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bellamyblakru · 2 years

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a very beginner’s guide to gif making (ashley’s version)

(ill be using one of my favorite merthur smiles in this example from 4x01 when they are alone together with the dorocha)

for @its-hyperfixation and @mykingdomcomeundone !! sorry its taken me so long to do this sigh this was my first free night lately 😭😭

download free ad blocker (i use uBlock Origin). pls dont skip this step, it protects you and your computer from the bad ads!!

go to a completely “free website” aka illegal lol. i use yes.movies because that is what im used to, but you can use whatever one you prefer.

go to merlin bbc, click the episode you want, and record. on my “not as cool HP computer”, i have to click the windows flag button and the key “g” to record my screen, but your computer might have a button for it already to just go right to recording. if you are not sure, google your computer type and how to screen record (its fast to learn!!)

THE SHORTER THE SCENE THE BETTER! tumblr only takes up to 10mb gifs, so normally thats up to 3.5 second scenes if you color them too. however, if you are doing black and white, you can get away with longer scenes (this is what i did for my very first gifset actually LOL they were eight seconds long dude)

go to this website to convert to gif: https://ezgif.com/video-to-gif

chose the file of the video where asked, upload, then where it says: Frame rate (FPS) select 33 (max 10 seconds) for a better quality gif, and convert

WOO your first gif!! this process isnt done, but im proud you got this far!! 🥰

now, go to resize. this is important since tumblr gifs are usually up to 540 width and 330 height (these are my normal go-to proportions). lately, ive been liking the more square looks, so 540:340 or 540:440 works too! if your gif has too many movements, a square look might not be the best choice. (if you are doing two side by side gifs i recommend 268:230, and if you are doing three side by side 177:177 works best (learned from maria my beloved)). you dont need to change anything else here. (if your gif is over 10mb for some reason, you can optimize -> lossy gif and go in small units to not ruin the quality too much).

now, i like to make my gifs a bit slower to make it more like a slow moment in time. press speed if you wanna do this and explore different settings!! i like to do 80% usually, but here i did 70%. here is what we have so far:

not too bad!! but as you can see, this scene is rather dark and gloomy and their smiles deserves something better in my opinion, so OFF TO PHOTOPEA WE GO (free photoshop my beloved)

10. now we are at https://www.photopea.com/ and click file and open up our bad boy. DONT BE INTIMIDATED!! there are so, so many choices, but it is solely up to your preference and desired look. i like my gifs bright and saturated, but you might not, and thats okay!! you can fuck with all of these things over time (i do still LOL)

11. THE BASICS: go to layer -> new adjustment layer -> color balance. you do this layer first if you are going to use it at all. you’ll soon find that merlin has a very yellow early seasons and an extremely blue later seasons (it drives me crazy), so here is where you just mess with them til you get a baseline look you like. i start with shadows and go up from there (i dont change too intense ever. i go up or down like 6/7 the most on blue or red at any gif tbh). for this gif im working on, i want it to look less blue, so ill focus on the blue mostly.

12. now, remember all of these steps are optional and this is just the order i go, but that is not the only way. do what you feel makes the gif to your liking!! i then go to selective color (i like doing the contrast with the black coloring option here more than the choice later, but it up to you). i mostly make most of the colors darker here so the lightening later looks a bit cleaner.

13. next for me is the hue/saturation layer. i normally try to avoid using this, but it may be needed if you want to make the gif a bit less red or smth like that. if i want one particular to be really saturated, ill do that here at this level. its good to put this third tho if you are gonna use it.

14. vibrance layer time!! i love this bitch. i go ham with it fnesfljesfk i like my stuff really saturated (like “i went up 45″ hard). i dont usually use the actually vibrance option on top since i read in a post by the incredible maria that it makes gifs more grainy (btw @arthurpendragonns taught me like so much. her gifs are TOP TIER and literally take my breath away every time. so fucking talented man. the goddess of gifmaking, if you will).

15. then i click brightness/contrast and THROW THAT BRIGHTNESS UPPPP. here i just went up to 126 LOL. (this is where my comment about the selective color comes up. you can do contrast here, but i think it looks better if you increase the black in the black selective color option. again, up to you)

16. CURVES LAYER MY BELOVED. i literally just fuck with the curve on RGB until i like it lolol

17. im going back to the hue/saturation to make the blue pop more since it is so much in the background!! and then just fuck with them all to get something you like!! this gif is making me upset so i redid it rn lnrelkjfrmf

18. ADD TEXT IF YOU WANT!! we can do blending two gifs together and fun text stuff next time if you want in another list (lmk!! ill do anything if u want it).

19. woo! she done now. onto the next gif to start this over, or one and done! ive never done this kind of tutorial before, in the past ive just went live on my discord and some people have sat in to watch the process, so let me know if you wanna join my server to do this, too, if you are more of a watch learner than reading!!

20: the final product (not my best work frdiusnr im sorry ive been writing this up for like three hours LOL)

#ashley rambles #im so sorry its taken me so long kjfesf i finally have some free time to make this #gif making by me #tutorial #merlin #bbcmerlin #bbcm #merthur

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gr-ogu · 3 years

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Hello! As requested, here is a tutorial on how I make my gifs. I would like to preface this by saying there are many ways to make gifs, and there’s no right or wrong answer imo. This is just how I personally go about doing so!

I will be using PS CC 2017, but as long as you have the video timeline option, it shouldn’t matter too much; on any version of PS, you should be able to adapt anything I mention here! You will also need some kind of screen recording software. I’ll talk a little more about that under the cut.

To start, you need the source material you will be making the gifs from! I get mine from snahp(.)it (avoiding links so tumblr hopefully doesn’t banish this from the tags lmao) and I always opt for either 1080p or 2160p. Not all laptops will support 2160p as it’s 4K, but either works great! You just want your gifs to be the best quality possible.

Next is where the screen recording comes in. I don’t use the screencapping method to make my gifs (where you use a program to cap a clip and then load those caps into a stack in PS). This isn’t for any particular reason… it’s just how my friends, (who very kindly taught me to gif), had always done it, so it’s now how I do it too. Personally, I find the quality to be just as good as the screencapping method, and have never noticed a difference between the two.

As I have a PC, I use the software built into it for screen-recording. If you go here: theverge(.)com/2020/4/21/21222533/record-screen-pc-windows-laptop-xbox-game-bar-how-to – you can see how to use the XBOX screenrecorder to record from files you have d*wnloaded. This also works on some streaming sites, but I think it depends on what browser you use. Personally, I recommend Firefox, as that seems to bypass a lot of the blocking and ads that occur when trying to do this sort of thing.

For MAC users, I have been told handbrake works well, as it converts MKV files to MP4, which can then be used to make gifs. You only need to convert part of the file to MP4 depending on how much you want to gif, and this also bypasses the screenrecording stage, as you can edit MP4 clips on Quicktime. I am told you can split them into smaller clips by going to edit > trim and it saves the new clip!

I have also used anyvideoconverter for small clips, but I can’t say what it does to the quality of your video, or how big of a file it lets you put in! With the XBOX screenrecorder, it doesn’t matter what type of video files you get, as the recording will save to MP4 anyway.

LOADING YOUR FRAMES

Now, go ahead and record whatever clips you want to gif. Make sure you have the video timeline open, by going to window > timeline. Then, go to file > import > video frames to layers.

Next, select and open your clip from where it has saved (with the XBOX recorder, it saves in video > captures). You should see a little window pop up, where you can move the sliders back and forth to clip your recording to whichever part(s) you specifically want to gif. I recommend trying not to load a lot of frames into photoshop at once, but I would be a hypocrite to say that, since I do it a lot lmao. Just be patient if you do!

Once you have chosen the length, click okay. Never, EVER, I repeat NEVER click the button that says “limit to every __ frames”. This really ruins the flow and quality of your gif—it’s better to have shorter, but smoother gifs, I promise. And with tumblr’s new 10 MB limit, it shouldn’t be a problem anyway!

Then, your frames should open up. What we want to do is make them into a smart object, so we can edit all the layers at the same time. To do this, click the small button in the left-hand corner. ALWAYS click this first. If you don’t, it will only convert the first frame to a smart object and the gif won’t work.

Give it a second to sort itself out, then, on the right-hand side, select all your frames at once using the shift key.

Then, go to filter > convert for smart filters. This might take a minute. Don’t click anything else in case PS gets angry lmao, just leave it for a second and it’ll do its thing. The more frames you have, the longer it takes! Now we have our gif, but it needs to be cropped, sharpened and coloured!

CROPPING

You want to start by selecting the rectangular marquee tool on the left-hand side, then drag it across by clicking and highlighting the area you would like to crop your gif to, like so:

What I tend to do is select everything inside the black lines you sometimes get around your gif (this depends on what file you d*wnload), and also the tiniest bit inside the sides. This is because I’ve found if you crop it right up to the edge, you get a tiny bit of transparency on the sides of your gifs, which I’d rather avoid.

Once you have your desired selection, go to image > crop. Now, the dimensions for tumblr are 540px width, so all your gifs have to be that width. However, the length is up to you. I really like big gifs, so sometimes I even make a full square, or even longer. It’s entirely up to you, and what kind of set you want to make.

For the purposes of this gif, I will stick to what I usually go for, 540px by 350 px. This will mean you’ll have to crop some width off, but that’s okay, since Marisa isn’t central anyway. The cropping is always trial and error for me, as sometimes people move out of the frame within in the gif. The best thing to do is just try it, and then move the slider in the timeline window at the bottom to see if the person stays inside the gif, and if not, adjust accordingly.

Next, go to image > image size:

In this box, if I put the width as 540, the gif is a smaller height than I want, as it keeps to the dimensions of the gif when you load it into PS. That’s okay, just put the height you want instead, and we’ll crop off the excess.

Then click OK. Using the rectangular marquee tool again, we need to remove the excess width. Part of the reason I like this version of PS is that it tells you the width of your selection as you do it, but you can always use the ruler as a guide, and check the size of your image by going to image > image size again.

Again, use image > crop, and your gif should now be the correct size!

You can also use the crop tool in the timeline window to crop the length of your gif:

However, I tend to wait until later on to do this (which will be explained further down!)

SHARPENING

Next you want to go to filter > sharpen > smart sharpen.

These are my settings. However, 0.4px is very sharp, too much so, but that’s easily fixed.

Go to filter > blur > Gaussian blur and then set it to 1.0.

Now on the right-hand side, we need to reduce the blur, so double click the little adjustment button, and change the opacity of the blur. I usually go for 20-30%!

Then click OK, and that’s your sharpening done!

COLOURING

I picked this scene on purpose as it’s dark, so good for showing how to colour a gif. I have a base psd which consists of some very basic adjustments, but it mostly exists so I don’t forget what adjustment layers I like to use. I adjust them every time I make a gif, essentially colouring each gif from scratch.

In this case, the psd actually makes it darker. So, what I will do is turn each layer off, and adjust as I go. A lot of people say using lots of adjustment layers ruins the quality of your gif… I have never found this to be true, as long as you are gentle with them. If you whack the brightness right up to the top, it’s going to ruin your gif no matter if you use 1 adjustment layer or 100. I would just say use your common sense, and adjust a little at a time!

I start with a simple black to white gradient map set to soft light, because I think it helps you see depth once you add some brightness to it. I usually do this on about 10%, or more if needed. It’s probably unnecessary, I just like how it looks!

Then, I move onto using curves and levels. This is where things can diverge depending on who you’re colouring. If this person is white, it doesn’t matter too much. If they’re not white, you don’t want to white wash them. My best advice is to play around with it. By adding vibrance and other (usually the red) selective colour settings later, you can ensure you don’t change the person’s skin tone from what it originally was. You can also use layer masks at varying opacities (various shades of grey), on your curves and levels, to remove some brightening so that you’re not changing anyone’s skin colour. Just brighten slowly and check in with yourself honestly about how your gif looks.

Some people don’t like using levels, or curves. It’s completely up to you. I tend to use both because levels are good for bringing depth, even if not brightening (though I like to use them for that as well).

One thing you can do is use the white point of the gif to make PS adjust the curves itself, however I like to drag the sliders myself and see what it looks like. Just make sure it’s not too bright, as we will be using further layers to brighten more, after.

Next is levels. The slider on the left controls the black point, the one in the middle controls the midtones, and the one on the right controls the white points. The black brings depth, the midtones adjust the overall brightness, and the white points produce stronger highlights. Again, you’ll get a feel for how this works as you practice. Just don’t use the white point excessively, especially if your characters are not white.

Then I add vibrance (+20!), because we’ve removed a lot of it when lightening the gif. Next is exposure, which I find brings out the highlight and shadow areas more effectively:

Then colour balance! This helps with scenes that might be a certain colour, i.e. too blue, too green, too red, etc. Moving the sliders in the opposite direction of the colour your gif is will counteract it. The best thing to do when accounting for different colours, is to make a new layer every time you change colour, so that you don’t get confused. I always add a new layer for colour balance and selective colour if I want to change more than one thing. So one for red, one for yellow, one for pink, etc.

A layer of brightness just to make the gif pop, and because the scene is extra dark, I added a very gentle extra curves layer:

SAVING YOUR GIF

Time to save the gif. You can go ahead and file > export > save for web (legacy) now, but then you’ll have to reopen the gif to reset the frame rate from 0.07, to 0.05. Instead of doing that, I use a modified action. The original was made by the very talented @elenafisher! So I do not take credit for that at all. You can find the original here: elenafisher(.)tumblr(.)com/post/190817437374/gif-sharpening-action-2-preview-download and in my resources tag. Please reblog it if you’re going to use this!

To use an action, first make sure you have actions turned on in window > actions. To load in your action, go to the little lines circled, and then load the action from your downloads:

Obviously if you don’t want to sharpen your gifs yourself, you can use the action as it is, and it will give you a beautiful glowing effect. If you’d just like to use it to flatten your gif into frames like I do, make sure to take out all the items I have highlighted:

Until it looks like this!

Make sure you have the layer under the file name highlighted, and then click the play button at the bottom! (If you get a screen saying select all frames cannot be found, don’t worry, just click continue!) You can delete the layer that does that if you want, I just keep it in case I realise I’ve forgotten to do something, because you can click cancel and edit your gif before you flatten it. Of course you can undo the steps to get back to the smart object version of your gif, it just takes longer!

And now your gif is in frames and set to 0.05 already, so you don’t have to change the speed! All you need to do now before saving is change the gif cycle to “forever” in the bottom left-hand corner:

Then to save the gif go to file > export > save for web (legacy). Sometimes, the gif is bigger than the tumblr 10MB limit. You’ll be able to see this in the bottom left-hand corner of the gif save settings. If this is the case, I like to preview the gif, to see whether it would be best to cut frames off of the beginning or the end, or both. When you’ve decided, you can select the frames at the bottom, and in the right-hand side panel, and delete them both using the little bins/trash icons.

I keep checking and deleting frames until I get the gif under 10 MB! Just don’t delete frames from the middle, as then you’ll have the same issue as if you selected “every other frame” when making the gif: it won’t flow!

Lastly, these are my save settings:

So that’s it! That’s how I make all my gifs. Blending I do when the gifs are in the grouped, smart filter stage, whereas text I add on during the framing section above! Really hope this is helpful, please feel free to ask any questions you may have! 💖

#gif tutorial #tutorial*#completeresources #yeahps #chaoticresources #allresources #mikesmom #usergeo #userava #usertix #usersmile #usertom #if you'd like me to cover anything more advanced just shout #i wanted to show how i add text too but tumblr wouldn't let me add any more pics #but people can let me know if that's something you'd want!

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theshopislocal · 3 years

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So I joined tumblr in December after seething about 15.20 for a little while. Before that I’d been an AO3 lurker and occasional writer in several fandoms, and before that I was (proudly!) kicked off of LJ for my disgusting and offensive PG-13 Harry/Draco drabbles that apparently squicked (a term I’ve recently learned no one uses any more :/) the random Christians who were inexplicably trolling LJ.

I knew very little about the spn fandom - specifically their demographics - when I first came here. I’d sort of been enjoying the show (usually? Eh, like 70/30) in my own little bubble - the same with fanfic and fanart.

To be frank, I was startled to discover the sheer number of younger folks and LGBT+ who are fans. Of course, reading all of your discourse and meta and musings, it makes perfect sense that spn and its characters would speak to young members of the LGBT+ community; I’d just been a little too ‘in my own head’ to put that together.

I’m a cisgender woman, and I’m generally fine with being called straight, though it’s not 100% accurate (what ever is, really?). That said, I wasn’t sexually or romantically attracted to anyone until I was in my early twenties, and my interests didn’t really align with those of other girls when I was in school. So, around seventh or eighth grade when most of the other girls started to go a little boy crazy, a few of them (my friends, actually) decided I was a lesbian. Their 12-year-old, early 2000s reasoning was “well, if you don’t like boys, and you keep your hair short, you’re probably a lesbian.” And I sort of just said “yeah, okay.”

So, when I was around 13 or so (and a newly minted “lesbian”), I started to get interested in media with gay themes. I started with shows like Queer As Folk and The L Word, and oddly enough, even though I didn’t relate to the romantic or sexual stuff because I didn’t feel things like that at the time, I did relate to the characters’ struggles. Feeling like no one knows you, like people can’t accept you, want to change you, feeling alone and different and outcast. Maybe it’s because I wasn’t very pretty, maybe because I was one of the only black girls in my grade, maybe because I was an only child and a latchkey kid; whatever the reason, these gay characters spoke to me. I felt like I knew them, and they knew me.

In true millennial style, I blew through pretty much all the gay stuff my mom would let me watch (she actually got suuuuper into The L Word, we watched like seven episodes in a row on Christmas Eve once), and then started scouring the internet for more content. That’s when I came across sites like Ink-Stained Fingers (a Harry Potter slash archive that might still exist? Idk) and Library of Moria (same thing but for LotR). And suddenly - anyone could be gay! And even though I wasn’t actually a lesbian (though at the time I was rather convinced I was), it still felt fantastic that I could actually relate to these characters, some of whom I’d only vaguely liked in reading their original canons.

I very quickly became a fanfic connoisseur - and it even went beyond slash pairings or any pairings at all. I just liked seeing characters in a new light. I liked seeing people and relationship dynamics that were different, taboo, subversive - because it made me feel better about being me.

I went off to college. Screwed around with some boys, some girls, some people who didn’t call themselves either. Became pretty sure I wasn’t a lesbian, but still didn’t really know what I was; this was over ten years ago, and all the various terminology was still pretty new. Eventually, I met a boy who made me smile and turned me on - both of which were entirely new and singular experiences for me - and I married him.

Cut to: my husband and I watching 15.20, and both of us - cisgender and predominately straight - looking at each other like “wtf is this bro-y bullshit?”

So I thought “fuck this, I need to vent,” hopped on tumblr, and - low and behold - here you all are! It took me a minute to wrap my head around it, to get past the initial excitement of just look at all the people the different people the real people the people who are so very unapologetically themselves!

I don’t think any of you could possibly know how happy I was (am) to see you all, how very beautiful it is that you’re all here.

Anyway. To all the LGBT+ shippers reading this, I just want you to know (re: the deancas wedding, but also just... everything): if even my dumb, straight, weird, who-even-am-I ass can see it, it’s real. You’re not crazy, you’re not delusional, your opinions are not invalid. You’re not just “projecting,” and even if you were, there’s no damn law that says only straight people get to project. Please don’t let shitty people (who are literally too stupid to even capitalize on your interest for their own gain) ruin anything for you.

To any straight shippers: if you’re anything like me, you’re not fetishizing or objectifying gay relationships - you’re relating to characters that you adore in the best way you know how. You’re celebrating the qualities in people that make the world diverse and colorful and beautiful.

To any young shippers: it gets better. You’ll get out. You’ll find better answers. You’ll learn better questions. You’ll figure it all out, or (slightly more likely) you’ll figure out that not everything needs to be figured out. People do hear you, and people do care about you and what you have to say. Your voice matters.

To everyone: there’s nothing wrong with you. And I’m so damn sorry that anyone has ever made you believe that there is. Honestly. I’m sorry.

#idk how to tag this #I guess um #destiel #???#deancas wedding #stfu #chad lindberg #extra stfu #samantha ferris #fandom stuff #tmi #sorryyyy #i love you all

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bobaghoul · 3 years

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Is it weird that I really look forward to your answers BECAUSE they're long and well thought out? no need to apologize for that :]

I would go again if it wasn’t so crowded (and during a pancreas too, like damn)

LOL this damn global pancreas, man

what would you say is the difference between tumblr, pinterest, and reddit?

it seems like you prefer tumblr over the other major semi-anon/anonymous platforms. have you tried others like pinterest or reddit? what’s kept you from using those on a more regular pace?

-end of submission

THAT’S ACTUALLY SO SWEET, THANK YOU ;-;. Oh my gosh, I really appreciate that you ask me questions, they’re always so interesting and I look forward to them a lot! My answer is under the keep reading :)

HAHA, damn pancreas, ruining everything! I also do actually have a pinterest and reddit! I usually use both of those platforms for very different stuff compared to tumblr. I get more of a genuine feel when it comes to tumblr users. Like they’re just saying whatever just because they want to, and it’s also super great because there’s a lot of original content here. There’s no where else I can imagine getting such a variety of content. You can find pictures, fanart, writing, just straight up opinions/rants, asks, and a lot of other types of things here just because people like to talk about what they like! But meanwhile it feels like reddit users post just to hear what other people have to say, or they’re posting for other people’s approval. Like sometimes it’s not like that, but I just do get that feel from reddit for some reason. :0 For pinterest, I usually just use it for drawing references and stuff. I don’t usually use it for anything else, so that’s probably why I don’t use it as frequently as my other social media apps. I might not be using it to its full potential, but I do think a lot of it is just reposted stuff from other apps. Sometimes in lower quality too, LOL. With reddit, I actually use it for the community feature! I’ve actually been using it to hear people’s stories, like I’m in some certain communities and I like hearing the advice people share on the posts there or just experiences people have had. Sometimes people deal with the same situations or have the same questions I have, so I like to read the answers there too :) It’s really helpful. I don’t post or anything, but I use it whenever I want to relate to someone and hear what other people have to say. So if I had to say the apps I use from most frequent to opened occasionally, it’d be tiktok, tumblr, snapchat (honestly one of the only ways my friends can reach me LOL), twitter (only to check on bert stan twitter also art), reddit, instagram (another only way my friends can reach me aside from messages), and then other social media I barely use. Do I need this much? Naw, but I do get bored often and easily. Oo, but do you use other social media too? If so, which ones do you use frequently and why? If you’re comfortable sharing, ofc!

#anonymous #submission #AHHH THANK YOU ANON YOU'RE SO NICE OMG #AND IF YOU EVER WANT TO TALK OR RANT OR ANYTHING MY INBOX IS ALWAYS OPEN #I WANT TO HEAR ABOUT YOU TOO

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obeymematches · 4 years

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Hi there, I saw your tumblr and thought it is really cool ! So I wanted to know if I can request a matchup ? 😳👉🏽👈🏽

My name means the laughter in spanish but I’m not very good at making jokes even though I love to laugh and I take pride in putting a smile on people faces. I try to live up to my name haha. People always think I’m intimidating at first because I have been cursed with “resting bitch face”. But really I’m kind at heart and very empathetic. I can cry at movies, I’m always here if someone needs to vent, I feel bad if I see someone or an animal suffering and I hate injustice. When meeting new people I’m a little observant at first because I need to feel with whom I can feel the most comfortable. Im an introvert leo thus I suck at communication, I’m a bit sarcastic and sometimes I roast people unintentionally. I don’t know why I have a hard time saying ’ I love you ’ even with my family. I’m not a physical person either, the only person I let touch me is my partner or my pets. I show my love through actions and support, my love language is quality time. I become a bit silly around my loved ones and I loooove to prank them. I have siblings and I’m the oldest, I have always been the mediator when it comes to resolve fights between them. I never considered myself clever and I lack self esteem because of this, but when I’m doing a job, I need to do it right and I work hard so I can feel the satisfaction of my boss or clients, I’m not scared of responsibilities.

On my own, I have a world to myself, I love fantasy, mystery and horror stuffs, my space needs to be cozy at all times. I’m sensitive to loud noises so I like it when its silent, at best I can tolerate music like classic, lofi, or ost from movies/video games. I love digital painting, and clean/organized stuffs. I love beautiful things, and learning about animals, humans and its psychology. I love taking care of myself, like I’m always searching for the best skin/hair products and I need to look good everytime I go outside haha.

When in relationship I need someone with a lot of patience, I’m slow to open up. And when something troubles me I tend to go silent. I don’t want to ruin the good mood so I keep my struggles to myself. I do not tolerate humiliation, or disrespect, it’s a huge turn off. I’m usually calm and would hate to “go crazy” at them. As an introvert I need my alone time so I need my partner to be understanding about this. When completely in love I tend to put my partner on a pedestal and take pride on showing them off. Also expects lots of gifts and surprises, bc nothing is ever good enough for my partner.

Thank you for reading this far 🥺

———

hiiii! sorry for my late answer!

okay so i’ve had a few of the brothers on my mind so it was not an easy decision. i think you’d be a very nice match for Satan, Belphie and possibly Lucifer too. But Simeon would also be a decent option! (like you’re into digital painting and he’s the opposite of digital so that’d be a fun learning experience)

OK after reading your request over a couple of times i decided that you and Lucifer would totally work out!

Okay so you making people smile without shame is something that catches the attention of the 3 demons I mentioned (2 of them is good at observing and Belphie hardly ever smiles so once you get him to he’s in)

You say you have a rbf but later you mention that you like to be pretty and Lucifer definitely appreciates that in a partner. I mean someitmes you go to places where you just gotta dress nicely and neat.

He also appreciates someone with a soft side like you as that balances things out a bit, but also because he has some soft spots as well - you being a new one!

I don’ think he would open up to anyone easily, so quite some time would pass before he actually vents to you but he makes sure to make it up to you!

Well I think Lucifer is good at communicating so regarding that he would probably help you learn a bit as communication is supper important in a relationship.

Later you mention that you are responsible just like him and honestly he deeply appreciates that you are not someone to cause much trouble.

However! We all know how he likes troublemakers like Mammon, so the fact that you prank him and/or his brothers just makes him grow even fonder of you! (i think Belphie would be quick to join in as a pranking sidekick)

You also mention how you have the skills to end fights and in the HOL that’s super important for survival without losing your mind. I think you’d do a great job at fixing the bonds between Belphie and him, or maybe even Satan and him! (i mean not fixing it instead of them, but like... they could get on the healthier path thanks to you! character development)

I think he likes touching, even if his brothers are around - in fact maybe especially when they are around, so it’s nice that you’re OK with your partner being touchy. However you being there for him and running errands for him to show your love is just perfect. Quality time is also something you have in common, as I mentioned earlier expect to go to quite fancy places relatively often. Or just spending time in his room, i mean he wants alone time with you from time to time is there something wrong with that-

You working hard is also something he values a lot! and if you have similar values thats a good start.

I think you lack of self esteem would be risky if you were on his bad side but that’s not happening. Lucifer is definitely strong and capable of lifting you up a bit, I mean you are literally dating him and he knows how to recognize someone smart so really you’d have no choice but to gain some more self esteem! (not because you are dating him because it’s not healthy to have self esteem only because of your partner, but I meant it in a way that he lowkey guides you to actually start believing in yourself. )

Hmm so you liking cozy places is nice because that skeleton in his room has no business staying there like wtf-

You two have similar likes when it comes to music so thats also good. So when you two are recharging there’s never going to be any arguments about that. I think he is open to lsiten to whatever music his partner likes but tbh if you like very similar stuff as him that just can’t go wrong, right?

In case he does something you don’t like you’ll absolutely have to tell him though! He will notice when you aren’t feeling yourself and it’s better to confront him about it than wait for him to bring this up.

It’s also nice that you have your standards high like that especially when it comes to your partner as he is a demon with high standards! though he appreciates literally anything you give him, this man is just so in love.

So this relationship includes two responsible adults and he helps you develop better communication skills & self esteem! the two of you can rely on the other at all times emotianlly and responsibility-wise as well. (though he might have a bit hard time to actually ask you for help, but once you get to know him and his capability. You’d help his relation with above mentioned brothers and him being family oriented he’d really love that and would never forget about how much he owes you for that.

#obey me #obey me lucifer #om! lucifer #obey me shall we date #obey me matchup #obey me swd #swd obey me #lucifer obey me #om!#submission

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enigmatic-elegance · 4 years

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Mas’ Must Follow MASterpost

[In no particular order]

People

@risrielthron One of the best. You will feel as if you are talking with your lifelong friend. Sweet, friendly, and generous. A true example of who we should all try to be more like.

@theodorebennas Daddy Beans. Chill dude. Knows he can be a bit of a meme and owns it. Actually extremely smart and has a ton of good sense. Crusade!

@tanzrielle Super chill in the most not chill way. Will talk your ear off about their awesome characters and want to hear all about your own too. Great person to know and bounce ideas off of.

@thebattlesheep @a-sheep-does-art Sweet thing. Loves to meet new people. Does not RP much but when they do they kill it.

@possum Loser. (Seriously such a humorous, sweet, and all around amazing person.)

@wiedaashcroft Really great character, and the person who plays them is extremely laid back and chill.

@the-petalpaw-family They don’t RP as much right now, but their stories and characters are next level. No lie, they take things like plot and character lineage to places you rarely see. Amazing places.

@kat-hawke ICly very interesting and intense character. OOCly a more grounded individual. Blunt, but never cruel.

@darthscharactervault Someone who does not give themselves nearly enough credit for how creative they are with their ideas and characters.

@gwenya Often NSFW but she’s a gem of a person. Amazing, chill, down for whatever. She’s the raunchy friend you never knew you wanted.

@the-real-arcanist-val Smart person, fantastic writer, extremely sensible and rational. All around someone you want to know.

@vaard Never personally interacted with him, but he’s an iconic figure among the community. Everyone should follow. (Does not take commissions but is an amazing artist, too.)

@harvee-sarah-zena One of my closest RP partners. Might not post as much as they SHOULD but if you can catch them their RP is some amazing work. And their characters are all so unique.

@thegreatnyehehe Likely not returning to WoW any time soon, but still one of the best characters ever. To this day, worth reading through their posts.

@kinzorscarstorm Chill dude with a cool character. Have not interacted much IC, but respect them OOC for their char and methods.

@open-world-azeroth Not really a ‘person’ but a great resource for some fantastic RP spots.

@mediocre-bladeleaf Very cool aesthetic, and from what I see of their writings they have some awesome characters.

@draenei-tales Shout out to a fellow active and really cool looking Draenei RPer. All I see from them is extremely interesting.

@leora-strauss Don’t know much about the character but their aesthetic is so amazingly cool.

@serelia-evensong Active and interesting RPer. Will fill your dash up with fun to read posts of all kinds.

@susan-gampre Hoe. But she knows it. And she’s good at it. The character and RPer both are sassy and take no shit, and I love them for it.

@storykeeper-wra Spooky character. But not tired and boring spooky. The sort that’s very interesting. Like a good book. Makes sense they are the storykeeper, because their story is very appealing.

@halforc-mercenary Have always wanted to interact with their character but never much got the chance. Still adore their writings on my dash, and they often impress me with their plots and quality.

@rhysgoodwin Cute char, updates often, fantastic writer.

@priestess-nightfury Elf RP/Aesthetic at some of its very best.

@stonestridernerd They will love you and make you feel like the best person ever just be hurling likes at you and complimenting your work. They are just a gem of a person. So, so sweet.

@theshadowborn Shame I’[ve not interacted with their character much, but they are a clearly talented writer.

@durotan-ofthe-frostwolf Lot of OOC silly stuff, but genuinely a cool person and always a pleasure to see on your dash.

@ranekvilmas Just a very talented writer and all around chipper guy. One of those people who always has something interesting on their blog to read.

@penvenomstarkstar A good head on this one’s shoulders. ICly their character is extremely well written with so, so much depth. Endless things to discover here.

@ravenpriest DAMN awesome aesthetic. Really nails the gothica vibe.

@longveil Such a cool aesthetic. I’d follow for that alone, and there is so much more there too.

@kyuusei-shadowleaf Another blog worth the follow for aesthetic alone. So cool to see across your dash.

@k-sunrael Followed for a long time. Their blog can sometimes be a bit NSFW but the content is quality.

@monster-of-master In the vibe of ‘dark’ aesthetic without being overtly in your face. The sort of subtle horror we all secretly crave. Very much enjoy their content.

@summysparklesprocket Such an amazing, kind, and funny person. And the character is next level because they are a Gnome taken seriously. Love them.

@quai-mason @andrew-mason Extremely talented writer and one of the few who posts so, so frequently. You’ll eagerly await their next post, trust me.

@unabashedrebel ICly they are a very cool character with awesome stories. OOCly they are a smart and conscience driven individual with a good moral sense. More than once they’ve shown they are not afraid to stick up for what matters. Lot of respect.

@safrona-shadowsun Killer character aesthetic, great reblogs, and does not ruin their theme with bullshit. Fantastic follow, this one.

@helryder666 All over the place with their posts, but its never unwelcome or uninteresting. They always seem to know what you wanna see, even if you don’t know.

@thewardancer Some of the best troll aesthetic I’ve seen, honestly.

@brandstonethings Just a big bear of a man. I love him, and you will too. He’s so well written he feels alive.

@archmage--khadgar I hesitate with people who RP lore characters. This one managed to be one of my few exceptions. They actually do a really great job with it.

@forhonorandglory Only followed for a short time, but still worth it in my books. Sharp wit, great character.

@covexalexanderkingsley Don’t know if they still RP as much these days but they remain a very fantastic and creative individual.

@eilitheduskbringer Very talented writers. One of the best I’ve seen. And they host to an amazing community I’ve come to respect.

@thepalewolfhowls Great artist too, but I mainly know them for their awesome character and fantastic sense of story and plot.

Guild/Other

@the-royal-courier A fantastic source of events and stories. While they don’t host many writings of their own, they still reblog community events. Absolutely advise a follow.

@stormwinduniv Been around about as long as my old arse. Very talented group of writers who put on so many community events and intellectually focused debates.

@the-silver-circle A group of extremely talented writers focused entirely on Kaldorei writing and storylines. Very high levels of respect from me.

@moment-in-time-wra Less a ‘guild’ but still a great service for in game photography. They make your events look fantastic! Run by Risri.

@atc-wra A very talented small group of RPers who know how to make stories pop. You just want to be a part of them, or read what happens next.

@deadsunharbor Very fantastic crew who are open to all manner of amazing RP opportunities. They do criminal/dark correctly and with finesse rarely seen.

@oathswornvanguard Lawful good guild done proper. They have stood the test of time not only with their quality but their kindness and openness to the community.

@wraconnect A great source of WoW events and blogs to follow.

@wowrpevents Another fantastic source of WoW events and blogs to follow.

@wracentral ANOTHER fantastic source of WoW events and blogs to follow.

Artists

@whimsicallyart @elaianna Talented, intelligent, observant, and all around a gem of a person. Worth knowing.

@littleliongod One of the best I have worked with. Talented, priced very fair, extremely punctual, very communicative. Can not possibly recommend enough for any commission work.

@artofaokori Worked with them before and would absolutely do so again. Their style is very unique and you’ll recognize it anywhere in a good way.

@vintrove @vinsketchbook Extremely talented. Some next level stuff. Commissioned them twice and both times they blew me away with the end product.

@catbatart @cat-bat Such a shame I’ve only worked with them one time. One day, I must commission them again because they are the sort of artist who will go that extra mile and bring your piece to life.

@ferachidoesart They are Ferachi. They do art. Really well. Great style, super unique, and their commission prices are way more reasonable than you’d expect for their amazing quality.

@auggusst-art @auggusst Really such a kind and talented soul. One of those hidden gems of tumblr. They deserve more notice, so go give it to them!

@blackdogmelancholyooc @blackdogmelancholy Nerd. But actually a really cool dude with a ton of raw talent. They are great to work with.

@anzka Have not posted here in a while, but you should take a peek. Why? Because no one. Draws. Gnomes. Better.

@planktonheretic You like thick ladies? What about buff ones? Then my friend, have I got a treat for you. That treat is Plank. Check out their Twitter too for even more fantastic work!

@kellydidathing Amazing artist. Very busy person, but worth the investment because the art is top notch.

@izzarra Talk about raw talent refined into a craft. This artist is going places, seriously. Amazing stuff.

@thestringking @jane-fitzgerald @ahn-qiraj Extremely talented young lad who I know will go on to kill it in the art industry. Already one of the best out there, no lie.

Self Plug

My blog should be easy to find, right at the top of this post here, or the bottom. If you want to see all my character blogs, please check out RIGHT HERE (under repairs atm so a few of the characters might not work or link improperly) for a complete list. Each character page here contains a link just under their summary that will take you to their individual blog. Check out the ones that interest you!

Also want to plug my own guild, @coldwall-collective, for still being some of the best writers and content creators I’ve had the pleasure of working with. Go check us out!

Not Here?

Don’t be sad! Many reasons could be the cause. Maybe we’ve just not interacted enough. Or maybe I’ve not seen many of your posts. Maybe I overlooked you because I’m silly. Any of these could be a reason. If you don’t see yourself here, it does not mean I don’t appreciate you. I do. You’re a part of what makes this community great and I have all the respect for you.

#ooc

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argentdandelion · 4 years

Text

Is Joe Cuppa Coffee Sans?

Or: Who is Sans, Anyway?

Caveat: It is impossible to reference every "AU", or even every permutation of "major" (common on the Undertale Tumblr tag) "AU". As such, mentions of various "AU Sanses" should be assumed only broadly correct.

The Undertale fandom has many, many works called “AUs”. Some of them count as Alternate Universe works, where the work’s very premise is altered, and so do not, but many of them feature distinctive versions of or interpretations of Sans, or Sans-like characters. Indeed, Sans is so disproportionately popular he’s practically a subfandom in himself, what with the many Sans-centric works or creative works or worlds which only feature Sans and Sans-oid characters.

But which works’ characters “count” as Sans, and which do not? There are multiple ways in which one can define "What is Sans?", and each definition has various problems. Some of these Sans-es look and act drastically different from the canon one, from lankier interpretations of Gaster-Sans to the hyperactive Underswap-Sans. Yet, supposedly, they are “Sans”, or “a Sans”, rather than Sans-like characters. Complicating the matter, it’s impossible to say how far Sans can change while still being himself. Indeed, canon timelines alone sometimes show the malleability of characters’ identities.

As a point of illustration, what’s to say Joe Cuppa from O.K. K.O. isn’t "a Sans" called Coffee Sans?1 After all, if a “Sans” can differ drastically from the original’s looks, relationships, and role, what would disqualify Joe Cuppa?

1. Genetics.

If the DNA is duck DNA, it’s a duck.

People often ascribe "essences"---something invisible from which recognizable traits arise—within living beings. By definition, essences cannot be measured, only the things that are presumed to be manifestations or signs of it. When it comes to living things, essences are generally conflated with DNA. If a particular animal’s DNA matches a duck, it’s a duck, regardless of whether it looks really weird. (say, being a plucked duck, or a plucked duck whose legs are missing).

By this logic, an individual who is genetically identical to Sans is Sans. For this to be a valid interpretation, a “Sans” would need to have the same parent(s) or source as canon Sans, whatever that may be. In works where a character obviously can’t have the same origin, DNA, or material composition as canon Sans that character cannot “count” as Sans.

Weaknesses & Oddities

This approach has obvious weaknesses. Identical twins, despite having the same DNA, do not count as the same person. Indeed, as time goes on and their environments diverge (e.g., not going to the same school), they come to differ more from each other. Though they may have the same DNA, the way that DNA is expressed (such as through epigenetics) can differ, and the differences can magnify over time. Therefore, to say than two Sanses are the same because they have the same genes only makes sense if identical twins ‘count’ as the same person, or variations thereof.

Joe Cuppa Verdict

It’s bizarre to assume a DNA test would reveal he’s identical to Sans, as his physiology differs so much. In fact, even if he were a “monster” or class of monster within the world of O.K. K.O., monsters’ natures differ so much in O.K. K.O. that it’s unlikely they’re equivalent.

Other Evaluations

In ReaperTale, a work where various Undertale characters are gods, Sans and Papyrus were made from a black hole. Dream Sans and Nightmare Sans were created from the light of a mystical tree, which is, again, not like canon Sans. However Sans and Papyrus were made in canon, they certainly weren’t gods made from a black hole or made from a tree’s light; ergo, none of them qualify as “Sans” by this logic. Though Fresh-Sans looks just like Sans in tacky 80s/90s clothing, he’s actually a bizarre alien parasite controlling “a Sans”, not a monster. In that case, the only thing that makes him a "Sans" at all is his looks.

2. Looks

If it looks like a duck, it is a duck.

Image by Insanelyadd.

In an "AU" where Sans is the only character (generally, Dream Sans, Ink Sans, Nightmare Sans, etc.), it's not possible for Sans to have similar relationships or roles, and other similarities are also less likely. Therefore, looks are the only thing which establishes a character is Sans.

Weaknesses & Oddities: People can look different over time. In fact, some people change so much photos of them as a child and an adult they aren't even look like the same person. If one of Sans' defining traits is that he's nearly as short as 8-12-year-old human child, but he's not actually fully grown by skeleton standards, what would stop him from not being "Sans"? If his face drastically changed in shape or proportions when he was much older, would that also affect this factor?

Joe Cuppa Verdict

Although Joe Cuppa acts much as Sans does, Joe Cuppa is clearly not Sans: he has a coffee mug-shaped head/a mug for a head, for one thing. Therefore, despite his behavioral similarities, he is not Sans.

Other Character Evaluations

Fresh-Sans (“Fresh”) is, supposedly, a bizarre alien parasite that is unlike Sans in genetics, relationship, most behaviors, and role. He has simply taken over a “Sans”. However, viewed from his host alone, he looks strongly like Sans, and if looks are all that is needed, he counts.

Furthermore, depictions of Sanses as other species (e.g., humans) or breeds of monster drastically change his looks, so they don’t count as Sans, by this logic.

3. Relationships

If it likes me, as evident by it wagging its tail and running to me, it's a duck.

According to this interpretation, whoever is Papyrus's brother and cares strongly about him, and is also the friend of the old lady behind the Ruins door, is Sans. This suggests that, in a world where Papyrus never existed, Sans wouldn’t exist—not as we know him. It would be someone who looked like Sans, certainly, but not someone with the same identity or properties.

If "a Sans" exists in a universe without other characters which are important to his identity (e.g., Toriel and Papyrus), then he's not really Sans.

Weaknesses & Oddities

This may mean that, in any Neutral route where Toriel and especially Papyrus dies, Sans would eventually stop being himself. However, it is possible a character counts as Sans if the character had a strong relationship with Toriel and Papyrus for a specific length of time, regardless of whether that relationship lasts indefinitely, for the full game, or beyond the game’s scope.

Joe Cuppa Verdict

Joe Cuppa does not have Papyrus for a brother, nor a close relationship with a different character who’s his brother. Indeed, Joe Cuppa never even mentions having a brother at all, and he certainly doesn’t talk about Toriel or Toriel parallels. Therefore, Joe Cuppa is not Coffee Sans.

4. Behavior

If it quacks like a duck, it's a duck.

By this logic, if a character acts like Sans, it’s Sans. For example, Sans is prone to sleeping, "boondoggling", eating "100s of midnight snacks", keeps secrets, and so forth. By this logic, Underswap Papyrus, who's generally depicted as "Sans, but in Papyrus's body” is not "a Papyrus" but "a Sans".

One should note not every depiction of Sans will show all his traits, in general or in behavior, due to length and genre limits. Yet it’s generally agreed these less fleshed-out depictions count as Sans. It seems there’s a consensus that a character needs to show most of Sans’ traits within a work, or some number of especially distinct traits.

Weaknesses & Oddities

Behaviors and beliefs don’t arise in a void; they are products of the environment. It would be hard to have a personality if nothing ever happened to oneself, or if one never had a choice on what to do.

Indeed, some have suggested some of Sans' recognizable traits are not things inherent to him at all, but consequences of having depression. (see related reading) For example, suggest Sans’ lazy ways come from a sense of nihilism or depression, which itself come from his studies on timelines stopping, starting, and ending. Papyrus himself says that Sans has been “sleeping more” lately: his laziness, thought essential, might have only started recently. In that case, if he stopped having depression, would he not be himself? (or, rather, "himself" as far as Undertale fans can tell)

If it takes only very Sans-like behavior for something to quality as Sans, then making it so he develops certain behaviors, or stops doing them, could make it so he no longer “counts” as Sans. If Sans talking about his brother a lot is a defining trait, then Papyrus never even existing would prevent this behavior, meaning that “Sans” is, in fact, not Sans. Furthermore, in a Post-Neutral work where Papyrus dies, if Sans stops talking about his brother years after his death, he also might stop counting as Sans.

Joe Cuppa Verdict

If only most of Sans’ traits/the most distinctive or crucial ones need to be shown for something to count as Sans, then, by this logic, Joe Cuppa is Coffee Sans.

Other Evaluations

Dream Sans (Dream), Ink Sans (Ink), Error Sans (Error), and Nightmare Sans (Nightmare) have drastically different environments, personalities, and relationships, and thus different behaviors and identities. Under any definition but a pure (and loosely-interpreted) visual definition, they don’t count as Sans.

On the other hand, Geno Sans (of AfterTale) might qualify as Sans, since his backstory was exactly the same as Sans’ up to being struck with the final blow in the Genocide Route. Although Geno Sans ends up more violent and cynical than canon Sans, it could be seen as continuing a trend established within the Genocide Route itself, and therefore support the malleability of identity.

5. Role

If it’s a small, lovable, somewhat tame animal that makes distinctive noises and enjoys small bits of food thrown into a pond on picnics or nature outings, it’s a duck.

Comparison between the turtle-ducks of the Avatar cartoon and a duck and between Storyshift Chara and canon Sans.

Using the “role” parameter, the exact role Sans plays within a work’s plot is a big cue to what makes him him. Therefore, any character which follows Sans’ role or closely parallels it counts as Sans. (specifically: second-area sentry, arranges puzzles with another character in that area, does something funny with a sentry station, gives the judgment, does the Genocide Route battle)

This consideration is especially important when considering role-swap “AUs”, such as Scramble Saga, Storyshift, and Inverted Fate.

Weaknesses & Oddities

At times, Swap Papyrus (best described as “Sans’ personality in Papyrus’s body”) fulfils a Sans-like role in fan works. By the logic of roles, Swap Papyrus counts as “a Sans” if fulfilling a Sans-like role, but, if not, he may be sorted as a Papyrus instead by virtue of appearance. However, this brings up Storyshift Chara, who fulfills a Sans-like role and has a Sans-like sense of fashion but is a human child who fell into the Underground and got adopted by a scientist-Asgore and royal guard captain-Toriel. Would Storyshift Chara count as “Sans” due to a Sans-like role and fashion, regardless of anything else?2

Joe Cuppa Verdict

Joe Cuppa is a somewhat glum/loosely "depressed", washed-up/loser-like person who receives help from a human child (K.O.) and others (Enid, Rad), and ends up happy at the end, having achieved his dream (becoming a successful comedian for Cuppa Joe, presumably getting to the Surface for Sans). Depending on how tightly one defines “role”, Joe Cuppa may count as “Sans”.

Other Evaluations

Dream, Nightmare, Ink, and several “AU Sanses” which don’t exist with other characters, roughly the same plot, and the same premise as canon Undertale cannot really fulfill the same role, and, as such, do not count as Sans.

This article was made with the help of Batter-Sempai (consulting), Ihasafandom (consulting), Voltrathesparking (creator of Storyshift; consulting), Loverofpiggies.

The author of this article, ArgentDandelion, enjoys discussion, comments, and reblogs. Feel free to do so on the Tumblr version, or on the Archive of Our Own or Pillowfort versions, where discussion is much easier.

The author also has a Ko-Fi and Patreon, and invites you to gaze upon it.

Related Works Did you like this article? There’s plenty more, so be sure to spread the love.

Papyrus is Probably a Better Boyfriend than Sans (series) (Character analysis of Sans and Papyrus, with emphasis on suitability as romantic partners)

It’s Okay to Hate Alphys (Or: We All Have Favorite Characters for Different Reasons) (Interpretation of a character and character reactions)

How to Make Underswap Sans: Antidepressants? (Subjectivity or malleability of identity in a Sans context)

Reasons Papyrus Would Kill a Human (Part 1, Part 2) (Talks about environmental influences on behavior and personality, but also argues one "AU Papyrus" is closer to the Undertale version that he might seem.)

It turns out, there are so many “Sanses” there actually is a Coffee Sans already. The name shall be preserved for the sake of rhetoric. ↩︎

Note that Storyshift exists in two versions: the preboot and the reboot. Many of the points about the preboot don’t hold up to the reboot, but the reboot isn’t developed enough yet to use in an analysis like this.

↩︎

#Undertale #Sans #AU Sanses #Character Analysis #Meta #Analysis #Character Design #Identity

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the-archlich · 4 years

Note

Went back to read some of the old spotlights (thank you btw for all the amazing work you put in it’s the only way tumblr blog I’ve read consistently the past few years), in regards to Guanqiu Jian- how much validity do you think the points in the edict he made were against Sima Shi? For a long time military commander who served in countless battles, he would have had to know his rebellion was going to be a suicide pact without a massive army. Just seems like a terrible error of judgment.

Oh god. Old spotlights. Sorry about those. Y’all deserved better quality articles. But moving on...

On the one hand, it was a very political document, phrased very carefully. All of the criticism is leveled at Sima Shi specifically, sandwiched between effusive praise of other members of his family. It’s possible he hoped to convince Sima Shi’s own family to turn against him. Guanqiu Jian may have even been benevolent enough to spare the rest of the family if they did, although it’s hard to imagine any of the Sima would credit that.

Guanqiu Jian was probably thinking the same thing most rebels are. That when he raised his flag and started to march against the evil usurper, others would join him. But history (even his recent history) shows that’s too idealistic. Just look at how many people were content to sit back and let Dong Zhuo do whatever. Most people find it easier to live under a tyrant than fight one.

As for the accusations themselves:

Now Sima Shi, an official in the prime of his life, feigns ill health while he has no real disease, yet has strong troops under his command; he does not serve the sovereign as is proper to a subject. The court officials criticize him and men of principle jeer at him. It is something of which the whole Empire is aware. This is his first crime.

This, I think, is false. We know that Sima Shi did indeed have a major disease that required ocular surgery. And beyond that I don’t think his reluctance to personally lead armies is really a fault. But it was a marked contrast to his father, and no doubt it offended the soldiers.

In preparing to attack the rebels, Sima Yi would have grain for the army unhusked in large quantities and set definite dates for launching his attacks. Sima Shi, as a high official of the State, ought to eliminate the national calamity (i.e. Wu and Shu); as a son he ought to bring his father's work to completion. But he ceased mourning for his father, and had all his work stopped. As a subject, he is disloyal; as a son, he is unfilial. This is his second crime.

Again, I don’t think this one is a fair criticism. There was a long precedent for ending mourning rituals early, and aggressive campaigns against Wu and Shu were always a risky proposition. This is another charge that I think was intended mostly to alienate Sima Shi from the soldiers.

While the rebels withdrew to Dongguan, he mobilized the troops; the three (jiangjun with the word) zheng (in their titles) advanced simultaneously. But our troops were lost and our army defeated; the military preparations of many years went to ruin in one day, so that the rebels were induced to come. The Empire fell into disorder, the people suffered from death and injury, or wandered homeless. This is his third crime.

Here, Guanqiu Jian criticises Sima Shi for Wei’s losses in February 253; most notably the defeat at Lake Chao; and for Zhuge Ke’s retaliatory invasion. Guanqiu Jian himself fought on that campaign, and the losses at Lake Chao forced him to quit the field without achievement. This is actually a fair criticism. Others, notably Fu Jian, had objected to the campaign in the first place. As its architect, Sima Shi does deserve his share of the blame.

The rebels mobilized the entire forces of their State, and with five hundred thousand men, as they claimed, they advanced towards Shouchun intending to proceed to Luoyang. It happened that we and the taiyu Sima Fu proposed the strategy of blockading key positions without crossing arms, and returning to strengthen the defense of Xincheng. The generals and troops in Huainan rushed against spears and trampled drawn swords, defending their positions day and night. They were engaged in this strenuous work for a hundred days, the dead strewn on the ground. Since its very beginning, the Wei army has never suffered a more severe hardship than this. Yet Sima Shi has arbitrarily made no proposal to enfeoff and reward the heroes in this campaign. Power was in his hands, but he did not use it to record the merits of these men. This is his fourth crime.

Guanqiu Jian is referring to the defense against Zhuge Ke in 253. While Jin Shu says that Sima Shi took command of the overall campaign, SGZ seems to disagree. Guanqiu Jian himself names Sima Fu as the commander, which agrees with other accounts. Guanqiu Jian claims that Sima Shi didn’t grant due rewards to those who earned glory during that great battle. This accusation is likely true, although a closer look at Cao Mao’s annals probably could solve that question.

The late zhongshuling Li Feng and others, considering that Sima Shi did not act as is proper to a subject, wanted to denounce and expel him. Knowing of this, Sima Shi invited Li Feng to come to him, and that evening struck him dead, carried off the corpse and buried the coffin. Li Feng and his associates were high officials and in the confidence of the sovereign. Yet he applied brutal measures to him on his own authority, killing him without first having charged him with a crime. Sima Shi did not respect the authority of his sovereign. This is his fifth crime.

Guanqiu Jian criticizes Sima Shi for executing Li Feng and his conspirators without any sort of due process. It’s a fair criticism. While that group was planning to kill him and some action had to be taken against them, Wei had formal structures for such an event. Sima Shi bypassing them entirely is worthy of criticism.

Sima Yi used to express his admiration of the Prince of Qi and would say that he was worthy of being a sovereign; he thus fixed the relationship between sovereign and subject. Having served as guardian for fifteen years, he wanted to hand the power of government to the Prince of Qi: He inspected arsenals and ordered the bodyguards not to leave their posts without permission. Knowing well his own wickedness and iniquities, which secured blessing neither from the spirits nor from men, Sima Shi dethroned his sovereign under a false command from the Empress Dowager, charging him with crimes. Sima Fu, a paternal uncle of Sima Shi, is by nature good and filial; when he bade farewell to the Prince of Qi, he could not control his grief; and the multitudinous officials were all angry at Sima Shi. But Sima Shi was insensitive and did not pay attention to the cardinal principle governing the relationship between a subject and his sovereign. This is his sixth crime.

This one speaks for itself. Guanqiu Jian is denouncing Sima Shi’s removal of Cao Fang under a forged or forced command from the Dowager. That definitely happened. Even if the details are a bit muddled by contradictory sources, Sima Shi certainly used his power to remove an inconvenient sovereign. This is probably the most significant charge Guanqiu Jian could point at him, and arguably the only one that matters.

Then again, the late guanglu dafu Zhang Qi was innocent of any crime, yet he put him, his wife, and his children to death. Even the mother of the State, the Empress, was affected: he pressed the August Person to send her away. At that time, all were grieved and astonished, there being none that did not lament. Yet Sima Shi called it felicitous and rejoiced. This is his seventh crime.

This, too, is related to the conspiracy with Li Feng, Xiahou Xuan, etc. Seems a little sloppy of Guanqiu Jian to put it here.

Since the accession to the throne, Your Majesty, intelligent and martial, has applied his mind to all matters; he wanted to economize and make things simple. The Whole Empire, hearing of this, rejoiced. Yet Sima Shi would not improve and repent, nor practice the due obligations of a subject; instead of doing this, he levied troops and brought havoc to the palace, the feudal lords taking their own protective measures. At the beginning of Your Majesty's accession to the throne, he did not appear at Court to pay homage. When Your Majesty wanted to visit him at Sima Shi's home to inquire after his ailments, he refused to admit you, thus disobeying the laws of the land. This is his eight crime.

This is discourtesy to the emperor. Certainly a capital offense, though I don’t know if we have any evidence of it beyond Guanqiu Jian’s words. Of course, given the circumstances under which Chen Shou’s records were written, there is reason to be a little cautious about what he might have omitted.

Recently the lingjun Xu Yun had been appointed zhenbei jiangjun. Because he had made a gift of government property, Sima Shi impeached and punished him. It is true that he was merely banished, but he killed him by making him starve on the road. Hearing of this, the whole Empire grieved. This is his ninth crime.

Guanqiu Jian criticizes Sima Shi for his treatment of a respected official Xu Yun. This is all accurate. He committed a minor crime and was dismissed, which (indirectly, as Guanqiu Jian admits) led to his death.

The defense of the three quarters had become deficient, but he selected picked troops in large numbers to serve as his guards; the troops in the Wuying had become deficient, yet he would not supplement their number. Arms and weapons he took in quantities for his own barracks. The whole Empire knows of it and every one resents it; rumors course through the highways of the land, and the Empire is suspicious. This is his tenth crime.

Guanqiu Jian charges Sima Shi with building up his personal guard and resources while neglecting the needs of the state. However it should be noted that Guanqiu Jian speaks in terms of rumors and things “everyone knows” so this charge might not be authentic.

By profusely granting leaves of absence to the troops, he would win praise and make the four quarters empty of troops. He monopolizes power in order to exult his vicious intentions. He drafts men for the military agricultural colonies; he distributes rewards and obstructs the military work. He dares to disturb the ancient laws: he has the various feudal princes and dukes assemble in Ye, his intention being to kill them all. On one day he started a coup d'etat and dethroned his sovereign. Since Heaven does not help the wicked, it made his eyes swell, so that his attempts were frustrated. This is his eleventh crime.

In this last charge Guanqiu Jian says first that Sima Shi is taking measures to make himself popular with the army at the expense of its effectiveness and proper conduct. That’s probably accurate. It also reiterates the criticism for removing Cao Fang, which is certainly fair. However Guanqiu Jian also accuses him of planning to kill all the various members of the Cao clan in Ye, which doesn’t seem to have ever been on the table. That part is probably rumor or slander.

So all in all, I’d say that the charges are more accurate than not. Sima Shi was absolutely guilty of the most serious accusations, even if others aren’t quite so straightforward as Guanqiu Jian suggests.

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erinaceina · 4 years

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Mustela

Approximately 750 words of pure, unmitigated, post-Checkmate Francis/Philippa fluff. Pretty much spoiler-free. For @notasapleasure and her weasels.

Apologies if the line-spacing is off. Tumblr was being difficult.

“The coast's a jungle of Moors, Turks, Jews, renegades from all over Europe, sitting in palaces built from the sale of Christian slaves. There are twenty thousand men, women and children in the bagnios of Algiers alone. I am not going to make it twenty thousand and one because your mother didn't allow you to keep rabbits, or whatever is at the root of your unshakable fixation."

"I had weasels instead," said Philippa shortly.

"Good God," said Lymond, looking at her. "That explains a lot.” – Pawn in Frankincense, Dorothy Dunnett

******************

'Lady blissful of mickle might,' Francis Crawford of Lymond and Sevigny paused dramatically, the pale Scottish sunlight burnishing his golden hair and striking lapis sparks from mockingly heavy-lidded blue eyes. One long-fingered hand paused delicately, just barely touching the open lid of the great kist at the foot of the bed. 'I am content thy servant to remain. But what, dear Philippa, should I make of this?'

If had been his newest court suit, sapphire damask richly slashed and paned with silk the colour of a summer sky, the peascod belly and breeches densely ornamented with black brocade. Now, it was a sadly scuffed and crumpled ghost of its former self, the damask dinted and shabby, the fine linen shirt torn and the starched ruff entirely beyond repair. From its depths, something looked back with round eyes that shone like jet, black as the roe of the Caspian sturgeon and lit with unholy amusement. Behind the eyes was a long, slender body like a hirsuite Jörmungandr, and a flash of movement.

‘A weasel, yunitsa?’ The enquiry was slightly plaintive.

‘Ferrets,’ Philippa replied, unruffled, and yawned hugely. ‘I had wondered where they were.’

‘She seems to have established herself as a seamstress to rival any in Paris or London, but I cannot commend the quality of her stitchery.’ Francis paused, and such a look of utter bemusement spread across his face, widening the blue eyes into lucent turquoise discs of shocking clarity, that Philippa had to stifle a chuckle. ‘Ferrets, my dear? A plurality of ferrets? What carnivorous multitudes of mustelids should I expect to find? Stoats in the buttery and martens in the closets? What roosts of bestes full of eyes before and behynde should I expect to find as reward for a longer absence?’

‘Ferrets don’t roost. They tend to fall off.’ Unabashed, Philippa wound herself in the sheet and came to stand beside him. Her long hair fell loose in a dark cloud about her shoulders, and he leant into her, feeling the warmth of her body through the thin linen and curling one strand of that silken hair around his finger, helpless to resist the lure of touch. A week, no longer, he had been absent in Edinburgh, and he had ridden hard over the green hills this morning, his heels clapped tight to his horse’s sides and his heart beating insistently under the rough cloth of his jerkin until he had seen Philippa standing in the door-yard with bright colour in her cheeks and her dark hair coming loose from its braid. Touch had consumed them then, a hunger and a completion that neither had resisted, and in the aftermath he had slept deeply, as he had not slept in all that long week, loosely ringed in the comfort of her arms.

‘Ferrets,’ Philippa continued, interrupting his straying thoughts. ‘A plurality, although not, perhaps, a multitude. She’s had her kits at last.’

‘The wesell nouryssheth her kyttons in howses and bereth them from place to place, so saith Berthelet,’ Francis murmured, and, one hand still clasped with Philippa’s, crouched down beside the chest, the linen slops slithering precariously on his lean hips and sunlight playing silver on the old scars that damasked his back. Indeed, around the long, sinuous body of the ferret in the chest, smaller ones clustered like grapes upon a vine. Grey-furred and helplessly blind, they piped and squeaked plangently in their nest of ruined brocade, and Philippa looked at them with a maternal satisfaction that rivalled their dam.

Francis gave way to laughter, a great torrent of it that welled up within him and that he muffled in the half-clad skin of Philippa’s shoulder. ‘Furunculi… Like Ireland, we have weasels in abundance, little in body, but bolde in herte. I surrender, Durr-I Bakht. You may have of every thynge a payre, if you wish it, but I beg of you to spare my hose.’ And he paused, visible startlement spreading across his unguarded face. Teeth like silver needles had clasped the flesh of his thumb and tugged with a determined impatience. The dam, standing on her hind legs to reach the lip of the chest, had secured his free hand and was bent on introducing this novel object to her young. Francis resisted for only a moment, and then, submitting to the stronger will, allowed her to guide him down until his long, slender fingers caressed fur like half-blown thistledown laid over scraps of wriggling, mustelid persistence. Philippa and their dam watched the encounter with identical expressions of smug pride.

******************

Notes:

'Lady blissful of mickle might’ – the first line and modern title of a lyric in MS. Oxford, Merton College, lat. 248

'I am content thy servant to remain’ – Thomas Wyatt, 'My heart I give thee, not to do it pain’ (actually ‘I was content thy servant to remain’).

‘Bestes full of eyes before and behynde’ – Revelation 4.6 in the Tyndale Bible

‘The wesell nouryssheth her kyttons in howses and bereth them from place to place’ – Bartholomaeus Anglicus (sometimes known as Berthelet) – De proprietatibus rerum XVIII.lxxiv.829

‘Furunculi’ – Promptorium Parvulorum 171 – ‘little thieves’, here used as a Latin synonym for ‘ferret’.

‘Irlonde…habundethe in salmones…in egles, cranes…and gentille gossehawke; hauenge wulphes and moste nyous myse, and weselles [L mustelas] lytelle in body, but bolde in herte’ – Higden’s Polychronicon 1.335

‘Of every thynge a payre’ – Genesis 6.19 in the Tyndale Bible

There is a video of a ferret taking her human’s hand to introduce him to her kits. It is adorable and you should watch it.

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imacrowcawcaw · 4 years

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@oblvions @shes-outta-sight @lazingonsunday @karrotkate @satans-helper thank you all for the tags 💗💕

A buttload of info about me:

Last thing I read: "Lovers" by @satans-helper 😍😍😍

Favorite Book: The Merry Adventures of Robin Hood by Howard Pyle

Favorite Movie: Beetlegeuse

Dream Date: Imagine this: a nice, plush couch, covered in down pillows and fluffy blankets. There is a fire in the brick fireplace, the wood smoke combines with the scent of Nag Champa incense and the homemade treats that cover the low table next to the couch. There are brownies, bread rolls, cheeses, bowls of fruit, dipping sauces, cakes, sandwiches - a whole feast of my favorite foods. My partner and I would cuddle up on that couch, listening to my favorite symphonies on the record player in the corner and talking for hours. This isn't really a first date thing, more like an established relationshil date, but god I'd love to just spend an afternoon surrounded with my favorite things and my favorite person.

Do I have a crush?: Not really. There are people I find very very attractive (a friend, Sam Kiszka, Duff Mckagan in his 20s, Lucy Lui) but nobody that I'm actually romantically and sexually into.

Hobbies: Swimming, observing nature, browsing Pinterest, daydreaming, writing, reading, making art, singing, listening to music, love to cook

My favorite time of day: late afternoon, right before the sun sets. I'm usually free to do what I like, the temperature starts to drop, I can watch the sun... it's nice

If I could choose what I looked like, anything, what would it be?: I want tattoos, and more piercings, I'd love to change my hair color again - it's been natural for awhile but I think I want either burgundy or bright blue. WINGS! I kind of want giant, strong fairy wings, and maybe glowing eyes, a forked tongue, and tattoos that move and change (kinda like Maui lol)

Am I romantic?: Yeah, I'd say I am. I love to treat people, friends and significant others, but I'd be especially affectionate and romantic for a partner. I'm constantly buying gifts and things that remind me of them, cooking for them, planning dates and buying tickets for things I know they like, quietly taking care of stuff I know they need to do, cuddling, complimenting... I love to shower my partner in affection 24/7

My favorite kind of weather: Late Autumn, generally. About 55ºF, cloudy but not raining, windy

What do I like to talk about?: Lol I talk a whole lot and I've probably talked about everything at some point. One of my close friends and I particularly love to debate religion, mythology, magic, history, and the intersections of those. We also regularly plan heists and crimes lmao

My turn-ons: Long eyelashes, pouty lips, dirty hands (motor oil, paint, flour, etc), sarcasm, seeing someone get excited about something, compassion, casual physical affection

My turn-offs: Nastiness without a reason, knees (I just think knees look weird idk), Trump supporters, 100% pessimism (I understand being depressed or doubtful or being generally a pessimist, but if you adamantly refuse to see anything in a good light and try to ruin it for others f u c k y o u)

If I got a tattoo, what would it be and where?: ohhh I want tattoos so bad but I'm saving up and I'm not certain about some yet.... but I know that I'm getting a tree of life matching with my mom, I want mushrooms, pine trees, lavender, wildflowers (all for personal reasons). I'd also like to make maybe a charm bracelet of sorts with little charms for my favorite bands, books, movies, and other peices of media. I know that interests change and I might not like something in 30 years, but I see my life in periods of interests and I want to catalogue the things that shaped me

My pets: I have 3 cats - Pumpkin Pie, Lady, and Sweetheart

My dream job: I just want to live a free life doing what I want. I want to grow my own food for the most part, and raise animals, and paint, and write, and play music, and go on random adventures, go antiquing, decorate my home from my travels, learn without expectations - I don't want to exchange a fulfilling life for financial security from some mundane modern job.

My dream place to live: Secluded, in the forests of Oregon (or maybe Pennsylvania idk) on the bottom third of a mountain, on my own little farm

My dream vacation: I just wanna go explore historical landmarks and buildings

My dream house: A beautiful historical house -- like an 1870s American farmhouse, or a craftsman cottage, or a Victorian painted Lady, or maybe a New York brownstone -- filled with antiques and records and books and artifacts that I've collected. I LOVE antiques so much, everything would be of fine craftsmanship, it would be lavish and inviting and packed with interesting items at every turn (I want my house to be a curios shop lol) I also want a big ass kitchen and nice woodwork, I literally get horny over original built ins

My piercings: Sadly, I only have my standard ear piercings right now, but I think I'll get more soon. A nose ring, eye brow bar (yes I know that's so 2000s but I like them), probably 4 more on each ear, navel, nipples

If I had kids, what would I name them?: I love older, interesting names, so - Euphemia, Hartford, Monroe, Malory, Louise (me lol), August, Fredrick

My worst traits: I'm incredibly stubborn; I love talking to people but I'm awkward; lazy and don't care; I'm a bit of a collector/hoarder; I bottle up any anger or sadness I feel so I don't inconvenience others

My best traits: I love to give and help; I try to make people comfortable around me/in my home; I have excellent taste; I appreciate quality, culture, and creativity; I have many interesting interests that I'm eager to share and learn more about; I'm very creative

My worst fear: a painful death - I'm not afraid of dying, even though I'd rather not, I just don't want it to hurt

What do I want to eat right now?: Well, considering that I just ate my first bit of solid food in 3 days and immediately had to run to the bathroom... nothing

My favorite vacation memory: *blushes* my first kiss AND nearly my first time (we went like halfway): making out with this dude, son of my mom's friend, at my family cabin

My favorite city: I really don't know. Timber, OR, let's say

My favorite social media platform: Tumblr or Pinterest (does that count?)

My favorite article of clothing: My leather motorcycle jacket. I can't actually ride a motorcycle (trying to remedy that because *sexy*) but I got it a few years ago and it makes me feel so fucking badass. It's heavy, about 15 pounds of good quality leather, has lots of secret pockets in the lining and some cool looking zippers and studs, but nothing crazy. It's hella warm and comfy, I wear it everyday it's cold enough to

Do I play any sports?: pfft no. I like to swim, and I'm interested in baseball and tennis, but I suck at them and also I just don't like team sports

My favorite meal: What I order when I go to Buffalo Bills - a pesto/feta/mozzarella/Italian sausage/basil/tomato/garlic pizza, with homemade potato chips and chunky blue cheese dressing for dipping. If I had room, I'd finish with Marionberry cheesecake pie from Sherri's (but I am incredibly sick and have no faith in getting better enough so I feel like I'll never be able to eat like this again)

What am I excited for?: The winter holidays! I'm atheist, so Christmas is all about the personal stuff and non religious family traditions for me. I love the decorations, the music, seeing my family, baking, giving and receiving presents, it's all just so fun

What am I not excited for?: Cleaning my room, it really really needs it though. Also just continuing to live like this. I'm not suicidal, I'm just in a lot of pain constantly and I don't know what to do

When was the last time I cried?: an hour or so ago, I'm in loads of pain right now

What is something I hate about the world?: There's too much to choose from

What is something I love about the world?: children and nature

My favorite scents: vanilla, lavender, pine, Nag Champa incense, BBQ meat, pizza with basil, rosemary, my Dad's cologne

Cats or dogs?: kitties 💗

What kind of sleeper am I?: A weird one lol. I can't lay on my stomach for more than 15 minutes without it making me incredibly nauseous for the rest of the day, but it's also my favorite way to sleep cause its comfy somehow... I can't lay on my back without a pillow either, 30 seconds in and the nerves pinch so bad I'm screaming. I snore, and I sleep deep, but it takes a long time to fall asleep and usually only beeping or banging noises wake me up??? Like I said, I sleep weird

How long would I survive in a zombie apocalypse?: I really don't know. I have some skills and the drive to learn to fight, but I am currently, as I'm sure y'all can tell, very sick and I don't think I'd be able to live with so much movement and so little medicine

Am I trusting?: Generally, I probably trust too much but I'm not gonna stop

What fictional characters do I identify with?: there are many I like but none I identify with

My most common labels: Mom friend, butch, that weird fat chick (doesn't bother me tho), the well behaved daughter, old soul

My life's anthem: I really am not sure if this is a good anthem song but I love it so so much... Take Me In Your Arms (Rock Me A Little While) by Kim Weston - you see where I get my love of long titles lol

Problems I'm dealing with: my health and whatever painful sickness is wrecking me, figuring out what to do with my life, saving money, getting my anxiety under control, getting the house to actually heat up because I'm cold as fuck

How can someone win me over?: let me express my interests and feelings, show kindness, be funny

What is something people don't know about me?: Idk

Not tagging anyone, this took over an hour

#personal #about me #tag game

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timetravelhouse · 6 years

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My fellow useless lesbians, can we take a moment to appreciate Raquel Cassidy's stunning performance as Hecate Hardbroom? The fact that we're all here for HB attests to the rich queer coding of this character, and moreover, to the continuing vitality of lesbian decoding practices. I can't stop thinking about how Cassidy masterfully deploys tropes with a deep history of queer connotation, so I wanted to situate Hecate in this genealogy. I'm proposing three longstanding lesbian motifs that resonate with Cassidy's interpretation of Miss Hardbroom, hopefully helping to illuminate why everyone is reading it as hella gay. This is written in the style of a grumpy old teacher, so each section includes an example from film history with a corresponding academic citation (Tumblr blocks posts with outside links; I recommend searching Google Books). :D?

1. lesbian gothic Judith Anderson as Mrs. Danvers in Rebecca (Alfred Hitchcock, 1940)

It may be counterintuitive to link this cotton candy show to the gothic, but try shifting your point of view from the students to the teachers. The adults are dealing with family secrets, spectral paintings, authoritarian patriarchs, and of course, magical peril. Gothic references coalesce in Hecate Harbroom, the literally and figuratively dark presence with an uncanny ability to materialize at the moment of peak disobedience (she usually says "Mildred Hubble" but she might as well be saying "boo").

Patricia White, "Female Spectator, Lesbian Specter" from UnInvited: Classical Hollywood Cinema and Lesbian Representability (Indiana University Press, 1999)

A genealogy of The Haunting–and of the haunting of classical cinema by lesbianism–leads us to Alfred Hitchcock's Rebecca (1940), a key example of the female gothic, a genre that as a whole is concerned with heterosexuality as an institution of terror for women (64)... [In this film,] the heroine's desire is channeled toward Rebecca as a powerful presence-in-absence by [Mrs. Danvers], who enjoys a peculiar and intense relation to her former mistress and who functions as a sort of regent of Rebecca's reign at Manderly (65)... In the gothic narrative, the heroine's look is central yet unreliable, precisely because the female object sought by her gaze is withheld. This narrative can be seen to encode the dramas of desire and identification at stake in female spectatorship and the lesbian excess that haunts them, to remind us that we can't always believe our eyes (72).

The severe domestics and governesses of gothic mysteries harbor the story's secrets under their grim austerity, and these secrets always seem to have the flavor of sexual deviance. Hecate Hardbroom's reserved and gloomy vibe – and indeed, her "goth" style – evoke characters like Mrs. Danvers (a little too obsessed with an inappropriate crush from her past). This resonance "haunts" The Worst Witch with "lesbian excess" that can only be seen obliquely, and may even suggest "heterosexuality... as terror" (see s2e11 "Love at First Sight"). Thus the heritage of genre cues us to suspect that whatever repressed feelings animate Hecate's stern control must be tinged with forbidden desire, a queer allusion that is irresistibly seductive.

2. lesbian witch Margaret Hamilton as The Wicked Witch of the West in The Wizard of Oz (Victor Fleming, 1939)

I'm sure I don't have to convince you that witches are the most obvious gay element in The Worst Witch. We're offered a spectrum of witchy genders (headcanon: Mr. Rowan-Webb is trans), and I ask you to bear with me through a theory. I would never call Hecate butch in today's terms – she's so glamorous with her sensuous fabrics and heavy eyeliner – but think 1930s notions of butch. Standing imperiously in head-to-toe black next to the brightly colored and approachable looks of other magical adults, Hecate inhabits the classic witch stereotype. This quintessential witch is threatening in her otherness because she has power that refuses and exceeds the standards of femininity.

Alexander Doty, "'My Beautiful Wickedness': The Wizard of Oz as Lesbian Fantasy" from Flaming Classics: Queering the Film Canon (Routledge, 2002)

It was probably during gay director George Cukor’s stint as production consultant on Oz that the Wicked Witch got her final look: a sharp nose and jawline, green face and body makeup, a scraggly broom, clawlike fingernails, and a tailored black gown and cape. This is the witch as creature, as alien, as monster, and as what straight, and sometimes gay, culture has often equated with these—butch dyke (58)... And let’s not forget that while Glinda may look like a fairy godmother, she is a witch, and is therefore connected to the Wicked Witch and to centuries-long Western cultural associations between witchcraft and lesbianism. So what we have set before us in The Wizard of Oz is the division of lesbianism into the good femme-inine and the bad butch, or the model potentially 'invisible' femme and the threateningly obvious butch (59)... The butch witch is both the potential source of fulfilled desires as well as the potential source of physical danger (68).

Hecate Hardbroom's "obvious" witchyness is frightening in a way that's delectable, because it whispers to us of a land "over the rainbow" where normative rules of gender and sexuality might be unbound. HB both threatens the kids with exposure through the potency of her magic and encourages them into the sisterhood of this forceful female energy. She links the forbidding/forbidden with the desire to adore and become it. When high femme Pippa Pentangle stands alongside Hecate, they echo Glinda's contrast with the Wicked Witch of the West as the light and dark sides of a queer paradigm: the coming-of-age fantasy of escaping from "Kansas" to "Oz" (or Cackle's Academy for girls only).

3. lesbian camp Emilia Unda as Fräulein von Nordeck in Mädchen in Uniform (Leontine Sagan, Germany, 1931)

Camp is probably my #1 axis of delight in Raquel Cassidy's approach to Hecate. In Susan Sontag's formative 1964 essay "Notes on 'Camp'" (easily Googled), she defines camp as "the love of the exaggerated" and "the spirit of extravagance"; as "a mode of seduction–one which employs flamboyant mannerisms susceptible of a double interpretation"; as "a new, more complex relation to 'the serious'" that "identifies with what it is enjoying... a tender feeling." I can think of no better way to capture the superb balance of excessively theatrical gestures and glimpses of genuine emotion that I see in this character. Historically, camp is primarily associated with gay and effeminate men, but there has always been a place for women in camp's gender play. Katrin Horn locates the emergence of a visible lesbian camp in the New Queer Cinema moment of the 1990s, with films that took up a referential dialogue with the subtextual queer language of an earlier era.

Katrin Horn, "The Great Dyke Rewrite: Lesbian Camp on the Big Screen" from Women, Camp, and Serious Excess (Springer, 2017)

As a cinematic trope the boarding school setting dates back to at least 1931, when a nearly all-female crew produced Mädchen in Uniform... the associated story – emotional turmoil at all-girls boarding schools resulting in female bonding, homoerotic moments, and declarations of love between women – and its symbolism have been carried from Hollywood's classical era... But I'm a Cheerleader points to the heavily censored history of female-female desire onscreen [and] mocks the absurd and dark one-dimensionality of the boarding school trope (35-36)... [B]y consciously engaging with the cinematic history of lesbian representation, [camp films] reinscribe (pleasurable) lesbian presences into themes and tropes that had hitherto been connected to doomed and/or subtextual lesbian desire... Furthermore, they represent new forms of cinematic pleasure, as they infuse stereotypes which have historically as well as more recently been used mainly to disavow lesbian identity and sexuality with a sincerity of affect that recodes them as objects of identification and desire (37).

Mädchen in Uniform and related films (including the 1958 remake and 2006 reinterpretation Loving Annabelle) are lesbian tragedies, stories where forbidden desire between a teacher and student (or, in the case of 1961's The Children's Hour, two teachers) leads to heartbreak and ruin. The strict headmistress subjects the more romantic teacher to an all-knowing and judgmental gaze – but her relentless pursuit of perversion can always reverberate back to camp up this dour figure. Like the satirical lesbian comedy But I'm a Cheerleader (Jamie Babbit, 1999), The Worst Witch returns to the queer scene of the girls' boarding school in a more playful mode. As a camp performance, Cassidy's Hardbroom is a homage to Fräulein von Nordeck and her ilk, but one that transposes this archetype's threatening quality into a celebration of the deviance she originally stood against. Precisely by being over-the-top, Hecate's expressiveness embraces the stern teachers of yore with tenderness and a "sincerity of affect" that invites possibilities for pleasure and identification into this stereotype. By revisiting and reconfiguring the terms of queer representation, camp can effectively rewrite history – we may take more glee in earlier portrayals of the tragic lesbian or repressed disciplinarian today because she has been retroactively camped. Camp is reappropriation – its affection for extremes is simultaneously ridiculous and erotic (boosted here by liberal use of dramatic low-angle shots to frame Hecate as deliciously imposing). Children's television has always been a welcoming field for camp, which revels in its capacity to signal queerness through the seeming innocence of zany shenanigans. Cassidy described The Worst Witch as "a massive invitation to play" – her total commitment to this opportunity with a joyous camp sensibility enables a really dazzling modulation of lesbian cultural touchstones.

It would be worthwhile to read Hecate Hardbroom intertexually in relation to Raquel Cassidy's previous queer comedic roles... but that's a story for another day. I just wanted to explain why I think what she's given us in The Worst Witch is quite remarkable (and justify why I am utter trash right now). It's meaningful to me to connect the soup of digital ephemera and intemperate feels we're all swimming in now to a lineage of lesbian representation and spectatorship. Maybe this lofty outpouring is totally inappropriate to Tumblr [EDIT: so pleased it is appropriate <3], but I don't seem to be able to help myself – thank you truly for reading if you made it this far. Grumpy gay teacher signing off!

GIFs Hecate: all-we-must-be | dismantledrose | andforgotten Mrs. Danvers: Old Hollywood Films on giphy Wicked Witch: gifswithkriz Fräulein von Nordeck: mine

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lets-painters-in-ri-world-blog · 5 years

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Painters in RI

Painting might be a standout among the most significant occupations you will ever accomplish for your property. The correct shading and style of painting might just improve the estimation of your Home on the off chance that you ever wish to renegotiate, and it can totally change the character of its stylistic layout.

Inside painting is something at the highest priority on the rundown that can really make your Home feel like your Home.

Normally, inside painting is an undertaking that requires the gifts of somebody who has a sharp eye for detail and REALLY realizes what they are doing. As an organization, we at LOPCO Painters in RI go for procuring the best painters in Rhode Island for the work we do on our Client's homes. Our expert painters are very gifted and exceed expectations in these zones where there is so little edge for mistake. Regardless of whether we are basically cleaning up a current paint employment to improve the appearance of a parlor or we are totally changing the vibe of a whole home, we need to ensure that you are past happy with the final product.

Surface readiness, similarly as with all canvas tries, is especially key in ensuring that once the exceptional completions we use are connected, they look as alluring as feasible for whatever length of time that conceivable after the task is finished. Much like with our outside painting administrations, we utilize an unmistakable surface arrangement process that incorporates preparing all artwork surfaces to most appropriately acknowledge a completion paint framework that will keep going for a considerable length of time and years. It is unquestionably part of what separates us from different painters in Rhode Island, and it is only one way that guides in satisfying our Clients during their inside remodel venture.

In certain inside occasions, normal wood restoring is included. This frequently requires significantly more mastery than typical inside painting as the procedures included are regularly substantially more top to bottom. Restoring your inside common wood surfaces gives additional insurance, yet in addition renews characteristic excellence that may have blurred away some time in the past. These normal wood resurfacing forms for the most part require broad surface planning, legitimate recoloring application systems, and the learning and capacity to apply polyurethane or comparable defensive completions to guarantee that the last item stays shocking for a considerable length of time to come.

We at LOPCO Contracting appear to have built up a skill for pulling in and keeping top level inside painters and wood refinishes on staff. Those craftspeople whose abilities are perceived at an opportune time after they are enlisted are deliberately developed and created with the mission of having the biggest stable of unadulterated craftspeople in our whole industry. This is especially key in further enabling the organization to separate itself from others inside the business.

A LOPCO Contracting inside painter or wood re finisher isn't a 'cushion and buff' painter whose fundamental mission is to finished an undertaking rapidly and move onto the following venture. We realize that your Home is imperative to you, and we will work intimately with you for whatever length of time that important to guarantee that you are content with the undertaking you have contracted us to do.

We mean it when we state that a LOPCO Contracting inside painter or wood refinisher is a very principled individual, regularly made of verifiable character, and whose entire want is to convey an item which the Client, the organization, and the craftsperson themself can be EXTREMELY glad for!

Notwithstanding keeping up a first rate inside painting and resurfacing staff, another advantage our Clients appear to truly adore while working with us is the free shading counseling that we furnish related to our activities. Regardless of whether you just have an ambiguous thought of what you need to do with your Home from a shading point of view, we can work with you to locate the perfect shading plan for your home's stylistic theme. This administration additionally has appeared to be useful when somebody knows precisely what shading plan they need however would love the thumbs up from a free shading master. Approaching somebody work in shading has demonstrated to be a most loved advantage of our Clients and has regularly (as a matter of fact) kept them ruined for a considerable length of time!!

On the off chance that going "Green" is essential to you, you have gone to the perfect spot also! We endeavor to use the greenest items with the most minimal VOCs on each inside venture we do. Regardless of whether on the private side or in the business condition, the Green-arranged/low VOC items we use are sturdy, however are dependably of the most noteworthy quality accessible.

We at LOPCO Contracting are glad for the over two decades we have spent serving mortgage holders in Rhode Island, and we treasure the conceivable chance to enhance your home.

Whenever keen on examining our inside painting or wood revamping administrations, connect with us at 401-270-2664 or CLICK HERE! what's more, begin the way toward disclosing to us more about what you were considering doing! We would love to get notification from you!!

Contact Info

LOPCO Contracting

1384 Hartford Avenue, Front Unit B, Johnston, Rhode Island 02919, United States

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miss-musings · 6 years

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The Good & Bad of NBC: or, Why “The Blacklist” is everything that’s wrong with TV, and “The Good Place” is everything that’s right (SPOILER EDITION)

(Written Oct. 2018… pre-S6 of TBL and mid-S3 of the Good Place.)

NOTE: THERE WILL BE MAJOR SPOILERS OF BOTH SHOWS. DO NOT PROCEED UNLESS YOU HAVE SEEN THEM BOTH!!!!!!!

In case you haven’t, there is a spoiler-free version of this post here.

(Author’s note: So, if you’re reading this you may or may not have read the other version first. If you have, I’m basically going to be going over the same material with the same structure, with some of the text basically copy/pasted from the first version. But, where I held back on the spoiler-y details before, I’m now going to be going all out. I’ll reiterate: PLEASE DO NOT READ THIS VERSION UNLESS YOU HAVE SEEN BOTH SHOWS!!! Thank you.)

For any of you unfamiliar with my content, I’ve been analyzing different aspects of The Blacklist for the past few years, including calling attention to what I believe are flaws in its plotlines and characterizations.

This April, I happened upon The Good Place on Netflix and absolutely gobbled it up. I watched all of S1 in pretty much a single day; S2, in a similarly short time frame. Now, I’ve probably seen every S1 and S2 episode at least four times, and I’m watching the S3 episodes as they air on NBC before The Blacklist returns in January for its sixth season.

Now, it’s definitely not fair to compare The Blacklist and The Good Place. The former is an hour-long (44 minutes/episode) crime drama procedural that has had 22 or 23 episodes per season in five seasons. The latter is a half-hour (22 minutes/episode) ‘genre’ comedy set in the afterlife that has 13 episodes per season in three (ongoing) seasons.

So, TBL has an approximate 4,840 minute run-time, and TGP’s is approximately 858 minutes (including all of S3).

That means that The Blacklist’s overall runtime is almost SIX times the length of The Good Place.

Even so, both of these feature prominent TV actors, including Emmy Award winners James Spader and Ted Danson, respectively; both center on a relationship between a 30-something white woman and an older white man(whether that relationship is romantic, platonic or pseudo-familial is debated by fandoms of both shows); and both of these are NBC shows.

So, while it might not be exactly fair to compare these two shows, I’m going to do so anyway, because I feel like where the Blacklist struggles, The Good Place shines as a quality television program.

Now, don’t think for an instant that The Blacklist is a completely worthless show or that The Good Place doesn’t have its flaws. There are good and bad aspects of both shows, but I’m going to be comparing the two by focusing on three key things that make a TV show compelling:

Plot Progression

Character Interactions

Character Development

1. PLOT PROGRESSION

I think anyone who’s seen the Blacklist will tell you that this show’s plot is convoluted AF. In S1, it seemed like the show was setting Berlin up to be the show’s overarching Big Bad. But, then he gets killed off in S2 while the Cabal takes the forefront. The Cabal kinda hangs out until the end of S3, really, and then gets mostly forgotten until Ressler kills Hitchen in S4. And, Mr. Kaplan becomes Red’s enemy because she was once Liz’s nanny????

This show is so fucking weird.

It continues to frustrate me that all of the show’s major plot developments/revelations come during a mid-season or season finale, or a season or mid-season premiere. The Blacklist’s plot structure continually revolves around the idea of ‘sweeps week,’ when the network tries to boost its ratings by promising major reveals and developments during certain time frames.

Why not space some of these things out more instead of giving us what is essentially filler? We go along for the ride week after week, hoping to get clues or developments to the overarching story, only to be frustrated at the world’s slowest drip ever.

I feel like the first part of S5b really fell into this trap. It reveals to the audience shortly after Keen’s return that Ian Garvey is a dirty cop. And then we wait like 4-6 episodes (I don’t remember exactly how long) until Liz realizes this too. Jeez. Why drag it out so long?!?!

Now, I will say that the decision to kill Garvey in 5x19, rather than the season finale was a good idea. As it breaks the mold of having to wait until the (mid)season finale for the Arc’s Big Bad to finally bite it.

But, while that might’ve been a small victory, it still doesn’t make up for all the times this show has thought it was pulling the rug out when all it was doing was being predictable AF.

Between Liz “dying,” Kaplan helping her, Kirk being her stepdad, Mr. Kaplan being the one coming after Red, Tom dying, Liz trying to trick Red into revealing his secret by playing like she’s in danger and needs him to rescue her, the bones being the Real Reddington, etc... it continually frustrates me that folks here on Tumblr predict everything that’s going to happen with pinpoint accuracy. It makes the show boring and rote. (Not the folks on Tumblr; more the fact that this show’s plots are so predictable.)

Conversely, the Good Place – per the show’s creator Mike Schur – centers on the idea of subverting expectations. Based on the pilot’s premise, you might assume that the finale will be Eleanor revealing that she doesn’t belong in the neighborhood. But, Schur and his writing team have said multiple times that they focus on trying to make each episode end with a cliffhanger, and doing those big reveals or developments earlier in the season than the audience expects.

As Schur (or maybe some other writer or exec) recently said on the Good Place podcast, 2x09 “Best Self – where the crew leaves the Good Place to head to Bad Place HQ – feels a little like a season finale, despite the fact that there were three more episodes left in S2.

The Blacklist, IMO, also suffers from overdramatic promotions that sometimes make it seem like each episode is going to have some shocking development, when in fact, you could probably skip it and not really miss much (unless it’s a premiere or finale).

I feel like I remember the S2a promos about Liz hiding Tom in the boat, which of course, everyone predicted, really hyped up that reveal so that it was a real let-down whenever we finally got the truth.

TGP, on the other hand, doesn’t really have episodic promos like The Blacklist does, which might work in its favor. (Although, I will say that I was pissed the NBC Thursday night comedy line-up promos ruined the 3x01 Trevor reveal before the actual episode ended.)

I mean, compare how TBL handled the Boat Door Reveal in S2 versus how TGP handled the Michael-sacrifices-himself-to-save-Eleanor development. If TGP had done it like TBL’s, we would’ve known a week or two in advance that someone was going to sacrifice themselves to save Eleanor. It would’ve been these dramatic promos going like “Who! Will! It! Be?!?!!” with like pictures of all the cast members flashing by. And, of course, everyone would predict it would be Michael and/or Chidi, we would all be right and subsequently disappointed.

Also, while I feel like TBL tends to play things safe – very rarely breaking away from the crime drama procedural vibe – TGP doesn’t mind taking chances, so long as whatever they’re taking a chance on fits within the ‘world’ of the show.

If you haven’t seen my rant about TBL’s S5b, I was so excited after Liz woke from a coma to see how the show might tackle that plotline. Would Liz be traumatized? Would she be reluctant to rejoin the Task Force? What if she decided to give up her life with the FBI altogether and raise Agnes? What if she had PTSD? etc.

And, the show went the very predictable route of not showing much, if any, of Liz’s physical therapy or psychological trauma, and having her get back ‘out in the field’ (proverbially speaking) pretty much right away. She pawned Agnes off to Scottie and then kicked it in the woods for an episode.

Whereas, with The Good Place, we got to see major glimpses of Eleanor’s year after her near-death experience in 2x12. Granted, not much of it, but given the show’s time constraints and break-neck speed (in terms of plot development as opposed to TBL), it was nice that we got to see Eleanor become a better person, backslide, and then make a decision on whether she wanted to try to make progress again or whether she was going to stay in her rut forever.

Clearly, you can seen how one’s plot progression is preferable – as a viewer – to the other. It’s also helpful, I imagine, as a writer, to let the plots unfold organically, as fast or as slow as they need to… instead of having to either rush them or drag them out to reach a certain point in the season’s schedule.

2. CHARACTER INTERACTIONS

As said above, both shows focus on the connections between its male protagonist and female protagonists. While ultimately it’s the female protagonist’s journey, the male protagonist is a guiding force in her journey, helping her along and pushing her to make decisions (whether good or bad).

(Although, I guess you could argue that Chidi is really TGP’s male protagonist, but considering that Ted Danson is more heavily promoted, I’d argue Michael is really TGP’s male protagonist.)

And, for both shows, its two main protagonists are part of a six-person main cast.

For The Good Place, the cast is Eleanor and Chidi, Tahani and Jason (two other residents in Eleanor’s neighborhood), Janet (the neighborhood’s anthropomorphized mainframe/help desk), and Michael.

The Blacklist’s cast, as of the end of S5, is Reddington and Keen, her fellow agents Donald Ressler, Samar Navabi and Aram Mojtabai, and their task force director Harold Cooper.

Now, the Blacklist primarily focuses on the relationship between Reddington and Keen; he doesn’t interact with the other cast members very frequently and Keen’s interactions with them are pretty basic and often work-focused. There aren’t very many crucial interactions between non-Reddington/Keen pairings, especially in more recent seasons of the show. While S1 and S2 tried its best to have Keen interact with Ressler, Ressler interact with Reddington, Cooper interact with Reddington, Keen interact with Navabi, etc., S3-5 have more focused on the Reddington/Keen dynamic at the expense of everyone else.

Granted, I like the Reddington/Keen dynamic (in some respects), but giving it more weight in the runtime unfortunately means that the remainder of the cast has to tackle the more procedural aspects by trying to track down the Bad Guy of the Week while Reddington and Keen get to have more of the character-driven serialized moments and developments.

Compare this, though, with TGP and its interactions outside of the Eleanor/Michael dynamic.

Throughout different points in S1 and S2, we got significant interaction between almost every single possible pairing of characters on this show. (And I mean pairing in a non-romantic sense.)

We see Eleanor fall in love with Chidi, become ‘mates’ with Tahani, become bros with Jason, and try to kill Janet and then later give her relationship advice. Meanwhile, Michael has his falling out with and subsequent heartfelt apology to Chidi; he admits to Janet that she’s his most loyal friend; in S1, he seeks out Tahani’s help; and in S2, he seeks out Jason’s feedback. Tahani and Jason’s romantic connection is explored, as is Jason and Janet’s. Chidi and Tahani have an important bonding moment in S1, and even the dynamic between Chidi and Jason is touched on some.

So, while TBL’s cast feels a little separated and almost cliquish, TGP’s six castmembers feel like a cohesive team where any two or three characters can be trusted to carry a scene and have an emotional connection/interaction. The former comes off as weak writing and show structuring, while the other is far preferable to watch.

3. CHARACTER DEVELOPMENT

As I’ve said in several other TBL posts, THIS is probably my biggest grievance with the show … even more so than the weird-ass plot structure.

Despite supposedly being major characters, Ressler, Cooper, Samar and Aram get very little in the way of growth or development. I can barely describe them, their personalities, their desires, their moral codes, etc. in maybe a paragraph for each character. And these are people who have been on this show for FIVE FUCKING YEARS!!! How is that possible that they’ve gotten so little development in so much screentime?

Again, remember, TBL’s runtime is SIX TIMES that of TGP. And yet, I feel like any and all of The Good Place’s major characters get way more development simply in the first season than TBL’s peeps do in five.

I could definitely describe Jason, Tahani, Chidi and Janet’s personalities, desires, moral codes, etc. in like a page for each character.

Now, granted, I suppose the show’s structure lends itself better to that. The characters have to do a lot of soul-searching, so to speak, in almost every episode. Whereas, the Blacklist’s cast has to chase down the week’s bad guys, which takes up at least 20-30 minutes per episode.

Okay, okay. Maybe it’s not fair, considering that TBL clearly doesn’t care about its non-Reddington/non-Keen characters. So, let’s focus on both shows’ two leads and their character arcs.

Let’s look at Reddington’s character development versus Michael’s.

Despite having much more screentime and weight within the show, Reddington’s arc PALES in comparison to Michael’s. Granted, Michael started out as a literal demon whose entire purpose was to torture people. But, over time, we saw his genuine curiosity about humans transform into a genuine desire to understand them and want to be one of them. Yes, he only seeks them out after 802 reboots because he feels he has no other options (thanks to Vicky threatening to blackmail him). But, as he learns ethics alongside the humans, he realizes he needs to become a better ‘person’ (read: demon) to better care of them. Because he OWES IT TO THEM.

Reddington’s character development, meanwhile, seemed to come more in the latter half of S4 when he was trying to deal with Mr. Kaplan coming after him and he was trying to confront this spectre of death that seemed to be looming over him.

Yet, even after all that bullshit with Mr. Kaplan, where he called him out for keeping secrets from Elizabeth that she had the right to know, he still held all the cards and kept his secrets to himself and killed anyone who got in the way.

If Red had really grown, the way Michael did in S2, he would’ve confessed to Elizabeth at some point that he wasn’t the real Reddington, that he stole her father’s identity, and he’d been keeping it from her all this time because of “x.”

While Michael has learned and grown as an individual, Reddington has stayed relatively static in terms of personal growth. Not to say we haven’t seen different sides of him, what he would do when he faced difficult scenarios, like Liz’s death or losing his criminal empire… but the Reddington in the S5 finale is too much like Reddington in the pilot episode. Which is absolutely ridiculous, given how much screentime and emphasis he’s gotten over FIVE SEASONS!!!

Michael has learned to admit when he’s been wrong, apologize and become a better friend to his humans, while Red still has yet to do Liz (a woman he loves immensely in some capacity or other) the basic kindness of telling her that he stole her dad’s identity.

Alright. Now let’s look at Elizabeth Keen versus Eleanor Shellstrop.

Both characters have suffered from character regression, where they start at Point A, then develop and grow over time to reach Point B, and then – for whatever reason – regress to Point A again.

Elizabeth Keen started out happy and bubbly in S1a, went to dark and gritty in S1b-3a, then went back to happy and bubbly in S3b to S5a, then back to dark and gritty again in S5b.

Eleanor started off as an Arizona dirtbag, then became a good person to the point where she decided to sacrifice herself by going to the Bad Place... then got rebooted 802 times... then started as an Arizona dirtbag again, progressed to the point where she was the only one of the four humans who passed her test from The Judge ... then was sent back to earth and was saved from death, so she decided to change her life, backslided and now is AGAIN trying to become a better person.

Now, while Eleanor’s character regression fits within the confines of the show, Keen’s makes no sense. She’s confronted and overcome so many challenges over the show’s the five seasons… so, why hasn’t she learned from them? Why is she still relatively the same, especially considering that x-number of seasons ago, she was so completely different?

Why is she back to being all angry and hateful and dark, etc., when it’s like... she has a young daughter who’s lost her father, she lost 10 months with her after being in a coma.... and she just wants to go beat up dirty cops??? I feel like if they wanted us to see an Elizabeth Keen that had learned from her experience, she would’ve given up her life with the FBI, saying that it’s put her in danger, severed ties with Red (or tried to) because he’s also endangered her (via the bones), and spent time with her daughter, whom she claims is more important than anything else in the world.

And, whereas Eleanor was not a very likable protagonist at the outset but she becomes more likable over time, Keen started out as somewhat likable but has become more annoying as her character continually regresses.

All in all, to quote (or at least paraphrase) some other Tumblr user, “I can’t believe The Good Place literally invented character development.”

TL;DR

Again, just to reiterate, I think there’s good and bad in both shows. But, there’s a reason why I’ve seen every episode of the Good Place at least four times and why TGP S1-2 is currently #4 on my list of All-Time Favorite TV Shows.

The Good Place pushes the envelope by subverting expectations and having major developments earlier in the season than expected; it makes sure that almost every character has significant moments with every other character; and it ensures that each of them has a major character arc that works within the confines of the show.

The Blacklist, in comparison, does what too many other shows on TV do: it treads water plot-wise; it focuses too much on some characters at the expense of others; and even the characters it focuses on don’t show any significant or organic growth.

And, that’s why, IMO, The Blacklist represents everything that’s wrong with television now; and The Good Place represents everything that’s right.

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