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#we will never ever get a villain like this ever again i genuinely feel that
arttrampbelle · 4 months
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For Disney villain self shippers. Particularly those who love the HoNd,judge claude-frollo.
Especially frollo. Frollo enjoyers
This post is for you
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You're welcome.
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I think I’ve figured out why Leo holds such a grudge against Draxum over the roof incident.
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Leo: You threw me off a roof!
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Mikey: Isn’t this nice? When’s the last time we all got together like this huh?
Leo: The time Draxum dropped me off a building? 
It’s not secret that Leo holds a grudge over Draxum throwing him off a roof & Leo is well within his right to, but something interesting about Leo’s grudge against Draxum is that he takes Draxum throwing him off a building much more personally than he takes any other attempt on his life by anyone else.
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Donnie: Last time you saw her, she tried to kill you
Leo: Who hasn’t?
With other enemies though Leo doesn’t exactly forgive them, he doesn’t typically openly bare a grudge like he does with Draxum & if he needs something from them, Leo is more than willing to brush off any attempts on his life.
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Leo: Capitán Piel? What brings you to this dump? How are things?
The last time Leo saw Capitán Piel before the episode ‘The Hidden City Job’ Leo was actively fighting Piel’s pirate crew but when he sees the pirate again Leo’s not hostile, in fact he’s friendly & asking how he’s been.
Leo typically doesn’t openly hold grudges or get overly angry as Mikey puts it in the episode Lair Games ‘nothing gets to Leo’ so then why does Leo hold a grudge against Draxum when he barely does for so many other villains?
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Draxum: I may have created you, but I will not hesitate to destroy you
Leo: Uh? Who created what now?
The reason that Leo holds a grudge against Draxum is because Draxum is family, he created them & he still chose to try & hurt Leo.
Leo is someone who cares about family more than anything else & the second someone can be seen as a family member he gets attached & would do anything for them. Which can be seen by how the second he found out that Karai was a Hamato she became ‘Gram-Gram’ to him or how attached he was to Casey Junior after only a day because he knew that his future self was important to Casey Junior.
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Leo: Hey, future me would be real proud of you. I’m proud of you
Family means so much to Leo which is why he gets attached to new family members so quickly but because Leo feels so much love & loyalty to family, it’s so hard for him to comprehend the idea of a family member genuinely trying to hurt him.
‘You don’t hurt your family, you look out for your family & do everything you can to try & protect them’ is a motto that Leo seems to live by, he understands that mistakes can happen & you might unknowingly hurt your family by mistake but Leo could never understand someone /choosing/ to hurt family the way Draxum did when he threw Leo off a building.
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Raph: Mikey! What are you thinking!? Draxum is the sworn enemy of the Mad Dogs!
Mikey: But he’s also the one who created us and that makes him family.
Leo has the same mindset Mikey has, in that because Draxum created them he’s family, which is why the roof incident had such an affect on Leo, because a family member actively chose to try & hurt him. And Draxum knew he created Leo & his brothers, Draxum knew he was family, he didn’t try & hurt Leo unknowingly or by accident, he knew he created Leo & he still chose to hurt him.
Draxum throwing Leo off a roof is probably the first time Leo has ever experienced a family member trying to hurt him on purpose & that’s why Leo can’t let it go, because family means everything to Leo & he could never understand someone choosing to hurt family.
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le-trash-prince · 8 months
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THIS SCENE
THIS SCENE WAS EVERYTHING TO ME
First of all, shout-out to Nick for quietly but assuredly knocking on the door to the stall while Boston and his hookup are making out and then proceeding to give a heartfelt apology and confession, as if the hookup isn’t even there. 95% of people wouldn’t be caught dead even walking into the bathroom, and the other 5% would cause a loud, raging scene. Nick is in his own league.
Also I do feel bad for the hookup for getting interrupted and then having to stand at the back of the bathroom stall during all this. Shoutout to you bro.
Anyways can I just gush and be emotional over this scene? After everything that Nick has done to try and keep Boston by his side, he comes in with this speech to say goodbye, and he gives Boston so many things that he needed to hear.
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First of all, this apology was absolutely necessary, as was the “You don’t have to forgive me.” Boston hasn’t gotten a single acknowledgment that what happened to him was messed up. The only apology Nick gave before was when he was begging Boston to stay, and that’s not a real apology, that’s just saying what you think someone wants to hear. While Nick could have gone into more detail about why what he did was wrong, this is still a heartfelt and genuine apology. He’s not apologizing just to make Boston happy with him. He’s not begging for forgiveness. He’s just saying that he’s sorry.
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Then there’s this. This is one of the things I love about BostonNick because they do seem so truly happy around each other, even outside the bedroom. And Nick has never said it until now. Boston has gotten closer to saying this than Nick. And Boston probably hasn’t heard this from anyone before.
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We know that Boston is used to people only wanting him for sex. We know he was surprised when Nick asked him to help move because he couldn’t comprehend someone wanting a favor from him that wasn’t sexual in nature.
Earlier this episode, Atom compliments Boston’s photography skills, but that conversation was about sex and Atom trying to get into Boston’s pants. Nick has already made it clear that he isn’t asking for anything, and I don’t think Boston is used to people complimenting him without an angle.
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But this is the part that Boston needed to hear the most. Because honestly, who doesn’t need to hear this?
“You’re not a bad guy.” Boston especially is constantly villainized by the people around him, when there’s only a few specific things that he has really done wrong. And this statement wouldn’t hit the same coming from anyone else. Because Nick knows everything that Boston has done wrong, and Nick has done some of those same things himself. Nick means it when he says Boston isn’t bad. And this in itself is an apology for things Nick has said before. That Boston is a bad guy, that he deserved what he got for sleeping around.
“Your friends love you for who you are” It’s the way Boston has to steel himself for a moment when Nick says this. Hats off to you, Boston coz I’d be weeping. You are so dedicated to not feeling emotions but Nick has gotten to you.
“Because I love you for who you are.” Honestly do y’all think Boston has ever expected that he would hear these words? Boston is so scared of being known. He tries to wear his confidence on his sleeve, but he is scared of exposure and he is scared of letting people close.
And yet here is Nick, who knows Boston. Who knows that Boston lusts freely and openly, who knows that Boston can be mean with the truth, and that he has the fatal human flaw of desiring companionship. And he loves him. Who doesn’t want that!!
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Boston is processing more feelings in this moment than he has in his entire life. The Boston of 8 episodes ago would not care about Nick saying goodbye. The shirt is bang on the nose once again because the old Boston, the pre-Nick Boston would be smiling like nothing mattered. But instead, his walls have crumbled.
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I cannot say enough that I love the way this scene closed. That this is what pushes Boston to chase after Nick. The development!!! 😔🤌✨
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And then we end with a parallel shot from before the bathroom!! The cinematic poetry is killing me. Nick seeing Boston with someone else and deciding to move on—and then Boston seeing Nick with someone else and realizing that he wants to hold on.
I need ppl to yell about this with because I’m not okay, I love this red flag ship, and I want to glue this scene to my eyeballs.
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sunflowers4life · 8 days
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Challengers - Lunch? :)
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hello! challengers has been on my mind a lot lately, as I really enjoyed the movie + I absolutely love Mike Faist. I hope you enjoy this, I really tried to give some Tashi appreciation, as I feel in a lot of Fics, she ends up being the villain in some way. as a warning, there is one mention of Y/N - Hope you enjoy!
pairing: art x reader
Art Donaldson was many things. A tennis player, a Stanford student, but something he thought many people seemed to forget, was he was still a young boy. Among the time he spent at tennis training and in his classes, he felt as though he hardly had any time to catch up with Tashi or Patrick, or even a second to sit down and just breathe. Now, don’t get it twisted, Art doesn’t hate his classes, and he of course does hate tennis, but everyone needs a break occasionally. He wishes he was like Tashi, who seemed to enjoy the pressure, the time constraints, as though it helped her stay focused and on track. 
Today, he and Tashi had decided to meet for lunch. Patrick was still on tour, and wasn’t expected to appear for a week or so. Art pushed open the doors to the cafeteria, ready to enjoy his well deserved break, when he noticed Tashi was not sitting alone. There was a girl, wearing a Stanford hoodie, sitting next to Tashi, as the two happily chatted. Art was a bit shocked, as he almost forgot that of course, Tashi had friends outside of him, Patrick and tennis. After realising he had been standing still in one spot for an embarrassing amount of time, he grabbed his food, 3 churros, and finally approached the table. It took Tashi a moment, but she turned, and smiled. “Art! Please, this is Y/N, she’s in one of my classes.” Art offered his hand to the girl, and she took it gently, shaking it almost with the effort of a sloth. At that moment, Art considered she may be the prettiest girl he had ever met. She wasn’t dressed stunningly, simply adorning the red Stanford hoodie, and a pair of flared leggings, but she had this air of peace and calm around her. 
“So, how’d you and Tashi meet?” He posed the question in your direction, and you smiled shyly. “Well, really, it was at one of your tennis matches. I was watching in the stands, and Tashi came over, introduced herself, and we found out we shared a couple of classes.”
“So you’ve watched my games?” Art's face sported a cheeky smirk, one that felt teasing but an innocent nature behind it. 
The hour flew by, and Art found himself at a state of enjoyment he hadn’t felt in weeks. Throughout the hour, he felt he had met someone who just got him. The conversation followed, with never a minute of uncomfortable silence. He learnt about your interests, what you were at Stanford for, and most importantly, your phone number.
As you went to stand up, he suddenly remembered the churro that had been laying on his tray. He grabbed your wrist gently, handing you the churro. His cheeks turned a light shade of pink as you smiled brightly, almost as though you held the essence of the sun in your face, giving him a kiss on the cheek before turning around.
He watched you leave the cafeteria, his eyes not leaving your form until the red of your hoodie disappeared around the corner. 
“Glad you enjoyed yourself.” Tashi grabbed her tray, as her and Art approached the bins. Tashi had a glint in her eye, and it took Art a minute to realise she had done this on purpose. “You know, when it’s your wedding day, I’ll be expecting a thank you.” Tashi let the comment flow from her lips as she grabbed her racket and made her way towards the courts. 
Art was at a stand still in the middle of the cafeteria, looking at his phone, feeling like a teenage boy again. He stared at your number, lightly shaking his head, before smiling genuinely.
That night, he pulled up your number, shooting you a text that simply stated
“Lunch? :)” 
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serxinns · 4 months
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Could you do a yandere class 1A where reader is Aizawa’s kid?
Teachers Kid
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(yan! Class 1a and platonic Yan aizawa x Aizawas kid reader
Tw: Mentions of abuse, Neglect and cheating
Aizawa was very overprotective of you as a kid Ever since your mom neglecteded you, cheated on him, and left the both of you with another scumbag, he remembered the way you reached your little toddler hands towards her while the snake cling to the scum's arm while they both giggled leaving while she said her final goodbyes it wasn't any Genuine he can hear how eager she was to leave this family the door shutted and you started crying calling out to the snake to come back with ur little grabby arms his heart stung he promised to protect you and to make you don't gotta deal with it again but 1st he had to take care of that woman...
•You lived with your dad your mom wasn't present in your life your dad told you that she did something really bad and now she's getting "Punished" Aizawa homeschooled you through elementary school to middle school it was fun at 1st but you felt a little sad when other kids played with their friends brought back cool stuff like toys and candy while you were stuck in the house either training with him with or without your quirk
•at a young age you dreamed of being a hero like your father and go to UA to be just like him as much as Aizawa loved to look up to you he could never let you be a hero but always shut the topic down with a strict warning you kept pressuring him trying to convince him, bribe him anything you even did the puppy eyes he secretly loves so much but he stood his ground and said no his final answer
•Aizawa was teaching his boring lesson to the class when he heard his ringtone but it wasn't his usual ringtone "Dad pumpkin spit a hairball in your shoe" he quickly turned his phone off flushed red in embarrassment he slowly turned to see the class in shock and some of them giggling a bit "YOU HAVE A CHILD?!"
• the classrooms were in chaos they were now fixated on their teacher's kid they were all asking questions about ur description, Quirk, Personality everything they wanted to know everything about you, Aizawa quickly quieted them down "Everyone needs to quiet down! Yes that's is my kid they're the same age as you all and is are HAPPLIY homeschooled that's it now let's continue " the class tried to answer more questions but Aizawa shut it down completely which made the class groan while Aizawa looked annoyed in the outside in the inside he was panicking, his class all discovered about you and they seem eager
•Even after school they all couldn't stop thinking about you whenever someone mentioned you in their heart. started to race and started to blush they haven't even met you yet so why do they feel this way... They gather around starting to wonder what are you
•while Aizawa was driving home he was just panicking even more his class found out about you he thought he was hiding. you so well why did he have to slip up he didn't want to put you in public high school it was just too dangerous especially if villains are now spawning up more commonly and he thought of something something he didn't like but it was his only choice
•"Y/N!, Kid we need to talk" you walked downstairs to see that your father was looking really serious like this was gonna be a long talk you gulped mentally "yea Dad also did you get my voicemail?" "That's the one we're talking about," your father said his eyes narrowing at you "But another thing since villains these days are commonly targeting heroes these days and I was worried about what would happen to you when you're home alone so I decided to nezu about enrolling you to Ua High-" just when you said that you jumped in his arms hugging him so tight "YES YES THANK YOU THANK YOU THANK YOU" Aizawa may be defeated and nervous but seeing you bleamed up like you used to as a kid made him think you'll be fine "Alright then you start tomorrow im sure my class will love you"
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Hiiii
Can you write a hero x villain snippet where theyre negotiating? :)
“Oh.” Despite the interjection, the villain did not seem surprised. Not even their raised eyebrow displayed genuine astonishment. Somehow, that angered the hero. “Lover.”
The word sounded soft in the villain’s mouth. Softer than it should have been and yet, the distance between them was greater than ever. Another thing the hero didn’t like but it was their fault after all.
“We are not lovers,” the hero reminded them. Not anymore.
“Well, you never broke up with me.”
“I didn’t think that would be necessary after what you did. Killing the mayor and taking over the city…” The villain smiled softly and looked down at their desk. With a stinging in their heart, the hero saw the snowglobe they had bought on vacation together. It was foolish, truly foolish given the circumstances that their feelings wouldn’t stay dead. Over and over again, the villain managed to conjure them.
“I assume you didn’t like that?” They looked up at the hero who was still cuffed and held between the two guards. Their eyes were — as always — impossible to ignore. Wherever they were, the villain’s mere presence demanded attention, craved it and got it without fail from people. How they looked at others, how they moved…the villain was mesmerising, no matter if they were fighting or buying groceries.
When they had dated, it had bothered the hero. Everyone seemed to be in love with the villain.
But now, it was insufferable.
“No, I did not.”
“You complained a lot about the mayor in my arms,” the villain said.
“Yes, I disagreed with a lot but I didn’t want them dead.” The villain’s expression changed and this time it was surprise. Oh god, the hero didn’t want to believe that this was a huge misunderstanding, that this was actually their own fault. And then again, thinking about the implications this had, what this one action revealed about the villain’s feelings towards them and about how much power they truly had…the hero didn’t want to think about that.
They watched the villain swallow. Then, they cleared their throat.
“Anyway…you wanted to see me so bad, what do you want?” The hero couldn’t help but laugh humourlessly. Their face got hot and they couldn’t really control their voice when their attention was pinned on the villain.
“I cannot believe you took over an entire city because I complained a few times about politics.”
“That wasn’t my question. What do you want?” The villain was a master at hiding their own feelings. However, the hero knew them. They knew that their ears got hot when they were embarrassed and right now, they were basically glowing.
“I wanted to negotiate,” the hero admitted. They looked at their ex-lover, well, technically lover. The villain was right. The hero hadn’t told them they weren’t a couple anymore.
Maybe that wasn’t right either. Maybe that was the coward’s way out. But still, killing the mayor because the hero was annoyed by them? Jesus Christ.
“Negotiation?” The villain looked up. “That should be easy. You know what I want. You know what I’ve always wanted.”
“Me?” The villain tilted their head.
“Is that what you want?”
“There are worse deals,” the hero said. And they were right. The villain was a fantastic lover and if they were eager to go this far, there were surely worse outcomes. Maybe the hero could fix this. Maybe they could convince the villain to fix this. “And you don’t want money, you don’t care about power. You do what you want because you get away with it. Because it’s fun. It’s a hobby. And you like me because I challenge you. Well, you love me.”
After a moment of contemplation, the villain answered.
“Okay, fine. Get on your knees.” Once again, the hero’s cheeks filled up with heat. They stared at the villain in front of them.
“Pardon?”
“Leave us,” the villain said to the guards, then they turned towards the hero. “And you get on your knees. Beg me to take you back. Because, yes, you’re the only thing that’s standing between me and this city. I need to see how much this means to you.”
And the hero wondered if their lover meant the city or themselves.
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edandstede · 7 months
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racist fucks out here acting like ed is doomed to become abusive like his father, like he is a violent monster, as if his arc isn’t about learning that he isn’t a monster at all but just a man. how are you looking at ed accepting himself, overcoming feeling like he’s the literal kraken, that he’s loveable and worthy of compassion and kindness even when he thinks the worst of himself, and drawing the conclusion that he’s an irredeemable thug - which is, by the way, what every fucking villain and antagonist thinks of him. you’re aligning your view of him with the bad guys, y’know, the ones who call him a donkey, low-born, and try goading him into violence over and over again because they think that’s all he’s worth? and yeah that includes izzy, because he did that too, it’s 90% of what he fucking did, treating him like he only deserved to live if he was performing hyper masculinity the entire time and the second he stopped he was worse than dead.
we are supposed to feel sorry for ed. the way he feels is heartbreaking. he was abandoned, had his worst fears confirmed to him by stede leaving and izzy pressing on the wound in the worst possible way, and then he fell completely into depression and suicidal ideation. he thinks it’s all he’s good for. he can’t be loved, he hates himself, he’s just the dick who killed his dad and nobody wants him for him. how can you see this very obvious spelled-out agony in him and say “hey, that guy is gonna abuse the man he loves, he’s an abuser just like his dad” you guys are just absolute bottom of the barrel scumbag dickheads, you really really are. you could not be more blatantly racist. you know damn well the show is not saying what you’re claiming it is.
also, insisting that he would ever hurt stede is just completely ignoring every single fucking thing about him. ed would never. the only fucking time stede is physically hurt by ed is when he wakes up from literal death and headbutts him. that’s it. i think we can all agree he didn’t even know what planet he was on when that occurred, and he petulantly says “good it was supposed to hurt” during a squabble that ends with stede telling ed he loves everything about him. pull the other one if you think this was ever framed as ed seriously wanting to hurt stede and not an incredibly hurt and vulnerable man still acting on a half-dead brain.
like for fuck’s sake this is the same man who hides under stede’s robe and presses his head to stede’s hand when he cries after telling him - the only person he has EVER TOLD - about killing his dad. he tells stede about the plot to kill him, and he cannot do it. he can’t lift a finger to him, he never would. he holds stede’s face with both hands when he kisses him and tells him he loves him. he brings him breakfast with a bit of twine on ‘cause he panicked and thought it needed a flourish. he rubs stede’s cashmere against his cheek. the first thing he says makes his life worth living is warmth. he imagines stede with a big goofy sweet grin and gold sparkly goldfish tail coming to save his life. he just wants to retire and have his inn with the man he loves and not worry about stede ever being in a near-death situation again. he wants stede to be safe with him. at no point are we remotely told in the text that we should be genuinely worried ed will ever, ever physically hurt stede. he protects this man with his WHOLE BODY twice and signs an act of grace to avoid him being shot. he tries to get ned to leave him alone when they’re being tortured. he jumps off the boat with jack to swim back to him and he rows back to the republic to find stede too.
he loves stede, would never hurt him, and you’re all just fucking sour your fav died and you’re saying any old shite as a result. swear to god if i catch one more of you even so much as insinuating ed is abusive i’m gonna start lobbing off toes as well.
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sugarlywhispers · 6 months
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ex!b.katsuki x reader ; m.izuku x reader — bakugou cheats on his gf, with midoriya's girlfriend.
☆– warnings; ANGST. mention and description of panic attacks, swear words, cheating (bakugou to reader; uraraka to midoriya).
☆–a.n; so here it is! a continuation to THIS DRABBLE. i honestly didn't plan it, but @imaginationmess started brainstorming with me about this a few weeks ago and i couldn't get it out my head! thank you, sweets💕 i hope you like this, even tho i still owe you that villain!bakugou drabble~🙃 i'll work on it soon, i promise~
☆–a.n; also, i decided to split it in several parts. i don't know tho how many parts there will be. i have at least two more parts already written. we will see...😉 don't worry, each link to the parts will be organized in my masterlist♡
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The noise around makes you a bit jumpy. It's been weeks since you've been out of your apartment since that day you finally broke down in front of your best friend Mineta Minoru, after Kats-Bakugou finally picked his stuff out of your home.
You're sitting in a little coffee shop close to where you live, waiting. The chattering, the laughs, the kids playing and screaming, the cars and buses that drive outside, everything feels heavy on your chest as it pulls up and down fastly thanks to your breathing. You know what this is, it's not the first time it happened.
Panic attacks. 
You've been having them again since he left.
And you hate them. You hate him for being the reason they appeared again. The first time it happened Mineta had finally convinced you to go out and have some ramen with him late at night after his shift. You accepted, even though you felt your body weak and heavy, only wanting to stay in bed and keep sleeping. Least to say, it ended with Mineta carrying you in his arms, your body trembling non-stop and feeling like you were choking, dying.
But right now, Mineta is not here. And you can feel your throat being closed, like someone was grabbing you by your neck with each breath you take and slowly but firmly putting pressure, until you could breathe no more.
And just when it's about to happen, when you know you're about to make a scene in front of all these people, when the darkness is making its presence in your sight, that he enters the coffee shop.
You don't know why but seeing Midoriya Izuku after so many weeks since you told him the truth, seeing him stand there at the door, a black hoodie that says "HOODIE" in the front and jeans and his typical red trainers as he scans the whole place until his green eyes find yours and smiles openly at you, seeing him walk towards you and getting bigger with each step he takes in your direction –was he ever that big and tall?–, seeing him say "hi" politely to some people who recognized the Number One Pro Hero under the hoodie as he walks inside the place. 
Just seeing him… it takes the pressure off your neck. You can breathe again.
"Hi, Y/N, sorry I'm a bit late," he greets with a shiny smile as he sits in front of you. "I had to finish some paperwork from the night patrol."
You open your eyes wide, "Y-you-" your voice sounds throaty and rough, so you clear your throat. He frowns, watching your neck, but he respectfully waits for you to continue, eyes back on yours, watching you with kindness. "You had night patrol? If I knew, I wouldn't have bothered‐…"
"Oh, no! You didn't bother me at all! You're never a bother, Y/N." His smile is radiant, it's been so long since you had seen someone smile that way in your direction. You feel bad for Mineta. When was the last time he had smiled in your presence? A real, genuine smile. You forgot. "I was hoping you got my message and that you would answer, on your time. But you did answer." You look down, you think his smiles will make you go blind because of its shine.
It was two weeks ago–or three?, you feel like you lost track of time, being on your bed and only getting up when Mineta forced his way into your apartment to make you eat or shower. It's been a while since Midoriya left that message to go grab coffee together. And he had been waiting, and you just now answered.
"I'm sorry… I needed…"
"Time, I know. Me too. It took me a while to process everything. I didn't want to get up off my bed, I barely ate… We both needed time."
You look up at him again and you see him swallow thick, like it's difficult for him to talk about it. And you get it. Fuck, thinking about it only makes you want to cry again. You get it. So you pull one of your hands that were grabbing the cloth of your pants tightly in order to help ground yourself a few moments ago when the panic attack was almost on the surface, and grab his that is laying on the table in front that separates you both.
He looks at it for a moment, your thumb caressing the scars on his hand like it's nothing, and when he looks back up, you try to smile reassuringly.
Everything is going to be okay. You are going to be okay, that's what Mineta tells you every day he goes to check on you. You started to believe he says that aloud to reassure himself more than you, seeing how you didn't have the force to even feed yourself some days and he had to do it. It took you a few days ago, when you tried to reach your phone, you had to get up from the bed and when you did, your legs gave up, making you fall straight to the floor, hitting your chin so hard you think you bit your own tongue as you tasted blood in your mouth. How was this you? Did he really have so much power over you that turned you into this corpse that couldn't even get up to reach the damn phone? Fuck no. You decided it was enough. You decided you were going to be okay.
You know your smile it's not the prettiest or most comforting at the moment, but you try. You try for Midoriya, before saying, "We are going to be okay."
His eyes fill with tears, so visible it makes you want to hold him, protect him–and he's freaking Hero Deku, the most powerful hero on Earth and the Symbol of Hope for humankind. Yet, you can't avoid feeling. Feeling that he doesn't deserve anything that happened. Feeling that he deserves so much happiness and kindness, and he hasn't had that in a long while apparently. It's frustrating watching him break, even this little as he doesn't let the tears escape his eyes and smiles back at you.
Two hours pass and Midoriya and you are still in that coffee shop, chatting animatedly, laughing even. Remembering old times, talking about the present and the future, and about the friends that connected you both.
It feels like… a rush of fresh, cold wind after a hot and humid summer day. You have been so used to the hot, the fire, you forgot that cool, fresh relief existed.
Your phone starts ringing in your little bag and you search it as Midoriya laughs at something you said about Mineta.
"And it doesn't end there…"
"Oh my God, it doesn't? What else could Mineta have done to Bakugou? I understand now why Shoto had to be called in to assist him. Mineta was faking stuff so he wouldn't help him… Genius." You see the tears at the corner of his eyes, but this time they are from laughing. And you find yourself thinking you like that better than the previous tears.
You shake your head, smiling, "He started leaving his purple sticky balls under Bakugou's car wheels." That's it. Midoriya laughs so hard it makes everyone look in your direction. But you don't mind, for the first time in a long while, you don't mind people's attention on you. Midoriya's there. And he's laughing. He is laughing. 
Life seems a bit brighter.
You pick up the call without really looking who it is. "Hello?" You talk in between laughs.
"Y/N? Oh, where… Where are you? I came to the apartment and freaked out when I couldn't find you!" Mineta says, a bit agitated. But you can't avoid laughing again given that the person you were just talking about with Midoriya called you, it is such a funny timing. You signal with a finger to your phone looking at Midoriya and word 'Mineta', which makes him laugh even harder. Midoriya understood the funny timing too. "Are those laughs? Are you laughing?!"
"Sorry… Yes. I'm with Midoriya. We came to grab a coffee."
You can hear Mineta's surprise, you can even picture his eyebrows pulling up high. "Midoriya? As in… Midoriya Izuku?"
"Yes, love, Midoriya Izuku." That makes the green-headed man in front of you shut a bit and look down at his hands. Weird.
"Ow, you haven't called me love in a while… I'm gonna cry," you roll your eyes at your best friend's dramatics.
"Shut up. Do you need something? I'll be back in a bit."
"Oh, no, bun. I just came to bring you lunch and then I have to sign in. I'll probably be on shift until late at night so I made sure I cooked enough so you have leftovers for dinner too."
You smile. Your heart feels warm, and you can't help but think you have one hell of a best friend.
"I love you."
"Oh, I'm definitely crying now."
You chuckle, "Take care today, okay?"
"Always am, bun. Have fun with Midoriya, but I can already tell you are..." You can hear the suggestive tone, and you want to punch him.
"Shut up."
"I love you."
"I love you too. Bye."
You end the call and look at Midoriya. He's not smiling anymore, just looking at his hands. His fingers fidgeting with each other, his mind clearly in thought.
"Sorry, I didn't tell Mineta where I was going today. He was worried…"
"Oh, yeah, no problem."
It sounds like there is, so you try to dissipate the tension you don't know what produced it.
"You want to know what else Mineta did?"
Midoriya looks up, eyes open wide, smile returning to his face, "There's more?!"
You nod, also smiling. "He once even left them inside the car, messing up with the engine."
"Oh my God! That's why Bakugou asked for another hero to assist him from now on!" Midoriya laughs again. You shake your head and he stops mid-laugh. "That's… It's not? Then what-...?"
"Do you really want to know?" You raise an eyebrow, sounding cheeky and challenging.
His stance changes, you see a spark in his eyes you have never seen before. He smirks and rests his elbows over the table and gets closer to you, his eyes connected to yours, as he murmurs almost in a low tone whisper, "Tell me."
You can feel your cheeks warmer under his gaze, but find the courage to copy his action and get closer to him, even closer to his ear to whisper in a secret.
"Mineta left cockroaches on the copilot seat, for when Uraraka entered the car."
You back away a bit to look at his face. He looks completely surprised, before throwing his head back and laughing so so hard, completely forgetting they are in a public space.
You laugh too, but because he is laughing so lively. You decide then that you'll try that more. Make him laugh.
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Hot take:
Coriolanus Snow did not love Lucy Gray, even though he loved her.
Bear with me for a second I know this sounds like an oxymoron but I promise I can make it make sense. The TL;DR is that both SnowBaird shippers and detractors are right, but also very very wrong. I’ll explain.
People who say Snow was genuinely in love with Lucy Gray are wrong. Flat out incorrect. And I say this so bluntly because of one simple factor: before the games, he needed Lucy Gray to promise total devotion to him. This 16 year old girl was about to be thrown into an arena to fight to the death and his concern was whether she was committed to him?? That’s not love. That’s need. Remember the saying “if you love someone, let them go”? It exists for a reason. If you truly love someone, you want what’s best for them. You want them to be happy, even if that means stepping away. Snow was not ready or willing to do this. If there was even a chance of him having to step away, he was prepared to just leave her to her fate to die. And this happened relatively early in the story when you look at the importance of events. Most of the moments we can point to and go “that’s a turning point for him” happen either during or after the games. Funnily enough this ties to a very simple fact of the story that seems to fly over a lot of fans’ heads, if they’re not just outright ignoring it.
Snow did not lose his mind or go insane over the course of the story. The whole point is that he was always this way, and looked every opportunity to choose to be a good person dead in the eyes as he dashed them to pieces, burned them to ashes and used the charcoal left over to draw happy little doodles on their graves. This story has two points, with the first being a subversion of the “uwu villain with a tragic backstory to excuse their actions” trope. The second one is gleefully stewing in all the ways the people Snow wronged in his early life haunted him until the day he died, especially Sejanus and Lucy Gray. That’s just one example of Snow not actually caring about Lucy Gray, but there are more. They’re sprinkled all throughout the story, culminating in the final scene where he attempts to murder her.
However
Coriolanus Snow did have genuine feelings for Lucy Gray. He was prepared to ruin his entire future to save her, knowing that getting caught cheating would destroy all he’s worked for his entire life. When he was forced to become a peacekeeper, he asked to go to 12 in hopes of seeing her again. He went out of his way to track her down and they shared genuine moments together. By now, he has no ulterior motive for being around her. No prize, no game to win, nothing to gain except happy memories. Snow wanted to be with her. And Lucy Gray wanted to be with him. There’s a skeleton of a genuine relationship there, inklings of the love story Lucy Gray was convinced they were destined to have. That wasn’t fake, those were real feelings and it could have been beautiful. If it wasn’t for one tiny little problem: Lucy Gray is not who Snow thought she was. She isn’t who he wanted her to be. In other words:
Coriolanus Snow thought he loved Lucy Gray Baird, when in actuality he loved the idea of her he’d created in his mind.
You see, this boy is the least reliable narrator to ever narrate in the history of ever, beaten out only by Humbert Humbert. And in similar fashion to Lolita it looks like people are making the mistake of taking his word at face value when the point the book tries to make is that you should not do that. Snow looked at his choice to keep bashing Bobbin over the head after he was already knocked out and decided to take it as evidence that all human beings lose their humanity when cornered (even though he was no longer cornered), he is very clearly not a trustworthy individual when it comes to making logical deductions. Especially because he can be neck-deep in denial sometimes. Snow never cared about Lucy Gray, the Covey girl, singer and performer who lost most of her family to a massacre and was forced to stay in one district rather than moving around like she used to. He cared about Lucy Gray Baird, district 12’s female tribute for the 10th hunger games. And those are not the same people. Tribute Lucy Gray Baird was locked in a zoo, forced to perform at all times to survive. Lucy Gray was free to be her authentic self (trauma not withstanding) and while she loves to perform, it’s a different kind. There’s no pressure, she can leave the stage if she so desires. She can roam as free as one can in the districts and no longer needs a mask to live.
In the book, Snow outright says he wishes she was still locked in the zoo so he knew where she was and she couldn’t leave. He loved the Lucy Gray that was contained. The one that was considered his by the people around him. The girl who relied on him completely because she had to. He loved what she was forced to be in order to not die, and when he saw the real her he wished she would be more like the girl he met. Which was not the real Lucy Gray. Snow loved the act she put on, and to some extent the control he had over her. He had genuine feelings for her, but not for the real her.
To conclude this rambly mess: shippers will pretend Snow genuinely loved Lucy Gray for all she was. This is not true. A certain subsect of people who hate this ship will say he never cared for her at all. This is also not true. And in a fandom for a book about the nuances of even the worst people on earth, that’s very funny.
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Sometimes it's like. You look at someone and you wonder how they go about their days with a reliable memory. What that's like. What it feels like to just know things, to be able to give examples of your life, to be able to answer a question of a happy memory you have without racking your brain for scraps. You plug it into the search box but all you can think about when you see the results is what it must be like to remember that you forgot.
And sometimes it's like. You wonder how anyone functions without that warm feeling in the back of your head of your others, always there for you. Happy and hopeful and picking each other up when one of you falls – maybe a little frayed at the edges, maybe with some wounds that need healing, but sticking together all the same. It's warm like a campfire and warm like excitement, warm like how clouds look to be, even though you know they're cold and wet. You can turn back to them and get a thousand whispered promises of support before you even ask.
And sometimes it's like. You see people laughing at a joke in which you are the butt, the punchline, the freak. And you wonder how they can hate you, how they can show it so casually, what gave them the courage, what prevented their shame. But you never wonder why, because you already know – that's what the joke's about.
And sometimes you know you're not going to remember something even as you're standing in the middle of it. Maybe you try to enjoy the moment – but does it really matter when you're not really experiencing it in the first place?
And sometimes you wonder where you are. And sometimes you wonder who you are.
And sometimes it's like. You're staring at the person who just said they know you, and you have no idea if they're telling the truth, and you have no idea if you can trust them. You don't remember them, but maybe they remember you? Or maybe it's a lie – maybe it's a trick, like how the bullies from childhood would pretend to care. Like how your parents would pretend to care. So you turn them down and admit you don't recognize them, because disappointing someone genuine is safer than risking a knife to the chest – after all, you don't even know if it'll be figurative or literal.
And sometimes it's like. Did your food go bad because you forgot about it? Or is it still good, and you just don't like it right now? Will you like it again later? Did you make the wrong decision in cooking this tonight and not saving it for later? Or did they just change the production of the ingredients? Can you stomach your dinner when you hate it? When it tastes so bad, but used to taste so good?
And sometimes it's like. A melody of a conversation, played with no one else and your mind as the instrument. Hums and bells and chirps and whistles; an orchestra could never outperform what you hear from your own head. It is beautiful and wonderful and you wish everyone could get to experience this, but then you remind yourself that not everyone would enjoy such a thing. And then you wonder why.
And sometimes people write those with voices in their head as murderers. And you watch an ad for an upcoming horror movie with apathy; you can't even be disappointed anymore. You've been upgraded from joke to villain.
And sometimes it's joy passed around from one self to another, gaining momentum, swinging and singing and flying until you can't help but beam and you bite your tongue to keep from laughing because one of your selves just told the best joke you've ever heard.
And sometimes you cry, and they are the only ones there to comfort you.
And sometimes you lash out at them. And sometimes they forgive you. And sometimes that forgiveness only makes you bitter, because it's so foreign. It's the person claiming to know you all over again – why should I trust you? Especially when we make each other into jokes and villains in the eyes of everyone else?
And sometimes it's like. I have no choice but to trust you, to be vulnerable with you, and somehow that makes it easier.
And sometimes your others argue over which bowl to use for your cereal, only for all of you to forget the spoon.
And you wonder what it would be like to remember.
And you wonder what it would be like to decide so easily.
And you wonder what it would be like to hate someone like you – until you remember that you know the answer to that one, because you know what's it's like to hate yourself.
And sometimes your others help you write something that isn't quite poetry but isn't quite not, and you've been trying to write something like this for a while but struggled to find the words, and you're up way too late and should honestly just go to bed but first you have to write this down, and your week has been shitty and you're not out of the woods yet, but at least you have their warmth as you trudge through the dark – something small (but not insignificant) to keep you going, being pulled along by hope that isn't yours and a duty to the ones who have been there for you when no one else was.
And sometimes it's like. Can you guys just choose a spoon already?
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bunnakit · 24 days
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my stand in ep 4 thoughts, feelings, etc
WOW WA WE WAA THAT SURE WAS AN EPISODE HUH - happy to report i went back through the episode slowly this week and took notes and really tried to gather everything i wanted to say (but i will inevitably forget something)
🌸 ok disclaimers because i have a lot of them for this particular episode 🌸
i'm just a silly guy on the internet, i'm not an expert in mental health, psychology, body language, whatever. most days i can't even take care of myself. i'm just saying things recreationally.
PLEASE do not put novel spoilers in my replies, reblogs, or tags without a warning notice. i've got an itchy blocking finger for it these days.
i am treating ming and joe and everyone involved in this show as if they were real life human beings. ming was not born some mustache twirling villain sent from hell to make joe miserable. joe is not some pure angel descended from the clouds to do no wrong. everyone in this show exhibits very human behavior and that can be distressing under certain circumstances. i'm just going to comment on them as humans. i'm not interested in a round table discussion on why a character is irredeemable, the scum of the earth, etc. i'm just putting my thoughts out there and you can take them or leave them.
🌸 alright yucky disclaimer time over 🌸
the episode really just picks us back up where everything left off - and yet joe still made ming breakfast, and ming isn't stupid (well right now at least,) he knows something is off.
i am confused why tong needs to get married on this specific day. and like bro how fast are you getting married? relax. the whole thing is just unstoppable force (trajectory of this producers career) meets immovable object (tong's fuckass stubbornness) and the collateral damage is massive.
and then there's the question of did joe ever want to play a lead? or did he let his impulsiveness and hurt put a target on his back? (only emphasized by the fact that everyone assumed joe would turn down the role)
i DO apologize for all my doubt surrounding wut. he, ja, and may are the only people in this show with any god damn sense. maybe jojo and yim. we'll see.
getting into the confrontation at joe's work, i really don't think it's that surprising when we keep in mind ming genuinely has no fucking clue what is going on. all he knows is joe woke up, was acting weird, didn't come home, and then told him to pack up his shit and leave with ZERO explanation. like, joe's completely in the right, but i'd also be confused as fuck. (i wouldn't go to someone's work about it but, y'know, we know ming acts in extremes.)
and to me this is where it really became obvious that joe has always been able to overpower ming, to get away from him, as we have seen joe's physical prowess, we've seen what he's capable of, but he never uses his body to move ming away from him - that's not who joe is, he's not someone that would put his hands on another person like that. it's just another way ming and joe are the direct antithesis of each other.
it's my thought that the argument escalates because ming is used to getting everything he wants - except for tong, and now joe. when joe begins to push him away and deny him his substitution for tong i think ming lashes out in his hurt with a thought of "it's happening again, why doesn't anyone want me?"
i will say while i do believe sol has good intentions for the most part his white knighting is getting a little irksome. while convenient, it just shows how much he's still hovering and laying in wait for a chance with joe - he, too, is not respecting joe's wishes. no is a complete sentence, sol.
and then things continue back at home and joe finally, finally throws ming's words back at him: if i'm so terrible to be with, if you're so great, why are you wasting your time with me?
and ming doesn't have an answer. what ming DOES have is another back embrace, arms wrapped around joe as he asks "don't you love me anymore?" but is he asking joe or tong?
"although i'm not as good as tong" even now joe's rampant self worth issues are still at play but at least he finally knows he's worth more than whatever this is.
then the phone rings and to me, ming looks skittish. he looks shaken. he's never seen joe so angry and he's scared and as the call progresses that fear morphs into rage when sol calls joe. and the thing is, regardless of who played the main role, ming was never going to be happy. it was either going to be joe or tong playing opposite sol and neither of those things would have been acceptable.
and then i said, out loud, in my quiet office: OH! and promptly lost my shit in the group chat.
ming doesn't look wholly present after his act of violence. his face is vacant, like he isn't completely seeing or grasping what he's just done. i get the impression that ming isn't mentally well; stress and fear and anger have a way of making people do really fucking stupid things and as these things happen you risk falling into the sunk cost fallacy - you've already gone this far, you can't stop now - which all aligns with the obsessive behavior we've seen from ming in the past.
as joe wakes up and they talk once again joe doesn't blame ming, he blames himself for not seeing the writing on the walls even though it was written in invisible ink.
"all these times we were together did you ever love me?"
"you can't tell?"
again, so much of the blame and emotional responsibility of their situationship is put on joe and ming refuses to communicate any of his feelings, perhaps because he doesn't know how to after repressing everything for so long.
WE DIDN'T GET HOT KINKY CHAINED UP SEX THOUGH, WHY DOES GOD HATE ME SPECIFICALLY
but the way joe looks at ming as they linger there in the wake of joe's request looks like a goodbye, the way his eyes soak in every detail of ming's face. despite all of this and the nightmare it has turned into he did love ming, perhaps still does, and he does have some of those good memories he was so desperate to keep.
though like.. joe.... maybe we could consider a different career path??? instead of just jumping to risking our lives? like sure food service sucks, cashiering sucks, etc. but you aren't in danger of falling off any cliffs, you know? and let's be real, he could just go into modeling with those looks.
it's my impression that when ming calls joe he looks haggard, like he's lost numerous nights of sleep (and we really don't know how much time has passed) but either way it does seem like he's at least done some amount of reflecting. his voice comes across soft, subdued, and sincere.
and after everything, back in the present, we see ming. he's still in the apartment, desperately calling joe's name all these years later, still unable to sleep and waiting for joe to come home just like he asked him to years ago.
maybe ming never wanted to enter the entertainment industry before, but he has now. perhaps it was never for the attention or the money, maybe he chose to promote those watches because it was a reminder of the gift from joe. and maybe this job, in this specific industry, is the closest he can feel to joe now. and maybe with new influence and connections ming can find out why he was never able to tell joe he loved him before he lost him.
WHO KNOWS, NOT ME, CAN'T WAIT TO FIND OUT THO
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synergysilhouette · 5 months
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My frustration with Asha's writing
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A lot of people liked "Wish," and a lot of people didn't, and a particular concern for the latter was the main protagonist. Since I'm in the camp of "I'm frustrated with 'Wish,'" I'll discuss a little bit about why Asha feels like such a letdown.
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She's an archetype, but not an individualized character. She screams "Disney heroine," but she doesn't have anything about her that makes her character stand out (positively) among other Disey female leads. She has no flaws that hinder her, and her positive traits are vague at best. "I care too much," is the most generic thing I've ever heard a main character say. In fact, it becomes almost meaningless when a character (who genuinely means it) says it about themselves; caring too much is a statement that works best when talking about someone else. In fact...
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2. She has significant plot armor. She gets far in the process of being considered to be Magnifico's apprentice, but it's never said WHY. Considering her friend (or friends? I'm not sure) works in the castle, Dahlia putting in a good word for Asha would make sense to why Magnifico would consider her, and even him asking around town for their opinion of her would make more sense. But it feels like she gets so far in the process simply because she's the main character, despite Magnifico knowing next to nothing about her. And Magnifico has several magical powers at his disposal, but he's still defeated by her (mainly because he only uses his staff against her).
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3. She has a lot of influence, but again, it's not really said how or why. During the reprise of "This Wish," the people of Rosas side with her against Magnifico--but this is likely because she's the only one who dared to stand up against him. We only see Asha interact with the people of Rosas during the opening song with her as a tour guide (how did she get THAT job?), and it feels very professional, very timed. It doesn't feel intimate or personal, like Asha has built up a good rapport with the other citizens.
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4. Her family is poorly defined. Sabino's wish is to create a song that inspires the next generation, but as Magnifico himself mentions, that's a vague wish--plus imo, it's cheating; rather than working hard and creating a legacy for yourself, you want to wish to give something for people to remember you by. And Sabino is obviously older than Magnifico, but his life--and how he lived it without the kingdom of wishes--is never explored. Perhaps if it was explained that he experienced great hardship and his spirit was broken, it'd explain why he was so fixated on getting a wish. And Sakina's wish is never explained. She's probably the worst-characterized parent in a 21st century Disney movie, since she's pretty much just there. And Asha's father inspired her, but he isn't shown much. I'd have enjoyed it if the plot revolved around her trying to revive her father and it proves Magnifico's point that some wishes can't/shouldn't be granted.
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5. She learns NOTHING. Her whole song is about "I've lived a lie" when that's not entirely true; she takes a very black and white view on the situation without ever trying to evolve her viewpoint via Magnifico's perspective, and the people of Rosas never stop to think "we shouldn't be codependent"; they just think "we shouldn't have let Magnifico lie to us." It's a giant avoidance of guilt on everyone's behalf, and since Magnifico is a villain, no one really cares that he has some semblance of a point. When you look at protagonists like Pocahontas, Judy Hopps, and Anna, you see how they learned a new way of looking at things, that they've suffered hardships (either through their own making or otherwise) and that they've grown from it.
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6. She's "relateable." Disney's adorkable thing hasn't been too much of an issue for me up to this point; it was unique when Anna did it, and it never feels super cringey with Mirabel and Moana (though if Mirabel is cringey, it fits into the narrative). But now it's tired. I'd enjoy more mature leads like Raya, Tiana, and Elsa, rather than Disney trying to make a protagonist that tries--and fails--to be quirky. And I never really saw Rapunzel as adorkable as her later leading ladies. But Asha tries too hard; honestly that should've been one of her flaws in the film. Her desperation to meet everyone's approval would've been something neat (albeit familiar if we compare her to Mirabel) to explore in the film.
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sailorblossoms · 5 months
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I’ve talked a lot about how awtwb takes some of the things Simon has been putting down in the previous books and makes them a lot more clear and explicit (like the many instances where he’s saying “I already had feelings for Baz long before I kissed him” and “my previous relationship was void of both romance and attraction” and “I already felt like I wanted out of it, I just waited until the other person ended it because I didn’t want to be the one to do it”)…. But you can also see that with Baz
It has been brought to my attention that before the sequels (and it seems like even after them in some cases) there was an idea of Baz as sort of “edgy” and more “rough” than he actually is like… even in CO you can see that, while he has thorns and barb wires, this is a wall – a mask to protect his soft and vulnerable heart. He might have a somewhat “mean” sense of humor, but being genuinely hurtful isn’t like him at all. It hurts him as well – it’s him going against his nature. You can see that from pretty early on, when he tells us that when Simon is getting all worked up… he might taunt or push him away, but what he truly wants to do is to comfort him.
In CO, iirc there’s a scene in Baz’s house when Baz laughs and Simon asks him to not make fun of him (he thinks Baz is laughing at him). Baz goes along with it with “When will I ever laugh then?”… but that’s just the wall coming up, it’s Baz not being ready to be vulnerable yet. It’s different from when Baz says “I’m texting my other boyfriend, the one who texts me back” (let me wack you for making me suffer like that) or “That’s the only thing (petit fours and where they sell them or something like that) that you learned in first year” (essentially some sort of good-natured verbal sparring and foreplay for them at that point – Simon hits back with “not true, learned you were a git,” Baz pushes him into the bed, and Simon pushes him against the wall to kiss him… I mean).
What Baz is doing in that CO scene, which he has likely been doing up to that point, is to pretend/let Simon think he’s laughing at him, when in reality he’s laughing because he simply thinks Simon is funny, which is a different thing. Baz finds Simon funny! (it’s one of the things he likes about him, but he can’t just let him know just yet) (and Simon likes Baz’s sense of humor too, finds it a turn-on even, which gives us Golden Moments later). In awtwb Baz says “Simon makes me laugh,” “he always manages to make me laugh” or something like that.
Similarly, when Simon says “I’ll always be less than you” in CO and Baz says “I know, it’s a dream come true,” because again, he can’t allow himself to be vulnerable. It’s too early in the relationship for him to let Simon know how much he means for him. He has spent too long believing Simon could never want him, too long protecting himself. You have to remember it took Baz seeing the humdrum (he believes himself to be monstrous, and he sees Simon is as messy and, through the humdrum, as “villainous” as he believes himself to be – “we match”) to even admit that he’s attracted to Simon. But he never for a second believes Simon is less than him, or that he’s anything less than everything he wants.
You have enough information to say he’s just saying shit he doesn’t mean in CO (can’t be vulnerable yet) but this is way more explicitly after Simon’s breakdown makes all of Baz’s thorns and barbed wires go away (and even that sense of humor Simon loves, as Baz knows Simon is unwell and is so afraid of doing anything that could hurt Simon more)… Baz thinks “he’s lovely, a sad mess and rough around the edges… but still so lovely” – even when Simon is at his worst, when he’s “fading away” and in a state a lot of people would be put off by (and wouldn’t have patience for) Baz still believes he’s lovely.
Baz never believes Simon losing his magic makes him less than him. Simon mistakenly believes losing his magic makes him “not worthy of Baz” but the reality is that Baz would give up magic without a second thought if it gets in the way of being with Simon. We know how much he loves magic, how important it is to him… and he would have broken his wand for Simon in a heartbeat. (Simon would never let him, though, because he knows how important it is to him! The mere idea causes him distress) (Baz’s completely matches Simon’s unhinged “I have killed for Baz and I would do it again” “there’s nothing I wouldn’t do for Baz” energy, he’s just a bit more dramatically poetic in expressing it. “What a ridiculous creature, like I wouldn’t make the world etc”)
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hisui555 · 4 months
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Hazbin Hotel thoughts
"How are they with kids ?"
Hazbin Hotel Bonus 1 (Hell cast + drawings of them) here
Hazbin Hotel Bonus 2 (Heaven cast + babysitting + drawings of them) here
Masterpost here
Something popped into my mind and I thought I'd share. A good while back, there was a stream (Hunicast I think ?) where the question "How good are they with kids ?" was asked, and suddenly that same question entered my mind about the villain characters :
What about the Vees ?
We know how some of the Hazbin crew would interact (if it's still canon) with children : Angel is the "friendly irresponsible" type - would never harm a child but would bring them to inappropriate places. Husk is actually surprisingly good with kids, knows how to distract them, catch their interest (it helps that apparently he knows magic showman tricks) and just plain care for them. Alastor is more distant and a bit behind the times in terms of discipline - he'd slap a kid if they were being a little shit, but won't harm them otherwise, even if scaring them for life isn't off the plate, and be generally decent if maybe annoyed. Vaggie if I remember right isn't comfortable with children, probably because she'd feel in over her head and has a short-ish fuse.
I don't remember what was said about Charlie (if anything was said at all), but my bet would be that she'll infantilize them a great deal - like treating a 10 y-o like a barely-able-to-walk toddler, with huge amounts of coddling and babying (all in all, not that far from how she treats Sinners). For Cherri, I don't think she was brought up (or my memory is failing me), but again, my personal bet would be that she'll be "friendly irresponsible" like Angel, but cranked up : sure you can throw that bomb, it's fun ! Just remember to let it go in ti- aww, c'mon, don't cry, yes your eyebrows will grow back. I know what'll cheer you up : wrecking that building !
But, yeah, what about the Vees ?
Well, here are my thoughts :
Vox would have the personality to deal with a child, but not the skills. He'd keep that CEO everything-is-fine-just-as-planned smile plastered on, and give Polite Interest (TM) to whatever squiggly drawing is pushed under his non-existent nose, listen with only one hearing sensor while 15 other tabs are open in the background of his brain, Wii music playing optional, analyzing graphs and stats while complimenting that pretty dragon pic ("It's a unicorn !" That pretty unicorn pic as he said) or distractingly commenting to the kid rambling ("I almost fell in a well yesterday." "Mh-hm." "I could've died." "That's wonderful, dear.") and spouting facts (unless about sharks. THAT gets his attention - one of the only times it's genuine and 100% and did I show you my pet Vark ?). He'd be generally patient (when your boyfriend is Valentino, kids are nothing next to that) and treat it just like one of his interviews, hypnosis included (Why won't you go for a nap, hm ? For the fifth time today ?) because like I said : skills ? Nuthin'. He'd be unable to wrap his flat-screened head about a kid's needs or why they cry, being unable to differenciate a "I'm hurt" from "I'm hungry" or "I'm scared" from "I'm sad because I'm missing my teddybear", so he'll go trial-and-error.
He'd be the type of babysitter that doesn't really interact much with the kid, letting them be, only keeping an eye on them while multitasking (cameras, right ?) and/or letting them play around him, as long as they don't cause a structural fire, fall in the shark tank, stick weird things in power outlets or bite the cables. Even better, stick them in front of a TV show and leave them there, only checking from time to time, with a pat on the head and a pinch of the cheek for good measure, calling them "dear", "darling", "squirt" or "champ" - but rarely, if ever, by name - as an afterthought, filling that "bare minimum affection" quota on the check list. Won't harm the child, because What Do You Think It'll Do For Our Image first, and not inclined to resort to that second, but if inspired will use the hell outta them (Voxtek ! Presenting new child-approved Vloops cereal ! New Voom flavor for kids ! Trust us with your children's happiness and diabetus !) and get ratings. In general, decent in personality and watching this mancub fumble around with semi-amused interest, like one takes a coffee break from work to check memes. Knows that getting angry won't help squat, so keeping the ankle-biter distracted and out of his hat is his way of dealing with it if he can't make more money out of them.
Velvette on the other hand would be the complete inversion : good child-handling skills, bad personality. She will immediately know what's up and pinpoint the exact issue no problems, but generally doesn't have the patience to deal with a kid. She'll stick the child in a corner with two toys within a chalk outline of three square meters at best and tell them to stay there, I'm busy putting together a show, dammit, I don't have time for you. Might be mildly verbally abusive, at best quite snippy. She has her fare share of frustrations and annoyances with stupid employees and stupider tantrum-throwing pissbabies, no need to add another one. Complains the whole time about the ordeal on her phone and social media between two shoots. Expect Mordecai Heller (Lackadaisy) levels of art critique each time a drawing is shown to her, and will deal with tears or tantrums by throwing the convoited item at the kid - the sooner it goes away, the faster she can go back to her business. Type of babysitter to be in another room and rarely check on the kid, telling them to shut up, stop singing or play less loudly, she's in the fucking middle of something here. Will make it VERY CLEAR to people asking that no, hell's sake, she won't babysit for long, today is just an unavoidable exception. Ignore the brat, folks, it's like a wallflower : decorative and useless.
Might incorporate the kid into her show or photoshoots (especially if Vox slipped her the idea to use the kid) to sell new fashion trends and as a child model, generally for cutie points and the attention it provides, especially if it makes people green with envy. Might still not call the kid anything other than "brat", "midget" and "shrimp", and you better strike that pose right and face the camera the proper way. However, food and naptime is provided right on the dot, and if left to play in a room, the room itself is not bad at all, and Melissa will be asked to keep an eye on them, nope, no raise, just do it or else you're fired. Might dump the child to Vox or Valentino whenever possible, or keep them around as a glorified clothing prop she fusses around, adjusting that bow, straightening those folds. Might also soften a bit if the child is very well-behaved and shows an interest in what she does, calling her designs cool and her style pretty, and not asking lots of questions.
Now, Valentino. And here's the thing : he'd be very good with kids. Which to any outsider makes it "awww", but for anyone who really knows him ? Absolutely TERRIFYING. This sweet voice and cute nicknames ("cariño", "cariña" - hope I got it right - name nicknames, cooing and practically purring it out), propping them on his hip, parading around, and would you look at that, aren't those pretty lights ? That's right, they're from the spotlights ! Wouldn't you like to look ? while pinching cheeks and booping noses and poking at ribs, promising a candy bar or lollipop if they behave nicely for "uncle Val", and everyone else who has been on the receiving end of this in a WILDLY different context just shivers with fear. And that's the worst : he'll be decent to kids, adorable even (nevermind consciously playing up the endearing points), and still be able to sent that cold death glare and smiling rictus over his shoulder to his employees so that they better get in line for work already. Kid will only see the surface, super-nice moth guy with fluffy wings showing them around and everything, others (the ones with morals) see the monster underneath and really do hope children aren't on his pimp radar. And Val will let them keep guessing, because pragmatically, the imaginary-but-still-implied threat works very well, and he has no interest in someone that's no fun to break, unlike adults who are much more satisfying to bring to their knees : the higher they are, the harder they fall, and the resulting control is just gratifying. Even Vox will be queasy about it at times, but hope he knows Val well enough and choose to ignore it (as long as nothing Harms The Image) and go back to business, Velvette is grateful for Valentino's babysitting skills, but if Val is in a bad mood ? Better drop the kid at Vox'. Becoming a casualty to Val's tantrums is a low chance for a child, but let's not damage the PR along with the brat, shall we.
I don't think Valentino would censor himself around the kid, even if he'll be decent while addressing them : one minute going wait here for me, okay [name]-ita/ito ? and the next second screaming at the top of his lungs over his shoulder OKAY BITCHES AND FUCKS WE'RE TAKING IT BACK FROM THE TOP ! and just barely keeping the kid out of sight in a room corner or adjacent room, like having the playpen barely behind the obscuring wall or something (whereas Angel Dust would probably use euphemisms - despite still cursing - around them and, while entering the studio with the kid, keep them in his own break-room (and the lot of questionable items he likes and that could fall in curious grabby hands, because he Didn't Thought This Through) while he works, preventing them from directly seeing anything). On the subject of Angel, he'll probably have a near heart attack seeing Valentino with a kid around him, knowing what he's truly capable of, and hoping it's not what he thinks it is (it's not, but Valentino is well-aware of the effect and if it makes his employees more compliant, might as well, relishing in the fear it causes). His way of dealing with tantrums or coaxing into behaving is either a cold glare and intimidating with silent anger and a very low voice (basically, scare-tactic), or playing keep-away with things, as in once you behave, you can have it. You wouldn't want me to keep it locked somewhere you can't reach, right ? Good. On the other side, expect faux-fussing and cooing for a child that's genuiely hurt, see how good a caretaker he is, right ? what do you mean he likes when someone is dependent on him to be comforted and happy, pffft, that's just your imagination.
Conclusion : hypothetically, none of them are above using a kid for their own goals, with next to no empathy outside a connecting point or two (sharks for Vox, maybe fashion for Velvette, and admiring Valentino - or just, boost their egos by fawning over their work/supposed smarts/prettiness, that works too), and while they'd be mostly decent towards the kid on a basic level (needs are taken care of, no (intentional) physical abuse, no neglect), they will be directly or indirectly manipulative, with calculated affection and praise. Healthy people to be around, I'm telling you.
Bonus :
For Sir Pentious, I think he'd just be plain lost, especially with modern kids and their needs (he's from the 1800's). Or paranoid the child is plotting his double-death when the local 5 y-o he got saddled with is merrily pushing buttons haphazardly on his blimp and no, no, not the death ray ! I, Ssssir Pentious, command you to let go of the Hyperbeam Dessssimator this inssstant ! That, or he'll try to transform them into one of his minions - and keep any stickman drawing offered to him in his secret room, after squishing it to his heart with welling-up, shiny gloopy eyes.
I don't remember if Niffty was brought up too, but she'd be rather... extreme. With a very fifties mentality of what caring for children implies, with leftover gender stereotypes. She'd be puzzled by a girl playing with toy cars and putting them to bed like some flipped-on-the-back beetle (pun intended) in the Barbie sheets, or a boy not being that much of an airplane fan. She would come around, but expect at least one that's not how you do it, and some hyper rants about killing bugs and CLEANING. However, she'll be very careful about dangerous items : no touching the bleach without her supervision ! Even if she'll tell the kid the hundred and a half ways of killing stuff with it.
For the Overlords : I admit I'm just drawing a blank on Zestial, I guess he'd just observe kids from afar but not really interact. Tall, Dark and Spidery would rather not interact, but I guess he'll point a lost kiddo in the right direction once in a while.
Rosie would just be the politest, most accomodating, patient, motherly figure, the talk about your emotions and how does that make you feel kind (I mean, we all watched Episode 7, right ?). Just watch out for the slow but steady conversion into a potential cannibal, because Oh you've never tried these, dearie, it's a delicacy ! Now, you're a forever-not-growing child, you need your calcium. And what's better than taking it from the source ? These bones are good for yours ! If unconvenienced by behavior, she'll show The Disappointmed Frown, and you better go to your room. Might still believe in spanking (by hand, no objects) as punishment. We don't do tantrums here, sweetie, we're classy, helldammit.
Carmilla is just a confirmed mom, maybe strict and an iron lady, but she deeply loves her own children, and it shows. Other kids don't bother her at all. A stern talking is what they need if misbehaving. She's protective, but not overprotective, and kinda the learn-from-your-experiences type (unless said experience would end fatally, because then she'll intervene). She aims to teach independence and self-sufficiency, and while blunt at times in her approach, her praise and affection are completely sincere and given without a second thought.
I don't know the other Overlords enough to tell how they would react to kids.
Okay, well, this blew up to a whole thing. Ah well, I'm known for my skyscrapers anyway. Have a cookie, you've certainly burned a lot of calories just by reading this, you really earned it.
(And seriously, just choose Carmilla as a babysitter.)
Again, Masterpost here.
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divineerdrick · 2 months
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Homestuck: Beyond Canon Upd8 for 413
Happy 413 everyone! We knew we were getting something today, as James announced that earlier. This time, it's an extensive news posts with notes from the whole team. Looks like we've got a few comic pages as well. Let's see what we got!
James: I can definitely relate to what James is saying. Homestuck and its community helped me keep going when it seemed like there genuinely wasn't a path forward. Obviously it hasn't always been sunshine and rainbows, but I do still feel there is a lot of genuine goodness and greatness in our little corner of the internet.
And yay! James is an Aradia fan!
Kim:
Kim is one of the people who grew up with this comic. I honestly can't imagine what that must be like. Although I had a lot of media I enjoyed at 13, I don't feel like any of it had the kind of impact on me then that Homestuck had now. It's not like there wasn't anything good on, either! It was 1993 when I was 13, and WB and Disney were at their apex. But Homestuck hit different. I honestly can't imagine what it was like being able to relate to those kids like they could be your friends in another life, growing up along side them.
Miles:
A beautiful mindfuck is a great way to describe it. Honestly the somewhat over the top, trollish, insincere seeming way that Miles is writing shows a great love for Homestuck and the project in and of itself. The love honestly does come through.
Chumi:
Chumi appears to be even younger than Kim, though I could be wrong there. And she also grew up with it, if maybe starting a couple of years into its run. But it goes a step further for her. Homestuck is her formative fandom. And again, I can't imagine what that must be like, let alone now creating art for it.
Andi:
Andi is another member of the team to have grown up alongside Homestuck. It makes sense that this would create the most talented and passionate people to work on the project. Like many fans, though, they also had Homestuck influence their identity and help them feel safe in discovering who they were. It will always be important we have people like them keeping this fandom alive.
floralmarsupial:
While the way Homestuck inspired me was different, she too was drawn in and influenced by the very artistic questions Homestuck posed. Looks like James has managed to put together a team that has all been impacted by Homestuck in subtly different ways. And I'm totally here for it!
Haven:
Oh wow! Coming in on Murderstuck! Ouch! Still, the effect Homestuck has had on them is very obvious!
It's nice to hear more from each voice behind the project. I'm glad they took the time to make this celebration a bit more personal. But with all that said and done, it's time to read an Upd8!
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There is so much to talk about just from this image.
First off, this is the most like Bro that Dirk has ever looked. And it's not just the fact that we've just got a plain white silhouette with shades. There is a lot of chaos in this panel reminiscent of Bro's apartment. That outfit has absolutely never looked wackier. The anime ninja aesthetics combined with the pooffiness of those shorts is already crazy. But the Kamina cape in this looks more cliché villain than anime hero.
While we can't currently see one of the monitors, we absolutely can see that Dirk has been keeping track of our Meat crew. My guess is that the other monitor is Deltritus.
Also we get a throwback with some orange drinks floating about.
Dirk is, of course, being suitably condescending here. After all, in his mind this is the only way to make the narrative matter, to make anything that we'll give a shit about. He probably knows we still enjoy the "narrative kiddy pool" but he's counting on us truly getting invested in what he has planned.
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Wow! Nice frame break! Also this art slaps!
Apparently Rose and Terezi are still a thing. Dirk only seems to partially approve of this. From his perspective, the relationship is a very Rose thing to do. And Rose doing Rose things is important to him and his plans. He also appreciates that Rose doesn't have infinite patience for the finetuning that Dirk could spend a literal eternity on. It keeps him on something resembling a schedule.
So are we going to see these "scions" of theirs?
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I like that there's an obvious sea horse in that test tube. Also, outside of Hero mode Dirk is still sporting his character features at least. He hasn't slipped into being a full guardian yet.
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Well fuck. That might just be the hardest anyone has ever "spoken too soon."
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Hell yes! Adult Terezi is awesome! Also, she's not getting rid of her facial features any time soon!
I hope I didn't jinx that . . .
I'd forgotten Terezi can hear Dirk's narrative. She's also very much on the "Get on with it!" train. Dirk was planning to skip ahead anyway, but of course he wants to unveil his creation first.
So Terezi will be the one that actually makes sure the new session happens. I'm surprised Dirk is allowing that. I can definitely get why he doesn't want it automated.
I can honestly believe that Dirk really does care about his creation.
And I can honestly see Terezi playing the long game. I'm honestly curious why she wouldn't, beside Dirk's fuckery.
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Ouch.
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Also, damn this art is so fucking good!
We've seen the way Terezi can let what she sees as a mistake eat at her. We've seen how far she'll go to fix it. Is John's death doing that to her? Is even this older, seemingly more jaded Terezi unable to let something like that go even with what's at stake?
Or could she possibly be letting Dirk think that's what's going on? I really kinda hope that's it.
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Now that's just being mean pretending you don't know what she meant by being in her "CH4MB3RS", Dirk.
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Apparently Dirk still has a mouth when he needs to.
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FUCKING!!!
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DAMN!!!
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That's an interesting way of showing them speaking at the same time. Kinda like it.
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Okay. That is some legitimate Bullshit. I like that even Dirk calls it out as such. That is a ton of power to just flex like that. His reasoning is sound, but even he knows he's partly doing it because he can.
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Wow.
There is so much to potentially read into this moment. On the one had, this might be a genuine Rose moment. Even if Dirk has been manipulating her a lot, this version of Rose might genuinely be appreciative of what they're trying to do.
The other possibility is that Rose is manipulating Dirk this time. There've been hints, and I find it hard to believe otherwise, the Rose is aware Dirk has been manipulating her somehow. She may not have figured out how he's doing it, but I feel she knows. As an ascended Seer of Light, her ability to read the most fortuitous path is literally godlike. I can't imagine that definition of fortune including one where she keeps losing more and more agency. So this might be a moment where she's telling Dirk what he needs to hear to stop him from stealing more from her.
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The worst part is he genuine believes that.
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kingmagnificoofrosas · 5 months
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Analyzing King Magnifico
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Oooh boy, I have a lot to say! This is gonna be long. So brace yourself. But first 👇
‼️Note, this is my very personal opinion‼️
I'm honestly glad how the multitude of people realizes that we don't have a villain here. And honestly, while some nag and whine around that they didn't get one, I'm not mad at all that we got Magnifico the way we got him.
So in the end, it doesn't matter to me if disney actually failed to create a villain or purposely created a good guy who changes to be the antagonist.
Ok, now to the analizing part
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The very first thing we learn about Magnifico is that he has a pretty dark past. He lost his home and his entire family, anyone he ever loved, all in one night. And in a very curel way. That banner tells us a lot!
First of all, if we study the picture, we see a palace in the back, some houses and right down below young Magnifico and his parents. Now, why is that so important? Back in the days only very important people were potrayed on banners. Such as royals, families of very high status or knights. Banners and wallrugs were also used to tell important stories. And since the palace is on the banner, I'm pretty sure we have a royal family here. That would mean that Magnifico had been royalty from the very start.
Further we see that the bottom got burned. This tells us that there was a big fire. Which leads me to conclude that what Magnifico saw and experienced was most defenitely hell on earth. Imagine, his family, his home, everything burns. Screams of terror everywhere, the stench of dead burning flesh and smoke that nearly suffocates you! And he was very young when that happened. So we now know that the king has big time PTSD (post traumatic stress disorder) Keep this in mind, because it's literally the key to this whole analysis.
~
Out of his trauma, Magnifico strived to build a safe haven, where he could make sure no tragedy like the one he'd suffered would ever happen again. He build his kingdom, (on top of already existing buildings, as we know from the art book) He taught himself magic to actually have power to protect. He made sure his people are safe and live well. That no one has to suffer, endure hunger or hardships. Sounds like a evil rotten monster right?
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Just look at the way he looks at the (wishes) dreams of his people. He appreciates and treasures them!
His genuine desire to protect and keep safe has always been good!
We only see him snap after Asha triggers him. And while ptsd people react overly sensitive or exaggerated, it is understandable once you know where they come from.
Analyzing Magnifico's ptsd closer and how it influenced his actions and decissions
Magnifico had looked for an apprentice that truly understands where he comes from and shares his ambitions. But the first thing Asha asks as soon as she gets the feeling she has the job safe, is if he can grant her grandfather's wish. I understand, that she cares for her grandfather but I also see Magnifico's feelings. Can you imagine how used he must feel? Constantly feeling the pressure of "I must protect what's dear to me! I must make sure my past never repeats!" And yet, the most people see him as is the "wish-granter".
Trauma shapes you, it shapes the way of thinking and if something triggers a response, you just react. If you like it or not. And oftentimes you're not even aware you're acting up. I can tell from personal expirience ...
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So what about him being slightly vain and wanting respect?
Respect is earned. Generally everyone deserves to be threated with respect unless someone gives you a solid reason not to.
So let's recap some of the things Magnifico actually deserves respect for :
Surviving a horrible tragedy and still standing
Building up an entire kingdom and reigning it well (protecting his people fiercly and sucessfully bringing order)
Being selfless
Being king and carrying a freaking lot of responsibility
Now, let's look at Magnifico's "vanity moments" more closely and examine the things he does and says with questions of why?
The thing with his hair. He makes sure his hair looks nice. Ok, is this a bad thing? Does this make one ultimately vain? No. Being content with your hair and wanting to have it look good isn't vain. Neither is being happy about it. Or looking at yourself in the mirror and like yourself. You even should be able to look at yourself and love what you see. Pure vanity is something different.
What about what he says about himself in his song?
I can't help it if mirrors love my face
It's genetics! Yeah, I got these genes from outer space
Lets consider the situation and emotional state he's in. He's pissed. And I'm pretty sure this a way to try and lift himself up a bit. I mean, like mentioned above, there is nothing wrong with liking your appearance. And he IS freaking handsome. He's not lying when he acknowleges that fact.
Of course you could twist his words and say, oh he's arrogant and vain. But people can say lots of things and not actually be a bad person.
And while true vanity is a bad trait, it doesn't make one a villain. Let's compare Magnifico to Gaston for a second.
Gaston is rude from the very beginning. He's selfabsorbed and narcissistic all the way and the only thing he cares about is himself. He shows off to be praised simply for selfgratification and because he thinks he's the center of the world.
Magnifico cares immensily for others and wants acknowledgement for it. Who wouldn't? If you do something great and constantly care for others and still aren't really appreciated for it, who wouldn't be like, "I do all this and you thank me by doubting me and wanting even more? How ungrateful can one be?" And the only things we see people acknowledge him for, is 1. His ability to do magic and grant wishes, and 2. His handsome looks.
I totally understand that he's fed up at one point. Deep down wishing someone would see him for the man he truly is below all his abilities and appearance.
Gaston would walk over dead bodies to get what he wants and in order to look good. He has 0 compassion and 0 remorse.
So, even though Magnifico is a "little" vain, he's not out of evil reasons! It literally doesn't harm anyone and it doesn't cause others to suffer. If someone tells him "You're handsome." He replies, "I know."
Good! Too many people look into the mirror and hate themselves. Of course, humbler people would just reply with "thank you." But still, this isn't a solid point to call someone a villain or bad person.
Ok, now. So far we have absolutely no reason to assume Magnifico is a "villain" so let's skip to the part where it get's interesting!
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The thing with the shape shifiting entity (star) happens. Something that is outside of Magnifico's power, something he doesn't understand and it terrifies him! Why? Not because he's a power hungry psycho, not because he enjoys controling people out of complacenty and is afraid to lose that. No. It's the desperation of feeling helpless, the terror of losing control, the fear of having the past repeat itself. That is what drives him mad.
Ultimately he becomes desperate and anxious enough to let himself get possesed. Even during the whole process, he says that he never wanted this, he swore he'd never let himslef be posessed. He further says, "To this book, I don't wanna be tethered, but desperate times call for desperate measures."
Let's hear that again folks! Real loud for all those in the back! He tell us 3 times, 3 times ! How he doesn't want to turn to darkness but he feels forced to do so. Why? Because of his trauma! Not because he's a villain. He doesn't want to lose his control out of fear!
Let me show you something.
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There you have it! 🫴 it's that simple. I'm tired of traumatized characters being labeled as villains.
Oh yeah but he literally goes bonkers after he let himself be possesed by the evil from this book!
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Yeah, sherlock, of course he behaved EVIL after that. That's literally the evil that possesed him! This doesn't make him a villain! It make's his whole situation even sadder and more tragic. The actions are obviously bad, "villainous" if you wanna call it that, but it doesn't make him a villain!
What happens to a scared animal that you force into a corner? It bites. Does this mean the animal is evil because it bit? No. It doesn't make the bite ok, but it doesn't make it evil either.
So, I, like many others also underline that Magnifico is in no way a villain but a traumatized good guy who sadly slipped.
His personality
Composed when needed
He can be bubbly as much as he can be calm. One of the first things Amaya tells Asha is that Magnifico likes to talk a lot, yet we never truly see him talk a lot! He is more calm than he is loud.
When Asha has her interview, he gives her room to talk rather than showering her in lectures of what he wants and what he expects. He's like "Go ahead, you tell me! Imma listen."
I actually feel this very personally because I'm someone who loves to talk. If I'm comfortable around someone and I made sure I can trust them, I can ramble for hours. I can talk and talk and talk like a waterfall. But at the same time, I can also be intensly quiet and listen well.
Childlike behavior
One of my absolute favourite characteristics in Magnifico is his childlike goofyness. He has this really pure cuteness to him and a bombastic humor. He doesn't pay heed if his behavior could seem akward to others, he just acts however he feels like. He's one of those adults that would still do all the things they enjoyed doing as a child or things that children normally do and I love that!
I cannot stop chuckling over the fact that he hippity hopps down one of his corridors, giving cookies to knight armors. If that isn't adorable I don't know what is! 😂
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Also, please, that whole scene! The dance moves, the excitement, the expressiveness! Aaawwww!
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He has a whole miniature model of his kingdom and he makes little interactive figures! I laughed tears because it's so funny and adorable! Like he's that kind of man that would cheer at the simplest accomplishments like a child unwrapping the toy the really wanted on christmas day.
There is so much we can find in here. He's :
Playful, creative, quirky, funny, passionate, imaginative, spunky, talented - the list goes on!
But let's keep going and listen to what else shimmers through the things he sings.
I'd give the clothes off Benito's back, if you really needed that
I'd be the first one to volunteer if your home were to crumble, or if you were in trouble
He doesn't just blabber nonsense here or lies. He truly would do all those things! Why else would he sing this while alone? He has no one around so one could say he's saying this on purpose to look good. He's frustrated, offended and slightly hurt and is speaking his mind and emotions. And we are shown this as an audience.
What do these lines tell us then? They tell us just what he actually is! Altruistic. It leads us right back to what we found at the beginning. His actual desire to help, keep safe and protect.
Why would he be the first one to volunteer if a home crumbles? Because his did. A king actually doesn't need to get his hands dirty. He has enough people to do things for him, yet he'd go out of his way to take matters into his own hands because he genuinly cares!
I let you live here for free and I don't even charge you rent
Doesn't sound like a power hungry, wealth loving, gold hoarding dictator to me. Get this, you are living in a kinddom for fee! No rent! The most money you make you keep and only a bit of it goes to the king to sustain the community. That's pretty awesome if you ask me.
I clean up all your messes and I'm always there when you need to vent
So he's not only selfless but a good listener as well. He doesn't judge. He, well -
I give and give and give and give-
He wants to make sure everyone is pleased. That's actually impossible but he still tries and is secrerly suffering deep down from it. If a person only ever gives and hardly gets anything back ... it's like you fill a container with water and there is no hole to drain it. Eventually you are so overly full of others problems, you suffocate or overflow.
It's SO sad that he doesn't have ANYONE to really talk to. He runs across half the palace to let out his emotions rather than seeking comfort from someone. (Which would be the oportunity to talk about Amaya but this is for another post!)
Charming, charismatic, proud, confident
The characteristics that make him attractive besides his looks. He's a gentleman, he knows how to use words well, he isn't afraid to speak his mind and carries himself with confidence, which is displayed in the way he walks. He either strides, has a light bounce to his step or a heavyness.
Ok, now, that we have the positives, we can acknowledge the negative and neutral ones. And everyone has negative traits. Again, some of Magnifico's negative traits are caused and or intensified by his ptsd.
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Idealistic and perfectionistic -Magnifico constantly obsesses over how things should and could be. Chaos irritates him. He feels safe in clear structures and always strives for the best outcome for things. If something doesn't make sense for him, he feverly searches for answers until he finds them. If not, he panics. The tiniest feeling of potentially failing wrecks his nerves.
Impulsive - He's got a short temper. Yes, he can swallow a lot but if one crosses a certain line, he snaps. His emotions control him more than he controls them. And that goes both ways. Happy, sad, angry. He feels everything intense and reacts intense.
Stormy and insecure - He reacts very sensitive to stress. He feels a certain degree of urgency in his feelings and tends to be sucess-oriented. He always wants to improve and thus pressures himself.
Controlling - Magnifico's obsessive feeling of need to control comes from his traumatic past. As long as he's in control, he feels secure. He feels safe. Control is his safeplace. Not because he has evil motives but because in reality he's deeply insecure and anxious.
Paranoid and pessimistic - Again a trait that has been heavily altered by his ptsd. Originally he'd belong to the more cautious kind. Being cautious isn't something negative, it can be very helpful since one analyzes and observes carefully before choosing to trust or do something. But his trauma causes him to always assume the worst. He becomes critical where he wouldn't need to be because of his fear. (We see this with his decissions over wishes. He disregards some not because of ill will, ignorance or arrogance but because of his anxiety)
Stubborn - If Magnifico has set his mind on something he could go through walls with his head. Once he's determinded to do something, it's nearly impossible to stop him.
Distrustful - His paranoia and pessimism makes it hard for him to trust others. He becomes hard to read and hard to understand.
Now, once the evil that has been trapped in the book posesses Magnifico, he becomes ruthless, cruel and cynical. He steps into "villainous behavior" but is it what he truly is? NO! Of course not! If people talk about a classical villain, they mean a purely evil person from the very beginning of a movie/story. If we have a originally good guy, who, through circumstances, starts reacting and making wrong choices, we're talking about an antagonist.
And good grief, Magnifico was more than redeemable! If someone actually hadn't been blind to the true struggle of his soul, if someone had actually cared enough to save him! If someone had only truly loved him. He was used, wronged, backstabbed, betrayed, left alone and dropped like a hot potato the second he snapped. Poor Magnifico. He deserved better. Far better.
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Thank you for reading! I'll soon post more of my analyses. 🧐
Also, creating a redemption story for Magnifico is the most fun I've had writing in a long while. 🌹 I'm excited to eventually share it with you, once it's done.
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