The Stalls of Barchester (Lawrence Gordon Clark, 1971)
A Warning to the Curious (Lawrence Gordon Clark, 1972)
Lost Hearts (Lawrence Gordon Clark, 1973)
The Treasure of Abbot Thomas (Lawrence Gordon Clark, 1974)
The Ash Tree (Lawrence Gordon Clark, 1975)
“For all five of these adaptations, Gordon Clark worked with cinematographer John McGlashan and sound recordist Dick Manton, who he credits with establishing the gloomy look that would be the hallmark of the series (as well as editor Roger Waugh who edited all the original series’ James adaptations save 1973’s ‘Lost Hearts’). Central to that aesthetic were the authentic East Anglian locations that have been the inspiration for many a terror tale, even aside from those of M.R. James.
‘James lived in East Anglia—the region that encompasses Norfolk and Suffolk—for most of his life,’ explains Helen Wheatley, citing this as one reason James set many of his stories there. ‘However, there is also a broader sense of the region as being rather out on a limb, a relative hinterland, which lends itself to ghost story telling,’ she continues. ‘In James’ stories, and their television adaptations, the geography and landscape of the region—expanses of flat land, the whispering grasses of the East Anglian coast line, sparsely populated agricultural land—has a particularly haunting quality.’
This landscape is key to the series’ hauntological appeal. Scholar Derek Johnston has an extensive catalogue of writing that examines nostalgia in relation to the Christmas ghost story—and the A Ghost Story for Christmas series in particular—and notes that the Victorian middle class idealization of rural life was subverted by James’ stories, which presented the country as peaceful on the surface but a place of dark, tumultuous secrets. He also points out that East Anglia is a land of invaders and colonizers, writing in his essay ‘Season, Landscape and Identity in the BBC Ghost Story for Christmas’ that ‘The connection to the local soil and landscape runs generations deep, but it has also been built upon the remains of earlier populations, with earlier connections to that landscape, overrun by the incomers...the landscape may encourage identification with the nation, but it also emphasises how the landscape is interpreted through the history of human action upon it.’” — Kier-La Janisse, from Yuletide Terror: Christmas Horror on Film and Television (2017).
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Whistle and I'll Come to You (Jonathan Miller, 1968)
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🎵We wish you a Merry Christmas
We wish you a Merry Christmas
We wish you a Merry Christmas and a Happy New Year!🎵
"Three elves and a little reindeer quietly hung mistletoe so Santa and Mrs. Claus could kiss!"-The Greenwoods.
I wish everyone a Merry Christmas and happy moments with your family and friends!🎄🎅🎁🎉🎊🧨🎆🎇✨🍾🥂 May Christmas bring you many fun and interesting events this year!(And today is Lily's birthday.)
💙Greenwood family and its characters belong to: me, Mary White
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When I watched 'Man in an Orange Shirt' in 2017 for the first time, I immediately thought of making a video of Michael and Thomas' sad love story using the soundtrack of 'Merry Christmas, Mr Laurence' by Sylvian & Sakamoto called 'Forbidden Colours' . So I did it but I never expected it to be so popular. It's posted on my old YT channel - The Rainbow Romance 🌈
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Christmas Advent Day 2 - Ice skating ⛸
I love how miss spider said “oi, don’t touch me” as centipede’s reaction and this is what I get 😂 the ice skating in NYC is very legacy tho
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Watched Prep & Landing, saw Mr Thistleton, then drew this dumb thing only the alt text could explain 🎄
(Chris Parnell voices Mr Thistleton from Prep & Landing: Naughty vs Nice, the same VA as Jerry from Rick and Morty. The character drives a segway which made me think of Paul Blart Mall Cop and that's how this came to be).
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