TDP and Water Symbolism
With Book 5 all but being confirmed as Ocean, it made me want to take a look back at what water represents in the series in general. Most prominently, of course, for Rayla for obvious reasons, but also where and how water symbolism pops up for some other characters, such as Ezran and Callum, scattered throughout the show.
Water often symbolizes healing and rebirth, rivers with pathways, destiny and drowning (particularly for women, such as Ophelia from Hamlet and the Lady of Shalott) and the Ocean unpredictability, power, chaos, and the depths. The Ocean is also often the site of obsession (Ahab and Moby Dick) as well as desire (siren myths) and the struggle to find your way home (Odysseus). There are some tenets of all of this throughout TDP, but we’ll work our way through as well as discuss the limited specifics of what we know of the Ocean primal from Tales of Xadia and additional information from Callum’s Spellbook.
Water as Reflection
Lujanne: This is the Moon Nexus. It reflects the moon perfectly. When the moon is full, its light completely fills the lake.
This is the one that’s most overtly related to Aaravos, perhaps, as well as in line with Ocean and Moon’s direct connection in show. Water/ice reflects, mirrors reflect, and tether the two together. The characters who are most heavily associated with reflection in this manner are Viren and Callum, of course, with Rayla as well, although Claudia, Soren (with his sword), and Ezran (with his father’s sword and eventual crown) have their moments as well.
Moreover, all of this moments of reflection for Rayla are moments where she feels like she’s failing, or has failed. “I guess I was just afraid of being afraid” / “But you didn’t run. They have it all wrong” “Does it matter?” / “I’m not good enough and I never will be.” While many other characters are tied to reflection as noted above, Rayla (and Ethari and Callum with her) are the only characters we see be reflected by water in this way.
However, there are even more ways water is woven into Rayla’s arc, so let’s talk about it
Water as Fear, Bravery, and Shame
Rayla’s first test as an assassin takes place in the rain, but she is unable to go through with it. This is a ‘failure’ that haunts her even into season four, perhaps best summed up in how she mirrors Runaan in these conversations from 1x01 and 1x08 respectively.
Rayla: The human looked up at me and I saw the fear in his eyes.
Runaan: Of course he was afraid! But you had a job to do!
Ezran: Yeah, but then you saw he was scared, and you knew he was a person, just like you.
Rayla: That shouldn’t have mattered. I had a job to do.
Rayla’s relationship to fear reaffirms the idea that recognizing personhood - her own or anyone else’s - is also a signifier of weakness (laid out more directly, perhaps, in the S1 novelization), and is incredibly Moonshadow of her: “Moonshadow elves aren’t supposed to show fear, ever.” Which is why Rayla is typically confronted with the water-shame duality when she is trying to either ignore someone else’s personhood, or is having her own erased, best seen with her crossing the river in 1x02 on her way to try and be a proper assassin.
Which is why 1x05 is when the shift between what she’s supposed to be - an assassin - and who she truly is - a hero starts to transform water as only a weakness to a showcasing of bravery.
C: That was brave, Rayla.
R: No, I already told you, I’m afraid of water.
C: I know. That’s why doing what you did was so heroic.
R: Oh... Thanks.
And why the assassin pool bearing the literal symbol of shame - the symbol of her just surviving when it was dictated that she shouldn’t have - is what justifies literally erasing her, and turning her into a Ghost. Which, we’ll return to the pond more later, don’t you worry.
If you’d like more thoughts on Rayla with water in this specific trifecta (+ bonus Callum feels), I’d recommend checking out this old but very worthwhile meta I wrote on the subject a couple months after S3 came out and back before I had a water motif tag (like a fool). Through the Moon adds some layers to this, with Rayla being driven into the portal out of fear, primarily, that Viren is still out there, as well as out of love for her family and Callum. But again more on TTM as well later, because I want to talk about the real kicker, I think, which is
The River As A Symbol of Destiny
This is something that ATLA actually used beforehand (mostly purely as a metaphor) that was then brought more directly to TDP as both a metaphorical and now literal/motif thing.
Destiny? What would a boy know of destiny? If a fish lives its whole life in a river, does it know the river’s destiny? No! Only that it flows on and on, out of his control. He may follow where it flows, but he cannot see the end. He cannot imagine the ocean.
—Avatar: The Last Airbender, 1x15, the Deserter
V: Life is like a river.
R: Oh great. That’s exactly what I was afraid of.
V: You can’t see too far ahead. I can’t see at all, as I might’ve mentioned before. You don’t know where the river of life will bend and turn. You don’t know where it will go at all.
R: How is that supposed to helpful?
V: Don’t try to control where the river goes. There’s one thing you can know and control: yourself. Look at yourself. Who are you, Rayla? What do you stand for? Once you know that, then wherever the river takes you, you’ll be right where you were always meant to be.
We see Rayla seemingly answer this question for herself by using something Callum told her as a basis for a new worldview: breaking the cycle. “Saving that dragon doesn’t just feel like the right thing to do, it feels like the right thing for me to do. It’s where I’m meant to be.” However, this is precisely the choice we see her walk back in 4x05.
So the River is tied to Destiny as a concept and having choice and self actualization for what you can control. This is tied, then, to Callum helping to give her a path forward for the choices she wants to make, tethering this to their relationship in general and the importance of giving each other agency.
But this specific connection to the River of Destiny, per se, is imo solidified in Bloodmoon Huntress with these panels.
There’s a few in-universe reasons for this panel/callback, of course. The first is show that Rayla wasn’t always afraid of water and that nearly drowning in BH is what likely created that fear. It’s the first instance in the graphic novel of Rayla’s heroism and loyalty, her desire to protect/save other people before Suroh, a Skywing boy in big trouble, comes barrelling into her life - even if it’s just a tiny Adoraburr who is basically her best friend in an increasingly peerless childhood.
And, of course, at the time of BH’s release, we all assumed this was largely a reference and setup to Rayla’s choice to leave at the end of Through the Moon in order to, in her eyes, ultimately protect him (even at great cost to herself and their happiness together). This is because, of course, Callum is famously her best friend with a big speech in 3x01 all about it: “He’s my friend... My best friend.”
This has taken on an even deeper meaning thanks to season four, though, following Aaravos taking control of Callum, his worry over a path of darkness, and Rayla’s associations with light. Because, of course, there is every implication that Aaravos’ prison is 1) under the water in the Sea of the Castout and 2) that Callum already tends to get swept up in things unintentionally / without thinking.
All of this to say, of course, that Aaravos and his prison are the river that Callum has already been swept up by, symbolized by all of the above as well as the Ocean rune on the Key of Aaravos being displayed at particularly opportune times.
So Rayla, here, is not just speaking of her future desire to protect him in Through the Moon, but not even necessarily to keep from playing into Aaravos’ hands (which is what killing him would do) but to guide him and keep him safe, no matter what it takes. Which reflects the framing of the shots when she arrives: “Then take another path, dummy!” The River of Destiny is fast, but she won’t let him get swept away.
Even if choosing Rayla (and subsequently breaking out of the brainwashing) may not be enough to fully stop Aaravos’ plan (as he still has to get out, after all — this is one river that’s inevitable).
Drowning
Of course, alongside destiny and shame, etc. there is also the dark side to water, re: drowning. We see this most prominently featured for each of the trio, with Ezran almost dying in 1x06, Callum’s dark magic dreams in 2x08, as well as Rayla nearly drowning in both BH and TTM, anchoring her childhood and much of her subsequent present day trauma tied together with a neat little bow, ready to unravel at a moment’s notice.
The fact that Callum’s use of dark magic also ties itself to drowning, directly, when it could’ve been anything (something choking him, perhaps, to hammer home / foreshadow Aaravos’ future grip over him) is also interesting to me, precisely because it ties the two so together. And that, thus far, we haven’t seen this drowning motif extended to anyone outside of the main trio, either.
The fact that both in and outside of the dream scape, Callum smashing the primal stone is what causes him to at first metaphorically, and then literally begin drowning, is particularly apt, symbolism wise. Down to Berto, a winged creature, lifting Villads from the wreckage only for Callum to realize that he is the wing once he has a guiding presence in Sarai. This is a lovely parallel between the boys as well, with Sarai guiding Ezran under the ice in the book one novelization, and makes me think about love as a guiding force through the storm; Sarai for her sons, Rayla on either side of the storm for Callum, and Callum for her in TTM, and how this may be repeated in Book 5, whether it’s Rayla’s parents saving her somehow, Callum, both, or something else entirely.
(It should also be noted that Callum and Rayla mutually save each other in TTM as well. Callum goes in after her when she’s in danger, but loses the phoenix feather to guide them back on the way down. He manages to help Rayla grab it, and then she goes back for him, and they swim out together, toward the light.)
The Ocean Arcanum
(Almost) last but not least I want to talk about the associations given canonically to the Ocean arcanum in the series’ extended material from both the Primal Source quiz, Callum’s Sketchbook, and Tales of Xadia.
Like all rivers flow to the sea, you know everything and everyone is connected. A peaceful soul, you value friendship, love, and family above all else in life. Empathetic and outgoing, you make friends easily, and people are drawn to your personality. In life, you’re willing to go with the flow, and you can adapt to pretty much anything and keep a cool head. You wear your heart on your sleeve, and with love so easily given, betrayal and lies strike you deeply — you are icy and unforgiving only to those who dare strike at your big heart.
Flexibility, Transformation, Flow, Awareness, Navigation, Surface Level V.S. Depth
This is reflected in the magic that Ocean mages wield: dynamic, forceful, reaching everywhere and anywhere, within and without. It can also become surprisingly powerful in rain, giving this primal a powerful synergy with the Sky primal. Ocean magic also includes ice magic, giving mages another powerful offensive and defensive tool.
All of these were released years apart (the primal quiz shortly after S1 in 2018, Callum’s Spellbook after S3 in 2020, and Tales of Xadia in 2021) but they all have similar common threads. There is an emphasis on connection, ice magic, flexibility (change), as well as tantalizing teases regarding the Sky arcanum. And of course as previously touched upon, the Moon famously affects real life tides.
But like, how do we know that this stuff is going to be consistently carried into the show, and it’s not just padding for supplementary material? Well, that’s because It Already Has.
Navigation and Transformation
Are perhaps the most direct ones we’ll see in S5, building upon prior associations with water the show has displayed, particularly in S2. The Ocean is tied to Callum’s journey of discovering sky magic, as he learns the winds from Villads on the ship of the Ruthless, and then later is directed into his own consciousness by a similar manner. He’s learning how to navigate and Villads’ advice to Callum mirrors the exact advice he gives to Rayla about the river, too.
Don’t try to control where the river winds go. There’s one thing you can know and control, yourself your sail.
This is jointly reflected by a con skit performed in 2019 to hype up S3 by Callum and Rayla’s VAs. While again this would be easy to write off, I hesitate to for three reasons: 1) we know thanks to TDP’s production schedule they were already working on S4 at this time, 2) the skit is called Written in the Stars and although silly, some of what is discussed matches up thematically and helped me call the Rayllum “light and darkness” motif months in advance, and 3) there are things from the S4 star chart referenced in the skit, such as Garlaf and his bandolier of skulls, the mama / baby banther, etc and most notably, the South Star, which Callum says:
What about that? Brightest star in the sky. A single point of light. We call it the South Star. Humans used it to navigate, you know, to find their way in the endless darkness of the night.
So it seems pretty clear that Season Five, with Callum and Rayla now getting to navigate their relationship, in addition to water’s ties to Rayla’s emotional state (the surface vs depths reflecting both her and Aaravos’ possible pasts, his watery prison, etc) all being compounded together. Either Aaravos or Rayla (or maybe both of them) will be his South Star in S5. And, in addition to Callum’s Spellbook, this is the only real time navigation is brought up in series, so I’m gonna take it.
Now that that’s ‘settled’, let’s look at Ocean / water as Transformation. This is of course seen in how Callum goes into the water in his dreams in 2x08, but then resurfaces with help from his mother and is reborn in a sense, literally filled with new breath, as he comes to understand the Sky arcanum. We also see this idea of Transformation being tied to the Ocean and Moon arcanums an equal amount in something like Phoe-Phoe, and as well as in TTM in general.
The Moon Arcanum is all about change.
Phoe-Phoe is reborn on the water. The water transforms Rayla’s fear to bravery. Rayla’s talk with Villads helps give her direction as much as he gives it to Callum, each unlocking how they are going to break the cycle; for Rayla, it’s being a protector and defender (even if still at cost to herself, but that’s a meta for another day). For Callum, he becomes a sky primal mage.
Which is to say, if you’ve been keeping track, Sky and Moon are uniquely tethered in series to the Ocean in ways none of the other primals currently seem to be. Sky and Ocean share overlap in spells and associations (drowning, navigation, breath, travel). Ocean and Moon likewise share overlap in association (transformation, reflections, depths, etc). So it would be exceedingly fitting if S5 is when Rayla and Callum end up fully reconciling, given that Ocean seems to, magically, be where Sky and Moon meet halfway. The water and experiences at the Nexus is what broke them apart, so of course water will also be what brings them together.
Water as the Cycle
More generally, due to its varied associations, Water is tied to Life ad Death throughout the series. In some ways, it is probably associated with the Cycle directly as much as Moon is, both tied to inherently cyclical things that may change, but always come back to themselves. TTM makes this connection overt
But it is there in other places as well. An assassin’s flower, placed in a circular pond of water, floats so long as they live and breathe. Rayla leaves and returns, consistently, like the tide, leaving over and over again, but also returning whenever she can (or whenever Callum chases after her to bring her back from the brink).
In a lot of ways, Callum and Rayla both do this to each other, leaving and then returning, always circling back to one another or moving in patterns.
Every time they walk away (die) they also return (live). This element of perpetual ebb and and flow and rebirth is also seen in other characters like Sol Regem, and even indeed the longstanding associations of boats and the underworld in Greek and Egyptian myth in particular, ferrying people to the afterlife (Greek myth a cited inspiration for the series, with the Egyptian mythos more sneakily woven in).
Seen perhaps most prominently in Callum reckoning with his stepfather’s death and reading Harrow’s letter in the belly of Villads’ boat.
Conclusion
Book 5: Ocean is gonna Slap, and I cannot wait, thank you goodnight.
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Dragon Prince Theory: The show is influenced by Shakespeare’s plays....
So I was just thinking about the Dragon Prince and how much the relationship between King Harrow and Viren reminds me of Othello and Iago, and I know that’s weird but hear me out here. I think a lot of this story is going to be influenced by Shakepeare’s work, or at least inspired by his works.
Let me start at the beginning.
So the plot of Othello goes thus. Somewhat awesome general named Othello is married to an amazing woman named Desdemona. They live a happy life, for the most part, and he has several friends among them Michael Cassio and Iago. So Mike is a young guy, a bit air headed at times, but his heart is in the right place and he’s devoted to Othello. Iago has known Othello longer, and has been by his side through a lot of things, so he thinks he’s special. So as it is, Othello promotes the younger Cassio over Iago and Iago gets major jealous. This leads Iago to work with a less then cool guy named Rodrigo who wants Desi as his own, and the two nearly kill Mike. Iago also leads Othello to think Desi is unfaithful, and he ends up killing her, not realizing it was all Iago’s doing making him go a bit crazy. This leads the remaining people to confront Othello and discovering that Iago is a bad guy, he kills his wife who pretty much points out that he’s the one that was doing all of this, and Othello kills himself leaving Mike to decide what sentence he should have.
(This is a very simplified version of events.)
So the more I was rewatching the show the more I felt that Harrow is a lot like Othello was. A man that probably wanted to do good and may have had a bit of an ego and allied himself with Viren who, like Iago, started off as a friend and grew to enjoy his post of power. Clearly you have a case where trust has been demolished over and over due to the consequences of shortcuts being taken. This gets me to think that maybe Viren is more like Iago then people would like to think.
While Iago is a manipulator he starts out not wanting Cassio to take the command because the boy is far younger than he is and also Iago sees him as a weaker solider. We see that here in The Dragon Prince in the form of Callum and Viren.
Callum taking on the role of Cassio, becoming someone that Othello listens to and trusts in regard to advice, and Harrow seems to be taking what Callum says to heart, feeling he has to make up for his crimes. We also see a similar confrontation between Viren and Callum coming to a head much like Iago and Cassio’s did, where Cassio is wounded by Iago and Rodrigo.
Furthermore you also have Callum (and Ezra) being hunted down by Viren in order to secure his place, and Cassio was also hunted down by Rodrigo, only to make it out alive thanks to his quick wits.
It also feels like we have some MacBeth thrown in there.
Sons of a murdered king running away (two of them I might add) to find allies. –check
A friend of the Dead king questioning the person that killed him, and who later is attacked by the main baddie –check check.
A person who is seen as a threat is killed –Triple check
Said persons son teams up with the sons of the murdered king to fix the problem – yup…
Villain has to deal with the fall out of everything that he caused because of his own ego and greed…more than likely going to happen.
So what’s the story here.
If we go with Viren as MacBeth we can see another pattern come up. Someone who uses dark magic as a short cut to get what he desires and is pushed into making a bad choice that ultimately he has to deal with because of his short sighted nature. Viren, for his part, more than likely wasn’t thinking of the fallout from his actions, and, much like MacBeth, tries to consolidate his powers, but is cut off by the fact that one of his allies MacDuff, is suspect of what happened to Banquo and the king. Which leads MacBeth to killing MacDuff’s family. Macbeth also foolishly kills his friend Banquo based on some bad Intel, which later causes said bad info to come true due to his actions.
The thing about Viren is that if you go by the idea that he’s playing the role of MacBeth here as well, it falls into line that Runaan then becomes Banquo, who is killed because his son may become a future king. With that in mind you can go well that makes Rayla the child of Runaan, and thus the third player in the story,
and puts Amaya as MacDuff since Gren is now captured; and you can throw into this the additional armies of the kingdoms rallying around these three with the elves (England) who would be happy to take Viren down for the death of the Dragon King.
Then on top of all of this we have some hints of Richard the III given that Viren is sending out people to kill the two boys, and possibly some of Hamlet (with Callum possibly dealing with the fall out of his father’s death).
Soren and Claudia possibly being very much Oberon and Titana from Midsummer’s nights dream (only in this case Soren is Titania possibly being tricked by Claudia’s Oberon), but I also get a bit of a King Lear feel and that unlike in King Lear Claudia is going to choose her brother over Zym.
There’s also maybe a hint of a Winter’s tale going on, and several other bit parts in the plays, and it’s a lot to list.
Over all I have the feeling that by the end of this Viren will be outed and, both like Iago and MacBeth, be forced to deal with the consequences of his actions, losing not only his son but also his daughter for choosing to do what he did.
That’s my guess on things.
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