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greensaplinggrace · 3 years

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honestly THANK YOU for saying all that abt baghra bc i thought i was going crazy from not liking her??? bc i haven't read the books and only summaries of them on wiki and like. i dunno why ppl like her actually even in the show bc this guy, her son, is like "i wanna make the world better for us grisha" and she's just like "no." even tho he sees that she's MAKING HERSELF SICK from suppressing her powers! she's literally like in bed coughing in the flashback yet seem much healthier at the little palace. also like after everything, after her disapproval, after the fold, after centuries of waiting for the sun summoner.. he never abandons her. he makes sure she's cares for. he doesn't harm her. and i have to wonder if baghra has ever thanks him for that, for just not leaving her alone. like i dunno how im suppose ro believe aleks is a heartless villain when he still cares for his abusive mom like this. like has baghra even told her she loved him (honestly she reminds me of a classic emotionally unavailable asian parent but maybe that's just me). also im wondering if baghra ever told aleks that he had an aunt.. bc like.. now that u bring up her isolating him it's like hmmmm...

not at me being like alina... why do u trust the bitter old woman who literally beats u with a stick and verbally abuses u every chance she gets.. just bc she showed a bad painting... like.. pls use two braincells to see that who u figured out as his mother... is also using his protection..

like baghra could've upped and left with alina. but no. she stayed bc she knew she was safe under aleks's protection.

alsoim just impressed that after his first friend tried to drown him and harvest his bones... he didn't go into hiding???? he still wanted to make a safe heaven for grisha!!! HE STILL WANTED TO PROTECT GRISHA EVEN AFTER HIS GRISHA FRIEND TRIED TO KILL HIM FOR HIS FUCKEN BONES. like... this is the guy im suppose to believe is the villain???

honestly i feel like part of the reason why LB's plotlines seem so bad and disconnected (and sometimes outright racist but that's another rant) and why darkles is disproportionately more violent and villainous in the later books is bc she didn't expect the darkling to be so popular and wanted to stick with her guns of making him the villain. but also wanted the money from aleks's popularity. but like you can't have ur cake and eat it too.

Well thank you for sending this ask! It's very sweet and very passionate. I'm glad you liked my post! I didn't put as much thought into it as some of my others lol. I kind of just talked. But it was nice to be able to finally talk about some of the problems I have with both her character and the fandom/author's perception of her.

HERE is the post this is referring to, in case anyone's wondering.

👀👀 You've hit the nail on the head for so many things, here!

Baghra is extremely emotionally unavailable, basically to the point of neglect. She's also verbally and physically abusive, traits which I doubt were only reserved for her students and not her son. Baghra claims she would do anything to protect him, but I've known a lot of parents who have that mindset and yet still harm their children because they think it's "good for them".

Aleksander stays at Baghra's side for years, and even when they're opposing each other she's never too far away from him. Idk if you've read the books but he does eventually hurt her. And as much as I don't like Baghra, I think his actions were horrid. But I'm also honestly kind of surprised it took him so long lmao.

Yeah I mean, in terms of isolation, let's not forget that she never wanted to introduce him to his father, either. Baghra's sense of eternity clouds a lot of her judgments on relationships, which means she views most people as dust and therefore teaches her son to as well. The problem with that is that he's a growing child, and he needs those social and emotional attachments for healthy development.

I would bet quite a bit of money that Baghra has either never told him she loves him or she has told him so few times it's practically forgettable.

And everything becomes more complicated because so many of Baghra's actions are understandable because of her life and her history, but the impacts they have on the people around her, especially Aleksander, are permanently damaging. And the fact that that's never gone over in critical depth in the books or how it's glossed over in fandom is just very disconcerting. Like, acknowledging Baghra's failings doesn't mean we're excusing Aleksander's actions, it just means we're holding Baghra liable for her own. Which the fandom should be doing, considering she's the epitome of an abusive parental figure.

And Alina trusting Baghra over Aleksander is even more confusing! Especially in the show!! This is the woman who beat her and abused her and tortured her friends when they tiny little children (and who probably still does so now that they're adults). This is the woman who mocks you and harasses you and insults you on a regular basis. Why does Baghra revealing she's Aleksander's mother make Alina change her mind?! Like fuck, I'd just feel bad for Aleksander. No wonder he kept it a secret, I would too! And that painting is enough evidence?! Really?! A random painting shown to you by this abusive mentor that's been making your life hell. That's what you're going to betray your new lover over?

The friends trying to harvest his bones thing is a good point, too. I think Aleksander, especially show Aleksander, is incredibly idealistic. I think he cares too much for others - those he's deemed worth his care (a sentiment given to him by Baghra). Despite everything she's tried to teach him about hiding and abandoning others and never caring and never doing anything to help or reach out or connect with people, Aleksander still continues to do so. It's likely because he never got it from Baghra growing up, and so is desperate for those emotional needs to be fulfilled elsewhere.

His turning point, when Baghra tells him it was understandable that those kids tried to kill him because the world is such a hard place for them - that's crucial. And the reason it's possible as a motivating factor is because of that idealism and that desire to help and that desire to be everything his mother isn't. Baghra tells him this trauma he just experienced was because of the oppression of his people, and instead of following her lead and accepting that, going into hiding and abandoning everybody to their misery, he goes I can do something about that. I can make it so this never happens again. Which is usually how trauma like that combines with one's core personality traits at a young age, especially when there's none of the essential support systems in place to aid in recovery (ie, the role Baghra should have been filling but wasn't, because she decided to exacerbate the problem instead).

And yeah, one of my biggest problems with the ham-fisted "beating you over the head with a sledgehammer of evil deeds" look-how-bad-this-character-is! portrayal of the Darkling in the later books comes from the impression I get that Bardugo doesn't trust her readers. She's so desperate to have us hate this character and think him an irredeemable villain, not trusting any of her readers to engage critically with a morally gray character, that it feels quite a bit like condescending fucking bullshit. Which ew, I know how to engage with literature, thanks.

She really does seem to look down on a large part of her fandom, and imo, the infantilization of the female characters in her books seems to carry over to her impression of most of her female readers as well. Which is why the Darkling's character arc gets fucking destroyed. But he's still a good cash grab, of course, so she'll shake his dead corpse in front of the fandom for money every time she wants something from it.

Also! Another reason I think her plotlines feel disconnected (I'm sorry Bardugo I respect you as a person, but shit-) is because the writing in SaB is just bad. I mean, nevermind the absolutely nauseating implications of the way she portrays the Grisha as a persecuted group who's situation is never actually fully addressed as it should be, considering Grisha rights is what her main villain is fighting for (imo for a series called the Grishaverse, LB seems to be pretty anti Grisha), but her characters and story alone are just wrong for each other. They don't fit together.

And the ending is one of the main pieces of evidence in that regard! You can’t say the ending where Alina isn’t Grisha anymore is her “going back to where she started” when she’s always been Grisha. She just didn’t know she was Grisha because she denied that part of herself that she was born with.

Alina is reluctant to move forward or change, she struggles with adapting, and she’s very set on the things she’s grown attached to throughout her life. She also has some latent prejudices against the Grisha, and so denies the possibility of being Grisha for those reasons as well.

Alina’s lack of powers in the beginning of her life because she willfully doesn’t learn about them to avoid change versus her lack of powers at the end of the book when she’s accepted them and then they’re stripped away from her by outer forces are two entirely separate circumstances. You can’t make a parallel about lost powers and lack of Grisha status bringing her back to the start when she was always Grisha and she always had powers and she simply refused to come to terms with it because of personal reasons.

The first situation is an internal conflict that indicates a story about growth and a journey of self acceptance. Denying herself the opportunity to learn about her heritage and to find acceptance with a group of people like her because she’s tied to the past and because of the way she was raised is the setup for a narrative that tackles unlearning prejudice and learning how to connect with a part of her identity that was denied her and learning how to grow independent and self assured. It’s the setup for a different story entirely. The second situation is an external conflict that centers around the ‘corrupting influence of power’... for some reason.

In a world where Grisha do not have social, political, or economic power and they are hunted, centering your heroine’s journey of self acceptance and growth around an external conflict about... the corrupting influence of power (in a group of people that don’t actually have any power?!) just doesn’t work. It is literally impossible to connect the two stories Bardugo is trying to push in Shadow and Bone without seriously damaging the main character’s developmental arc.

The only way a narrative like this would work, claiming that she has gone back to where she started, is either a) if the Grisha weren’t actually a persecuted group and instead were apart of the upper class, or b) if the one bad connection between the two instances is acknowledged - that Alina denied a part of herself crucial to self acceptance and growing up, and that losing her powers at the end has also denied her. It is a tragedy, not a happy ending.

Alina suffered because she didn’t use her powers. She grew sick. It was bad for her. This was not a resistance to 'the corruption of power and the burden of greed', it was her suffering because she couldn’t fully accept herself.

Framing the ending as a return to the beginning can’t be done if you don’t address how bad the beginning was for your main character. You brought her back to a bad point in her life. You regressed her. This should be a low point in her arc. It should be a problem that’s solved so she can finish developing organically or it should be something that is acknowledged as a tragedy in it’s own right, for the future the world (the writing) denied her.

This is a ramble and it makes no sense and I’m really sorry, but my point is that Bardugo put the wrong characters in the wrong story. The character arc required for organic development doesn’t match the story and intended message at all. The narrative doesn’t fit the cast. She's got two clashing stories attempting to work in tandem and she ends up with both conflicting messages that fans still can’t comprehend in her writing and an ending that doesn’t suit her main character to such an impossible degree that it’s almost laughable.

So yeah, there's a few reasons why I think the story and the plot feels so bad and disconnected. I hope you don't mind me making this answer so long! 😅 I was not expecting to write this much.

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gingersnapwolves · 3 years

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The Untamed, a brief summary [Part 2/6]

Part One: Sword Wizard School

Part Two: The Search for the Yin Iron and the World’s Worst Summer Camp

Ext, Somewhere

Lan Wangji is looking for the yin iron. Wei Wuxian catches up with him and makes some bondage jokes. Lan Wangji is clearly warming up to him, as he doesn’t punt him into the stratosphere.

Jiang Cheng, still incensed that his brother snuck off, goes to look for him. Jiang Yanli packs him a sack lunch and tells him to be careful.

Wen Qing is stuck with Wen Chao, following Lan Wangji, and looks like she wants to throw herself off a mountain.

Ext, Tanzhou [Yiling]

Lan Wangji and Wei Wuxian run into Nie Huaisang, who apparently decided not to go home after school, presumably due to his grades. Yiling is nowhere near Qinghe. When Nie Huaisang decides to fuck around and find out, he goes for it.

In Tanzhou, there is a magic florist. She has a piece of yin iron, but they’re too late. Wen Chao has already taken it. I will forget that this happened in 90% of my fanfics.

Ext, Dafan Mountain [Yiling]

The three of them end up at a creepy village. There’s a woman mumbling something about a statue. Everyone else is missing except one creepy dude at a shrine to said statue, whose purpose is to give exposition. For some reason they decide to sleep in the weird cave with the creepy statue outside the abandoned village. Kids, amirite?

Ext, Somewhere

Jiang Cheng runs into Wen Qing. She purposefully picks a fight with him and he looks like someone kicked his puppy. But oh ho! It was just a ruse so she could tell him that his brother is in trouble at Dafan Mountain without anyone overhearing. He thanks her and takes off.

Interior, A Creepy Cave [Yiling]

The statue comes alive and attacks them! It keeps going for Lan Wangji. Wei Wuxian makes a joke about it having a crush on him. They seal it to keep it from moving.

Outside, a mob of villagers who look the same as the not-a-corpse guy attack them. Nie Huaisang posits that he would like to be excluded from this narrative, of which he never asked to be a part. Wen Qing shows up and uses a magic flute to subdue the mob. She will never use this flute again despite countless times doing so might come in handy. Jiang Cheng turns up too but is too busy roasting Wei Wuxian for running off to do anything useful. Wen Qing tells Lan Wangji and Wei Wuxian that the mob is powered by a shard of yin iron that Wen Chao has in his ‘dire owl’ which is a bird made out of shadow that could not possibly look less like an owl.

Wei Wuxian uses a nifty golden net spell that he will never use again despite countless times it might come in handy to protect the others while he and Lan Wangji fight Wen Chao and kill the absolutely-not-an-owl. The villagers are released from the spell.

Wen Qing tells them that this is where she and Wen Ning grew up. The statue had a piece of yin iron in it, and when Wen Ruohan came and took it, the statue went berserk and killed a bunch of people, including her parents. It also stole part of Wen Ning’s soul and that’s why he’s weak and sick. Then she goes back to Nightless City despite that this is clearly a terrible idea, because Wen Ning is there. Jiang Cheng asks her to stay, but she won’t, and Jiang Cheng is sad. Somehow nobody thinks to point out that she’s serving the man who got her parents killed.

Ext, Yueyang [Qinghe]

Somehow they’re all the way up towards Qinghe now. Please don’t ask questions about travel times. It’s my worst nightmare in my fics.

Nie Huaisang says that Meng Yao is meeting them here. Why? Who knows. My best guess is that Nie Huaisang knows he’s going to be in Big Trouble for sneaking off and thinks Meng Yao can protect him.

They stop at an inn. The waiter tells them something weird happened at the Chang house and now nobody’s there but they hear noise every night. The yin iron starts clamoring to be let out of its pouch and gives Lan Wangji heartburn.

Ext, the Chang manor [Qinghe]

Xue Yang has killed every damn person. It’s fucked up.

ENTER SUPERMAN and BATMAN, like seriously, imagine you were in a DC Comic and those two just dropped in for cameos and nobody bothered to explain who they were because they figured you would already know. Their names are Xiao Xingchen and Song Lan, and by the time they show up again, you will have forgotten that.

They’ve been tracking Xue Yang for All the Crimes and want to arrest him. There’s a fight. Xue Yang loses and enjoys it way too much.

Wei Wuxian asks him questions about the yin iron. He acts like a little punk. He doesn’t have any yin iron on him even though he obviously used it for Carnage, and they can’t find it anywhere.

Meng Yao and Nie Huaisang show up. They agree to take Xue Yang back to The Unclean Realm to be tried for All the Crimes.

Xue Yang cheekily says, “Don’t forget me!” to Xiao Xingchen, who immediately forgets him.

Exeunt Superman and Batman, while Lan Wangji and Wei Wuxian both stare after them longingly, clearly wishing that they too could hunt monsters and criminals instead of dealing with political bullshit.

Ext, The Unclean Realm [Qinghe]

Meng Yao shows them in and tells Nie Huaisang that the Wen sect has demanded each sect send an ‘inner heir disciple’ for ‘indoctrination’. Nie Huaisang remembers that he’s the only inner heir disciple sect in the Nie sect and panics. Meng Yao laughs at his histrionics. To be fair, they are indeed funny.

ENTER THE WORLD’S MOST BADASS MUSTACHE

This is Nie Mingjue. He is the head of the Qinghe Nie sect. He carries an enormous sword and has the title ‘Red Blade Master’. Every molecule of this man exudes big dick energy.

Nie Mingjue decides to immediately execute Xue Yang. Meng Yao steps in and counsels that maybe execution shouldn’t be their go-to, being rather permanent and all. Xue Yang can give them information and they shouldn’t waste their chance to get it. Nie Mingjue agrees. The others admire the fact that Meng Yao is clever and persuasive, and Wei Wuxian makes a comment about how Meng Yao’s biological father (the head of the Lanling Jin) is an idiot for not realizing he could make use of such a talent.

Nie Mingjue orders Xue Yang put in prison and the guard strengthened. Meng Yao delivers this order to the Captain of the Guard, who decides he’s going to be a giant prick about it. He’s too good to take orders from the bastard son of a whore. Meng Yao puts on his best retail smile and says that he’ll make do.

Meanwhile, the others are discussing the yin iron and the Wen sect’s demand to send disciples. Nie Mingjue says Lan Xichen has written to him and he thinks Lan Wangji should go back to Cloud Recesses. There’s only one piece of yin iron left unlocated and Xue Yang clearly knows where it is, so they’ll take it from here. Wei Wuxian reluctantly agrees that he and Jiang Cheng should probably head home too, to see how their father wants to handle the Wen sect’s demands.

Int, Cloud Recesses [Gusu]

Wen soldiers have showed up. It’s bad. Lan Qiren tells Lan Xichen that he should take their most precious knowledge and run away. Lan Xichen tries to argue but Lan Qiren insists.

Ext, The Unclean Realm [Qinghe]

The Captain of the Guard is still being an asshole to Meng Yao, this time while drunk.

Wei Wuxian, also drunk, has decided to sleep on Lan Wangji’s roof like any well-adjusted person would.

Lan Wangji gives him a longing stare and says ‘farewell’ under his breath like the stoic repressed gay he is, before heading back home.

ENTER MINIMUM WAGE REPRESENTATION MAN

The next morning, Wen Chao shows up with his Head Henchman, Wen Zhuliu. He’s clearly there because Wen Chao can’t find his ass with two hands and a flashlight. They demand the release of Xue Yang and grandstand a lot. Nie Mingjue tells them to fuck off.

There’s a big fight, mostly between Nie Mingjue and Wen Zhuliu.

Someone shouts that Xue Yang has escaped. Nie Mingjue makes it to the prison and finds Meng Yao standing there with a sword through the gut of the Captain of the Guard. We all take a moment to wish that we could stab the people who have bullied us. Nie Mingjue, however, does not agree, and is very upset. Meng Yao hilariously says ‘Xue Yang did it’ even though he’s literally got his hand on the hilt of the blade. Nice going, Meng Yao. I spend the next ten months wondering if that was a translation error.

Wen Chao (or maybe Wen Zhuliu? I don’t remember tbh) throws his sword at Nie Mingjue. Meng Yao leaps in front of it and gets lightly stabbed. Then Wen Chao talks a lot of shit about how much the Nie sect sucks and also the Lan sect sucks and his brother has taken men to go burn Cloud Recesses to the ground. Everyone is upset. Wen Chao gallantly agrees he’ll let them off the hook for the day, but if they fuck with the Wen sect again, they’ll regret it.

Nie Mingjue drags Meng Yao inside and they have a messy breakup. Meng Yao tries to explain that the Captain of the Guard was a big douchebag, bullied him for years, and took credit for his accomplishments. Nie Mingjue points out that this was not an excuse to murder him. Because Meng Yao just saved his life, he says he won’t execute him, but exiles him from Qinghe.

Meng Yao bids farewell to Nie Huaisang, who is upset and tries to get his brother to reconsider, but Nie Mingjue is adamant. Everyone seems to forget that Meng Yao just got fucking stabbed. He’ll walk it off.

So who released Xue Yang? This question is actually never answered! Did the captain of the guard do it for some reason, and Meng Yao stabbed him because he caught him in the act? Did Meng Yao do it? If so, why? Did he have nefarious purposes? Or did he do it because he thought it would make the Wen sect withdraw and stop attacking The Unclean Realm? Did the Wen soldiers get to him and let him out? Did Xue Yang just escape on his own? You may believe any canon that you wish. (My personal head canon is generally that Meng Yao released him to try to get the Wen soldiers to withdraw, but I’ve also written some variations.)

Ext, Lotus Pier [Yunmeng]

Jiang Cheng and Wei Wuxian are home. Yay! They reunite with Jiang Yanli. It is cute.

ENTER A PAIR OF EXTREMELY BAD PARENTS

So here’s the tea on the super dysfunctional family that basically drives this whole story. Jiang Fengmian is the head of the Yunmeng Jiang sect. His wife is Yu Ziyuan. He didn’t really want to marry her, mostly because he was in love with another woman named Cangse Sanren. However, the leaders of their two sects were pushing them to marry for alliance reasons. Jiang Fengmian kept refusing, but then Cangse Sanren married a guy named Wei Changze, who was one of Jiang Fengmian’s close friends. Since she was no longer an option, Jiang Fengmian then agreed to marry Yu Ziyuan. They hate each other.

The two of them had two kids, Jiang Yanli and Jiang Cheng. Jiang Yanli is not a strong cultivator and seems to have some health issues, although these are never detailed. Therefore all the sect responsibilities fall to Jiang Cheng, and Jiang Yanli was betrothed to Jin Zixuan (whose mother was the sect sister of Yu Ziyuan).

Meanwhile, Cangse Sanren is what we call a ‘rogue cultivator’ ie a cultivator who is not formally part of any sect. Wei Changze was a servant at Lotus Pier. They had Wei Wuxian and went to fight evil. When Wei Wuxian was four, they were killed by a monster. He lived on the streets for about three years before Jiang Fengmian found him and adopted him.

Yu Ziyuan is super pissed that Jiang Fengmian adopted the child of the woman he was in love with. She’s also super pissed because Wei Wuxian happens to be a more powerful cultivator than Jiang Cheng. Jiang Fengmian is very indulgent of Wei Wuxian’s behavior because, you know, his parents died, and Jiang Fengmian loved his mother and was friends with his father. Yu Ziyuan constantly accuses Jiang Fengmian of loving Wei Wuxian more than he loves their own son, constantly abuses Wei Wuxian for having the audacity to exist in her home and be a good cultivator, and constantly berates Jiang Cheng for not being as strong as Wei Wuxian and says he’s not going to be a good sect leader. Meanwhile Jiang Fengmian can’t be arsed to reassure Jiang Cheng that yes, he does love him very much. Jiang Yanli basically raised both the brothers which is probably the only reason they turned out as well as they did.

tl;dr this is a super toxic environment for everyone involved

Ext, Cloud Recesses [Gusu]

ENTER A MAN WHOSE POSITION IMPLIES HE SHOULD BE IMPORTANT YET PLAYS LITTLE ROLE IN THE STORY

Wen Xu, the first son of Wen Ruohan, is coordinating the attack on Cloud Recesses.

Lan Wangji arrives in time to find most of his sect rushing to shelter in the magic cave because the Wen troops are slaughtering everyone there.

A bunch of disciples are trapped outside because only members of the Lan bloodline can get in. Wen Xu starts murdering them all until one will tell him how to get in.

ENTER A 2 WHO THINKS HE IS A 10

A disciple named Su She, who incidentally is the guy who lost his sword in the lake like a dumbass while fighting the water demon, tells Wen Xu that only members of the Lan bloodline can get in and he could do it if he had one of the Magic Ribbons.

Lan Wangji emerges from the cave to try to fight off Wen Xu and a zillion guys single-handedly. Unsurprisingly, this does not work and he is captured. Since he’s got the yin iron, Wen Xu decides that’s good enough and they take off. Everyone left behind presumably calls Su She a jerk.

Int, Lotus Pier [Yunmeng]

They’ve received the demands from the Wen sect. Jiang Cheng is the inner heir disciple and he has to go. Wei Wuxian says he’ll go too. Yu Ziyuan tells him nobody gives a shit what the son of a servant does.

Ext, The Indoctrination Bureau, which may or may not be in Nightless City. It sure seems like it is but then later it sure seems like it isn’t [Qishan]

Wen Chao has lined all the disciples up outside so he can insult them and brag about how great he is. Wei Wuxian is worried because Lan Wangji isn’t there at first, but then he’s escorted in, clearly injured and trying not to show it.

Wen Chao forces them all to surrender their swords. Surprisingly it’s Jin Zixuan who picks a fight about this.

ENTER A WOMAN WHO IS NOT PAID ENOUGH FOR THIS SHIT

Jin Zixuan’s retainer, a woman named Luo Qingyang but who everyone calls Mianmian because of how cute she is, calms him down and reminds him that Jin Zixuan’s father told them not to make trouble. He’s pissed but hands his sword over. So does everyone else.

(A note on swords: there are strong implications that the swords are semi-sentient and connected to their bearers on a spiritual level. I’m sure I would know more about this if I was more familiar with xianxia. But the long and the short of it is that taking their swords is a Big Fucking Deal.)

Wen Chao tells them all to memorize ‘The Quintessence of Wen’, basically the rules of their sect.

Ext, somewhere nearby [Qishan]

Wen Ning is excited that Wei Wuxian is in Qishan and asks Wen Qing if he can go outside and play. Wen Qing says no because Wei Wuxian is supposed to be their enemy. Wen Ning uses sad puppy eyes. It has no effect.

Ext, The Indoctrination Bureau [Qishan]

Wen Chao tells them to recite the Wen stuff. Lan Wangji refuses. Jin Zixuan refuses.

Wei Wuxian eagerly volunteers, and then like the chaos gremlin he is, starts reciting the Lan principles instead. Wen Chao is pissed. Lan Wangji is smitten. Even Jin Zixuan thinks it’s funny. Jiang Cheng is upset that Wei Wuxian is causing trouble but he also thinks it’s funny and just won’t admit it.

Wen Chao punishes Wei Wuxian, Lan Wangji, and Jin Zixuan by making them do some menial labor involving buckets of dung. Jin ‘never done a day of actual labor in his life’ Zixuan is the most upset about this.

Wei Wuxian takes the opportunity to try to talk to Lan Wangji about the yin iron and what happened at Cloud Recesses and why he’s injured. Wen Chao gets even more pissy and throws Wei Wuxian in a dungeon with a terrible CGI wolf monster. Wei Wuxian nearly gets eaten but Wen Qing intervenes by using long distance acupuncture to knock the monster out with throwing needles. Wen Ning brings him some medicine to stop the bleeding from his multiple wounds.

The next day, they’re still reciting the stupid Wen stuff, or at least pretending to. Nie Huaisang either falls asleep on his feet, passes out, or decides this is bullshit and pretends to pass out, and is dragged back to his guest house.

The rest of them go on a field trip.

ENTER THE HUMAN VERSION OF PERIOD CRAMPS

Wen Chao has a girlfriend, somehow. Her name is Jiaojiao and she is the absolute worst.

They head off to a mountain where bad mojo is going around. Wen Chao is clearly planning to use all these cultivators as cannon fodder, because he’s a fucking asshole. Wen Zhuliu accompanies them, presumably because Wen Chao will trip over his own sword and die if left to his own devices. Wen Qing also comes along, even though she’d clearly rather not. Wen Chao keeps hitting on Mianmian and it makes Jiaojiao jealous.

Lan Wangji is limping badly. Wei Wuxian wants to help him. Jiang Cheng tells him they’ve got their own problems and they shouldn’t get involved in other people’s business. Wei Wuxian says, ‘but consider: I do what I want’. He offers to carry Lan Wangji, who refuses. So instead Wei Wuxian uses a little paper talisman to ask Wen Qing if she can help them out. She calls for a break so they can get some water.

Wen Chao tells her she’s too soft-hearted. She tells him he thinks too much, which seems vastly inaccurate.

Int, Muxi Mountain [Qishan]

They find a cave and go inside. There’s a steep drop off and nobody wants to go see what’s at the bottom, so Wen Chao pushes Wei Wuxian over the edge. Everyone is pissed about this, and they all have to climb down.

They’ve discovered an underground lake and the home of the monster! But it’s nowhere to be found. Wen Chao wants to string someone up and cut them to attract it. Jiaojiao suggests Mianmian. Wen Chao clearly doesn’t want to because he has the hots for her. Jin Zixuan tells him to get his grubby eyeballs off his friend. For the first time in the show, we feel a jot of respect for Jin Zixuan.

One of the other disciples tries to grab Mianmian anyway, Jin Zixuan intervenes, and there’s a big fight.

Wei Wuxian tells Wen Chao that using his position to bully others means he should be executed, using the words they had to memorize from the Quintessence of Wen. Wen Chao doesn’t recognize their own principles. Everyone laughs at him, and Wen Zhuliu looks like he’d rather be flipping burgers at McDonald’s than have this stupid job.

While Wen Zhuliu is distracted mentally updating his resume, Wei Wuxian grabs Wen Chao, puts a sword to his throat, and jumps to a rock in the middle of the lake. He tells Wen Chao to make all his guys lower their blades. But then, uh oh! Turns out the rock he jumped to is in fact the monster, which is a terrible CGI turtle snake thing.

There’s another big fight. Jiaojiao decides that this is an ideal time to punish Mianmian for being pretty near other people, and tries to burn her with a hot iron. Wei Wuxian jumps in between them and gets hit with it.

At some point, Wen Chao decides fuck this. The Wen soldiers all retreat, dragging Wen Qing with them, cut the ropes to the bottom of the cliff, and seal the entrance.

They find an underwater exit from the cave. While Lan Wangji and Wei Wuxian fight the monster and keep it distracted, the other cultivators escape. But they don’t manage to make it out themselves. They’re now trapped in a cave together, soaking wet and wounded. Thank you, Untamed.

Wei Wuxian teases Lan Wangji and is too stupid to realize he’s flirting. Lan Wangji prays for patience. He tells Wei Wuxian that he went back to Cloud Recesses and that his uncle is injured and his brother is missing. Wei Wuxian covers Lan Wangji with his robe while he sleeps. We all swoon.

In order to get out, they have to kill the monster. Wei Wuxian goes inside it and we all very studiously do not ask which entrance he went through.

The inside of this monster is very gross. There’s a black sword inside it which emanates evil energy. Wei Wuxian grabs it because he is sixteen and stupid. He hears lots of screaming ghosts and such, but hangs onto it anyway because he is sixteen and stupid. They kill the terrible CGI turtle snake thing but it collapses on top of the exit so they still can’t get out. Wei Wuxian is badly injured. Lan Wangji sings to him and there is a montage of their significant moments together up to this point, because the Chinese censors apparently weren’t looking.

Ext, Muxi Mountain [Qishan]

Wei Wuxian wakes up to find he is outside. Jin Zixuan and Jiang Cheng have rescued him. Lan Wangji has already left to go back to Cloud Recesses to look for his brother. Wei Wuxian is still holding onto the creepy sword. They awkwardly thank Jin Zixuan for helping out with the rescue. Jin Zixuan awkwardly accepts their thanks and then bounces. Wei Wuxian and Jiang Cheng head back to Lotus Pier.

Nobody ever mentions how Nie Huaisang gets out of Qishan, and for some reason I find this very funny.

~end part 2~

#the untamed #liveblog

75 notes · View notes

prinxlyart · 4 years

Note

No prob! Even if its just moral I love to support the artists I follow! And I will👍! Now I only have one(two maybe) question left for your Willumity AU: Who would propose first and who would they do it? (And if you allow Boscha to redeem herself in this, what relationship would she have with them?) Take care!

Oof this is a toughie. Hmmmmmmmmm........ I mean, lots of shenanigans would ensue, for sure for sure for sure, but what kind of shenanigans.....

[warning: this is like. Hella long y’all. I’m talking like, super deep dive into Boscha redemption territory. I’m not even kidding, it’s taken me all weekend to write this because there’s so much. I don’t even get into proposals...You’ve been warned]

Okay so!

Boscha sees all the girls have gotten together into one big relationship and is sort of knocked back on her ass. Amity? In a romantic relationship with Half-A-Witch and the Human????? What the fuck happened to that girl?! She’s been at a loss for how to even interact with them ever since a rumor had spread that Luz had gone toe-to-toe with the Emperor. Boscha wasn’t sure she believed that before, but watching her supposed friend of more than half a decade just drop her like she was nothing to go all soft over this human? Maybe Luz did do something impressive enough to garner Amity’s attention.

She would rather die than admit out loud (or even to herself) that she had a crush on Amity. It hurt her so much more than she realized when Amity stopped hanging out with her and it was just driving a stake through her heart when Amity defended them and joined their Grudgby team for that stupid challenge. It took her weeks following that whole fiasco to even look at Amity, let alone talk about her with the rest of her friend group, that by the time she thought she was over it, she looked up and saw her blushing and linking arms with both girls she’d played against Boscha with. Boscha may have broken her locker than day. She refused to say why.

If I’m following all of my narrative speculation threads, I think Skara pulls her aside one day and tells her she needs to calm tf down. Luz and Willow are chill as hell and they don’t deserve the vicious death glares Boscha’s been sending them. I think that’s the final nail in the coffin for Boscha. Her other supposed best friend is turning on her too?? But she isn’t??? Boscha’s head and heart are so confused by all this that she just skips the next day of school. I think she spends the day in the (newly-rebuilt) Treasure Shack just staring at the ceiling and tossing a hackey sack into the air while she blasts music that she doesn’t hear because she’s so deep in her own thoughts. Skara would find her immediately after school let’s out. There’s only one place Boscha would be if she skipped class for a day. Before any of the other teens make their way to the Treasure Shack, they leave so they can talk somewhere more private.

I think they spend a really long time hashing out Boscha’s thoughts and feelings. Skara even feels brave enough to bring up why they’re always so mean to others. There are other ways to prove how awesome you are without actively putting others down. In fact, putting others down to be on top is almost like cheating; you’re not actually proving you’re the best if you’re hindering your competition. Skara knows how awesome and amazing Boscha is and can be, but they spend their time just being mean to everyone else rather than actually showing off their talents. She also mentions how scary powerful Willow actually is and confirms the rumors about Luz taking on the Emperor and living to tell the tale so it’s not like they have no magical ability. Amity might just be rolling with the new most powerful witches at Hexside. Dating them even. And have you seen that illusion track kid in action?? He created some complex illusions during their Grudgby match and that was for funsies. They’re a severely powerful group. And they’re liked by everyone because they’re so kind. They’re revered by their classmates for being so powerful and so nice at the same time, meanwhile they just fear Boscha. They don’t think she’s all that great, but she is powerful enough to kill them if need be, so they just stay out of her way. Boscha hates everything Skara points out but doesn’t deny any of it.

Skara admits she’s been talking with Willow a lot about all of this; she’s definitely apologized for the bullying she’s done in the past and Willow actually accepted it which surprises Boscha. A lot of her insight is a mix of hashing shit out with Willow in the Greenhouse after school and some self reflection at home, but that’s why they all hang out together now. Oh, and she and Amity had a sleepover relatively recently where they decided to start their friendship over. Now they’re actually friends and can say so with a smile because it’s true and it’s not just to appease their parents.

Boscha never thought she’d do this in her life but she just bites the inside of her cheek and does it anyway: she asks Skara for advice. All Skara knows to suggest confidently is to think about how she treats everyone and how that can be changed. She also tells her to think about what she actually wants. Does she want to be the school bully? Or does she actually want to be friends with Amity again? Does she maybe want to find out how cool Luz and Willow are? They’re definitely all a package deal by now and it might be hard to be friends with Amity again after how horribly they’d treated Willow over the years. Boscha spends the entire weekend thinking over everything she talked about with Skara.

The following school week, Boscha is having a hard time getting Willow alone. At least one of her girlfriends is always by her side by the time she can find her between classes. It’s not until after school that Boscha manages to beat both Luz and Amity to the Greenhouse to ask Willow if they can talk. Willow is wary at first, but sees that Boscha has a weird look to her that sets aside and fears of Boscha attempting to pick on her. She noticed that Boscha has barely even looked at her in weeks. So she agrees and they find an empty classroom to talk in privately (Willow lets Amity and Luz know that she’s busy and will meet them later). Willow waits expectantly for Boscha to threaten her or yell at her or whatever else and is shocked (and maybe even scared?) when Boscha finally blurts out her apology. She lets Boscha just ramble her apologies for a while and watches her fumble over her words and her face turn a little red and genuinely doesn’t know how to react. Has the world turned upside down? Is it Opposite Day? Is this some kind of elaborate prank? The tears in Boscha’s eyes suggest that it’s not. Eventually Willow stops her and they just sit in silence for a minute while Willow kind of turns it all over in her head. Boscha’s freaking out because Willow is just standing there watching her and she feels like she’s a bug under a magnifying glass. I think Willow truly doesn’t know what to say and just kinda sighs and picks up her bag to get ready to leave and tells Boscha she just needs to think about everything she said. Because she can’t forgive her, not for the years of ceaseless bullying, but she needs to think about whether or not she’ll even accept her apology. Boscha just kinda nods numbly and Willow leaves and Boscha just sorta melts into the floor from exhaustion and frayed nerves.

I think Willow would ask Skara first about what she thinks of Boscha’s apology; they’re still friends after all, even though Skara’s been hanging out with them more often. Skara’s blown away because she didn’t think the talk they had just the previous Friday afternoon would lead to all that. So now Willow knows the apology is real. She’ll tell her girlfriends next because they’re also directly affected by this and they are also both shell-shocked. Amity is unsure of everything simply because she’s witnessed Boscha’s behavior first-hand for years and this just doesn’t sound like her (Luz agrees, oddly quietly), but Willow confirmed with Skara that it was a real apology. That that was why Boscha wasn’t at school on Friday. I think they’re all at the Owl House while they have this conversation so Eda and Lilith both overhear and throw their two snails in; Eda knows from experience that sometimes bullies are only bullies because they’ve been raised that way. She had some school friends that were pretty nasty before realizing just how nasty they were after the kids they were bullying got into some serious trouble. Lilith confirms the stories and also throws in that, based on her own experience, she may be doing all the wrong things with what she thinks are the right intentions. This gives all three of them something to think about for the rest of the night.

I’d say it takes them roughly the rest of the week to really come to a conclusion. The entire time, Boscha is begging Skara for any updates but Skara isn’t in on that loop. So in the meantime, she asks Skara for help in fixing her behavior during their free time. Boscha came to the conclusion on her own that she doesn’t actually want to be a bully, she just wants to feel acknowledged for her efforts. Skara reprimands her for falling back on bullying tactics when things don’t go the way Boscha wants them to. Their other friends in their friend group pick up on this and are 100% on board with helping Boscha be a better person. They were all too scared to disrupt the flow that they had to call her out before, but now that Boscha’s actually trying to be better?? They’re all in to help her. I don’t think Boscha’s ever felt this kind of support before. Her whole life she’s had friends to back her up when she tooted her own horn, her pack to intimidate by numbers. But now they’re actually wanting to help her? They’re not just sticking around so they themselves don’t become ostracized? Boscha’s never really experienced that before and it makes her feel warm inside. At first she thinks she’s sick but Bo (I think her name is Bo; the light-skinned healing track girl with the freckles that taught Skara that fire-to-ice spell) runs a quick diagnosing spell over her and let’s her know that no, she’s not sick, she’s just experiencing happiness for once. Everyone else laughs, even Boscha after a moment because holy shit, she’s actually happy.

Over the course of that week, our main trio is quietly watching Boscha’s metamorphosis from the sidelines. They’re all confused at first; she really is trying to change? Luz is the first one to get excited though. It’s just like one of her favorite character tropes: bully learns to be nice and is better for it (and maybe falls in love with the person they’ve been bullying). Willow scoffs at that, but she does admit that it’s reassuring to see Boscha actually making the effort. In public too, she’s not trying to hide the fact that she wants to change. Luz, being in all the tracks at Hexside, gets the chance to actually talk to each of the girls in Boscha’s friend group about the whole situation and gets some pretty solid evidence that yes, Boscha’s really making that effort. She reports as much back to her girlfriends and by the time the week ends, Willow’s the one tracking down Boscha by the Potions Hall to take her aside for a chat.

Boscha is scared shitless when Willow asks to talk to her for the first time since Monday but obliges and they find a private place to talk. Willow lets her know that she’s ready to accept her apology and Boscha nearly bursts into tears in relief. She knows that it isn’t forgiveness, but Willow is accepting the fact that she’s trying to change and she is sorry for her past actions. Willow fills her in on all the various (drama? Lack of drama?) chatter about her trying so hard to be nicer from Boscha’s friend group that Boscha actually does start crying at that. She’s so relieved that her friends aren’t doing this as some kind of payback; that they’re actually supporting her with no ulterior motives. They’d have every reason and right to, but they aren’t and Boscha is so relieved to hear as much. Willow doesn’t know if she should try to comfort her or what so they both kind of stand there awkwardly for a minute while Boscha wipes the tears from her face. She thanks Willow for accepting her apology and vows to her (maybe a little too dramatically; it actually makes Willow want to laugh because it reminds her so much of Luz) that she will be a better witch. Not just a better witch to her and her friends, but to everyone. When they part ways for the weekend, they’re both buzzing with giddiness. Boscha, because Willow finally accepted her apology and knew that this was a huge first step in her road to being a better witch. Willow because she knows for certain that Boscha’s giving this her all; and maybe they could even become friends. Skara and Amity did a do-over on their friendship, maybe Boscha’s hoping to do the same.

Shockingly, Boscha actually goes to Luz next by sitting next to her during their shared potions class the following week. She slides her a note asking to speak with her outside of class to which Luz agrees (with a silly doodle of a winky face and a thumbs up that makes Boscha nearly giggle). Boscha apologizes to Luz next for her behavior towards her and much to Boscha’s surprise, Luz not only accepts her apology, but forgives her too. Boscha didn’t even expect that. Luz explains that she hasn’t been on the Boiling Isles long enough to be really affected by Boscha’s past bullying, not like her girlfriends. And she’s super grateful and proud of Boscha for reaching out to Willow first and actually going to the lengths she’s been going to to be a better person. Boscha, not used to praise that she wasn’t fishing for, just blushes and nods. Luz sort of coos at her and comments on how cute she looks when she blushes which only makes her blush harder and start threatening Luz with empty promises of violence if she doesn’t shut up. Luz starts running away, cackling, and calls out to her as she’s leaving that she hopes they can be friends some day soon. Boscha silently agrees and goes home with a goofy smile that won’t leave her face no matter how hard she tries because Luz called her cute. She shoves that thought aside for the time being, just grateful that Luz was so quick to forgive her.

Finally, she approaches Amity. Or rather, she leaves a note in her locker because the Abomination Hall and the Potions Hall are nowhere near each other. At this point, Amity is on the fence about what she wants to do because on the one hand, she was never truly friends with Boscha and she’s not sure if she wants to be. On the other hand, she’s been watching Boscha change over the last week and a half and is actually surprised at how hard she’s working at it. She isn’t surprised by how hard she’s working; Boscha always gives 110% into anything she does, she’s just surprised that she’s working at being nice at all. But between Willow telling them how their chat went on Friday and Luz telling them about their talk on Monday (and Luz mentioning how cute Boscha was when she was red and sputtering her empty threats), she’s at least willing to hear her out. So she stands there and waits for Boscha to start and is actually kind of surprised to see Boscha’s already so pink she’s almost the same shade as her own hair. I think she’s silently patient out of shock more so than any amount of politeness. She’s never seen Boscha....flustered????? Luz was right, it is kind of cute, but now isn’t the time for that.

Boscha kept her conversation with Amity for last because she knew it was the hardest one to have. She had been pushing it aside for the last few weeks now; although she’s finally admitted to herself that she (has/had?) a crush on her. By the time they make it somewhere private, Boscha’s so nervous that she’s almost shaking. And Amity is just standing there, watching her, and saying nothing. That is until Boscha nearly starts crying and Amity finally breaks, if only due to concern. They may not have ever been real friends, but neither of them were heartless either. Amity manages to coax some words out of Boscha through her thick tears and once the words start, they don’t stop. Boscha didn’t mean to admit her crush on Amity to her face, but that sort of slipped out with all her other apologies and explanations. Amity desperately wishes Luz or Willow were there with her because they are so much better at emotional shit than Amity is. Amity does flush when she hears Boscha confess her crush on her and doesn’t really know what to say to that. Boscha had a crush on her? This whole time? She had a crush on the Amity from before she met Luz???? Amity considered herself an entirely different person from who she was before she met Luz. To think that Boscha’s quietly been harboring feelings for her all that time? Even before that time?? It’s flattering to say the least, but she definitely has mixed feelings about it. She didn’t like who she was before she met Luz. It’s hard to imagine someone else liking her.

Their conversation takes a long time to really hash out. They have a long history to sort out; sorting out Boscha’s feelings and identifying instances where they were horrible to other witches and how it wasn’t okay. There’s so many things that need to be figured out between the two of them. I think Boscha remembers what Skara had done and offers they have a sleepover to really try to start their friendship over. But I don’t think Amity is actually comfortable with that yet. Not due to Boscha’s crush on her or anything, just because it’s a different situation than it was with Skara. There would be a lot more to cover than just learning about what sort of music the other likes. And Boscha is definitely crushed on the inside, but just accepts it because she knows it’s a lot. I think after a while they both leave with the promise that they’ll continue this conversation later; Amity just needs to consult her girls first. She really doesn’t know how to handle all this and needs to just kinda decompress with her girlfriends and sort out all of her thoughts. Boscha agrees; they both have each other’s scroll contacts still, so they can reach out to each other whenever they’re ready to continue that conversation.

I think Willow and Luz would find it adorable that Boscha has/had a crush on Amity (which only makes Amity blush and chide them for not focusing on the subject at hand). Luz is super excited about Boscha trying to make amends all over the place. She’s even watched her between classes go out of her way to apologize to others too, so it’s not just them she’s trying to make amends with. Boscha always has one of her friends with her when she does this, but mostly as support or to remind her to not use bullying tactics or words when she’s trying to apologize. There’s been a low buzz of rumors going on about it too, Boscha’s strange change of heart has captured the attention of most students. Amity still isn’t sure how to feel about the whole situation though. There’s less to apologize for between them and more just explaining themselves. Why they never held each other accountable for their shitty behavior, why Amity seemed to just tolerate Boscha’s existence while Boscha silently harbored a crush on her; there was less in terms of wrong doings between the two of them and more just laying their cards on the table. I think Luz would be the one to suggest she go through with the slumber party, but maybe also have Skara join them as a sort of mediator. Willow is also hesitant; she doesn’t want to encourage her girlfriend to venture into something that makes her so uncomfortable, but she agrees with Luz that they need to clear the air between them. She admits that having Skara there would actually help a lot with that; Skara seeking Willow out on her own terms to apologize to Willow and talking with her so openly gave Willow more than enough reason to trust her with Amity’s feelings, especially after they reconciled their own friendship.

I actually don’t know what sort of history those girls have, but I’ve actually been in Amity’s place before. I’ve tolerated the existence of a person who developed a crush on me and it was....awkward at best. This person didn’t try to be a better person in the time that I knew them though. They just kept making excuses for their shitty behavior, so I’m genuinely not sure how this would all play out. I think having Skara join them for this weekend-long feelings jam certainly helps things along; she knows when to push them to tell the truth and when to sit back and let them take their time. I think by the coming school week (we’re what, in week 3 of Boscha’s redemption arc by now??? Almost a whole month of this emotional vulnerability??? How exhausting), they do manage to find a stable ground to start rebuilding their friendship. It takes a while, and I think Boscha’s nervous about it at first, mostly due to Willow’s near-constant presence around Amity, but Luz’s just. Sheer determination to befriend Boscha and integrate her into their ever-growing friend group both encourages Boscha and softens Willow’s stiffness in her presence.

Oofa doofa, I don’t even know how long it would take before any of them truly catch feelings RE: Boscha. I think Luz picks up on Boscha’s nervousness around Willow first and teases Boscha about it when they’re alone. And Willow and Amity do agree, Boscha is very cute when she blushes hard enough to match the color of her hair. It’s also fun to watch her freak out and turn into just one big pink blob hissing obscenities at a cackling Luz. I think Luz might get caught up in her fiction character tropes a little too much before she realizes she’s not taking Willow’s feelings into account (not so much that it causes damage; they’ve probably been dating for months now by this time). Luz would have to ask Willow how she felt about Boscha overall and Willow I think....would be unsure for a very long time. I think eventually, long after Boscha’s been fully integrated into their friend group and she’s actually seen who Boscha is when she’s a good friend and not a bully, does Willow begin to feel the inklings of feelings sneaking into her heart. Amity is in a similar boat as Willow, but neither make their feelings known for quite some time. They’re happy with their little triad relationship; they’re not sure what it would mean to include Boscha when they were still so unsure of their feelings.

Luz is so full of love she literally radiates it and it’s contagious. I don’t even thunk she realizes she’s developed a fondness for Boscha until several months after they’ve become friends. Besides, she’s far too busy teasing Boscha about her crush on Willow and Amity to realize how much Boscha also seems to blush around her. I don’t think she gets it until one day Boscha just shoves something in her hands and stalks off to class and when Luz looks at what she gave her, she just kinda gasps. Because Boscha definitely gave her a note that just reads “I like you too, you idiot”. Luz just runs to Willow and Amity and shows them the note and they all three call an emergency girlfriend meeting to sort out what exactly they want to do about this whole situation. Polyamory is hard because it requires so much mindfulness of everyone involved. But they all manage to admit that they’ve been harboring some softer feelings for Boscha and decide to test those waters. And maybe have a little fun with those tests as they do so. They maaaaayybbeee make it a competition to see who can make Boscha blush the hardest. They can all be quite competitive.

Boscha suddenly finds herself at the center of a Willumity Flirt-Off that she was NOT prepared for and doesn’t know how to handle it. All three of them are suddenly winking at her when she catches them looking at her, or maybe sitting way too close at lunch, or even just complimenting her when she doesn’t expect it and she nearly passes out from the attention. I think there’s a moment when she actually walks into a door when the girls realize they’re maybe taking this too far and apologize to Boscha before asking her if she wants to try being in their relationship with them. And I think Boscha does pass out at that.

I think it’s a tough adjustment period for them all. Balancing the four of them takes a lot time and fine-tuning to get it right. Boscha’s still just bewildered that she’s come so far with each of them enough to actually be in a relationship with each of them equally. There’s definitely some jealousy here and there, some old fears of being left behind cropping up, but all of those worries are thoroughly stamped out once they’re addressed. I think they all try very hard to get this to work and they do make it work. Boscha forever considers it the most dramatic year of her life.

I literally cannot even begin to get into proposals this is far too long already but thank you so much for sticking around if you’ve made it this far!!!!! This one in particular got hella long because there were so many moving parts @-@

I’ll be the first to admit: I’ve never been in a polyamorous relationship myself (I’ve never had any polyamorous partners before ;v;). I do know how important communication and establishing individual relationships can be though. It’s always so important to make sure that you and your partners are on the same page before doing anything that can dramatically affect your relationship. Consulting individuals within the relationship is also important. Just because you’re in a group doesn’t mean your relationship with each individual is any less important.

Ngl, this was also kind of hard for me to write because I truly don’t know what Boscha’s like when she’s not a bully. We haven’t seen that much of her character outside of her being a bully that thrives on fear and praise. She could very well be just as much an over dramatic dork as Luz. I don’t even think she knows; she’s been a bully her whole life. What is your personality like when you realize you don’t have to be a bully??? Idk, but that’s why this took me all weekend to write; I really don’t know how Boscha is outside of being a bully. Hopefully we get to see who she is in season 2!!!!!

157 notes · View notes

thegreymoon · 3 years

Text

Word of Honor

OK, Scorpion, now you are really starting to get on my nerves 😤

So, since he’s still questioning whether or not his abuser is sincere, I’m assuming his alliance with WKX really fell through and they were not cooperating in that last scene? Now I’m additionally pissed off that we never got to see why, or how Zhao Jing lured him back.

***

I am so tired of giving Scorpion the benefit of doubt, but this looks promising!

Please, please end the bastard already 😠😠

***

Tell them, beautiful!

This whole farce is becoming exhausting 😪

***

LMAO, of course 😆😆

Everyone’s favourite gremlin is back!

With that said, everything about this exposition is so narratively clumsy and makes no sense from any standpoint. The only things still holding this show together are Zhou Zhishu’s and Wen Kexing’s pretty faces.

***

You have got to be kidding me.

***

LMAO, brother Shen Shen finally losing his temper and speaking all our minds 😆😆

***

LMAO, seriously??

***

Everything about this is so anticlimactic, but, yes, please!

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Regardless of everything else that is going on here, I feel like we can all just take a moment to admire how beautiful he is 😍

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What are you crying for, you disaster?

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LMAO, did he just poison him?

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OMFG, what are you now circling back to this for 😫😫

Please, this story has run its course! But I suppose we still have three episodes to go 😤😤

***

I am... speechless.

I’m trying really hard to be sympathetic to this entire team considering how devoted they were to getting this show to air in spite of everyone and their grandmother sabotaging them in the middle of a pandemic and keeping in mind that the first thirty episodes were so incredibly good, but what the actual hell happened?

This is just bad on every level.

***

Ye Baiyi, I love you, but please stop extending my suffering 🙄

***

The way this is going, I cannot 🤣🤣

“Very sorry, Senior, I just led a criminal organization responsible for carnage and terror for several years, and, oh, I also tortured and murdered a couple of hundred people myself, but my bad! I promise I won’t do it again!”

Please, what happened to this show? 🤣🤣

Mind you, it’s not that I want Wen Kexing be imprisoned/executed for his crimes, but come on!!

***

Also, the the only reason all these people are willing to speak up for him is because Ghost or not, he is still gentry, and his parents are one of them! If it had been any one of the other low-born (and less conventionally presentable, or even female) criminals on the line here, they would be frothing at the mouth, calling for his death. They all agree that Wen Kexing was in the Ghost Valley ‘by mistake’ only because his parents were respectable people.

***

“The spectacle is over! Shoo, now!” 🤣🤣

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I am now starting to fear just how much they will butcher the script for Hao Yi Xing 😢 WoH clearly started out with excellent, competent writers and the show was so, so good until their own studio swooped in to sabotage them. I guess that this is a good practice run for me on what to expect when they are done with the delays and the additional butchering of HYX.

I’m just so sad. There was so much potential here for something truly remarkable and it was unable to land because of pure hubris of people way above the cast and crew who tried so hard and gave it their all.

***

I hate it here.

He’s so broken.

Also, didn’t he take those red pills the elf from Nanjing had given him when he thought WKX had died? What were they supposed to do? I expected him to gain superpowers or something and go on a vengeance spree, but no, it was just Sword Immortal coming down and sending everyone home like errant children.

***

I just remembered, when Zhou Zishu was given the muscle relaxant to smell, he later claimed it didn’t work because his sense of smell was gone. My mind was too busy rolling in the gutter at the time to complain, but just because you can’t smell it, that doesn’t mean it will not work, because you are obviously still breathing it in.

***

Well, at least they made up.

Their relationship is one of my favourite things on this show so I am glad they are not out to kill each other.

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I am... disturbed 😶

Xie’er, baby, you need all the therapy! 😬😬

With that said, this is the best (and the only logical and consistent) thing to come out of these last four episodes so far and I am so here for it!! 👍👍

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Mte.

This is my least favourite trope of all time, creating drama just for the sake of drama, and it was so poorly executed here, it has completely kicked me out of the story. I find it so hard to care about anything that is happening right now. Also, I am sick of them narrating these unnecessarily twisty and unnecessarily complicated events that happened off screen. My suspension of disbelief has taken a long vacation and is currently sending me selfies from a beach in Maldives 🙄

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Aww, censors are sleeping on the job again 🤗

Also, A-Xu is way too sad. He definitely poisoned himself with those pills and is now actually dying.

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I AM NOT READY TO SAY GOODBYE TO HIM 😭😭

Only two more episodes! It’s not enough! 😭😭

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Aww, cutie, you are the prettiest!! 🤗🤗

***

A mountain of treasure for the daughter of the Ghost King 😍

LMAO, poor Cao Weining, he’s marrying waaaaaay beyond his own station 😅😅

***

The way they are making me cry 😭😭

I love them so much!!

***

LMAOOOO, it’s what he deserves!! 🤣🤣

Yes, Queen! Rid yourself of toxic men and their garbage 🔥🔥🔥

***

Wait... he came to their wedding?

This asshole??

***

I am not happy that they opened the gate. They shouldn’t have opened the gate. I don’t like that the other master is not here.

***

She noticed the absence too.

***

LMAO, did he seriously walk into the Ghost Valley to shit on the Ghost King’s daughter? On her wedding day??

Wen Kexing, please eat him 💀💀

#word of honor #woh spoilers #woh ep33 #woh ep34

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ladyloveandjustice · 3 years

Text

The Westing Game Chapter 21

The Fourth Bomb

In a wacky misunderstanding, Theo thinks Alice is the bomber and tries to blackmail her with the info so he can borrow her bike (Yes, really. Go big or go home is Theo’s motto) but of course Alice thinks he means he knows ANGELA is the bomber.

And in what might be the most touching moment in the book so far, Alice responds to this by setting off a bomb and writing a thing indicating that she is the bomber in order to throw all suspicion off Angela. She eve loses her trademark braid in the process.

It really is incredibly sweet. Alice is very caustic toward her sister, but this isn’t the first time she’s indicated she’s ride-or-die when it comes down to it (she got rid of the evidence for Angela and warned her not to say anything to the lawyer), and it’s also a very lovely response to Angela’s early sacrifice- where she took the bomb she made to her face rather than have it explode to her sisters. But while Angela’s sacrifice was spur-of-the-moment motivated by guilt and panic as well as love (not that it makes it less meaningful), Alice’s is one she planned out and considered. She had time to consider the consequences. She knew that Angela willingly put herself in this position. But she still chose to take the fall anyway, and set off a bomb after seeing what the same thing did to her sister’s face.

She already feels meaningless to her family in general, and maybe on the surface she feels her standing (with her mother in particular) can’t get any lower. “I’m already the troublemaker, I’m already the unwanted one, I have nothing to lose, but Angela would lose everything” was how she convinced herself. (in addition to being aware as a minor she wouldn’t be punished as harshly, smart girl that she is).

But it’s also clear that Alice DOES long for her mother’s love and approval, and I think she also had to contend with a deep fear that after this action, there’d be no going back for them, that she’d doomed herself to be the ‘bad one’ forever. Yet she still did it.

And the loss of her braid is of course, incredibly significant. Angela said earlier that the braid is her “crutch”- she bases a lot of her personality around it. It was her excuse to spend time with her mother and now her excuse to spend time with Flora, it’s the trademark thing people can pull on and she can then she gets excuse to kick them and get in fights and form connections, it’s how she gets attention and relationships for herself without exposing her own vulnerability. But she sacrificed what little that makes her stand out, what little social currency she has to protect the same sister who she envies for being in the spotlight- because that bond is more important than her jealousy and her need for attention. Just like her sister sacrificed one of the things that bring her adulation- her looks- to protect her. Love is more important than those petty things.

Alice is forced to talk to Judge Ford afterwards and, sharp as ever, Ford guesses that she’s protecting Angela. This quote especially gets me:

The judge was astounded (…). Angela could not be the bomber, that sweet, pretty thing. Thing? Is that how she regarded the young woman, as a thing? And what had she ever said to her except “I hear you’re getting married, Angela” or “You’re so pretty, Angela”. Had anyone ever asked about her ideas, her hopes, her plans? If I had been treated like that, I’d have used dynamite, not fireworks; no, I would have just walked and kept on going. But Angela was different.

There’s a fascinating theme in this book about being marginalized, and the different ways these marginalized people both are pitted against each other and can overlook even each other while also finding connections and comradery with each other… I think I’ll have to wait until the end to fully get my thesis on the whole thing together, but I really find it interesting and appreciate it. Ford’s struggles as a black woman, Alice being overlooked for not performing femininity (thus envious of Angela despite knowing how shitty she has it), Angela being boxed because everyone wants to mold her as the perfect feminine ideal (thus feeling envious of Alice despite knowing how shitty she has it), Sun feeling out of place as a Chinese immigrant, Hoo knowing he’s looked down upon as a Chinese-American (yet still not considering the pain of his own wife), Chris struggling as a disabled kid, many people who are financially disadvantaged and/or feeling limited to the role of caretaker, Sydelle feeling overlooked in general and appropriating others’ struggles in her bizarre quest to get noticed- it’s all very interesting and pretty deftly handled, especially considering the time period the book was written in.

And our antagonist is quintessential exploitative Rich White Man (obsessed with American Exceptionalism to boot), though it’s casually mentioned he’s the son of immigrants, an identity he seems to have actively shed, going so far as to change his name (if that’s why he changed it), so there’s even complexity there.

But the thing with Ford here is an interesting demonstration of that. Despite being smart and socially aware and having an even more fraught history of being dismissed and belittled, she didn’t give much thought to Angela and subconsciously went along with the same objectification everyone else does, putting her on a pedestal. (There’s a lot to be said about how Angela’s veneration and perceived “purity” by the others might interact with her whiteness, and how Ford realizing she bought into that narrative subconsciously might feel to her as a black woman, but I’m not really the person to discuss that. Anyway!)

The other important development here is that Alice also finally confesses that she saw Westing the night of his murder but mentions that the Westing she saw didn’t look dead, but asleep and like a wax dummy. This sets off alarm bells for both me and Ford.

So, I think its safe to say my earlier theory Sam Westing isn’t dead is probably true. What of the corpse that was present at the will-reading? I think people would have noticed it was a wax dummy, but a disguised corpse from his coroner friend still makes some sense. So where is Westing now? Considering Barney Northup doesn’t exist, could he be Barney?

But speaking of Westing, if we need further confirmation the man is the scum of the earth, he’s a union buster and he fired Sandy for trying to organize one in the paper plant.

We also learn Ford’s backstory with Westing at last: Her parents were household staff at Westing’s mansion and she grew up there as a result. She played chess with Westing frequently as a child, but not only would he brag and take pride in beating a goddamn pre-teen, he mocked her with racialized insults. She never won, but Westing ended up financing her education (that’s the ‘debt’ she owes him). She believes he did this to get a judge he could control, but has refused to play along, removing herself from any case involving him.

I can’t help but think Westing would have known Ford wouldn’t play ball, though. So he may have had another motive for sending her to school. It could be something even more sinister. Or… in his own twisted way, did he actually like her? He obviously realized she was incredibly intelligent during those matches, even if he sadistically enjoyed mocking her, enough to know she’d do well with an education. Did he play chess with her so much not just because he enjoyed tormenting her, but enjoyed her as a person as well? It obviously does not excuse what a racist sadistic shithead he is, and I’m not saying he’s secretly nice- just that it could be he was incapable of relating to anyone in a healthy way. I actually think sending Ford to school could have just been an extension of his desire to torment her AND the only way he knew that would guarantee he remained important in her life. He didn’t ever plan to cash in on her debt, but knew it would kill her just to BE in his debt, and got pleasure out of that alone. He probably just thought it was funny and it was also a way to guarantee he’d live in her head rent free- and because deep down he knew she was a cool kid, he also wanted that. He didn’t want her to forget him, maybe, which is sick! But much more interesting than simply “he wanted a judge he could manipulate”.

But it’s also worth noting this is Ford’s (perhaps) final chance to win against Westing in the ultimate chess match. And I can’t help but think he is well aware how smart she is, so he invited her here specifically because he knew she could be his undoing, the one who unravels everything. So- if we go with the ‘Westing is seeking atonement’ theory- did he invite her to give her that satisfaction of finally beating him, like he always knew deep down she could? Because he WANTS to be beaten, to be found out and knows she deserves to be the one after all the hell he put her through? Or in the ‘Westing is still a complete monster’ theory- is his intention to torment her one last time, to show her she can’t win against him? (if it is, I think he may well find he’s gravely mistaken there).

I don’t think Westing can truly achieve “redemption” with this “game”, nor am I one to easily believe the Ultimate Shitty Capitalist can change easily, but if one thing can shake someone’s worldview and make them reevaluate how they live their life, the death of their child WOULD be a big one. So “this will actually be Westing’s weird twisted attempt at atonement” is a possibility I just can’t stop thinking about. If it is, it’s kind of funny and incredible he can’t stop being manipulative and traumatizing even when he decides he wants to do something good.

On top of all that, Angela and Sydelle get more clues and finally figure out the ‘America the Beautiful’ connection. God, so much to chew on this chapter! I really fear for these last nine chapters. I might end up writing a novel longer than the actual novel analyzing and recapping them if I’m not careful. But that’s how you know it’s a compelling story, so hats off to Ellen Raskin!

#wow i wrote a novel #lest you think I could write this much this fast I've been doing these at my boring office job #which is super dead rn #take advantage while it lasts #it's still i read a chapter then respond so I figure that's okay!#nev reads the westing game

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rachelbethhines · 4 years

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Tangled Salt Marathon - You're Kidding Me

So we’ve finally come to the last of season two’s filler episodes. Let’s see if we can knock this one out real quick.

Summary: The front door of the mysterious seashell estate vanishes, trapping the group. They try to find another way out but find a spinning top whose magic regresses Cassandra and Lance into toddlers and Shorty into a baby. They’ve only have an hour to find the top and reverse the effects or the changes become permanent. Unfortunately neither of Rapunzel’s or Eugene’s parenting methods keep their now childish friends on task.

So Why Did No One Stand Watch Last Night?

They were all sleeping right next to the entrance, and after the run in with the mirror monsters, you would think that they would have taken turns standing watch.

But nope, the front door vanishes when no one was looking cause they don't have any foresight.

A Low Budget Doesn’t Excuse Filler

Like most of season two, this is yet another episode that adds very little to the overall story. It’s slightly better than the Return of Quaid or Curses, but not by much. I put it on the same level as The Forest of No Return, as I do like the mains’ development, but there’s really no reason why such episodes exist to begin with.

The meta reason for staying in certain places for three episodes, instead of only one or two, is because of budgetary reasons. The crew have to build new sets and models for every new location or person the cast comes across. This costs money to make, so the higher ups wanted to reuse assets. Which is understandable, but not an excuse for utilizing them poorly.

If you need to stay in one area or have characters reappear, then you need to give story reasons for that. Ones that tie back to the overall narrative and/or the mains’ character arcs.

The shell house and Matthews should be more important than what they are as they both have connections to the ultimate big bad of the series.Adria shouldn’t be wasted for a whole episode when she’s the only one driving the plot in season two and has limited appearances. Vardaros and its people shouldn’t be a one and done thing if you’re going to spend so much time setting them up. And there’s still one off episodes, locations, and characters who aren’t brought back and add nothing

Not only does this make for a weaker story, it also undermines the cost saving measures that you tried to implement to begin with.

This Isn’t Representation!

Get it?!

She’s a top!

She’s totally gay, but like not really, cause this can also be interpreted as a dominatrix joke, and there’s no other real indication of her orientation outside her like smiling at her best friend/crush/sister sometimes and keeping that rose her creepy ex-boyfriend gave her.

And don't give me any bullshit excuses about Disney not letting the crew make Cassandra canonly gay/bi.

The Owl House aired just this year, the same year as Tangled’s final season. Also Globby and Carl from Big Hero Six were both confirmed to be a couple on screen a month after this episode came out. Both shows would have been in development at the same time as Tangled was. Both would have been subject to the same regulations and restrictions while writing their stories.

It isn’t “Disney” that stopped the storyboard artists from having Cass be a confirmed lesbian, it’s Chris and Ben, the head writers themselves, who failed to write it into the story properly, if at all.

Chris is the one who made Raps and Cass “sisters”. Chris is the one who wouldn’t tell the crew about his ‘twists’. Chris is the one who had Cass crush on Andrew, even after he tried to kill her. Chris is the one who made Cassandra ‘straight’ and has since used gay baiting to keep her fanbase in his pocket.

Like I am really damn sick and tired of Casspunzel stans defending Chris on twitter, when he’s the very one who sunk thier ship to begin with. I’m also really fed up with certain fans trying to bully others for not accepting their “Cass is a lesbian” headcanons as fact because what the storyboarders say on twitter after the show is over with isn’t gospel and isn’t real rep.

I don’t care if you ship Cass with Raps or headcanon her as being gay. Ships and headcanons are great and can be a lot of fun. But fuck you if you ever try to shame people for not sharing your ships/headcanons. Not only is it biophobic and acephobic to insist that there’s only ever a binary option when it comes to orientation and shipping, but it also reinforces harmful stereotypes and tropes about people in the queer community.

Like, yes, I personally may be an introverted angry bitch who’s an LBGTQA member and activist, but that doesn’t mean that every introverted bitchy woman in media is a lesbian. What kind of message does that send people when that’s the only character archetype that’s given representation or is loudly proclaimed as ‘gay’ by the wider audience? Fuck that noise!

I Know Humor is Subjective but...WHY?

Why did we give the baby a beard? How does that logically work? Did anyone outside of the crew actually find this funny?

TTS has like this one out of touch dude throwing out jokes that don’t really land with the target audience. Fans have called it ‘boomer humor’ but it’s actually ‘Gen-X’ humor. Not only because Chris and Ben are Gen Xers but because this is the type of crap my older brother would find hilarious.

Gen Xers are between Boomers and Millennials and so their humor is this weird blend of gross out shock humor, ironic nihilism, and out of date stereotypes that are only mildly better than those of the previous generation before them. They’re the generation who gave us Beavis and Butthead, South Park, and Clerks.

That’s not a criticism of Gen X as a generation, but rather just an acknowledgment that they’re worlds away from the neo-dada absurdism, more socially conscious, and globalized humor of Gen Z.

So Why Is the Bad Guy Telling the Heroes How to Foil His Plans?

Like he not only tells them how to fix their problem and how long they got in order to do so, but he also informs them how it happened in the first place. This goes directly against his plans. Had he simply said nothing and stayed out sight, then Raps and Eugene would have been lost for the full hour and most likely not have saved everyone on time.

I like to headcanon that Mathews is just “that asshole” that loves to taunt and tease but in a that manner that gives him plausible deniability. He also may just be bored, since he’s a ghost trapped in one place all the time. Yet that still doesn’t change the fact that he shot himself in the foot here.

Raps and Young Cass’s Relationship Is the Same as Raps and Adult Cass’s, and That Is a Problem.

Condescending, manipulative, hypocritical, and bossy is the way Rapunzel treats everyone. She doesn’t understand the actual difference between a child and an adult. She only understands who she who she can and can’t boss around. And those people that she can’t place under her thumb are labeled antagonists by the show.

Nor does she actually care about what either kid Lance or kid Cass has to say. She’s just being proformative, and young Cass can see through that BS, which why her methods do not work. It’s not because she’s not ‘strict’ enough; it’s because she’s not being honest.

Meanwhile Child Cassandra is just as combative, rude, bullying, and entitled as Adult Cassandra. In season three she regresses even further and becomes more violent than before.

Unlike Rapunzel, Cassandra wasn’t trapped in a tower for 18 years with zero human contact outside of her abuser. She escaped that fate and was raised in a loving home. That doesn’t mean that there won't be scars, but I still expect her to be more mature than her seven year old self. Just because she’s whining about not being special enough at 24 instead of screaming about the floor being lava doesn’t mean that she’s still not throwing a temper tantrum.

Like I should not be seeing a replay/foreshadowing of their main conflict here. They aren’t children. They’re dynamic isn’t that of a mother and child. It’s not even a big sister looking out for a little sister type relationship. Its two immature women dragging innocent victims into their bitchy cat fight for dominance over the other.

If you want me to take their issues seriously then give them real stakes to disagree over, mature behavior that I can root for, and a resolvement that doesn’t reverse any potential development that they could have had.

Matthews Plan Makes Zero Sense

For starters, half the group being kids isn’t enough of a reason for Rapunzel to stay at the shell house. Even if the effects of the time top became permanent, then Raps and Eugene could just leave and take the kids with them. Either to finish the road trip, or go straight back to Corona. Not that there’s any real reason to get the Dark Kingdom anyways, nor is there a ticking clock stopping Raps from trying again later if she chose to.

Rapunzel also is not obligated to become anyone’s mother. If she took them back to Corona than Cap would undoubtedly raise Cassandra all over again, and Lance and Shorty could be adopted by someone else. Any of the pub thugs might take them or even perhaps the King and Queen since they missed out on raising their actual daughter. Though for my money I’d get Monty or Xavier to take them in. They seem the most mature and both are shown to be good with kids.

Then again Rapunzel has been shown twice now to not give a damn about abandoning orphans, so even the ‘dump them at an orphanage’ or ‘leave them alone in the woods to fend for themselves’ isn’t entirely off the table either. I wish I was joking, but I’m not. Sadly, only Eugene’s love for Lance might be the one thing to stop her from doing just so, and even that’s iffy.

As for the missing door from earlier, if that was all that was stopping them from leaving then the time top shenanigans were fully unnecessary altogether.

I Actually Like Eugene and Rapunzel’s Conflict Here; I Just Wish It Was In a Better Episode.

Each of their viewpoints stem from their upbringing.

Rapunzel is unique in that she was simultaneously emotionally abused and neglected while being physically spoiled. Especially once she found out that she was princess, where she was then handed nearly anything and everything she wanted. She doesn’t recognize that getting your every possible whim come true can be damaging. Nor does she have any comprehension of what living in poverty is like and how this many toys is wasteful to someone like Eugene who had so very little and stole to survive.

She does however associate limits, boundaries, and orders with abusive behavior because she’s been denied autonomy and respect her whole life. She’s never seen what healthy parenting looks like and how rules can be applied correctly.

To Rapunzel no orders is ‘freeing’ and ‘validation’ is all that is needed to get a child to listen to you. Which doesn’t work for her because she doesn’t understand that real communication is more than just giving a compliment now and then.

Meanwhile Eugene lacked any sort of anchor at all. He was left to his own devices at a young age and had no one to rely on for emotional needs and, after leaving the orphanage, no one to provide physical needs either.

It’s telling that he and Lance latched onto Quaid as the only authority figure in their life, despite Quaid never out right adopting them. He was the only sense of stability that they had who they could trust wouldn’t hurt them, despite being strict with them.

And now that Eugene has gotten older and is reformed, he can probably understand why Quaid was so harsh on him and Lance. Quaid probably did more to try and help them turn from a life crime than even Rapunzel did. Like meeting Rapunzel was the inciting incident that inspired Eugene to make that leap, but the groundwork was already laid out for him to do so elsewhere. Things like his good communication skills, respect and empathy of others, and understanding of boundaries had to be learned from somewhere, and if not from the Sheriff of Vardaros than who?

What I’m getting at is that, while Rapunzel rejects her parents methods but then fails to break her learned habits from them anyways, Eugene is the reverse. He’s come to embrace his mentor’s teachings, but he fails to implement them correctly because he’s not Quaid. Being authoritative isn’t his strong suit. It goes against his usual nature as the easy going person that he is and so any attempts to come across as forceful fail as they’re hollow.

Kids know authenticity and genuineness when they see it. The children reject Rapunzel because she’s not being real with them, yet they also reject Eugene cause he’s not being honest with himself.

It’s a complex and mature conflict. Neither person is fully right nor wrong, and only by learning from each other and adopting both methods can they achieve their goal.

TTS can be deep when it wants to be. There’s a good foundation here for mature themes and complex characterization. It’s just the series doesn’t ever commit to it.

Whatever personal drama going on here about two young adults trying to cope with their past traumas and how that affects their current life and future goals is completely lost in the magical goofy antics and low stakes situation. Even the stuff about Eugene and his relationship with Quaid is reduced to nothing but a one off joke rather than being genuinely explored as a point of development.

Imagine how much more powerful things would have been if Angry and Red were brought along on the trip. If this argument was over them and whether or not they should adopt the two girls themselves or consider other options. That would be something with real weight. Something with a choice that had actual consequences attached to it. Something that would permanently affect all involved parties. Something that wouldn’t make the two leads look like outright dicks for abandoning two children for a second damn time in a row.

You Have 70 Feet of Magical, Indestructible Hair! Why Are You Afraid of a Bunch of Dogs!?

You’ve fought off giant monsters, killer robots, and supernatural beings with magical powers. What do you mean you can’t hold off a pack of guard dogs while busting down a stuck door? Why is Eugene the shield for everyone and not the actual unbreakable hair that you use as a shield all the damn time? And Why did we have to rely on Shorty again to be the deus ex machina of the episode?

At this point the writers should have just made him Demantius instead of the monkey.

What Happened To This New Dream? Where Did It Go In Season Three?

Most fans who do enjoy season two happen to be big New Dream fans as this is by far and away the best season for them. I’ll admit that the series, up to this point, had me actively liking them together, despite being originally lukewarm to the pairing in the movie.

Their conflicts were for the the most part mature and real. They learned from one another equally and had open communication when it didn't involve ‘marriage is a trap’ BS. Things, like compromising on differentiating future goals, honesty and communication, and making time for one another and extending effort into a relationship while being true to yourself are all relatable issues.

Even today's episode featured the topic of having kids and parenting. Which is a discussion you absolutely need to have with your prospective spouse before entering into any long term commitments and signing any legal contracts. For real, I’ve seen marriages fall apart because they didn’t agree on whether or not they wanted children.

I don’t know what went down between writing season two and season three, but things quickly took a sharp turn away from this dynamic and nosedived into a pit of uncomfortable bullying and gross sexist implications here after.

Matthews Plan Goes Against Zhan Tiri’s Plan

Yeah so Matthews is one of Zhan Tiri’s disciples, but he apparently doesn’t know of her goals/plans, cause she needs Rapunzel and company to reach the moonstone, not stay stuck here.

The meta reason for this that the Zhan Tiri’s story was altered at the last minute and the writers failed to make sure there was any sort of consistency between what they already set up and where they actually wound to actually taking the plot.

The in universe reason is that Zhan Tiri is an impotent moron, but that’s not what the writers were going for so it’s a fail.

Conclusion

I like the New Dream stuff, and Matthews is at least entertaining despite being incompetent. Everything else about the episode is ‘meh’ tho.

#tangled #rapunzel's tangled adventure #tangled the series #anti-tangled #anti-rapunzel #anti-cassandra #eugene

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littlemisssquiggles · 3 years

Text

…So…about Cinder Fall…

I really don’t like Salem at all right now given how she treated my poor little prince last episode, however if there is one thing I have to appreciate about her for this season is her mother-daughter relationship dynamic with Cinder Fall.

In respect to her young apprentice, Salem is treating Cinder no differently than a strict parent who had just grounded their disobedient child for their insolent behaviour. Just as much as Cinder is behaving like the overbearing hot-headed spoiled child of that parent who won’t learn their lesson no matter how many times said parent has warned or tried to discipline them.

It really wouldn’t surprise me too much if Salem genuinely does see Cinder (and in her twisted own way, love) as like a daughter to her. The daughter she never got to raise.

She’s strict with her yes and will raise her voice at her firmly when she acts defiant but...unlike other pawns, Salem has never laid a finger on Cinder.

Even when she’s probably well aware of the girl’s capabilities and tendencies, Salem seems perfectly compliant with Cinder...that’s interesting to observe from a story and character building perspective.

Salem was a mother once upon a time and it is safe to say that she did love her daughters back then---despite what happened to them in the end (probably blamed Ozma for that instead of herself as always even though she attacked first despite Ozma pleading with her to not fight especially infront of the children).

God I love the Lost Fable episode. Anyways, let’s discuss Cinder now.

I’m not really one to root for the villains however…you would think that Cinder would’ve learnt a thing or two about patience herself given her previous separation from Salem. As a matter of fact, you would think she would learn at all. Seriously, what happened to Cinder?

Was all that cunning and tactful calmness she used to exert from previous seasons a mere by-product of her simply following Salem’s orders because her sudden shift in behaviour now feels almost uncharacteristic for her when compared to how she was in the past. She really is behaving like a petulant child. She gets want one little spoonful of power thanks to mommy’s help and now she thinks she knows better than mommy?

Again, not trying to knock Cinder but I thought she was supposed to be cunning. Salem told you to stay put and NOT interfere with her schemes until you are told. She literally told you this like twice, sis and instead of y’know…not daring to cross your mentor again even after she almost sicked Grimmy- Doo on you for daring to talk back to her, what’s the first thing you do afterwards?

You go off on your own to leave the whale after Mommy Dearest told you not to? What?

Cinder…you literally have not one but TWO loyal pawns that you can easily deploy to do your bidding. Emerald straight up offered her assistance to you. How foolish is Cinder acting right now?

You want to go after the Winter Maiden powers yourself despite Salem forbidding you from doing so? Fine. But at least have the clever tactics to send your minions to do so while you yourself remain at home like a good little girl careful not to upset mommy again but still doing whatever you want under mommy’s nose (or so you’re being led to believe because there is no way in shit Salem isn’t already onto Cinder…unless y’know PLOT).

I hope this is what happens next episode. That Cinder simply sent Emerald and Neo to Amity while she remained back at the whale and guided them from afar. I doubt the showrunners would actually have Cinder go off on her own like that when it is that EXACT behaviour that got her in trouble in the first place with Salem.

It’s like…they’re intentionally making her act insubordinate for the sake of the narrative as an OBVIOUS very ON THE NOSE SETUP for something later in the story. Don’t get me wrong. I don’t mind a rebellious Cinder Fall daring to defy Salem since it could ultimately lead into her potentially overthrowing her at some point and becoming the Red Queen alternate to her Black Queen.

But…not like this. Not in such a tactless way that it feels uncharacteristic even for the character in question.

While I understand that Cinder is power-hungry but is the Grimm attached to her arm making her lose brain cells and all sense of well…common sense?

Don’t leave the whale Cinder. Stay behind and let Pistachio Ice-cream handle the job for you. That’s what the “real” Cinder Fall would do. Then again, the real Cinder or at least the old one from the Beacon Trilogy would actually listen to Salem and not act so defiant.

Hopefully this is the case in the next episode otherwise…

Salem, watch ya kid or knowing you, you probably are through one of your of many Grimm including Monstra since it has been shown that Salem can see and communicate through her Grimm creations. Seriously, if Salem can manifest a cloud from inside of Monstra that can show her Atlas Kingdom then how much you wanna bet she already saw and overheard Cinder’s conversation with Pistachio Ice-cream from within Monstra? She probably has eyes all over the whale.

Again…Cinder should know her own “mother” or rather “godmother” and what she is capable of achieving. Then again, when it comes to the writing in RWBY, my new rule of thumb is---if a writing decision don’t make sense even in the context of the show and it makes certain characters feel out of character, then it’s probably for the PLOT.

No shade at the CRWBY Writers. It’s just something I’ve come to observe as a clear pattern with them over the series.

~LittleMissSquiggles (2020)

#rwby #cinder fall #rwby salem #rwby remarks #rwby volume 8 theories #rwby volume 8 spoilers

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wlwdarlingcharming · 3 years

Note

Note to self, make a copy so if woe decides to yeet your anon, you got it saved again. Just please don’t leave me for days ;-; it’s not word for word but I hope it’s sufficient, I’m taking some rewriting liberties, putting warning tags here just in case and to make it easier!: Mention of ED, mention of drugs, needles and overdose.

Dexterous Charming, unnoteworthy middle child of the Blueblood Charming family of Ever After, never seemed to get into much trouble. With his parents seemingly more out of the picture, having children out of necessity and social duty more than being family people, and even when they were around they caused more issue than worth. Daring and his appearance was their mother’s priority, and Darling’s feminine social appearance and note of her in Wonderland (only a rumor) was their father’s priority since it was clear she didn’t listen to her mother. Even with their parents toxic ways, he was still ignored, and often mistaken as a cousin of sorts. So what did it matter what he do? His parents and siblings didn’t care, so when he heard about a young Sparrow’s trouble affording tickets at a concert, he offered to pay if that meant he could catch a ride, which fitted in Sparrow’s narrative since he was too loud to pick off of somebody just yet (he could but, he’s 13, that bitch loud) and glad that SOMEBODY agreed with his music taste. Sparrow and the 3 other boys made their way in, where they got a bunch of stuff, thanks to Dexter ofc. Surely enough, somebody caught eye of the young Blueblood, and, thanks to their detest of our dear Dashing, decided to cause the worst trouble, and started chatting with the young and impressionable prince, and managed to talk him into pills of “candy” (insert pun here) with the promise of feeling alive and happy, which I mean, sounds pretty good ngl. So he agreed, and when the kids gathered back to Robin Hood and was dropped off, Dexter decided to say fuck it, what do I got to lose. That’s what started it, making his way through the pill bottle in under a month period. Escaping in the night with and without The Robbers, (sparrow and gang), finding ways and social talk on finding exactly what he wanted. New pills, new pills, pills. Soon enough, that was not enough. No buzz, no good mood. He was scared of trying anything new but, what else did he have? He didn’t want to be empty again. That was a fate worse than hell. Different pills? Not enough, of course not. What’s next? Powder, now this worked. He didn’t even bat a eye at the needles when they finally came like he thought he would. Wow he really was far, wasn’t he? Wake up with pills, and lunch would be hiding in the bathroom, powder and needles in pockets. How nobody caught before, he didn’t know, but it worked for him. Sparrow came sometimes, not a lot, he didnt really seem to get into it, but he had fulfillment elsewhere. Lucky bastard. When Briar eventually invited Dexter to a party when he told her he had ways of getting what she couldn’t get, she took it, like how Sparrow did with his money. He decided fuck it, these people don’t know who I am, it’s free stuff anyway. So he went, and brought all his favorites, and a new try out, Fairy Dust. Pretty and pink, how cute. Lines were sorted, and soon enough, they were gone. Snorted. Oh my Grimm what a high, so ecstatic, he felt like he could run track, this. This was so worth the price. He doesn’t remember much of that night. He disappeared for the weekend following that Friday, he thinks with Sparrow? No no, eh fuck it who cares. He felt sick, and warm, and nauseous and light but didn’t know why. Low fuel? Probably yeah, next period, disappear for pick me up, definitely yes. Sat next to Hunter, Daring and Darling a like, 2 rows behind, waiting for him to show up, which he showed up a bit late for, but he couldn’t tell with as bad as he felt. Really really sick, but in a light feeling kind of way, and as soon as he sat down he just, sat, knees to his chest, resting his head on his knees. Maybe he’d feel better soon, he’s a tough boy right? He closed his eyes to rest, such a weird sick feeling. When the project began, Hunter waited for Dexter to respond on his own, not wanting to bother him. But a few minutes passed and he couldn’t fight the feeling something was wrong, and tapped his shoulder. No response. Shook his shoulder lightly, no response. HOLD ON ILL SEND PART 2 I PROMISE IT WONTBELONG

EUPHORIA ANON THIS IS SO GOOD

sparrow knows he only keeps dexter around because he’s really easy to get money out of. “you don’t wanna break your best friend’s heart, do you? it’s only a couple hundred. you’ve had more money spent on your clothes.”

dexter knows that he’s being used by sparrow, but the high just feels so good and he doesn’t even care at this point. i mean, his own parents and siblings don’t care about him, why should he care what sparrow thinks?

dexter knows that daring is dealing with his own problems, and darling is god knows where doing whatever, so he starts to distance himself from them. daring doesn’t come to breakfast anymore like they used to, darling isn’t even home, so what’s the point in even coming home?

daring, even though he’s not as attentive to his siblings as he used to be, starts to notice that every time he sees dexter he’s very glassy eyed and looks practically dead. he finally manages to track down darling, and she doesn’t know anything.

darling doesn’t talk to dexter as much as she used to, and she feels really bad, but she can’t bring herself to ask him about anything.

a few days go by, and daring gets a text from briar asking if he’s going to her next rager. he says yes, and darling is back in town so she goes with him.

daring and darling go to the party, and see dexter snorting something. they ask him what it is but he’s too high to hear them. they start to get concerned.

next day in class, daring and darling are waiting for dexter and he shows up 10 minutes late. he looks like shit but dare and dar just think it’s him being hungover.

dexter feels like shit and starts to rest at his desk. hunter is starting to get concerned that he isn’t answering his question and starts to get really nervous. daring and darling start to notice that he’s not doing well, and rumplestilskin yelling at him isn’t helping.

#I DIDNT DELETE IT ON PURPOSE IM SORRY #this is literally *chefs kiss*#darling charming #daring charming #dexter charming #sparrow hood #hunter hunstman #euphoria! eah au #ever after high #emma enchants

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magicofthepen · 3 years

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i am Extremely interested in the titles of every single one of your wips but i am actually begging you for details on 'Veega my beloved' because she is also my beloved <3 (🤝 our unity bullshit ❤❤)

Send me a WIP doc title (list here) and I’ll talk about it!

I’ve had “something Leela/Veega” on my fic idea list since Time War 3 came out....but it’s your fault that this fic has skyrocketed to the top of my priorities now, thank you so much for jumping into this sandbox with me <33

Initially I wasn’t sure whose pov I wanted to write from – we know Leela, we know her baggage going into this world and this relationship, and exploring all those internal emotions could be really interesting? But at the same time we don’t know Veega very well and so *insert “It’s Free Real Estate” gif*

So the project evolved from “something Leela/Veega” to “Veega character study” because I realized if I was writing from her pov, I wanted/needed to know what baggage she’s carrying when she meets Leela, and that means this fic has to be about her life and her backstory.

I keep thinking about Unity as the end-of-the-line, a place people end up when they have nowhere else to go (I feel like there’s actually a quote about this but I can’t find it right now so it’s possible I made that up?) So I see Veega’s backstory as one of running, of losing one home and building another and losing that one too. There’s tragedy throughout her life, but she keeps choosing to create a home as much as she can wherever she is, and keeps choosing to love even in this universe that’s tearing itself apart.

And since Veega’s father was a soldier who died in battle (and she references the battle by name when she’s talking to Romana, as if Romana would have heard of it), I see her story as one of running from the Time War specifically – sometimes she’s ahead of it, sometimes it catches up to her and tears at her world.

The fic is going to be structured around that idea of loss and rebuilding – I’ve kind of split it up in my head into the different families she builds throughout her life? So starting off with the family she was born into – her parents, I’ve invented a younger sibling – and seeing where she grew up and what that world and that family was like (I’m thinking maybe she originally grew up on a farm, and so there’s a ‘coming full circle’ narrative with the farm on Unity, and also she’d have certain skills and memories to lean on when she’s starting the farm on Unity later in life?). And then how that world falls apart – the death of her father and something that forces her family to run/scatter in some way (still working on this bit).

For her second family (when she’s a young adult), I have vague ideas for this group of twentysomethings all on their own who become close friends as they’re all thrown into the same work environment or running in the same direction together.....again, a lot of the details of this fic are still tbd. But I think this part is likely to be quite spaceship-based? It’ll depend on what I decide for how she got separated from her mother and sibling and what kind of work she gets involved with (Veega’s work experience/background is something I’m still thinking about).....but if the first part and next part of the fic are very grounded on a particular planet, I like the idea of telling a story here about her finding a home while hopping from place to place – there's never the same ground under her feet, but there are the people she loves around her.

And then we hit Things Get Bad, Round 2. Also very nebulous right now? In general, I don’t want to just kill of or have her get separated from everyone she’s ever loved throughout her life, but she is definitely quite alone by the time she meets Leela so.....yeah it can’t really be a happy backstory?

But I think Rayo’s father is going to be one of the people in that friend group, so there’s some continuity-of-family there? And I can get into the backstory of that relationship, and then how they eventually ended up alone together on Unity. And this is the third family – the two of them setting up this life on the farm, and Veega getting pregnant, and them preparing for this kid who they’re so ready to love and do everything they can to shield from the war.

And then, not long after Rayo is born.....yeah. (This fic really is just me continually ripping the ground out from under Veega’s feet unfortunately, but also that cycle of loss is what I want to explore – particularly because it parallels how Leela keeps losing one home and finding another one, so by the time they meet they’ve both loved and lost so much - but they still choose to love again.)

So Rayo’s father dies, Veega’s alone with baby Rayo on the farm, things are very rough.....and then Leela shows up, injured and alone, running from the city and the slavers she recently escaped from. And I’m going to spend quite a bit of time on this family (of course). The early days: Veega taking Leela in and taking care of her, Leela protecting her and Rayo (if Leela’s way of dealing with grief is throwing herself into a fight, Veega’s is throwing herself into caring for others). Them learning to communicate (bc language barrier – I could handwave it and say the Trell, who must have given Leela the ability to speak the language on that planet in Mother Tongue, left her with that ability – but I want to try exploring the idea of not having a translator?). And the eventual shock of learning that Leela’s from Gallifrey, and processing that (honestly I could write a whole fic just on that, so I’ll probably just touch on it here?). Growing into being a family, falling in love (and I know it’s from Veega’s pov, but I’ll have to at least indirectly touch on Leela’s motherhood-related trauma and initial wariness around Rayo because of it, and Leela’s complicated emotions towards Romana and Narvin and how there isn’t any closure there so it’s hard to let go?)

One thing I haven’t completely decided is the exact relationship backstory I’m going with for Leela and Romana and Narvin in this fic – it’s not something the fic will get into too much, but I’d like to know in my head? But there is a good chance I’ll end up making this fic What We Choose compliant. I want my post-Time War fic to be a WWC ‘verse fic and I want to get into Leela’s grief for Veega in that fic, so it is all nice and convenient if all the fics can co-exist in the same universe, even if the Veega fic won’t formally be part of that series? And I like the idea of there being an overtly romantic backstory there, because then I can explore how not ever ending things with or being able to talk with Romana and Narvin affects Leela re: getting into a relationship with Veega.

I would actually want to explore a different relationship backstory for those three for the Everyone Escapes Unity AU.....but that’s not an active project/as likely to actually get written, so I probably won’t let that factor into things.

And back from that tangent: so eventually, we once again hit the Things Go Wrong times – the raids keep getting worse and worse. The shadow of the Time War is looming.

Veega gets sick.

I wasn’t sure if I wanted this fic to go right up until her death but I think it will – because I want to touch on Romana and Narvin showing up, and how Veega resents them for crashing into her life but also is glad that they’re hear because maybe Leela will have people to lean on after Veega is gone. Maybe, if they get the TARDIS, Leela and Rayo can run when they need to and continue to keep away from the war as long as they can.

Stylistically, this fic’s gonna be along the lines of knock the ice from my bones or leaned in and let it hurt, with shorter scenes spanning a (in this case very) long range of time. It’s in vague outline stage right now – I’ve got this general structure, but I’m in the process of figuring out what scenes I actually want and making actual proper backstory decisions. It has the potential to end up quite long, but I also don’t want to go overboard – there’s a lot of coloring in the lines I could do in future fics, this one is meant to sort of sketch an outline of her life? So I want to make sure I’m being selective with how many and which scenes I’m including, and if they’re each contributing to the thematic through-lines.

So this fic is gonna take a little while, but most definitely watch this space :)

#unity family #leela x veega #gallifrey audios #veega #leela #sircarolyn #thank you for sending this!! <33 i love talking about the unity family #i don't have anything written yet and i'm in the process of starting to recover from major burnout #so my writing might be even slower than usual over the next many months #but i am committed to this fic especially <3 #ramblings #asks

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a-crimson-lion · 4 years

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I Need To Stop Reading Into Things…😂

Yet again for @kiricookie .

[Check out this post first.]

So… we’re here again. Lord forgive me, I’m back on my bulls***.

Okay, jokes aside, I really should stop doing these things, but I am a stubborn individual. Plus, I wanna see how our notes compare, and try to have more civil discussions on the internet than I see on average. I’d reblog, but again, your post is already long as is (not incredibly long, but still), and I’d rather not occupy dashboard space more than I need to.

Alright, I think I’ve said my piece. Let’s talk about your post…

Oof. Starting right in the heart of the issue, really.

I am aware that Izuku is… incredibly likeable. I am aware that some of his issues, while perceived by some as noble, are heavily problematic and probably need to get sorted out before the boy gets a close audience with death. I am also aware that some of his habits are less than courteous in some circumstances, though like you said, Izuku has the benefit of having no malicious intent when it comes to these actions, even if they can come off as annoying.

Now, regarding Katsuki’s snail pace development… I get what you’re trying to say, but that doesn’t make it come off as any less frustrating...

As much as I want to believe that Katsuki’s upbringing in society is what’s stunted his growth so badly, I wish the narrative was more willing to show it. All we’ve gotten of Katsuki’s past are flashbacks from Izuku, remarks during the visit to the Bakugo household, and the “raised with violence” line from the Remedial Course arc. Now this understandably paints a pretty terrible picture, but uh… what has Katsuki done to try to fix it? How has Katsuki tried to demonstrate that his upbringing wasn’t justified? Why is he imitating the behaviors he supposedly despises, that supposedly keep him held back, instead of trying to find a workaround? I’ve only seen a few growth/redemption arcs of antagonistic characters, but even if the arcs took long, there was always an ultimate reason for doing so. And Katsuki doesn’t have that. At least, not yet.

It’s been implicitly established that Katsuki’s growth will be the mother of all slowburns. I’ve mentioned it in this old post of mine, but this is doing Katsuki no favors, at least for me. Now don’t get me wrong, I love myself a flawed character, but there’s only so much I can stomach before a flawed character becomes less “flawed” and more “asshole.” I personally believe that his true growth doesn’t get started until “Deku vs. Kacchan 2” (Episode 61), but if we really wanna consider that “Bakugo’s Start Line” (Episode 8) is his… well, start line, then that only makes it worse. Because again, his character arc is, as we’ve established, slow. But the fact that it’s slow enough for several other character arcs to transpire (Shoto, Tenya), as well as slow enough to allow “background characters” some significant development and return to relevancy (Eijiro, Hitoshi), I start wanting to stop holding my breath for his arc’s supposedly inevitable conclusion. Now I know you personally consider the suspense a positive, but it’s the opposite for me. I’d chalk it up to impatience, but again, MULTIPLE character arcs have transpired, and a few have been far more believably gradual compared to Katsuki’s.

While it is impressive that Katsuki was willing to pour out his feelings to Izuku, I’d like to argue that it wasn’t as… well, sentimental. Remember that society and Izuku’s peers before UA regarded him as the lowest of the low. The weakest, the most worthless. “The pebble in the path.” Considering that Katsuki lost the Training Exercise AND technically got outsmarted by Izuku, who was considered this until VERY RECENTLY, I’d imagine that’d be one hell of a blow to his ego. It is still significant that he’s willing to talk to Izuku about this, but it’s not exactly because he’s humbling himself. It’s because he’s begrudgingly admitting that he’s not the best, and it’s been well established that he HATES not being the absolute best. And I don’t know about you, but suddenly getting your high expectations crushed after years of nothing but “positive reinforcement” should not be made as big of a deal as it is here. I’m not saying to get over it, because you’ll never get over it, you have to live with it and learn from it, but don’t make it seem like it’s the end of the world and a half like Katsuki did in that scene. Plus, didn’t he essentially reaffirm that he was going to do what he planned to do from the start of his tenure at UA? I mean, good on him for his dedication, but you’d think the guy would want to take a step back and actually try to learn from others if they were so impressive.

Now, the DC Superhero franchise falls in and out from my radar at times, but I don’t think Katsuki and Batman are a good comparison for the point you're trying to make. Yes they both use violence, and yes they’re both intimidating, but for entirely different reasons. Batman uses fear tactics because he finds them efficient; I don’t know what they’re doing with his character nowadays, but from what I can gather in his earlier incarnations, Batman’s not out for blood. Vengeace, sure, but he doesn’t waste time getting there beating the snot out of his enemies. He takes care of them, sends them off, and keeps on trucking. Before they tried making him even more edgy, he didn’t kill and he kept away from firearms because he was well aware of any issues he had. He may not be a goodie two-shoes like most heroes, but he does show definitive empathy in some of his earlier incarnations. Remember, Batman was the kid who lost his parents to injustice. That was his entire reason for taking up the cowl, for becoming more than Bruce Wayne. In the Justice League Unlimited Episode “Epilogue,” he has the option to kill Ace, a teen villain with dangerously growing psychic powers. He doesn’t do that. He takes the seat next to Ace as she begins to die. He offers his support as Ace has to confront the terrifying realization that she is dying. He’s helping another scared kid, because he knows what it’s like.

That’s heroism. That’s Batman.

Katsuki’s motivations and actions aren’t as sympathetic. Him lashing out isn’t for anything strategical; early on in the series and even after his “Start Line,” up until the Endeavor Agency Arc, I believe, Katsuki’s sole motivations are victory and bloodlust. Even if it seems like he’s growing more chivalrous with his resolve, he backslides so many times back into the angry loudmouth trope its hard to want to keep hope, because if he can backslide multiple times before, what’s to stop him from backsliding again? It ruins the suspense for some people. And people are intimidated by Katsuki, but that’s because he’s borderline unhinged. I’d be scared s***less too if a pyrokinetic powerhouse was gunning on me with his eyes glowing like the fires of Hell as he radiated killing intent (an exaggeration, but still). I have yet to see Katsuki use this intimidation “tactic” of his beyond the fact that he appears to be enjoying it, either.

Alright, enough of that, let’s analyze that penultimate question: why hate Katsuki? If you asked me early on, I would say that yes, I don’t like him because he hurts Izuku. But as I’ve continued looking throughout the series, I now say that I don’t like him because, contrary to what he says, virtually everything is handed to him. Most of the time, its people mistaking his battle thirst as chivalrous determination, whether it be against a villain or just a standard opponent. He never tries to make himself any more “likeable,” and while Class 1-A is quick to call him out for this in the USJ Arc, by the Sports Festival they’re all flocking to him, and I have yet to understand any proper reasoning for this. It’s less like Katsuki proving there’s more to him than meets the eye and earning the respect of his peers, and more so that people latch on to the abstract concept of Katsuki’s coolness and strength, and he just begrudgingly tolerates them from there.

I mean, Eijiro was wholeheartedly against Katsuki’s actions during the Battle Trial, yet by the USJ the difference is night and day, and it doesn’t help that he’s interpreting Katsuki’s desire to beat up villains as “faith in his classmates.” Shoto was abused by Endeavor, so the fact that he can’t at least draw some comparisons between Katsuki and his sperm donor is slightly concerning, and while I want to chalk it up to his stunted social skills, I feel like Hori and/or his editors trying to shove in a friendship to increase their overall likeability (especially Katsuki’s) is more likely. Don’t even get me started on the hoops they jump through in the Joint Training Arc. Not even gonna touch that…

Okay, finally made it to the last paragraph. So, here’s something about me you may or may not like: I don’t like people dying, good or bad. Unless their actions are comparable to that of Satan, or at least close, then they shouldn’t get the axe. Why?

Because a dead person can’t change… and a dead person can’t suffer.

Believe me, even though I’ve fallen off the bandwagon a long time ago, I want Katsuki to change for the better. And he can’t do that if he’s dead. The manga’s most recent arc has been hella frustrating because of that, and no spoilers, but the two deaths that did occur did not leave me in high spirits. Hawks, Shigaraki, you both are on thin f***ing ice I swear. So no, lucky for you, I do NOT want to see Katsuki dead just because he happens to be an ass. What I wanna see is proper repercussions that go beyond being a villain hostage and having everyone else’s potential trauma downplayed for the sake of giving Katsuki more sympathy points.

Also, I’m well aware Katsuki’s death would absolutely ruin Izuku. I am also well aware that it is one of the few concrete facts I hate with nearly every fiber of my body. Not because of what it says about Izuku…

...but because I am sick and tired of Katsuki continuing to be the arrogant s*** he is, whether it be his genuine feelings or merely a front. I am sick of the fact that for as smart and aware that someone like him is, he still insists on trying to act like a badass when there is no need or overall expectation to do so. I am sick that he continues to decide to put himself and others in jeopardy, all for the purpose of maintaining his ego. I am sick that he gets all this support, all this help, and yet his development is still worse than a snail’s pace, and the narrative continues to keep letting him off with love taps and leaving him unfairly unprepared for the kill shot.

...maybe Katsuki deserves to get better. But is this really the best way to do it? Really?

Thanks for listening. Hope you got something from all of that.

-Crimson Lion (24 August 2020)

#bnha #boku no hero academia #mha #my hero academia #don't really know if these count as anti baku anymore. still tagging just in case.#anti bakugo #anti bakugou #character analysis #charater comparissons #character meta #meta #rant #response #Word Count: 1906 #...why do I keep doing this to myself? :'-D #yo kiricookie #while you're waiting to see heroes rising have this to tide you over #hope you enjoy it

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constantlyirksome · 5 years

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This Week Euphoria Walks the Line Between Reality and Fantasy (1x07 Review.)

The episode is named “The trials and tribulations of trying to pee while depressed,” which sounds funny until the reality behind it is revealed. Rue is almost catatonic during a depressive episode, so emotionally fatigued that she can’t even get up to pee. That’s the theme at the core of this episode, peeling back peoples perceptions of illness, romance, and sexuality.

I don’t suffer from bipolar, but a combination of depression and anxiety, and the portrayals by Zendaya of her lows and manic highs were spot on. Rue was largely bedbound, consuming copious amounts of television and avoiding looking after basic human activities like eating or hygiene. She doesn’t find joy in things that usually interest her as they start to become emotionally taxing. She starts watching Love Island marathons because reality TV doesn’t take a lot of energy to consume and can be quite comforting.

She tries to draw energy from her memories but finds it more and more difficult to remember what actually brings her joy. “Eventually all you think about is how life has always been this way, and will only continue to be this way….”

These scenes, for me at least, were some of the most relatable and comforting than I’ve seen on TV in a while. Zendaya approaches these topics with care not to overdo it, with a knowing humor that comes from being a Gen Z kid who knows her audience, because almost everything lands or has an impact. The scene where Rue experiences a bout of mania was brilliant, likening her heightened mental state to one of an overworked, paranoid detective, was genius. Detectives Bennett and Lexi Howard actually manage to piece together what happened with Jules, Nate, and Tyler. You have to wonder what Rue’s actual physical state was when you take away the magical realism and suspenders.

I think it’s important to separate Rue’s mental state from her relationship with Jules, both because it’s not fair to put that much pressure on someone, and because I don’t actually think they’re related. Rue may have tried to sober up but anything that happened after that was biological. No one could/should blame Jules, who has been put in a difficult position despite how much she genuinely loves Rue. It’s not fair to hold someone on a pedestal, just like it wouldn’t be fair to make someone feel like a burden or “boring”. (Jules said this last week but couldn’t possibly mean it.) In this was Euphoria sends an important message about looking after yourself, boundaries, and dependency. Hopefully Jules and Rue can find a middle ground where they can support and uplift one another without relying on each other for happiness and health.

Jule’s Journey leans more toward fantasy, as she heads into the city to escape the situation she’s found herself in, confiding and hanging out with some old friends. Her insight into why she has casual sex, to achieve new heights of femininity, and to then shatter that concept entirely, answered a big question as to her motives. And it humanized her, which is something the show needs to do more of. The reactions I’ve seen saying if she leaves Rue she’s heartless is an attitude that reflects the shows focus on Rue when Jules has motivations and feelings of her own. In maintaining this manic pixie dream girl thing the audience becomes more alienated towards a character that could be really important to the LGBT and trans communities. She’s not perfect, ghosting her best friend just to send her a guilty “I miss you” text was a dick move, but not nearly bad enough to vilify her.

Her final scenes, in the club (overlayed with scenes of Rue passing out from a kidney infection) admittedly confused me. Was Nate actually there? Who was she actually having sex with?

The other characters only got slivers of progress. This week’s flashback is for Cassey, and while we get a sad look at her history with her father it does little to add to her character and zero impact on her current problem, an unwanted pregnancy. Her and McKay deal with the issue with a lot of maturity actually. While Cassey dreams of starting a family, that maybe it’s what she’s “meant to do with her life,” but ultimately she was just daydreaming as McKay lays down some hard truths about what being unwed teen parents would be like. The storyline wasn’t given the time or emotional weight needed and was tossed aside again to deal with Rue and Jules.

Kat was given two scenes, one was a fight with Maddy and another was a cam session gone awry. Because Kat has had more screen time and a fuller narrative so even these had more of an impact. She’s starting to realize while her new persona and philosophy towards sex is liberating, it comes with some drawbacks. The creepy video chat she has could be foreshadowing to her final transformation in the season finale that I’m excited to see.

Lastly, the peoples champion Fezco. I’m always cautiously praising this guy because, despite the good he does, he’s still a drug dealer who deals to kids. His refusal to sell to Rue didn’t feel like a big enough step, but throughout the season he’s had enough conversations with Rue for us to realize he does actually give a shit. Last week they had a touching moment at the Halloween party, and this week he sat patiently and listened to Rue rambling while he tended to his sick grandma. He looks on at Rue like a wilful little sister; even their dialogue seems like sibling rivalry (“sit yo manic ass down and shut the fuck up,”) while he’s trying to protect her from the gnarly drug dealer he works under. There’s a peek into what his work life is like, the pressure to sell enough to make the higher ups happy. With only one episode left I would love to see a flashback episode for how he got to where he did.

His showdown with Nate was a triumph. After telling Rue that threatening Nate was crazy, Fez can’t help himself when the lanky son of a bitch wanders into his den spouting off. Fez rightly reminds Nate that he is actually a gangster and will end his sad existence. I don’t know how Euphoria has managed to make a character like Fez so popular or likable, but I hope we get more of him next episode and next season, and while I hope Nate gets what’s coming to him I hope it doesn’t come at Fezco’s expense. (But really Nate signed his own death warrant as soon as he called the cops, Fez’s bosses will NOT be happy.)

I honestly don’t know where Euphoria will take its finale as Rue and Jule’s relationship, as well as Nate’s shenanigans, come to a head, and so far it’s been pretty hit and miss with story progression/ending things, but I still have hope it will be satisfying.

#euphoria #euphoria hbo #zendaya coleman #rue bennett #hunter schafer #jules vaughn #fezco #kat #barbie ferreira #angus cloud

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esta-metamorfose-ambulante · 5 years

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Pros and cons of Jane The Virgin over the seasons (in no particular order)

Pros:

An amazingly talented cast.

Overall positive latino representation.

Distinct and interesting characters.

Plot twists that kept the story entertaining.

The Villanuevas bond.

Focusing on the reactions and the human side of the characters whenever something crazy would happen to them.

I’m personally not a fan of Latin novelas because they usually just throw one plot twist after anoter, but JTV used to do a great job showing its characters’ struggles dealing with those events.

Cons:

The love triangle. On season one it was important to Jane’s arc so she could find confidence in being a single mother before marrying Michael, but continuously resurrecting the Michael/Jane/Rafael and Jane/Rafael/Petra was uninteresting, repetitive and tiring to its viewers.

Its representation of black people. Roman Zazo was a killer, who not only killed his own twin brother, but also made Petra have sex with him when he kidnapped her.

Nadine was another neglected character that ended up being killed.

The poor treatment they give to Luisa, who has made terrible mistakes, but is also a metally ill woman that battles addiction. However, she is merely used as comic relief and described as a ‘trainwreck’. If my memories serve me well, the show has used this specific word regarding her, more than once.

Its unreleastic representation of romantic love. In the beginning, Jane was happily engaged to Michael. Then, they broke up and she fell for Rafael. Later, the two also broke up. Eventually, she got over him only to fall in love with both of them in a couple of episodes and almost immediately after she realized it’s always been Michael. Seriously? I don’t think science has a consensus about how someone falls in love, if you can love two people at once or whether you can fall in love with a previous lover after you were over them and in a happy relationship with someone else, but that’s not even the point. The thing is, you cannot trust its own narrative. It’s become repetitive, confusing and incoherent with its previous statements. You can’t even trust on the heart glowing thing, because that happens whenever the characters feel strong emotions with their loved ones. It happened when Jane was holding Mateo after he was born and when the Villanuevas were celebrating Mother’s Day. The only way to have some certainty is based on how the actors’ performances and their declarations, because imo they are even more responsible for developing their characters than the writers. The writers keep moving in circles and the actors need to try to make the best of it and deliver their lines convincingly, but I believe even for them it must be difficult to buy it. Therefore, I take their acting and declarations more seriously, because they at least keep a line of thinking instead of the writers that just go back and forth.

Rose - who used to be an intriguing character - got reduced to a I don’t even know what. She was/is a huge crime lord, but all that potention was thrown way. The show didn’t explore her criminal life at all, only her relationship with Luisa and multiple disguises. Currently, she is back for a mysterious reason, but after four seasons, I believe it’s safe to say she will be neglected as well and whatever she does will be anticlimactic.

The objetification. I don’t get the obsession they have/had with Rafael’s abs and why they would make Petra sleep with every basic/trash white man they introduced. On season three they focused more on Jane managing to have casual sex with Fabian than her book and dream of being a published author. I get that was important for her, but releasing her book was everything she ever worked for her entire life. Ignoring that was disrespectful.

Losing its essence and becoming like every other telenovela: throwing a twist after another, not exploring its effects on the characters and repeating storylines everyone’s sick of.

Not having the characters dealing with their traumas and metal illness or having almost all of it happening off camera. Luisa struggles with alcoholism and an on and off abusive relationship, Rogelio was kidnapped, Mateo was kidnapped, Petra was kidnapped, Petra forced herself to have sex with the man who kidnapped her so she could find a way get out of her captivity, Petra lived with an abusive mother, Petra was freaking paralyzed by her own sister, Petra had postpartum depression, Michael was shot, almost got killed and then he was tortured with eletroshocks until he got amnesia and lost five years of his life and I’m sure there is more that I’ve missed. Still, what do they focus on? Ridiculous love triangles.

Although Rafael is not my favorite character, he and Petra were the ones that had the most interesting potential backgrounds. Petra grew up without a father in Czechoslovakia, Alba always used her as a tool to get by and she left the country running away from a man who attacked her mother. Even in the United States, there is so much they could’ve shown of her before and after meeting Rafael, getting married, pregnant and losing the baby. On the other hand, Rafael could’ve had a journey of self-discovery and found his biological family and finally getting the love he didn’t receive from his adoptive parents. All wasted pontetial as well.

Changing the entire dynamics of the show in order to execute one storyline. To get to a point where Jane chooses Rafael, they had to: ‘kill’ Michael, do time jumps and have the characters almost ready to be together. Rafael basically became a different character, they got rid of Lina so he would be her best friend and even in some scenes that there would’ve made more sense to have an Alba/Jane moment because they both lost their husbands, they made a jafael moment.

Its frustrating depiction of family. I don’t hide the fact I’m a villadero shipper and would’ve loved to see Michael/Jane/Mateo being a blended family. I know I won’t get that, but the twins barely spend time with Rafael. Or they do, but it’s mostly off camera. And that’s not enough. I don’t need fourty minutes of them together or therapy, but it’s important to show that on television. It’s important to show parents giving their kids equal love and attention, just like it’s important to show mentally ill characters getting help. This speaks to the audience and can even change the way somebody acts. Television is powerful. Still, even if Rafael does give the same amount of attention and love to their children, the show doesn’t illustrate that. And that’s one of the reasons why I think Ellie and Anna are basically perfect. So Mateo is the one who is distracted, sad, confused or whatever. And no, I’m not criticizing a kid. But we see Mateo being comforted by Rafael, having Rafael telling him stories and things like that. We get way less scenes from Rafael and the girls and sometimes it is just him saying he will pick them up or something off camera. And I really can’t remember any moment where they were the ones who were vulnerable and Rafael comforted them. Or just them playing and having fun. Not even with him when Rafael was with Jane and Mateo.

Not even between Mateo and the twins. They love to say they are family and I more than anyone know siblings fight, but siblings also love and protect each other. I can only remember one soft scene with the three of them and it was because that was convenient at the moment. But a scene of them playing just for the sake of it, or maybe even comforting or supporting one other would be adorable. Like, have they ever hug? I get that if Rafael and Jane live together with Mateo they will consenquently spend more time together and that’s not a problem. However, the show just executes the stereotype of only biological families being valid and sends the message it’s okay to neglect your other children if you’re not dating or married to their mother.

It also took them FIVE FUCKING SEASONS to show Jane and Petra being friends and having fun. And again, it was only out of convinience. Jane couldn’t decide what to do regarding her situation with Rafael and Michael and no one could give her advice. So she goes to Petra and they drink their asses off and sort of have fun. And that other day when they went to a lesbian bar. They say they’re friends and even family, but certaintly doesn’t feel like it. Do they care about each other? Yeah. Still, it’s like that cousin who lives in other part of the country and you see once a year. Firstly you’re happy, but after they spend a week in your house you realize why you barely see each other or keep in touch when they’re gone. I get they are very different, but everytime they are together they sort of argue. An honest and deep conversation like some that Jane’s had with Lena? I’m afraid it’s never happened or going to.

Total disrespect to their own character, Brett who was generous enough to return while he is part of another show and his fans. Not only they brought him back to play a minor role, but he didn’t even get the respect to have his point of view shown. The man was almost killed, tortured, lost five years of his life, came back to see that everything had changed and felt like a burden, but they don’t actually focus on what he feels? Just as how sad Rafael is? It’s one thing to show both sides, but to only explore Rafael’s feelings as if he’s the one who had it worse is ridiculous and insensitive.

Rafael’s deppression. Again, I don’t want to get technical about it, specially because that’s not my professional area and I could be wrong. The thing is, I don’t think he has depression. I do think he had a lot of shit happening to him and he used to have unhealthy habits whenever he got upset, but there is a difference between getting drunk when you are sad (what almost everyone has or will do once in their lifetime) and having depression. Feeling sad, worthless, suicidal all can be symptons, yes. But there is also not getting any sleep, food or eating/sleeping a lot and more. And I don’t think they show up altogether after one event. Rafael’s had a past drinking when he was feeling low, but that was it. No worthless or suicidal thoughts. No insomnia or sleeping too much or anything else. And that wouldn’t last long. Now I am supposed to believe he has depression? Then actually DEVELOP THAT and SHOW IT TO ME (If A Million Little Things can do a decent job, other shows can too). Don’t get me wrong, I think Rafael might have something, but not actually depression. He sure as hell have reasons to. However, It just seems they threw it so we could empathize with him after the way he treated Jane and root for him. And I bet that will be gone in two seconds once him and Jane reunite. Which leads me to...

The way they insinuated his state was Jane’s fault is disgusting. And I’m sure they will forget this depression storyline once jafael makes up. So yeah, they might have not actually said the words, but the route they took is that it’s Jane’s fault and once they back to their relationship he will be magically healed with their love. Yikes.

Also, the whole Michael x family conflict. That is so LOW. My parents are divorced and their separation was really messy. Despite my personal experience, I’ve seen complicated divorces before and ex-spouses using their children against one another. If Jane ended up with Michael, that wouldn’t make her less of a mother or neglect her family by any means. If anything, Mateo would have a step and godfather who would basically do everything to keep him safe and happy. Mateo would have another person who loves him. Sure, Jane’s priority must be her son, but to give the idea a mother needs to lose her independence because of her child is ridiculous. Mothers are allowed to be divorced, single, marry someone else, have their own time with their friends and even have male and ex-lovers as friends. What makes Jane a good mother is the way she treats her son, the love, attention she gives him. NOT being in a relationship with Rafael. Believe me, I’ve seen some people saying this kind of thing.

Now that Jane and Michael got closure, it looks like he will barely be on the show anymore. Which is wrong on so many levels, because first of all, he was her best friend. Real Jane wouldn’t want him out of her life, but apparently that’s what’s going to happen. And again, it sends a terrible message. She should keep being his friend, talking to him and everything, because being in a relationship doesn’t mean you should lose your (male) friends. And they won’t actually say it, but I don’t see Rafael as the guy that would be okay with Jane being best friends with her ex-husband and therefore we won’t see them interact. Just like we didn’t get Michael to see Jane’s family, that he loved and loved him back. And that’s a terrible message to give to young girls, even if you won’t have it said out loud. Showing it is already enough. The fact some of them are buying it frustrates me.

Also, like, it baffles me the fact Rafael is getting way with all the ultimatums he gave Jane, the fact he showed no empathy when Jane had the scare of thinking she would lose her mother who is fighting CANCER and he kicked her out of their house the very same night. Or that he turned their son against her or did nothing to get him to talk to Jane again until she called him out. She shouldn’t have to call him out. He is a grown man on his late 30s (or early 40s? idek anymore after the time jumps), he should’ve known better. The breaking point was when he didn’t discipline Mateo for running accross the street, something that could’ve KILLED HIM, just because he was mad at Jane. I get Rafael has gone through a lot of shit, but this doesn’t give him a pass to treat people the way he wants to. Everyone on this show has gone through enough and they don’t behave that way. He might have depression, but he knows when he is wrong. And you can actually see on his eyes when he is talking to Jane that he is defying and provoking her. Just terrible.

The fact Jane is choosing him after all of that pisses me off. If he were still zen Rafael and all, I would be frustrated, but not angry. This gives a really dangerous message for anyone who watches it. Abusive relationships start just like that and even though Rafael never raised a hand to her, that is abusive. Rafael is not a bad person, but he has a lot to work on before he could be with anyone else and for me they don’t belong together. Still, he is manipulative and disrespectul with Jane. And I have enough experience with abusive relationships to say that’s how it begins. Then, they have one conversation and sort of a perfect fairytale phase until the next fight. And media romanticizing this kind of relationship is part of the problem.

Last but not least, the fact Jane will have to FIGHT for this after everything turned something that was already bad into something worse. Not only it’s not worth it, but she is supposed to humiliated herself just because she dared to have feelings and be confused when something totally crazy happened to her? Way to go, writers! That’s how you treat you Latin female protagonist and kill your show. The cast deserved way more, but the writers deserves exact rating numbers they are getting.

So to that troll who said Michael fans were racist for dropping it after he died, there are other reasons why we gave up. Those were things that already bothered me, but I still found the show worth it to keep looking foward to the episodes. And after Michael died, I kept watching it, out of respect for its diverse cast and to give it the benefit of the doubt, but I could only do it until the finale of season 3. I just decided not to waste my time anymore because after 10 episodes it didn’t get any better. For many, Michael was vital for the show.

Besides Jane, he was the one who interacted with most people. He was close to Jane’s family, Rogelio’s best friend, Mateo’s stepfather/godfather and a detective. After he lost his job/’died’, the criminal aspect of the show was basically ignored.

One season one, he wasn’t with Jane, but he was there and things were still intriguing. Once he was gone, the show changed completely. Characters were written off, time had passed and it didn’t feel organic. And there were a lot of other stuff that kept people from watching it again. The fact you want to bring race for something that has nothing to do with (breaking news! Rafael is white too! Just because your boy has some tan and speaks spanish he is not a person of color) is pathetic. That’s not being woke. Bye.

#jane the virgin #jtv #jane villanueva #michael cordero #villadero

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salexanderbriggs · 4 years

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Frances Street Wives

York, 27th July 1900

Turning on the cold tap, Isabella held a glass under the running water, the tap emitting a high-pitched screech as she twisted it closed again. Taking a sip, she swilled it around her mouth and spat into the sink, moments earlier having suddenly felt the need to be sick.

“Mama, what’s wrong?” Said the little girl who had appeared at the kitchen door, having heard her mother’s retching.

“I’m fine, Ethel, go join your sister outside,” said her mother with a false tone of positivity, hardly opening her mouth in case the sickness wasn’t over.

“Okay, Mama,” the young girl said carefree and skipped to the back door to find Hilda, playing in the backyard.

Isabella breathed deeply and picking up the tea towel she had dropped in the hurry to the sink, wiped away the beads of sweat that had formed on her forehead. The noise of her daughter’s laughter drifting through the open window as she readjusted her tied up, thick brown hair. Then, with a lurch in her stomach, she instinctively bent double and grasped the waistband of her skirt, readjusting it to give herself some relief.

She had had terrible morning sickness with all five of her pregnancies, and already at the age of twenty-eight had developed such acute mother’s instinct, that she knew a new child had begun to grow inside. Many women may rejoice at having such confidence, but though she loved her daughters unconditionally, pregnancy had always been a burden for Isabella. Her marriage to Walter, though happy, had taken place during her fourth month of carrying Florence. She was fertile, just like her mother before her. The prospect of a sixth pregnancy and another mouth to feed was ridden with anxiety for her already struggling young family, for it had only been the same amount of time since they had lost not their first but second child.

The Dearlove family May 1904 in the garden of their second home in Dale Street, York. Pictured here from left to right; Ethel, Isabella holding Violet, Florence (behind), Ivy (front), Walter Snr, Hilda. There would still be two more children to come.

She slumped down into a wooden chair at the kitchen table and glanced at the wall clock, two hours until Walt would be home. She took another sip of water. The worst of it was over and she gently stroked her stomach, sitting back and closing her water-filled eyes.

Jennie had been born premature. That had been her most difficult birth and the thoughts of the pain made her grimace. When she had first held her new baby, she had known even then that the tiny girl was fighting to live. It took just four days for the fight to become too brutal, and her daughter was gone.

It had been seven years ago that after just seven months of her birth, Elsie May had died. Isabella and Walter, though married and already with their first daughter Florence, had not even been able to afford to live together, and Isabella had still been needed to help care for her younger siblings, only three years separating her first child with her youngest sister, the newlyweds had remained living with their respective parents.

The christening photograph of Elsie May Dearlove, 1893. This was to be the first and only photograph and clearly treasured by my family to still be in such a wonderful state.

Living conditions had worsened when Elsie had been born with epilepsy. Isabella vividly remembered, with regret, the cold February evening that her baby had started shaking and seeing the whites of her eyes as they had rolled back in her delicate head. The eighteen-year-old had screamed for her mother’s help, but Elsie had already taken her last breath by the time her stiff matriarchal grandmother had made it up the stairs. Money had even been so tight that they hadn’t even been able to afford a proper burial for either of her tiny angels and retrieving a handkerchief she allowed herself to cry silently, conscious not to allow her surviving daughters to hear her. Full of sorrow for the daughters she never knew, their own cries of merriment absent from the sounds outside. But she could be comforted to know that hope was blooming inside her. And though she did not know it then, she would later call that hope, Ivy.

But this had been a rare relapse now since moving to Frances Street, upon the news of becoming pregnant with Hilda. Frances Street had been the welcome change she needed, that Walt had needed too. Like all the terraced roads in this area the houses were robustly packed in methodical straight lines, an orderly army of buildings for the ever-growing working class of the city of York.

Isabella knew Frances Street was for her, as she had particularly enjoyed that at night you could hear the River Ouse gushing onwards to the North Sea, it being merely metres from their front door. That allowed her to have dreams of fresh sea air, lazy tides, and ice cream all a world away from the industrial cacophony that now thrived throughout the city.

To be a woman on Frances Street made her a better mother, and though she did not see it, a stronger woman. As a still recent build, in Frances Street, Isabella had found herself amongst friends, as all the homes were filled with young families all starting out on the journey of parenthood. Husbands worked, wives stayed home, and families were expected to be big. Having helped raise five siblings and given birth twice already, with a third on the way she was somewhat of an authority on childbirth and cared for those struggling mothers around her. When Isabella and Walter had returned home without their precious Jennie, the Frances Street wives had already assembled and kept the Dearlove family eating for a month. It was Hettie from number forty-one who had cared for her daughters when she couldn’t, Sarah from seventy three who dried her tears over a cup of tea and Jane from forty-four who sat by her bedside during the days when she couldn’t bring herself to leave it, and sang Celtic lullabies to ease her mind.

Like most other Frances Street wives, Isabella’s husband worked for the North East Railway, while the other Frances Street husbands were military. She had met the bold young Scottish wife, Annie, of next door within thirty seconds of arriving to their new home. With a loud blustery welcome, Annie had quickly turned to her own daughter and yelled.

‘Well, Hell mend ya Brenda Steventon, what’ya done now, yer black as the Earl of Hell’s waistcoat. Git inside and clean yer sen up!’ And instantly a bond was made.

Often Annie would tell Isabella of the lush green highlands of her native Scotland. But the stories Isabella craved to hear most were from Annie’s lodger Jane. Jane was not a Yorkshire native either, hailing instead from Cork in Ireland. Isabella listened intently to these stories, for her great grandfather had been Irish and she had longed to visit it’s wild countryside and Jane would fill out those dreams with landscapes of the Giant’s Causeway, fiddle music of folk songs and fantastical visions of leprechauns, banshees and fairies.

And on this day, as Isabella composed herself, she thought she had heard a legendary banshee wail from the yard next door. It had taken her a moment to realise that the wail had been her name.

‘BELLA!’ Came the Irish voiced cry. ‘Hilda, chuckaboo, where’s your Mam?’ Jane called frantically at the playing girls.

‘’Ere Jane, I’m ‘ere,’ she called out, rushing into the yard from the kitchen. ‘Whatever’s got you worked up?’

‘Rosa! It’s wee Rosa, I don’t know, quick Bella you have to come!’ She screeched loud enough for the street to have heard. Her dark panic-stricken eyes quivering, her already alabaster skin almost now transparent in fear.

‘I’m comin’,’ Isabella said without hesitation and rushed back through the house.

‘Ma? is Mrs. Bynoe alright?’ Florence asked from the foot of the stairs as her mother burst into the hall.

‘Something about little Rosa. Florrie, get your sisters in from outside and upstairs and come back and wait here, I might need you.’

‘Yes Ma,’ and Florence scuttled to fetch in her sisters.

The knocker clattered from the force of Isabella coming through the front door and she didn’t stop to close it. Turning immediately left and without looking stormed into the house next door. Before she had made it passed the threshold though, she collided with another of the Frances Street wives leaving.

‘Hettie! I’m sorry!’ said Isabella taken aback.

‘Oh Bella,’ sobbed Hettie ‘I ... I had no idea... Inside... Bella it’s... Poor Rosa...’

‘Hettie, get with it, what’s happened?’

‘Outside, and let me close the door,’ Hettie said, trying to calm herself. ‘Annie says Dr. Flood came last night and said it’s Scarlet Fever, but that ain’t no fever I’ve ever seen. Whole girl’s covered in blisters Bella, and the house. Don’t look like she’s cleaned it in months, can’t find any fresh clothes for the babes. I mean, I know they’ve looked grubby recently, but it’s kids ain’t it, my two attract mud like the pub does our Eddie’s wages. They’re knee deep in muck in there, Bella. Did you know they were struggling this badly?’

‘No, I mean, I know the lad’s service leave had been delayed but that’s all. Where are you going then?’

‘To see if Lottie’s lad is in, I’ll send him to fetch Dr. Flood. Why she didn’t take Rosa to the Fever Hospital last night I’ll never know!’

‘Go, I’ll take over inside,’ said Isabella. And with a nod of agreeance Hettie marched purposefully on.

***While this story is based on real people and true events, character and narrative are purely fictional.***

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mittensmorgul · 5 years

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1.18: Something Wicked. The one that reaches far back into the past to dig out the spiral narrative themes, Dean’s longstanding guilt, sacrifice, and Dean being the better parent than John by actually respecting the kid in the story enough to tell him the damn truth instead of using him as bait and weapon to kill the monster.

So this case begins when John again sends them anonymous coordinates, but Sam can’t find anything in the local news or police reports that would indicate a potential hunt. Everything in town seems normal at first, until they notice the dearth of children. And Dean begins to suspect what’s making them all sick, because he’s seen it before, when he was too young to know anything about the supernatural.

In flashbacks, we see a Dean who’s about nine years old, left alone in a motel room to care for five year old Sam, who’s more interested in Thundercats and Froot Loops than noticing the orders John leaves Dean with, the literal responsibility for Sam’s life that he lays on Dean’s shoulders.

With the context of Dean’s memories, it makes John’s random coordinates text message that sends them out to this case feel... accusatory and ice freaking cold. Not even a heads up about what they’ll be facing, not even a “I trust you’ll get it this time,” or any other sort of encouragement, or even a freaking lead. Just... with the context of the rest of the episode and Dean’s entire mental state throughout (and in his flashbacks), after the fact it stands as a stark sort of “Don’t you fuck this up again.”

And it’s clear that, through the retelling of that old story from their personal past, that John had absolutely used Sam as bait to lure the shtriga, but also literally left Dean there to be the weapon to kill it. His only instruction to Dean was “don’t take your eyes off Sammy,” and “shoot first, ask questions later.”

Remember, Dean is about nine freaking years old here, tops. And John put a shotgun in his hand and abandoned him to provide sole care of Sam for days. Sure, it can be argued that he was lurking nearby, waiting for the shtriga to strike, but he wasn’t lurking close enough to have noticed when Dean snuck out for a break to play a video game for a little while. Because Dean was a kid, and he was in no way prepared to play the role of sole caretaker for an indefinite period to a five year old.

I mean, I’m an adult, and even *I* would need a break and a few minutes to myself after days looking after my own kid, you know? Maybe Dean would’ve stuck it out if John had actually revealed his plan, or given him something other than a direct order that he expected to be obeyed without question or deviation. Like, John literally expected Dean to just sit there staring at Sam ceaselessly for days. Having no idea to expect this monster to show up, or what to do when it did.

How fucked up is that?

JOHN: I told you not to leave this room. I told you not to let him out of your sight! YOUNG DEAN watches sadly as JOHN cradles SAMMY. His face morphs back into present DEAN. DEAN: Dad just ... grabbed us and booked. Dropped us off at Pastor Jim's about three hours away, but by the time he got back to Fort Douglas the shtriga had disappeared, it was just gone. It never surfaced until now. You know, Dad never spoke about it again, I didn't ask. But he...ah...he looked at me different, you know? Which was worse. Not that I blame him. He gave me an order and I didn't listen, I almost got you killed. SAM: (Softly) You were just a kid. DEAN: Don't. Don't. Dad knew this was unfinished business for me. He sent me here to finish it. SAM: But using Michael -- I don't know Dean. I mean, how 'bout one of us hides under the covers, you know, we'll be the bait. DEAN: No, it won't work. It's gotta get close enough to feed -- it'll see us. Believe me, I don't like it, but it's gotta be the kid.

But at least Dean didn’t just lurk in the shadows waiting for the monster. He actually gave Michael what John had never given him-- honesty, and a choice.

DEAN: I'd give anything not to tell you this, but sometimes nightmares are real. MICHAEL: So, why are you telling me? DEAN: Because we need your help. MICHAEL: My help? DEAN: We can kill it. Me and him, that's what we do. But we can't do it without you.

He goes on to detail exactly what has been happening, why his little brother is “sick,” and the monster that did this to them. At first, Michael refuses to help. He’s scared, he’s only a kid himself. And Dean and Sam accept that. But after a short time, Michael returns, hoping that killing the monster will return his little brother to good health. The key difference here was that it really was Michael’s choice. Not an order, not a manipulation followed by years of guilt.

This is a nice view of the spiral narrative of the Winchesters’ entire lives, another bit of proof that Dean’s a better man than his father ever was. It’s another reminder of just how different Sam and Dean’s life experiences were growing up, that Sam never had any idea that any of this had happened despite literally having been in the room the entire time. And just how Dean deals with the truths he’s learned the very hard way, in ensuring that other people come away from these traumatic run-ins with the supernatural with at least a modicum of choice in the matter.

SAM: It's too bad. DEAN: Oh, they'll be fine. SAM: That's not what I meant. I meant Michael. He'll always know there are things out there in the dark -- he'll never be the same, you know? (long pause) Sometimes I wish that.... DEAN: What...? SAM: I wish I could have that kinda innocence. DEAN: (Slowly) If it means anything, sometimes I wish you could too.

Sam doesn’t realize just how much Dean tried. But there’s only so long he could stand between Sam and the story of their lives.

#spn 1.18 #s14 hellatus rewatch #it's spirals all the way down #winchester family dynamics #lies and damn lies #spiders georg of the tnt loop #the ghost of john winchester #performing dean #sam sympathizes and dean empathizes #the story became the story #just... add all the meta tags

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