#not that sad though for him i suppose bc the more i explore the harder things get for him :

[rpvlix]

//Kenny drops things a lot. He's not as coordinated as he used to be, sometimes signals get mixed up and he loses sensation or control or just spasms. Surgical work is much harder now, I'm sure you can imagine. His temper's always been rotten, but it's perhaps a bit worse on bad days.

#He has a tendency to explode when he's really mad #and i mean that literally #thankfully the walls of the palace are reinforced now. after the first couple of times as a child they learned. #gotta reinforce that shit. #o:lore #Ive been thinking a lot more recently abt Kenny and Sol's injuries/disabilities(?) #im hesitant to call Sol's a disability because it's very... inconsequential #like for HER she has lost a LOT of her vision and can see much less than she used to #however: her original state was being able to see nearly every wavelength of light #now she can see around the same as the human visual spectrum #but she also has trouble focusing her eyes and it sometimes takes a while for the light to actually penetrate #which isnt exactly similar to human vision loss or even comparable #like i dont wanna call Braso's lack of smell a disability bc it doesn't really affect his everyday life much #and im not sure if Sol's vision loss really even counts all things considered #Kenny counts though. i think anyway. #been putting a lot more thought in recently to all the consequences of being fried for billions of years #his old iterations barely touched on it. sad really #theres much to explore #not that sad though for him i suppose bc the more i explore the harder things get for him :/ #hes not real though so.

[betelgeuse-1988]

pale blue eyes: obi-wan/reader

hey so i fell in love with ewan mcgregor recently and proceeded to watch all of the prequels and started the clone wars. how dangerous! probably more obi-wan content in the near future. sorry if this isn't canon compliant...i don't know enough about star wars and i'm so sorry!! give me tips if you have any

obi-wan is also probably totally ooc and i’ve definitely disregarded the jedi code (bc screw the code!) but...i don’t care...obi-wan is too beautiful for that lmao. if anyone can handle a little temptation from the darkside and still be a good jedi, it’s obi

tags: smut, fluff, light angst, hurt/comfort, grief/mourning (mention of death), master/padawan dynamic (sorta), possessive sex/behavior, rough sex, marking (hickies), smoking, implied age difference, porn with feelings (and maybe plot), dirty talk

There was something oh so terrifying about being a Padawan. Of course, it was all you had ever known, but realizing that there would be a day when no one would be there to hold your hand as you traversed the daily experiences of being a Jedi was overwhelmingly terrifying. But, what was even more terrifying was the thought alone of losing your Master.

Actually losing her before you’d finished your training could only be described as unquantifiable.

Obi-Wan broke the news to you soon after reporting to the council after the mission on some outer-rim planet went wrong and led to several Jedi being killed. He spared you the details as you broke down in front of him, apologizing immediately for letting your emotions get the best of you. You tried your best to keep everything in, especially in front of one of the best Jedi Masters. Obi-Wan looked down the hallway before slowly walking you back into your quarters. He sat you down on your small bed, taking a seat next to you.

“I know how you feel right now, as I too lost my Master. But, you must remember your Master has returned to the Force. She has become something better and will always be with you. It will be difficult, but as time passes the intensity of your emotions will fade.”

You looked up into his blue eyes, the truth behind them reinforcing what you sensed in the Force. His statements were genuine, facts that had been seen in countless other Jedi who had experienced what you did; but, his eyes (and the Force) held a sadness that seemed as if it was too big and too fragile to even consider touching. Having heard some pieces of what had happened to Master Kenobi and his Padawan, it seemed as if he never had enough time to grieve. He never had time to consider what loss meant and how to deal with it. The words he spoke seemed to be monotonous, as if they were a mantra he thought to himself often. An attempt to rid himself of emotions that council members told him that he would be drawn to the darkside because of them.

“And yet,” you said, pausing to control your breathing, a few tears escaping your eyes now and then. “Those emotions will never go away, huh?”

Obi-Wan broke your gaze, sighing and rubbing a hand over his face. “I’m...I’m sorry, I’m not helping, am I?” He let out a sad chuckle before looking back at you. “It’s just...I know too well how you feel. And yet, I cannot bring myself to tell you that you must rid yourself of these emotions because they will lead you astray. I so wish that one person would have allowed me to feel, just for one moment.”

You take his hand into yours, unable to bring yourself to look him in the eyes. “You’ve helped me more than you know, Master Kenobi. And I only hope that you are able to take your own advice, too.”

“I will try, young one.”

After this moment, you found yourself drawn to Obi-Wan in the late hours of the night. Master Windu took over the last few weeks of your training before your trials. When you were not training or sleeping and Obi-Wan was not training his Padawan, you were together. This often caused you both to spend late nights in one of your quarters (most often his, as they were bigger). At first there was nothing sexual or even romantic about these meetings. They allowed you both to explore your grief and help each other control emotions most Jedi would consider distracting or unwanted. It was nice to feel safe in your emotions.

At least, until your emotions became romantic feelings for Obi-Wan.

This realization hit you like a podracer a few weeks after you became a Jedi. You had been given a mission to protect a queen from an outer-rim planet visiting Naboo for a week. The distance alone is not what caused you to realize these feelings. Obi-Wan and his Padawan had been sent on small missions in the past few weeks, causing you to go days without seeing him. Sure, you missed him, but training for your trials could fill the void he left. But, now, being away and nearly bored out of your mind in your down time was horrible. You felt a constant sense of longing and desire that you could only trace back to Master Kenobi. Your thoughts would drift back to late nights you spent with the sweet man who could comfort you with only a smile. Thoughts of running your hands through his auburn hair as you begged him to keep growing it out, especially with the beard. Watching his eyes flutter closed as you gave him a massage through his undershirt. He lets out little groans and moans, telling you to push harder in certain spots. Holding his large, calloused hand in yours as you cuddle close together on his bed. It wasn’t until the final day of your assignment that these thoughts turned sexual.

You laid in bed, too excited over going back to Coruscant and having a few days off. A half-dreaming vision formed in your mind of Obi-Wan laying in his bed. The image became clearer and you realized that his sleeping pants were pushed down slightly, his hand grasping his cock tightly. A moan slipped past his lips, the words he choked out indecipherable as he thrusted harshly into his fist. You attempt to will away this vision but it’s stuck--almost engraved--in your mind, drifting in and out like a boat rocking back and forth on waves. His thrusts seemed desperate, as if he had been attempting to reach his climax long before you created this vision. He moans again, this time it is clearer and louder than before: your name. It slips past his lips smoothly as he finally tenses slightly, forcing his hips upwards. Cum shot out of his cock as his thrusts stuttered to a stop and his hand took over. Some particularly thick shots hit his lower stomach, covering the hair above his cock. The rest flooded slowly over the tip and down onto his hand. He groaned all through his climax, panting once he had finished completely. Your mind often drifted back to these images as you fell in and out of sleep throughout the night.

Getting back to Coruscant was a welcome return home. After your report to the council, you saw Obi-Wan and Anakin waiting for you outside of the chambers. You found it difficult, at first, to hold Obi-Wan’s gaze as he greeted you.

“Hello, Master Kenobi. What are you doing here?”

“I heard you got back. If you’d like, Anakin and I would like to take you to Dex’s,” he says simply, a wide smile on his face. Anakin gave you a toothy grin, excited to gorge himself on greasy diner food.”How was your mission, young one?”

You smiled widely, slightly forgetting about the waking-dream that had been plaguing your mind. “Sounds like a great idea. I can tell you all about my mission over dinner, then, I suppose?” Obi-Wan nodded in response, a smile (albeit smaller) on his face mirroring yours and Anakin’s.

After dinner at Dex’s, Obi-Wan dismissed Anakin to his chambers (though, Obi would confide in you that he knew for a fact his was talking to his fellow Padawans late into the night, to which you would chastise him for doing the same thing with you) and invited you to his own to meditate. The walk there was quiet, yet comfortable. But, as you reached his quarters, you saw the bed that was ingrained into your visions from the night before. The panic and embarrassment ran through you, piling heavy in your stomach and causing you to stop in your tracks at his doorway. Obi-Wan took off his boots quickly and made his way to the large window at the opposite side of the room.

“You can come all the way in, y’know?” Obi-Wan said once he realized you had not followed, his tone light and playful. He was teasing you, like he always did, always a flirt. And yet, tonight, it made you nervous. You took slow steps towards him after taking your boots off by the door, meeting him at the window he liked to meditate at. “Are you okay? No witty comeback for your favorite Jedi?” He moved to cup your face but you turned away, noticing it was the hand he had so elegantly wrapped around his cock in your vision.

You looked back at him and shook your head, your eyes becoming watery out of embarrassment and fear. You knew you needed to talk to him before this got any worse. “C-can I talk to you about something?” He nodded, his face becoming serious, and sat down on the plush cushions he used to begin meditating. He patted on one next to him and you sat after taking off your cloak. You two sat almost too close, knees touching. You could almost smell him and could almost feel the calming warmth radiating off of him. “I...During my missions I was plagued by visions, Master Kenobi.”

He frowned slightly at what you said, worried about the potential dangers of visions Jedi see. “You do not need to use my title in my quarters, young one,” he said, calmly, so as not to scare you or make you feel he was reprimanding you. “But you can tell me anything. What were in these visions, young one?”

You sighed, attempting to muster the strength in admitting what you saw. Obi-Wan could sense your struggle and reached out to touch your knee gently. You placed your hand over his and squeezed gently, closing your eyes to center yourself. The minute you opened your mouth, the word-vomit flowed fast. “They were of you. They began as nice and comforting. Domestic moments. Like holding your hand or cuddling. I could see myself doing that with any friend. But...last night, it was sexual. I, uhm, watched you...pleasure yourself. Y-you moaned my name. Maker, I feel like I’ve used you, I am so sorry, Master Kenobi.”

“This happened last night?” he asked, blushing slightly under your curious gaze. You nodded slowly, unsure of where he was going with this. “Then I don’t think you were making these visions up, darling.”

Your jaw dropped, with Obi-Wan only smirking back at you. “W-what do you mean?”

“I think you saw me, somehow. I saw some of those visions you described earlier in the week, too. Perhaps we are connected, young one.” He looked at you processing what he just said and smiled. “I like you, a lot. I admire your work as a Jedi and I am so proud to see how much you have grown since I first talked to you that night your master died.” He moved the hand that was resting in his lap to cup your cheek. “I believe I have fallen for you. I am sorry that you had to see me in such an inappropriate state, however. I would understand if you didn’t want to be with me.”

“No! I mean, I do. I want to be with you. I never imagined that you would ever want to be with someone like me.” You smiled brightly, giddy about this change in your relationship with Obi-Wan. “And, if I may say, you looked quite beautiful last night. I am honored that you thought of me just as I have thought of you. Although, you have a much different imagination than I do.” The man in front of you blushed and chuckled brightly, almost proud of what he had done.

The hand on your knee tentatively moved further up your thigh. “Perhaps I can spark your imagination?”

You shifted to be on your knees, placing your hands on his thighs. You leaned close to him, almost brushing your lips against his. You were able to feel the tickle of his beard on your face as you whispered out, “Perhaps I can fulfill yours?” You pressed your lips against his as he shoves his hands through your hair, tugging on it slightly. Even as he moaned, you tasted the strawberry milkshake you shared with him at Dex’s. But, as you kissed him deeper, tongues exploring each other’s mouths, you tasted tabac, causing your mind to wander. You never thought of Obi-Wan indulging in the toxic substance, but you can’t bring yourself to be surprised. Images of Obi-Wan shirtless, just-fucked and sweaty, his hair a mess, flooded your mind. A cigarra hung from his mouth, barely hanging on to it as he took puffs from it.

A nasty habit Obi’s voice rings through your mind, almost embarrassed, I can’t seem to kick it, young one. I hope you aren’t angry.

You pulled away and cupped his face. Not wanting to ruin the tender moment of vulnerability, you kissed him lightly and projected your thoughts to him, I could not be mad at you. I find it shamefully attractive, but if you are ready to quit, I know you can.

He smiled into the kiss as you pulled away to begin stripping. “Allow me to help you,” he said, moving to push your robes off your shoulders as you took off the belt around your waist. You shrugged the robes off of you completely and threw them to the side, followed by your undershirt. Obi-Wan moved to help you take your pants off, but you stopped him.

“Allow me to help you, Master Kenobi?” he blushed and leaned back, copying your actions by starting with his belt. You help to shrug off his outer robes followed by his undershirt. You admire his chest, speckled with freckles. You pushed him down lightly, his back hitting his carpeted floor lightly. “You are truly beautiful, Master.” You kissed his chest lightly, kneeling at his side and helping him to shove his pants and undergarments off. Even though you had seen his member the night before, it was different in person and being able to see it uncovered by his hand. Semi-hard, all you could think was that it would look even more beautiful in the moonlight and neon lights streaming from the window. You flicked your hand, flipping the light switch by the door.

“I was going to ask if you liked what you saw, young one, but it seems I was wrong,” Obi-Wan hummed.

You smirked, taking his cock in your hands. “Oh, I do, but I am one for aesthetics and I would prefer to be fucked under the moonlight.” You jerk him off slightly, getting him hard. As your movements become a tad more difficult, you hold your hand up to the man’s mouth. “Spit, please.” He looked at you with a raised brow but spits. You rubbed it up and down his cock, making your movements much smoother. You squeezed lightly around his cock and he began to thrust lightly under your touch. You moved to lean down and use your mouth on his cock, but Obi-Wan stopped you.

“Let me get you ready so I can fuck you under the moonlight, just like you want, my young one.”

He moved you down to lay on the floor, pushing one of his cushions underneath your head. After helping you out of your remaining clothes, he shoved the other pillow under your hips, angling them upwards. He then kissed down your chest, as if attempting to kiss away the moonlight with how fervently he pressed his lips to your skin. Yet, as you pushed his hair back to get a clear view of his serene face, you thought he may be trying to pin down the moonlight to your skin. The way his gaze locked with yours showed how intensely he cared about this moment. His kisses acted as an attempt to encapsulate you in the light, an attempt to preserve this moment forever. You were not just another nightly escapade (not that either of you had many of those, both unknowingly too caught up in being smitten by the other). Rather, in this moment, Obi-Wan was declaring he was going to make love to you with each and every kiss pressed to your skin. The final kiss he pressed to your skin was your clit. Once this was finished, he began fingering you, stretching you with two fingers immediately and suckling on your clit. You gasped and moaned under his touch, fingers diving into his hair.

I want to make you mine, young one. After we began talking I wished I had fought with the council more to train you instead for the remainder of your time as a Padawan. Perhaps we could have been here sooner.

“Master Kenobi,” you moaned aloud. Not being able to form words verbally, you responded with the Force. How I began to wish the same. I suppose, then, I was always yours?

He pulled off of you, but added a third finger to his thrusts, smiling up at you brightly. “Yes. And I suppose I was always yours, then, too?”

“Yes,” you moaned out, high pitched, almost squeaking. You hummed and tried again, regardless of if Obi heard you the first time, “Yes, Master, you’re mine.” Obi-Wan’s smile somehow grew, but he quickly went back to working on you with his mouth. However, this time, he leaned more on his arm that he’s using to finger you. That way, his other hand was free to jerk himself off. You only noticed when he moaned against your clit lightly. “Master Kenobi, are you--”

Yes, he sent you, almost strained as if he was speaking, I think I could cum just by eating you out, I wouldn’t even need to touch myself.

“I wouldn’t want that,” you said, pushing his head lightly, “so why don’t you fuck me instead?”

He pulled his head up and smiled, “Anything for you, my darling.” He stood up, pulling you to join him, and guided you toward the bed, stopping by his drawers to grab a condom. Laying down on the bed, you watched him roll the condom over his cock and climb onto the bed with you. He kneeled between your legs, pulling up your leg to rest it on his hip. He used his other hand to grip your hip and pulled you towards him. You gasped, both at the sudden movement and his member pushing into your pussy slowly. “Such a good girl, taking me so perfectly. You can take me all, right, my young one?” You nodded your head fiercely, unable to form a coherent thought as he continued to thrust in and out of you, each thrust going deeper than the last.

Once he settled into you completely, your hands fisted his bedsheets roughly. “So full, you fill me up so nice, Master Kenobi.” You shifted your hips against him, attempting to get him to thrust into you. His grip on your hip dissipated as he moved to push down on them. You moved your hand over his, pushing down on it lightly while also gripping his hand.

“Is there something you need from your Master, young Jedi?” Your grip on his hand tightened as you nodded. “What do you need? You can use your words.” You blushed as you attempted to quantify what you wanted him to do. You attempted to shift your hips as the position became uncomfortable from being held for so long without moving. “Please, princess. I want to give you what you want, but I will not move until you tell me.”

“I want you...I…” you trailed off, becoming embarrassed for what you were trying to ask. You threw your head to the side and thought to him, I want you to mark me. I don’t care if it hurts. I want to know, as long as the bruises last, that I am yours. I want to hold on to this moment.

“Is that all, young one?” You nodded in response, trying not to embarrass yourself more than you felt you had. “There is nothing to be embarrassed over, sweet girl. I want to please you, and the only way I can do that is if I know what you want. Never be embarrassed when asking for what you want.”

You smiled as his hand moved back to your hip, his grip stronger than before. Timidly, you add on, “Can you also move, Obi-Wan? I...I need it.” He silently responded by squeezing your hip and thrusting into you. He quickly picked up speed, however, thrusting into you desperately. Obi-Wan shifts, dropping the leg he held at his hip to be able to lean over you. Moaning at the new angle, you wrapped your arms around his neck, keeping him close. Your fingers delved into his hair, tugging at it as he thrust into you just right. Obi-Wan moaned at that, flicking his hips faster in response.

“Where do you want me to mark you, hm? Maybe a place above your robes so all the other Jedi Masters will see and know you’re mine?” You tensed slightly under him, even as your pussy clenched. “No, darling? I didn’t mean to worry you. I will make sure no one can see.” Obi-Was pressed light kisses to your collarbone, as he had before, but quickly began to suck on your collarbone and lined it with love bites.

Too overwhelmed with the pleasure, you think to Obi-Wan, Perhaps another time, you can make them more visible. Let everyone know I am yours and yours alone.

He only hummed in response as he busied himself with bruising your skin. You shoved a hand between the two of you, rubbing your clit in small circles.

Am I not good enough for you, young one?

You stopped your movements and began to stammer out an excuse.

I am only teasing, darling. I want you to cum on my cock. And, you’re making it much easier for me to achieve that goal.

You both continued like this, attempting to reach your climaxes by pulling on Obi’s hair, him suckling on your skin to leave marks, and you circling your clit. Eventually, your legs tensed and you lifted your hips up towards him. You gasped, the inner walls of your pussy fluttering around his cock. “Obi-Wan, I’m cumming,” you exclaimed, moaning even more as you flung your head back against the pillows.

“Let go, love. Cum for me, show me you’re mine.”

Your hips stuttered against his, legs tensing and shaking on either side of the Jedi Master. He pulled up and off of you, shifting back onto his knees. He thrust through your orgasm, attempting to reach his own. He moved his hands again to grip your hips tightly, bringing you against him roughly. Obi-Wan moaned as he thrust into you as fast as he could, wanting to cum so badly. “Cum for me, Master. I can sense how desperate you are, n’ I wanna know I made you cum. You came inside your young Jedi’s cunt, all for her. Only for her.” His hips began to stutter irregularly against you as he came, moaning your name just as he did the night before. Obi-Wan eventually stalled against you, collapsing slightly. “After that show, you can put your full weight on me. You deserve it, and I don’t want you to pull out just yet,” You said, rubbing his head gently..

“I always had a feeling you’d be insatiable,” Obi-Wan chuckled. He leaned his full weight on top of you. It was surprisingly comforting, especially after his rough grip and bruising kisses. He snuggled into your neck, pressing sloppy kisses against it, as your hands settled at his waist. “I can only hope to completely satiate you, one day, I suppose.”

“You did perfectly fine, Obi-Wan. For now.” He finally pulled off of you, forcing you to come to his refresher with him to clean up. When you finally laid back down in his bed, both of you naked and comfortable in each other’s arms, you were too tired to do anything more than hum in content. Just as you were trailing off to sleep, a warm thought entered your brain.

I love you, young one. Never forget that.

You responded quickly, though you assumed the sleepiness that would have been present in your voice was also present in your thoughts.

I love you, too, Obi.

#obi wan imagine #obi wan x you #obi wan kenobi x you #obi wan x reader #obi wan kenobi x reader #fanfic #obi-wan smut #obi-wan kenobi x reader #obi-wan x reader #obi wan fanfiction #obi wan fic

[shinjaeha]

ipytm ep 3 (thoughts + spoilers)

this is going to be a tough post for me to do bc honestly...this ep just left me feeling so run down. i know that the cast and crew have always strived for realism and authenticity with this series, but this one was just a lot to take in :/ my thoughts are gonna be even more all over the place than usual but idec at this point. having to rewatch this ep again is really fucking hard (even harder than itsay ep 4 bc even though that makes my heart ache, i still feel some sense of satisfaction from the development we get...this just leaves me feeling defeated in every way).

you know the drill: not an analysis, just me ranting as usual bc free therapy (and boy do i need it after this one)!! i had so many feelings watching this ep (esp towards teh but what’s new), so here goes.

we begin with the drama students rehearsing for jai’s new play, and the introduction of the plum wine which will be the recurring motif in this whole ep. the use of the plum wine in this also kind of reminds me of how teh initially disliked coconuts until he started falling in love with oh-aew and started to like them instead...i’m guessing that’s the parallel they’re trying to draw with the plum wine comparison in this.

teh’s having a hard time getting into character (which we already know from last ep was always going to be one of the toughest challenges for him as an actor). his character in the play is supposed to have a sex scene, but he’s struggling with this bc he can’t put himself in his character (akin’s) shoes, so jai ends rehearsals early.

jai gives them all logbooks which he basically wants them to treat as diaries where they’ll write everything they feel/learn and hand it back to him (he’ll be the only one reading them). ngl this already had me feeling kind of yikes (esp now as i rewatch this knowing how everything went down) since jai already has inside knowledge about teh’s feelings on his relationship with oh-aew which he can take advantage of :/ more on that later though...

it’s sad to me that so much time has passed since teh’s argument with khim and he's STILL avoiding her. khim was someone that he respected immensely (and was such a great mentor for him) so it just sucks to see that their relationship has deteriorated so much since the first two eps. teh might have had his reconciliation moment with oh-aew last ep, but there’s still a lot that he’s not ready or willing to address yet.

i understand that teh’s just encouraging jai about his work when he tells him to stop having others comment on it, but at the same time, i disagree with him bc i think it IS important to get other peoples’ opinion about your work. how else will you ever be able to see things from other perspectives if you don’t?

anyway, teh tells jai he’s seeing a play, and jai asks teh if he’s bringing oh-aew...the look on teh’s face is telling enough that things aren’t going great between them (at least on his end). this brings us to the logbook scene, where teh’s homework for the day is to write about the similarities and differences between himself and his character in the play. this gets teh to reflect on how he feels his relationship with oh-aew is changing, or specifically, how oh-aew seems to be changing so much that teh feels like he’s becoming someone else entirely...and does that mean that he still loves him the same?

i feel like this is a fairly common issue with people that have been in a relationship for a while (and this is their third year together now), so i understand how teh might start having doubts. it’s nothing that oh-aew’s done, it’s just that sometimes all these small changes can keep mounting up to the point that they feel much bigger than they actually are. oh-aew’s really just doing what everyone else does, which is grow and change as they get older, but teh’s still stuck in the past trying to hold onto what they used to have instead of evolving with oh-aew. the way teh picks at all these little changes of oh-aew does make me think that he’s self-sabotaging himself. he’s just so afraid and insecure that oh-aew will change so much he leaves him, that he has to nitpick at reasons why oh-aew’s the one that’s growing away from him (though when we watch the whole ep we know that that’s not the case at all). it’s like a ‘if i push him away first, then he won’t push me away’ sort of self-defence mechanism. either way, teh’s a constant overthinker...and he’s always been his own biggest enemy since the start, so it makes perfect sense to me that he would do this to himself here too.

i know that they’ve been together for years at this point, so things are not quite as exciting as they used to be, but it hurts to see oh-aew be so happy about getting an A for his class, and teh be so unenthused about it. oh-aew has to basically beg teh to give him attention and praise. remember when teh used to get so worried when oh-aew did badly in chinese class...and now it’s like whatever to him just bc he’s not tutoring him/they’re not in the same major anymore :((( i know it’s prob both bc teh’s still hurting that oh-aew transferred majors, and from seeing oh-aew succeed while he feels like he’s failing, but still...

also, not inviting him to see the play with him bc he thought oh-aew wouldn’t be interested/oh-aew kept falling asleep whenever they saw plays together ;;; i get the reasoning from both povs, but it still is nice to be asked :(

so one thing i have to say about the progression of their relationship here is that i just feel this huge disconnect from last ep and this ep?? i know it’s bc of the time skip (since it’s a year later basically), but to go from the end of ep 2, where they’re promising to love each other forever, and then to teh feeling disillusioned/as though he’s falling out of love with oh-aew basically right after that?? it’s so jarring. i feel like we lose so much with these time skips bc the transition from ep 2 to ep 3 is never really shown, so there’s this lack of flow there. like we’ve skipped a step entirely and something’s missing. this is the disadvantage of only focussing on one year per ep since there’s not enough time to explore as much character and relationship development when we’re only seeing an hour long snippet of an entire year. it just makes things feel superficial since so much of what we should be seeing is missing...and we basically have to fill in all the gaps ourselves.

okay, back to oh-aew ranting to his friends about how he feels like his relationship with teh is fading away bc they don’t have the same interests anymore, but also wondering if that’s just normal for long-term relationships. bless that boy that came to ask oh-aew for his ig :’) at least he knows that he’s wanted and has options, even if he obv turns him down bc of teh (for now).

plug and mangpong are dating!!!!!!! and mangpong does a horrible job of trying to hide it 😂 sidenote, but i love the way pp delivers lines sometimes (like the “just shocked”), he’s so cute. plug and mangpong’s legs touching...and the wave of nostalgia that came over me (and oh-aew) during that ;;; oh-aew seeing their blossoming relationship would make him reminisce back to his own experience of falling in love with teh...when everything was still so fluttery and new. so when teh texts him about using his car to help jai move, he looks happy. like he wants to rekindle those feelings again too.

that being said, it’s kind of sad to me how even jai shows more interest in oh-aew’s major than teh (when he asks him for his opinion on how to get people interested in his play). oh-aew’s got some good ideas and is more than willing to help (esp since he wants to connect and find a common interest with teh again). also, just bc oh-aew doesn’t want to be an actor anymore doesn’t mean that he’s completely uninterested in it. god, watching this part again hurts bc oh-aew looks so happy and optimistic. he worked so hard to help teh (and jai) only for them to betray him like that. it made me mad originally, but now it just breaks my heart :(

jai’s running acting classes again for his play, and this time it’s a workshop to help them tap into their feelings. it’s like an intimacy exercise where they give one another consent to touch certain body parts. teh is still struggling a lot with this. i think teh craves intimacy, but as he doesn’t feel that connection in his personal life to oh-aew anymore, so it’s difficult for him to draw on his experiences. he can’t even remember the first time he had sex with oh-aew properly anymore. as usual, teh’s too in his own head to just go with the flow and ~feel things (which isn’t new since teh’s had problems with this since itsay), but it’s def something that he’ll need to learn how to do if he wants to become an actor. he’s trying, but the fact that he can’t get to that place makes him feel even more insecure than ever that he might never be able to get there. imo one of the reasons teh works so hard, and is as driven and ambitious as he is, is that he’s afraid that he’ll never be good enough. he puts so much pressure on himself, and the issue with that is that he’ll never be able to live up to his expectations that way.

teh is also very much alone now. oh-aew has his group of friends to talk to about his relationship with teh, but teh just has jai at this point. he’s pushed khim away...and he and oh-aew aren’t communicating effectively (which is also why they’re on SUCH different wavelengths in terms of where their relationship is at), so there’s literally only jai for him to talk to about all his relationship issues. and to me at least, jai seems to have ulterior motives (particularly when you consider that the subject matter of his play is pretty much the same thing that teh’s going through rn). it’s times like this when i do feel kind of bad for teh, but then again, he brought this upon himself the way that he almost always does...and it leaves me frustrated instead.

jai kissing his professor though...also their conversation?? i have QUESTIONS...

that whole interaction with teh when jai catches him spying on him and the professor was SO awkward. idk what it is about teh but i have never encountered a character that has given me as much secondhand embarrassment as he does. when he starts touching the bars and avoiding eye contact i just- why, teh why?????

moving on, i’m thinking there’s prob more to that scene that we don’t know about bc jai’s shifty like that...but it’s purpose is also to shift teh’s perception of jai. before this, he pretty much just saw jai as his friend and mentor, but seeing him kiss someone else pushes him to think of jai in another less platonic light. like the first spark of attraction.

the both of them go to see the mime show (babymime), and i know that the point of this is so teh can learn to just feel and let go the way that the mimes in this play do, but idk it’s just kind of funny to me the contrast between the last scene and this one. 

the leg touching scene again but this time with teh and jai...thanks, i hate it :/// 

teh’s already feeling like he and oh-aew’s interests are making them drift apart, so by connecting with jai, it’s that initial feeling of attraction that he used to feel with oh-aew all those years ago. jai is that cool senior that he respects...he’s goal-oriented and has so much in common with him (in a way that he feels that oh-aew doesn’t anymore), so it doesn’t altogether surprise me that teh latches onto jai in this way. esp when all their conversations revolve around what teh’s most passionate about, and what dreams they’re striving towards in the future.

it doesn’t surprise me bc teh’s affections shifted in a similar way from tarn to oh-aew when he was first starting to realise his feelings for oh-aew too (though at least he and tarn were never officially dating during that time...)

there’s a genuineness to the way teh praises and encourages jai that isn’t there when he’s doing the same to oh-aew :( and that coupled with teh lying to oh-aew about him having dinner with jai while oh-aew is at home, completely oblivious, painstakingly photoshopping his boyfriend’s face on the poster of the play TO HELP TEH instead of doing his own uni work, makes me so fucking upset for oh-aew.

it’s interesting to see how different their personalities are even when it comes to something as simple as the way they read their texts. oh-aew is so ready to accept whatever teh tells him at face value, but teh overthinks everything to the point where he jumps to a certain conclusion in his head about it instead.

but yeah, it’s just really tough to see oh-aew try so hard for teh, only to see teh do nothing back for oh-aew in return. there’s only so much one side can give. it’s the absolute lack of effort on teh’s part to even try to make things work with oh-aew that is the most frustrating thing of all. oh-aew is carrying their entire relationship rn and it makes me feel all “and for what?? why should he even bother??” about it.

sneaking to sit at the river with jai is like this forbidden, new experience, so it just enhances that feeling of attraction that teh is already feeling towards jai. and esp when he starts telling him about his previous relationship with james, the significance of the plum wine, and how jai ended up breaking up with him. since it’s reflective of teh’s own experiences atm (even in how he kind of self-sabotages himself to push people/oh-aew away first), he clearly takes it to heart. and it makes him want to do an even better job since the play is an autobiographical one for jai. not to mention, teh supposedly being the only one that jai told his story to makes him feel ‘special’......and we all know how teh likes feeling as though he’s special to someone. you can see it in how dejected he is when he thinks jai only told him his story bc he wanted him to get into character better, but perks up the moment jai says he actually told him bc teh’s been doing such a good job (and to encourage him). like i mentioned before, teh’s already feeling vulnerable and isolated from everybody else, so hearing any sort of praise (and esp when it’s from someone that he looks up to as much as jai), is going to pull him in.

when they were hiding from the security guard i was like ughhh i know where this is heading and i. don’t. like. it........

the problem is that i know where teh stands on this. like i know that there’s some attraction on his end. but i don’t know where jai stands. is he intentionally manipulating teh’s feelings for his play? is there any sincerity there? i think it’s obvious that he can tell teh is attracted to him from the glance that they share in this scene, but i can’t get a handle on what he actually wants (which i guess is the point of making his character as mysterious as it is but still). and if he can tell, and he doesn’t actually like teh back in that way, it makes the end scene even more yikes imo.

hmmm teh lying in the pool trying to recreate that feeling right before their first kiss when the both of them just let everything go and sank down into the water. that’s how you KNOW the next scene is supposed to be angsty...bc just like how their first underwater kiss had a sense of sadness to it bc they were hiding, their first (on screen) sex scene has that same sense of sadness, only this time it’s bc teh’s using his attraction to jai/his method actor desire to get into character to fuel the sex instead of bc he genuinely just wants to have sex with oh-aew. and if his reasoning for the sex is bc of that, then his task to recreate their first sexual experience will never live up to the actual first time they had sex (when they BOTH wanted it, and there were no other factors involved).

that’s not to say i don’t think teh doesn’t love oh-aew anymore. i think that there HAS to be some level of love still there amidst all of the confusion, but it feels a lot more like he’s testing his love/attraction to oh-aew during this scene (sort of like how he did with tarn in itsay) than a proper ‘love scene’. like he’s trying to reconfirm his feelings, whilst using oh-aew as inspiration for his role at the same time. it makes my heart ache that this is the first love scene we get from them this series, and it’s marred by the context of what we know is going on in teh’s head. like i said, it’s this permeating sadness throughout...and just knowing that oh-aew has absolutely NO IDEA what’s going on with teh and why he suddenly wants to have sex makes it worse. oh-aew’s been trying to make things work, and in his mind, teh spontaneously coming over like this prob makes him think that things are getting better between them since this is also the closest thing to teh showing any sort of initiative to work on their relationship in this ep so far...

and that’s not also taking away how beautifully this whole scene is shot. i’ve always loved the way that teh and oh-aew play and flirt with each other (bkpp’s chemistry is honestly unparalleled!!) so it was nice to see them be kind of playful before they started kissing again (if you ignore how sad this scene really is). i LOVE the inter-splicing between their first time on the beach and the present. the way the score swells, and little moments where you can see their feet and fingers interlocked on the beach. it gives you such a visceral visual (and totally takes me back to itsay days when that sort of imagery was used a lot more). i just hate that since we know the truth, this scene is more uncomfortable than satisfying despite how nicely shot it is.

i wish we got more domestic moments from them. i know their relationship has sort of grown past those initial moments of flirtation, but it truly makes me sad that we don’t get to see more of them as a couple in general in ipytm. moments like this where they’re lying in bed cuddling each other are so few and far between that i always feel like i have to cherish every little fleeting piece of fluff that i can get. even if idek if this can really be called fluff since the context sort of ruins it.

oh-aew’s still got his heart attack bag :’)))

he was soooooo happy when he met up with his friends 😭 but also, how the hell is it possible for teachers to move deadlines up like that. i FEEL that panic... poor oh-aew...

teh’s in rehearsals again and this time he’s wearing his moon shirt which...i do NOT need those ep 3 itsay vibes rn when i was already dreading this last ten minutes with everything i have in me :((( but anyway, jai’s brought plum wine to class and we know that teh doesn’t usually drink, but he does this time. he tells teh that the taste will change over time (it symbolises the ageing of the relationship process), and teh says it’s a pity he won’t get to taste it next time since jai wants to go abroad to study. then teh tells him he’s worked on the acting exercise and wants to try it out with jai, and i feel like we all knew where it was going to go from here.........

they really had to hammer it in with him missing oh-aew’s call too huh :/

as soon as they started the touching/intimacy exercise again i was just waiting for the catch. even on this rewatch i’m still sitting here chanting “don’t do it teh don’t do it” knowing full well that he kisses jai and there’s no changing that. but then when they cut to oh-aew walking up the stairs with the posters and you hear just how much time he’s sacrificed to help teh/jai on this...sacrificing time EVEN NOW just to go over to their uni to give them the posters when he has a presentation due tomorrow that he and his friends still haven’t finished working on...it’s just heartbreaking knowing what he’s going to end up walking in on.

whether it’s itsay or ipytm, teh’s default state is confusion. so while i think that there’s a certain amount of attraction towards jai there of course, i kind of get the feeling that he’s confusing his feelings of connection with jai (bc of their shared interests and passion) with him falling in love with jai. i feel like his attraction to jai reminds him of what it was like when he was first attracted to oh-aew, and since things have changed so much between him and oh-aew, it’s like he wants to recreate and capture that feeling again with jai (which is also why he wears the moon shirt...he wore that during itsay ep 3 beach scene, which was the moment when the attraction really started to burn between him and oh-aew). he can’t feel that same spark with oh-aew anymore, so he transfers his feelings to jai since, at this point in time, he feels closer to jai than anyone else. instead of growing alongside oh-aew, it’s like he’s choosing to revert back to a time when he was happier.

we know that teh has always been the type of person that will act on his impulses when he feels them. that’s WHY it was so hard to watch...bc i knew while watching that last scene, he was never going to restrain himself or put a stop to those feelings bleeding over into action. and esp not when it could benefit him in some way with his acting too.

in the end, it just makes me so devastated for oh-aew. and i really hope that he doesn’t let this go bc he thinks it’s just teh method acting or getting into character or whatever...i know that teh’s feeling a lot of conflicting things rn, but that’s not an excuse. he really fucked this one up.

the thing is, it’s not that i don’t think teh is capable of acting this way (i’ve seen a few people say that this is ooc for him, but it really isn’t? this confusion and impulsiveness has always been a part of his character from the very start...he was always the one that had the most trouble dealing with his feelings out of the two of them), but the time skips don’t do him any favours bc we lose all those moments that take him to what he’s currently feeling. when we don’t have those moments, then it’s a lot harder to sympathise with him. in itsay, bc we always knew how teh got from point a to point b, even if he did frustrating/silly things, i always understood where he was coming from. i always felt for him. i GOT his struggles, which was why i was always able to empathise with what he was going through. in ipytm, he just comes off as unlikeable bc of how superficial his feelings seem (from what we’re being shown on screen at least).

falling out of love with your significant other/starting to feel things for someone else is obv a fairly common experience, so i don’t blame teh for FEELING like this, but it’s how he treats oh-aew throughout this that doesn’t sit right with me. even if you feel like you’re falling out of love with someone, or that they’ve changed since the first time you fell in love with them, you’d think there’d be some motivation to at least TRY to make things work with them before giving up. we never see that from teh at all. instead, he just see him becoming infatuated with jai (so we barely see teh/oh-aew together in the first place). and while i can see now that a lot of this is due to his own insecurities and inadequacies, it’s also just so disrespectful to oh-aew who's the one that we see putting in all this time and effort (it calls back to their whole “don’t give my time to others” scene in itsay bc we see oh-aew giving so much of his time to teh through helping him out with his play, while teh’s giving that time that should be for oh-aew to jai now). no matter his reasoning, watching teh act that way towards oh-aew does make it increasingly hard to root for him. there’s just too big a disparity in how the two of them choose to act and devote their time to their relationship.

what’s frustrating is that in itsay, teh would fuck up but he would always try to make amends with oh-aew in some way. he would always come forward to try to sort things out after...but there’s nothing here. even after their dinner fight in ep 2, it’s OH-AEW that reaches out to him first (even though it’s teh’s fault that they fought in the first place). where’s that boy that dressed up in his old school uniform in order to talk to oh-aew at his school? or made a whole chinese idioms scrapbook for oh-aew? or gave up his uni admission for oh-aew? i understand that characters and motivations change (and he was obv hopped up on his first love with oh-aew at the time), but it’s just really, really sad to see teh keep messing up and not even try to meet oh-aew halfway with this. yes, you can fuck up, but there are only so many times you can keep fucking up before it starts to look more like a pattern of shitty behaviour than a few forgivable missteps.

another issue is that there’s been so much focus on teh and his flaws that a lot of the time oh-aew comes off as a side character to teh’s story. previously, i understood that since teh was grappling with his sexuality. it made sense that his journey was the primary focus of the plot and character development. but i always felt that there was more room to explore oh-aew’s story (and i thought that we would get a lot more of that in ipytm...esp after ep 1), but it just feels like we kind of skimmed past all of oh-aew’s growth and struggles adjusting to bangkok/uni life so we could turn the attention back to teh again. i just hate that we never get to see more of how oh-aew’s changed in teh’s eyes (other than the surface level things like his hair, new car and major), and that we never get to see more of oh-aew’s life when it’s not related to teh in general. i hope that we’ll get more of oh-aew in the last two eps, but i really don’t know what they’ll give us anymore.

at this point, i don’t even want them as endgame anymore given everything that’s happened in the recent ep. and it pains me so much to say that bc teh/oh-aew are so immensely important to me, but they’re just in such different places in life. and teh esp has so much more growing to do (i think i said this last week too? teh...). oh-aew deserves to be with someone that can see his worth as he is (that won’t cheat on him for one!!). i just want him to be with someone that can make him happy. what i wanted most for them out of this was for the two of them to grow to a better place (together and as individuals), and while i still want that for them as individuals, it’s hard for me to want them to be happy together anymore. at least for the time being.

i’m kind of at a loss for how they’re gonna work through this (and i genuinely want oh-aew to be able to explore his options too...particularly with someone that will actually treat him better than teh’s treating him atm). so at this point it’s kind of looking to me like a break up is inevitable? but i do think it’s necessary  for both of them rn. i feel so heartbroken about it though...like ipytm is actually making ME go through the breakup...breaking up with all my beloved itsay teh/oh-aew memories :((( anyway, i think a break up is also conveniently the best time to put a time skip tbh...so we’ll see if that does end up happening now in future eps.

this one took such a long time to write up bc i wrote like a quarter of this RIGHT after i finished watching the ep (so you can clearly tell which parts were me right after the ep, and which parts were me after i had some time to sit on what happened 😂), but i thought it was best to take a bit of a break. i didn’t rewatch it again until i calmed down a little and sorted out my thoughts some more (though i know this is still pretty messy). but yeah, i’m still very much interested in watching how they things are going to progress from here...but i can’t deny how sad i’ve been feeling after this.

#i promised you the moon #ipytm #text #i feel like i always need to rewatch ipytm eps bc i'm so HEATED during the first watch #but then by the second one i've usually calmed down so much more #like i obv still have a lot of things that i'm not super happy with (and rewatching this again didn't really bring me joy) but still #i get so invested in itsay/ipytm that sometimes i just gotta take myself out of the situation and go live my life for a bit #i was meant to post this yesterday bc it's been sitting in my drafts for too long but i just woke up (it's 2am) so what better time hah

[whyjm]

Why I did not like the Spn finale

This is gonna be a long post..

I cannot get over my thoughts about how it ended and how bad I feel about it. I am so angry, sad and feel so utterly disappointed, I cannot wrap my mind around how this was supposed to be a satisfying tying up emotional archs ending??? Bc it was so far away from satisfying I would laugh if I was not presently crying over it..

There are several things that irked me a lot. Many people have voiced the problems of this show and its ending much more eloquently than I will ever be able to do.. But I gotta get these fucking thoughts and feelings out of my system.

I have been with Spn since the first episode aired. I am a straight woman, I don’t have to fight for representation, I don’t have to worry about coming out and being accepted for who I am, I don’t have the daily struggles of feeling anxious or depressed or suicidal or not being able to be who I am. I am lucky that way!

To me love is love and all love should be equal! And I stand with all who struggle and all who are not free to be who they are. I see you and I love you and I support you fully!!!

To see my friends having to fight, and then on top of that have a show that has meant so much to so many people be butchered and have a negative last message sent out, in its last 36 minutes of its life … It is a hard pill to swallow.

Cas and Dean  

In 15x18 we got to have a beautiful confession from Cas to Dean where Cas tells Dean he loves him and we know this is romantic love bc Cas begins by saying that the one thing I want I know I can’t have and then later I love you. Also Misha confirming it! This scene made me ugly cry so hard bc FINALLY.. (BUT what is missing from it.. the editing is strange.. bc Cas pushes Dean to the right but he falls to the left. Dean has no tears in his eyes while he looks straight at Cas when he talks, but he has tears in his eyes when he looks over his shoulder and see the empty. So what in this scene has been cut away and WHY?) Misha and Jensen did a great job with this and Cas got to find peace in just speaking his truth...  And it was beautiful to watch and after having seen Dean sitting sobbing on the floor the natural and logical continuation of this would have been to in the next episode address this, but in episode 19 no such thing happened. And I wondered where did Dean’s grief go where did his CARE for Cas go?? Dean who has been depressed and suicidal when Cas have died before is all of sudden cold and act like nothing have happened at least nothing that affected him very deeply.. It felt disconnected and strange. And it continued on like that and it felt very strange to NOT address such a HUGH plot point. It’s not enough to have Dean say to Chuck to bring Cas back or to see him wasted out of his mind, or hugging a dog like his emotional wellbeing depends on it.. This is not resolution or addressing it.

All of season 15 has felt like the relationship between Cas and Dean has been in focus and important to the overall arch of the season, and explored and then all of a sudden all traces of it are just ripped away, erased completely.. To have a confession like this go unacknowledged to me is poor writing bc you do not leave this big of a thing hanging in the air without resolution (fine you can argue Cas got resolution but I feel that no Cas did not get resolution either bc his feelings SHOULD have gotten a response no matter what that response was.. Dean did not, we never got to hear or see his version or his thoughts about it.)

I was thinking narratively they HAVE to address this, Deans thoughts and reactions to this gotta be shown. They HAVE to resolve this, acknowledge it. I have been sure a long time they would NEVER have Dean reciprocate Cas love  but keep it in subtext bc they are too fucking chickenshit to do that but at least have Dean talk about Cas….. that I expected him to do.. But it was not done in 19. I got the horrible feeling in my gut that they are not gonna resolve this they are gonna fuck this up, they are gonna go full brothers only and not give a fuck they are gonna push Cas out and show no care. Then we come to the final episode and boy howdy is there a lot to unpack with this episode.

(I had watched the long road home before the finale and when I watched that I KNEW that the end was going to be a letdown I felt it in all of me that I was gonna be disappointed. And I was proven right. And I have so many thoughts all jumbled up around each other that I don’t know in which end to start so sorry if what follows is incoherent and rambly.. )

15x20 - The end  

20 felt like a FILLER episode, right up until Dean’s death scene I was bored and was seriously considering turning my computer of and just not watch. (A finale should be as engaging and emotionally packed like episode 18 was. I refuse to acknowledge 20 as the end.. To me it ended on 19. That wrapped things up. Not completely satisfying but hell of a lot better than the disaster that 20 is.) But then Dean was impaled on that rusty spike thingy and I was watching with attention. I GET why they did Deans death the way they did, even if that is one shitty death for Dean and could have been fixed so he did not die.. I get what they wanted to get out of it: a brothers sad moment that they turned into a irksome thing. I actually cringed about the head thing and the hands and the farming of it all just urgh I got sick to my stomach watching that. What should have been a beautifully sad moment was put together in a romantic coded way and that to me ruined the heartfelt goodbye. Bc you do not touch and hold a dying family member like that. I KNOW I have said goodbye to my fair share of loved ones that I have loved soo deeply, but the thought of touching like that NO no way.. And also they have NEVER done that forehead touch in previous deaths, so to do this now just felt irksome.

They killed Dean a character that has struggled his whole life with being daddy’s blunt little instrument, who has self-worth issues and are suicidal, who has never lived for his own sake but have only ever lived to protect and raise another, he continues to put others before himself though (up until the last couple of seasons where we have seen them both break away from this toxic behavior). Finally he was allowed to LIVE and have a life that was not controlled, not running in a hamster wheel like a fucking puppet on a string. He was Free of all of that. He was free to go after what HE wanted for himself and what Dean wanted was LOVE, in my mind its perfectly clear that Dean loves Cas back bc that is what the story have been telling us.. its right there and the story do not make sense without it. Many others have done a great job at talking about this and describe this way better than me. So I leave further discussion about that topic to them.

Dean was looking for a job.  The angel Dean has loved since purgatory told him that he loved him and then died sacrificing himself to SAVE Dean yet again and then Dean dies a few days later.. How is this doing justice to Dean and what the hell kind of message does this send out to the ones watching?? They are saying it does not matter if you fight, your destiny is written for you and the only relief and comfort you will have will be death. They are saying Meh don’t fight it’s better to die bc it does not matter what you do. This is one of the fucked up messages this godawful ending sent to all those who have identified with Dean and Cas throughout the years.

They also say Cas who has been part of the story for 12 years is not important enough to have there, they IGNORED Cas, a mention in passing does not do justice to a character that has been crucial to the boys lives for 12 years. Dean Screamed in Sam’s face CAS IS FAMILY, Dean was destroyed when Cas died, he was hurt when Cas left bc everyone leaves Dean, Sam missed Cas etc… but still not important enough to show up in heaven in the last episode greeting first Dean and then Sam to heaven.. PFT…

To leave Cas and Misha out of the FINALE of a show that he has been part of for 12 years is so fucking disrespectful to Cas, to Misha and ALL the fans who love and adore both. It also makes no sense since  they all say how beloved Cas and Misha are. and don’t go fucking covid made it impossible bc the last scene with all those people without masks.. No that is just lying liars who lie…Covid my ass! This angers me a lot.

Family do end in ONLY blood apparently…..  

(And maybe lead to a lot of viewers for walker???  hence this very nice shirltess Sam scene............. ) shirtless Sam is always good though so no complaining here.

We see Sam and the dog give Dean a hunters funeral.. NO OTHERS are there?  How is it possible that none of the found family wouldn’t want to be there and show up?? Jack has restored everyone but still only Sam and the dog are there, no Eileen, no Jody and the girls, Donna, Garth, and the list goes on and on. Bc they wanna hammer in harder that supernatural has ever only ever been about two brothers and no one else matters ever.. It does not matter that this has not been true since the earlier seasons. The show of course is about Sam and Dean’s lives and journey through life, and I have loved to follow along on their journey.  BUT it was a long time ago this was the ONLY thing that mattered (bc if it had only been about the brothers the show would NOT have gone on for this long). Along the way they have picked up FOUND Family, and the message of the show has been Family don’t end in blood, Always Keep Fighting. But this last episode reverted back to season 1 and disregarded ALL character growth and storytelling of the past 12 years and went with fuck it ONLY Sam and Dean are important. So the next fucked up message they sent where: There is no Family don’t end in blood.. The only family that matters is blood. And then they have the balls to say Always Keep Fighting.. Are they fucking kidding????

Character development…….. who????  

Sam lives on after Dean dies and we get a montage of his life where he look miserable and is shown to not being able to get over that Dean died. We get a blurry wife and a kid named Dean. In his house there are photos of ONLY himself, Dean and their parents and maybe one of his son? Don’t remember all the details and refuse to watch that episode ever again. But no friends, no family, no happy moments are shown, it looked like a very lonely life. He dies with only his son there.. WHERE are Sam’s friends??? This montage of Sam’s supposed happy life is NOT happy bc he is not able to get over that Dean is dead, he can’t live a  happy life bc Dean is not there - again something that irked me and felt disrespectful to all the growth Sam and Dean have gone through. It was toxic codependency all the way through and that is not satisfying to watch. Especially since the brothers had actually broken that dependency. Sam had broken free, Sam have through the years wanted to get away from Dean and live his life as he wants and then he was happy…We have a moment way back in season 5 maybe? Where Sam runs away and this is shown as one of his happy moments in dark side of the moon.. No Dean in his happy places, Sam having thanksgiving with his girlfriend and her family, Sam alone with a dog. We have Sam and Amelia when Dean was in purgatory. So Sam IN text have been shown being able to be happy without Dean so why could he not do it this time?? Makes no sense! You can grieve but still have a good life.. But they CHOSE to show it like Sam was miserable bc Dean was dead and life was not worth living happily without Dean there..

The brothers have lately interacted like two individual adults, separated from each other, making their own decisions and trusting each other in making them, they wanted different things in life. And seriously WHERE DID EILEEN GO?? Why was Sam not reunited with Eileen that he some eps previous was shown to love, no instead they had blurry wife which feels like such a cop out. Sam did not get to live a happy fulfilling life and why did Sam not deserve to live a happy life with Eileen??? I know they are blaming corona for a lot of things missing in the finale that they intended.. BUT and this is a BIG BUT remember Jensen did not like the ending it did not sit well with him, he had a hard time digesting it, he objected to the ending! He spoke about that dying in battle would not be a satisfying ending - see the video of him talking about this at SDCC 2019. There is so much more to say about this but other people have voiced it so much better than I ever could so I move on to the next issue.

Dean in heaven  

Dean when he first arrives there happens upon Bobby who tells him John and Mary lives down the road and that Rufus and Arheta lives around there too. I hope Bobby’s wife was indoors, and that Jack with the help of Cas fixed heaven.  To this Dean only smirk/smiles.. and then Dean sees baby and goes for a drive ALONE with the words he will be here soon from Bobby again Sam is the only one that ever matter PFT. Dean who found a home in the bunker alongside Sam, Cas and Jack who told John: I have a family and that he was happy with himself and his life…. Spends his time endlessly driving around alone just waiting for Sam to appear.. ALL of Deans growth is thrown out the window.. he is reduced to salad dressing. Deans only purpose is to live for his brother and cannot possibly have what he WANTS for himself not even in death. He drives around for who knows how many years until Sam dies. HOW is this justice to DEAN? How is this a good and satisfying ending for Dean. Dean who wanted to LIVE, Dean who wanted to experience people in new ways, who had let go of Sam and saw Sam as his own person, now in heaven only drives around waiting for Sam to get there having no life or meaning of his own. It pisses me off to no end that they reverted back to toxic codependent Sam is all that is important to Dean shit.. They have broken away from this shit years ago and this is how they choose to end it right back at the beginning..

Now what is the point of telling  a story of growth and love and life if all that that journey amounts to is ending up at the exact point it started on?? You can watch season 1 and 2 and then this finale and it makes sense.. But having watched season 1-15 this ending does great injustice to the characters and the story. Again many others have written way better posts about this that expresses the great disappointment and hurt that is being screamed everywhere right now.

The Actors

I want to add the performance of all actors through the years, the love and care they have poured into their characters are amazing I have loved every bit of that journey. I love Jared, Jensen and Misha, and all the others for their amazing work and that is maybe why it hurts so much it ended in this way!

#spn 15x20 #Supernatural #Jensen Ackles #Misha Collins #Jared Padalecki #dean winchester #dean #sam winchester #sam #castiel #cas #spn 15x18 #spn 15x19 #rambly thoughts about the end #the end

[woulddieforperrytheplatypus]

I would like to call shenanigans about the complaints of Phineas being "out-of-character" in the specials and movies. He's a kid! And human! It makes his character more interesting and three-dimensional! He's allowed to be sad or mad when he's out of his comfort zone! I mean, everyone else is allowed to have a wide range of emotions, and it makes it all the more satisfying when he manages to pull through and go back to being his usual positive self

SAY IT LOUDER FOR THE PEOPLE IN THE BACK

I’m about to get real salty for a second (not at the show tho I’m getting salty at people who get salty at the show) so here’s a cut 

Nothing annoys me more than people who think Phineas had no reason to get upset in at2d. Literally one of the last things 2D Doof said to him before Perry revealed that he was a secret agent was, and I quote, “You really think that he’s your pet, don’t you? WRONG! He’s using you! He’s just your cover!” Of course he was going to internalize that!

And that’s not just speculation, either. As soon as they get a moment to talk without the constant fear of, you know, getting arrested by an evil dictator’s robots, Phineas straight up asks him, “Was that evil guy right? Were we just a cover for you? Were you ever really our pet, or part of our family?” AND THEN HE HAS THE AUDACITY TO BREAK MY HEART BY FOLLOWING THAT UP WITH “Well, apparently not, because you didn’t trust us enough to tell us!” Like? 2D Doof’s words overshadowed the entire reveal. Of course that was going to impact how Phineas reacted to it, and it blows my mind that people think he should have just accepted it with a smile like nothing happened. 

And that’s not even getting into the fact that Perry got them into that mess in the first place. I don’t even think I can say it better than Phineas so I’m gonna use another quote from the movie because I am apparently writing an actual angry essay right now with evidence from the text movie lmao. When they’re still at DEI and Heinz clarifies that he’s an evil scientist, Phineas turns on Perry and says, “You just sat there and let us help an evil scientist open an evil portal into an evil dimension, and you did nothing to stop us?” (With, of course, the caveat that yes, Perry peed on the couch, but “That wasn’t enough!”)

~~ taking a brief break from angry ranting in the middle of the night to add that I definitely don’t think Perry was in the wrong here. I’ve just spent a lot of time thinking about at2d because a) I’ve seen it so many times and practically have it memorized (thus why I threw in all these quotes off the top of my head lol) and b) I’m writing a fic where Perry can talk (it’s Bitch Shut The Fuck Up on Wattpad and AO3 if anyone’s in the mood for sassy, swearing Perry) and I’m going to start incorporating episodes once summer starts in the fic so I lowkey spent most of my nights in bed thinking about what Perry’s going to say and how it would change things if he could explain himself and would he even try to or would he let the kids think he betrayed them if he thought it would keep them safe so anyways I have a lot of feelings but tl:dr Phineas has ever reason to be upset and I don’t blame him and neither should you ~~

And then, of course, there’s the Marvel crossover and, like, he was right? He was 100% right? Candace was too star struck to help, and it was too important for them to take any risks. And you make a really good point with your comment about being out of his comfort zone. I don’t think there’s ever a time that Phineas is more out of his league than in the Marvel crossover. He really is just a kid, and he only got roped into this because he just happened to put his space station in the wrong place at the wrong time and the Avengers made the wrong assumptions. The fate of the entire world depended on them, and when Candace repeatedly messed things up, Phineas had every right to be upset -- and the fact that he was undoubtedly really stressed out because, again, the fate of the entire world, only gives him more of a reason to snap. It’s not out of character; his character had just never dealt with anything like that before.

I mean, of course, there’s Phineas and Ferb Save Summer, which I think was a more mild example of Phineas getting angry, but it’s similar enough to the Marvel crossover that I feel like I need to bring it up, if only to point out the differences. In the Marvel crossover, the world was actively being threatened by a group of actual supervillains. In PnF Save Summer, technically LOVEMUFFIN is also threatening the safety of the world by trying to plunge it into an eternal ice age, but Phineas doesn’t know that which is half the fun of the episode. Like, they don’t know why they can’t move the planet back into place, just like LOVEMUFFIN doesn’t know why they can’t move it further away.

That’s not really the point here, though; that’s just me having unnecessary opinions on everything. I don’t really view this one as Phineas snapping, but Buford does make that joke about how it must be a special episode because Phineas is yelling at his sister again so I’m guessing there are probably people who think it’s ooc which means naturally I gotta bring it up (and, of course, I wanted to reference the meta joke because I love it). 

Phineas built those thrusters. He knows how they work better than probably anyone but Ferb. When Candace says she’s going to overwork them, of course Phineas is going to tell her not to, and he’s going to be urgent about it, but he doesn’t yell. And when Candace accidentally ruins the thrusters, Phineas doesn’t yell at her then, either; he just tells her how to fix it (and, when she’s too scared to go into the attic, his hologram is there to cheer her on). It’s just? So? Wholesome? And “wholesome” is basically Phineas’s entire character, so that fits really well.

And the only other one I can think of off the top of my head is Summer Belongs To You (and it’s entirely possible he’s supposedly “out of character’ in other specials too but it’s 11:20 at night and my brain is fried lmao). “Get on the trike!” is literally one the most iconic lines in the show. Even Dan said it’s one of his favorites because it wasn’t necessarily a funny line, it was funny because it was Phineas saying it, and the fact that so many people remembered it was that it seemed so out-of-place coming from Phineas, which meant they had developed the character well (and if anyone happens to have the video -- I think it might have been an old tiktok but there have been way too many for me to look through -- hmu bc it was such a pure moment). But tbh even though the yelling was “out of character” in the sense that it made for a good joke, I don’t think his actions were out of character at all? Phineas sets crazy goals all the time, and he always achieves them. They’d put so much work into it so far, and he wasn’t going to let it go to waste when the end game was right there. He was exhausted, presumably both physically and mentally (I mean, we didn’t see him sleep at all, you know?) and he wanted to get home and he wanted to accomplish his goal and he wanted to do it as a family (because 🎵 friends are also family 🎵) and he wasn’t going to let Candace ruin that, which I personally think is adorable because technically Candace was never even part of the bet and she didn’t have to make it home with them for them to win so Phineas easily could have ditched her and made her find her own way home but he wanted her to see it through with them and I just have a lot of feelings 😭

OKAY last paragraph because I know no one really cares and it’s getting late and I have an 8:30 class tomorrow and should probably be in bed by now. I also like the point you made about how that makes it more satisfying when he  manages to pull through and go back to being his usual positive self. I don’t know if anyone considers it out of character given that it’s really supposed to be a powerful moment purely because it’s so out of the ordinary (although I guess I could say the same for all these scenes) but god, when Phineas breaks down on the island in Summer Belongs To You, it’s such a testament to his character because he had managed to push through so much because he was determined to get home but it also proves that he does have a breaking point. I mean, we see it in all the other scenes, too, but those are directed at people. This is purely situational, which I think hits harder and it’s why that was the first one I thought of when you mentioned pushing through. All these scenes are a testament to his character, really, and basically the moral of the story is that I completely agree with you, Phineas deserves to have his character explored as much as Candace and Heinz have theirs explored, and that I clearly have way too many opinions and should really learn to tone it down fjksdhfjka

#pnf #phineas flynn #across the 2nd dimension #at2d #phineas and ferb: mission marvel #mission marvel #marvel crossover #phineas and ferb save summer #pnf save summer #summer belongs to you #all these tags and i still know that it won't show up if i ever try to find it lmao #look i have an ask

[originalcontent]

Well. Forgot to make our final pathologic post, because we did it, we finished the game. We just played all the remaining days at once. Not going to go super hard on the plot details bc if you know them then you know them, all I can say is holy shiiiiiiit this was such a good story/mystery/choice/everything.

First order of business: casualties.

All the children except Grace survived. When we had five panaceas, we chose Sticky, Murky, Khan, Notkin, and Capella, and we weren't able to find any more shmowders until it was too late. Taya was lucky and Grace wasn't. I feel kinda bad but also I don't know what more we could have done. God all of the kids and their final conversations when they all think they're going to die, they're so sad and sweet and I love them all so much.

The thing I'm SUPER bummed about is that Stakh, Lara, and Bad Grief all died. Like we did everything we could for all of them, but I'm still sad about it. One regret from this game is that I think we should have spent more time with them. I should have tried to make things right with them. I was so focused on the kids, and I don't regret that, but also I kept putting other things before them as well and I should have tried harder.

The other casualties were Big Vlad, Maria Kaina, Eva Yan, and Anna Angel, who was apparently a character but I think we literally never spoke with her in our playthrough. And Aglaya, although I don't know how we could have saved her either. Everyone else survived. I don't know the typical death toll for this game, but we did better than I was expecting us to, all things considered.

Oh wait, Nara's also dead. That wasn't an incredibly disturbing scene or anything. Like I'm getting ahead of myself a bit but jesus the kinfolk terrify me sometimes. My sister mentioned that it's probably a very different game if we commit super hard to exploring their plotline, and she's probably right. That whole sequence though... the blood, the hearts... it's a lot. I'm not going into detail bc if you've played the game then you already know what's down there, but hhhhhhhhhhhhhhhh.

I feel like replaying this game knowing everything would put a LOT of earlier conversations into new context.

Still! That was the only place we death spiraled this time! Death spiral escaped! That's probably due in no small part to the presence of the soldiers. Like yes they're terrible and them burning people alive is terrifying, but also we discovered the strategy that every time we were attacked by someone we could just have them chase us past a soldier who would protect us. We still had to sneak around a lot but overall it meant we had a lot fewer fights.

The polyhedron was gorgeous. We probably wasted a lot of time visiting it, but it was wonderful. I wanted to go back when all the kids were there but they didn't let us. Super into the earth/sky dichotomy of Notkin's and Khan's gangs.

Block was sure something. When I first met him he was meeting with my three [living :(] best friends but none of them would talk to me. Anyway. When he arrives everyone's saying they loved him, then later on we accidentally walk into the most obvious coup ever, and then the next day he's back in charge like nothing happened. And then on the last day there's this massive violent internal conflict? Plus the whole thing with him and Aglaya (weren't they working together in the prologue?) and plus they keep giving us heart attacks saying they're going to level the town and then changing their minds. Thank god for Changeling who was apparently the single persuasive voice in saving everyone? I guess? We've had our ups and downs but honestly she was waaaaaaay more reliable than Daniil at the end.

I told her I'd help her cure a patient in the hospital, but I didn't have any panacea or shmowder so in the end I couldn't, but afterwards I was glad I hadn't helped her. I already felt terrible I didn't have enough living blood for all the children when they were all spontaneously infected, and it would have been so much worse if I had been able to help another but I'd wasted it on a random person earlier.

... Is Aglaya in love with Artemy? Or are they just two agents who recognize said agency in one another? Everyone spent all game hyping her up as some sort of monster but she was my friend and she listened to me. And she died trying to save everyone I guess.

The kids...just. All of them. Notkin and Capella both told us to let them die but to make sure Khan was okay. Murky saying she'd loved Artemy since the first time she saw him. God everything they said and did I love them. I can't imagine playing this game as either of the other characters because I can't imagine going through this town and not carrying deeply about all the kids like this.

So I think...I think I made my choice long before I actually made the choice itself, you know? There was only ever going to be one choice.

Day 11 was the first and only day when I knew exactly what I had to do. I mean I guess it was in the stage directions and everything. Thank you dear Fellow Traveler for feeding us the night before--did you know we'd never visited the dead item shop until the last night? Probably would have made finding food and medicine a lot easier. But anyway, when the day began I didn't quite understand the significance of the stage directions because the Haruspex looking for couriers did not sound like the dramatic climax to the story that I knew this day was supposed to be. Still, I looked for the couriers.

I think I visited the three locations in the order I was supposed to. Seeing Daniil like that with his gun and bloody hands, sitting in a room of corpses...hearing him ramble...oh man I was so conflicted, this whole game I'd thought that even though I teased him, I would always ultimately back his plays because I trusted him and I knew that ultimately he wanted to help people too. Hearing him tell me what he wanted me to do then at the end of everything...he honestly scared me a bit.

The Changeling and I seemed much more on the same page at the end of everything. Being in the middle of a field with armed soldiers closing in from all sides was kind of terrifying though. I didn't stay to witness what she did with them. She’s okay though, she’s alive.

Wild goose chase for the final courier eventually took me to the bar where I met an injured bandit and was able to actually perform a surgery for the first time in the entire fucking game. I really enjoyed that because I'm supposed to be a fucking surgeon.

Meeting my understudy fucking killed me. I cannot BELIEVE that the final courier who was carrying the only file that could save the whole town was canonically murdered by the understudy of the protagonist. How the hell is that a real plot point, do you have any idea how much I adore that, that is more meta than literally anything else that has happened in this whole game. I fucking died. I definitely have been playing this game as Artemy rather than as Actor, and I think that made the whole scene even funnier. His whole thing about taking a new direction with the character, the whole "you're getting paid for this??", the fact that Artemy was so offended by literally every aspect of his existence that we didn't even know what to criticize. At the end I was like "yeah I'm definitely going to kill this guy" but we're nice people and we let him surrender. His inventory consisted of a rusty scalpel, a hazelnut, and a single piece of twyre, which was the most incredible parody of Artemy's inventory that I can imagine and killed me all over again.

The kin folk all met with me and begged me not to let them die. Maybe things could have been different, but again, I knew my choice and deep down I always knew what we were going to choose at the end. When you start the game, day one, there are two things that are immediately striking about the town. One, it's full of living folklore, and two, it's full of children, and those are the two things that make the town special and wonderful. When you look back on it all, there was only ever one way this could all end.

The dead courier (murdered by my own fucking understudy rather than an actual character, still dying) was a dramatic sight. It's lucky I had to sleep then or I probably wouldn't have found him.

After I made my choice, the disease tried to murder me. It infected literally every district I moved through, manifesting in every single passageway. I just chugged my tinctures and moved as well as I could, because fuck you disease, you are nothing to me. Obviously at that point nothing really could stop me. I considered saving in the cathedral, but what would be the point?

Day 12 was so bright and peaceful and nice. I could just walk around for once with no fear of getting lost or hungry or running out of time. I'm still really sad my childhood friends weren't alive to share it with me, but I enjoyed talking to everyone. My favorite little end conversations were Taya and Notkin for sheer adorable factor, Yulia so Artemy could say he wanted her to be the one to tell his story and to make it as undramatic as possible (fuck you Mark), Daniil because it was super cute and I’m glad that after it all things are okay between us and I got to make fun of him for trying to talk in my language, and Andrey and Peter because literally nothing made me feel better about my choice to destroy the polyhedron than listening to them complain about it.

And then the theater, where I talked to everyone who'd died and to Mark Immortell. He told me he'd need to try again with a different protagonist (gee I wonder who he could be referring to, such a shame we'll never know) and that I could go into the back and take off my mask now. I considered it for a bit, but it didn't feel right, so I decided that I was Artemy and I went back outside.

This game was wonderful. It was beautiful. It has such a fundamental understanding of what theater is and what makes something theatrical (lose me with your cinematic games, theater and cinema are completely different things and the former is impossibly beautiful but is also almost impossible to recreate when not in person). It's worldbuilding was immaculate, and for all the stress it caused I'm really happy for it.

I say this every time, but I love Artemy so fucking much. Give me a character who is a monster and a healer and who is full of anger but also so much love, and then just have him adopt 7+ children why don't you. He is so wonderful and good and interesting and I am in love with him.

(Edit: And then like a month later, just now, we went back to our last save and threw the documents in the trash so we could play through the other ending. I think the diurnal ending is definitely the better one, although it was nice to see the polyhedron again and to talk to all the game developers. <3 Also the goodbyes to Daniil and Notkin were super sad in that one, I did what Daniil wanted, he won’t even stay? This is so sad.)

Well that's our pathologic playthrough. We know there's a lot we missed and we may return to the game at some point. (Looked up a plot summary afterwards and there’s just so much else. Must save my childhood friends next time.) Game is very good though. It's been wild. Marbles sometime in the next few days. :)

#kj plays pathologic #pathologic #pathologic 2 #this has been in my drafts sorry d: #thanks for reading everyone

[full-course-identity]

Give me your thoughts on uuuh Jake

wew boy

okay. gonna word dump this, and probably other interpretation asks, so I can get the words out there.

from my POV, there’s 3 types of canon Jake + 1 fanon vers + my personal interpretation. lemme explain what they are;

Book Jake, who I don’t have enough experience with bc I STILL haven’t finished the book… >_>;

2River Jake, who is kinda oblivious and very in-the-moment impulsive (not so bad he’s jumping place to place ADHD like Rich, but like, not considering that maybe dropping everything to seduce Madeline or Christine is a bad idea when he clearly really likes Chloe). these are debatably survival mechanisms bc of his family (and wealth, if you want to go into the “being rich actually traumatizes you and locks you into dissociation” theory–but to be fair, this is partially reliant on thinking Jake is Genuinely Rich. … well, not Rich as in… yeah); ignoring any pain he feels in favor of getting dicked down and forgetting about everything for a while. very “I’m not sad, I’m busy!!!!!” 

Bway (possibly the new canon general for all Jakes since it sounds like London’s is modeled after him but just… toned down), who is still oblivious, but towards other people’s emotions instead of himself; he’s manipulative, a little impulsive but a lot more malicious about it, and he knows exactly how hurt he is about his parents. this jake’s awareness of himself makes him act worse because he knows this is the only thing that seems to help and it’s basically the only thing he actually has control of. his wealthiness is undeniably present and Bad here because the reason taking what he wants and not caring that it hurts people is his main coping skill is pretty much only because he’s been allowed that privilege all his life. i tend to think this version of him should be done by a white cishet dude (despite jake’s actor on bway being genuinely FANTASTIC) bc being marginalized in a high school should’ve curved a lot of the “endless power and privilege” he gets for being rich (Not That One). 

[i… think this jake has ‘better’/more nuanced writing in BWay… but i don’t think it fits the musical nor is it the overall direction i think it should’ve gone. BMC feels best to me when there’s a heavier element of Dark Humor that briefly nods to a Larger and more Fucked Up world behind the bit we see in the musical. making it largely a twisted comedy, maybe even ramping that up further with more whiplash lines like jake’s “which means the house is empty, so that’s fun”]

Fanon Jake is… like most of the fanon characters in BMC, a bit… “bipolar” (like, radically shifting depending on the situation). the BMC fandom has been born with heavy engagement from minors in the current fascist climate of fandom as a whole. as a result, you have three general uses of jake that as “approved of” by somehow the exact same people despite being conflicting in a lot of ways. THIS IS NOT ME SHITTING ON FANON, i actually think most of this fandom is just a casual romp for most people and that shouldn’t be snatched away from them nor mocked nor treated like you HAVE to be logically consistent when this is just a fun hobby for most… but there are still trends i notice:

1: Jake the sweet bi disaster who loves their significant other and is just a little bit hopeless in their silliness and Down For Whatever-esque personality. this is often used for shippy pictures and memes and cute little oneshots, plus, of course, fluff.

2: Jake the tragic abuse victim who is extremely sad and has to learn to love again and has always been selfless, plus or minus a permanent disability post-fire. this is of course used for hurt/comfort, plus in combination kinda with michael in the bathroom-esque posts and tragic art, often also used as an example of the squip being the worst for jeremy or rich guilt trauma. also: aesthetic and moodboard posts.

3: the one I have the least good will towards: Jake the “why does everybody woobify mlm? You can’t portray him without flaws! queer boys aren’t your fetish!!!” with an attached, clunkily written reasons why he was an asshole that is also simultaneously watered down so you don’t think he’s a Monster bc then you’d be vilifying queer men (well, more like they’d feel bad about their cutesy-er ‘emotional support’ art and writing which is Totally Different from all the other cutesy emotional support art and writing). 

basically, Meta Trying To Make Jake Reasonably Flawed But Not Evil in this fandom is RARELY genuine–it’s more often than not moralistic hand-wringing made so that they can wash themselves of the guilt for actually enjoying something with a character they portray as mlm, or otherwise the guilt of enjoying anything romantic or sexual involving men or queer people period when we’re apparently not supposed to do that anymore, as decreed by the radfems infesting our spaces. 

and, well, or you’re an mlm writing this post, you’re probably young and still feeling extremely sensitive and scared about your identity. i once saw a very wise post by a trans person who had been trans for a long time, who said that when you first come out as trans (or queer in general, but especially trans people who are beginning social or physical transition and coming to terms with themselves) you are obvs on High Fucking Alert and so you’re insecure and scared of anything, ranging from “obvious transphobia” to “just trans people enjoying themselves and exploring transphobia in fiction or else their own sexuality”. again, this can relate to a lot of identities tbh, and as such young mlm either cis or trans can get very Itchy about people enjoying mlm content.

anyway.

wrapping it back around to me: i edit jake on a case by case basis (sometimes i even make him eviler or meaner based on what’s set up during Bway, he’s just not my usual go-to villain), but i tend to think of him as a tragic Mr. Peanutbutter-y sweetheart who kinda knows he feels like shit yet also knows that if he stops to assess it, it would make his life a lot harder in a time where he can’t afford that. his relationship with chloe is extremely toxic (chloe abuses him horribly, specifically), and so he tries to claw his way out of it only to be continually back in by chloe and her bullshit. 

this is why he doesn’t really get... well. he genuinely thought the thing with christine was going to be permanent; he wasn’t jerking her around, he thought he was over chloe and wanted a girl as cool and fun and genuinely nice as her. afterward he Gets It, and so feels Really Bad--at a time where he doesn’t have his house, his legs are broken (i don’t tend to put him in a perma-wheelchair), his parents have abandoned him, and he best friend is in the hospital. guilt crashes in on him from all sides, and he just has to... pretend it isn’t, even as he can no longer stop himself from thinking about it.

if i was to do a jake focused story, it’d probably be a dating sim where you play as him and watch his life change in conjunction with his attempts to find happiness again; you can either choose decisions that help him greatly or ruin his life so ver much... hmm. lets file that under hashtag “story ideas i’ll never use even though they could be great”

to wrap this up: i like jake. i don’t... really enjoy most of the written content (fanfic, meta, sometimes even the storylines on ask blogs) in this fandom about him or... really, most of the characters, which i feel bad about--i’d enjoy it more if it was every in conjunction with my usual Wants in a fic, which is, like. extreme angst.

BUT

i do still like jake, and i can super enjoy his portrayal in memes and visual art

he’s just not my total fave, but like, the reason he tends not to come up a lot in my content is more what i’m focusing on and why. i’d be happy to use him in stories if his presence fit.

as a bonus

here’s the ships i’m happy to use him for, generally: deere, michael/jake, brooke/jake, toxic chloe/jake, and of course, different ocs/jake

his identities/labels: cis, bisexual/romantic... tho sometimes i actually go for bisexual and aromantic! outside bway and eviler jakes, i’m good with him being any race, and even then it’s just a matter of suspending disbelief re: privilege theory. also, PTSD probably, and maybe generalized anxiety as a result. maaaaaybe autistic too? adhd would be a hard sell for me since he seems super put together in a way that’d be extremely difficult for every form of adhd, but i can see him being neurodivergent on the spectrum + like dyslexia maybe. oh, and i sorta-kinda think he may be color blind? but really i’d drop that at a moment’s notice if it’d be easier to write him without it lol.

his interests: one is more or less sports in general, tho i think that, unless he went straight for track or swimming or something Olympics (which he probably can’t do now...), that’s a high school or some college only focus for him. so, besides sports, i think he’d kinda like the satisfaction and steady growth of Collecting Rare Things That You Have To Look For, like cool rocks, bugs, etc. 

as for careers... some form of doctor something, maybe a businessman of some sort but he’d likely try to curve his power in that field as much as possible; he inherits his parents' assets and company or whatever, but he probably takes a backseat to that and only really has it out of a sense of ‘it’s my job as my parent’s kid to keep the company going--without engaging in the same awful legal issues they did--for as long as i can’. one of my fave jake-is-there stories, vanceypant’s spicy bis-focused fic 1999, has him owning a restaurant, and that was cool as hell.

also jake loves dogs. especially golden retrievers. yes.

#be more chill #bmc #jake dillinger #kadabralin #bmc meta #meta #character interpretations #wow this... is long #holy shit sorry about that

[sombrz]

Please imagine me just delivering these on a platter to ur sickbed: akira, minako, ochako, iida, (tries to think of a marvel comic person) uhh flash

thank you, thank you. who needs cough medicine when you have shipping.

(edit: i’m 99% healthy. it took me that long to finish this mess.)

AKIRA: okay, i think i remember telling you how i was pretty chill with akira ships. like, if done right, i don’t mind any of them, except for futaba (because they’re siblings, fu). besides our collective issues with atlus and their inability to not be weird when it comes to the girls. also, i feel like what makes the p5 kids feel the most like actual friends is also what makes it harder for me to fully invest in any individual dynamic - they all meet throughout the course of the game (even ann and ryuji aren’t close friends beforehand, and there’s definitely no drama between them) and they help each other heal and get past their abusers so that they can have a fresh start and feel free to be normal teenagers. so there’s little to actually grab onto when searching for….anything layered? like, compared to the p3 kids who have so much inner turmoil that they take out on each other - or the p4 kids, who can’t be completely truthful to themselves or each other. the p5 kids do have baggage, but not with each other. which makes for healthier bonds but also more boring ship dynamics lmao. all very cute and fluffy, but not a lot of substance. 

point is, i don’t really have much to say? like akira/yusuke is fun and silly. akira is eccentric and cool enough to go along with yusuke’s antics, and even though p5 always gives us an option to be mean, i can’t imagine akira ACTUALLY thinking that kind of stuff? like, he’s a weirdo too so he just. gets it. yusuke basically takes akira out on dates during his social link. they lend themselves well to model/artist headcanons and aus. they don’t realize they’re dating until a few months into their relationship - one of the others had to point it out and yusuke’s like ‘oh? is that what this is??’ and akira’s like ‘thank god’ bc he was too awkward to bring it up himself. futaba makes fun of them a lot.

akira and ryuji are cute too. i’ve gotten a bit fond of the boner squad (br)ot3 too. just ann/ryuji/akira being dumbasses. or ann/shiho+ryuji/akira being dumbasses while going on double dates. there’s also not really much to it - just the usual persona teen boy ‘no-homo-bromo-but-it’s-actually-homo’ fare. ryuji’s less possessive and repressed about it than yosuke is, though. which is good (ie more healthy) bc it’s more like akira found himself a human puppy jock boyfriend, and it’s cute! ryuji instantly decided he liked akira and started planning their secret handshake and selecting their cool delinquent hangout spot. and akira just smiles through it all bc he’s charmed. morgana gives akira the most judgemental stare ever when he finds out though. 

i like akira/haru bc she’s who i dated in my playthrough. they’re soft and sweet and i think a slow relationship built on patience is good for both of them. and they have the most obvious phantom thief couple aesthetic, tbh. they also have the ‘demure wallflower by day, trigger-happy hellion by night’ thing going on. i love the idea of them opening up a coffee place together (their futures align! this is the SO that sojiro approves the fastest lbr!) and akira being haru’s trophy husband (let this man be someone’s trophy husband).

akira/goro’s the one with the most depth lmao as our boy akechi gets the short end of the stick re: what everyone else got - to defeat their abuser and come out the other side a new and improved person. INSTEAD, it’s all about deep-rooted envy and what-ifs. when i replayed p5 for my friend’s benefit, she kept being like ‘wow ok akechi’s got….the most obvious crush on mc. why is he always here? why does he talk like that? omg?’ and my sentiments exactly. AKIRA’S thoughts exactly, tbh, bc what else is he supposed to get out of some of the things that come out of goro’s mouth. but it’s like….he DOES like akira, but he also resents his existence because akira gets to have real bonds and happiness despite the crappy hand dealt to him. and their own bond is based on careful lies and observing each other for any cracks in their armour. but there’s that undertone of wishing that they’d met in other circumstances, where they COULD have a normal relationship and get to know each other in a way that’s not ‘we levelled up our relationship when you shot me in the face with the intent of murdering me and framing me for my own death but really, i tricked you and you didn’t actually kill me & now we can defeat you and your dad! ha! checkmate!!’ but i love that that’s actually part of the dynamic so lmao.

MINAKO: you know, despite minako and minato being considerably different (both their external personality/appearances > emo boy/preppy girl  - and the changes in their dialogue choices > again, minako is a lot more confrontational and energetic), i pretty much just ship them with the same people?

the only exceptions of this being i ship minako with shinjiro and yukari but can’t really fathom either of them with minato. (it’s bc yukari is a lesbian and shinji does not deal well with sullen people. like, what’s he supposed to do? pat minato on the back?) 

i will also warn that it’s been….forever since p3 so i’m kinda fuzzy on details. 

anywhoooooo, AIGIS. main protag ship is aigis. idc which protag, but i must give atlus my once-in-a-blue-moon compliment because they kept aigis’ social link and her blatantly romantic feelings for the protag the exact same in portable. so minako/aigis is just as canon as minato/aigis, buahaha. anyway. robot girlfriend who starts off being somehow programmed to feel protective/indebted to minako but then starts developing real genuine feelings as she explores her humanity, minako wanting to show aigis how to enjoy herself while putting the emphasis on aigis’ feelings and opinions but also being so amazed and grateful for aigis’ love and attention. also, the difference between protags here being that while minato is silently intimate, minako is loudly loving. the utter tragedy that is aigis not being able to save the person she cares about, the imagery of minako’s head in her lap while they wait for the end is….A Lot. i think in a lot of tragic robot/human romance fiction, the robot gives up its life for their human partner so i like the reverse here - with aigis having to experience the emotions of loss and depression and overcoming that because she truly loved mina(k/t)o and now they’re gone. it’s heavy! it’s a lot! i just remembered i never finished the p3 movies! i should do that!

there’s ryouji. again, don’t care which protag - just like the idea of our mc flirting with death. literally flirting with the avatar of death. the double sides of the ship: goofy teenage flirting vs warning of impending doom. ryouji just being like ‘yeah just kill me it’s for the best i’m actually here to destroy the world or w/e’ to his gf (or bf) out of nowhere on christmas eve lmao. it’s fun, idk.

yukari! honestly, taking out all the forced hetero ship teasing made me ship her with minako more lmao their social link was just better! no offense! and their personalities mesh better too - i feel like yukari would get way too frustrated with a closed-off partner and i love concept of: the huffy takes-no-shits girl being soft for her cheerful outgoing gf. also, i spent way too long imagining the answer with minako - the aigis/minako/yukari would be heartwrenching and we deserve it. 

shinjiro! can i start off by saying it’s a good thing shinji was in p3, which did the best job of showing the characters apart from the protagonist and main plot (prob bc on the other hand, it did the worst job with social links seeing as none of the guys had them) - i feel like in p4 or p5, we wouldn’t have gotten to know him nearly as well before he died. anyway, his social link with minako is really sweet and a romance between them hits my ‘tsundere/flustered boy not knowing how to deal with affection from pretty girl he respects a lot’ checkpoints. and i need to talk about this: i feel like the decision to make him comatose instead of dead if you romance him was a double edged sword disguised as a blessing lol. because he was still DYING before he got shot, and also he wakes up just in time to find out his girlfriend died! fhdhfgdjd! 

                      —————————————————————– 

uraraka……okay: i ship her with tsuyu, bakugou, iida, mina and toga. 

oh, here’s a story. before i got into bnha, i stumbled on a bunch of deku/uraraka amvs and they were so precious. like, really, deku and ochako are the cutest goddamn things in this series. seeing them side by side makes me want to channel my inner grandmother and pinch their cheeks. it was, like, the only thing i knew about bnha at first, so i just figured i’d end up shipping it whenever i eventually got to watching it bc i’m easy to please like that. but ha. nah. it’s sad bc i love their dynamic when it’s focusing on their actual friendship but then the actual romantic hints made me want to roll my eyes so hard. it’s so BORING if you take it at face-value, and i’m so boggled by it if you look deeper bc i don’t understand what hori’s planning here. it’s irritating bc even uraraka admits that her borderline obsession (and that’s what it is, since it’s compared to TOGA’S CRUSHES…y’know, our resident yandere serial killer?) is detrimental to her growth as a hero. and i know it’s partially bc she’s a teenager but its blown so out of proportion. it’s a crush!! relax!!! like, compare to deku’s crush on uraraka where after he got over his initial anxiety of talking to girls, he - at most - just blushes a little when she stands too close or dresses extra-cute. every other time, he treats her no differently than any of his other friends. but then uraraka’s crush is treated like. this weirdly twisted admiration she doesn’t even WANT. she relates to a villain’s desire to imitate and become the person they like, she gets ridiculously jealous every time he looks at another girl, she keeps fucking up because she focuses too much on him and how to be like him. it’s weird. idk. typical fiction tropes lead me to believe i’m supposed to root for them to get together (and bnha will end with an epilogue where they have a child named after a food) but the story i’m being told makes me want to root for uraraka to succeed at getting over those feelings! idfk!!!

also, i have to laugh at the way horikoshi decided to tell us and uraraka herself that these feelings were romantic. by having aoyama just be like ‘oh you were thinking what would izuku midoriya do? could it be you love him?’ when we see multiple male friends of deku’s (iida and todo, in particular - hell, even aoyama himself) have similar WWMD thoughts and he, in turn, instantly imitates bakugou whenever he hits a roadblock (taking inspiration from to downright copying bakugou’s moves, trash talking his opponents, etc). am i supposed to see only uraraka’s feelings as romantic? why? because she’s a girl and deku’s a guy?

i like it better when iida’s involved. both iida and uraraka are so sweet and enthusiastic to counter deku’s more nervous personality, and they’re a very good trio! i tend to prefer them as a brot3 but as i said, i do ship iida/uraraka seperately! i don’t have any big reasons for it except i enjoy how contagiously energetic and silly they are around each other? dramatic too - remember the ‘REACH FOR MY HAND’ scene when all the UA students were freaking out? it’s just a simple best friend dynamic like what they have with deku but there’s no weird one-sided jealousy/competitiveness involved (luckily, iida got over it after the stain arc haha). they don’t end up feeling bad or unworthy of the praise they get from the other - which is great, because they’re very complimentary towards each other! iida is so understanding (his immediate reaction to uraraka being self-conscious about her reason for pursuing heroism) & uraraka is usually the one who vocalizes how cool and talented iida is (while also giggling her ass off whenever he gets all extra-dramatic)! tbh, curse their aborted moment after iida’s match with mei! let them praise each other!!! i like that their seats are so close to each other too - i wonder how horikoshi decided on the seating plan. but uraraka’s tendency to shake iida by the shoulders is precious & i bet you he breaks his staunch ‘follow-every-rule’ mentality when it comes to uraraka writing him little notes in class. also, maybe uraraka just deserves a sweet+rich boyfriend. it’s that easy. lmao.

i already talked about bakugou/uraraka. it’s great, dripping with potential, needs more canon interaction. i only trust a portion of its fanbase to do them properly. but this is the case for almost every big ship. (where’s that one fandom meme where one of the questions was like ‘what do you hate seeing in fanfic/content for them’ bc NOW THAT I’M ACTUALLY READING FANFIC AGAIN, LEMME TELL YOU. BEING A MULTISHIPPER IS HARD.)

tsuyu and uraraka are just genuinely a good match? i like the contrast between uraraka - who is emotional and upbeat - and tsuyu - who is calm and rational. but they’re both very perceptive? their first night at the dorms is a good indicator of how their dynamic works. the others are quick to accept that tsuyu doesn’t want to play along with the room competition, but uraraka both provides the excuse and lingers behind with worry. she probably had to convince tsuyu that it was okay for her to vocalize her feelings to the bakugou rescue squad, and volunteered to be with her during said confrontation. compare to the forest where tsuyu sweetly and calmly offers uraraka her hand because she sees her friend is scared, without actually needing to say anything else. they’re sweethearts. i absolutely adore them. oh, and i dig their earth/sky + pink/green aesthetic clash.

uraraka and mina are based on two things: 1) they’re always hugging and hanging out in official art/sketches (mina even has a selfie of them hanging on her wall of pics in her room) so i can only assume they’re super-close gal pals that should kiss, 2) i love shipping silly idiots together and it’s hard to find ships like this that are f/f but these two fit that specific chaotic mold!!! and 3) AESTHETIC DREAM!!! PINK SPACE GIRLS!!!! DO I NEED ANY OTHER REASONS? NO. NO, I DO NOT.

HOLY SHIT, CAN YOU BELIEVE IT’S OFFICIALLY CANON THAT TOGA HAS A ROMANTIC CRUSH ON URARAKA? again, i could write an essay on coding and how frustrating it is for characters like toga to usually be bi/pan. but no one’s claiming this a win for rep. and i’m FASCINATED by this dynamic. toga loves stain-sama for his ideals and how that enables her nature to kill. she loves deku-kun out of curiousity for his ideals and the fact they met when he was beaten to a pulp lmao. and she loves ochako-chan because she sees herself in her - she thinks that they share ideals. again, i have no idea what the long-term meaning for this development is but it’s clearly pitting them against each other? and adding a romantic element to that is hmmmmmmmmm. we’ll see, we’ll see. and like i mentioned above, it’s shocking and worrying and makes me ship uraraka and toga more that uraraka ALSO sees the similarity between her and toga. she’s horrified by the implications of it but she hears toga’s spiel and tries to fruitlessly deny that ‘yeah, she’s right. that’s how i am. we’re the same.’ if i were to ever write a traitor!uraraka fanfic (which i would if i could ever FINISH a writing project), it’d be uraraka/toga and uraraka trying to convince herself she’s better than toga, that she still has a moral code and her reasons for joining the league have more weight to it, and she doesn’t!!! care!!! what toga thinks of her!!! and expecting a rivalry but toga doesn’t meet that head-on because instead, toga wants to be close and connected to uraraka. toga has this kind of mature soft side we’ve seen before (with twice) that shows how she can see you at your core (her fight w/ uraraka also showed that) and i want to see uraraka to be on the end when she thinks she doesn’t deserve it and doesn’t trust toga and just being frustrated and confused over it all.

                        —————————————————————– 

iida…….i think deku, todoroki, uraraka and aoyama are my biggest ships for him. also, i don’t ship it myself but momo/iida/todoroki’s rich kid squad is A REALLY FUN DYNAMIC AND OT3.

LET’S BE REAL: IIDA/DEKU IS SO UNDERAPPRECIATED IN THIS FANDOM. ALL IIDA SHIPS ARE BUT….IIDA/DEKU. iida’s goddamn….tucked deku into bed. threw his hat in the ring of rivals. there’s official art of iida giving deku a shoulder ride. he punched him to make him see how his actions are affecting him - “haven’t you thought about how *I* feel [about you putting yourself in peril]?!” like. bro. okaaaay. i still laugh that they got on the wrong foot initially - deku was so scared of iida sjfhhf like he was equally worried he’d be stuck in the same class as iida as he was about kacchan. thankfully, iida’s a sweetheart who cares with all his heart, and he sees all that there is to admire about deku, so they became instant friends after that. and iida means SO MUCH to deku. i pay a lot of attention to how future!deku talks in his narration, because he normally interrupts the narrative to move the story along - by talking about minor time skips, the movement of the villains, etc. but he also tends to wax a bit poetic about his friends. like when he interrupted everything to give us a side-story about how and aoyama became bffs. so we can assume that aoyama’s friendship means a lot to adult izuku. or how comforting and important it is to me that even as an adult, he refuses to stop calling bakugou ‘kacchan’. it’s sweet. in that same vein, it strikes me that deku still holds an amount of guilt for not supporting iida better during the whole ingenium-stain debacle. it ended….much better than it could have, and that experience was what strengthened iida/deku/todo’s relationship. yet as an adult, deku still wishes he could have done more. offered iida the help he needed before he went rushing in. hoo. but anyway, yeah, they’re cute! wholesome nerd boys! cute height difference! also yeah, i’m glad that iida got over his sports-festival-era feelings of inferiority towards deku. deku loves competition, but you can tell that he didn’t want that out of his relationship with iida (compare to how he outright covets a rivalry with bakugou and accepted it from todoroki w/ his head held high). it wasn’t based on healthy feelings and they’re so much better as supportive bfs.

iida and todoroki have a lot of stuff in common as legacy heroes who were trained from childhood to be heroes - with the major difference that todoroki faced horrifying abuse that prevented him from having a close relationship with his siblings and made him want to reject his legacy, while the iidas are good folk and iida’s brother means the world to him and he’s so far one of the only heroes we know to reuse a superhero identity based on legacy. and even the painful bullshit (like the ‘take out your muffler and a new, stronger one will grow in’ thing) was something that iida went through on his own accord and with warning. and todoroki’s words of encouragement during the stain arc were based on his own life lesson! they both come off as very serious and abrasive elites at first glance, but they’re actually dorky and socially awkward! but i think they get each other - i imagine they have a very calming friendship, no need for pretenses and judgement, and they deserve that! they probably think the other is hilarious too even though absolutely no one else gets the joke! they had a lot of cute moments recently since they were paired in the same 1A vs 1B match. like iida can just…tell the minute differences in todoroki’s expression and demeanour apart and knows when there’s something wrong. and they’re just so humble and sweet and can’t handle the other being self-deprecating. they’re good boys, brent.

already talked about iida/uraraka. they’re cute, i love them.

AOYAMA THOUGH. knight boys! they were so good during the exam! it really got me that aoyama didn’t even consider the idea that iida might not abandon him, might want to help him and win together instead of just use him to get ahead himself - and iida didn’t even really get the emotional realization aoyama went through there but he was still like ‘YEAH WE DID GOOD! I’M GLAD YOU FEEL BETTER! THUMBS UP! :D’ they’re both very dramatic and - i don’t know how to describe it….they pose a lot, talk with their limbs. they’re silly, is what i mean. and maybe aoyama ALSO deserves a loving, rich boyfriend. MAYBE IIDA SHOULD BE EVERYONE’S LOVING RICH BOYFRIEND. but in this case, aoyama’s boyfriend who will carry him bridal-style everywhere, much to aoyama’s glee lol. except when he’s dragging him along via his cape. whatever works.

also, side note, i find it kinda interesting that fandom pairs him up with girls like mei and camie - when i just….feel like he’d be so out of his element and sooo overwhelmed? i’m wincing just thinking about it lol poor iida.

                        —————————————————————–

i’m glad you specified marvel bc if you’d just said ‘comic’, i would have assumed you meant THE flash and i would be forced to sit here and think of every dc speedster ship…..well, it wouldn’t be as bad as spidey ships (honestly i’m very basic with speedsters - it’s just like ‘speedster/their spouse’ with the adults (even wally - linda or bust, tbh) and ‘speedster/their best friends’ with the teens), but we’d be here longer. 

BUT FLASH THOMPSON? i already mentioned my two big ones, with venom and peter but i’m def willing to talk more about them.

 flash/venom, a man and his gooey alien husband. i love that it’s a relationship based on self-growth and healing from past hurt and stopping destructive habits and cycles (both that cause self-harm and harm onto others). one of my favourite panels is still where flash pleads with peter to not let his anger seep into venom because venom’s gotten past all that. he’s a better person (being. alien. thing.) now and doesn’t want to turn to feeding on rage ever again. and that’s true for flash (a victim of child abuse who bottled up all that sadness and rage and took his aggression out on other kids) as well. it’s just so….nice. and venom credits all this to flash. and a thing i find about venom is that its unhealthy dynamics are all about control - you’re just its host, it possesses you against your will, you become an out-of-control villain. but with flash, venom sees a partner and home - they need and belong with each other, they communicate and cooperate, they became a superhero. also i love how they’re seriously affectionate and intimate - that’s just kind of a given with venom, i think, because you have to invite & accept it as part of yourself. but flash is so soft with venom - while he’s not as….hm, vocal about it as eddie ‘ooh my love my darling~’ brock is (he’s also a bit less obsessive haha sorry eddie), he’s so protective and likes giving venom headscratches and kissy faces to the point others react to it like they would witnessing PDA. i just want flash to be all cute and smooch his husband when they’re not like. one singular entity. CAN YOU BELIEVE THE HEALTHIEST DYNAMIC FOR FLASH TO BE IN IS WITH A SYMBIOTIC ALIEN GOO CREATURE? I CAN. AND I’M THANKFUL FOR IT.

 i also ot3 them with eddie for the sake of my peace of mind where everyone’s happy. where venom’s not torn between two loves, and eddie doesn’t feel the need to think things like ‘it’s tough being someone’s second best’ and ‘i’d like to think he’d do the same for me but part of me knows that would be a lie. it’ll always be flash.’ and having those thoughts because he literally FEELS that pull towards flash? like he inherited those feelings, he KNOWS what it’s like to love flash thompson. LIKE, YO????? GIVE ME THAT SYMBIOT3.

then there’s flash/peter, the funniest super/civvie id love triangle in the world. flash having the biggest hero crush on spider-man in high school - so many superheroes to choose from but spidey is the best, because he’s an underdog, because he gets pushed down and refuses to give up, because he’s SO GODDAMN COOL - while simultaneously thinking peter is frankly, the worst? but in that terrible way where he fixates on peter even when he’s not part of the conversation. waiting for him to leave school so he can be mean to him, feeling frustrated whenever he tries to be nice to the guy and peter either ignores, rejects or insults him in return. peter just being like ‘Sigh’ whenever flash insults him by gushing about spidey, but that’s also why he can’t dislike flash no matter how bad their relationship is. how can he hate spidey’s biggest fan? and also he probably gets a good amount of pleasure out of flash’s gf liz allen having a crush on him. peter also does this to johnny and his gf, dorrie evans - they’re frienemies in high school and kind of obsessed with each other,,,,’heRE’S MY LIST OF 500 REASONS WHY I HATE THE HUMAN TORCH’ OK PETE RELAX. so yeah, peter, despite having genuine feelings for betty brant, hits on liz and dorrie whenever they cross paths and lets them use him to make their hot blond boyfriends jealous. (peter, maybe you ARE the worst. stop it.) and then when they get to college and end up in the same friend group, flash slowly realizes that peter is like. hot now? and like, kind of a cool dude who went through a lot! like, he thought peter was a jerk in HS but he’s actually really nice when he wants to be and is always in your corner! ‘wow, i really like and respect pete! i’m proud to be his friend!’ flash thinks while staring at peter’s biceps. meanwhile, peter has no idea what’s going on because he keeps expecting flash to turn back into a dick (and steal one of his girlfriends lmao) but instead, he just keeps proving he’s a great guy! and keeps confiding in him! and uh, complimenting him a lot? and still fanboys over spidey and that’s really endearing! and oh, he’s really gonna miss him whenever he’s on tour and the idea of flash dying is unthinkable and he really likes being his roommate and he’s who he wants to be his best man and he doesn’t get why flash doesn’t seem to realize how great he is, and welp, he just punched captain america in the face for not telling him flash was agent venom. anyway, bottom line: i like dynamics that are very….long-term and constantly changing? so i tend to fall for the enemies/rivals to friends to lovers thing. or friends to enemies to lovers. but this is a former situation for sure.

also, i’m convinced every corner of the college crew pentagon happened. flash and harry MUST have at least made out once and neither was sure how to deal with the aftermath of that for a couple of months. he’s kissed and casually dated gwen AND mj - but i find it interesting that it seems like neither girl really ever considered him a contender. gwen cares about him but sees him as a shoulder to vent to about her issues with peter, and mj has a lot of fun with him but also considers him the male version of her (outgoing and bright but unwilling to commit and act serious). and he interestingly backs down quickly when peter decides to make a move on the girls. like, compared to his love triangle with liz and peter where i feel he was pretty resistant to letting her go - especially to someone like puny parker, he responds to peter’s accusations re: gwen and mj with ‘hey, relax. it’s not like that. i wouldn’t do that to you.’ i take it as him growing up and not feeling the need to overcompensate to impress his dad and also maybe the fact that he’s a bit more aware of how closeted he is. but it’s weirdly different with harry (*cough* cause it’s the first dude aside from peter he had any romantic interaction with *cough*) so he just……..dances around those feelings (on top of both of their feelings for peter) until harry starts dating liz (BECAUSE EVERYONE DATES EVERYONE IN PETER’S CIRCLE OF PALS, I GUESS) and he’s just like ‘???????????? well okay then’.

i like his dynamic with felicia as much it also pains me - that felicia went into it thinking she could use flash to hurt peter (’i’ll break your heart like he broke mine!’) but then ended up legitimately falling for him and started hoping for a normal life with him. also that they liked hanging out in terrible workout clothes. nerds. (alas, it didn’t last bc….FLASH, BUD….BUDDY….I CAN’T BELIEVE MARVEL HAD FLASH SAY THAT AND THEN PROBABLY SAT BACK AND THOUGHT ‘YUP PETE’S BEST BUD FLASH IS TOTALLY STR8′) and i need to read more of him and betty to get a handle of that but. what i’ve gotten from the panels i’ve seen that it’s very dependant on the writer and has the same problem flash’s relationships with liz, gwen, mj and felicia had where there’s a lot of love there but the actual romantic element is….lacking? falls short? fizzles out? where he seeks out a connection to peter(/spidey) through his romantic relationship with a woman peter used to be involved with and pushes said woman away when she starts getting in too deep?

anyway, that just turned into an essay about how flash thompson has been gay since his conception and only like, 20% (maybe less) of writers in charge of writing him have actually realized it.

#persona 3 #persona 5 #ochako uraraka #tenya iida #spider family #sociallinkmax #questions #reply

[wily-one24]

I hope there's not a question limit per ask lol... Paint it Black: 3, 4, 5, 11, 12, 14 and 15 (or as many of those as you feel like answering lol)

Okay, two things.

A. Of *course* there’s no ask limit. I am an attention whore and will talk all day if you encourage me. Ask away!!

B. WTF tumblr? When I reposted that, it was a paragraph basically saying “ask about my fic!”, but now there are NUMBERED QUESTIONS? What? Where was the second half of that post when I came across it in my dash? 

ANSWERS

3. What’s your favourite line of narration?

Oh geez. How the hell am I going to answer that? I have favourite lines per chapter, I have favourite lines per scene! Each part I’m reading at any given moment happens to be my favourite. Every time I reread it, I find something new... and... maybe I suck for saying this... but I think “you’re a fucking genius”, then I get all sad, because I think that was probably one of the last great things I’ll write. I’ve been going downhill ever since... but anyways, to seriously answer your question, I’ll give a few examples... 

 - That face off scene between Regina and Snow, where Snow claims her father was a good man and Regina answers “To you!”, the entire scene is charged and emotional and brings up so much shit between them that was never explored in canon. 

- The flashback of Emma’s tenth birthday (technically collectively, all of the flashbacks, really. They’re angsty as fuck, but so formative in their characterisation that sometimes I forget they’re not actually canon). I have this habit of tearing Emma down to her bare bones and then trying to build her up again. I actually do this with most of my main female characters, and I do apologise for that Buffy, Kaylee, Veronica, Emma, and Alex. You all deserve so much better than me. 

- The scene where Regina is alone in the castle and revisits the old chamber of Leopold’s. It’s hard to read but that is some weird little cathartic release right there. There is some great imagery that I don’t think many people allow Regina when it comes to her healing. Everybody tends to go the “being married to Leopold was a BAD THING” route, without ever really exploring the day to day soul destroying aspect of it. The reality of being the King’s prisoner wife. But giving her the ability and strength to revisit it, so she can finally acknowledge to herself how damaging it was, to close herself off from it both literally and figuratively, and then to be self aware enough to compare that situation to the one she has Emma in. That is empowerment. 

- The parallel scenes of Emma and Henry at the start and the end of the fic. The first being when Henry is so adamant to rescue Emma and curse everyone again just to take them back... and the last where you can see how much indoctrinated he is into the fairy tale land, how much he is drifting from “our world” being the real one, to the fairy tale land being his reality, and how his morality has shifted... but then... he also brings it back by getting vulnerable and shows his concern not just for Emma but for Regina... which also shows great advancement from the child like black/white morality of good vs evil he begins with to an acceptance of a more adult grey-area morality, his willingness to examine the facts and the truth to make up his mind. 

All the minor characters... Nancy (sweet, voiced Nancy), and Miss Edith (poor Miss Edith), Rachel, all the little characters that had such minor parts, but had such great effects in the lives of our main characters. 

Oooh, writing Rumple was fun. I got to write him as nobody really does. As that creepy reptilian imp from the first few flashbacks in S1. Before they really woobified him. The hysteric giggling, maniacal creature who smelled the air and exuded pure malice. It was really enjoyable writing him like that. 

Well, this went terribly off topic... anyway, yes, flashback scenes and confrontation scenes, be they between Snow and Regina, Emma and Regina, Regina and Maleficent, Emma and Snow, Emma and Henry... it’s in emotion that the true power of the fic lives. 

4. What’s your favourite line of dialogue?

oh, this is harder than the first. It would take me ages to reread this fic (and now I most likely am, thanks) to really go through it and cherry pick my favourites. But, if a line has happened to truly hit home and resonate with you as a reader, it most likely did the same for me. I remember quite a few times writing this fic, thinking “holy fuck!” and knowing, just knowing, that it was definitely the line to write. 

5. What part was the hardest to write?

The first two chapters. Up until the pivotal moment where Regina heals Emma, those were difficult to write and definitely difficult to read. I’ve had many readers tell me they were about to give up, bc it was too much torture porn to enjoy, but that moment specifically was a turning point for them because it built up the trust that I could and would reign Regina in beyond the point of no forgiveness or return. 

11. What do you like best about this fic?

I liked writing it. 

It took me to some pretty intense places. Fic writing, for me, has always been a form of therapy. I work through to some pretty intense fucking emotions through the angst of it all. Like, no, I have never been magically transported to a fairy tale land, collared, enslaved, and held against my will for the sake of my family and community’s lives... but if you look deeper in my life at the time, I had just been through a pretty horrific pregnancy that nearly killed me, my spouse and I separated, and I was left ill, recovering, and a single mother of a toddler and infant. I felt like I was being ripped apart from all angles, forced into a live of servitude for the betterment of everyone around me at the cost of myself. Even, though, like Emma, I didn’t blame them, it was still a period of mourning and loss.

I didn’t realise it at the time. This revelation happened years later when rereading the fic and trying to see where all the emotions had been coming from. It happens a lot with some of my more intense, dramatic, and (strangely enough) most popular fics. I don’t always see the correlation to my life at the time, but if I look back I can generally trace the rationality behind what my muse was trying to work through. 

12. What do you like least about this fic?

The polarisation. The controversy. That fucking chapter fucking four. I still cannot reread that chapter without having to take a step back and breathe. That scene has some good imagery, but even now sometimes I just skip it. It’s not worth the shakes or unease or... ugh, just thinking about it upsets me. 

I made a mistake in the tagging and I learned from it, but holy fuck was I attacked at the time and used as a sacrifical cow to the radfems. It was, honestly, surprising to me. Not only the reaction, but the harshness of it, all the accusation and personal attacks aimed at me.  

I mean, I knew the fic was always going to be confronting to some. It dealt with some pretty hard issues and subject matter. I had warned for all the violence and non/dub con. But... I didn’t expect or prepare for the backlash in including a male, even if the male used was... just used... and never actually amounted to anything more than a tool for Regina to control/bind/further entrench Emma to her own will in one scene. 

I, very naively, went into it thinking “surprise!”, and that an almost canon past pairing that was heavily explored in the actual show would not be controversial in the least. More fool me, I suppose. I definitely went back to re-tag it, I apologised. I am not sure what else I could have done, but to this day this fic is held up as an example of queer baiting and everything wrong with false lesbianism. And it is definitely used as an example by biphobic people as to why bisexual women cannot be trusted as we’re all “really straight women at heart”.

To be fair, I never explicitly labelled the fic as “lesbian”. I begin all my fics (no matter how AU or ‘out there’) from a canon stand point. Meaning, everything that happened in the show up to that point counts. Which includes every prior relationship both Emma and Regina had been in up to the Season One finale. Which, surprise, were with men!! 

14. Is there anything you wanted readers to learn from reading this fic?

I don’t know if there’s anything they should ‘learn’, but I definitely hope readers realise that this is in NO WAY AN EXAMPLE OF A HEALTHY BDSM RELATIONSHIP. It is not meant to be a guide, a ‘how to’, or a ‘goal’. This is an incredibly fucked up way for two already fucked up characters, to find some kind of semblance of existence in a world/s stacked up against them from the very start. I didn’t think I needed to state that out loud, but apparently I had to. Many times.  

If not that... then definitely I hope perhaps some of the writing made people think about the characters more in depth, or differently, that it gave the reader a new way of thinking about the show and the storylines/characters in it.  

15. What did you learn from writing this fic?

Tagging. Tagging fucking matters. Tag properly. Like, just do it. 

In all seriousness, though... I think I learned a lot about my own trauma. 

I also think my writing developed throughout the fic. There is a definite shift from the first two chapters... you can definitely see where it became less of a short one off smutty fic set up and more of an in depth angsty character exploration of the soul kinda thing. 

I learned about set up and development and bringing in stray bits of plot development later in the story to tie up loose ends.  

#hope this satisfies #jacqui writes fic #paint it black fic #PIB fic #rowark

[stainedglassmaiden]

spoilers ahead - okay - so i just watched the siren on xfinitystream.

im so disappointed - or maybe ive just gotta think harder about it/watch the ending again - because it wasnt a common kind of style of a movie, and during most of it, i felt like it was going somewhere interesting . but thenn, at the end like in the last 5-10 minutes, idk, there were flashbacks or fantasies or something, i wasnt suree what was real or not, and it made the end confusing, and there be wayy less closure than i feel like there could have been!!! cause i feelll like maybee if they picked maybe onee of the confusing scenes/fantasies or something at the end, it could’ve made the closure and whole movie seem like 40% better and have more of a clear message. ughhh! they were soo close to having something interesting [and good+clear]!

some ppl had very negative reviews of it, because they didnt understand how the details related, but i think those were some of the most significant parts, and found how i thought they related, to explain and explore some themes in the story.

--

so the movies about a young man, whod never been in love and is mute and v christian, who is taking a break from his life in the church, to stay at a cabin on a lake. [although he had lost his voice in the first place when he was drowned type thing when he was young]. and his neighbor is a man whos lookin kinda rough, cause he lost his husband to what he thinks is a folklore of a monster in this lake, who drowned the husband. so now, this widower wants to find the monster and get revenge and kill the monster. and the background is, that the monster is supposed to be a woman based on like a siren [bc of the title] orr? -a slavic myth of a woman whos undead and haunts a body of water where she had drowned herself when she was unhappy with her husband/was heartbroken.

-

so! i thought it was unique bc it was a very simple set, and not much dialogue probs cause the man was mute, but that was alright with me! it wasnt uncomfortablyy quiet. it was fun for a rainy day, like a little melancholy and a little spooky and a little lovesick . idkk, it was a moodd, if youre in that mood lols, and want solidarity with a movie.

fun how they had diversity, with an asian woman playing the siren - you dont see much asian representation in western movies. and a gay man just casually thrown in there, not a big deal, which is also cool uncommon diversity representation a little bit . andd likee, ability-diversity with a mute character, and its not like a big deal, but maybe people like that would like to see people like their own selves reflected/represented in movies tooo, so they dont feel on the outsidee of the realm of “kinds of people who can be starred as kinds of movie characters” usually, you know? :).

-

some details that other people thought werent relevant and annoyingly random, were things that i thought weree very interesting and related to a message of the movie!

-like i thought the music was significant. it was this very like, etherial possibly what would you call it - like monk like, cathedral echo-y singing. you  know how theres that kind of music like in cathedrals? etherial? -andd its like the kind of music that sirens are traditionally thought to sing. like echo-y and kinda haunting. so i thought that tied the siren and the religious mute characters together. andd they were falling in love anyway. andd it sounds haunting-y and theyre both kindaa haunted by stuff in the back of their minds, like she, by her curse and her lost love in the past or whatever, and she wishes she could come back to land and be normal, but this curse is keeping her in the water - and him, by whether he should return to his church or not - since he had gotten a phone message from them saying like, dont strayyy from the churchh and dont sinnn come back to us!

thenn, i dont think his mute-ness is random either. i think it signifies the theme of like, misunderstanding and miscommunication [and how that can be frustrating]. like how she is frustrated bc shes seen as a monster [and is one] but shes also, sometimes just a normal girl, when the curse isn’t taking a hold of her. and the widower thoughtt he misunderstood her, when he wasnt sure if she wass actually the monster, because sometimes, she just acts like a lady, and he felt sorry that he was blaming her, since he was like, “theres probs no such thing as monsters, shes probs justt a normal lady”.

thenn, i dont think him being gay was random either i guess . people were annoyed about all these random choices about the characters’ characteristics, because they seemed random and distractingly irrelevant. but i think its relevant because idk i thought maybe because sirens were originally supposed to lure menn to their graves. so it makes it easier for him maybe, and more believeable that he wouldnt be able to be more focused, to try to kill her, and not be lured. even if it wouldnt literallyy work, maybe its just supposed to be symbolicc for their repellant -rather than luring - relationship.

something lacking in love - is another theme i think it was cool how they explored it in different ways. like how the mute man had never been in love, and when talking about that, the neighbor was like, “i dont know if i should feel sorry about that or not. can you imagine that?!”. and even when he did nearly get love with the siren, they could never really comfortablyy be alll the way in each others’ worlds, either on land or in the water. -not on land, because she has to always have atleast part of her body in the water, so shes always just kinda soggily, uncomfortably, sitting on the edge of the dock. they cant comfortably be in the water either, because firstly, he doesn’t know how to swim/is afraid of getting in the water, since thats how hed lost his voice as a child - and, because i guess the curse starts to take control of her when shes near other people when theyre in the water, and she needs to drown them. and, how both the other couples had had love, but then i guess they either lost their partner, or it ended in heartbreak.

it made me sad but was moving in a good way, how when she wasnt feeling the siren curse, they did try their best to change to be able to hang out. like she triedd to resist the curse and climbb out of the water to join him on land (although it didnt work). and how since she couldnt come out, hed lie on the dock withh her so she could stilll put her foot in the water. that was cute and thoughtful.

v low lighting though. like, i know we’re trying to make it spooky and a bummer, but also, i can barely see what youre doing. ever heard of likee, idk, a gray or dark blue filter for the camera, so its like the illusionn of night time, but doesnt actuallyy make things too obscure to see things?!

the choices of casting were nice though. i feel like the mute man and siren had chemistry you can feel, evenn if they couldn’t even talk much!.

the ending couldvee been clever. i just didnt really understand. but there wass a flashback or fantasy where idk, i think it was the mute man ended up becoming a siren tooo! (you could tell because his eyes became as big and dark as herss when she was under the curse being a siren), and then that was cooll cause thenn they were shown just bothh being sirenss in her little cove in the waterr, so they couldd be happy and togetherr all the time actuallyy, in the water! thatd’ve been a nice ending. although they would have to explain why hes a siren now, cause they hadn’t. i guess hed have to drown himself or get drowned, with/from a broken heart, just like she did, to become one. but why would his heart be broken, cause theyre ablee to hang out pretty much, when shes nott a siren, and shes not dead ..

butt, they did just end the movie (spoiler!) with him deciding to leave the lake (i didnt understand why?), and when he leaves, she seen kinda swimming up in the distance, to/towards his empty cabin. maybe thats just saying, “and thenn, they were never ablee to be together anywayy, and itd alwayss be like this imagee for them - how it was in the first place, with him on just on land, and herr, only and forever just kinda stuck lurkingg in the distancee, in the waterr - tooo far away from him/remote/[misunderstood! -and cant fix that [monster part] about herself] - to ever really be with him for real. :(.

hm. so i think idk, either make it clearerr, which of these endings are just fantasies,/why, or just choose onee of them, and committ to thatt message. for the movie. lols. orr if you choose the ending where he becomes a siren too, you gotta explain why that happened better.

plus, (spoiler) when the widower got killed and joined his husband at the bottom of the lake, i feel like that couldve been used to say something significant or to bring something full circle or make a point of some kind. but it didnt, so.. i kind of dont understand why that was done. although i cant think of a better ending for that character, and cant think of how else his story could’ve played out - because either he has to get killed by the siren, he has to kill the siren, or he has to never be able to catch and kill the siren - but either way, idk howw youd make eitherr of these possible endings come to an interesting and satisfying solution, for the scheme of the rest of the movie’s story. i guessss its kindaa cool that atleastt he ended up with his husband againn.. [at the bottom of the lake..] which is kinda dark - but its like , ..so ? that wasnt even his/the goal..!

so yea. i like this movie. its quiet and oddly sweet and kinda moody, which sometimes youre actually in the mood to watch. just kinda chilly. and spooky and nostolgic. im just frustrating cause i felt like it was onto something brilliant, then the ending was kinda noncommital and a flop.

but it seemed kinda thoughtful and cool how it was somethingg about like - the themes of frustration, misunderstanding, things not quitee fitting together in life, longing. which are things that arent usuallyy the point of most movies, so it was cool to get to reflect on those things [in media], uncommonly/for once, through watching this one.

[maybe the point/message of this movie was: Sometimes, you just try your best to make things work out (from the various examples of this being tried throughout the movie), but its okay to be sad and bummed when it doesn’t work out how you wanted it too, because that is how it has to end up sometimes (likethe husbands wanted to be together - and they didnt quite get what they wanted cause they didd end up together - but it was when theyre Dead at the bottom of the lake, -or how the siren wantss to overcome her curse, by healing and moving on from her previously broken heart, by trying to overcome riskss to fall in love againn with a neww man, and defying the curse trying to climb out of the water - but (for some reason?) sometimes, i guess thats just a fantasy, like all their flashbacks. so now shes just gonna be soggy and dripping and uncomfortable (physically and emotionally) in her humans clothes (not like, traditionally fun and comfortable and alluring like how mermaids who weree made to originallyy belong in the water, look.), just watching her potential [future] lovers and things she thoughtt were opportunitiess to heal from the curse, pass her by on land - while she watches them from very far away in the water. [im not suree how the mute one fits in to this message perfectly - but i guess maybe hes just the accessory to the siren’s part of the message].

#movies #movie review #the siren #folklore #longing #misunderstanding #vulnerability

[icharchivist]

I'm really worried about Leorio in this arc. Like he hasn't seen half the shit Kurapika's been through and not even a quarter of half the shit Killua and Gon have been through. And this arc seems like/was stated to be even worse than the chimera ant arc? He's gonna get thrust in the middle of all of it! Thought it might also be his time to shine. Kurapika's def gonna get hurt and while he can heal himself normally he won't be able to if he's passed out/weakened from emperor time.

Yeee definitly agreed. Some shits are going to go down and that’s going to be hard.

I love Kurapika with all my heart but tbh I really wanted this arc to be more Leorio centric. I’m still a bit frustrated we didn’t get much of him, but I think the arc can set up a few things for him now if the storyline takes it.

and if it does? Leorio is going to suffer.

The thing is that, I think the main four are complementary in a sort of way when it comes to their respective trauma. Gon’s was dormant and truly kicked in in the CA arc when everything happened to Kite. He actively tried to confront that trauma and it ended badly. Killua’s was always kinda there and is still there, without exactly being addressed directly by Killua - he’s slowly recovering without exactly realizing it since it’s just by being away from a toxic environment that he’s doing better.Kurapika's trauma is still vivid and active and he’s completely aware of it, and he deals with it with the most unhealthy ways possible, and like Gon he tries to confront him.

If we go by that logic, Leorio’s trauma happened officially pre-canon with the death of his friend, and he had tried to recover as much as possible in the most healthy ways (how he’s becoming a doctor to prevent this loss to happen again). 

Out of the Four, it’s true Leorio is the one who suffered the least, and he’s the one who moved on from the trauma that kickstarted his plotline - as much as we can say, he recovered. 

Which is in itself a good theme when it comes down to it, but since it’s not exactly exploited by the narrative, it’s not exactly obvious and I doubt it was meant to be a point in itself but more a set up.

If it is a set up, we saw already a bit of payoff thus far. The multiple times he worred about Kurapika before the end of the York New Arc and grew concerned was one part, and his direct reaction to almost losing Gon was extremely frightening for him. It’s eventually what led him to ask the Zodiacs if they could find a way to get to Kurapika. 

I think that, at this point of the story, Leorio is more worried for his friends than ever. In the begining of the story he mostly focuses on his goal, becoming a doctor in order to be able to prevent the harm that could happen to people, but he ended up feeling extremely guilty in the Election arc where, after all this studying, he still wasn’t there when his friends were suffering, and he couldn’t have done anything to prevent it - and now again he was powerless.

Even when Gon wakes up Leorio still feels guilty for not having been there when all those troubles with Killua and Gon happened - he mentions it especially when Gon mentions the “horrible things” he said to Killua, which means more than saving his life, Leorio wanted to have been here to prevent all those bad things to happen, to even talk with them if possible.

Which is imo why he tried to reach out for Kurapika a bit more and ended up asking the Zodiac for a favor - because he wasn’t there previously and his friends ended up near death. And it’s all good to be able to help people, but if you’re not there when it happens, what’s the point?

I’m still a little unsure about that because as much as i love Leorio caring for his friends, I would have loved a more “Leorio-centric” narrative, but as the story is going on, I wonder if the catalyst won’t be even more harm happening to his closed ones and eventually re-traumatizing him, and having him try to do something about it.

That’s why I’ve kinda been thinking that Kurapika may not die but will be badly harmed by the end of the arc and it may bring oil on the fire for Leorio. But at the same time i’m still a bit doubtful, because a repetitive narrative can be either extremely clever as parallelism, or downright stupid because it’s basically the same thing. But it’s been in the back of my mind for a while, since it would find a place among Leorio’s themes in general.

Personally, I would wish to see him more involved with the Zodiacs and uses his political position as a means to an end. I would love to see more of his training too, but I don’t have any precise idea of where it could go from that point on in order to explore that.

All i still wish for though, is that - Leorio is supposed to be busy on the lower levels of the ship. Kurapika is dealing with the princes now, but Leorio is down there, far from the political fighting.

Mizai had said that riots started happening on the lower levels, and I want to know if it’s going to bring somewhere, especially with Leorio who’s after all, working in that aera. It would be an opportunity to open up a plot line for him.

If we can’t have a totally centric Leorio arc like I wish, there’s still the fact the Troupe and Hisoka are also on those lower levels. At best, Leorio could get involved because he knows them and can try to come up with ways to limitate the damages (also it could also finally explore why Hisoka took an interest on him in the Hunter Exam by having those two at least having a conversation.). At worst, if it’s not entierely Leorio-centric, he could be worried that learning the Troupe is on board would be of harm for Kurapika and try to deal with it for it.

Regardless, I still believe the arc will be divided in, well, 3 for now. First part was the introduction we saw so far, until the departure of the boat, second would be the Succession War and everything happening on the Boat to the Dark Continent. Lastly, the Exploration of the Dark Continent itself.

I think it may be why the likes of Ging and Pariston hadn’t been seen again since the Succession War sub-arc started. The introduction would have set the players for the following arcs, and the Dark Continent exploration would be a complete different story.

Kurapika’s entiere purpose for participating in that arc is the Succession War (which again is one of the reason I think he’ll be out of commission by the end of this pat). Leorio, however, promised to help alongside Cheadle with every means he could, and I believe it might be that he’ll therefore be a more major player in the Exploration of the Dark Continent itself.

Whenever it would be to further his own storyline, which i really hope for, or to help wounded friends (after all, one of the wonders of the Dark Continent includes a rice that makes you life longer, that would come handy), i think Leorio would have more of a plotline in the Dark Continent Itself.

(especially even more if the Dark Continent would head up into a commentary about collonialism the way the CA arc had a commentary about war, and that I think (really take it with a grain of salt bc it’s something i’ve been thinking to myself for a while) that therefore Nanika’s powers could have been a forshadow of the commentary itself - for your selfish gain you will only get suffering, a suffering the next people involved, regardless of their own intend, will pay even harder, but if you’re there because you want to help, if you work it out of love, either toward the land/the person or toward the people you’re trying to help, you may find a welcome. I think it was stated that the guardian of the DC wouldn’t let a lot of people in, and we saw the scientific team talking about the DC only see horrors from the people who came back - yet apparently Don Freecss, who embrassed and loved the new land, could benefits from its goodness.)(and i’m completely overanalysing so don’t take that part any seriously until we get any confirmation, because for now we don’t know anything.)

Also the Zodiac are planning on letting all the people on the Boat (aside from those who are actively working on the exploration of the dark continent) into an Unknown Continent, I suppose eventually a few stuff could happen there, at least as it would come to organize the people who will be brought there.

I’m really scared for what’s to come though because ye, it seems to be going in a dark path, and things are going to get tense. And I worry too that Leorio’s “lack of drama” (for lack of better word) will eventually backlash on him getting even worse on his head.

The problem is that so far the most I can think about is him reacting to his friends and... While on one way I consider it to be in character, and it’s not a shame for character to be dedicated to their friends (a lot of Killua’s storyline centers a lot more around helping Gon that it does on his own goal, textually so. And Leorio’s goal is, as a mean to an end, a way to help people, among those, his friends.). 

On the other, I would love a storyline that would explore much more about Leorio, first because I really want to see him evolve and see him going through stuff, and second because I don’t want to hear anything about how he’s not interesting or useless or any Bad Word Of The Month people use on him. And the sad truth is that people who’s goal are usually really “caring” centric are often sidelined, both by the narrative and the fandom, more than once.

So in recap, i do think he’ll get involved in the plotline and he will end up getting in danger in one way or another. But I also believe he will be more involved either with the Zodiac or with the Exploration, and maybe with the Riots on the boat, which could be an excellent opportunity to explore much, much more of him. Even if you have to use other people’s suffering to come there, i just wish at least it wouldn’t break him.

I’m still hopeful for Leorio’s involvement and story arc, but ye, there’s no way it will happen without suffering. Brace for it.

All of that being said, there’s still a lot this arc has to offer and Togashi had always managed to surprise us in one way or another, and he always added stuff to the scenario that we couldn’t exactly anticipate. Notice that all I say is my overanalysis of current information that might be completely wrong after a next update because of new elements. I totally believe Togashi can be completely misleading, and that he will bring the story where it has to be brought and that it will be interesting.  But we can’t predict it, even with all the amount of overinterpretation one can use.

Take care!!

#ichameta hxh #hxh meta #hxh spoilers #dc arc spoilers #leorio appreciation #i have a lot of thoughts about the dc arc in general but we don't have enough info rip #so i'm still really doubtful about everything i say #(also the leorio stuff are always a risky line bc i don't want to sound biased) #(i love leorio and his character arc in general and imo he's really centered on how he cares about people) #(but therefore it means i tend to mostly mention stuff about him that are related to other people) #(and to me there's nothing wrong with a character who's more caring-centered) #(but i've been enough into fandoms to know that people are never happy unless you give even more and more) #(i believe a well written caring storyline would have more weight than a half assed attempt at writting a badass) #(but still - i would love much more to be explored about Leorio in general - especially his political affiliations now) #(and the achievement of his training - and hopefully new plotthreads!!) #(but i can't exactly focus only on that when he's been really driven into not letting people suffer again) #(bleh this is the never ending argument in fandoms and it's why i get worked up about it) #(nothing in your ask about that i just justify why i wrote this the way i wrote it) #(I know i have a bias to start with but i'm trying to keep it as much down as anything and be objective) #(so i hope it doesn't sound too far fetched) #take care!! #Anonymous #ichareply

[wandchoosesthewizard]

but also i need malfoy meta? like how did narcissa get to be where she was? is there anything she wouldn't do for her family? how does she actually feel about her sisters? i need malfoy things pls

Gonna put this giant fucking rant about my most precious Malfoy under a cut. Because I am just gonna go off!! (And honestly it does get really long).

So let’s kick this off by directing you here for a little light reading because instead of plotting I mostly just fucking regurgitated a lot of Narcissa feels. 

So - obviously - given the scant information we have in the books, a lot of this is just my head canon and I mean, you know, whatever. Take it or leave it. The only exception to this is Narcissa, Lucius & Draco’s love for each other. They love each other and I will accept literally nothing else. (Like most specifically Narcissa and Lucius’ love for each other, and their love for their son. Draco’s feelings may be more complicated - understandable so - but Lucius and Narcissa LOVE each other and they LOVE their son and yes they made mistakes and may not have raised him perfectly (what parent does???) but you can get the fuck out of here if you think Lucius was an abusive husband or father…) 

And then we start to swathe out into the muddy waters of my feelings / interpretations. I’m sorry it’s a bit scatter shot but… It’s just what happened.

So I think one of the biggest things I need to state here is I play very heavily with the canon timeline - ignoring and acknowledging it at my whim. So I often play it so that Narcissa is in the same school year as Severus (sometimes along with Lucius, sometimes not) with Andromeda the year above and Bellatrix again the year above that. And this comes into play more later on. So let’s begin. 

Narcissa Black is the third and last child of Cygnus Black III & Druella Rosier. She was meant to be a boy (as, honestly, were her two sisters before her) but she was a last ditch attempt. Narcissa is aware of this flaw from a young age - and while she is not abused for it - there is a certain… Emotional neglect. She is spoiled, treasured and she supposes it is what love feels like. But there is also the pervasive knowledge that she is a tool - more than she is a person. 

She is to be wed to a man from another high-class family. Andromeda and Bellatrix are betrothed to the Lestrange Brothers and she is… For a long time, unsettled. There is a fear she will be wed to her cousin - Sirius or Regulus - as her aunt and uncle were. However, nothing trouble her more than the delay - the delay in finding her a suitor. Is she unloveable? Is she unmarriageable..? What is wrong with her?That is the first fear Narcissa Black remembers having. 

The second is the fear of madness. Their family breeds in - as they have to if they wish to stay ‘toujours pur’ - and you can see glimmers of madness in Bellatrix certainly (something made only worse by Azkaban) and in some people’s interpretations, Walburga. I also think that Violetta Bulstrode (for whom she has her middle name) her great grandma went mad and Narcissa witnessed this at a young age.

This is her second biggest fear and eclipses her first fear easily. Because - because she is raised to believe she is special, beautiful and precious. She is different from her sisters (and there is always an inkling, perhaps, that she is not her father’s daughter) in looks. She is blonde, beautiful and brilliant. You can fake enough to make yourself loveable. You cannot hide insidious madness creeping through your veins.

It’s why - I play her as a very controlled, very private person - with a surface veneer of sociability. She laughs, she smiles, she parties, she charms - but her inner workings, her thoughts are private. Her fears, her sadness, her anger - she keeps a tight reign on them and has for a very long time (which backs up her skill at occlumency). 

So - you’ve got a special young woman - Bellatrix is probably treated very strictly, Andromeda is, likely as the middle child, ignored. And Narcissa - the baby, is also - quite possibly ignored, but a little more spoiled and the one for whom the rules don’t exist.

They spend a lot of time together - learning to be proper ladies and Andy is her favourite. Bellatrix has an edge of cruelty to her, a temper often left uncontrolled - the loudest voice and the harshest opinions. Sirius is nicer than Bellatrix but their personalities are both loud and dominant, and so, she likes Regulus better too. 

Bellatrix goes to school. It is her and Andy alone now (and, occasionaly, the boys) and she loves it. Adores the monopoly of her sisters time and affection, resents it when Bellatrix comes home but must keep that to herself. Andy goes to school and she is bereft. Alone. Her parents have little to no interest. It feels like a year of solitude (she is, of course, entirely too dramatic in this regard). 

And then she goes to Hogwarts and it should be the best time of her life. While at school she doesn’t put in as much effort as she could, or perhaps should into her school work - she has already learnt there are no consequences for her - and she’s more than willing to get someone else to do her homework for her. Sirius ruined it, of course, by being sorted into Gryffindor. It is the first crack in the perfect facade of her family. (Depending, on of course, where Andromeda went when she was sorted.) 

It upsets her, of course - as does everything else he carries on doing - he is still her cousin (even if he isn’t her favourite). And him leaving - it shredded their family in her opinion. It made it very easy to hate him. 

When Andy leaves - it’s harder. That’s her sister, her favourite sister and it is the most painful thing she could do - to abandon Narcissa like that. Like she doesn’t even care about her family. Hating Andromeda - she… She can’t. She knows she should, Bellatrix who has suddenly turned her full attention onto her tells her she should. Her parents tell her she should. Her aunt and uncle tell her she should. 

And she can’t. She wants to. She can’t. She loves Andy. 

But it’s not like she can see her anymore. 

She needs space to breathe - but suddenly - there isn’t any, the pressure is unbearable and there isn’t anyone she can talk to. And Bellatrix - she loves her sister but this… This is too much. 

But she endures. It’s what she does. I’m not sure how she gets over it  - she probably meets Andy in secret - vents her spleen and then… Puts up and shuts up. 

As for Lucius and Narcissa. I am very free flow about how it happens - Arranged marriage? I’m on board for that. Something more organic? Yes please. Something - somehow - to do with Severus introducing them? Fuck yes. 

But like I said, they love each other. I’m not very specific on the how or why - I can pretend I’m keeping it open for whoever I’m playing opposite - but there is, for Narcissa, that recognition of - oh. This. This is what love actually is. This is what it actually is. I’m not sure if it feels… Unconditional? To her but there is something there - that tethers to her to him. 

Draco - I feel is (and this is where I snap back to the original timeline) is their only child for a reason. I think - and if Narcissa and Lucius are older than James and Lily - it’s either because they waited or because they had difficulties. Given how doting we canonically see Narcissa to be (sending her son weekly care packages, refusing to let him go to Durmstang) and the fact he is their only son, I am inclined to believe the latter. 

And I think - for Draco - For Lucius - well Narcissa says it best herself:“Let go, Bella!” snarled Narcissa, and she drew a wand from beneath her cloak, holding it threateningly in the other’s face. Bella merely laughed. “Cissy, your own sister? You wouldn’t–” “There is nothing I wouldn’t do anymore!” Narcissa breathed, a note of hysteria in her voice, and as she brought down the wand like a knife, there was another flash of light. Bella let go of her sister’s arm as though burned. 

I think - one of the big problems I have with Cursed Child - is apparently after all that… After lying to Voldemort - who would kill them all if she was discovered - After running, unarmed, screaming for their son at the battle of Hogwarts - Narcissa and Lucius would lose their son and their grandson to bigotry? No. No way. Narcissa has lost too much of her family. She would swallow her pride and suck it up. And she might not be the best at it, at first - but she would not lose her son over who he chose to marry, who he chose to love any more than she would cut off her own arm. She might never be perfect but she would try. (And let’s not get into how the last movie /cursed child shits all over that bc. I will kill.) (And yes, you can directly transfer this on to Drarry and Scorbus or Dramione or whatever other non-traditional choices you might have for Draco. Narcissa would figure it out somehow simply because she has to.) 

(Also gimmie all the post war Lucissa angst.) (And all the first war Lucissa living the high life of pureblood & death eater elite) (And then also the post Voldemort fall high life too) (just give me Lucissa who love each other and make each other better and build each other up or give me death.) (I’m getting tired now and this is devolving, so I think this is where I’m gonna have to leave it but if you have more specific things you want me to explore plz plz plz prompt them - for any of my characters bc I love ranting I s2g) 

#xmusiisms #⌜👪⌟Narcissa Headcanon⌜🐍⌟ #tw: incest #as there always is with the black's

[gengarfamily]

I still get reviews and messages sometimes about Don’t Take Forever, and whenever I’m sad I read through them and it makes me SO happy so I thought I’d share My Top DTF Moments and their origins.

Part One: Johto (slowburnhell)

so when I started writing this it was going to be a little cute oneshot collection of nice moments at various points in their journey (but then plot happened so) and all the plot fell together because I was obsessively listening to Lucy Rose at the time, specifically her song Little Brave (which actually gave the title, bc don’t take forever is like the chorus riff).

FAVE part of this chapter is the cafe scene in Olivine, where the foghorn jokes begin and May was crying but subtly doesn’t feel AS sad when she’s around him. The foghorn jokes that I get so much shit for now are from an irl conversation between me and a friend, when we used to give each other shit for our own bouts of seasickness, and he lived in a place where we needed boat transportation to see each other.

Other fave part is probably the hug in Blackthorn, because it makes me all squirmy and warm to think about, and it’s also my fave bit of the piano arrangement I did for this. anyway.

Big belief that Drew associates every single sunset he sees with May so obviously that’s why I kept writing her has wearing burnt orange I’m not sorry. AND OBVIOUSLY THEY KNOW EACH OTHERS BREAKFAST ORDERS THIS ISN’T EVEN A QUESTION.

Top Quote:

“Well you know, foghorns,” he shrugged, and she laughed harder. “They just call out to me.”

Part Two: Sinnoh (angst city)

I love lonely Drew. I LIVE for lonely Drew. Drew brooding and sulking and quietly repressing his emotions because he has more important things to focus on than just his girlfriend being far away; this is my aesthetic. I think my 100% top moment in this was probably catching Driftloom? I love Floroma Town and the windworks as an area in Sinnoh from way back when I first played D/P, I thought it was such a pretty place and if I lived anywhere in the Pokemon Universe it would DEFINITELY be there. 

Originally, I was going to write Drew’s mother as promising lots, and then ditching all the time. Sort of, she really wishes she could be a good mother but she’s just terrible at follow through and she can’t be counted on, so she was going to miss the final match and let him down or s o m e t h i n g, and I was going to have a bit of a stand off between Brendan and Drew, not over May, but over Marina and Drew’s dislike of her making Brendan super angry or SOMETHING. (I had a lot of vague ideas). In the end, I realized Marina was best left alone to be developed properly another time, because I always wanted to let her fall back into place with Jimmy. I also knew I wanted Karen to have some horrible bitterness to her, and some kind of “once mine, always mine,” mentality, so this idea of desperately clinging to her last chance of a good reputation seemed appealing.

Dawn and May in the coffee shop and Dawn yelling loudly about May’s feelings to embarrass her in front of Drew’s Dad is everything that matters to me. Also, I gave May an astigmatism because if you tell me that’s a girl who can see 100% you’re telling me a lie. ALSO DREW AND MAX SHOULD BE BEST FRIENDS that’s all.

Top Quote:

“Drew likes to make you think he’s cool,” Max informed them dutifully, pushing his glasses up his nose a little, “but it’s a lie. It’s a well thought out, calculated lie. This is part of the lie. Never forget, he is in fact a weenie.”

Part Three: Hoenn (1)

I live for the Christmas section here. I wanted to set them up as companions, that even though they traveled separately they were a unit and they were a partnership and what better environment than navigating a family christmas? Caroline and Drew as a friendship means EVERYTHING to me. And anyone who has spoken to me for more than three seconds knows that I have a LOT of feelings about Norman and May, but I’ll talk about that in the next section.

#letpaulappreciatecontests2k17

Shout out to this section for Max, who introduces Drew as top coordinator and full time weenie when he battles Norman. This is the most frequently commented upon moment when I get messages and reviews, and it means so much to me that you seem to share my terrible sense of humor. 

the bit where May does Drew’s tie because she’s used to league functions with her family and Drew is just a sarcastic mess was completely improvised because I had just realised that I would have to cut Hoenn into two parts, and I was naive and thought I’d need padding. I thought I might take it out when I realised HOW LONG Hoenn p2 ended up being but it’s now my fave bit of fluff in the whole thing, so. you know. have at it. and it also kind of hints at the whole sexual tension part of their relationship that gets addressed in part four so here just take it you sinners

The whole phone cliffhanger at the end was originally going to go somewhere SO MUCH MORE DEEP and have this horrible plotline where Drew’s parents had a huge thing and Matthew tried to reach May to talk to Drew before Karen could but I decided it was best to Leave Drew Alone for a while.

Top Quote

“Gross,” Marina commented sagely. “You’re that couple. The ‘oh we just... you know, spent a few weeks drifting around Sinnoh, on a whim. No big deal. We’re so in love, look how gross and happy we are’.”

Part Four: Hoenn (2)

Dawn as main rival is best main rival; obviously. I wanted a differing ~main~ person for M&D to come up against as a collective in every section at first, so it would start with Marina and then Brendan and then Dawn, but all with very differing kinds of rivalries. But then when Brendan stopped being an antagonist, and Karen and Matthew became the bulk of the issue in Sinnoh, much reevaluation happened and I wanted to talk about Drew’s relationship with Harley, so once M&D were together I wanted them to have their own conflicts as individuals and seperate battles to fight, and not lose them to some unified being that lost both of their personalities. I always wanted to have conflict between May and Norman, and definitely May and Solidad as well (again, p4) but once I figured out the Anti-Ikarishipping subplot and the difficulties I wanted Drew to have in that contest season, it made sense to pit him against Paul and Harley in different ways. Harley was a very aggressive rivalry and full of a lot of hurt on both sides, but with Paul I wanted it to be very passive. He was like a figure head for everything Drew had struggled with, and Dawn’s issue with Paul was supposed to mirror what could have happened with May and Drew if it had all gone Wrong.

cookieshipping was OBVIOUSLY going to be a part of this.

I desperately wanted some kind of conflict between Soledad and May, and originally it was going to be more around Soledad’s battling lul and her blaming May for that, and then also blaming her for Drew’s lul, and then all these negative feelings just sort of consuming her and snapping her, and while that doesn’t happen there’s an undercurrent of frustration that May caught her up and makes her a little dismissive but not to the point where she won’t prioritise her and Drew being happy? I guess. I like that their conflict ends up being nothing about coordinating, and nothing about their actual friendship, because they’re two very non-confrontational people, but two very emotionally intelligent people also, so their conflict all stems from an inability to agree with how Drew should process and how much they each individually care about him. Soledad dismissing May as overreacting felt natural because I felt May DID overreact while I was writing it, and with all the grand festival pressure I wanted that. Sometimes I wish I could rewrite it and make the underlying tensions a little clearer, because a lot of that is lost in the actual writing and it doesn’t come through the way I wanted it to, and it makes them all a little petty, but it can’t be helped now. (AKA: my biggest regret.)

I got a lot of people calling me out on the fact May and Drew had sex. in general, I feel like this chapter was both the weakest and the strongest in different ways, depending on what you’re looking for. I knew from the MOMENT I knew the plot that they needed to have that part of their relationship aired, because it’s such a natural and caring part of a lot of relationships and it didn’t seem right that they were becoming so emotionally firm and absolute with each other but were completely limited to little pecks on the cheek - it felt wrong with their characters when they’ve always been - even in the canon - so drawn to one another in a way that would so easily build to that, in the most respectful and caring of ways. anyway I wanted it to parallel their communication, so the more openly they talked with each other, the more physical they would be, in both mannerisms and in eventual actions. (I kept the scene PG so it’s all fine, I guess.)

I’ve gotten a few messages I’ve never publicly responded to about May and Norman and their relationship and where it comes from so here’s my official answer. : no. you’re wrong. it’s not me and my dad. congrats sherlock. I based it off moments in the ruby/sapphire game and the way May responds to him in the anime. Now, the relationship between them in An Adventurer is quite different, and I’ll cop to a part of that being my exploring my relationship with my dad. But it’s mostly manga references and a little bit of lingering tension from an unresolved relationship in DTF.

May and Dawn’s fight was the MOST FUN to write, and when I got to the last of Dawn’s pokemon I was legitimately like “okay so how many pokemon has she got left” and I was STUNNED because there were none, so I wrote that reaction into May’s numb-post-win feel.

The Elite Four part? mmmmmmmm. can’t possibly comment. maybe i’ll explain in the sequel. (COMING THIS SUMMER) *maybe* ((((oh god let me graduate)))))

#my writing #don't take forever #throwback #backstory #analysis #long post

[thegeminisage]

since i FINALLY finished the comic page im gonna make the poor choice of playing zelda ALL NIGHT get ready for The Longest Post which is full of Big Super Spoilers

since lynel thoroughly kicked my can last night i need defense food and preferably stronger weapons

i technically already had more than enough shock arrows to proceed but i wanna kill him!!!!

LMFAO I JUST COOKED SOMETHING THAT GIVES ME 21 EXTRA HEARTS...HOLY FUCK

okay but in all seriousness i only have like 3 defense things........

i guess i'll try it fuck i dont feel like scouring the world for ironshrooms rn

ok. slept on the bed to get my stamina wheel & 3 hearts, will use my 21 hearts when those run out, got 3 defense things for about 14m of defense, I Can Do This

really i wish i had a one-handed weapon, two-handers are so slow :/

well here we go again :|||

lol why does my heartrate always go up for shit like smh.....

getting better at dodging

ooh he hates my ice arrows

HAHAHA I MOUNTED HIM

maybe i can get a snapchat pic

YES i did i didn't attack him in that perfect moment but hey some thing are more important

NOOO FUCK I DIED

I FORGOT TO REFRESH MY DEFENSE ELIXIR BC I HAD GOTTEN UP AND FORGOT IT WAS ALMOST OUT

JESUS FUCK

im so fucking annoyed lmao i was so close

oh well at least now i can use that whole mount

aaand again

oh. im out of ice arrows.

YIKES i forgot to refresh my thing again just for a sec and almost died

YES i got a perfect dodge purely on accident NICE!!!!

i can see everything from shatterback point, even naydra, but im too scared to jump while the beast is down there

no yk what fuck it. im turning this paraglider around

first tho i really wanna wait to see if i can catch another rainbow...they were so pretty and i lost the other pics i took when i died ):

oh!!! there it is!!!!! and i was just about to give up

ah it last such a short time - but it comes at the same time every day, around 4:05

i'm sure it won;t appear here anymore after the divine beasts knocks it off with the water though, haha

okay.......time to dive

/saves first

AHAHAHA I DID IT

WOW THAT THING IS SO HUGE UP CLOSE BYE

i mean it didnt even move im just Scared. ok

duuude i gave the lynel pic to the lady and got swim pants?! FUCKING SICK where do i get a helm

okay time to go free the divine beast!!

haha wait i came out here without defense stuff. i didn't cook anymore

oh well yolo

or actually this is a game so i live as many times as i want #determination

i do still have some extra hearts left, and stamina, and some healing items, and even some electricity elixirs, sowow!! okay! still huge!!!!!

ah i love sidon so much

he tries so hard and he's so ready and he loves his people so dearly

i bet he's gonna die lol

if it's like, a sage thing, maybe he has to replace mipha if she really is gone

jesus please don't die sidon PLEASE

OH MY GOD I GET TO RIDE ON HIS BACK?

JFC THIS MUSIC IS SO COOL!!!! AAAAKDSHFGKLJ

OH MY GOD HE'S TALKING!!! IN THE FIGHT!!!!! IM CRYING THIS IS SO COOL SKDFHBG

oh my gos he's talking he's talking there's voice acting im literally dying i cant handle!!!!!! this!!!!!! i lvoe him so much

omg omg

dude that was SO cool

and link got to ride on his back and then say goodbye!!! and sidon BELIEVES in him!!!!!!!!!!

god i wish i had gotten the helm before i did this haha i looked up the location but i don't think i can back out now

MIPHA?

MIPHA IS TALKING TO ME??

I CAN HEAR MIPHA'S VOICE

I'M CRYING I KNEW SHE WAS STILL ALIVE

i feel like she's about to die like the old man like Move On but

to see her again!!!!!!! im so emotional

oh my god oh my god

no okay i can leave and i need a second too im gonna go get the helm

apparently theres a quest you can do that doesnt give you the helm but tells you where to find it? but i can do that later rn i just want complete armor

alright nice full set hell yeah

HOLY fuck i was paragliding back and i tried to paraglide over the divine beast and it fucking OBLITERATED ME jesus CHRIST

dude there are these absolutely freaky eyeball things you gotta shoot to get rid of gunk and the music gets all creepy near them lsdksjfgh

oh no i found the cockpit but it's all closed up...is her corpse in there? her ghost? oh my god it says the terminals are unactivated

i'll be honest im a BIT stuck here i hate to have to use a guide, but

NO wait oh my god my runes!!! dumbass

i can lift the bars lol

oh my god the CONTROLS are on???

I CAN MOVE IT?? HOLY SHIT

this map is fucking 3D a 3D map!!!! in the other games they were flat holy shit!!!!

i can even see it moving on the minimap!!! holy FUCK

LMAO i was trying to move this crank with stasis and all along i needed to use magnesis. jesus

uh the music got freaky as fuck after i did the first terminal??? no?? thank you????

LOL YOU GOTTA RIDE THE TRUNK oh my god. oh my god.jesus christ

i am so small. it is so big. oh my god

I FEEL UNSAFE!

who is the boss of this dungeon? there's gotta be a boss

don't tell me i fight it

or the undead mipha

jesus god

i have had to ride this trunk 3 times now and i am not at all comfortable

reminds me of the big windmill in mirror's edge

okay yep i did all the terminals and now the music is downright terrifying!!! nice good Okay

HOLY FUCK WHAT IS THAT BLUE LIGHT

MIPHA?

NOT MIPHA!!!

"my demise 100 years ago" is she Really gone

omg no mipahs talking to me as i fight!!!

im straight up gonna look up what to do im too weak and defense-potionless to do this the hard way

ooh motherfucker doesnt like my shock arrows and lynel bow ahaha

huh that was actually like SUPER easy compared to some of the other stuff i've done

eeeewwwwww

MIPHA? ARE YOU ALIVE OR DEAD IN THERE? oh god oh god

holy fuck

i straight up just cried

she's a spirit and i thought she was gonna like, move on? which is sad enough

but no she's hanging around to pilot the divine beast from the afterlife

she even talked to it i was so sad it's been her only companion for a century of course she fucking talks to it

and i was staying strong!!! i was!!!!!

but she talked about how she wished she could see her dad again and i cried lmao why does this game give me dad feels of all things

i hope she gets to see her dad one more time too i'm so sad she's really dead and not alive like link

jesus fuck

oooh dorephan's talking about the master sword...gimme gimme gimme!!!

aww he was nice to sidon as everyone should be!!!!

holy shit he's really big?? i didn't realize it but he's like twice link's height JESUS

man. i am fucking wrecked lol

time to...explore...the rest of the province...i guess

i got a trident but i can never use it bc it will break. it was mipha's!!!!

on the other hand all three pieces of armor, my shield, weapon, AND bow are all zora themed i took a pic of myself to remember it by lol bc they will all break

i wonder where i should go after this...?

my brother went up to death mountain but i kinda want to do something different so we have something to tell each other about

but i kinda want to do the same so we don't spoil each other

i also REALLY wanna do the southeastmost province for some reason, all that water

tbh tho im getting ahead of myself i still have lots of this left to cover

it's getting harder to tell where i've already been, haha - when the things had borders and there was less visible that was easier

ooooh mipha's ability brings me back from death and she speaks briefly to me ;_; and it's active again in 23 minutes nice!

so i guess each champion gives you a different one and you can chose which to have active but tbh this one seems like it's gonna be the most helpful already

aww i did a little quest in kakariko to root out a theif and i love the way they built up dorian's past that's so cool

i think i was supposed to be able to pick up that yiga dude's sword tho and it glitched on me bc i was too fast :/

ugh i'm doing this oen shrine puzzle where you have to mount a male deer

and i finally mounted one after losing 10000 times and it was past some hills it wouldn't climb down

every time i find one thats close enough they fucking bolt im so fed up :|

and my sheikah sensor isn't picking up any more so i must have literally scared away all of them. fantastic. what a huge waste of time!! guess i will go somewhere else!

also can't solve the puzzle on how to open the shrine at veiled falls so im just batting a thousand today so much for sidequesting tbqh

FOUND A BLUE MANED LYNEL

SO MUCH NOPE

urgh and a blue hinox

exploring might not be worth my time either tbh

yeah no that's two shrines i haven't been able to open and this has stopped being fun, got one more ridge to explore before im done with this province - and some weird islands waaaay out there too but idk if i can get to them yet, and i'd just as soon wait until i unlocked the one next to them

yyyeah looking at them from here it makes much more sense to explore them when i get to that province

at least im all done with this one!! still plenty of sidequests and stuff, but those i can come back t more easily...it's harder to remember which terrain i have and haven't covered when i don't do it like this

i was thinking about how big the divine beast was when i saw it in the distance and

this sounds nuts but i bet im right - what if that flying island thing is a divine beast. WHAT IF

and that is The Day's Liveblog, more tomorrow, except probably not much bc of stream

#personal #loz liveblogging #botw spoilers #SUPER SPOILERS

[whatareyoulikeincapslock]

Seattle, Elaine

All of West Coast America is on fire. Driving over the Seattle bridge for the third time in two days, it’s so smoke ridden that we can’t see the city.

When hiking Rattlesnake Ridge in the morning, we discover that the smoke cover is from the BC fires, this time. Oregon and California are also on fire, with firefighters from all over the country coming to try to stop the trails from burning to the ground. Large “No Bonfire” and “No Fireworks” signs are displayed all over the park, a warning to hikers making their way to the top of the vista that overlooks the lake.

A man stands on the sidewalk, spraying water for his gutters. He appears to have one of those extreme clean water jets that he’s pummeling the sidewalk with to clean it.

The irony strikes me as we yawn and make plans for the Pike Market, a half an hour drive away. It is the market to end all markets. The birthplace of the original Starbucks. A gym wall down in the bottom alley is the second most unhygienic tourist attraction in the western world. We get coffee and watch the boys throw fishes at the market. Then we split to have a break from each other. Tanessa is an introvert, so I can’t imagine how much she needs to recharge after spending the last days in each other’s pockets. Even I need to walk the streets, and think the words I want to write.

Seattle reminds me of Kate. It’s pretty, has character, is full of art and music, but it’s a little rough. There’s a darkness here, it’s what makes it beautiful, rather than just a nice thing to look at.

I think maybe, she’d say the same thing about me.

I get to the art gallery my mum has recommended but it’s 30 dollars so I wander around the city for two hours, looking at the homeless people and wondering about their lives. I suppose there isn’t a great divide between them and me. If I know anything, it’s that.

Our air bnb hostess is Elaine. She just got back from a week long seminar on the holocaust and what it means to people who teach it in language arts and history. She got in because she persisted until they let her, but she was the only “pure” art teacher there. Everyone else is History and for lack of a better word, English Literature. When they separate them into groups, she has no idea where to go. I find it ironic that she is in a seminar discussing segregation, and yet the other teachers turn their noses up at her, because she is not like them.

“What determines who goes to the gas chambers or not?” says a Christian Literature teacher, during a class. Elaine puts up her hand.

“How many of us are over forty?” She asks. Thirty percent of the class stands up at her request. The rest are squirming in their seats, but they know they are over forty as well.

“If you have stood up”, says, Elaine, standing.

“You’re dead.”

Most of the people who were pushing back the agenda were thirty or under. That’s how they sent the people to the gas chambers. If you were too young or too old, you were dead. She is one of only two Jewish people in this entire seminar.

She tells me, as I’m curled up on the couch after a day of Tanessa and I smashing our bodies hiking and traversing the city, about her summer job teaching kids in jail.

The juveniles that she teaches are only there until their sentencing. After that they go to other facilities. It’s interesting to hear her take on them. She says that the two most brilliant of her students, are a couple of 16 year olds that lured a 14 year old into the woods and stabbed him to death. She likes the girls more than boys, and talks often of her mistrust for young men.

She used to foster children in her home, until air bnb, and now she only offers her house as a respite home, meaning for kids who are transitioning or waiting for another more permanent foster home to come along.

It is a place full of her strange art, each piece on a canvas, with a quarter of a frame in the top left corner. She then collages, and paints in wax over the top of them, creating eclectic pieces based on her personal experiences.

The one in our room is reminiscent of her time in Cambodia with one of her foster children. She had him stay with her for nine years, and being Cambodian, she took him back to explore the country and the village he was born in. She says she thinks he resents her for it; her taking him to such a sad country with a sad past, in the way that young people who are unaware of their blessings yet often do. She speaks passionately about her animals, past and present, and the children that she allows into her life.

She brings Tupac’s lyrics into the prison and has the kids pull apart and study them. There are a lot of black and Hispanic kids from broken homes with lofty sentences awaiting them. Young humans who have made terrible mistakes, who are paying and are going to continue paying the price. Prison making them harder, and clever, and manipulative. Their young age doesn’t deter them from rioting in their classrooms and attacking each other in the middle of the day.

“Never have I ever seen more avid readers than I do in prison. These kids don’t have cell phones or internet on demand, and the only thing left to do is start gang fights and read books”. She is talking about bringing her knowledge of the holocaust to them, so that they understand the tattoos they are etching into their hands of the “star of David”. It’s a gang sign to them, they think they are disciples, a part of a Californian gang. They don’t realise the etymology of the things that they ingratiate themselves to. They think Elaine is OG because she wears the star on a chain around her neck.

She laughs loudly and often. Her voice is loud and ungainly and makes Hank bark in protest from the safety of our bedroom. On our first night there I tell her my back is locking up from hiking incorrectly. She pulls her Epsom salts and essential oils out, and offers me a bath. She takes our washing and puts it in the dryer for us when we are out in town, and offers Hank treats even though he won’t come out to the living room until we get home.

We talk about the fact that in every westernised country, we accept the fact that we are the daughters and sons of colonialists, that we all have blood on our hands, or in our bloodline, but that we cannot apologise for what we weren’t here for, or maybe we can, but we can never take it back. Her snake, Osmosis, spends a lot of time trying to reach the top of his cage in vain, wanting to taste the outside world. She gives us chicken soup to eat, and boils the kettle for coffee.

She is on my mind a lot in the days that we are there and the days that follow. I wonder at the things she has seen, and how she manages to be both hard and soft at the same time. Giving and generous and honest, but you wouldn’t want to cross her, ever.

I release a huge spider from the bathtub to outside, my Australian showing through my smile. She calls me a “fearless Australian warrior”, and takes a photo of the eight legged creature at the bottom of the jar before I let it go. It’s pincers are huge, and I hope it doesn’t bite me even though I’m almost certain that it won’t.

Hank barks at her as we are leaving, protective and a little scared. She looks at him with love, as I imagine she does with everything.