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#onward to good things
thepeacefulgarden · 6 months
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nevinslibrary · 11 months
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Comic Book Saturday
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Yes, it is a volume 4, and I rarely recommend volumes other than 1s. Yes, it only just came out. No, you can’t have it yet because I still have it out (if you’re in Methuen or the MVLC, feel free to put it on hold, I promise that I’ll only read it a few more times and return it before it’s due!). But, none of that matters, because it’s a new Awkward Yeti (aka Nick Seluk) book, and it is hilarious, and thoughtful, and hits the nail on the head every time.
Like previous volumes it’s about Heart, Brain, and all their friends' organs. (Man, that tongue gets all those other organs in trouble). And, it is most often hilarious, but, in a way that most people will also find themselves nodding as they crack up laughing.
Read it. Now. Well, or after me at least…
Onward to Good Things by Nick Seluk
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ruporas · 1 year
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bound to want (part two) /// part one rest of pages under READ MORE after ID
[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.
It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."
Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.
A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.
A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.
A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.
A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."
"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.
If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."
Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.
"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."
A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.
The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.
The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.
Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."
With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.
"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.
This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."
The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.
Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."
In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."
The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.
The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...
That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."
The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]
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#vashwood#trigun#trigun maximum#vash the stampede#nicholas d wolfwood#its done.... after 2 months.... collapses on the ground#theres a lot of things i would prob change about this but. its so sappy that it makes me a little happy where it ended up#they deserve a little sap too!!! and in the end this is the closest they could get to a first confession#through want! want in each other's life and company since they both have this strained relationship with keeping people permanent in their#lives... and the people or things that are tied to them in the long term tend to be something that harms them.#and as the saying goes -- good things never last! and im sure they prob gave up trying to find a good thing for a long time#vash managed to be found after the moon accident and got his good thing for a bit but even he prob knew itd come to an end eventually#ironically it was wolfwood that ended it. but he really just planted smth new for vash... and now they have some security#or at least vash does. or at least just for this one moment#a moment of bliss and feeling like they are deserving of love is so Fluctuating for vashwood#and ultimately i think wolfwood could only push onwards to initiate because he sensed there was smth vash wanted. and its just#naturally in wolfwood to give to those that he love#but anyway anyway.... i like to think in a sweet universe -- they had the chance to confess like this and got a little bit of time to#enjoy and share their company in this manner. to be a little less restrained and love each other freely#ruporas art
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smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.
#jrwi show#jrwi fanart#jrwi riptide#gillion tidestrider#made this within a short span of wahtever bc i gotta go up to the mountains for my stupid gay job tonight n im trying#nnot to frrRREAAAK THE FUCK OUUTTTTTTi dont wanna work but. get that bread we fuckin shall i guess#ONWARDS TO THE FISH TORMENT!! sometimes flowers feel pain when you trim them before their blossoming. atleast i imagine so#i used to draw gillion with loooong hair tied into a big ol braid. and then it was confirmed that he had short hair when he was little.#AT FIRST I WAS SAD. but then i realized the duality of. when they were little. gill had short hair. edyn had long hair.#AND NOW THEYRE OLDER. and gillion has long hair. and edyn has short hair#both mirroring eachother. looking up to eachother. subconsciously or not. they most certainly care. and most certainly miss eachother.#GILLION ALWAYS LOVED HOW LONG HAIR LOOKs. atleast i imagine so. he hasnt cut it since he left the undersea. sure he wanted to go back home#but even at the very start. he knew he was free in some way now. free to grow out his hair. an adventure would await him before he returns.#he knew it would be a while. so he cant let this go. he cant let this sought-after hair-length get cut away from him again#not yet. not yet. i like to think he loved music too. I SAW SOMETHING INTERESTING A BIT AGO#i see alot of ppl commenting on my baby gill comics like;'i wouldFIGHT this teacher i wanna KILL EM i want them DESTROYED#all very good and nice sentiments! i LOVE the energy here! and it would be nice. to have that catharsis#but the story of young tidestrider is not a story of catharsis. it is a story of agony and being so so small and so special and also so dum#and sucking so bad. and just being a kid and doing the things that a little kid does and so many tired tired people reacting badly to it#youre supposed to be the hero that will save us. our world hangs in the balance and you are the one who tips the scales.#YOU are supposed to SAVE US!! you NEED to SAVE US! CAN YOU PLEASE STOP SQUIRMING IN YOUR STUPID CHAIR!!#you'd think that young tidestrider ought to prevail. and be tucked someplace all safe and sound.#elders gone missing and rotting in a jail. their cultists nowhere around. but theres no happy endings. not here not now.#this tale is all sorrows n woes. you may dream that justice n peace win the day. but thats not how this story goes#BIG ideas for this lil baby gillion series. if anything i make ever gets disproven im killing myself in a well as to poison a water supply
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jahiera · 6 months
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pondering on a meta diving into Gale's abstract brand of selflessness (willingness to go away to a corner of the world to die so that none of the faceless masses will be harmed by his mistake) vs his personal selfishness (willingness to stick by tav despite being repulsed by tiefling camp murder + general vocal approval or interest in accumulating more power) and Gale's status as someone who is good aligned but generally ineffectual at enforcing actual good (the way that wyll or karlach will actually leave the party) which is fascinating for a fairly good-aligned person. just love when the Good Guy is actually kind of fucking weird. edit: tumblr cut off my tags Okay. and how all of this ties back in an interesting way to his relationship and power imbalance with mystra. he was wronged, deeply, but he also desires still that ... status / closeness to divinity in some way, by her influence. Gale thinks that he would be a better god simply by virtue of his mortality but he cannot escape the appeal of holding himself apart from others and being more than, greater than, something closer to godliness and thus inherently removed from mortal values and standards of right and wrong, which the gods themselves don't adhere to in the same way.
#it's just one of those things that's really compelling about his character to me in terms of ...#Gale hesitates with the shadow lantern not really because he's put off by the magic#in fact if a sorcerer Tav condemns dark magic he rebukes it and argues that all magic is inherently neutral; some simply more#frowned upon than others#He appreciates good acts. he'll say We Should Do The Good Act. but he's not going to really fight FOR doing the right thing the way#others might; and when you get beyond the act itself he can very quickly rationalize#necessity. or mistake. or the value of power + strength behind it.#the dichotomy between his fearful willingness to die at Mystra's behest while not really tamping down his interest in power and survival#that peers out and I think (?) feels almost obfuscated behind his eloquence and his manners and charm and general clockability as a#guy who approves of good things.#and there are things he says & does that are further beyond the expectations of what you might expect from someone who is 'good'#the initial interest in a deal with Raphael; the approval of taking tadpoles despite the uncertainty and possible cost; the acknowledgment#that powerful forms (slayer form or ascending astarion) will be useful onward#His Fucking Speech to Tav after the grove slaughter where he's outraged and disgusted but can be swayed to stay#he's so... sunk cost fallacy too I think. at some point the ends must surely justify the means right#and his God of Ambition thing is sooo compelling because it really drives to the max the part of gale's personality that is always there#but obfuscated by his immediate insistence that he's a moral person right. you know him to be of sound judgement. trust him.#He likes seeing good happen and he's happy to go along with doing good things and he'll#state his opinion when he thinks something EVIL is happening. but he's not necessarily#going out of his way here either if tav isn't -- and to be fair game mechanics technically mean#no one is - but we can read from Wyll/Karlach removing themselves from the situation#(need to double check but can't Wyll also leave a slayer dark urge?)#that they CAN go out of their way#Wizard Apathy Baby! you feel benevolent toward others but you crave what is beyond humanity and#deeply rooted in the arcane; which you see as beyond too basic concepts of 'good' vs 'bad' magic; neutrality that sways with intent#you trust good actions but you didn't ACTUALLY use your power at the time For Others either; you probably could have but#you craved MORE. something BETTER.#and there's a lot there in how that interacts with his relationship to mystra too#his desire to achieve something closer to godliness and both thinking that he can do better because he's mortal but at the same time#has proven that he can separate himself or his technical moralities from a situation if it means exploration of power/knowledge Beyond
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The lights out au is the first au in a while to peak my interest : O
I gotta know, why is Sally evil and what does she do?
Also how's Barnaby doing? <: (
im Delighted to hear that!! (also hi! your laughingstock art is adorable!)
Sally isn't really evil per se... she's just sleepwalking! while having mild to intense nightmares! most of the time she just sleeps in her house, but once per day she takes a walk - a "patrol" - around the neighborhood before going back to sleep. every so often she wakes up Extra agitated, and needs to be soothed to sleep or she'll get destructive. in general, though, Nightlight!Sally just patrols and attacks anything that makes noise until it goes Quiet again
and Barnaby! well! he's having the most wonderful dreams <3
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ward-against-blight · 1 month
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So I finished Empyrea, and it’s probably my favorite world now.
I am NEVER GONNA BE OVER THIS
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[GRANDFATHER SPIDER]: “Your brothers were born of my nightmares, but you were my one and only dream, Bat. I knew you’d deliver me here, to this moment, thank you.”
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Nobody look at MEEE E
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theriverbeyond · 10 months
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bitches will procrastinate an academic presentation for 2 months and then be stressed
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911onabc · 11 months
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why is the adult experience just coming to terms with things. something happens and you gotta come to terms with it. and then another thing happens. and you gotta. you gotta come to terms with that.
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my-ghost-monument · 6 months
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thinking about rtd v chibs today, in terms of growth. when I realised that chibs had wrote my most upsetting torchwood ep, the finale to s2 where he brutally kills two characters, I was nervous for his dw conclusion. especially considering that in torchwood, tosh's death narratively serves only two purposes: to further the comparison for Owen, dying unfairly while she who had long pined for him dies too, like oh how tragic, these loves parted; and for shock value. Much like most of Tosh's character, she's often side-lined for others and never given as much depth as she should, and I always felt this extended to her death, which unlike Owen's felt cheap.
But in his dw finale, I felt like he had understood how to bring across great heart wrenching pain which served both of the characters perfectly. First, while the Doctor is killed technically, there's no brutal wow! shock! to it, and the same goes for Yaz's exit. Yaz is given agency in her ending, if not priority as her end was less 'guaranteed' (as in we always know the doctor will die, it's the whole point). The Doctor too is given time and respect to face the unfairness, and is allowed her own agency in how she meets it.
To compare to rtd: in a word, Donna. Donna's ending is honestly whip-lash, and there were so many ways to make it an actual tragedy, and not just shock value ending. Donna had to lose her memories, fine! But why reduce her back to what she feared the most, which is a cruel bitter taste for the audience. There could have been an idea where she could keep her growth, thinking she'd gone into volunteering and ending up helping people - oods could become refugees in her mind, the shadow proclamation becoming police or something. Something that would still be so sad and devastating, seeing a woman who was so bright unable to ever stand upon the universe again and declare it safe, but something where she would still get to be the person she'd become. This or something similar would be satisfying, whereas the reduction? it's cruel. It's a creator making a journey and then smushing it because it makes the doctor more upset.
I feel like this is the thing. Chibnall has grown as a writer across the years, but so far, what's been released for rtd's new era? he's literally going back, with the same doctor; the same companion; the same initials, look and age for his newer companion. even now, to the same series number. It doesn't give me faith in his ability to grow and change at all.
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piplupod · 2 months
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anyways. i have love in my heart and whimsy in my soul and a brain that is so good at helping me survive even if it works against me in so many (infuriatingly creative) ways. and also music exists so that is genuinely beautiful and special. also art in general, visual and otherwise.
sighs. even if things are not okay i will find ways to be okay because i am fucking insane and just want to make so much art all the time !!!!!
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thepeacefulgarden · 10 months
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hella1975 · 3 months
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bestie you have no idea how long my watch list is. why should I put aot on the list too
i thought we had something special 😔
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skyburger · 2 months
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i love reading things set in countries that i'm knowledgeable and/or have been to because i can point out really minor errors in fanfiction. i think the average american does not know that in england (and apparently some of asia! which i only just found out) there are switches on power outlets so you can just turn it off instead of unplugging it. like 9 times out of 10 that won't come up but on the off chance it does i'm like ohoho. this clown has never been to england...! my favorite part though is watching americans (specifically americans because i swear to god people who speak english as a second language and/or are from any other country have some idea of what it's like to have an accent / personally know people who have accents? idk) try to write british accents like it is REALLY funny. i literally only lived their for five years and i never picked up a full accent myself (certain words and tones i did but they're mostly gone after living in the states again for a few years) but between living there and having a ridiculous amount of family there & visiting them often (like once a year if im lucky) i like KNOW what british accents sound like. i think some americans genuinely dont even know theres more than one or two english accents i think some people think there's like posh english and chav english and nothing else. maybe scottish accent gets thrown in there if they remember the uk is not in fact just england. i would bet real money they've never heard a welsh accent. anyway my point is it's really funny watching people who don't know as much as i do write this stuff. like i see it and i understand how doctors read this and go Oh that is so medically inaccurate. i get them now. anyway i dont remember what my point here was but please know if you are attempting to write a british accent. reddit and youtube are your best friends if you don't have a british friend you can ask and also rest assured even if you do ONE google search. it will not be the worst attempt ive seen guaranteed
#muffin mumbles#idek what the definitive worst one ive seen is#but ive seen some baaaaad ones#favorite example though is in the fucking jjba dub.#like thats not even a fan / indie project thats a real professional thing people were paid to do?!?! and the accents. are fucking TERRIBLE#please im begging you. you dont need to hire famous american voice actors for this. just go to any pub in the whole of england#and i can guarantee youd get better results accent-wise.#speedwagon's accent is easily the worst in part 1 like if you want examples lemme know cause i have some. its so bad. its really bad#but also so so funny#joseph in part 2 is. MARGINALLY better than most of the part 1 cast#not good. far from it. but an improvement#anyway hearing speedwagon say anything especially in part 1 (hes calmer in part 2 and he sounds better (not good. better)#like hes better in part 2 but not by much and only sometjmes.)#hearing this painfully obvious attempt at an american doing a cockney(?) (cant even tell for sure) accent complete with misused slang.#is SO fucking funny#like i showed me mom and she said it was worse than dick van dyke in mary poppins and shes not even wrong#and the slang isnt even like. irs not even super uncommon slang and i dont think its used wrong technically (iirc) but it just sounds so#painfully unnatural. please i am begging them to just hire british people next time. i promise you there are british voice actors#that being said i am still incredibly sad they just gave everyone american accents from part 3 onwards because i miss the awful accents#i miss them dearly.#the main benefit to this imo is that now joseph joestar despite living in england for the first almost twenty years of his life#just got this full blown american accent after living in new york. like i know he did not pick that up naturally#i KNOW dude watched stupid fuckinf tv shows to practice his accent. i know he sounded like a cartoon mobster and suzie q was like jojo.#please for the love of god. you cannot start talking like this. go back to being british#alas he did not listen. but he did drop the mobster thing (sadly.)#anyway this is really unrelated but if joseph was not old as fuck when it started airing i think he wouldve gotten a kick outta seinfeld.#like if the years lined up that wouldve been his main show to practice his american accent to the point people are like hey you kinda sound#like jerry seinfeld. and hes like hah i wonder how that happened!#hes a massive fucking loser is what im saying. hes like my weirdo great uncle joseph joestar#anyway. got really off topic. thank you for watching remember to SMASH that like button
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minazummers · 6 days
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Marie Kessler 1958 - 2011
Monster Hunter
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tenebriism · 5 months
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// So... household Black Friday purchase was a Roomba. I walked around downstairs and felt like one of those Home Depot Dads as I watched it go. This is true adulthood.
Anyways. Today is a gaming/writing hybrid day. Need to fill up the queue a bit more--- she missed out on Thanksgiving dinner, the poor thing. Hope y'all are having a great day/night!
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