I finally finished yippieeee~ the template is by @amoexii (thank you!) ((updated?))
Riley is willing to break rules to keep his friends safe, gain an advantage or just for fun. He shows his affection through teasing and tends to be generally playful. Most of all Riley likes caring for his appearance and coordinating outfits together! Huge romantic at heart and unafraid to show affection platonically and romantically! He feels validated being able to express his love by being allowed to be affectionate. He DOES respect and understand boundaries of course!! If Riley notices the person is reserved and dislikes being touched, he shows affection in others ways like praises and gift giving. He’s a very passionate person! Riley is a very tricky person when it comes to his emotions. He is easily upset and quick to lose temper if he feels like he’s being mocked or humiliated. He holds grudges and he WILL let you know. Sneers, roll of eyes, sarcastic comments and nasty side eyes. Riley is actually quite a considerate person and tries to be patient but he is still young and immature. When Riley gets older he starts to slowly heal from past bad experiences and starts to be much more relaxed and less quick to anger. He feels his emotions intensely and it manifests in his magic control. When he loses control sometimes his spells won’t cast from lack of concentration or he accidentally casts destructive bursts of magic around him. Glass and objects flown around are typically at the scene after a really bad temper episode. But these are rare. Riley feels shame immediately after these. They were what started ‘the rumors and the whispers’ around him before he started attending hogwarts.
Slytherin traits(cunning, ambitious and a drive for success)-
Riley could have easily been placed in gryffindor due to his bold personality and decision making. But he best fit slytherin because of his unashamed ability to resort to manipulation and deception in order to get ahead of others or get what he wants. He’s aware of how important it is to make connections in order to get ahead in life. He keeps in mind everyone’s secrets that he discovers and information he gathers for future use(Just in case…). He’s not above blackmailing either. When he has his mind set on something he will see it to the end no matter how long it takes. He hates failing but he hates not taking initiative more. ‘What ifs’ and ‘but’ are things he tries actively to ignore.
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Do you ever think about Azula after Zuko's banishment and before she was sent on her mission? About the time it was just her and Ozai? Because I do.
Her worst fear is being what Zuko is to their father. It's easy to look at her smirking while she watches Ozai light Zuko’s face on fire and think that she enjoys her brother’s suffering, but from the day she was born, Zuko has been the bad example. The scapegoat. The failure she exists to surpass. Where he is disrespectful, she will be obedient. Where he is weak, she will be strong. She will make Ozai proud. She will be perfect. She has to be. Because if she isn’t -
well, in that moment she sees that for herself. Iroh looks away, but she doesn’t. This eleven-year-old child watches the whole gory scene that her experienced general uncle can’t stomach, because this is a lesson for her as well, that’s why Father had her be here, and so she must not let herself tremble or cry or flinch or scream. Zuko is. That means she can’t. Instead she will do the exact opposite, smile with a princess’s proper posture.
Then Zuko is banished. He will most likely never return - most likely die young. He isn’t around to be the foil under her jewel anymore, making her shine brighter simply by contrast. (Or to play with her or comb her hair. But it isn’t useful or becoming to miss those moments. She isn’t a child anymore; her childhood was burned through like Zuko’s skin.) All Ozai’s attention is on her. All her people’s hope in the next generation of royalty rests in her. If she doesn’t hold her shoulders back and keep her head high, she will collapse under the weight of her nation’s future. Zuko got what he deserved. Just as whatever happens to her, she deserves it too.
How many nightmares does she have? How many times does she flinch or shake when her father touch her? Or force herself not to? How many times does she smell burning hair and flesh and hear her brother’s agony when she spoke her own opinion in a war meeting? How much does she secretly grieve him, and scold herself for it?
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"I always felt that Obi-Wan would rather not fight Maul here.
[He] would want to see change in Maul, he would want to see that Maul's grown as well. When it becomes apparent that Maul is not, that he's still evil and unwilling to let go of these things, Obi-Wan knows he's going to have to fight because he must protect those that need protecting. It's just his way."
- Dave Filoni, Star Wars: Rebels, “Twin Suns” commentary, 2017
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You know, if you think about it, Dooku did technically die at a ripe old age, doing what he loved, surrounded by his grandchildren. And if you think about the fact that his headless, handless corpse got sucked out into Coruscant’s atmosphere during the breakup of the Invisible Hand, it’s not NOT dissimilar to the Serennian death rites where they place their dead on funeral moons that orbit Serenno, AND if you think about the fact that Coruscant and the Jedi Temple was really the only true home he ever knew for most of his life AND IF YOU THINK ABOUT…
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So, I don't think Stede wanted to kill Ned. Ed told him not to, and he did, but I don't think he wanted to.
I know it's been said that both sides still don't fully understand why the other would want them or the kind of life they have. They both think they have to change to be worthy, no matter what they are directly told by the other. It's a fundamental part of their identity that they hate their prior lives.
Think of the first scene of the season, a rugged bearded pirate stede killing his romantic rival in cold blood, an act of utter devotion and unbridled passion, and Ed loves it.
This part of his identity extends to how he expresses himself romantically. I'm not saying that he can't just be eager, like in the second kiss and the sex, especially because he's finally freeing himself from repression of his sexuality. But think about the context.
He wants to show Ed he cares. Ed has defended him with force. He sees Ed being berated and tortured, and he can finally do something about it. Ed tells him not to do it, but Ed is only saying that to spare his fragile mind. Ed would kill Ned in a second, and now Stede is a real pirate, and he is going to show Ed that he can pull his weight, protect his love, use his mean voice, be a proper captain.
So, afterwards, we have Ed, who didn't want Stede to kill Ned for not only Stede's sake, but for his own. Because he's even more sick of the brutality now than ever, he was finally a little settled with a boyfriend who can take things slow with him, and help him appreciate beauty. But he won't say that, because stede made his choice, and he's here to comfort him, because he must be having a horrible time, with how he's handled killing in the past.
But we also have Stede, who catches him entirely off guard. Because he sees the killing of Ned as a GRAND ROMANTIC GESTURE. The shedding of the self to become something new and worthy, not just for Ed, but because he said he wanted to be a pirate, and he'll never go back on that again. So he assumes, after this grand gesture, that this is the perfect moment for their first time. Because it's so romantic! And he even goes in with gusto, how sexy!
He's completely blindsided by Ed saying it was a mistake. Because if he went to the lengths of killing a man in cold blood to make absolute certain that he would do anything for this love to work, then Ed saying it was a mistake means that there's no hope of it ever not being a mistake.
And Ed watches Stede change like this, trying to be happy for him because it's not his place to tell him not to be a pirate after everything. And obviously Stede was spooked by the idea of starting new, plain lives, enough that he refused theirs and left his own twice.
And he watches, knowing that he's taught him this way and played a huge role in hardening him, making him lose so much of the softness and beauty that he fell in love with.
Because he can't help but defile beautiful things.
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BOOO HEY FRIEND XERO BITES YOU . TELL ME WHAT ULTRAKILL IS PLEASE . IVE HEARD OF IT BEFORE AND I KNOW NOTHING BUT IT SOUNDS COOL . JUMPS AROUND
AAAAAA HELLO FRIEND VI!!!! ULTRAKILL IS SUCH A GOOD GAME IT'S LITERALLY FUCKING FANTASTIC <3<3<3
Like okok the tagline is literally "mankind is dead. blood is fuel. hell and full." AND WITH WHAT IS CURRENTLY OUT OF THREE GAME? THAT'S A PRETTY SOLID WAY TO PUT IT LMAO. You play as V1, one of many robots built for a great war, that is one of few machines that can absorb blood via direct contact with it. It's all basically a mad dash through hell to stay alive as long as possible through killing demons, husks, and other machines.
And eventually, angels :)!
Gabriel is, fun fact, the only character that you can encounter in the main levels that actually speaks!!! So when you get to the area he does his first monologue to you, it is a TOTAL jumpscare!! And he is SO SASSY. All like "Machine, turn back now, for the walls of this palace are NOT for your kind 🙄" like okay gayboy. and literally the way u heal during his fight is that he stops his attacks to taunt you and THEN you can stop to beat his ass LMAO
AND THEN WHEN HE'S DEFEATED, HE LOSES ALL OF HIS PERFECT ANGEL ATTITUDE AND GOES "YOU INSIGNIFICANT FUCK!!!" IT'S EVERYTHINGGSGAJAHAJSH AND THEN!!! BECAUSE HE GOT HIS ASS BEAT BY A MACHINE, THE HOLY COUNCIL SAYS "HEY MAN, WHAT THE FUCK. UR PATHETIC. KILL THE MACHINE IN 24 HOURS OR BE STRIPED OF THE FATHER'S LIGHT (READ AS: KILL V1 OR DIE)."
SO WHEN YOU SEE HIM AGAIN IN ACT 2 HE'S LIEFRHSHAHAHAHAAAAAA I CAN'T EVEN JUST PLEASE FUCKING LISTEN TO HIS PRE-FIGHT MONOLOGUE IT'S INSANEEEE 😍😍😍 THE FINAL CUTSCENE IS IN THAT TOO WHERE HE GETS HIS ASS BEAT AGAIN AND IS ACTUALLY LIKE. YK WHAT? THE HOLY COUNCIL IS FUCKED AND CORRUPT. I KNOW WHAT I MUST DO. AND SLAUGHTERS THEM ALL 💗💞💕💗💞💗💖💗💞
AND THAT'S JUST FOCUSING ON GABRIEL!!!!!! THERE'S STILL KING MINOS AND SISYPHUS AND ALL THE DEMONS AND HUSKS AND OTHER MACHINES AND V2 AND THE EARTHMOVER AND THE FERRYMAN AND I CANATATAAAAAAAA
I CAN'T FIT ALL I LOVE ABOUT THIS GAME INTO A POST BUT IT'S SO GOOD. AND THAT'S JUST WHAT U EXPERIENCE IN THE MAIN GAME WITHOUT LORE-DIGGING. IT'S LITERALLY A FUCKING FANTASTIC GAME WITH A BEAUTIFUL STORY. PLEASE. PLEASE ITS SO GOOD. HERE'S A 1 HOUR 30 MINUE LORE VIDEO IF YOU WANT MORE. PLEASE. IT'S ULTRAKILLIN' TIME.
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not only does everyone have their own room but when they show the dorm layout in the manga there’s a bunch of empty floors like the whole class could’ve fit on two floors — p sure UA is a money laundering front/tax scam
bnha town is using their working class citizen’s taxes to fund UA’s absurdly luxurious standard this is why we should all support shigaraki’s dream to bomb the whole city 🎤👵🏻💗
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