This is a PSA that Lex Foster canonically uses She/They pronouns (or at least Angela Giarratana headcanons Lex to. However, I think there's this sort of unwritten rule that if the actor headcanons something about the character they play, it is generally accepted as pseudocanon)
Also Lex was high throughout the entirety of act one of Black Friday which is probably why she came around to Frank's bullshit during our doors are open LMAO.
Bonus: a wip I'm working on atm
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the chaotic imagin meets the lawful sovereign
it's been 2 years since i got into tokusatsu and to celebrate this year i wanted to draw my first favorite and my favorite from the past year together!
rita probably can't put ryuta on trial since he's a minor but they can at least punish him via snowman:
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What is something special that Azula does only for Mai? Ty Lee? What does Mai do only for Azula? Etc. Could be something sweet or spicy
Thanks for the question, Amor!
Azula learned to make knives for Mai, she could easily buy them, but she decided to give more meaning to her gifts.
Azula wrote songs and sang for Ty Lee, after the girl admitted to loving her voice after a music class.
Mai wrote her daily life to Azula when the princess was too busy to be there.
Mai wrote poems for Ty Lee, she did it even more when she ran away to the circus.
Ty Lee painted Azula in all her paintings, the princess was her beautiful muse.
Ty Lee danced just for Mai, she taught her all the dances she learned.
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how did u learn to paint?? like i just cant wrap my head around it
<3 I love answering asks like this!
You will have to bare with me, I don't save many of my studies, and my files aren't that organized so I don't have as many images as I would like.
The studies I've found most helpful for myself personally with painting are various master studies. (This is also, as always, alongside study of fundamentals.) And always follow a study with self-critique (and, if you can get it, outside critique!)
"Master" in this sense means anyone who you want to learn something from.
One way you can do this is by copying an artist's work directly. This is to try and understand some of their stylistic techniques. Leyendecker, Andrew Loomis, and John Singer Sargent are personal favorites of mine! I try to keep these quick, I'm not trying to get an exact copy.
I also get a lot out of copying photos. In this case, I'm not trying to glean some technique, rather, I'm trying to interpret the photo and explore my own stylizations.
(photo credit mountain men of alaska )
I also really enjoy taking a painting or piece that already exists, and making it "mine" by putting my characters in it haha, which is sort of a combination of master studies and photo studies!
(William Bruce Ellis - Covent Garden (1930)) (Barberini Faun)
And then, in my work that's not a study at all, I'm informed by all of these!
What master studies do is help me refine my style and practice my technique, but also I'm communicating with artists of the past through my art! They're teaching me! And I have so much to learn.
And of course... most importantly... I paint.
a lot.
I don't do as much study anymore, not because I feel I've learned all I need to, but because for work I draw 50+ drawings a week. 'Drawing for work' and 'study' occupy the same space in my brain and I need some fun drawing time!
So to sum up, draw a lot, reference constantly, and copy the people you want to draw more like!
(and, of course, when doing a study off of someone else's work, always give them credit. If it's your photos there's no need.)
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