A little hopeful moment which I missed on the first watch, but which I think is so important. Nina and Maggie come to have their talk with Crowley. Now, we all know that Crowley is Maggie—yes, sure, Nina is sarcastic and suave and cool and calls Maggie angel—but it’s obvious that Crowley is Maggie and Nina is Aziraphale. Crowley even admits it himself in the very beginning of this conversation when he tries to justify meddling to get Maggie and Nina together:
“Nina needed rescuing.” Yeah, you know who else always “needs rescuing”? Anyway, moving on.
Nina says she just got out of a relationship and it would be a disaster to get into another one right away. And then this happens:
Nina says she hopes Maggie will still be around, but she knows she can’t ask Maggie to just wait while she figures out her own baggage. There's no guarantee. And then Maggie interjects—
The parallel between Maggie/Nina and Crowley/Aziraphale is so intentional as to feel heavy handed. So what does it mean that we get this exchange in at this particular moment in the script—buried within the conversation which is the catalyst for Crowley confessing his feelings, occurring in the lull immediately before the spectacular dissolution of everything the first two seasons were building towards?
“We could have been us,” Crowley says. Crowley walks out of the bookshop. Crowley turns off their song in his car. Whatever tentative blooming thing has been building between him and Aziraphale for six thousand years appears to be very clearly over. Aziraphale presses the kiss to his lips and knows there is no guarantee they will ever have a chance to be together. There's no guarantee that Crowley will ever want to forgive him, that he will keep on waiting for him.
But.
There is.
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if i may ask, is it difficult at all to re-edit/organize the comic pages from the webtoon format to fit the graphic novel format?
on another note, I'm so happy that your kickstarter was funded!!! I love time and time again, im so excited to see this all happen <3
I'll just turn this ask into something of a guide for the process! Because yes, it is difficult, but there are also many ways I have been preparing from the beginning for this very situation to make things easier for me!
I've worked in both print and scroll in the past, and have done this transition once before for a short story, so I already had familiarity both with my goals for print, and struggles with the transition!
How I prepared from the beginning for this transition:
1: My panels are 2500 pixels wide, so they can span my page (which is 8.3x5.8 inches) at 350 DPI (which is print quality)
2: My layers are organized: Text, FX, Foreground, Characters, Background
3: I draw one very large (twice as big as any panel would be, minimum) background for my major locations, as well as drawing furniture assets in isolation. This not only saves me time when making my actual episodes, but it also offers me INCREDIBLE flexibility when making this transition to print.
These 3 things let me pull the character art to the page by itself, scale it up or down to fit my panel, and then fill in the background behind the character.
So, I read the scroll version, decide how many and which panels I want on the page for the pacing (I also keep page spreads and page turns in mind while I am doing this), and then I pull those panels over from the scroll version to the page.
Then, I make the panel borders/page layout that I want, fit the character art into it, paste in the backgrounds, do any art editing that I need, add FX, and then re-do the text!
Sometimes I do need to draw parts that are missing (shoulders or elbows getting cut off is an extremely common one) and sometimes I need to adjust facial expressions, cut panels, or rearrange panels to make things read more clearly. Since it's my comic already, I know how to do these things while maintaining the original intent, but if I were working with someone else's comic I would need to work closely with them to know what can and can't be cut.
(original panel vs an expanded version)
Another common issue is that VERY tall panels will inevitably lose a lot of information when they’re turned to pages. Identify the purpose of the panel (pacing, showing a lot of detail, etc) and then replicate that with your page layout.
examples (in order) are: scene transition, being overwhelmed, suspense, and establishing shot. All of these were a single panel in the scroll version!
Another issue when converting pages is that panel order is a lot less straightforward than when starting from print format. Conversational back and forth that's fine in scroll often messes up the flow of reading in a page (characters facing out, not looking at eachother from panel to panel, etc) and so some creative solutions are necessary to keeping the reading order.
For the first page I had to delete and rearrange some panels, and in the second the dialogue bubbles guide us to read this page in a circle. (dialogue guides through a lot of my pages lol)
And the last really common issue that pops up is that height differences can be really difficult. Usually in print this is solved with clever angles, but I’ve already drawn everything. So, I’ll either resort to vertical shaped panels, panel pop-outs, or editing a character up or down to fit into the panel.
(examples in order)
So, yes, it is difficult! But I have a lot of experience with both formats, and having prepared for this from the beginning I've been able to make the transition a LOT more smoothly than I otherwise could have.
I hope this helps!
And, thank you about the kickstarter! I'm extremely excited I'll be able to print these, the proofs I've received so far look just absolutely stunning and I'm so so so excited to get to send them to people!!!
Obligatory self promo, if you want to see the kickstarter page and get these four books for yourself, then you can check it out here ^^ It's been funded, so at this point we're just reaching stretch goals and placing orders!
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Alright bestie I’m on that shit again
So yandere Superman, right? Like obviously your fucked. The only other yandere in existence that might just be able to keep you from him is Batman, but even then he’d probably sooner work together just to ensure your safety- but that’s a prompt for another day.
Back to yan Superman, imagine you’re his darling and he is “keeping you safe”. But one day, you get snatched up by some organization that wants to use you as leverage or some shit, but you are just sobbing in relief at maybe being free- only to have Superman show up and do some not so super things to everyone who “stole” you
There are just so many casually horrifying things about Superman that people don't realize until you start like digging into his lore. "Oh he's super strong and a super fast flyer" actually he can do basically anything at those super speeds to the point he can literally even PROCESS THOUGHTS at near light-speed which means he has Absolutely Terrifying reaction times and can make plans and schemes on a dime, which, you know, can be even better utilized by him being intelligent. He has natural invulnerability so if you throw a punch at him too hard you could literally shatter the bones in your hand and he can't even control that, like you could literally hurt yourself with him on accident! He can see across INSANE DISTANCES and his x-ray vision doesn't have like a set range so he could do anything from, peep inside buildings to spy on you, to looking under your clothing for any bruises or injuries or even self harm marks, to peeking behind your hero disguise to learn your true identity, to seeing if there's anything inside your stomach and seeing if you're eating properly. Like jesus christ he literally found out Lois was pregnant from waking up one morning and suddenly hearing the heartbeat of the FETUS, there's literally nothing from him pulling that stereotypical "I know you're nervous or lying or afraid because I can literally hear your heartbeat increase" scary bullshit
And let's talk about Lois for a sec because my god her death was literally what kicked off the Injustice timeline? And there are other forms of Superman media where she just straight up dies naturally of cancer! Sure we could take the easy way and say "in this au Lois never existed or was just Clark's friend and he loved YOU" (which is my preferred default tbh bc, no competition for Reader lol) but I mean if you're going for that angst, that real whump, a yandere Clark Kent that just lost his wife/unborn child to either the Injustice incident or cancer, now overcome with grief? And in those cancer timelines they usually already have a son, Jonathan, and sometimes Jordan, and here's Clark thinking, well, his boy needs a mother, and he's got these weird feelings for you, and lil Jonny clearly has affection for you, maybe bring a bit of a platonic yan himself who sees you as either a big sister or even a secondary mom, so... be his wife maybe?
Like my god if Reader somehow helped him through the grief of losing Lois and managed to avoid "fully activating" Superman's anime villain arc, like he's going full fascist in the Injustice 2 Bad Ending, then some shit DEFINITELY goes down when Reader gets taken away. It just reactivates all his trauma. No! He can't lose anyone else! Jonathan can't lose anyone else! You're not just someone he loves, you're his FRIEND!
You're just huddled in whatever cell you've been kept in with your black eyes and bruises and knuckles bloodied from trying to fight back when you hear Clark's voice and you look up with excitement that just falls immediately off your face because holy shit did he just unlock that thumbprint scanner with a severed arm, and suddenly you're realizing there are other shades of red on his costume and dripping from his fingers
I can only imagine like, ngl I considered a sequel to my fic Doubt where Reader escapes the manor and runs into Supernan as the only other person who can protect you, so here we would have the inverse: you're the only one who knows about Clark's increasing instability and, while you still have your own freedom and autonomy, try to speak to Bruce about it, and now you have Batman Vs Superman: Competing For Your Heart Edition. I can only imagine what sort of unhinged reactions there would be if you think you've got Batman alone and you're beginning to cry all "Bruce I'm really worried about Clark, he isn't acting like himself, there's something wrong with him" and. Clark is like literally using his x-ray vision to read lips through the walls if he can't use his super hearing to outright eavesdrop.
Of course as you suggested, I'm always a slut for ideas with"oh shit I ran to this guy to help me and he's ALSO crazy, now they're teaming up and I'm in some weird shared/poly situation with TWO nutjobs". Lmao you go to Bruce concerned about Kal and Bruce goes to confront him and Clark just drops "did you know Y/N has been hiding self harm cuts under their hero suit also wow they smoke HELLA weed and im worried about their lungs and all the stuff they do when they're alone that no one else knows about 🥺" and suddenly here's Bruce " thanks i hate this actually :)" and there's a scheme concted to spy on you or move you elsewhere.
I've even thought of "Reader oh nooOoooOo, that, giant monster or villain attack or whatever also coincidentally destroyed your shitty little apartment complex? You mean Clark 'accidently' got sent flying into your building or smacked some giant creature into it and now you don't have a place to live? And you're broke too? Oh no 🥺 Well, BATMAN has this nice big house with lots of room in for you to stay toooootally 'temporarily', we PROMISE uwu"
Batman is the one who can put a tracking chip injected into your skin or even disguised as a filling in one of your teeth, and Superman is the one who can zoom off to rescue you/retrieve you "faster than a speeding bullet". I think one of the only people who could bring them down together at that point would be like. Fucking DARKSEID and, Jesus no, you definitely don't want HIM treating you as a pet 😭 the evil Batman that was brainwashed by him in the Apokolips War movie was scary enough (and scary HOT, lmao, let him keep me as some sort of prize and the only luxury Darkseid will allow him as a reward for his obedience. Lord Batman goes from having a meeting talking about like enslaving people to returning to his quarters and railing tf outta you because he's still holding onto some slim vestiges of humanity where he cares about you but also using you as his personal anti stress fuck toy)
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the one thing that she’d never do is make fun of your interests.
stelle has always been one to pay a lot of attention to you and the things that you like. she actually tries to make it her mission to find things related to your interest whenever she’s out and bring it back to you as a gift.
stelle would never make fun of you for something you like, in fact, she’s listening intently as you talk about it and tell her everything! while maybe she doesn’t understand fully, she’ll always be there to lend an ear.
she actively encourages you to tell her anything and everything, it would never annoy her. your voice when you’re excited brings her so much joy.
she likes seeing you happy. and if just listening will make you happy, then she will listen.
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