‘Oh, um...I think it's still there,’ Meeka replied.
He opened his now empty palms. Tsukuyomi chuckled "Sorry little one... I am out of... practice."
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Falin, Oil on paper and digital
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My sort of maybe embarrassing “late to the game” thing I’m learning now is how to tell if oil has gone bad.
I feel like most other foods have obvious visual tells like mold or they end up smelling foul and obviously bad. But I was googling about oil and the internet says “if it smells like crayons, it’s bad” which would not have been my first guess. And I tested it out on my somewhat old sesame oil and was like “by god, I would describe this as smelling like crayons”
Anyway protip if your old oil smells kinda like crayons it’s probably no good 🖍️
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My oil painting of Gatorade Arctic Blitz
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trying new staff. part 02: oil pastel.
yesterday, unplanned, I bought oil pastels. I don’t expect anything. I am in LOVE 💘 First Thistle is just oil pastels and some pencils, second is oil pastel with white spirit and some pencils. It's very fun and easy and fast and fun 💖
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Here's the finished artwork since the video doesn't do the up-close textures justice, pretty happy with this for my first proper go at oil pastels 🌈
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Spin Cycle. Oil on canvas, 8 x 10"
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Reclining Nude | 20x16 in. | oil on panel.
a continued exploration of body hair and my own queer identity
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for those who would like to support Palestinian olive farmers, equal exchange has Palestine-sourced olive oil! they're an amazing worker owned co-op that works closely with local farmers to support sustainability and pay fair wages.
i frankly cannot afford it, but i know some folks can and would like to get some. it comes in packs of 6 bottles, so if you can get 6 friends together, each person can pay for one bottle!
they also have some of the most delicious coffee and hot cocoa mixes that i've ever gotten, and the same approach applies. given how horrific farming and labor practices are in both of those industries, i highly recommend supporting them and getting some amazing products in return if you can afford it.
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Ophelia, 1872 - oil on canvas
— Jean-Baptiste Bertrand (France, 1823–1887)
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