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#this is how i meta
underwaterbanshee · 7 months
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I am obsessed with Tula. The last five minutes of tonight's episode just cemented for me that everything about her comes down to the fact she never got to mourn Geoffrey.
Even if she did bust a cap in him. Even if he did have it coming. She never was allowed to let him go.
She went from being annoyed and concerned about her husband's dangerous behavior regarding the Blue and monsters to becoming a single mother of two children and living entirely for them--
--just as her sister meets and marries a man who is a lot like Geoffrey.
It's so clear that Tula wants Thorn to be nothing like Geoffrey for Viola. Hearing that he completely supports Viola's ambitions has to just eat her up with jealousy and grief.
This family is so fucking good at saying things without saying them and Viola does not want to be trapped the way she thinks Tula is trapped.
And her mom is trying to get her to marry again? Every male stoat Ava points out to Tula is just another pale image of Geoffrey. Even Bennett. Especially Bennett.
Of course Tula fundamentally lies to her children. It's constant. Everything is so focused on making sure they are physically and emotionally safe.
So what's going to happen when Lila can finally see that the mother she trusts so much is hiding something fundamental? And will she forgive her?
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poorly-drawn-mdzs · 1 month
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Expertise can't help you here.
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grntaire · 10 months
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“their miracle was so big bc crowley used to be an archangel” have u considered that aziraphale and crowley love each other so much that their love alone could move the tides just by staring at the ocean for too long. have u considered that they did the miracle not really to protect gabriel but to protect what they had, what they’d built with each other. and that was them barely even trying
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possamble · 2 months
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Needlessly close reading and long commentary on chapter 57 and how the audience actually has an extremely limited view on what Marcille has been like over the course of her life.
I am once again thinking about how pre-dungeon Marcille is so quiet and stoic that she seems like a completely different person. How jarring chapter 57 is for the audience. Like you have Marcille, who has been just the most blindingly expressive person with resting baby face
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And then the chapter drops a title page of Marcille hearing from Falin for the first time in four years and it's like.
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Who is that. Genuinely. Would you even realize that's Marcille without the context clues?
And then the chapter just keeps coming in with the sucker punches.
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We have SEEN Marcille meet strangers. It was never with this understated of a smile.
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literally who the hell is this. the few times the audience gets to see some Signature Marcille Faces that they're used to is when she finally gets to see Falin again
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when she's testing out her new spells
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(and when Laios and Falin are fantasizing about her being their damsel in distress, funnily enough)
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And then finally. Finally you get to a fully recognizable Marcille when she fucking DIES and comes back to life to geek out about necromancy.
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We know she loves magic. We know she loves Falin. So it's not so surprising that she wouldn't be able to keep a mask up when thinking or talking about the things she loves. But why the mask in the first place? Where does it come from? It's tempting to think that, maybe, Falin's departure just hurt her so much that it turned her into a quiet person.
But that's only half true. If you go back, the first instance you see of this incredibly mild personality is actually introduced much earlier, in chapter 17.
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What if she was always like that. What if her default after her father died was to hold people at arm's length, to never really emote past being polite and friendly. What if Falin was the first person who was able to bring her out of her shell, and when she left, Marcille just went back to how she was.
And when comparing her detached demeanour with someone else...
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It's not exact, but wouldn't you say there's a resemblance? Wouldn't you think she might be trying her best to imitate what she saw of her own mother working as an accomplished mage?
It would certainly explain why she's hiding behind her portrait in her nightmare, at least.
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We aren't told that Marcille has been distancing herself from everyone around her using a mature and dignified personality she modelled off her mother. But we sure as hell are shown it, I think.
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whetstonefires · 1 year
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You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.
Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.
The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.
She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.
I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.
But, crucially, she has absolute faith in Jane.
The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.
(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)
And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.
And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.
Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.
But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.
That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.
She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.
This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.
Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.
Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.
Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.
😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.
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contactlessdrivethru · 5 months
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there is something unique and deeply special about monkey d luffy as a protagonist. he’s overwhelmingly ADORED by the fandom. he’s consistently the most or at least top 3 most popular characters in the whole series. peoples takes about him are gushingly positive. and that’s… really uncommon.
a LOT of fandoms i’ve witnessed or been in have a tendency to favor characters other than the main character. especially in anime. the main characters are often written as a blank slate for readers/watchers to project onto, but that makes them not as interesting and so they don’t get the fan attention.
but luffy is so far from that. and he’s ALWAYS been this way. we love him so much. he’s the heart of the story and the heart of the fandom in every single way. and i think that speaks to how well-written he is as a character. he’s fun and charming and complex and interesting and he makes us laugh and cry and cheer and hope and love. he’s able to inspire so much joy in people, both in his world but also in this one. and i think that’s really special. i feel so grateful to have found this story that means so much to me, and i’m so grateful that luffy exists.
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skeletonsgeorg · 1 month
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The differences between TFP and Earthspark Optimuses are sooooooo fucking funny. TFP OP is burdened with "I've never seen Prime laugh, cry, or lose his cool," he responds to "Hey Optimus you wanna see something funny?!" with the numbest dead-eyed Eeyore "No," he's just generally Haunted and Stoic every waking moment
Then we have Chuckles McGee with his looney toons ass face winking and making finger guns and giggling nervously and spamming the group chat with emojis and cracking jokes and making "graphic design is my passion" self-help pamphlets
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ennas-aesthetic · 10 months
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If we DO ever get a Good Omens season 3 (and fingers crossed we will) then using the Second Coming as the narrative device to facilitate the final culmination of Good Omens' ideology and message is brilliant, actually.
Because the Second Coming IS NOT another Adam situation. And, contrary to the misconceptions I've seen, It IS NOT about Jesus being born again as a baby, etc, etc.
THE SECOND COMING. QUITE LITERALLY refers to THE LAST JUDGMENT.
As in. The SAME Last Judgment Michelangelo painted on the walls of the Sistine Chapel. As in - THE JUDGMENT of the Living and the Dead. THE LAST, FINAL, ETERNAL JUDGMENT.
It's the WHOLE thing Armageddon was leading towards. Book of Revelation speedrun: the world ends, everyone dies, and then they get resurrected again to be judged by JESUS himself. He will flick through the Book of Life (WINK WINK WINK DO YOU SEE HOW LOUDLY I'M WINKING AT YOU???), and if your name is there he will go "oh nice you deserve eternal paradise! :D" and if your name is ERASED from the Book of Life he will go "oh no, sorry, you go to the lake of fire for eternity now D:" (except apparently in Good Omens lore it'd just DOOM YOU TO NON-EXISTENCE FOREVER???)
And if you THINK about it, The Last Judgment is the ultimate manifestation of moral absolutism. No shades of gray, no chances. Just BLACK, and WHITE. Never mind that you're like Wee Morag and Elspeth, who are forced to do "bad" things because of circumstances. It's either you pass Judgment Day, or you burn (or disappear forever.) And the way THINGS are going in the Good Omens universe? I don't think there's ANYONE "good" enough to be "saved." Not Crowley, not Aziraphale. Hell, not even the Archangels themselves.
So it provides a PERFECT opportunity for Aziraphale and Crowley to UPEND that SYSTEM entirely.
I think that's what Crowley and Aziraphale would do in s3: establish a new kind of system in which angels and demons have free will to determine the right (or wrong) choice.
Giving them the APPLE, so to speak.
And then they'll go off to retire in a cottage, together at last.
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lgbtlunaverse · 2 months
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"Marcille hates all of Laios' freak traits but loves them in Falin" is honestly a really good joke but... you guys do know it's a joke right?
It's such a funny one I honestly find it impossible to get mad at even when people mistake it for an actual truth about the characters but JUST TO MAKE IT CLEAR
THIS is how marcille reacts when Falin is predictably just as enthusiastic about eating monsters as her brother was.
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That is not the face of a woman who thinks this trait is lovely and endearing as long as it's exhibited by the girl she loves. That is the face of a woman who is taking 7d8 psychic damage and yet knows deep in her heart she won't like Falin any less for it.
The way young Marcille reacts to Falin eating berries Marcille can't recognize but Falin knows are safe is pretty similar to how she reacts to eating monsters years later, albeit with more fear than disgust. The difference in her relationships with Laios and Falin isn't just that she's attracted to Falin, it's because the Touden siblings, while similar, are in fact different people. Not just genderswaps of each other.
Also, I think you all already know this, but just to say it: she doesn't actually hate Laios for any of his freak tendencies either. He's one of her best friends. She's just a lot quicker to be outwardly exasperated with him while she's quieter about it with Falin.
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bloominglegumes · 22 days
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i love normal guys doomed by the narrative
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underwaterbanshee · 2 months
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Like, Sol should be shitting his pants right now.
Ankarna's name being back in the world right now is a massive red flag because even though they are mostly dead, it's pretty clear someone has used their rune in multiple places to accomplish work in their deadname.
Ankarna already has believers.
I thought you were dead says Cassandra right before she shatters.
And already, Kristen is talking about trying to make sure Cassandra isn't corrupted, but more than that, she wants to save Ankarna the way she saved Cassandra.
Buddy Dawn, Kristen's parents, have all confirmed that Helio isn't doing well because he's lost his chosen. There is pressure for Kirsten to return to Helio.
I'm very curious what lie Galacaea will tell Tracker the next time they commune. What kind of pressure will she put on Tracker to convince Kristen to return to Sol Helio and give up on Cassandra?
Because if anyone can radically change the pantheon of her world, it is Saint Kristen Chilis Applebees and Sol fucking knows it.
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mjulmjul · 2 years
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Katya / Goncharov
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captain-flint · 7 months
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something something Ed not being able to step in to protect Stede from physical and emotional harm out of fear of damaging Stede's reputation and instead letting it play out as he silently falls apart in the background
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ranseur · 10 months
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actual scene as it happened in the show
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bibxrbie · 2 months
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"Luke Skywalker isn’t like the old Jedi. He saves Vader with his attachments!”
Wrong!
Luke Skywalker, at the end of Return of the Jedi, after his confrontation with the Emperor drags Darth Vader through the destructing Death Star. He’s desperate, knuckles white under the heavy weight of his father’s body, a little boy dragging his dad to safety. He sets Vader down for a moment, to catch his breath or maybe to get a better grip. He goes to grab Vader again, but Vader, uncomfortable and in pain, asks Luke to take off the mask. He wants to see Luke through his eyes instead of the eyes Palpatine built for him. Luke refuses, says that removing the mask is a sure way for Vader to die. Luke doesn’t want Vader dead, he wants Vader alive. Not to hold him accountable for his many evil acts, but for the same reason why Luke Skywalker can’t kill Darth Vader; Vader is his father and Luke loves him.
And yet, after a moment, Luke removes Vader’s mask. He doesn’t want to, he hesitates, but he removes the mask with enough slowness to allow Vader to take it back. In that moment, Luke sets aside his desire for Vader in his life, sets aside his desire to see him live, and sets aside his entire mission, the reason he was even on the Death Star in the place. In his compassion for his father, Luke stays with Vader until he dies. It is this moment where we see him be the best damn Jedi he can be. I’d even argue that this moment is the greatest example of non-attached love we see. Because Luke lets Vader go! He lets his father die, and in some ways, by removing the mask, he too kills Vader, he stays with him until his last moment, gives him the kindness of granting his last wish and finally chooses Vader.
And Luke doesn’t have to do this. If Luke Skywalker’s love for his father was an attachment, he would ignore Vader and continue dragging him to the escape pod, put his desire for a father as his central focus and ignore Vader’s wants and discomfort. Maybe he would even save him. But he doesn’t. Instead, he watches as Vader dies.
He builds a Jedi burial for his father and watches it burn the remnants of Vader and Anakin Skywalker away. He mourns Vader, he mourns what they could’ve had as father and son, considers what ifs and maybe-if-I-did-this. Vader/ Anakin is released from his mortal body, from his ‘crude matter’ and Luke lets him go. He says one final goodbye to Anakin. Then, he joins Leia, Han, Chewie, Lando, and the rest of the Rebels and celebrates their victory. He lives in the present and celebrates what he has instead of what he lost.
Luke Skywalker is THE Jedi. Everything about Luke Skywalker serves as the foundational cornerstone of the Jedi, everything about the Jedi as a culture and philosophy is reflected in his character. Luke’s desire for the New Jedi Order isn’t to throw away the values of the old Order, but to vitalise them, breathe life back into dying lungs, and rebuild a path that people set out on their way to destroy. (Yes, his Order is different from the Old, but that’s because it has to be. He doesn’t have the resources or the safety of the Old Order.) The philosophies of the Jedi are difficult and they aren’t for everyone, and like the perfect Jedi that Luke is, he struggles and stumbles and sometimes he even rejects it. But, no matter how far he falls, it is a way of life he chooses again and again and again. It is a way of life that welcomes him back each time
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lemonsweet · 3 months
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Kirby water colors
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