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Random fhau lore of the night that I forgot to mention in the prologue:
Mr Clarke is like one of the leading brains of the resistance
He's been working with the kids (before they left I mean) to get a better understanding of the Upside Down and how it works so that Hawkins is more prepared to face it
And he, along with a team of gov scientists, military strategists, and other members of the resistance, is trying to figure out a way to stop it from taking over the town
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Just fyi if I do move it elsewhere I'd still either announce or reblog updates here I just think it wouldn't feel quite so much like it had taken over my main
Also this poll is mainly a heads up for potential upcoming changes; when it comes down to it I'm really just going to do whatever I think is best tbh
I'm weird and it's starting to feel like I'm "not allowed" to post/reblog anything not-fhau-related on here between updates, like I don't want to interrupt it on my dash or smthn?? so, question:
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I'm weird and it's starting to feel like I'm "not allowed" to post/reblog anything not-fhau-related on here between updates, like I don't want to interrupt it on my dash or smthn?? so, question:
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Prologue? Pilot? IDK Man I Just Work Here
(part 1.2)
{hey so uhhhh
i have finals coming up and its the last week of classes and im lowkey failing two of mine right now, so unfortunately im going to have to go on hiatus for a bit- even though i literally just started, ugh- while i try to catch up and deal with... all that
that said, ive decided to split the prologue up into three parts instead of two and just go ahead and give you what ive got so far of the rest of it
this and the third (and hopefully final) segment is where we really start setting up/contextualizing the "full house" premise of the fic
link to part 1.1 here}
~~~
So, over the next several weeks, they come up with a plan.
Most of them aren’t exactly happy about the plan, but… oh well.
The parents are determined to move their children- who have proven themselves to be prime targets for the supernatural- out of town, to relocate them somewhere they’ll be well-removed from the apocalypse unfolding in Hawkins. Caught up to speed about the history of Hawkins Lab and Owens’s involvement in everything, they all but order him to help with the arrangements.
And he delivers. Calls are made, blueprints are drawn, and before they know it, a plot of land has been secured two thousand miles away in California for a house to be built on. And it’s going to have to be a pretty big house, considering it’ll be home to six teenagers and a pre-teen.
The kids are dead set on not being separated again; it’s one of their conditions for agreeing to leave. Steve can’t blame them, honestly. After everything they’ve been through together, he doesn’t want to be apart from them either. In fact, he’s been feeling a bit paralyzed by the thought, has had a little trouble breathing since the move was decided.
He’s sort of out of it the next time everyone gathers at the hospital to hash out the details, to be honest, but in his defense, his head isn’t quite what it used to be before all the hits he’s taken in recent years.
But then the ongoing discussion turns to who will look after the kids, and well, that certainly gets his attention.
There’s a military blockade taking shape around the area, keeping the threat contained- but also the citizens. It’s only through Owens’s connections and influence that they’ll be able to sneak the kids out, and just that in itself is going to be risky. As much as they’d like to, they can’t take everyone.
The parents have agreed to join the resistance that’s starting to form, a force of townsfolk who have finally realized what’s really happening and are banding together to find a solution, or at least hold off the Upside Down from taking over for as long as they can. Hopper and Joyce have taken it upon themselves to teach everyone as much as they can about what they’re up against, and a few of the others are helping out with pooling resources and organizing community childcare.
For various reasons, their families won’t be coming along.
“Who’s going to take care of you all?” Sue asks, her question directed more towards the room at large than the kids themselves. “None of you are older than fifteen; I don’t want you out there on your own with no adult supervision.”
Karen starts to say something, probably about how she doesn’t intend to let Nancy stay behind either, that there will definitely be at least one person over fifteen present, but Steve cuts her off in his eagerness. He practically jumps out of his seat, actually, but he’s held in place by his desperate grip on the sheets of the hospital bed he’s still stuck in until he’s done recovering from the demobat bites.
“I’ll do it!”
Once again, all eyes are on him, and they’re broadcasting confusion, surprise- in the case of the parents, that is. The kids mostly look relieved. None of them will say it- the little shits- but he’s pretty sure they were just as worried about leaving him behind as he was about sending them away.
Claudia tilts her head at him in question. “You? What, by yourself?”
Steve figures the faintly bitter disbelief in her voice has less to do with him and more to do with Dustin’s deadbeat dad, so he chooses not to take it to heart. But before he can make a remark about how some men are actually interested in fatherhood- although he’s not entirely sure what his brain even means by that- Karen Wheeler speaks up.
“Not by himself, no. What I was about to say a moment ago was that Nancy is going too. I don’t want my daughter staying here after being involved with all this pretty much since the beginning. But, Steve, even then, you’re hardly adults yourselves- Nancy only just graduated high school last week. I don’t think you two should be left to basically parent seven kids all alone; it’s too much responsibility.”
(While she does have a point, and he’s certainly not opposed to having Nancy out of harm’s way, it’s also important to note that the daughter in question is currently busy giving shooting lessons to a sizable portion of the resistance. Nancy is no stranger to responsibility, but she isn’t exactly the motherly type, either. Regardless, Steve wants both roles for himself- at least on a subconscious level. He’s not quite aware of it yet, his rightful place as both mom and dad to the party, but… he’ll get there. He thinks of himself more as a glorified babysitter, really, but it is a position he takes very seriously nowadays.)
Mistaking Steve's spacey expression for something else, Dustin mutters smugly beside him, “I bet you would looove that.”
Steve rolls his eyes and shoots back, “Can it, kid. We’ve been over this. Nance and I are not getting back together.”
Nancy and Jonathan broke up after her graduation, for reasons which Steve has decided are none of his business. In some ways, this made the idea of rekindling their relationship- something his friends insisted he should try to do- more of an actual possibility. And yet, somehow, that in itself helped him realize that he doesn’t really want to get back together. And he knows she feels the same, even if there are some weird lingering feelings on both sides of the issue. They simply aren’t compatible, and that’s okay. It took him a while to get here, but now he’s happy just being her friend.
Thankfully, Robin joins in, interrupting that awkward train of thought and providing the solution to a problem Steve hasn't even considered yet.
“They wouldn’t be alone, Mrs. Wheeler. I can help out, too.”
“You would do that? Move across the country and play house with me and these brats?”
“Of course I would, dingus. Where you go, I go.”
The fondness in their exchange prompts some raised eyebrows from the others, but that’s irrelevant. Steve is just massively thankful that Robin is offering to come along. Having to choose between the kids and his platonic soulmate would have torn him apart just as badly as the bats did.
“And I’d say the same about Will and El,” Jonathan says as he joins the group. “So I hope there’s room for a couple more.” He glances questioningly at Argyle, who came in with him.
Argyle just shrugs. “I’m sticking with you, man.” Apparently, his parents turned him out to fend for himself when he hit eighteen, so he doesn’t have much to go back to, and he’s been content staying with the Byers until the blockade is lifted- or for the long haul, it seems.
Karen nods in Jonathan’s direction. “Good, I’m sure Joyce will feel better knowing you’ll be there.”
So that makes five of us. Considering I’ve wrangled most of these guys on my own plenty of times by now, that should be totally manageable. I guess it will be nice to have some guaranteed backup for once.
It looks like the gang is staying together after all, plus at least one new-ish addition.
But, speaking of "new-ish additions" to the group, there is still a six-foot deep hole in the entire plan, which is the question of what to do with a dead man when all his remaining friends are ditching town.
“What about... Eddie?”
~~~
{well folks theres the second installment of the prologue. as for the rest of it... youll get it when you get it. hopefully ill be able to start updating more regularly once i go back home for the summer. things are just kinda crazy right now hahahahaha <-(the deranged laughter of a person whose ass is not passing all their courses this time and is very seriously considering becoming a college dropout)
oh and yeah so eddies dead i guess. not what i had planned but sometimes the plot just does what it wants. you know how full house basically starts off with dannys wife dying in a car accident (offscreen and prior to the events of the actual show anyway)? and steve is like, very loosely the au's parallel of danny? well you might not have known that actually but i just told you. so. yeah. you get where this is going
also, to my unofficial beta readers and lovely mutuals @moreover-clover and @redley-of-many-noodles: i have seen your comments/messages and i appreciate your input, but ive decided im going to try not to take this project too seriously and just have fun with it rather than worry about how polished it is, so i think this is going to be a no beta project from here on out. thank you for the thoughtful commentary/critiques on part 1.1, and i do hope you continue to enjoy it <3
having said that, if anyone happens to notice glaringly obvious/simple typos that i could easily fix, or if any parts are just genuinely incomprehensible, feel free to point it out/ask for clarification if you want to}
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Prologue? Pilot? IDK Man I Just Work Here
part 1.1
{hello and welcome to the very first chapter of the full house au. i know @moreover-clover and @redley-of-many-noodles offered to beta this fic for me; i appreciate that and i may very well take you up on it for later chapters, but tbh i have homework that really needs to get done and i will not be able to focus on anything else until i get this out of the way, so... hopefully its not terrible i guess. that said, i did initially start writing this in past tense and then decided to do it in present instead, so if anyone notices a typo/tense error, feel free to point it out so i can fix it lol
trigger warning for mentions of injuries and death
now without further ado...}
~~~
Stumbling past the automatic glass doors, covered in blood- but is it his own? Or does it belong to the barely conscious man he’s dragging along beside him?
Probably both.
The bright white lights overhead burn his eyes and the sharp sterile scent of chemicals does the same to his nose- this is not a pleasant place to be, but it’s the only place to be right now. It’s their only hope of not losing yet another person to this alternate dimension shit that’s been plaguing their lives for three years.
Seeing Eddie’s crumpled, torn-apart body in the Upside Down, watching Dustin sob over him- that had been bad enough. They may have had almost matching wounds, but Eddie’s were deeper, and there were twice as many of them, and, god, that could have been him, it should have been him.
Dustin’s devastated and the world is ending and we’ve lost someone else and dammit didn’t I tell him not to be a hero?
But then he’d found a pulse. The faintest flutter, but it was there, and it spurred him right back into action, adrenaline pumping overtime through his veins even as he was ready to collapse. Both of them might well be on death’s door, but they had hope.
And then, just as they made it back through the gate, they had gotten the call over the walkie about Max.
The panic and despair threatened to settle back over him, driving him into the ground with its weight. He had been trying so hard to keep her safe since they realized she was Vecna’s next target, and now…
They were supposed to meet up at the hospital, so that’s where he went. He has to see the kids and he has to keep Eddie breathing and maybe just maybe he’ll get a chance to get his own wounds looked at, if there’s time. Robin will never forgive him if he lets rabies take him out.
So he and Dustin have Eddie slung between them, barreling clumsily through the Hawkins ER like a lopsided bull in a proverbial china shop while everyone else stares on in confusion and horror at the state they’re in. If anyone recognizes the fallen king or the target of the ongoing manhunt, they don’t say anything, and for that one tiny thing in the long and awful list of what’s happened today, he’s grateful.
There are, however, voices aimed in his direction, lilted up at the end in interrogation, but he can’t afford to think right now; he can only keep moving forward, giving weakly shouted answers to questions that go in one ear and out the other. His mind is clouded with fear and the desperation to get all his important people back together in one room so he can see that they’re all still alive. If they aren’t, if someone is missing, if Max doesn’t make it, if no one will treat Eddie-
He’s vaguely aware that he’s begging at this point, but he doesn’t care. His brain is too busy listing.
Robin, Nancy, Erica, Lucas- they’re together, they’re with Max. The Byers are all the way in California; Mike is probably on his way back right now- what a mess to come home to. Dustin- he’s with me. Safe. Eddie- also with me, not safe, probably dying.
They may not have known each other long, but he does feel tears prick his eyes at the thought- they had literally marched into hell together, after all. A nurse offers him a tissue- when did they get here? When did he sit down? And why is the room spinning like the Starcourt ceiling last July?
He doesn’t get an answer to any of his questions, doesn’t even get to voice them, before the room is going dark and Dustin’s frantic voice at his side is sounding further and further away, until everything goes quiet.
~~~
The silence is broken by a harsh ringing noise, followed by muffled voices, the latter growing clearer as the former slowly fades out. He knows those voices.
He jolts upright, sending a sharp trail of pain through his lacerated torso, but is momentarily distracted by the fact that he had somehow wound up in a hospital bed between blacking out and waking up. As soon as his mind catches up to speed on his new whereabouts, he looks wildly around the room- not exactly a typical hospital room, but that hasn’t registered yet- taking stock of every face he can see, every voice he can hear.
To his immense relief- and also confusion- he sees Max in a bed just like his right across from him, Lucas and El at her side. She’s in bad shape, but she appears to be alive, at least.
Thank god. Wait- El? What is she doing here?
The next thing he sees is the entire Byers family- plus two extra guys, one of whom looks familiar but way paler and thinner and more beaten up than Steve remembers- squeezed onto a couch at the far end of the room.
Weren’t they in California? And- hold on- is that Hopper? Isn’t he dead?
Wait.
Am I dead?
Before he can have an existential crisis, though, something snaps him out of it. A hand on his shoulder, rougher than he would have liked, to be honest, but grounding. Dustin- who he realizes must have been sleeping in the chair between him and the next bed over- has just woken up in time to catch him doing the same, and the kid looks thrilled. Exhausted, emotionally drained, but thrilled.
“Steve! Guys, he’s awake!”
All eyes turn his way, just about everyone accounted for, it seems, and somewhere in the back of his mind he wonders how Robin and all the kids got here with their usual chauffer currently out of action. But then he notices something else. Something that honestly shouldn’t be as startling as it is, considering everything else going on.
All the parents are here too. And they look… well, about how they can be expected to look, given the circumstances.
“Good, I’m glad you’re alright,” says Karen Wheeler, arms crossed over her chest, menacing gaze sweeping the room. “Because my son came home in the back of a pizza van, begging us to take him to the hospital, where apparently you and two of his other friends have been half-dead all night in the middle of these so-called ‘earthquakes,’ and I’d really like an explanation. From all of you.”
~~~
The room was dead silent, the parents staring in wide-eyed shock as the long-winded, traumatic narrative drew to a close.
“So… I guess you guys need some time to process all that, huh?”
Dustin’s question was met with a sudden cacophony of returning inquiries, sharp and frantic and tinged with bewilderment, overlapping one another in their haste. It was hard to tell who said what through the haze of whatever painkillers they put in his IV.
“How the hell did we not know about any of this?”
“Hawkins is cursed?”
“Why didn’t any of you say anything?”
“All this has been going on under our noses for years?”
He had been expecting disbelief, accusations of letting their imaginations run away from them, but… their tale connects a few too many dots, makes a little too much sense, considering how strange and malevolent life has become in their formerly sleepy little town.
“Are- are you guys- mad?” Will asks, even though he, out of all of them, has the least to worry about.
Before any of them could answer, Mike jumps in, “Because, if you are, that’s really not fair, we’ve sorta been through a lot as it is-”
“And that’s exactly why we’re mad- no- furious. Our kids have been going through hell right in front of us and we had no idea! Of course we’re going to be upset about it! You guys could have died, and we would have had no idea what happened!”
“Well, yeah, I guess, but- we didn’t. We’re fine, mom…”
“You are absolutely not fine. After everything you just told us about? There’s no way you could possibly be fine. This whole thing is so far outside the realm of fine.”
There’s a heavy pause after that; it’s not like anyone can disagree with her. When no response comes, she turns her fierce, teary eyes on the older teens.
“What about you guys? You- Steve, Jonathan, Nancy- you’ve known about all this the whole time! Why didn’t you tell us? Why didn’t you come to us for help?” It sounds like an accusation, and yet… there’s more pain in her voice than anything. Her targets wince, crumple, while Robin and Argyle- whoever that is- just sort of awkwardly shuffle about off to the side, none of them meeting Mrs. Wheeler’s gaze.
It's Joyce who ends up breaking the tense silence.
“In their defense, Karen, Hop and I knew about all this too. The thing is- we weren’t allowed to tell anyone.”
Having become one of her anger’s new targets, Hopper quickly explains, “The Hawkins lab freaks made us sign a bunch of NDAs, take a vow of silence on the whole matter, basically. It was the only way to get them to cooperate. If we had gone around telling people, we could’ve put everyone in even more danger. And besides, before now, would you have even believed us? If we had told you there were monsters like something out of a sci-fi movie hunting folks down, taking over minds, opening portals to another dimension- right in the middle of Hawkins?”
“Would you have believed your kids?” Joyce adds softly, addressing all her fellow moms in the room.
At that, Karen deflates. She exchanges a look with Sue and Claudia, and speaks for all of them when she says, “I… I guess not. I want to say I would have, but… it’s all too crazy. If we hadn’t seen what we saw today, and if you all didn’t have each other backing up your story, well… honestly, I would have thought you were making it up.” Apparently the Wheelers had almost driven right into one of the rifts- one of the very obviously otherworldly rifts- on their way here. Well, they had to find out somehow.
“And that’s another reason we couldn’t tell you. We didn’t want you to think we were crazy,” Nancy explains.
Lucas tacks on, “We also didn’t want you to send El back to the lab, or to any other messed up place that would lock her up and hurt her.”
El nods seriously, a fearful expression flashing across her face as she takes a step back, bumping into Max's bed. Lucas places a reassuring hand- the one not occupied with holding Max's- on her shoulder.
“Oh- honey, no, we would never do that. Don’t worry. We actually owe you a lot, it sounds like; I can’t thank you enough for saving my children’s lives. You’ll always be safe with us, as far as I’m concerned.”
“But that’s the thing,” Susan interjects, not taking her watery eyes off her comatose daughter. “They’re not safe, none of them are, not here. And they haven’t been for a long time, it seems. I don’t know when they will be safe. I hate to say it, but I don’t think our kids should stay in Hawkins.”
This triggers a rush of protests from the kids, voices once again blending in a way that’s difficult for Steve to keep up with.
“But- but Hawkins needs us! Now more than ever!”
“Yeah! We have to stay and fight!”
“We can’t just let Vecna have our town!”
Hopper motions for everyone to settle down. “Listen, kids. I know you want to help, but you’ve been fighting this battle for too long as it is. You all never should have been involved in something so dangerous in the first place.”
“Right, what he said. I mean, you’re just kids, for god’s sake!” Claudia adds in, although she still looks mostly stunned by everything she’s just found out about.
“This is not your responsibility. We’ll stay here and fight, and you all will get somewhere safe, somewhere far away from all this.”
This does indeed sound like a direct order from their returned-from-the-dead resident chief of police. What comes next, though, is much gentler, fatherly, and he’s definitely looking right at El when he says it.
“Let us take it from here, okay?”
~~~
{i decided to break this up into 2 parts; idk when ill post the second half but it should be fairly soon. also dont know when ill put it up on ao3 as i dont currently have an account there, but im definitely planning to bc with as much as i have planned for this au so far its going to be a pain in the ass to read it all here lmao
edit: its going to be 3 parts instead of 2
Link to part 1.2 here}
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Oh that's ok I don't expect yall to just stalk my account or anything lol, I just meant that a couple of my moots have been following the Thing I'm working on so they might know what I'm referring to (a stranger things/full house fanfic, hence why I've been trying to lock in on those 80s vibes)
But most of my music related stuff is over on my sideblog @cj-writes-things, where I was doing a song per day thing for a while and I posted a bunch of my playlists and music recs, with the tags #cj's playlists and #cj's music recs, so yeah I do have something similar! :3
Spent the past week listening to nonstop 80s music, looking up various tidbits of information, and making filler OCs
This shit has honestly consumed my life. Might be in hyperfixation territory with this one my dudes
(probably only a couple of my moots will have any idea what I'm talking about unless someone happens to be creeping my blog)
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Spent the past week listening to nonstop 80s music, looking up various tidbits of information, and making filler OCs
This shit has honestly consumed my life. Might be in hyperfixation territory with this one my dudes
(probably only a couple of my moots will have any idea what I'm talking about unless someone happens to be creeping my blog)
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Ok so
I've been working on a prologue-ish thing for the fhAU
(If you haven't noticed by now I'm not a fan of having long un-cut posts on my dash)
And the vibes are um. So much more gritty/angsty/chaotic than originally intended. And definitely unquestionably from Steve's pov, which was also... not a set decision I had made, just something I was considering. The whole thing sort of ran away from me, took on a life of its own. It's only at 2k words right now but... yeah. So that's a thing
But having said all that, I felt like I'd go ahead and say some things, bc I'm autistic and feel the need to walk you through every step and explain myself when I do things
Anyway
This fic is of course going to be inspired by/based on full house, but that's not like... a template I'm strictly following, in case that was an expectation anyone had. In some cases maybe. There might be parts where you think "this is literally beat for beat an episode of full house" and there might be parts where you think "how the hell does this have anything to do with full house" and that's ok I think. I'm new to this but like I'm pretty sure the general consensus is that fic writing is supposed to be fun and there's not really a "right" way to do things
The prologue is definitely of the latter case. And now I've told you that so don't come in the comments saying "op how is this full house" its not. I had to show you what happened before, how they got where they are in the rest of the au
It's also sort of a s4 ending rewrite, partly bc... I don't want to rewatch the last episode and I don't remember the details/timeline of what happened. Also partly bc Eddie has to be alive and kicking somehow, as well as other plot points that just needed to happen for the following events to make sense
And now for the
***IMPORTANT DISCLAIMER***
I really hope this goes without saying but I definitely do not nor will I ever (knowingly) support perpetrators or enablers of sexual abuse against child actors (or anyone for that matter). If you know about the controversy surrounding full house and its actors then you know why I felt the need to make this disclaimer. If you don't... you can look it up if you want to but be warned it's upsetting
So if anyone sees this (or the actual au, once I start posting it) and gets curious or nostalgic and wants to watch/rewatch full house, please pirate it. That's what I've been doing to figure out the outlines of each chapter and it's honestly fine. I won't name drop the site I use in this post but it's definitely out there for free, and from what I've seen so far it's fairly good quality (not like someone filming their TV screen with their phone and then posting it blurry and barely audible online)
Jk I actually will name drop it. It's "theFlixer" and here's what should be a link to take you there (fingers crossed I suffer 0 consequences for this; lmk if the link doesn't work)
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just logged in on my laptop for the first time, only ever used mobile before, and uh... this is so weird
everything looks different. also it's probably not a great idea to run this on a computer that already complains about how its out of memory every time i use it and insists on restarting itself unprompted a minimum of once a day
alas, it must be done
its a lot easier to write and edit in word here than on my phone and i cant exactly copy/paste from one device to another lol, i think im slowly inching closer to finishing the first part of the full house au and i wanted to make sure i would be able to access my account from here so it wont be too much of a hassle to post it once its done
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Alright, ik it's been a little while but now it's time for room/character closeup #3
~Max & El's room~
Tumblr media Tumblr media Tumblr media Tumblr media
Right off the bat I think it goes without saying their room is quite a bit more *fun* than some of the others; it was heavily inspired by the early s3 aesthetic (before everything went to shit that is), like when Max was helping El try out a new style, so I hope that shows in the colors and patterns I used for the wallpaper/rug/beds
(Also- this isn't character specific- it just makes me happy how the chair matches the wallpaper and the bedspread matches some of the colors in the posters)
Speaking of the posters
I remembered Max introducing El to comics at their sleepover (also s3) so I wanted to use posters that had that comic book/pop art feel to them, hence the pieces over the beds
Max is on the left. I felt like the sheer *attitude* it conveyed was something she would appreciate, that it suited her
El is on the right, and there's like a whole tangent to that one* but it's also another call-back to that s3 moment of Max showing El her comics and telling her who Wonder Woman is (listen I just really loved their dynamic and interactions in s3 ok)
*You might be wondering "duck why would you put a superheroine poster over El's bed are you really taking such a cliche/obvious approach with the decor here"
Listen babe. It's nuanced, okay?
First of all, yeah basically. I'm fine with being cliche. I do what I want and it fit the general vibe I was going for
But more importantly, remember how I mentioned in... one of the other notes posts for this au I honestly don't remember which one at this point- how a recurring theme here will be characters reclaiming things? At least I think I posted that, I know I wrote it down somewhere-
But anywho, yes, this is one of those instances
So I think, before now, El would have gotten to a point where she really resented "superheroes" -or more accurately, being compared to them
After everything. After being taken from her mother and having her childhood stolen from her in order to train her into a mini super soldier. After always having to be the strong one and fighting every battle. After always having to be the superhero for everyone else and still feeling like she can't ever seem to hit the bad guys hard enough to keep them down for good, to keep her friends safe. After having all those expectations and all that pressure on her for years when really she just wants to move on and be a normal kid and get to live her life
And yeah, maybe also after Mike's weak ass speech at the end of s4. I'd probably feel pretty icky if my boyfriend tried to encourage me by reminding me that my value comes from being a sword and shield rather than a person, if I kept getting put on this suffocating pedestal of always having to push myself to keep everyone else safe, and if I believed that was the very reason I was loved
[Don't take this the wrong way I love Michael Wheeler he's like a son to me but I do think that his and El's relationship was very unhealthy and that he didn't handle things very well]
So uh. Yeah. El hated superheroes for a little bit. I'm not sure when they put that poster up but it wasn't when they first moved in
However
After getting away from the place tied to so much of her trauma, so many of her burdens; after getting out of the situation that kept forcing her into the superhero role, I think her views on superheroes just as an objective, fictional concept would start to soften
And also I think the way Max handles it- treating her like she's awesome and strong and special but not dehumanizing her, trusting her but not pressuring her, encouraging her to be and embrace herself- that has something to do with it as well. It teaches her that she can be a superhero if she wants to be, but she doesn't have to. She does have superhuman abilities, but she herself gets to decide what, if anything, to do with them
When they all ditch Hawkins and move into the new house, El doesn't have to fight anymore. They've left the Upside Down and all its monsters, the empty lab and all its ghosts, behind them. For the first time in... well, pretty much her whole life, she doesn't have to fight, she doesn't have to use her powers, she doesn't have to play the hero. She gets to just... be a kid. A person
And everyone still loves her. Everyone still treats her like a part of the family, like she matters
So maybe she doesn't have to be a superhero. And maybe she doesn't have to hate them, either
But the concept is still something tied to her identity, something floating in the back of her mind; it's an identity in which she found value and strength, at a point in her life when she didn't really know who she was yet
So she still thinks about heroes. And she slowly comes to appreciate them in media, like the comic book heroes Max tells her about. Distinctly separate from herself and from her reality and past. From that safe distance away, they're admirable, captivating, impressive, compelling. And, yeah, maybe a little relatable
And... she finds that she's ok with that
She finds that she likes it, actually
Until eventually El has a strong appreciation for heroes, for their strength and what they stand for, because she understands them- but she doesn't have to be one of them anymore. Removed from the dangers and the expectations, she can see heroes- and herself- simply for what they are, instead of through that lens of pain and resentment and obligation
In the place she has found herself in life, she comes to terms with the fact that she is badass, she is important, she has value, and that those facts remain even when she isn't fighting anything
And in knowing it isn't required, that the people around her see her and love her for who she is rather than just what she can do, passively being likened to a hero doesn't feel so crushing anymore. Maybe she even starts to casually refer to herself as a hero from time to time, maybe jokingly, maybe ironically, maybe sarcastically, but deep down she does still feel that tie, that connection, in some ways- only now it doesn't hurt
And now she loves superheroes, enough to put one on her wall
[Btw, this whole analysis thing was heavily allegorical for my relationship with gender and I hope that shows. Superheroes=womanhood/femininity. If you get it you get it]
That ran away from me a little bit. Um. Moving right along, I guess
The third poster isn't that deep tbh I mostly picked it because it matched the wallpaper colors lol but I do think "good things are coming" would be a nice message to wake up to for two people who have been through so fucking much already at such a young age, remind them that they still have a wonderful life ahead of them despite the horrors in their past, y'know?
And then there's Max's skateboard, at the foot of her bed
It's symbolic it's important it matters that she brought it with her
She got hurt pretty damn badly at the end of s4, and nobody knew for sure if she was even going to survive, let alone whether she'd be able to skateboard again
But she did survive, and her body got pretty fucked up but she was in recovery, and maybe she'd never be quite the same again but she wasn't going to let that stop her, she wasn't going to give up
Her legs aren't as strong and her balance isn't as good as it used to be but she's determined to use that skateboard again no matter how many times she falls over relearning how to do it (and someone is always there to help her get back on her feet, if she wants them to. Yes it's Lucas how did you know)
Anyway I just think Max Mayfield is an incredibly strong brave person and she gets what she wants and what she wants in this case is to be the zoomer of the household
I don't suppose there's really much more to say about the room, so... guess that's a wrap for this one
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(Making you go to therapy because I did too lol💙) Once you get this, you have to say five things you like about yourself, publicly. Then you have to send this to ten of your favourite followers (non-negotiable, positivity is cool~) 🌈 🌈 ← I'm actually deciding it's negotiable, send it to whoever you want!!
hehehe
How could you. I have to come up with MORE things I like about myself?? Ugh /s
My style ig
The little guys my brain makes up
Ummm my taste in music
The way I care so fucking much
My status as the weird gay emo theatre kid oldest cousin (every family has to have one)
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Looking at pics of Steve for reference to start making a batch of avatars and oh my god who gave him permission to be so pretty
Like yes I knew this I've obviously seen him plenty before but dude
Specifically s3 Steve like bro was sooo babygirl in that damn scoops uniform with his fuckin fluffy hair and glossy lips
And then after him I was looking at Robin and damn. Feeling very bisexual this evening
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(Making you go to therapy because I did too lol💙) Once you get this, you have to say five things you like about yourself, publicly. Then you have to send this to ten of your favourite followers (non-negotiable, positivity is cool~) 🌈 🌈 ← I'm actually deciding it's negotiable, send it to whoever you want!!
Yeah I've been meaning to schedule another therapy appointment for months lol
But anyway, five positive things about myself? Ummmm
I'm loved and adored, apparently
I'm a creative mf with a big-ass imagination
I'm a fairly kind, open-minded person and I typically try to give people the benefit of the doubt
My gender is very weird and funky and ambiguous and I just think that's neat
Uhhh I like my singing voice? Most of the time anyway
Now to figure out who all to pass this along to-
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Dude you made me cry (in a good way)
Kinda been feeling really shitty lately and I really appreciate/needed to hear this, tysm
Me next time I'm spiraling down into "I'm useless and shouldn't be alive" territory:
*gripping the sink staring into the mirror shaking*
Survival through the aid of others is fundamentally human survival through the aid of others is fundamentally human survival through the aid of others is fundamental-
But also, @aceing-on-the-cake I hope you know you're one of my current favorite humans even though we've technically never actually met
<3
Does anyone else ever feel like you're the weak link that evolution was supposed to weed out? That you weren't really supposed to survive, that people are keeping you alive out of a sense of pity or obligation?
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You know what? Yeah
I mean as a person born, raised, and currently living in the south, I'll admit that I make plenty of these jokes and gripes myself (though I do think if anyone has the right to do so it's those of us who actually live here)
But we can do better
Sure some things about the south suck, that's true, but that doesn't mean the shitheads who happen to be in charge or the louder voices reinforcing negative stereotypes are representative of all of us as a whole- as someone else mentioned in the tags
And who the fuck said we have bad food??? Literally our food is one of the best things we've got going for us?? I didn't even know this was a Take™️ like I thought it was common consensus that southern food is good shit. Side note: I went to NYC last year and don't get me wrong I loved it but yall don't even have sweet tea
I will say that even as someone who's grown up around it there are some southern accents that strike me as funny or even kinda ridiculous, but that's stupid. People talk how they talk, and we should recognize that for what it is- cool and natural and beautiful. If you catch me making fun of how my mom pronounces "oil" please send a well-meaning "fuck you" my way
Anyway, yeah, obviously not all southerners are bigots and rednecks. There is an unfortunate portion that are, but it's not fair to look at us all through the lens of a blanket assumption like that, and it's not like there aren't bad or ignorant people in every part of the US- hell, the world
I mean I personally try my best not to be any sort of bigot, and while I'm sure there are lots of negative (and some rightfully so) connotations with the term "redneck," like... it basically means "unsophisticated rural white American"
Can't speak for anyone else but I myself am a semi-rural white American, and I'm not the most sophisticated, and guess what?
Sometimes it's kinda fun getting up to some redneck tomfoolery, like intertubing down the creek in your backyard in the middle of a rainstorm or having your grandad drag you around in a sled tied to the back of his truck on snow days, or catching and releasing all manner of critters that get into the house (we have relocated so. many. mice.)
Also, our dialect? Top tier. Give me a better all-inclusive group-referential term than "folks." "Yall" is so much more convenient than "you all." And why should I pronounce the "g" at the end of every "-ing" verb? It's unnecessary and awkward, honestly, and we're better off just leavin it out. Now whoever is takin issue with how we talk can catch these motherfuckin hands (lmao I'm an English major just thought I'd put that out there)
And like all that aside, do I still hope to move north someday? Yeah, I do. I'd rather live somewhere with a cooler climate and where people aren't trying to take away my rights (fellow southern trans person here). But that doesn't mean everyone else should be expected to. I'm not trying to escape southern culture, just current southern politics and southern weather. If legislation changed I might not feel the need to do that, but I'd still rather be further from the equator, and that's nothing against the region that's just a personal preference for chillier weather. But moving is not possible for me right now, and for a lot of people it might never be, and even if it is they shouldn't be expected to leave their homes just to have their rights respected and to be treated like human beings
There are queer people in the south. There are leftist people in the south. There are mentally ill people in the south, and there are mental healthcare providers in the south too. Y'know how I know that? Because I'm a mentally ill leftist queer person from Alabama, dude. And I've been to at least three different therapists, one of whom had a bi flag decorating her office. We're not all homophobic ultra-conservative hicks who don't believe in mental health or who worship donald trump like some kind of savior, and we do deserve to be taken seriously and to be welcomed into queer spaces and mental health discussions
If you as an outsider genuinely have this sort of attitude about people who live in the south (the sort of attitude op was talking about), if you look at us all as negative stereotypes instead of actual people, maybe you need to look in a mirror and ask yourself, who's really the bigot here?
yall have got to be more normal about Southern people and I'm not kidding. enough of the Sweet Home Alabama incest jokes, enough of the idea that all Southerners are bigots and rednecks, and enough of the idea that the South has bad food. shut up about "trailer trash" and our accents and our hobbies!
do yall know how fucking nauseating it is to hear people only bring up my state to make jokes about people in poverty and incestuous relationships? how much shame I feel that I wasn't born up north like the Good Queers and Good Leftists with all the Civilised Folk with actual houses instead of small cramped trailers that have paper thin walls that I know won't protect me in a bad enough storm?
do yall know how frustrating it is to be trans in a place that wants to kill you and whenever you bring it up to people they say "well just move out" instead of sympathizing with you or offering help?
do yall understand how alienating it is to see huge masterposts of queer and mental health resources but none of them are in your state because theyre all up north? and nobody seems to want to fix this glaring issue because "they're all hicks anyways"
Southern people deserve better. we deserve to be taken seriously and given a voice in the queer community and the mental health space and leftist talks in general.
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Currently obsessed with this gay pigeon couple up for adoption and I think tumblr will be obsessed with them too.
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Does anyone else ever feel like you're the weak link that evolution was supposed to weed out? That you weren't really supposed to survive, that people are keeping you alive out of a sense of pity or obligation?
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