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#so i wrote this thing
dyrewrites · 5 months
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Let teenagers experiment.
Let them figure themselves out without judgement or pressure to be anything yet.
Let them have what you didn't/don't.
Let them revel in their lack of responsibility.
They're not adults, but they're not kids, and it isn't terribly fun existing in-between.
Let them be.
If you are a teenager, try to find a way to enjoy this weird time when your body hates you, your brain might want you dead, everyone is telling you what you are and what to be and even your peers are judging you mercilessly.
Find what brings you joy and cling, just fucking cling. Revel in that thing that makes you smile, no matter how much it makes those around you cringe. If it brings you joy, it is worth your time.
It's hard, but you can do it.
You'll live through it. You'll be changed, maybe a little cracked, but hopefully unbroken.
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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caramiaaddio · 2 years
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all this talk about goncharov but i dont see anybody posting the soundtrack??? like how are you gonna talk about this movie without the music
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cashmoneyyysstuff · 6 months
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you’ve been katsuki’s for as long as you can remember.
sure, he had never outwardly called you his girlfriend, but when you were both seven years old, he came up to you. chest heaving slightly from running up and down the hill where he had gotten you a freshly plucked out bouquet of flowers. the roots were still clinging to them and he got dirt all over your hands from forcibly grabbing them and shoving the bouquet in them before you could even form a sentence.
“since you accepted the flowers, you’re mine now.” he mumbled, his little hands tightened into fists at his sides and chubby cheeks a cute shade of pink, staring at you as confidently as he could.
a grin grows on his face when you respond with a simple “okay !” and a bright smile. the grin on his face never disappears even as his mom scolds him for getting you both all dirty.
you were katsuki’s in middle school too, when the boys in class decided to play kiss, marry, kill and he had somehow gotten dragged into it. the girls in your class tried their best to seem uninterested, claiming the boys were being childish, but you noticed how hard some of them were straining their ears trying to hear what the guys were talking about in their own little corner of the room. you’d be lying if you said you weren’t a little curious as well.
katsuki was as ruthless as you’d known him to be, choosing to kill any girl that wasn’t to his liking, which ended up being all of them. much to the other boys’ chagrin, claiming he had no taste.
then your name was brought up.
at that, his eyes widened and he turned in his seat to see if you were watching. you had never turned your head away so fast in your life and you were pretty sure you heard something go “crack”.
he clicked his tongue. mumbling something about how stupid the game was before muttering out a “kiss yn, marry yn and kill that other bitch.” before getting up and stomping away, claiming he had to go to the bathroom followed closely by the whoops and hollers of his two friends behind him.
you both made eye contact when he walked out and you think you’ll never forget how red his cheeks were.
you were katsuki’s when he was the one to walk you to and from school everyday, claiming you would somehow get lost without him. you were katsuki’s when he had begrudgingly shoved homemade valentines day chocolates into your arms, mumbling something about how you had been upset nobody had gotten you anything last year, conveniently leaving out the fact he had scared off all the other guys trying to offer you anything.
you were katsuki’s when he grabbed your hand during the winter because he said you’d “end up dying of hypothermia with the way you’re chittering over there.” and you were his when you were the only person he laughed around. loud, genuine laughter that you and only you could squeeze out of him. you were katsuki’s when he randomly kissed you goodnight at your door one night and he’s been doing it ever since, and gets all pouty when you turn away from his kisses to tease him.
“are we dating ?” you had asked him. you’re both in high school now and you’re in his dorm room. your legs are on his lap and he’s got a comfortable grip on your leg, which tightens after he registers your questions “hah?” he looks utterly confused and a little insulted as he looks back at you, his entire face scrunched up in confusion. you pinch his nose and he swats at your hand.
“are we dating ? like—am i your girlfriend.” you say again and katsuki’s face scrunches up even harder. he huffs and looks back at his phone, landing a little smack on your leg still placed in his lap. “ ‘course yer my fuckin’ girlfriend.” he spits out, obviously irritated. then he looks back at you “I haven’t made it obvious ?” he says sarcastically. one of his eyebrows lifted as he pokes at your leg still very much in his lap.
you simply shrug “s’not that. it’s just because you’ve never actually asked me out before, so i was a little confused on where we stood.” you mumble. he stares at you while you speak and he stares a little longer before sighing. then he leans towards you and flicks your forehead.
“ow !”
“dumbass.” he murmurs. there’s a slight pout on his face and his cheeks are light shade of pink when he looks you in the eyes again. he grabs both your cheeks with one hand and smushes them together to push your lips out and presses multiple wet kisses onto them that have you squealing and squirming. his wet lips are pulled into a smirk when he pulls back and you try your best to at least look a little angry, you really do. but it’s useless when he looks at you like that.
“of course you’re my girlfriend” he reiterates. his smirk’s been replaced for something softer, something more sincere as he gazes at you with so much unadulterated affection it makes your head spin a little. “you’ve always been mine.” he says it in a teasing tone and his hand is still smushing your cheeks out and it hurts a little but his eyes are still the same. they’re warm and soft and so, so enamored with you and only you.
when he finally let’s go of your face and pulls you fully into his lap, you realize katsuki’s been yours for as long as you’ve been his.
you smile brightly at him but turn your nose up when he leans in to kiss you again. “i still haven’t heard what i wanna hear though, mr. bakugou.”
he rolls his eyes and pinches at your thigh as he mumbles out a “don’t call me that.” sighing, he looks at you intensely and you suddenly feel very shy.
“will you be my girlfriend, ya shitty girl ?” and he says it as a joke, you both know it is cus his lips are already forming into a smirk the second he finishes his sentence. and you’re pulling at his nose the moment you register it, but you’re both smiling hard. he laughs and you’re sure you’ll never get tired of the sound. “what’s your answer, pretty ?” he asks playfully and you pretend to really think it over just to mess with him, and giggling out a “yes!” when he suddenly pounces on you. flipping you both over and tickling you mercilessly, calling it revenge for you “taking too damn long to answer.”
you’d been katsuki’s for as long as you can remember, and you hope you can be forever.
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inkskinned · 11 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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lazylittledragon · 2 months
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'i'll just do a couple of doodles of mombin™/platonic stobin parents' nevermind, borderline graphic novel
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Aspec men deserve much more respect and recognition in the aspec community than they receive. They often face a different form of aphobia specific to them ("men are naturally sexual they can't be ace" "all men are unromantic that's not unique") this rhetoric is spouted by many, even members of our own community and I hope for a day where that is no longer the case. As an ace and demiro woman (demigirl but that's beside the point) I want to encourage folks to take the time to give the aspec men in their lives support and to the aspec men reading, you are who you say you are no matter what people say and you deserve the world. I'm sorry for the ways in which toxic masculinity has harmed you. You are a valued member of the aspec community and the queer community as a whole. No ace or aro person is broken and neither are you. I'm sorry if anyone has ever told you otherwise.
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aslyran · 5 months
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Visions
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zephyrine-gale · 2 years
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thinking about scaramouche team dynamics ft scarabedo
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lonesome-dreamsss · 5 months
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his handprint may be burned into your skin but it's still the gentlest touch you've ever received.
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confessedlyfannish · 8 months
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DP x DC Writing Prompt #5
Damian does not glance back at Bruce when he knocks on the door. Instead they both wait in silence.
After a moment, the door opens.
"Hello," Jasmine, Jazz, Fenton greets politely, unsurprised to find the Waynes on her doorstep. Damian's expression grows ever darker at this revelation.
"Hello Ms. Fenton, are your parents home?" Bruce asks, placing a firm hand on Damian's shoulder, to ground as much as to restrain. To his credit he does not shake it off.
"No, they're out of town for a conference," the eighteen year-old says, opening the door wider. "But I think you'd better come in."
Bruce would normally decline, but Ms. Fenton is a legal adult and he has already, even unknowingly, waited 16 years. Damian makes the choice for him, striding past the threshold.
"Please take a seat," Jazz says as she leads them to the living room. She ignores Damian's swinging head as he takes in the home. It is deceptively large, a 90s style house filled with modern furniture. The walls are bright, with purple and green accents that would normally feel garish but somehow work. The stairs leading to the second floor are lined with family photos that Bruce yearns to take a closer look at. "Can I get you anything? Coffee? Water?"
"No, that's alright, thank you," Bruce says, taking a seat on the long plush couch. A men's windbreaker lies haphazardly thrown across one of the arms. A closed container of Oreo cookies sit on the coffee table next to a physics textbook open to chapter 16, half covered in highlighter and filled with sticky notes. There's a child's painting framed next to the tv, a handprint made to look like a thanksgiving turkey in bright blue.
For the home of experimental scientists, it is cozy and well lived-in.
Damian repeatedly glances at the stairs through the doorway.
Bruce clears his throat. "We were hoping to--"
"I've texted--oh, I'm sorry," Jazz says, having spoken at the same time. Bruce gestures for her to go on.
"I've contacted Danny, he should be here soon. He was out with some friends." Jazz explains. As she hadn't pulled out a phone in their presence, Bruce can only deduce they have some sort of camera at their front door. This also explains Ms. Fenton's complete lack of surprise at their appearance.
"So you know who we are." Damian says, the first words he's spoken since they arrived at the house and the longest sentence he's spoken since they arrived in Amity Park.
"I do," Jazz says, calm in the face of Damian's clearly simmering anger. Bruce trusts him not to attack Ms. Fenton, but he still watches him carefully.
"He told you about me," Damian says. It is the same question, but it is also not.
"He did," Jazz says.
Damian swallows. "I see," he grits out.
Jazz's neutrality slips and her face softens in sympathy. "Damian," she starts hesitantly, but before she can say anything else the front door opens.
A moment later Bruce's son walks through the doorway, and Damian is on him.
This is what Bruce hoped to prevent, but despite his numerous checks of Damian's luggage his son has still managed to smuggle a small dagger, which he now produces and swings in a calculated arc at Daniel Fenton's jugular.
Danny dodges cleanly, and dodges every swipe thereafter in a manner that speaks to continued practice long after his time at the League. Damian is a perfect product of his training, but it is up against Danny his flaws come to light. He is just as good as he always was, but Danny is better.
In a matter of seconds Damian grows frustrated and sloppy in his attacks, completely atypical for him. Danny takes Damian out at the knees and pins him down with one arm, pressing his face into the carpet.
"Calm down," he orders. His voice is deeper than Damian's at sixteen to his twelve, the accent that still traces Damian's words completely gone from his speech. Damian growls and thrusts his head back into Danny's face, meeting it with a sharp thunk. He rolls up as Danny recoils, putting distance between them. Danny glares at him from several steps away, hand to his forehead. Damian tosses the dagger into his other hand as he charges, and to Bruce's surprise Danny does nothing more than turn his face to the side, allowing Damian to draw a sharp line down his cheek.
Damian stops dead in his tracks.
"Are you done?" Danny asks, blood beginning to pool at the seam of the cut.
Damian's expression is stricken, eyes stuck on the blood starting to drip down his brother's face.
"I said, are you done, Damian?" Danny asks. His voice is cold.
Damian hears him this time, and he flushes red. "I--you--"
Danny sighs. He looks at Jazz, whose expression is back to carefully controlled.
"Are you alright?" he asks her. She nods.
"You left me," Damian accuses, standing there holding his bloody dagger limply.
Danny turns back to him, raising an eyebrow.
"You left me," Damian repeats louder, rapidly blinking.
"Yes. I did." Danny provides no excuse nor any explanation. His stance is unyielding.
Damian's eyes bounce wildly, shifting to Jazz and Danny slides smoothly in front of her, protectively. He looks at Damian warily, not as if he is his brother, but as if he is a danger. Damian flinches.
Hope is the last to die, Bruce thinks, watching as that last bit of hope Damian had is extinguished, the knowledge working its way through every inch of his body like ice in his veins. His eyes darken. He turns and runs from the room, the front door slamming shut not a moment later.
Jazz stands up, pulling a few tissues from the box on the coffee table. She presses them to Danny's face, cupping his cheek until he holds it himself. "I'm going to go get the first aid kit," she says gently. It is a thinly veiled excuse to leave them alone, and Bruce is grateful for it as she heads for the stairs.
They both wait until her footsteps have faded, taking each other in. Bruce looks at his mother's eyes and the sharp turn of Talia's nose. Damian's everything, four years older.
"You shouldn't have come here," Danny says, throwing himself on the armchair Jazz has just vacated.
"You know who I am," Bruce says carefully.
Danny glares. "I've kept your secret. She nor my parents know."
"I know," Bruce says. "That's not what I meant. You know who I am. And who I pretend to be. So you know I am familiar with masks."
"And?" Danny asks, looking vaguely bored.
"And so I can recognize when someone is wearing one. Damian will too, once he's calmed down."
Danny's expression sharpens. "No, he won't. Because you are going to go to back to whatever bed and breakfast you're staying in, pack up, hop in your private jet and fly him back to Gotham immediately before the League realizes you've gone. If they haven't already," he mutters.
"This is about the League then," Bruce says. "Do you not believe I can protect you?"
"I don't need your protection," Danny snaps, and watches Bruce actively extrapolate with a dawning resignation. "So this is the World's Greatest Detective at work," he says, slumping bonelessly into his chair, the first teenager-y thing he's done.
"Damian's in danger from the League," Bruce says. Danny glares from his slump. It's almost cute. "And as long as the League doesn't know about you, he's safe."
"Draw your own conclusions," Danny says, baring his teeth. Damian often makes the same face. "As long as you leave."
"I can protect him. I can protect you both," Bruce says. "Let me help you."
Danny closes his eyes. He centers his breathing in an exercise someone has clearly walked him through in the past. Bruce would bet money on the adoptive sister waiting patiently upstairs.
"Mr. Wayne. You are not my father," he says. "My trust in you extends to the point that I left Damian in your care, but that is where it ends. And that was when it was sanctioned by the League. By coming here you have endangered those sanctions."
Bruce disregards the sting, doubling down on his analysis. Talia had left Damian with Bruce well after Danny had left the League. But Danny speaks as if the decision had been his.
Or perhaps, Bruce realizes, it is not that Danny decided upon it, but that Danny allowed it to continue.
Bruce takes a second to review what Oracle had gone over with him before they left for Amity. Daniel Fenton had by all accounts, since leaving the League, lived a fairly normal life. His adoptive parents were eccentric scientists dabbling in the occult but their findings that bordered pseudoscience circulated a very niche community of like-minded eccentrics. The bulk of their income came from alternative energy, a more viable source of study that they'd veered harder into in the past year or so, a government contract with the EPA currently in the works. This had in part funded a vacation to an all-inclusive resort the family had taken that past summer.
Danny received average grades in school, above average in science and mathematics, declining sharply in his freshman year and sophomore year before evening out around the second semester. He had gotten into fights repeatedly with one student in particular, suspended for two weeks following an incident that resulted in a the student receiving a black eye. Teachers reported him to be highly intelligent but distracted and removed. They had recommended he be evaluated for an attention-deficit/hyperactivity disorder. He had no social media. He had missed multiple picture days. The ones he had attended he was sneezing, or a blur of movement, even going so far as to fall off his stool, legs flailing. Bruce had drank up every last one as Barbara had waited patiently.
A normal life. A family vacation to Bermuda. Average grades.
His freshman year, distracted and removed. The same year Damian had arrived at Bruce's home. Masks upon masks.
"You have informants within the League," Bruce says. Danny, to his credit, has no discernible tell. But there is no other explanation. "What will you do, if they find out you are alive?"
"That is none of your concern," Danny says, but he might as well be saying whatever I have to.
He never stopped practicing, after all.
"If they go after Damian, it is my concern."
"And that is why you need to take Damian back to Gotham before they do." Danny says. "I will take care of it."
Damian had barely spoken since he had realized Danyal was alive. But Bruce had seen the reverence in his eyes as he looked at the file.
"الوريث الصحيح" he had murmured. The rightful heir.
"You are proposing going after the entirety of the League with no backup," Bruce says. "Even if you think they won't kill you, you won't win either."
"Maybe they will," Danny says lightly. "Kill me. That would also work."
Bruce inhales sharply. "Danny," he starts.
"Go home, Mr. Wayne," Danny says, pushing himself up with one hand. The other still clutches the wad of tissue to his cheek, partially soaked with blood. "Go take care of your son."
"I'll go," Bruce says, "I'll take him to the Watchtower. And then I'll come back."
"Mr. Wayne-"
"I should've come for you," Bruce interrupts. "Sixteen years ago. I should've come for you."
Danny's brow furrows. "You had no idea I existed."
"But if I had. I would've come. I never would've left you there. And now that I know, I am not leaving you now."
For the first time Bruce watches Danny be completely caught off guard. He openly gapes at Bruce.
"You would've died," Danny lands on, voice thin. "They would've killed you."
"Unlike you, I would've brought backup." Bruce says, mimicking Danny's lightness.
He's lying. Sixteen years ago he would've thrown himself at the League to save his newborn son without a plan, without a thought beyond rescuing his baby.
Danny barks out a laugh. "You would've laid siege to Nanda Parbat with The Big Blue Boy Scout?" he looks wistful. "That would've been rad."
Bruce sees his opening. "Danny," he stands, eye to eye with his son. "Let me help you."
Danny evaluates him. "The Batman," he says softly. "I didn't want you to come, then. I didn't need one more person I had to prove myself to. All I wanted was to live amongst the stars, in the quiet of the cosmos."
"You want to be an astronaut," Bruce says. At Danny's cocked head, he says without shame, "I read your essay on personal heroes. You wrote about Edward White. Ad Astra Per Aspera."
Danny smiles slightly, sadly. "It is a rough road."
"You can be whatever you want to be," Bruce says. "I won't stand in your way."
"Even if I want to be Danny Fenton?" he asks.
"Even then."
Danny sighs. "I don't need your help Bruce," he says. "No," he says as Bruce opens his mouth. He pulls the wad of tissues away from his cheek. Underneath the splotches of dried blood the gash in his face has cleanly knit itself together, a faint white line now all that remains.
"I don't need your help," he says clearly. He holds a palm forward, and a green fire grows from its center, until the flames are licking delicately up his fingers.
"I know The Batman does not kill. But I am not a Robin. I am something else entirely," Danny says, his eyes reflecting the green of the flames. Or not, as he looks up at Bruce, his eyes green all on their own. They are sad. This is why he stayed away, Bruce realizes. Not out of fear. Danny is not afraid. Danny is tired.
But for his brother, Danny will wake up.
"And If the League takes one step towards Damian, I will raze them to the ground."
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naturecalls111 · 10 months
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tubbytarchia · 4 months
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The bloodied moon cried for you, but you only heard the stars The weeping moon then bled for you, but you only saw her scars
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claitea · 2 months
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"The sweetness of her voice speaks to Volo's love for her."
Then perhaps he'd like to hear it himself when it matters most.
~
left it a little open ended because i couldnt decide how exactly this happens:
1) arceus straight up does give him the ability to understand pokemon. it does not consider this either a blessing or a curse. it is simply allowing him to hear what they've been saying this whole time.
2) going off how iris only understands the hearts of dragons as opposed to n's ability to directly translate, maybe understanding pokemon is some sort of hyper-empathy thing. volo gains such a strong connection with his pokemon through fighting god he can actually understand what they feel
3) his guilty conscience catches up with him and he's imagining this just based on what n told him
either way. get guilt tripped idiot
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solarmorrigan · 2 months
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Well, Hello, Sailor
written for @steddiemicrofic | prompt: ‘pin’ | wc: 388 | rated: T | cw: slightly racy photos?
“Oh my god,” Eddie gasps.
“Oh my god,” Steve echoes, groaning.
Eddie hadn’t meant to drop the box, but it was heavy; it had been a rescue from the back of Steve’s closet as they moved his stuff out of his old apartment (preparing to move into their new one, together), and it had been full of forgotten papers and old magazines and – photos.
The stash had spilled out in front of Eddie like it had been waiting for him, full-color and glossy and glorious.
There’s Steve posed front and center, on his knees and looking back over his shoulder at the camera. He’s wearing a little pair of navy blue shorts and a little red ascot and precious little else. The shorts are indecently high-cut, hugging his ass like they were made for it, but it’s the sailor hat settled jauntily on top of his head that really makes it for Eddie. Steve’s eyes are wide and sweet, as if he’s been caught by surprise, with his lips parted in that inviting way that haunts Eddie’s dreams, even though he can technically see it any time he likes now.
He’s the very picture of a perfect little pin-up boy.
“Oh my god,” Eddie says again, unable to get much else out.
“It was– uh, for a magazine,” Steve stutters out. “I forgot I even had copies of that shoot.”
“Uh huh.” Eddie nods, still staring, mesmerized, at the pictures in his hands.
“It was during college, after my dad cut me off. I needed another job, and this paid, like, surprisingly well, and–”
“It damn well better have,” Eddie says, finally smirking up at Steve. “I bet they made bank off of you, baby.”
Steve pauses, blinking. “You’re not– upset?”
“Why would I be upset?” Eddie asks; honestly, he’ll only be upset if Steve tries to pry the photos away from him before he’s had a chance to thoroughly inspect them.
“Just– some people have gotten… jealous, I guess?” Steve shrugs, glancing away.
“Other people can look if they want.” Eddie leans over to press a reassuring kiss to the corner of Steve’s mouth. “I know I’m the only one who gets you live and in person.”
Slowly, Steve smiles. “Well. If you like the sailor shoot, I bet you’ll love some of the others.”
“Others?”
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inkskinned · 11 months
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so while i was writing the book, i became violently suicidal.
this was mostly due to the fact that i had a very bad reaction to some meds and my brain stopped producing any serotonin. also i was in the last semester of grad school where it's actually illegal to feel anything but dread. so it wasn't going well.
somewhere in the fog of it i became aware i needed help. nobody was taking clients or my insurance. i didn't want to do inpatient care - it wasn't right for my needs. there's not really an "in between" stage between "inpatient" and "no care," but i was trying to do the right thing. i was trying to activate the chain of command that was my emergency plan. i knew i needed help now.
i used betterhelp.
i know, i know. i'm a straight-A student and so smart and so clever, how could i ever use something so blatantly bad. to be honest with you, i didn't feel particularly keen on it from the getgo - things that seem too good to be true usually are. also, if something online is free, the price is usually your privacy.
the thing is that there was kind of a global pandemic happening at the time and i worked 5 jobs alongside of being a fulltime student and also like writing a book on the side. it is a miracle that i even thought about getting help. i would love to tell you i had the mental wherewithal to like, process whether this was the right choice for me. mostly i was desperate. i was so suicidal that i was trying to find a reason to stay inside of fortune cookies. i was the kind of suicidal that looks like splatterpaint. i hadn't been that bad in an entire decade.
they took my data. i gave them it freely. somewhere out there, they have a dossier on me. on everything i survived. my story in little datapoints, scattergraphed beautifully.
the first woman told me that really i should be grateful, because (and this is a direct quote): "at least you're not anne frank." i said that i felt that statement was antisemitic, as anne frank's life and experience shouldn't be compared to like, a nonbinary lesbian in western massachusetts. the therapist said that i should try to use lucid dreaming to try to picture myself in an actually scary situation, like running from nazis.
i applied for another therapist. i was willing to accept the possibility that there was a bad apple in the bunch. the next therapist and i even laughed about how inappropriate that statement was. and then, in our next session: the new therapist said if i was struggling with body image issues, i should just work harder on my appearance. she spent 3 sessions in a row talking about how she was grieving, and made me memorize facts about her grandmother so "she can live on through my clients."
i am a three's-a-charm kind of person. okay, so what if the last person made me uncomfortable. i figured it was just a misunderstanding of priorities - she had felt she was sharing with me, i had felt like i had to take care of her. i applied for another therapist.
the last woman asked me to help her pray. she bowed her head. i stared at her, frozen, while she said: lord, i beg you: cure her. take the pain of being gay away from her.
i spent somewhere between 2.5 and 3 months on betterhelp. in that whole time, i was not getting the professional help i so desperately needed, even though i was fucking trying.
in the end, i survived this because i finally could get off the meds that were literally killing me. a request for a real therapist finally went through. i survived because my friends saved my life. because nick let me sob myself dry in his arms. because maddie took the razors out of my room when i asked them to. because grace slept over in my bed for like 3 weeks in a row since nobody trusted me not to hurt myself when i was alone. i survived because i got fucking lucky. because even when i was desperately suicidal, i was too old and too self-aware to take "you need to be prettier" as good advice.
the thing is that there's a 19 year old me who isn't like that. who would have heard "just think about how grateful you should be" and said - oh, i see. i would have assumed that is what it means to be in therapy: the same thing my abusers used to tell me. that i am just pretending and lazy. that i am ugly and unworthy.
betterhelp positioned itself to take advantage of an incredibly vulnerable community. it preys on desperation. it knows it is serving people who are not doing well mentally. it saw that there is a huge need for real, immediate, compassionate mental health care: and then it fucking takes your money and privacy.
i still get their ads on instagram. last night i watched as a woman in a pool pretends to talk to a different woman. they discuss her anxiety.
there's a 19 year old version of me, and she didn't survive this. she was too tired, and drowning. i almost fucking died. this thing almost fucking killed me.
in the ad, the woman playing the therapist takes a note on a clipboard and then nods once, sagely.
i have to admit it's a pretty scene. the steam and light coming off the pool water lands on the actresses. like this, it almost looks baptismal, holy.
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