.
first off i had began to get some off vibes from tee when i had started writing on garoujo, notably when i’d just hit my first milestone which was probably around 1k. during this i had decided to move my instagram theme from my main blog to my writing blog.
i’d noticed tee subposting (on main and on her personal blog which i followed at the time) about someone basically using the same theme as her, which after then clicking onto her blog i realised was an instagram theme. i didn’t think much of it, again me & tee were friends and she hadn’t came to me directly so ignored it. i was still a new blog and trying to solidly an aesthetic (before the beige lol) so i changed my theme / masterlists / layouts a lot.
a few more sub posts later i decided to message tee about it because with every thing i’d change / post on my blog, there always seemed to be another post. so i messaged her and got this response in: (i’ve blurred out my irl name btw) open up pics for convo!
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so i let it slide, kept posting & that was that. probably a few days / a week later, tee had soft blocked me which then eventually led to me being hard blocked. i was upset ofcourse because i genuinely considered tee a good friend but i’ve always been a big advocate in controlling your space.
this was when, one of our mutuals in common (the first of many may i add) approached me on discord to say that just like now, i was being ripped to shreds on tee’s personal blog:
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again i was notably upset about this because i was being accused of not only copying her theme but also her writing & masterlists, we did have a lot of mutuals in common so it was also upsetting knowing they would all be seeing these posts aswell. i allowed myself one sub post about “creating a narrative” because i was particularly frustrated but tee then also subposted about this, even though she had me blocked?
i would also like to say regarding our mutuals in common that this was not the first or last mutual to approach me regarding tee. i’ve had multiple people tell me that “they’re only mutuals with her because it would be more damaging not to be” “it’s easier to be on her side”. also i am not saying this is okay but i’ve had multiple of her current mutuals send me not only her posts, but screenshots of her private, personal instagram & also tell me about how all of them and their friends had a running joke / theory that tee made up her boyfriend (ex-boyfriend?) for attention.
regarding the accusations from tee i’d like to first comment on the instagram themes, again i had done an instagram theme on my main blog but it seemed to only be an issue when it was on my writing blog that was gaining traction. if the timing was off and it seemed like i copied her, i genuinely have nothing to say except it’s not the case— it’s instagram (which tee already admits she doesn’t own above) also the hanma writing? i’m still not 100% sure which drabbles she was referring to but i can only assume that 1. is when i posted a drabble about hanma fucking you outside of his subordinates house — this was a almost completely word by word rewrite of a suna drabble i done on my old blog @/atsymu i literally just changed the concept to fit tokyo revengers themes. i can post screenshots of this suna drabble also from my google docs dated February when i deactivated. the other one may have been some basic concept about him fucking you against the window.
she also mentions in the very first recent screenshot at the beginning of this post that i have apparently stolen concepts of fics / posts from her mutuals. what i want to say regarding this is, do you believe that i would have made it this far on stolen work? i don’t know any of the mutuals she’s referring to apart from 1 which i’ll get into. but every single accusation i’ve ever received has always come from someone associated or in contact with tee, she has always been at the root of it all but i have yet to receive a single anon or ask about me copying or taking inspiration from anyone’s work.
i know there was apparently a blog and an ex mutual of mine, who i had a lot of respect & time for who was under the impression i’d stolen their concept for this gojo fic. the whole premise of this fic is honestly not uncommon considering how many times people losing control of their techniques / powers / quirks during orgasm has been done in fanfiction. this concept was completely my own, i had originally posted shitposts about him losing control of his technique & also him putting you into a mating press / breeding before i’d decided to smoosh them together into a fic. we all read from the same workbook, we all have the same material to work off of — two people in a fanbase of THOUSANDS having a similar idea is not unheard of.
now onto the masterlist banners. the screenshot on the far left are the comparison photos that tee made herself— i’m sure you’ll be able to see them in better quality when she makes her own post about it; because obviously that’s going to come. first off i will say, i will admit i took inspiration from her official art masterlist banners — i thought hers looked good and i needed a masterlist so i used official art. fair game there although i only kept them for a few days before i changed again.
but onto the grey masterlist banners, i can honestly say i did not even know tee had this masterlist, also the only comparison i myself see is the colour. the only reason i chose grey was because i had started to use a grey / white overlay on my manga panels for my layout (as you can see far right), and as you know— i’ve always kept my colour scheme pretty consistent. on that note, regarding the actual layout of the masterlists— i’ve added screenshots from atsymu (that i could find due to it being deactivated) that shows the layout of my old masterlists, which was what i took inspiration from for my current. although the title font for each heading like headcanons is different, i had used the sort of old style, basic font that everyone uses before i had deactivated so it would match my fic headers i just don’t have photos obviously.
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anyway on the back of this there was then discourse over me apparently copying tee’s kinktober masterlist, which again was not the case. but again due to tee’s following i had received multiple death threats into my asks the morning after i posted mine. as far as i was aware, the only similarities were the fact we both used gifs in our headers & the layout listing thirsts, hcs & fics (which is very common during kinktober but i admitted below i could see that similarity). unfortunately during all of this discourse was when ffflowers, my hate blog also came into the mix which then lead to tee reaching out to me in dm’s from her old blog.
the interaction between me & tee was pretty good, again she was nothing but nice to me directly despite the way she obviously spoke about me in private above. but as you can see below, tee herself told me that basically most of the similarities all made above were brushed off as basic. we spoke about the ig themes & i apologised, saying i could understand where she was coming from and that was that. i unblocked her & she unblocked me so i could reblog her post, it’s been that way since.
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it is not my place to comment on other people’s experiences on this app but i would need more than 2 hands to list the amount of people that i’m sure have had similar if not worse experiences with tee. i know i have had multiple mutuals who have been bullied off of this platform & had their safe space ripped from them for little things such as: liking a character that this group selfship with, tee and her friends not liking their characterisation. they’ve even went as far as to go through other larger creators notes to check for minors so they can make excuses as to why they’re thriving.
i also know of a blog who was ‘blacklisted’ from tee & her mutuals as they self shipped with arataki itto at the time, one of tee’s friends also did, so they blacklisted this creator and had all of their mutuals block them for this which then in turn drove this creator off the app. there has been other notably bitchy things that i’ve heard but i have no receipts for therefore i don’t see any relevance in starting rumours.
i would also like to say i know plagiarism is a horrible thing, we have all been through it— myself included but it’s got to the point where being accused of copying tee has become a canon event. notably, bigger platforms have been ruined and driven off of this app for little things such as mdni dividers, similar colours schemes etc. and it’s the reason i’m also leaving.
i will say i have met some amazing people through my discourse with tee, notably people who have been in similar situations and i also apologise to any mutuals who we still have in common who are now sort of stuck inbetween. no hard feelings. although to tee: id be careful of the people you trust because it seems the loyalties they have to you are not as sincere as you may believe. you can also go to her personal & read the other things she was saying about me like how she was always so ? at how many people seemed to like me.
so that’s all i have to say, i’m sure dash will get a few responses from this but i’ll be logging out & turning off asks because honestly? couldnt care less. the only thing i’d change about my experience on this app would be i wish i’d blocked tee sooner.
i’d say have a nice day, but instead, have the day you deserve.
— emmie :)
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mionemymind · 2 months
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The Actress & The Geek
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Summary: A late night practice causes Y/n and Wanda to confess their feelings.
Warnings: Fluff, Kissing, Slight Angst
A/n: I might post another one shot like this with a similar layout but different setting, like what if they needed an understudy? Would y’all want that?
Word Count: 1.5k
Masterlist
“Wandaaaa, where are you taking me?” Y/n annoyingly asked. Her newfound friend, Wanda Maximoff, dragged her to the College’s stage room. “I need help practicing my lines and you’re the only person I know who would be up at this time.”
Y/n glanced at the hallway clock, it was close to midnight and by now, Wanda’s friends were either partying or asleep. “I don’t know why you’re panicking so much. Everyone knows you’re going to get the part.”
Wanda pushed through the doors and excitedly ran up the stage, leaving Y/n by the bottom of the steps. “You don’t know that. I heard rumors that Violet might get it over me.” Y/n sighed at Wanda’s poor excuse of a lie. “Now stop being a baby and come over here.”
Y/n rolled her eyes and slowly walked up the steps and in front of Wanda. “Turn to page 214. I’ll start us off, okay?” Y/n reluctantly opened the script and turned to the page. Once Wanda saw that Y/n was ready, she started.
“Did I do something?” Wanda asked nervously, a hint of hurt in her tone. Y/n was stunned for a moment at how quickly Wanda got into character. Not wanting to disappoint her friend, Y/n tried her best to act in the scene.
“What makes you ask that?” Wanda walked away with a sigh as she combed her hand through her hair. “Are you seriously acting clueless right now?” Wanda gave Y/n a ridiculous look.
“Answering with a question doesn’t quite help-”
“You’re avoiding me.” A small pause happened in the script as Y/n and Wanda stared at each other. Y/n turned away, “I honestly don’t know what you mean.”
Wanda groaned and stomped back to Y/n. She spun her around and grabbed her hand. “Quit acting like a child and talk to me.” Wanda’s character was desperate to hear anything from Y/n, her eyes pleaded for some truth.
“I don’t know if I can tell you.” Wanda’s mouth twitched into a frown. She dropped Y/n’s hand and took a step back. Looking at the ground, Wanda played with her hands, unable to look at Y/n. “You used to tell me everything…but now you barely hang out with me anymore.”
Wanda’s eyes started to water, she started to walk away until Y/n’s character held her hand. “If I tell you-,” Y/n groaned as her character didn’t know what the best choice of words was going to be. In a softer tone, she says, “If I tell you…we can’t go back to the way things were.”
Wanda appeared scared of the truth but things had already changed ever since Y/n became distant. So who cares if the truth changes everything? Maybe now it will help this obstacle between them.
“I-,” Y/n’s eyes looked over Wanda’s shoulder, acting as if there was a character back there. “Tell me you’re not in love with him,” Y/n desperately begged. Wanda looked back, her hand still in Y/n’s, and pretended to see somebody.
She faced Y/n again, searching Y/n’s eyes for the meaning behind this. “What?” Y/n pulled Wanda closer, their faces inches apart. “Tell me you’re not in love with him.”
“Why does that matter?” Wanda challenged. Y/n gulped at how little space was between them but still pushed through with the character. “Because if you’re in love with him - I cannot be with you.”
Wanda acted as if someone called her name, but on cue, Y/n cupped Wanda’s cheek and kissed her briefly. “Find me - when you do, tell me you feel the same.” Y/n let go of Wanda’s hand and backed away to the other side of the stage, leaving Wanda at the center.
With wide eyes, Wanda touched her lips, the feeling of Y/n’s lips lingered. Her brain rumbled for the next line, but all she could focus on was Y/n. “Uh Wanda, did you want to finish the scene or?”
“You kissed me,” Wanda whispered to herself, surprised that it happened. “Did you want to kiss me?” Wanda only dreamed of a moment like this ever since she met Y/n back in the fall semester. She remembered bumping into Y/n on day one of rehearsal. Ever since then, they’ve always remained friends, until the day Wanda wanted something more.
In the basement of the party, Wanda sat with a group of her friends that go way back to high school and her castmates from the play. Y/n sat beside her already five shots deep into the night. Everyone was socializing and having a great time as the play had phenomenally gone well.
“We should play spin the bottle,” one of the crew techs said. Everyone was in some agreement wanting to spice the night up. “Okay, I’ll go first,” Steve said. The semester was close to an end and all Steve wanted to do was loosen up. He spent the majority of the semester worrying about his grades, his scholarship, and his football career.
The bottle spun and low and behold, it landed on the very person he wanted to kiss. “You down Bucky?” The liquor in Steve gave him the confidence he needed, otherwise he would have hidden. “You don’t even have to ask.” The two met in the middle for a slow but passionate kiss.
The group screamed with delight as Bucky deepened the kiss, almost going in with his tongue. “Okay you two, break it up!” Bucky pulled away with a charming grin on his face as Steve sat back looking love-struck. “Up next!”
Carol was next to spin, “God, I hope I get a good kisser,” Y/n whispered yelling into Wanda’s ear. The brunette forced a grin as she suddenly felt ill at the thought of someone else kissing you. She tried to think of something clever to say but nothing came out.
Focusing back on the group, Carol had just gotten done kissing Maria, another duo in Wanda’s group that had crushes on each other. It was now Y/n’s turn. She spun the bottle with great anticipation of who she was going to kiss tonight.
Slowly but surely, the bottle was making its last spins until it passed Wanda and stopped to the girl beside her, Natasha. Wanda could feel her heart drop as the two girls looked at each other with mischievous smiles. “Looks like you have to kiss me Y/n - don’t worry, I don’t bite.”
Wanda closed her eyes as she saw the pair leaning in, praying it would be over quickly. And when she opened them back up, she couldn’t help but wish that the bottle landed on her.
“Yeah - I mean it was in the script. I didn’t - I thought you wanted me to commit to it.” Y/n walked back to Wanda scared that she accidentally hurt her friend. “Was it fake for you?” Y/n stood still for a moment, afraid to answer. Wanda walked forward, closing the distance between them. “Tell me - did that kiss mean anything to you.”
“Wanda - I - I’m sorry. I really thought you wanted me to-”
“-What I want is to know if you like me or not. So tell me,” Wanda declared. The beating in her heart could not stop as she waited for Y/n’s answer. “I thought you would do just a kiss on my cheek or would have said that you kissed me out loud. But you kissed me and I can’t go back now.”
Tears formed in Wanda’s eyes as Y/n wracked in her brain for words to say. “I’ve been wanting to kiss you for so long now - so please tell me that was real.” The tears fell to her cheeks as her heart beat in anticipation.
“Please say something,” Wanda begged.
“Please don’t cry,” Y/n whispered, her heart breaking at the sight of Wanda crying in front of her. “Why shouldn’t I?” Wanda wiped some tears with the back of her hand, feeling stupid for even confessing.
“‘Cause I never knew you felt the same.” Y/n pulled Wanda close and kissed her deeply, wishing to show that this was the kiss that Wanda deserved, not from some stupid play, but from the fact that Y/n truly loved Wanda.
Wanda steadied herself, placing her hands against Y/n’s chest as she fiercely kissed back. The more Wanda pushed to steady herself, the more Y/n leaned in, begging for more. Their gasps and labored breaths were in sync as the kiss went from passionate to needy.
With each kiss, Y/n poured her heart, wishing that she could stop tasting her tears. Pulling back slightly, Y/n heaved out, “Please stop crying.” Y/n used one hand to wipe away the tears. “You’re gonna make me cry.”
Wanda chuckled as she looked at Y/n with such adoration. “I think you owe it to me to redo the scene.”
“Want me to kiss you better?” Wanda pondered for a second, “Something like that plus you’re acting skills could use some practice.”
Y/n gasped, a feigned hurt expression on her face. “I think I was amazing. Might have to audition for lead love interest.”
“Guess we gotta practice our kiss scenes.”
“Way ahead of you Maixmoff.”
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reasonsforhope · 2 months
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"At HarperCollins, a lot of attention and thought is given to deciding exactly what combinations of margin measurements, font, and layout feel most appropriate for the genre, and writing style.
But in a case of do-your-part environmentalism, designers at the publishing house have now standardized a series of subtle and imperceptible alterations to normal font style, layouts, and ink that have so far removed the need for 245 million book pages, totaling 5,618 trees.
Telling the story in Fast Company, representatives from HarperCollins, one of the four largest publishing houses in the world, explained that the idea first arose in Zondervan Bibles, HarperCollins’ Christian publishing division. Being that the Bible is 2,500 pages or sometimes more, saving ink and pages was not just an environmental consideration, but one of production costs.
A new typeface called NIV Comfort Print allowed Zondervan to shave 350 pages off of every Bible, which by 2017 had amounted to 100 million pages, and which, as Fast Company points out, would be four times higher than the Empire State Building if stacked.
The production and design teams then wondered how much they could save if they applied the same concepts to other genres like romance and fiction. Aside from the invention of the eBook, publishing hasn’t changed much in the last 100 years, and the challenge was a totally novel one for the teams—to alter all their preconceived ideas and try and find a font and typeface that resulted in fewer pages without being harder to read.
They eventually standardized 14 different combinations their tests determined were the most environmentally friendly, and which delivered an unchanged reading experience.
But the challenge didn’t stop there. Printed books, one might not know, are printed in large sheets which are then folded into sections of sixteen pages, meaning that Leah Carlson-Stanisic, associate director of design at HarperCollins, has to calculate the savings of space, words, and ultimately pages with the help of her team to fall in multiples of sixteen.
Nevertheless, they have been successful with it so far, and in the recent print run of one popular book, 1 million pages (or a number near 1 million that coincides with the 16 times tables) were saved.
“We want to make sure our big titles, by prominent authors, are using these eco-fonts,” Carlson-Stanisic said. “It adds up a little bit at a time, saving more and more trees.”"
-via Good News Network, April 4, 2024
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Note: Great! Waiting to see this on the rest of their books and at the other big publishers!
Actually, though, it's worth noting that this may not come quickly to the other large publishers, because Harper Collins almost certainly owns that font - meaning that other publishers would have to pay HarperCollins in order to use it, on an ongoing basis.
More on publishing shit and more realistic solutions here below the cut!
What I'm hoping for and think is more likely is that this will inspire the development of open source eco-friendly fonts, which would be free for anyone to use. That would make it far more likely other publishers would adopt eco-friendly fonts.
I'm also hoping it would inspire other publishers to create similar eco-friendly fonts of their own.
Ideally, there would be a whole new landscape of (hopefully mostly open source) eco-friendly fonts. And/or to see calculations of the eco-friendliness of popular existing fonts, compared to each other.
If we could have a publicly accessible list of calculations for different fonts, including fonts designed to maximize eco-friendliness, I really do think that it would affect which fonts publishers choose to use. Here's why:
Most people in publishing are on the left (notoriously, actually) and really do care about the environment
People in publishing are plenty aware of these issues re: paper and trees, I promise
Shorter books means smaller production costs - and possibly smaller shipping costs as well, over time! So it would save them money too.
Eco-friendly fonts could also be combined with other measures for greater effect, such as bamboo paper (already in use for a lot of projects where page color/quality is more flexible) and thinner paper (aka paper with a lower weight) that uses less trees.
Don't expect books to all move to just one or two different fonts, though. Publishers and typesetters and font designers will innovate to create more options instead, though it will take longer. This is because different books really do use different fonts for various different reasons - one new font to rule them all isn't really a solution here.
"Every book is in the same font" may sound like a "whatever" deal to a lot of people, but as someone who works in publishing - trust me, it would actually make your reading experience worse, even if you could never quite put your finger on why.
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ms-demeanor · 9 months
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since twitter has become actively hostile to its users, so they came to tumblr, and reddit has become actively hostile to its users, so they came to tumblr, what do we do now that tumblr is becoming (more) actively hostile to its users? i’ve been here for over a decade so i know tumblr users are the type to cling on despite everything and revel in undoing every change, but i’m so tired of the way this website breaks the way it fundamentally works in order to appeal to new users. the twitterfication of the site seems so much worse than when people jumped ship after the porn ban, and even then, only small communities (and twitter) cropped up as solutions. you might not be the person to ask for a definitive answer, but i figured a tech blog might be interested in considering - what do we do when there’s nowhere left to go?
Okay so, I mean this very seriously: how has tumblr meaningfully become like twitter?
I don't personally find the sidebar view obnoxious and it seems to me like just another layout change that's pretty typical to tumblr. New users are getting signed up with a bit more emphasis on algorithmic feeds, but that is still very easy to change (MUCH easier than on any other social platform) and the algorithm has been there for everyone for quite a while, we just typically don't notice it because a lot of long-term tumblr users don't go into the "for you" feed.
I don't think that tumblr *has* fundamentally broken the way that it works to appeal to new users. My dash now is still very much like my dash in 2019, and still very much like my dash in 2018 (though much less pornographic). Reblogs are still reblogs, likes are still likes. Replies, for all that they seem like they've been around forever, are new and good and I think they work well. I'm irritated that the notes menu doesn't have a "view all" option but I think that's a worthwhile tradeoff for an easy way to see tags.
I *do not* understand why tumblr has broken linking back to previous reblogs but I don't think that's out of an effort to act like twitter; it is a bizarre choice that I dislike and don't understand but I also don't think that it has fundamentally changed the way the site works and i mean you've been around long enough that I'm sure you've had the same experience I have of going into the notes of a post and randomly clicking until you found a version that you wanted to reblog without a bunch of bullshit at the bottom. Tumblr has always kind of sucked, this change DOES suck but it doesn't suck in a way that is particularly novel or insurmountable. (For instance, I think this change sucks MUCH LESS than when they made posts with links invisible to the search, that is something that is genuinely bad that has been long lasting but doesn't get brought up much in lists of the ways that tumblr has gone wrong)
Tumblr *is* changing, but I think it is changing more incrementally and less terribly than other parts of the internet. I also hate the floating clown, the login walls, the dash-only view for blogs (you can't archive it and I HATE that), and - to an extent - the new lightbox on mobile. And I dislike that less than I thought I would but I don't think it's a fundamental change that necessarily impacts my interactions with the site - it *adds* a feature that I don't care for but it doesn't *break* anything that I require to have a good time on tumblr - in that way I think of it very much like Live. People hate Live so much and I find that perplexing because it is so easy to simply ignore it.
But that's not really your question; that's just some stuff I want people to think about because as much as tumblr has changed in the last two years it is nowhere near as fucked up as the recent things that twitter and reddit have pulled.
So, as to your question: where do we go?
Well. Not to be an extremely old person on the internet, but damned if I don't miss email lists. And forums. God I miss forums. Neither of those things has all the bonuses of platforms like twitter or reddit or tumblr or facebook, but they were great ways to hang out with people you liked on the internet.
The internet is changing. I can feel it, you can feel it, I'm pretty sure we're all like cattle in a field lifting our noses and hearing some distant rumbling and becoming slowly aware that it's almost time to run. There's a coming stampede and it isn't here yet but you know it's on its way. You're not imagining that, that's how things feel right now and there are a shitload of things contributing to it.
Things like SESTA/FOSTA and KOSA (which has not passed yet but is a big red flag waving on the horizon) have been eroding away the way that users on various platforms can function. Some platforms have consolidated in ways that harm users; some new platforms have popped up and shaken up the map of the internet; some platforms are being torn apart brick by brick by owners who don't care about the users. It kind of seems like people are actually looking up and realizing that advertising is A) bad and B) doesn't actually work and I think we're running straight toward another advertising-based crash like we saw in 2017. It feels like all the desperate things that tumblr is doing is just rearranging deck chairs on the titanic as the internet as a whole starts to sink into the ocean.
Honestly, I don't think it's that bad. I think it *feels* bad, but I think we're looking at a slow whimpering death of the platforms, not a bang. I think tumblr is going to hang on at least for a few years and I think it's going to end up like livejournal and myspace, which both still exist as websites that are recognizable as updated versions of the sites they were in 2004-2010. The thing that I think would really, honestly hurt tumblr in a fundamental way is if it moved to a more algorithmic and data-sales based model of advertising, and I think that's still pretty distant. I think Automattic is aware that killing the chronological feed would be the one unforgivable sin that would cause a mass exodus and a final crash, and I think when we see that, when we can't just scroll through the feed and see what our friends did that day in order of when they did it, that's when the party is over here.
But that's still not answering your question.
So, where do we go? What do we do? Well, for now, I'd say it's a good time to get contact info for your friends across various platforms. Get email addresses, get phone numbers.
Now is also the time for you to set up a personal website. NeoCities is currently the best place to do this, though it takes a lot more effort than just starting a blog on tumblr. I think that various oldschool blogging sites like Wordpress and Blogger/Blogspot/whatever the hell the google one is are a better place to have your emergency backup than a more platform-y platform if you aren't up to doing something with NeoCities.
If you've got the ability to do so and a group of people who are interested in the same core subject, set up a forum. There's a decent amount of off-the-shelf forum software out there and a text-and-small-images forum isn't prohibitively expensive, but it's never going to be huge and you're never going to have the kind of spread and virality and random connections that you would on a platform with millions or billions of users.
If you can't set up a forum, setting up or joining a discord server for your friends is a decent enough option at the moment, and may be a very good option for people who are looking to keep their interactions more private.
But yeah i think right now is a great time for people to start setting up their own personal websites, to start visiting actual webpages again, to start bookmarking their friends' websites, and to start collecting contact info that isn't tied to platforms.
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jakeyp · 2 months
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GRID + TORN PAPER + RAINBOW LAYOUT TUTORIAL (yeah, i'm sorry, but that is the title i came up with)
Hi everyone! This tutorial was requested by an anon, and we're going to make a gifset like this. You need, as usual, basic gifmaking skills and basic photoshop knowledge, but i'll try to explain this as easily as possible!
You'll also need a torn paper brush, which you can download here.
And here are the links to download the fonts used in my gifset: x, x
Okay let's start!
→ First you're going to create a new canvas, and it will be 540x540 px. Make sure to click on create video timeline (if you dont have a timeline, go to window > timeline. We'll leave this canvas there waiting for us :)
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Then, onto our first gif. We're going to make the small square gifs first. All i do is resize the image and make it 120 px high, and you'll see why in a moment.
Make sure to remember the number of frames of this gif!! All the gifs we're going to put in the same canvas should have the same amount of frames.
Okay, so we have our first small gif:
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As you can see it's a smart object, and I added some brightness, but so far that's all. You can sharpen it, but i like to sharpen until i've colored it. Now onto the important part:
Most of the gifs i worked with were mostly blue (aside from the skin color), which is recommendable, because you can create lots of colors starting from blue, using the hue/saturation adjustment, or camera raw filter. I also recommend you to use a gif that doesn't move a lot, so it'll be easier to color the background:
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For the tutorial, we have our predominantly blue gif, but we are going to make it yellow, which is the opposite color, so it's the hardest to get. I hope you can see how i manipulate colors, and do it yourself :)
Here, you can use camera raw filter (filter > camera raw filter) to turn the blues and purples greener, like this:
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And click ok to exit the camera raw filter. Then, we're going to use hue/saturation (image > adjustments > hue/saturation) to turn it yellow:
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Since it was cyan, i changed the cyans, but if you got a much greener result you'll have to use green (duh, right? i dont know i just dont want anyone to get confused akjsdhs)
And you can also add a selective color adjustment to make those yellows more yellow:
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The reason i don't directly use hue/saturation is cause it might look ugly and lose quality, or it wont pick up all the colors i want it to but they're also very small gifs so if you wanna do that, do it :)
I sharpen it until this point, but if you already have that's okay.
Now we're going to color the background! For that, you just add a new layer, and set the blending mode to color.
Then you'll use your brush, set it to 20px and 0% hardness, and pick the color you're using for this gif, you can use the eyedropper tool. This is why it's important that the gif doesn't move a lot, so you can color the bg like this:
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I colored carefully around the edges, and that's the result. In some gifs from my gif set I colored Jake's jacket too because i was too lazy, but this looks cleaner :)
You might want to select the color layer and the gif layer to convert them both to a smart object, just to make everything easier. So, be careful, because after that you won't be able to change anything!
But let's say you have a scene that you want to include, and it moves too much and has no blue and it's going to be a nightmare to color it.
Well, don't worry, you can! Simply, instead of manually coloring everything, you can just choose to add a gradient map to it (image > adjustments > gradient map), like this:
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And this is the result:
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Just remember, it has to be the same amount of frames as the other ones!
You repeat the process, until you have 10 small gifs. I made around 5 manually colored gifs, and 5 gifs with gradient for each gif. That's a confusing sentence but i hope you get it.
We are going to start pasting the small gifs on our first canvas.
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(You can paste them one by one but i did this so you can see my 10 gifs)
You're going to create a square that has to be 108x108 px, using the rectangle tool. You can remove the default white background.
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And you may be wondering, why did we not just crop the small gifs into those dimensions? Well, you can do that, but to me it's much easier this way, because sometimes cropping isn't accurate, or it's tedious.
Place the small square on top the gif you're going to crop, right where the face of the character is (or whatever objects you're giffing), and while holding ctrl, click on the square. It will select it:
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You're going to create a layer mask:
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And then drag that layer mask to the gif:
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And voila! It's now the same size as the small square. Once that's done, right click on the layer and convert it to a smart object, because we have to remove that mask. Make the square layer invisible, and start placing your gifs where you want them:
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You're going to repeat that process with the rest of the gifs, and then place them all together. Don't forget that if you're making the first gif, they will all be at the bottom of the canvas, if it's one of the middle gifs, one row should be at the top and the other one at the bottom, and when you're making the last gif, they should all be at the top. Here we're making the first one, so they will all be at the bottom:
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If you forgot to check that all the gifs had the same amount of frames, you can fix it here, just make sure no gif is past this little guy:
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Okay! Now, to create the gutter, we're going to add a layer mask to each small gif, so that we can cut some of it.
The gutter has to be 4 pixels, (i recommend you to REALLY zoom in). What i do is make sure the width of the gutter takes 2 pixels from the edges of the gifs, since they are all together. As you can see in the image above, there's no a single empty pixel between the gifs.
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This is a close-up of what i'm talking about. I select two pixels from each gif, and go all the way down to create the gutter:
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(I hope I'm not over or underexplaining)
I usually use this tool when i have to make so many selections:
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But that was just an example :)
(Another way you can do this, is by changing the size of the small square from the beginning and make it be 104x104 px, but i don't know why that seems more complicated to me ajsdks)
Anyway, this is what we have so far:
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Now we're going to create the big gif. Its normal dimensions are usually around 1920x1080, unless you have different dimensions and have to crop it, but whatever it is, we're going to resize it and crop it to be around 550 px wide, and 400 px high:
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We'll do the same thing of adding an adjustment of gradient to it to make it the color we're using. For this, i usually add a brightness layer before, because sometimes the gradient is a bit dark.
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And using a 600px brush with 0% hardness, you can add some "light" on a new layer, like this:
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Selecting all the layers, right-click on them and convert them to a smart object. Again, be careful, because once its a smart object, you wont be able to change any of it!
Then we paste our big gif on the canvas with small gifs, and add a layer mask to it. Using the torn paper brush at 600px, remove some of the gif to shape it like the torn paper. Make sure you're using black, otherwise it won't work correctly:
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To make the effect better, add a layer UNDER the big gif, and using the torn paper brush, with the same size, you can paint under it:
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Yeah, I covered some of jake's face, but that's how it supposed to look so the effect works!
And finally for the text! I used Granesta, at 150 px, and at -10.00º to make it a bit askew.
We're going to double click on it and give it a color overlay, set to normal, and give it a solid shadow if you want, then place it right here on the corner:
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But as you can see, it's too big for the gif. So we're going to add a layer mask to it, and again, shape it the same way that we did with the gif. Make sure they're exactly the same shape, like this:
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And that's it! This is our final result:
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As always I'm sure there are easier ways to do many of these things, this is just how i do it but if you know an easier way to do it, go ahead. I hope this was at least understandable enough so you can apply the logic of it any way you want :)
If you have any questions you can send me an ask and i'll clarify!
If you found this helpful i'd really appreciate it if you left a tip on my ko-fi!
Happy giffing!
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beelmons · 1 year
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Luxury Poker Nights pt. 2
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Pairing: Hotch, Reid, Morgan x fem!reader Rating: Explicit, smut (18+, minors do not interact with this story) Word count: 5,806 cw: unprotected sex (do not recommend), sex-servant kink, voyeurism, multiple partners, non-vegan food options, slight degradation, free use kink Summary: It's Aaron's turn to host the poker night, and he figured it would be a great move to invite the entertainment they all fervently enjoyed last time: you. A/N: This was so highly requested I hope it lives up to expectations. Prompted by an original blurb found here Tag list: @illumi3 @ash-recs @canyonmooncreations @howabouticallyou @unlikelyqueenninja @kay-moranguinho and my always honorary mentions: @ihavemanyhusbands @cassiemartzz
Meeting Aaron Hotchner was nothing short of an absolute pleasure. Gentle, kind, considerate, funny when he finally got rid of the stoic boss facade, everything you would love in a partner whether casual or serious. All these reasons played a role in deciding to partake on a very specific contract: to serve as his servant, sexually speaking. 
"Hey," Aaron greeted you before leaning in to press a friendly kiss to your cheek. 
"Hey, Mr. Hotchner." you replied. 
His head tilted and eyebrows raised with playful offense "I've told you, if you don't want to call me Aaron, at least go with Hotch." 
Every so often he would call you in, mostly to a very beautiful house owned by a man you knew as Rossi, and you'd come for the sole purpose to act out your role. To serve and please them. 
This time, however, he was hosting in his own apartment. It was the classic bachelor pad, the adult version, barely decorated but tidy and resourceful. You had been in there only once, but you had memorized the area pretty well. He also looked especially handsome, navy blue polo shirt and denim black pants with casual sneakers, you could notice his toned biceps in that outfit. 
"What are my instructions for today?" you asked as you got in, taking a look around to remember the layout. 
"The usual. Although, I might ask you to take charge of the kitchen for a little bit. Bring snacks, beverages, nothing too complicated. Oh, and…” he began to say, reaching for a bag that was laying by the entrance “this.” 
From it, he pulled out what seemed like a traditional maid apron. You could tell he had it tailored for your body, and that the lace around it seemed to be fine, not the cheap ones costume stores had. You reached for it and pulled it from the strings you were supposed to tie, you hovered it over your body to catch a preview of what it would look like, the man had a good eye, it sure made you feel hot. 
“Of course, if it makes you uncomfortable, we can ditch it.” he tried to reassure you, seeing how you kept admiring the piece. 
“It’s alright, Mr. Hotchner. But a maid outfit? I thought you preferred me in the bare.” you teased. 
“Don’t worry, we still get plenty of access to the parts of you we love the most, being that the apron is the only garment of the costume you will actually wear.” his hands slipped in his pockets, his face lighting up with a smug smile “You can change in the bathroom, the guys should be here soon.” 
You made your way to the mentioned room to obey your first order of the night. Aaron waited patiently in the kitchen, putting together a couple more things so that the serving part of your job would be easier. Nonetheless, a knock on the door distracted him from his duty. He hurried to open, immediately being greeted by Morgan and Reid. 
“Hey, where’s Dave?” he asked, noticing a missing member. 
“He said he’s got something to do but he’ll catch us—” Morgan’s eyes fixed on something behind Hotch, and his train of thought completely disappeared “—later.” 
The boss turned around when he noticed Spencer’s perplexed eyes, similar to Morgan’s, and he smiled to himself as he turned around to watch you already in your ‘uniform’, to call it some way. The apron was comfortably secured around your waist, the length of it barely covering your front to the middle of your thighs, your back absolutely exposed, being that the fabric of the apron was only on the forepart, your upper body out in the open, with your nipples already perked from the cold air conditioning hitting them. And to them, you were the most beautiful of monuments. 
“What’s your safe word?” Aaron asked, his eyes immediately scanning your body.
“Cacao.” you said confidently, your head nodding in reassurance. 
Aaron looked back at Spencer and Morgan, making sure they caught what you had said. They both shook their heads in agreement, and so he locked the door behind them “Let’s begin poker night, then.” he ordered. 
“I’ll get some drinks for you guys.” you said, and you were about to move to the kitchen when Hotch’s voice stopped you. 
“I believe I haven’t given you permission to speak.” he emitted in a commanding voice. 
You understood his words for what they were: a warning. He had been clear enough, when you were there to work, you had to be diligent. Always keep yourself busy, available, and quiet, those were the rules you had signed up for. Your hands folded on your lap and you bowed your head slightly in response. 
Once they were out of your sight, you headed to the kitchen. You gathered a couple of snacks that Mr. Hotchner had prepared; some peanuts, pretzels, and cut up fruit, added with three open beers. He had let a tray out for you as well, possibly with the intention of making everything easier. By the time you got to the table and began to spread the food and beverages around they had already dealt the cards. 
You settled the empty tray on the side on a random surface, and Mr. Hotchner spread one arm in your direction indicating you that he wanted you to join his side; you did as he desired and his arm wrapped around your waist, pulling you to sit on his leg. As if ritualistic, the hand that was closer to his body was grabbed and brought to his lips, a gentle kiss landed on the back of it, and then he guided it to his member, that at some point he had already exposed. It was an instinct, you already knew what to do. Your hand began to slowly massage the barely hard shaft, and you could hear him exhale particularly hard at the sensation. 
“Rules will change for tonight. You can’t bet ‘All in’ unless you have at least fifteen chips, and you can’t bet two rounds in a row.” Aaron began to say. 
“Isn’t 15 a bit expensive?” Spencer’s eyes narrowed with doubt. 
“Not at all, given that an ‘all in’ winner also gets 10 minutes to command our servant as they please.” his hand dragged upwards, purposely taking his time to brush your skin with his fingertips, nipple included, until they landed on your chin, tilting your face to have you look in the direction of the other two men “And you could agree, she’s worth the risk.” 
Your breath hitched in your throat at the way they hungrily stared at you, but they didn’t say anything further, both Morgan and Reid simply went back to looking at their cards. 
The game began and you hadn’t been given permission to move, you had to remain on Mr. Hotchner’s leg, caressing his member. He seemed unbothered by your steady movement, but you could feel him throb every so often, and it would fill you with cocky pride. That was another rule: you weren’t allowed to go rogue, they came when they wanted to, not when you caused them to. If you acted too smart and tried to make them climax before they wanted to, you were sidelined, given the silent treatment. That was more punishment than doing anything else to you, because chances were you were going to enjoy whatever else. 
You would steal a glance at random times to notice his tip swollen and reddened, even when he tried to keep composure, and continued to play his hands normally, you had learned the little twitches his dick made whenever he was getting close. His head turned to place a chaste kiss to your shoulder blade, giving you permission to keep going. Your hand trailed down to give his balls a gentle squeeze, which caused a loud groan to come out of his throat, and after a couple more fast strokes he began to spill his seed. 
Mr. Hotchner had been clear that he did not like messes; his entire member was coated in his semen, and some had spilled over his pants as well. You reached for one of the pockets the apron had sown on to find a handkerchief that you recognized as his, in seconds, you were on your knees, you wiped clean the fabric of his pants, his shaft, on the other hand, didn’t require the cloth, you grabbed at the base and licked a strip up, repeating the same movement until he was clean, and hard yet again. 
“All in.” Morgan’s voice snapped everyone’s attention, and since you hadn’t been given indication to do otherwise, your mouth kept working Aaron’s dick.
“Already? You’ve only won one round.” Spencer asked, his math not quite adding up. 
“I’ve got enough.” he clarified. 
“You got exactly 15, though, if you lose this, you don’t get any more.” Hotch looked in his direction.
Morgan’s head tilted slightly to the side, catching sight of your still bobbing head. He smiled as a response to his boss’s explanation, pushing the chips forward to the center of the table. 
“She’s worth the risk.” he said, a wink sent to Spencer. You couldn’t help but blush at his words, even if you weren’t able to stop your current activity unless indicated. 
The other two men exchanged looks, if they didn’t raise, they would still lose, perhaps that was part of Morgan’s scheme, but they weren’t about to just give you up by default. They pushed the corresponding chips to the pool in the center, and Reid was the first one to open his cards. Full house, nines over jacks. Hotch was in a slump, two pairs, queens and kings. 
“Full house.” Morgan said before he opened his cards, and Spencer’s attention was specially perked “Aces over sevens.” he finally said. 
Spencer let out a soft curse under his breath as Morgan laughed in pride, he was certainly rejoicing on having made that play. You received a light tap on your shoulder that indicated you it was time to move masters, and so you stood up and directed to stand next to Derek. 
“Actually, sweetheart, I will need you in the kitchen for a bit.” he said, his hand nonetheless landing on the skin of your rear, gently squeezing it “Peanuts and pretzels are a bit hard on my stomach, do you think you could make me a quick sandwich?” he asked ever so chivalrously.  
“Anything in particular you would like?” you asked, taking his question as permission to speak. 
“Some ham and bacon would be excellent, thank you.” with a soft slap of your ass he sent you your merry way. 
Kitchen duty was on the original arrangement, although you didn’t quite picture yourself making sandwiches, Derek’s smile was so charming you would learn gourmet cuisine just to please him. 
You gathered the required stuff, bread, some mayonnaise, and the ham and bacon. Being that you were topless, using a pan was out of the question, so you used the tray on the small electric oven that was next to the stove to cook the pork strips. You were too entranced by the silly way in which the meat shrunk to notice that Derek had walked into the kitchen, only becoming aware of his presence when he leaned next to you against the counter. 
“You make a great maid.” he pointed out, and you bolted up a little from the surprise. His hand instinctively reached for your waist, trying to keep you from falling back “Easy, you might hurt yourself.” 
Even when he made sure your feet were steady, he didn’t remove his hand from where it was, in fact, he simply took a couple of steps closer. 
“I enjoy servicing.” you said, eyes traveling south. You could see his cock already hanging out from his zipper, and you tried to reach for it in an attempt to caress it. His free hand, however, stopped you. 
“I can see that. You also take initiative, that’s impressive.” he began, his hand bringing yours up to press a kiss to it in a similar way Hotch used to do, but instead of allowing it to stroke his member, he directed it to the kitchen utensils you had laid out “But I believe for things to be done right they have to be done with the utmost concentration, so why don’t we focus on that sandwich, huh?” 
You pouted a little and he let out a light chuckle at your disappointment. You went back to the task at hand, getting a dull butter knife to begin spreading the mayonnaise around the slice. You felt the warmth of his touch leave your waist, and you were about to complain yet again until you felt one of his fingers sneak between your legs and trail up your slit. 
You shuddered and your legs instinctively closed. He tsk’ed his tongue in disapproval, and you understood to return them to their original position. Derek wasted no time, the two fingers in the middle of his hand slipping into your cunt. He was fixated on your face, absorbing every expression as you melted due to his digits, your hands gripping on the surface, leaving the sandwich unattended. 
“I haven’t told you to stop working, have I?” he whispered commandingly. 
His fingers began to curl upwards inside of you as they continued to move inside and out, getting coated with your juices. You tried your best to keep yourself still, your hand shakily reaching for the rest of the ingredients. He didn’t stop his movements even when you dropped the knife on the counter from the way he hit the back of your cunt.
“Careful.” he warned at the clinking sound, you peeked over your shoulder while you grabbed the utensil and out of the corner of your eye you could notice his hand moving over his now hardened cock “Come on, beautiful, keep going.” 
You shook your head a little in an attempt to clear it, even when his relentless fingers weren’t giving you the opportunity. You finally managed to pay attention and began to assemble the deli meats. You barely noticed when he moved behind you until you felt his tip rub against your entrance. 
His hands ran over your front as he pushed inside of you, slowly, and they landed on your breasts. A pleasure mewl slipped past your mouth, but you cut it short. 
“Come on, now, I’m not Hotch.” he complained while he gave you the chance to adjust to his member “You don’t gotta have my permission to talk, let that voice out.” 
His hips snapped rather roughly against yours, a loud slapping sound echoing around the kitchen; it caused a loud moan from you, one that you were sure could be heard from the other room. “That’s a good girl.” he praised. 
His initial rhythm wasn’t slow, after all he was in a hurry. It made assembling the sandwich all much more difficult, you struggled to open the door of the electric oven, almost getting burned thanks to the way his cock so deeply pushed inside you, all while your throat was unable to keep quiet, intermittent noises unsteady from his thrusts. 
One of his hands slipped down and in between your legs, the tip of his middle finger rubbed at your clit with a gentle speed, almost unmatching to his hips. You sensed him look over your shoulder to check up on the status of his food, and your hand trembled as you set the bacon down to finish it up. He laughed with pleasure, and his fingers dipped on the skin around your hips. 
“Can you take it, baby?” you could feel his thick member erratically twitching inside of you as he asked, and you nodded your head fervently “Of course you can.” he reassured. 
He snapped a couple more times, rough enough to make you lose your balance and press up against the counter, before you heard him grunt and felt your cunt being filled with his spill. The sensation of his cock pushing your walls sent you over the edge, and you began to drip with your release, a loud moan accompanying the blissful sensation. He pulled out with ease, not waiting for you to come out of your high, and stepped away to grab the meal you had prepared. 
“Thank you, beautiful, looks delicious.” he winked at you with his signature charming smile before he began walking out of the kitchen “Oh, and pretty boy said he wanted some iced tea, be a doll and bring it after you’re done cleaning up, thanks.” 
Without further word, he vanished from your sight. You had to take a second to catch your breath, desperate for a bit more friction. You considered touching yourself, but if Mr. Hotchner were to catch you, you wouldn’t be able to come again all night, he would make sure of it. 
You could feel Derek’s cum beginning to drip, but the cleanliness of the kitchen was a priority. You abided by the task that you had been handed, after a couple of minutes of cleaning up, since you hadn’t made a big mess, you prepared the beverage for Dr. Reid and headed back to the area. You settled the glass of iced tea next to the man that had requested it. 
“All in.” as soon as you stood next to him, you heard the youngest of the group exclaim, he then muttered a casual ‘thank you’ at the gesture of having his drink brought over. 
Hotch and Morgan exchanged playful glances. They knew he was rushing, his decision possibly prompted by the fact that your breasts were so close to his face; they noticed the bobbing of his adam’s apple, and Aaron had paid attention to how he palmed his bulge while he heard you get taken in the kitchen. Logic just flew out of the window when you were around, and his coworkers adored seeing that side of him. 
“You got me.” Morgan said as he folded his cards, and Reid cockily took a sip off his drink.  
“I’ll play.” Hotch mentioned before adding his chips to the pool. 
“Two pairs. Kings and Queens.” Spencer opened his hand. 
On his part, Hotch could simply scoff while he threw his cards on the table. “Jacks and Queens.” he said with pretend defeat. 
The blond man boasted with his expression in pure pride. He didn’t use to be the kind to order you around, unlike the other two who had gotten very comfortable, and preferred you took the initiative during game sessions. 
This time, nonetheless, he looked quite eager to take control. Once he noticed you looking at him expectantly, waiting patiently for your command. He narrowed his eyes, ever inexperienced, trying to come up with something, or rather trying to find the right way to ask. 
“Could you…” he stopped to try and analyze his next words “Could you bend over?” he motioned towards the table. 
It took your entire strength to not laugh, you weren’t making fun of him, he was just ridiculously adorable, and it made hard contrast with the whole situation in the first place and his actual sexual interests. You obeyed, not wanting to make him self-conscious, moving Derek’s plate out of the way elegantly before resting your entire body face-down against the piece of furniture. 
You let out a quiet whimper from the contrast in temperature; your ass was left up and exposed in his direction. He finally stood up, and you looked back to peek at what he was up to, his hips had lined up with yours, his member was still clothed, but that didn’t stop him from grabbing at your asscheeks and pressing his bulge against your dripping cunt. 
“Why don’t we change the game?” his eyes were glued on your skin wrinkling up with every push, but he kept talking to his coworkers “How about blackjack? Hotch can play house” he proposed. 
“Reid, it’s literally illegal for you to play blackjack in two states.” Hotch pointed out. 
“That’s true. You have an unfair advantage.” Morgan added. 
“Card counting can only be done with extreme concentration and observation of the cards being dealt.” his eyes didn’t leave your body, his palm gently massaging your skin as he kept rubbing himself on you “And I happen to be too busy to pay enough attention.” 
“Alright, but blackjack is a fast game. The player needs to win at least three rounds to claim their prize. Draws don’t count towards the winning number.” Aaron clarified.
The rest of the players nodded in agreement. Mr. Hotchner was the dealer, since he was playing the role of ‘the house’, and he began assigning the first round of cards. Before he got to Reid, though, he noticed there was no space on the table, your body occupying most of it, and so he resolved he would just put it over your naked back. 
You gulped in surprise and your body seemed to get hotter, you surely weren’t expected to be used this way; your nipples brushed against the surface of the table, and Reid noticed how you pushed back against him slightly. 
The doctor pulled away, satisfied for the time being with the friction that he had gotten, and realized there were a couple of white-ish stains. 
“Come on, Morgan!” he exclaimed once he noticed it was semen “Can’t you clean up after yourself?” 
Derek could only break into a laugh, and you noticed a small smirk on Aaron’s face as well. 
“Sorry, kid.” he simply said, waiting for Hotch to open his second card. 
Reid made an unamused expression and crouched down to observe the situation. You still had some drip down your thigh, and your slit still had some traces of Morgan’s release. 
“I’ll help you out, but I need you to do something for me.” he said, palming at your ass to let you know he was talking to you; you hummed, replying that you were listening intently “I won’t be able to use my mouth, so if I suck, it means hit, if I insert, it means stay” 
You furrowed your brows with confusion, but he didn’t give you much time to understand. You felt his tongue trail up your inner thigh, taking the liquid that had spilled over it with it, and shortly the muscle pressed against your slit, taking a lap at your entire sex.
Your hands gripped at the side edges of the square table, on your right side Derek Morgan was looking intently at his cards, on your left Aaron Hotchner was paying close attention to the youngest’s movements. He snapped back to the game once your pleased noises started flowing, his hand darting out to land on top of yours and rub at the back of it slightly. Aaron dealt the second round of cards and Reid’s landed on your back once again. 
“14.” the older man said. 
A little distracted by the way his tongue teased your labia, you didn’t pay attention to the words the dealer had said until you felt Spencer’s lips wrap around your clit and intensely suck the air in. The sensation, which was foreign, made your legs go weak; the man pressed his face against your rear to keep you up, and it only made the interaction so much hotter. 
“Hit me!” you exclaimed in between moans. 
“8. Adds to 22.” Hotch said calmly. 
Reid grumbled against your cunt, his tongue going back to your entrance instead, superficially licking, taking his time to taste everything around it. 
Morgan was busted as well, which meant the house took the round. Spencer kept a steady and slow pace; you felt the cards being removed from your back and, almost immediately, a new one was added. 
“20.” Hotch said again. 
The youngster’s hands had been placed against the outer sides of your thighs in the meantime, however once he heard the number they traveled up. He pulled away and you slightly whined at the lack of contact, his thumbs spread the outer part of your pussy open and his tongue immediately slipped inside your entrance. 
“Stay.” you struggled to let out, only coming out as a shaky breath. 
Hotch opened a couple more cards, Derek was busted again, so there was a chance for Reid’s win. 
“21 for the house, house wins.” Aaron exclaimed. 
Your head defeatedly laid against the wooden table, the man buried in your rear could feel your walls clenching and your hips slightly moving to grind against yours. Your shaky breaths didn’t only alert him that your second orgasm of the night was coming, the other two men could also tell. 
“Reid, your time with her is almost up.” Aaron pointed out after taking a look at his watch. 
Spencer pulled away once again, to your discomfort, and narrowed his eyes pretending to think.
“I’ll tell you what, win this round and I’ll let you orgasm.” Reid proposed to you. 
You trembled a little with anticipation, feeling your orgasm edging on. Instead of allowing his tongue back on you, he simply pressed open-mouthed kisses to your labia, making sure he wouldn’t touch any sensitive areas. 
Aaron dealt another round of cards over your back, not even paying attention to your begging face. 
“16.” he notified you since your eyes were tightly shut with irritation from being so close yet unable to release. 
“Hit me.” you commanded, still feeling Reid’s wet lips kissing your sides. 
“3. Adds to 19.” He clarified as he threw another card against your back. 
“Hit me.” you said once again.
Aaron and Spencer exchanged looks, it was a very risky move, statistically heavily improbable.
Hotch opened the new card against your back, and he let out a pleased chuckle. “2. Adds to twenty one.” 
Reid laughed with incredulity, but he was a man of his word. His lips clasped your sensitive nub once again, and he sucked the air in as his tongue moved rapidly from side to side. A high-pitched moan at his movements, and you couldn’t help but to release your juices over his face. You could hear an erotic slurping sound from the back, he was abiding by his promise of keeping you clean. 
“Well played!” he beamed at you and cleared the cards from your back “That was a very unlikely pull, I’m surprised you made it.” 
“Certainly.” Hotch reassured as he dealt the next round of cards.
Reid had sat back down on his chair, and as the pieces of carton landed on you, you decided to stay put on the table. Spencer’s eyes would travel from his cards to your ass from time to time, almost as if he was pondering his next move after he won. 
However, he wouldn’t be as lucky, and neither would Derek, since the next round was won by the house, which meant Hotch was back in control. You were about to stand back up and his hand laid on your bare back, stopping your movement,
“Actually, honey, why don’t you remain there for a little bit more?” he commanded and you obediently remained “Reid, move.” he said standing up.
The younger furrowed his brows with unintentional defiance “But this is my seat…” he quietly complained. 
“You can have your seat back once I’m done with her.” Hotch said, his tone was as imposing, but you could tell he was a little more gentle. You didn’t know the exact nature of their relationship, but you had figured Spencer was a soft spot for him. 
He finally obeyed and stood up and away from the chair, leaving enough space for Hotch to stand behind you. You could immediately feel the tip of his member prodding at your entrance, after what Reid had done to you, you certainly didn’t need any more preparation. You were overstimulated as it was, but his cock was always welcome, and he could tell by the way you were clenching around nothing simply by having him so close. 
He smirked to himself at the feeling and immediately allowed himself inside of you. You grunted with pleasure as you felt him enter, your fingers, tired from gripping on the sides of the table, beginning to curl around in the air. 
“Here, you can grab onto this.” the ever so chivalrous Derek Morgan reached out to intertwine his fingers with yours, giving you a soft area for you to squeeze trying to not lose control. 
Mr. Hotchner wasn’t going to pretend being gentle, his thrusts picking up speed as soon as you had gotten used to his size. He moved his shirt slightly aside, enjoying every second of watching himself disappear between your contracting walls. He let out a soft groan in pleasure, and you could tell he was beginning to lose himself in you. His hand gripped at your buttock, squeezing roughly to help him move your hips back and forth. 
The other two participants didn’t seem to move a finger, they could only stare, with pleased expressions on their face, at the way tears began to prickle on the corner of your eyes. Reid reached to land a hand on top of your head soothingly, and his kindness was always appreciated. 
Your obnoxious sounds were a delight to the three of them, therefore they dreaded the tune of a ringing phone interrupting the melody they adored. Hotch reached for the gadget within his pocket, furrowing his brows at the caller ID. 
“Yeah, JJ?” he said and made a ‘shushing’ sign to Spencer and Derek. 
Reid gently moved his hand from your head to your mouth, initially he was simply going to cover it with his palm, but an impulsive thought beat him to it: his index and middle finger slipped inside your mouth and pressed against your tongue. 
“Suck.” he ordered in a whisper “It will help you keep quiet.” 
You obeyed the doctor’s order, however, focusing on coating his digits in your saliva; your sounds were kept muffled in your throat, but they escaped your lips from time to time, since Aaron was not giving you a second of rest. 
“Can’t it wait? I see. It’s fine, Reid and Morgan are with me, call Dave, we’ll meet you there in 15.” Hotch continued instructing. He was doing his best to appear unbothered, and he was purposely hitting deeper each time, almost making it a challenge for you to keep your sounds down. 
“A case?” Morgan inquired as soon as his superior got off the phone. 
“And urgent.” he put the device away once again and leaned slightly over you. His fingers glued themselves to your clit, circling it slowly, he was trying to, most likely, rush your orgasm. The pleasure it brought to you was a little painful, being that it had been the part of your body that had received the most attention during the night. You whined at the sensation, and Reid had to slide his fingers further back to keep you from screaming. 
“You know, Hotch, there’s a question that I’ve been meaning to ask for a while.” Spencer suddenly emitted, and Aaron looked curiously in his direction, prompting him to inquire “Are you really paying her?” 
The question caused Hotch to chuckle slightly “No, it’s more like an arrangement.” he confessed, still focused on pounding your cunt. 
“Then what does she get out of it?” his eyes narrowed as he observed you, fucked out of your mind, swallow your cheeks around his fingers. 
“She gets to come,” he clarified “as many times as she can take.” 
As he spoke, his hand raised to land a loud, yet not utterly strong, slap on your ass; he did that sometimes when he allowed you to release. His hips snapped one final time, pressing all the way in to spill his cum inside of you. Your third orgasm of the night was divine, your teeth slightly gritting against Reid’s skin. 
You laid there, absolutely exhausted, for a couple of minutes as they gathered their things and fixed up their clothes. Once you had recovered your energy enough to stand up, you felt your knees betraying you almost immediately. Morgan bolted from his nearby spot to offer his body as support, his arm surrounding your middle. 
“You alright?” he asked with concern and you nodded. 
“Here.” Spencer came closer with a wet wipe that he handed to you. 
“I’m sorry we can’t see you off, but this is urgent.” Hotch came out of a random room with a briefcase on his hand and his pristine suit already on “Rest as much as you want and help yourself to anything in the kitchen, just make sure to lock the door when you leave.” 
Without saying any further he leaned closer to you and pressed a gentle kiss to your lips. He muttered a ‘let’s go’ directed to his subordinates and almost dashed outside the apartment. Morgan simply took a quick peck at the side of your head and told you to ‘take care’. Spencer stood there awkwardly for a second; you could see in his eyes that he was trying to do something, anything, but he couldn’t find the right gesture. Unable to take it much longer, you curled your hand into a fist and offered it in his direction. He bumped it with a fist of his own, and both of you laughed with a bit of embarrassment.
“Listen,” you said before he could move away, slightly entranced by his hazel eyes “the arrangement I have with Mr. Hotchner…” you diverted your gaze, suddenly slightly embarrassed “...it’s not exclusive.” you finally said. 
Spencer’s eyes opened and eyebrows raised in surprise, were you insinuating what he thought you were? His mouth opened and closed in search for an answer, but he struggled to make sense of anything, too scared to diffuse the interest you had shown in him. 
“You don’t have to agree right now,” you reached behind you, to the side table that had the landline phone on it, to grab a pad and a pen and immediately wrote down your number “if you want to explore a contract of your own, give me a call.” you said with a smile handing the paper over to him. 
“I will!” he said with almost too much excitement. 
“Reid!” Morgan yelled from the corridor. 
Spencer let out a quick curse and wrinkled his face with frustration “I’ll call you.” he said before he left in a rush. 
You giggled a little with teenage-like excitement, a feeling that you hadn’t experienced since you first started your dynamic with Mr. Hotchner. New guy, new conditions, new games. Perhaps poker is not the only way to have fun. 
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petraforgedyke · 7 months
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i’m seeing a lot of fear today about Tumblr Shutting Down (Real) (Actually True) today and let peepaw seg tell you a story
i’ve been on this webbed site for fifteen years, believe it or not, since way back in the days of Tumblarity. now i was but a wee lad at the time, so i don’t remember the fine details, but rest assured, it doesn’t matter much for the story i’m about to tell you.
you see, i remember when tumblr was owned by tumblr. folk called its ceo (david karp) “daddy”, and were enthusiastic about his communications, even if on our own blogs, we’d bitch and moan about tumblr making changes to things we were used to. i remember the hubbub when tumblr removed tumblarity, and how this was surely going to be the end of tumblr.
all those fifteen (though it might be sixteen) years ago.
layouts changed, and we’d bitch and moan, and tumblr’d get sold, and we’d know for sure that This Was The End Of Tumblr, For Real This Time. this happened again and again and again, because this webbed site, you see, it makes no money, and companies, greedy things as they are, like money.
the porn ban, under the reign of YaHoo that was, was seen as another death knell. tumblr was going to die, for real, for sure, and i’m not proud to say that i was one of the ones who fell for it. peepaw seg needed to sow hir wild oats on other platforms.
now, i say this happened under yahoo, but it’s important to remember that this ban came in the wake of both the apple app store banning the tumblr app on account of real life csem being hosted on tumblr, and the new usamerican law SESTA-FOSTA being implemented, which made it so that companies such as tumblr would have to moderate the explicit content on them to make sure none of it breached sesta-fosta. tumblr, being a small fish in the grand scheme of thing, didn’t warrant that amount of financial effort on yahoo’s part, as the site was still not making any money, and it’s easier and cheaper to blanket ban than it is to moderate. all this to say, it’s important to vote, because if you don’t, your internet freedom will be curtailed.
and now we’re here, some sixteen years on, and i’ll say automattic has been not all good, but definitely not all bad for the site. they changed stuff we liked to our discontent (layouts), and added stuff we hated (live), but they also gave us stuff we like (polls) and an amount of open communication about tumblr’s inner workings not seen since the days of david “daddy” karp. and now they’re putting just a skeleton crew on the tumblr project.
and that’s going to be The End Of Tumblr For Sure For Real Actually This Time. Really. Promise. Abandon Ship.
and we come to the crux of this story.
which is that this has happened before, and it will happen again, because tumblr is surprisingly immune to making any money.
what we’re likely to see in the coming time is no new features (that’s reserved for projects that make money), and an increase in ads, until one day, and this might be in a few months, and maybe in a few years, there’ll be an announcement that tumblr’s been sold to one direction to a new company.
and we’ll start the whole rigmarole again. and this company might be good for tumblr’s userbase, or it might go against everything the tumblr community holds dear. no way of knowing which way it’ll go.
until one day, some parent company will have had enough, and will pull the plug.
but for now… well, i’m gonna sit here on my porch (blog), and we’ll see what happens. i'm not worried, tumblr’s survived worse things.
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devondespresso · 10 months
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FINALLY
after NINE. HOURS. (NOT including meals and sleep) ITS FUCKING DONE.
A complete floorplan of the entire Harrington house. Including too much thought about random, throw-away lines from characters and squint-to-see-it background glimpses inside.
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plently of stuff in the actual house is altered or straight up ignored in favor of following the fiction logic and because I Wanted To. A lot of this is motivated by my headcanons for the Harringtons and how I'm writing them in my fic, but I'm also certainly not an architect so it's by no means perfect. It is, however, unreasonably canon compliant in the few bits we do see.
Thought Process (for context):
the darker shaded floor areas are lower than the rest, some bits like the garages having stairs and some areas like the sun and dining rooms list being like a step lower. Windows are marked with dashes along the outside, sliding doors are two thin lines slightly overlapping, stairs change color as they diverge from the level we're looking at, and furniture is eyeballed so don't look to closely a the scale.
not all closets are labeled, just the ones i figured could be confusing. Steve and the guest rooms have closets i promise.
the laundry room and pantry are not the same size but by the time i noticed i was exhausted. so pretend they're both more reasonably sized.
i don't know what the floorplan symbol for garage door is and then i forgot to look so the headlights point to where the doors are and you can see them clearly in photos so yeah.
The general layout is based on the idea that the Harringtons are or were into hosting dinner parties and business meetings in their home, especially as a young rich couple looking for respect in their circles (Mr. Harrington taking on his father's business and reinforcing that power, Mrs. Harrington climbing her own social ladder and building an image).
So the house is laid out with hosting areas towards the right with the office big and near the dining room because it's more than just a workplace, it represents him as a businessman. In canon the entryway and living room both have very high ceilings and no second-floor above them, so I'd imagine they're also aware of how the top floor looks from below, hence the fancy double/french doors to the master bedroom which is in plain view from below. Steve's room and the guest room are's nearly as visible.
As for the kitchen and sun/pool rooms, I see them more as secondary hosting areas that aren't used as the main location most of the time and are more this background setting to these events that still feel rich. The kitchen is massive and mostly for dinner-parties and Mrs. Harrington's social events.
The kitchen and main bathroom's placement is based on a line Steve said to Barb giving her directions to the bathroom: "down past the kitchen, to the left". With the massive living room on the left and wanting to keep the dining and office close by, i interpreted the "to the left" part being like "find the kitchen, then turn left". And with the rest of the area being open-concept, the bathroom would be the only normal door over there and easy to find. it's a bit of a stretch with just that line, but it makes sense to me with the rest of the context for the layout.
the basement is similar to this, though not as openly displayed so I imagine its for slightly closer friends. Theres a garage door down there so I figured Mr. Harrington might have a cool car he shows off, like he's letting people in on a personal detail about himself. There's also a guest room down there (the only one still considered 100% for guests, more on that later) for those people.
beside the basement garage, there was originally one main garage that holds two cars, obvious Mr. and Mrs. Harrington's cars. I imagine they bought the house before having kids, so a third one wasn't on the mind but after having Steve they added the front one (either turning the carport into a closed garage or they never had a carport and added a whole new addition, up to you)
Both garages lead to the same part of the house, and that area is the only one besides the water heater room that is purely function over effect. It still looks good like the rest of the house but it's not made to be fancy because guests would rarely need to be over there if at all and it's not noteworthy from other parts of the house.
In my headcanon, Steve's room used to be a guest room, staying his room from nursery to present with Mrs. Harrington renovating every now and then. Its one of those places in the house that doesn't have to look perfect for all to see, so she gets creative and has fun with it.
The upstairs guest room is also unofficially Mrs. Harrington's room, based on a line where Tommy mentions a fireplace in "his mom's room" instead of "guest room" or "parent's room" or "master bedroom". I belatedly realized this could be a solidarity thing with Steve hating his dad and calling the master bedroom his mom's room, but that was after 9 hours of this and im not changing it but there you go. In this version, I imagine she leaves the master some nights because her marriage with Mr. Harrington is failing (cheating and all, I wouldn't want to be in the same bed with someone who cheated either)
the master bathroom was an executive decision, just looking at the house in canon and not having enough space in my first attempts, i decided the triangle roof part above the dining and office could fit a master bathroom.
Feel free to use or reference this in your own fics! Feel free to block out my furniture or walls and make your own version. If you share my image please credit with an @ mention!! (again, 9 hours) (thank you fhalsfhd)
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shaunamilfman · 2 months
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can u write jealous Jackie hcs? if u do, thanks in advance:)
you're welcome brooo. love jackie requests for sure don't even worry about it man
Jealous Jackie HC's
girl watches you like a fucking hawk whenever someone's talking to you. even if she's actively talking to someone else you'll catch her keeping an eye on the situation the whole time
walks up to you afterwards all like “so what were we talking about?? 😁😁” with a dangerous glint in her eyes. Jackie Taylor can be terrifying when she puts her mind to it. god forbid someone makes a serious move on you. she might even sic Shauna on them
Jackie will know someone's entire life story if she's jealous of them. walk into the living room to see her on her laptop looking at the layout of their house on a realtor website. be glad you left before she built it on the sims and set it in fire. it was… disturbing. 
she sips at her drink to distract herself and ends up getting fucking wasted every time. accidentally throws up on your shoes and still asks if you think she's pretty afterward
Jackie gets more insecure when she sees you talking to a man (even if you're obviously not interested in them), but gets extremely jealous when she sees you talking to a woman. lives for running those girls off. walks over to talk to them and is like “hey I heard a rumor that…” until they get so uncomfortable they leave
Jackie gives shauna a play-by-play of every single event in such excruciating detail that Shauna's tapping her head against the wall hoping she somehow knocks herself out. Shauna pleads with you to never talk to anyone ever again so she doesn't have to hear about it again. 
1996 Jackie taking notes from one of those teen magazine articles like “10 ways to keep your man from straying” like it's her fucking job (someone breathed in your direction). absolutely does not work for her. you ask her why she's been so fucking weird all week and she looks frustrated that you didn't fall even deeper in love with her like the article promised you would. somehow it's your fault, she knows it. 
Jackie tries taping their face on a dart board because she's seen it in movies but can't get a single dart to land on the board and ends up madder than she started. 
self-indulgent but thinking about Jackie knowing you're nearsighted and drunk Jackie stealing your glasses because “why would you need to see other girls further away?? 🙄🙄” 
Jackie Taylor is a master of pretending to drunkenly pour her drink on whoever she's jealous about. all wide-eyed apologies and slurring her words as she looks so genuinely sorry that you even start to believe her it it wasn't for that smug look that crossed her face as they walk off to change
she's all fucking over you. climbing into your lap, arms wrapped around your shoulders, faced buried in your neck, whispering little things in your ear. imagine how close you think two people could get. not close enough. Jackie's got that beat. 
doesn't like feeling jealous so she'll flirt with other people to get your attention because she wants you to be the jealous one instead. except she always makes the worst fucking choices. it's always like Shauna (which 🤷 is hot. let's be real. you're into it.) or someone she's visibly not interested in or someone visibly not interested in her. she just sees red and can't think straight I'm afraid
Jackie conspicuously reading a newspaper she doesn't realize is upside down with those mustache glasses in the corner of the restaurant while you're getting dinner with an old friend to catch up
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noxturnalpascal · 2 months
Text
Devotion 🖤 II. Predator or Prey? (Ch 6)
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CultLeader!Joel x OFC!Reader
Series Summary: When is it enough? When is it too much? When does Devotion become Obsession?
Visit the Series Masterlist for series warnings, cult info, timeline info, and HCs on ages. Reader has a nickname and some minor physical descriptions - is an OFC from Reader POV.
*This series is 18+ MDNI. I will not be listing individual chapter warnings as I don't want to spoil the plot of each chapter. Please see the series masterlist for entire series warnings to decide if this is for you.*
⚠️PLEASE PAY ATTENTION TO THE SERIES WARNINGS, ESPECIALLY: possessiveness, manipulation, Joel gets mean, Joel gets verbally and physically abusive.⚠️
LAYOUT OF JOEL'S HOUSE
PREVIOUS
II. Predator or Prey?
CH 6 (5.8k)
It’s two weeks into the New Year and you’ve been spending every day plotting and planning how to keep away from Joel. It’s not easy, especially since you don’t even have a bedroom door to keep his wandering eyes from staring at you while you get ready in the mornings, as he stands in the hallway in overbearing silence. Your task was made even tougher when Tess said he wouldn’t allow you to leave the house anymore for your daily chores. 
You’re stuck inside this dusty old prison all day, awaiting his return. The day might go as usual and he’ll threaten to force feed you at meal time. Maybe it will be another glorious day of him digging bruises into your arms or throwing you against walls. What if he really changed things up and grunted all sorts of fucked up things in your ear while you brushed your teeth? Oh wait, he already does that.
As snarky as you try to be about it – lamenting your life as you drape yourself over the couch, passing the hours in silence and slowly going mad – the whole situation really stresses you out. You weigh your feelings of safety and security in this community with the vicious and unpredictable behavior you’ve been enduring in this house. Is it still worth it to stay here? Are you better off in The Valley or would you be better off out there, alone in the wilderness? You’re on edge all the time, never sure what’s going to set him off. You spend so much time thinking about him, every moment you’re awake really, just so you can try to avoid him as much as possible. 
He used to be on your mind all the time, thinking about his body on yours, the warmth of his skin under your hands. You’d fantasize about a future with him and what that might be like, letting him protect you and take care of you. Now you think about if you’re always going to be this hurt by his duplicity, feel this raw about his deception. Deep down, in a place you don’t like to acknowledge, you still wonder if there’s any future for the two of you. You push that thought away to compose a plan for how to stay out of his way when he gets home for the day.
And yet, every night at dinner you sit right next to him, unable to escape, watching out of your peripheral vision as he stares you down with a hateful look in his eyes. There was a time when you thought that the scariest thing he could do was touch you without your permission. But now he touches you every day – with open palms and closed fists, clutching fingers and rough grips. You never even considered these kinds of touches as an option from the man who used to be so gentle and tender with you. That man is gone. 
This day, however, looks like it might turn out alright when Sasha and Tess return shortly before sunset from a scavenging trip they made to a family lodge situated on a rocky outcropping a few hours hike west of The Valley. They pile their haul on the dining room table, emptying out packs and bags they came back with stuffed full, and a stack of books catches your eye.
“Who are these for?”
“Anyone,” Sasha answers while sorting the clothes by size into neatly folded piles. “There were a bunch in a makeshift library up there but most of the collection was damaged by water and mildew. There were only a few we could salvage.”
You stand still, staring at the books, not wanting to pilfer something that Tess and Sasha worked hard to collect for the entire Valley. Tess sees you hesitating and pushes the stack towards you.
“Go ahead, look through ‘em and read any you want,” she shrugs. “When you’re done we can put ‘em back in the community library.”
You lift the first book up, going through the stack slowly, not recognizing any titles. The first two are young adult books, their covers adorned with pennants for their high school team and smiling teens talking on the phone. The third is the 1994 National Electric Code Handbook and the fourth is a non-fiction book on the Native American tribes that once inhabited New England. But the fifth one makes you stop in your tracks. 
The fifth book is your favorite book.
You turn it over in your hands, its dust jacket long since removed. The faded red hardcover is soft with wear, but the simple tree in gold foil on the front is still gleaming. The Secret Garden. Your eyes begin to sting as you recall the places your imagination used to take you to when you read this story, wishing as a child that you had a secret garden of your own to find, hide away in, and restore to glory. You kind of wish you had one now.
“You read that one?” Sasha calls over her growing piles.
“Yeah,” you whisper, your voice breaking, “It’s my favorite book.” You look up and meet her face, tears in your eyes. But she’s not looking at you. She’s looking past you, face solemn. Your smile disappears as you slowly turn around, already knowing what you’re going to see. You don’t look at his face. You don’t meet his eyes. You take trembling breaths as your eyes fall on the center of his chest, less than a foot distance between you. Joel.
Favorite book you’d said. Just like that. Offered it up like the most casual thing in the world. But would you tell him when he asked? Of course not. He gave you so much. He gave you food and shelter. He told you about himself – shit, he even told you about Sarah. But you wouldn’t tell him about a stupid fucking book, wouldn’t give him your fucking name, even after all this time. Wouldn’t give him what he needed. 
You. He needed you. 
You withholding little bitch. 
He grabs the book out of your hands, turning it to read the title on the spine. 
“Look at me,” he demands.
You don’t.
He doesn’t ask again. He lifts the book to your eye line, grabbing a chunk of pages in his right hand and yanking them out of the spine. He holds his hand up and releases the pages, letting them flutter to the ground, single sheets and some clusters still bound together covering your socked feet. The tears collecting at your waterline spill over and you let out a quiet whimper. He shoves the carcass of the book back into your hands and walks out of the room, a satisfied smirk on his face.
Tess follows him, pushing open the closing door of his office behind him. 
“Why’d you do that to her?” she asks, stepping into the darkening room, the short winter day having just seen the sun set.
“Don’t give her any more books,” he snaps, ignoring her question.
“You made her cry–”
“Oh boo-fuckin’-hoo, she’s always cryin’.” Her eyes are adjusting to the dark and she sees him moving across the room.
“Joel–”
“No more books,” he shouts, turning to stomp back to where she stands. “She has a fuckin’ book and it’s out there sittin’ on the mantle,” he points at the wall, momentarily acknowledging the book he pretends he hasn’t seen remain untouched since Christmas, everytime he walks through the goddamn room.
Tess holds her hands up in defeat and backs out of the room, leaving him alone to pace and grumble to himself. She decides to make a plan that night, determined to find a way to snap Joel out of it and keep you safe in the meantime.
Alone again, Joel feels himself thickening in his pants and he wants to scream, wants to put his fist through the wall. He wants to shake you and slap you and squeeze you and make you look at him like you did before. You won’t look at him at all. Why won’t you fucking look at him? 
There’s no moon in the night sky so even with multiple windows in this room it remains quite dark. He rounds his desk, bumping his hip into the corner as he throws himself into his chair. He pulls open a bottom desk drawer and withdraws an item he’s kept hidden under a pile of maps: a pair of your underwear. He remembers the night he took them, the week before everything went to shit. Before you looked at him like everyone else. Before you broke yourself open for him. Before his true self was revealed to you. 
Before you hated him.
He shucks his jeans open and reaches into his pants, his dick already hard. He spits into his hand and begins stroking up and down, bringing your underwear to his face and taking deep inhales, setting a fast pace. As he takes whiffs, he opens his mouth, letting the heady scent of you permeate all his senses, rolling his eyes back into his head. He thinks about that night he pulled these down your legs, how you looked on all fours bared open for him and the way you rolled your hips, moaning his name. He thinks about what you tasted like when you came on his face.
He hisses, squeezing hard at the base of his shaft, suddenly aware that he’s about to come much too quickly. He slams the underwear down on the desk, cursing that he lets you affect him like this. He’s barely touched himself these past weeks, getting too angry every time he thinks about you and how badly he wants you, how you won’t give him what he wants. He’s neglected the aching hardness he awakes with each morning and ignored the other women knocking on his bedroom door at night, knowing it isn’t you on the other side. You won’t give him what he needs.
He wraps his hand around his shaft and resumes stroking, slowly this time, staring at the underwear he’d stuck in his back pocket after you begged him to take them off and keened when his mouth touched you. His eyes have adjusted to the dim room and he thinks he can see a stain on the gusset, reaching forward to brush his thumb along the fabric. His calloused finger scrapes across the dried remnants of your arousal and he groans loudly, squeezing his cock firmly again, willing himself not to come yet.
He watches his hand continue slow movements on his length, rolling his fingers along the underside of his head, over the tip, gathering the precum there to swirl and spread on his downward strokes. Why the fuck does he let you do this to him? Why does he let you get in his fucking head? He can’t control himself, he’s losing his goddamn mind. He should go back out there and grab you by the hair, drag you in here, and remind you how lucky you are to be here.
He looks over at the couch he used to sit with you on. He should throw you over that couch, pull your pants down past your ass and fuck you from behind. He’d grab the books he’d read to you off the shelf and smack your ass with them, listen to you cry out and whimper, hear your growing wetness as his cock pounds your perfect, willing pussy. He’d make you grovel for his forgiveness, make you beg him to let you come. He’d make you thank him for your Christmas gift. He’d make you fucking look at him.
That’s what he’d do. 
He’d grab your face and make you look him in his eyes while you came, feeling the spasming walls of your cunt around him. He’d keep fucking into you, listening to you wail through your orgasm, watching your eyes roll back and your face go slack. He’d make you watch his cock disappearing inside you, covered with your creamy arousal as he hits that perfect spot deep inside you. The place he earned. The place you refuse to give him. He grabs the underwear off the desk and wraps them around his length, increasing his pace again. 
The only sounds in the room are his panting breaths and the thumps of his fist hitting his pelvis with force as he pumps himself over and over. His head is thrown back when he feels the familiar tension in his balls and he brings his chin to his chest to watch his release darken the fabric covering his cockhead. He pulls your underwear off him with one hand and continues to jerk himself with the other, pressing himself down, aiming it so the white ropes pumping out of him cover the stolen garment. His breath hitches in his throat with short, desperate gasps as he squeezes the last of his climax into the cloth.
He clenches his hand around the underwear, letting his spend press between his fingers and run down his fist, dripping onto his denim-covered knees. What a fucking waste. Your denial, your refusal, your goddamn obstinance. Look where it gets him – coming into his hand like a pitiful virgin, as if he can’t get a woman of his own to fuck him. How dare you treat him like this, withhold yourself from him, have him resorting to these degrading acts. 
You seem to forget how good you have it in the safety of his dominion, protected under his watchful eye. Maybe you forgot how ugly the world is out there, how cruel people can be. How many people in this world would kill to be in your place? How many women here in The Valley wish they were you, fortunate enough to be the object of his desire? You’re so fucking ungrateful. You need a lesson in how to behave, how to be more appreciative of him. You need to learn some loyalty.
The following Thursday you’re facing the front door, bundling up your coat for the walk to the meeting and waiting for Joel to come out of his office to walk with you since you’re not allowed to leave the house without him. You hear the door open but don’t look back until you hear an unexpected noise in the form of a female voice. Kerri is walking with him through the living room. They were in his office together. 
It’s fine, you don’t care. You’re not jealous. You have no claim over him. He’s not yours. You don’t want him. He does whatever he wants and you can’t control it. So let him have it his way, you don’t care.
You catch him staring at you out of the corner of your eye but you don’t dare turn your head. You won’t give him the satisfaction. Behind you, you think you hear Kerri getting her coat and shoes on as well. Tess is wiping down the dinner table and sees the group of you gathered at the door.
“Kerri, where are you goin’, hon?”
“She’s coming to the meeting with me,” Joel answers for her. He said me, not us. Like you weren’t even there. You let a scowl take over your face. He’s being such an asshole. Tess doesn’t question him, probably for the best. You hear him huff out a laugh.
You look his way and see the smug grin on his face as he opens the front door and motions for you to go out of it. You don’t let it bother you. It’s fine that he’s bringing Kerri to this meeting even though Thursdays are supposed to be your meeting nights. It’s fine that they walk hand-in-hand behind you on the walk to and from the meeting. It’s also fine that he ordered her to sit in your usual seat next to him at the meeting and for you to sit on the other side of the room instead.
He doesn’t try to put his hands on you, he doesn’t chase you up the stairs. It’s fine. It’s what you wanted. You’re glad for it. So then why do you feel like your insides are on fire and you’re fighting the urge to spill them all over the ground? Back at the house Joel and Kerri head towards his office so you go to the kitchen to get some water and get away from them.
Moments later they’re coming into the kitchen and you hate the way your stomach rolls at the sight of them. Out of the corner of your eye you see her reach into the cupboard for a glass and you watch him push her against the counter, pressing himself into her ass. You just know he’s digging his erection into her. He used to do that to you. You used to like it.
A shiver goes through your body and you almost drop your glass, but as you recover you see in your peripheral vision that he’s watching you. Is he doing this to get a reaction from you? Is he waiting for you to cry again? You won’t give him the satisfaction.
“Goodnight, Kerri,” you say as you turn quickly and head out of the kitchen.
He grabs you before you can even make it through the dining room.
“Not gonna say goodnight to me?” He digs his fingers into the tender underside of your upper arm. 
You hiss quietly in pain.
“You should know better than to be so rude,” he spits, bringing his face within inches of your own. “Seems like I need to teach you some fuckin’ manners.” 
He lifts his other hand and swats your ass, laughing when you yelp in surprise.
“Well, I’m gonna go to bed,” Kerri says in the doorway.
She might as well be invisible for how Joel completely ignores her while he swats at you a few more times, mumbling how you’re such an ungrateful little cunt in your ear. You try to wriggle away and push him back but his grip only tightens. You’re reminded of a blood pressure cuff, the pressure and pain with which his hand cinches around you. 
Has he been playing this charade with Kerri all night just to get a rise out of you? Was he always like this? You thought he was a good man; compassionate, hospitable, affectionate,  genuine. Did he only show you enough of himself to lure you, to make you trust him? Was he lying the whole time about his true intentions? Were you really that gullible? God… he’s so fucking manipulative. 
You don’t know what you’re thinking but the throbbing in your arm has your free hand scrabbling to get away and before you can measure the consequences of your actions, your open hand slaps across his face. Joel relaxess his grip on your arm immediately, the shock evident on his face, but before you can wrench yourself completely free of his hold, he throws you across the top of the table.
You come crashing down over the other edge, your limbs flailing and knocking over a chair on the way down. Before you can steady yourself enough to stand up on your own, he’s come around the table and put his hands on you again, lifting and shoving you against the front wall. Each hand grips your arm above the elbow, bracing your shoulder blades hard against the wall. His face comes to your neck and you feel him inhaling, feel his moist breath huffing against you, feel his stubble scraping you, feel his tongue dragging along you.
“Why the fuck are you making such a big deal of this bullshit, baby?” he coos. “The world ended. None of that old nonsense matters anymore.” He moves one hand up to your jaw, gripping your face hard.
“It matters to me,” you squeak through gritted teeth.
“All that matters to you is me, you understand?” He holds you so firmly that you can’t open your mouth to speak or even shake your head in response. “This is all that matters.” He begins to place gentle kisses along your pulse point, in opposition to the crushing embrace he’s got you in.
Eventually he loosens his grip on your jaw and, without hesitation, you take your free arm and place it over his sternum, shoving him backwards as hard as you can. Shock is quickly replaced by anger on his face. You hold your hands out in front of you, distracting him enough to stop his advancing aggression. You gather courage from somewhere deep inside you, lashing out for his callous disregard of you all night followed by this gaslighting manipulation.
“I’m so tired of you spouting your bullshit dogma just to try and get me to fuck you,” you seethe.
He raises his hand like he’s going to slap you but when you hold your head up, somehow managing not to flinch, he doesn’t follow through. Instead he lowers his hand to shove a single finger in your face.
“You think I want to fuck you?,” he bellows, “I don’t want to fuck you. I don’t want to want you. I don’t want to think about you every fucking second of every fucking day.” He reaches forward and grabs the flesh at your hips. You side-step out of his clutch and take a few steps towards the stairs before he grabs you by the wrist and holds it tight. “Do you see how fucking weak you make me?”
You walk backwards, trying to put distance between you but his wrap around your wrist is firm.
“You’re hurting me, Joel,” you mutter. He doesn’t let go.
“Look at me,” he orders. “Fucking look at me, goddamnit.”
You don’t.
Something inside him snaps. He yanks you closer with the hand around your wrist and pulls your body against his so that his chest is to your back, snaking his arms around you and cinching them tight. He scrapes his stubble hard along your neck and buries his nose in your hair, taking several deep inhales and groaning in between breaths. 
His lower arm bands across your hips, digging into your soft flesh there while his other arm loosens and moves its way up your front. He grabs one of your breasts tight in his hand and presses his erection against your backside. You’re constricted tight, arms trapped as well, and unable to move away from him. You manage a breathy exhale of his name, meant to serve as a plea, but it can barely be heard.
“You can’t get away from me,” he growls in your ear. “You can never get away from me.”
He goes back to holding you with both arms, wrapped so tight that he knows it’s probably hurting you. You’re clearly struggling to breathe and even your feeble wriggling feels futile. Then he looks down and notices your struggling movements have shifted your sweater to expose the top of your shoulder. He recalls the mark he once sucked into your skin there, and the way it stayed on you for weeks. You need another reminder of who you belong to.
He moves his mouth to that same spot, baring his teeth, and bites into your flesh. Hard. 
He barely hears your screaming over the pounding of his pulse in his ears, his own ragged and panting breaths, his drawn out, animalistic moan. Suddenly there’s tugging on his arms and he looks up to see Tess’ wide eyes staring at him, mouth moving. She must be saying something but he can’t make it out. Someone is yanking at his shirtsleeve on his other side and when he turns his head, teeth bared in a snarl, he sees Kerri recoil in horror. 
Tess punches at his arms, claws at his neck, and tugs on his hair, finally managing to get him to loosen his arms enough to free you. She yanks you away from him and as she pulls you up the stairs you see him watching you from the bottom, eyes black, hair a mess, your blood dripping down the corners of his mouth. Tess drags you down the hall into her room, locking the door behind her. She puts a chair under the doorknob and tends to your wound with a first aid kit stashed under her bed. 
She lets you sleep in her room that night. Joel doesn’t come for you.
The next evening you’re standing in the shadows behind the old ice skating rink, which is used as makeshift stables during The Valley’s Friday evening events. It’s off the main road, set back in the woods a bit, but you have a pretty good view of the town square from here. You can see people coming and going, see Joel shaking hands with them all, nodding while they talk to him but looking over their heads, probably searching for you. 
“You’re gonna catch a cold.” You nearly jump out of your skin at Tess’ words. You didn’t even hear her coming. “I told you to wait inside.”
“It smells like horseshit in there. Besides, I’ve got this,” you say pointing to the knit scarf around your neck. 
She just nods, knowing you have a scarf because she’s the one who put it on you. She helped you get cleaned and dressed for tonight since you spent all day in her room hiding from Joel. She looks you over once you’re all dressed and then you both look at the bandage she has taped at your shoulder, peeking out from under your shirt collar. She grabs the scarf out of her drawer and circled it around you several times, tucking the ends into your coat.
“Do you know Beth?” Tess asks abruptly.
“Beth?”
“Yeah, Beth,” she continues. “Short brown hair, she lives with Hank Mansfield’s family, down at the dairy farm.”
“Oh, Beth. Yeah, she comes with Hank to the Thursday night meetings,” you nod.
“Exactly. She used to be a seamstress,” Tess adds. “Did you know that?”
“No, I don’t think we’ve talked much.” You know you haven’t talked much because you spent most of the Thursday meetings staring at Joel’s lips and waiting for them to be planted on yours. 
“She makes all her own clothes. She’s been helping the Mansfield’s too. I think she could help here in town if she lived closer.”
“Yeah I bet,” you reply.
“I was thinkin’, maybe you and her could trade rooms,” Tess answers your unspoken question.
“Trade rooms?”
“Yeah… she could have your room and you could go help out at the farm.”
“The fa–” you begin to question when her meaning hits you like a fist to the gut. You turn to look at her, a pinching pain behind your eyes, panic obvious on your face. “You want me to leave?”
“No, of course I don’t want that,” Tess immediately replies in a soothing voice. “I just think Beth could really help out here in town, but she’d need a room. And I thought maybe you might be willing to give yours up.”
“Give it up? I don’t understand.”
“I mean, you don’t have to live in that house if you don’t want to,” she nods towards the big house you share on the other side of the square. “It’s your choice. You can live anywhere you want.”
That doesn’t seem true. You don’t live at Joel’s house because you chose it. You live there because he invited you. He asked you. He chose you. You didn’t feel like you could say no and you’re pretty sure he wouldn’t let you choose somewhere else, especially not now.
“I don’t think he’d–,”
“No, it’s not his choice,” she interrupts you and repeats, “It’s your choice.”
“It is?”
“Of course,” she says without hesitation. “You could give Beth your room so she’d be able to help us here in town and you’d get a room at the Mansfield’s. You’d be able to help milk the cows. I hear a couple of them are pregnant, so there’d be babies this spring – get yourself a little change of scenery….”
Tess doesn’t want to seem like she’s overselling it but she really hopes the promise of baby animals tips this in her favor. She hopes that she’s getting the message across without having to say the actual words. I need to take you away from him, PJ. He’s going to keep hurting you, PJ. I’m trying to save you, PJ. She wants you to think that this was your idea, but mostly she needs you to agree to this. Right now.
“It’s far away though, isn’t it?” you say, staring in the direction of the town square now, where Joel is no doubt shirking his duties and obsessively searching for you. 
“It’s far enough,” she replies, letting the implication remain unspoken.
“I– I think he’d be mad,” you whisper.
“It’s not up to him. It’s up to you,” she nods, a soft smile on her face when you meet her eyes again. Please, she pleads silently. “What do you want, PJ? Do you want to help me out? Give Beth your room?”
A long moment of silence passes, breaking eye contact and looking down at your feet shuffling them several times before looking back at Tess, a hint of sadness in your eyes, a touch of defeat.
“I– I could do that, yeah.”
“Great! That’s great,” Tess exhales, unable to mask her relief. She quickly reels back her emotions and expresses simple and stoic gratitude, as if it’s a run-of-the-mill thing that’s just been agreed to – no big deal. “Thank you PJ, that’s really nice of you.”
Joel stands next to Sasha, her cold hand clutched in his warm one, looking around the square. He’s waiting for everyone else to meet them in front of the bakery so they can all walk home together. He sees Tess coming down the sidewalk, walking towards him with someone who isn’t you. You must be with Rosie and Kerri.
“Joel, you remember Beth, right?” Tess asks him when she comes to a halt at his side, “Lives with the Mansfield’s out at the dairy farm?”
“Of course,” he nods his head, barely looking in their direction. “Hank’s daughter. Hi, Beth.”
“She’s not Hank’s daughter,” Tess corrects. Joel finally looks at them, giving Tess most of his attention and Beth a quick glance. “Beth has just been livin’ at the farm since she came into town with Olivier and his wife, from the Montreal Safe Zone?”
“Oh, sure,” Joel says, as if this isn’t brand new information, “That’s what I meant.” And his attention is diverted once again, scanning the park across the street, looking at the departing crowds from the night of fun festivities.
“She’s a seamstress, did you know that?”
Joel doesn’t even bother responding this time. Why would he know that Beth was a fuckin’ seamstress? Why would he have ever talked about that with Beth? He doesn’t think he’s ever talked to Beth about anything at all. Why would he fuckin’ care? He vaguely hears Tess saying something about staying with us a while and he hums in acknowledgement. Why is Tess bothering him with all this stupid fuckin’ information? He’s obviously busy looking for you. 
His head on a swivel he sees Rosie and Kerri approaching from the other side of town. Wait, where are you? You were supposed to be with…
With Tess. You were with Tess. He turns to look Tess square in the eyes now. She has his full attention.
“Where is she?” he fumes.
“Like I was saying, Beth is a seamstress and she needed a room–”
“Who?” Joel sputters, not comprehending the words coming out of her mouth.
“Beth,” Tess repeats, motioning to the woman standing silently beside her. Beth waves awkwardly.
Joel whips himself around and takes off towards the house, dragging Sasha alongside him, not even fully realizing her hand is still clutched tight in his. He bursts in the door and lets go of Sasha, taking the stairs two at a time and entering the small, darkened room at the top of the stairs with no door. The sheets and blanket are fresh and crisp, the bed is neatly made. Five hangars swing empty from the curtain rod at the window, a half moon shining behind some scattered clouds and casting dim light through the sheer curtains. 
He touches the empty bedside table. It used to be covered with books, leaves, and rocks you found interesting in shape or color. Things you collected when you walked together. Things you collected when you walked alone, after you stopped looking at him. Things that proved you were still here. That you were still his. Now they’re gone. You’re gone. Tess took you away. 
He comes down the stairs slowly, Sasha standing just inside the dining room rubbing her wrist, the other women coming in the door. Tess stands at the bottom of the stairs with that girl whos’ not you at her side – Beth.
“What the fuck did you do?” Joel seethes. He reaches the last step and looks across the living room, his eye catching on the spine of the book he gave on Christmas, sitting on the fireplace mantle. It’s still here. You’re not.
“Beth needed–” Tess is cut off by a palm striking across her face.
She can’t say she wasn’t expecting a bad reaction from him, but she would have braced herself better if she knew it was coming right then. The slap sends her tipping sideways and she thinks she might even fall down except that Joel grabs the front of her shirt with both hands, keeping her from landing on the ground. He barks for everyone to go to bed and Tess watches Beth’s horrified face as Sasha takes her hand and pulls her up the stairs.
Tess knows he’s not done. She knows he’s going to keep going, keep hitting her, keep blaming her. She’s going to look like she got kicked by a horse tomorrow but it was worth it. He’s not hitting you. She can take it. She’s taken it before, from men with quick tempers. Joel will get his venom out tonight and tomorrow he’ll be remorseful and apologetic. Soon enough he’ll detox from you and eventually he’ll emerge from the haze, able to see clearly again. He’ll get his head on straight and be able to deal with things rationally. 
At least that’s what she hopes. Everything depends on her being right. If he keeps going down the path he’s on now, she thinks this whole place – and everyone in it – is doomed.
🖤
NEXT
Thank you to my amazing editor, @papipascalispunk, for helping me with this series, and for both fully understanding and appreciating my direction with these two. 🫂You work so hard (for free) and I appreciate everything you do.
TAGLIST (lmk if you wanna be added or removed) @strang3lov3 @ramblers-lets-get-ramblin @covetyou @iamasaddie @sr-lrn @clawdee @theywhowriteandknowthings @beefrobeefcal @merz-8 @speckledemerald @alltheseperfectimperfections @survivingandenduring @afraidtofear @millennial-teenybopper @missladym1981 @xdaddysprincessxx @lumoverheaven @ghoulettesinspace @brittmb115 @wintersquirrel @obscurexsorrows @littlevenicebitch69 @lulawantmula @pedroswife69 @joeldjarin @heimtathurss @untamedheart81 @pixielou5 @feel1n-h1gh @elegantduckturtle @koshkaj-blog
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dogtoling · 2 months
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I know that Inkling societies mirror human ones because of plot reasons going back to Alterna, but I've really enjoyed seeing your 'convergent evolution' takes on the biology, so why not apply that same logic to something like, say, architecture? At a glance, sure, Inkopolis and the Splatlands look recognizable to us, but would for instance an inkling or octoling's home have a layout differently built for their unique needs and behavior?
Thank you! also yes this is a good point! I've been avoiding doing anything too outlandish with the architecture or much of any of the worldbuilding to be honest because we know very little about Splatoon architecture and... well, stuff like this, to begin with. And it's harder to try and change major things about the world itself than it is to work with alternative biology for a creature in my opinion; all we really know when it comes to architecture and city- and building design in Splatoon that it is very similar to those of humans, and a lot of the elements are based on modern day Japan. I doubt the developers are doing that much to differentiate the architecture from human buildings and stuff because granted it would be a ridiculous amount of thoughts and work to sculpt a society and buildings that accommodate like 500 different species MINIMUM.... there's some little things here and there, like the Giant Doorways in the Deepsea Metro, but then there's other things like the freaking escalator in Inkopolis Plaza that's literally the width of maybe 1 Inkling and no other species even fits in that. Hell, it's not even the width of TWO PEOPLE which is at least expected of escalators to my knowledge--- anyway....
my point being I don't like to make sweeping differences to human architecture when it comes to Splatoon, because whether I like it or not a LOT of their stuff is just human architecture a little bit to the left. But that doesn't mean you can't make any changes to it, and it also doesn't mean there aren't any changes, those changes just might not be as visible.
Some random things I've thought about: Modern housing in Inkadia has VERY strong windows. Glass in general is very strong in urban environments, especially buildings near Turf War areas for obvious reasons... you don't want people Super Jumping through your window nor your window blasted to smithereens by a Trizooka shot that missed.
In apartment buildings, if there are mail slots on the doors, there's a container on the other side. Prevents people from slinking into your house through the mail slot. Apparently this is a common thing to have in Japan? We just have mail slots or postboxes out in the yard or lobby.
Also to prevent people from slinking into your house: residential buildings have dense grates, nets or spikes in their ventilation shafts. In some older buildings and non-residentials, these might be missing. But without things like this, any Inkling (typically) can just fit straight through a pipe as long as their beak fits in it, so you would end up having guests you maybe don't want.
Quickly about apartments; they're actually a very popular form of living not just for cost-cutting and because there's a fuck ton of residents in Inkadia, but because inkfish are mostly very social and do better surrounded with lots of people living in close quarters. The two most popular types of apartments are single-person ones that are basically just a single-room hole, and bigger apartments that have several small rooms and a community area that are meant for a whole school of squid (usually a friend group) to live in. People who live in the single-person apartments typically just go home to sleep and maybe cook or something... unless you're an introverted squid, or not a squid at all, and just settle for very little when it comes to space.
Inklings ALWAYS have some type of direct heating in their houses, from space heaters to a kotatsu to heated blankets to sun lamps. This is because Inklings are mostly cold-blooded and become very sluggish if their body temperature falls too much (for example from lack of physical activity or from cold room temperature), so there's a focus on keeping one's living quarters comfortably warm. Most lamps marketed for inkfish are actually heat lamps to the point where finding a lamp that Doesn't Make The Room Hot if it's on for too long is kind of hard.
Inklings are pretty vulnerable to dry air due to their thin skin and dependence on humidity to keep them thoroughly hydrated. As a result, you'll find air humidifiers in like, every house. In some AC units, a humidifier function is included. From a human perspective, the average Inkling apartment feels warm and humid - but to them it feels just normal. Due to the relatively high humidity, it's pretty common for electrical outlets to have covers for when they're not in use.
It's common for Octarian homes to have "sleeping holes" or "dens" carved into the wall. These haven't really become trendy in Inkopolis yet, but they probably will. It's also quite common for inkfish homes to have stacked furniture and interior made in layers - because they can fit in very tight spaces in swim form, maze-like interiors are still fully usable to most inkfish. Though it's rarer to find people who actually want to deal with the clutter.
Most Inkopolis bathrooms have a combined shower-bath. Inkfish showers come with a shower head that only really lets mist through on the default setting. (You're expected to test this BEFORE you take your first shower and replace it if necessary because you don't want to get into the tub and then find out it's a normal cross-species shower head on fucking Jet Mode.) Bathtubs are mainly used for re-absorbing moisture and soaking in ink rather than cleaning (because inkfish don't do very well with actual baths).
Most flooring is specifically made to be ink-resistant and non-absorptive. The combined humidity of the air and the ink that inkfish naturally get everywhere would ruin wooden floors IMMEDIATELY.
Toilets usually have a flap or gate blocking the drain that flips open when it's flushed. There are too many historical cases of people falling into toilets and just fucking dying or going missing forever because it's difficult to get out. (Mostly kids, but also people who fell asleep or too far into thought and just slinked into there. The world is full of danger when you can fit into any gap.) also lots of people accidentally laying eggs there which for obvious reasons is REALLY BAD if there's nothing to catch those.
All modern apartment buildings are required to have elevators. I'm pretty sure this is also just a real-life requirement nowadays. A lot of older buildings in Inkopolis don't have any, though... and while Super Jumping on street level is usually prohibited, most apartments have roof access, so a lot of people still jump between work/hobbies and their house. It is A LOT faster than dealing with traffic or walking (but it's also mostly illegal).
uh probably more things. My brain is empty now but hopefully that's some kind of inspiring ty for asking!
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ladytabletop · 7 months
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Do you happen to have any resources regarding accessibility in ttrpg design? About design, colours, phrasing of text or anything else that could be helpful!
I spent wayyyyy too long compiling all this - but it's important, and I appreciate you asking!!
Accessibility is a subject near and dear to my heart, and I will say up front that I'm not sure universal (aka accessible to everyone) design is possible, because people's needs can vary even within the same subset of similar disabilities (such as limited vision or blindness). BUT that doesn't mean we don't try to design for and make our games available to as many people as possible. Mismatch by Kat Holmes is a great read on design for accessibility in general, as is Invisible Women by Caroline Criado Perez. You might also check out literally anything Alice Wong has ever done.
To start, I recommend this article on the Lenses of Accessibility.
(for reference, this article is about web/graphic design, so I'm going to try and distill the most salient points for game design)
We are going to primarily focus on a few of these lenses:
Color
Font
Images & Icons
Layout
Readability
Structure
Keyboard
More details under the cut.
Color
Why does color matter? Well, for starters, there's a lot of colorblind people out there. Contrast affects readability. Autistic people and people who suffer from occular migraines might be affected by particular vivid colors. There's lots of reasons to consider color and the work it is doing in your piece, but in general you can provide a black and white, high contrast version of your game to help users.
There are tools out there to figure out if your contrast meets certain readability standards, such as this one.
Font
Dyslexia and other visual processing issues can make font choice really important. Plus, some fonts really affect readability. Additionally, line height, justification, and size of text can affect readability.
Best practice would be to provide a plain-text version of your game (and beware of "dyslexia-friendly" fonts which may or may not actually help - sticking to a basic readability font like Arial, Tahoma, or Verdana, is safest). I like this style guide for reference.
Images & Icons
For visually-impaired people, it's important to use alt-text, descriptions, and/or captions to help screenreaders properly translate images. Tons and tons of details that could go into this, but there are better people than me to describe it.
Layout
We've talked about this a bit, but there's tons of resources for this. There was recently a great writeup about Yazeba's Bed and Breakfast in terms of layout that I highly recommend.
Readability
More of the thing we've already talked about - it really is a combination of all the other lenses that comes down to readability. Audio versions of your game are always a good way to avoid the restrictions of screen readers, but can be expensive to produce.
Structure
This is tables. Tables are a nightmare for screenreaders, but including them as images can also be a problem. The short solution is "don't use tables" but that's not necessarily great for seeing people. The section in this blog is really great when talking about options for structure.
Keyboard
Debated on whether to include this, but given how many games are being read as purely digital files, I think it's important to have workable interactive elements that can be navigated through without a mouse. Some of that is going to come down to the programs being used to open your files. But if there are things you can do on your end (such as labeling form fillable fields on an interactive character sheet), they're worth doing!
Please understand that this isn't an exhaustive list. There's tons of resources out there and technology and standards are constantly changing.
It's also is important to note that even doing one of these things is helpful. You might look at this list and go "wow that's too hard" but I promise you, it's worth it. My games do not all have accessible versions! That's something I'm trying to rectify. The biggest part of that for me is thinking about accessibility from the start instead of at the end! But we can start today, and that's better than not starting.
The most important thing to remember are that disabled people are NOT a monolith - needs will differ from person to person. Accessible design makes gaming better for everyone!
Final Resources:
Accessibility in InDesign
Accessible-RPG
A11Y
Accessible Design for Teams
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queenofapeacefuldawn · 4 months
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SPY × Family: Chapter 94 analysis unhinged thoughts
hello hello! i am back with my thoughts for the latest chapter! please note that there are spoilers ahead for chapter 94! (Long-ish post incoming?)
Okay, so I loved this chapter. I'm a person who loves locked room murder mystery type stories, so this definitely scratched that itch for me. Obviously, I'm biased.
Analysis (of sorts?):
Right off the bat I can say that this chapter isn't really oriented on emotions or certain character dynamics. It is pretty plot heavy (but. not to the main plot. this chapter in itself has a plot to its own, but I really really liked it).
So the chapter starts with Bondman facing off an enemy in a snowy mountain...
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which, of course, inspires Anya to have an adventure of her own. She asks Loid to take her skiing, only to be flatly denied...
BUT! Agent Anya has tricks up her sleeve (threatening to cry), and that works on our dear, super-spy Agent Twilight (he's so weak and stupid y'all.)
side note:
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he thinks he's soooo cool. he's not.
Anyway, we get Twilight trying to explain skiing to Yor, which... fails, kinda. we also get gymnastics from Yor, (SHE's the cool one), and a half-baked explanation from her about learning all that from a gymnastics teacher.
The Forgers are trapped in a snowy blizzard, which leads them to take refuge in a lodge. They meet a group of young college students, who regale them with a tale of a bloody snowman who kills people in the dark.
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Might just be me, but this design reminds me of Type-F from the new Code White movie (note: this isn't exactly a spoiler, I haven't seen the movie, but this is what's on the wiki and in the trailers). The snowy backdrop + this Type-F-esque design might be a homage to the movie? Probably just me, though, haha.
Anyway, onto the main focus of the story (kidding, it's not):
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WE COULD'VE HAD IT ALL..... YOR AND LOID SLEEPING ON THE SAME BED.... WHAT COULD HAVE BEEN....
(jk, it probably wouldn't have happened, but a girl can dream)
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"Eh, why not?" Certainly, these words CANNOT exist in the vocabulary of THE Agent Twilight! Perhaps.... no, it can't be... he's finally RELAXED for once? Feeling secure enough to ASSESS THE LAYOUT FOR POSSIBLE ESCAPE ROUTES WITH HIS YOUNG DAUGHTER? No... it can't be possible....
(Sorry, I know I'm unfunny. I don't think that'll change)
But, genuinely, this just shows how at ease he is with his wife and daughter. He might not know it yet, but I know it (← somebody whose opinion isn't worth shit).
Finally, onto the main crisis of the story:
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the would-be murderer.
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There's something to be said about how he jumped into action to save the guy's life, (as one does), BUT. BUT
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OHOHOHO. The minute Yor's in danger (see: the man reached out to grab her but Loid just grabbed his hand) he decides to find the killer to prove her innocence. (You know his adage? A spy should never draw attention to themselves.) The minute his WIFE was in danger he resolves to find the killer and prove Yor's innocence their guilt. HMMMMM. Agent Twilight, you ain't slick. I think you momentarily forgot about about your #1 lesson to never draw attention to yourself just to prove Yor's innocence. OHHHHHH. The fanfiction is fanfiction-ing
(I'M SORRY I'LL TRY TO BE FUNNY FROM NOW ON)
To summarize the rest of the chapter: Anya realises with her telepathy that the killer is the lodge owner, and meddles in the investigation to nudge Loid in the right direction, and the police arrive to the lodge to find the incident resolved. Everyone's happy, right?
Not... really.
Anya's excited because, "Wow, I solved a murder! So cool, best trip ever!"
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But Yor and Loid aren't that happy. Loid is worried that this kind of meddling will get Anya in danger... and he's more worried that she isn't really grasping the gravity of the situation.
Which. She kind of isn't. A man was almost killed, but she's not showing any signs of shock? Remember, he was this worried even after the hospital visit where she makes a mess of that sand-model thingie, and after the bus hijacking arc, when she's hyped about the Stella, and he tells her that the Stella was "not for the reckless way you defied those hijackers."
Which.... is a lot of character development from the man who was A-OK with leaving her alone in the apartment, to now how he constantly worries about her wellbeing. Growth.
Also, another tidbit:
I feel like this chapter showcases another facet of his personality. Not Agent Twilight's, or Loid's, but [REDACTED]'s.
[REDACTED] always wanted to help. Even in the War Arc, when, in Luwen where he was staying at his great-uncle's house, we can see that he wants to catch fish for his and his family's dinner, while, in the backdrop, children are laughing and playing. It's always been in his character to help, and, hell, it's partly the reason he is who he is today. Agent Twilight wants to think that he left [REDACTED] behind after that fateful bombing in Luwen, but [REDACTED] is hanging around him like a ghost, and some of his character bleeds through the facade that is Agent Twilight, which is masked by the facade that is Loid Forger.
Final thoughts:
Loved the chapter. It's probably just me reading into it too much, but... that scene where he grabs the guy's hand who was trying to tie up Yor. Hm.
This entire chapter might have been a locked-room murder mystery type chapter, but I genuinely think that it showcases how much of an effect this family has had on Agent Twilight. What with taking Anya on a sweep of the premises to look for escape routes, to trying to prove Yor's innocence that definitely betrayed his number 1 rule as a spy... this man is truly so oblivious, I wanna cry.
(Also: did he not stop for a moment to think that him performing first-aid on the victim, or trying to build a radio from scratch OR playing detective to prove his wife's innocence IN FRONT OF A GROUP OF OSTANIAN PEOPLE would raise suspicions? Obviously, it was all overshadowed by the discovery of the would-be killer, but... at least one person had got to have been suspicious of Loid.)
(Also also: He's so weak. One look at her crying face and he's gone.)
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This was just my thoughts from a preliminary read of the chap, so if I get more thoughts, I'll probably add onto it in a reblog or a new post. Tysm for reading! Hope you liked it, and have a great day/night! Remember to stay hydrated!
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digi-lov · 2 months
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LadyDevimon EX1-060 Alternative Art by Kariki Hajime from the Digimon Illustration Competition 2023 Pack
「Blood moon」 by Kariki Hajime
Winners' comments Digimon is a very special anime series and many of its monsters have left unique impressions on me. I wanted to share the appeal of Digimon with everyone through my artwork, so LadyDevimon Under a Scarlet Full Moon was born.I'm grateful that my work has been well received and feel honored to have participated in the competition with other artists. I will keep working in the future!
Judge's comment This is an amazing work that stood out in terms of color balance, personal touches, and composition. Congratulations on winning the Grand Prix!! - Mr. Kenji Watanabe
With so many great works of LadyDevimon, this one really charmed us with the unique composition and characteristic use of colors. Looking at the fallen angel standing tall against the blood moon, what does her facial expression tell? - Mr. Masashi Harada
Congratulations on winning the Grand Prize. It's so stylish. The handling of the lighting is wonderful and there's what's flowing down from the moon, blood is it? It might look like that because of how her hair blows in the wind from the gorge. It might be that we came across her at a moment that we aren't meant to see. This work has a strange charm that sets off the imagination despite its simplicity, rousing that kind of feeling. - Mr. Shinsuke Kojima
The character's pose and the layout of her expression and the screen are extremely stylish. I rate this highly for the high level of pure drawing ability as well as the flavor of the illustration and the taste of color in the background. - Digimon Card Game R&D Team
I was overwhelmingly captivated by this picture even during the first judging and that didn't change until the end. It's an illustration with amazing colors and composition. - Ms. Hiromi Seki
I love the composition where LadyDevimon seems to look down on both the Digiworld and the real world, while the red moon in the background matches the character's attributes, contributing to an overall great color tone. What is it that she is gazing at? It's an impressive illustration that promises to tell a narrative. - Digimon Ghost Game Production Staff
[from the website]
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nightowl374art · 9 months
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ok I know nobody literally asked but
I think Miles G has green/hazel eyes like his mother. Just like Miles 1610 has his mother’s eye color because well parallels. Part of the reason I’m even bothering to dig into this is because I love to draw the man and I’m a nerd for accuracy. Plus it’s just a cool physical attribute in general.
Firstly if you look at him compared to Miles 1610, his irises appear somewhat lighter
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And you can definitely tell his eyes are a different shade here ⬇️ (and they’re even in the same lighting)
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Also, when Miles 1610 is talking to Rio 42, the lighting in their apartment is giving off a greenish hue, making his eyes look hazel or green themselves, which may be why, if she’s not looking that close, Rio doesn’t notice anything but his hair.
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Plus, I don’t think the artists/animators would bother changing Rio’s eye color and not Miles G’s. If they wanted to show subtle differences between e-42 and e-1610 before we come to the conclusion Miles is not in the right universe, there are other ways, (like they did with the layout of his room). Plus I think, just like the braids, it’s another physical difference between Miles G and Miles 1610 to show while they may be the same, they’re also not.
I see some have theorized he might have heterochromia which I’m less inclined to believe (not knocking the idea entirely, mind you). Yes the lighting gives that impression, but if you flip Miles 1610 and put him side by side to Miles 42, you can see the blue and red lighting is also gently altering his eye color, giving the illusion one eye is brighter in comparison.
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Anyways, I just think this is a really interesting inclusion to Miles 42’s character, because it gives him a harsher look/gaze, whereas Miles 1610 has soft, warm brown eyes—sort of a reflection on their personality differences.
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