CATs, the thought piece
So I finally finished this piece <3
The movie of the Broadway musical CATS has always had a special place in my heart. Â A few weeks ago I tuned into original cast member Jacob Brent (Mr. Mistoffelees) doing a live commentary about the film. It was a great nostalgia trip-- an evening video-chatting a friend a few states away to commence our CATs tradition.
Little meâs obsession
But this is a thought piece not a fan letter. While I doubt anyone many are going to click through to this part of the post, I did something similar with my last fan art, itâs a brain dump. So far itâs helped a bit in working through feelings I have when I see my own art. I want to be able to enjoy what I do and this is a step in the right direction.
I took my time with this piece and Iâm proud of that. I didnât let it stop me from completing it and posting it. Continuing to adjust through sketching is not a weakness. Not being able to finish this in a session like a professional live stream artist does not mean anything. This is how one practices and being hard on myself will only continue to cripple my creativity and keep me where I am. Itâs ok to not be doing this full time, think of it as building my callouses back up. In the end the final product is good and no one will think less of it but probably me if they saw all the in between steps.This piece took me waaaay to long. From the idea doodle itâs taken me several weeks, and I redrew it several times. I had to futz with the anatomy and trying to match the pose from the reference image. Itâs frustrating to not have the eye for human anatomy, I should have these basics down a bit better by now. The feet and hands still feel a bit off. Everything seemed awkward, especially for a ballet pose. It makes me wanna take more still life classes after this quarantine is over. I need to practice and get the fundamentals back under my belt cause itâs embarrassing.
I took a risk- thatâs a good thing! Itâs ok for digital to not be my prefer medium and itâs normal to feel some discomfort in working with something while still learning. It takes time and practice. I can see things that need improvement without it taking away from the joy the subject matter and progression in my skills gives me right now. Iâm not less of an artist for accepting praise without appending all my issues with the piece to prove that I have an artistic eye (or whatever my current negative thoughts are). Also look at how much you learned about photo shop. Working digitally still gives me a sinking feeling as I can see the glaring gap between where my paper and pencil is to my comfort with a tablet. I feel like Iâm still treating the programs like MS paint. An earlier sketch of this looked so stilted. While digital allows for helpful layers and adjusting proportions earlier, if Iâm not tracing scanned line art it just doesnât seem to work right. Itâs hard to not look at this and be swarmed by the need to practice more and how I shouldnât be satisfied when looking at it because itâll be complacency. The lighting, the glow effect, the skin tones look a little off, white space as a possible crutch to avoid detailsâŠ
PRIDE! Why overthink this. Iâm sure it shouldnât matter to me if anything thinks into this is anything but a positive light. I also canât read minds so there is no use spinning possible catastrophic scenarios.I feel like Iâm projecting my queerness too strong in this. Obviously this is fan art and the actors arenât my OTP or something. I realized, until the last time I watched this film that I never thought about cats with any sexual undertones, cause like I was a kid so thatâs fine. But this time I watch it and caught all the queer vibes these two cats and it made me giddy happy-Is that weird? Tagging them in my post makes me squirm. The same way I donât wanna be summed up by only a part of who I am, I donât wanna boiled these guys down to their sexuality either. I always worry about were the line between fan appreciations to let them know, in case they needed the boost, that they were part of something that meant something to meâŠ..and being a wierdo fan.
You donât have to be a dancer to enjoy everything it makes you feel. It just means you have a greater depth of understanding an appreciation for the art. You arenât less for it.I wish I had stuck with dancing as a hobby. This makes me sad that I stopped in grade school and only took it again as an elective in college. This piece reminds me of the magic I saw in it as a kid. Reminds me I couldnât cut it as an athlete, my spotty memory wasnât going to do me favors in memorizing choreography, and the podiatrist didnât recommend I try point at all. I miss my flexibility; it makes me feel old and tired.
Iâm proud of myself for putting myself out there and making this piece. Itâs a good piece! Iâm thinking about this too much, thatâs normal. I wanna thinking about all the possible down sides to this piece, negative reactions in the form of a polite thumbs up, or just the thought of me looking at in a year and missing the joy I had making it in my unhelpful thought patterns. Also did I mention my last post got more likes then I expected and Iâm freaking out a little?
*Deeeep breaths* and so itâs time to let all the thoughts go into the night. Iâm happy with this one :)
Final piece HERE. #mental health#therapy#arttherapy#theprocess
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Little me at work :)
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Being kind with art [Part 2]
Trigger warnings- anxiety, depression -Â I am very aware that the way I talk about myself adds to my own narrative that Iâm trying to change AND can reinforce this thinking in others who have similar thought patterns.
Lessons Learned
Ok, so here is the bit thatâs the reason Iâm writing this whole thing up. I donât know if you knew this but artists are notoriously critical of their own work (in my experience). Or, maybe mental health issues aren't talked about enough and are just easier to âseeâ in the creative arts.Â
Throughout this entire process I could really hear my inner narrator tearing me down. Everything from it being fanart, to a collab with an artist I admire, to being a mixed-media piece out of my element, to the fact working on this was really just me procrastinating on finishing other projects.
After finishing the first part of the piece my anxiety had me worrying for a YEAR that if i drove it to the places to take the pictures I wanted that the window paint would melt or something equally ridiculous. I know I was also worried that if I did it after work, iâd have to bring the work in progress into my job and oh man, that social interaction is a big trigger for my art related anxiety.
Mostly I was worried I wouldnât be able to make the finish product look good. I donât finish a lot of pieces to my own satisfaction and I wanted to do justice to the original content. What ifs I didnât figure out how to make the photo effect work? So many what ifs.
Negative Spirals
(before anyone else can think anything about it Here I go, protecting myself with negative expectations listing some things I think about when I look or think about my process making this piece:
The window paint isnât perfect. There are areas I smudged, squeezed to hard, didnât make light enough ect. I donât have enough endurance.
The trace over of the original isnât even perfect. I donât know that the archway physically makes sense, as I lifted the general design from a pedestrian arch at my alma mater. Poorly thought out.
I didnât take my time to reink the sketch, and even the sketch I really played the scale of the buildings by ear. The paper wasnât suited for so many layers of acrylic. Rushing.
I didnât nail the glamour effect I was going for. I wanted the asphalt to shimmer into an older dirt road to show that that the landscape behind the gate was hidden from the normals. At the end I really thought about adding a few gems, or glitter, maybe add a âlightâ from the lamp.
What happened to the great lawn? I lost the depth. The stone walls, egh look at that masonry. The hills are so boring.
The blur effect was ok overall but the campus doesnât look good. Itâs missing something (practice for one thing). Should I have added more detail back in? Was I just not mixing the paints enough to get better color range?
I probably skimped on the finishing touches cause I just wanted to get it done. Itâs so easy to ruin it right at the end. I couldâve added Watford school colors, some more life to the image, a gold plaque on the brick columns, highlights on the ironwork. Heck checked the shadows. Where is my light source??
Posting my art makes me feel uncomfortable. On 3 platforms? Doesnât matter if itâs 5 or 50 people with positive thing to say or likes, why am I even checking my phone every couple minutes. Does this piece even add to the fandom? Is it ok to have just an ok piece?
I suck
Deep Breaths. Man brains suck and feelings are weird. Letâs try this again.
Positive Reinforcement
The window paint has been fun to play around with. Now that I've used it more I can feel better going back to my other project some time soon. I even have more supplies for that other project. Itâs not a forgiving medium, but also it looks like itâs better suited to a bigger scale piece. Leading is thicker and harder to handle. Thankfully once set itâs pretty easy to trim the sides with a knife. It added a cool texture and layer. Go me :)Â Â The window paint isnât perfect. There are areas I smudged, squeezed to hard, didnât make light enough ect. I donât have enough endurance.
She liked it. She thought the arch was a good add. Also setting your piece apart a bit from the original is a good thing. So what if the archway might not be feasible it reminds you of your college years and well magic (thatâs not a copout here). The trace over of the original isnât even perfect. I donât know that the archway is physically makes sense, as I lifted the general design from a pedestrian arch at my alma mater. Poorly thought out.
So Iâve actually gotten much better with this for my last few pieces. Itâs ok to not always pre-plan and over-prep. This is a personal piece not something iâm trying to sell. I donât have to have everything be a masterwork. Itâs ok to be an amateur. Now I know that paper isnât the best for acrylic and- honestly it wasn't that bad with it either. I didnât take my time to reink the sketch, and even the sketch I really played the scale of the buildings by ear. The paper wasnât suited for so many layers of acrylic. Rushing.
Details. You slept on it. You see that when you look at it, itâs what you add when you look at it. I didnât nail the glamour effect I was going for. I wanted the asphalt to shimmer into an older dirt road to show that that the landscape behind the gate was hidden from the normals. At the end I really thought about adding a few gems, or glitter, maybe add a âlightâ from the lamp.
So. Ok girl, there is room for improvement. Thatâs how practice works. But in the end the gate take the focus so no one is looking at all of that but you. Youâve never tried this effect. Good on you for taking a risk. Thatâs what matters. What happened to the great lawn? I lost the depth. The stone walls, egh look at that masonry. The hills are so boring.
See above. The gate takes center stage, more details might have changed that so less is more. Next time just try something different and see what happens.The blur effect was ok overall but the campus doesnât look good. Itâs missing something (practice for one thing). Should I have added more detail back in? Was I just not mixing the paints enough to get better color range?
SO WHAT. Stop nitpicking at it. Itâs ok as is. It has to be done at some point. There will always be more you COULD have done and you know that. I probably skimped on the finishing touches cause I just wanted to get it done. Itâs so easy to ruin it right at the end. I could of added Watford school colors, some more life to the image, a gold plaque on the brick columns, highlights on the ironwork. Heck checked the shadows. Where is my light source?? Also light source for the rainy English countryside, psssh
This is part of the process. Youâve had problems with sharing your art and accepting praise since like, middle school. Itâs not going to suddenly go away. You have to normalize posting your work, and over time itâll be easier. Be kinder to yourself. And itâs ok to call yourself an artist. You fit in the group. Reminder this is that impostor syndrome thing Posting my art makes me feel uncomfortable. On 3 platforms? Doesnât matter if itâs 5 or 50 people with positive thing to say or likes, why am I even checking my phone every couple minutes. Does this piece even add to the fandom? Is it ok to have just an ok piece?
Iâm proud of myself for doing my therapy homework and letting out my anxieties so I can start to let go of them
I donât need this piece will help anyone but me, but if it does that is a bonus. Everything is ok.
Back to [Part 1]Â Â Â Â Â Â
Final piece HERE
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Being kind with art [Part 1]
So this will be a half making of/half therapy piece to put the final touches on my recent collab with @penpanoply âThe Watford Gatesâ (I guess I just gave it a title) It started a while ago......like a year ago.
Backstory
When she showed me their work-in-progress I was instantly inspired. Between how the words themselves make me feel (all tingly inside) and my background includes historic preservation (ironwork also makes me tingly) this was a dream piece for me.
I had put aside a window glass project as while before this and I got the idea that this would be cool overlaid with an image of a watford-esq photo. I live close enough to two private schools/college campuses that could do the trick- so why not? Only note there is âleadingâ with window paint is really hard on the hands.
I was happy to be able to add onto the original design with the archway, something to tied this version of the piece together. I added gold paint and called that part of it a day....and then for the next year never got to taking that perfect picture for it. Boo.
Quarantine
Then, as quarantine started, I realized I really needed to finish off some of my WIPs to make room for new stuff. This one caught my eye. I might have recently been over the moon about Red, White, and Royal Blue and well, that means I was also fangirling again about Carry On cause like you know. The boys <3 Not able to really go out, I though F it, iâll make a background.
Before this point I had doodled with some building on the Watford campus, what can I say, historic architecture is pretty hot. So I gave it a shot.
and you know what I surprised myself, I was actually pretty happy with it. Did I rush it and instead of re-inking the sketch on a new, thicker paper? Sure did. I will say the paper held up really well, I was worried it was going to warp as it started to look better.
So I went for a style I really have never tried because, it take time to layer, determine complicated shadows, and make it look like an out of focus landscape (so it wouldnât compete with the in focus gate). I took two weeks to finish this piece, thatâs a lot more stopping, sleeping on it, futzing with details ect. then i usually do. In the end I felt I was at a good stopping point with the background, more and I would probably regret it given this was a new style. I made some minor adjustments to the window glass paint, repainted the gold, added bricks to the columns- and BA BOOM! Called it a day.
Also shout out again to @penpanoply for keeping me motivated on this project even if it took forever.
[Part 2] Therapy time
Final piece HERE
Teaser detail ->
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âMagic separates us from the world. Let nothing separate us from each otherâ Watford main gates
From Rainbow Rowell's Carry On, this is a collab with @penpanoply that has been in the works for a while (aka on my shelf project shelf). This piece was something new for me in a lot of ways. I'm looking forward to having this hanging in my cubical once quarentine ends.
I'll post the behind the scenes and detail in a follow-up post on my Instagram.
from Carry On, by @rainbowrowell
If you havenât figured it out alreadyâlet me just say:  I have very poor impulse control. (I couldnât stop âtil I made the other half of the gate.)
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When you log back into Tumblr year and year after creating is... Wow. Guess nothing has changed, including me....
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Too much to be done.
You are thrown out of the school bus into busheling traffic.Given coffee and told that you're running out of time, that life is short. Everyday there is more to do, a never ending pile of responsibility and work. What I won't give to be driven some where again at dawn, watching the world, knowing that the journey would end in the arms of friends and the security of predictability.Â
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Sometimes I amuse myself by comparing my life to that of a hunted fox. Except for all the horsemen are societies needs and the dogs unknowing minions of society, like bills, irs and college credits. And all the time I am hiding, sneaking around corners and trying to please everyone I come across incase they're a cleaver horseman in disguise... But now I feel like a mangy fur matted wild animal that is overly sensitive to the rustle of bushes and the first drops if rain, wishing the huntsmen would find one quickly and bring this chase for ones very hyde to an end. Life loses it's wonder if one feels they are being hunted down, even if it is all in ones head -- (This picture is obviously not mine)
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My first real attempt at foxes. I'm not sure if I want to focus on realistic or cartoon. Both are hard, I might have to go to the zoo and study them (I tried that with lions, but that went badly). I think my issue is the fur itself.
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Best tutorial I've seen. Gonna try my luck at it. Drawing animals is not my strong suit.
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Have just recently been introduced to this and am exploring what it means to me. At first I wasn't sure if there was any animal that really spoke to me (except a cat maybe lols). I'm not sure if I should be looking for animals actual characteristics or the personified ones. But when I thought long and hard, my name sake "little fox" or fĂŒchsel, seemed like the best bet. But what kind of fox, and how do i really resemble the ways of a fox? Unsure. But I'm definitely looking into it :)
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