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#(here you go <3)
bondilluns · 7 months
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There’s a place in the dark where the animals go...
[ID: A digital painting of Gerard Way clutching to his microphone and leaning back. He is painted in bright purple tones. His hair is short and completely white, with no shading. The background is a dark red to blue gradient. End ID.]
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jtl-fics · 2 months
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happy WIP wednesday! Pretty Boy is my fave fave favorite! I'd love some more 🥺
WIP Wednesday 3/13/24 (CLOSED) | Pretty Boy
"Andrew, my next appointment will be here soon." Betsy finally says and Andrew blinks realizing he had been lost in his thoughts for too long. "Is it something that's hard to say or is it not something you understand yourself?" she asks.
"The former." Andrew answers finally.
"I see," Betsy sips her hot chocolate, "then I will wish you good luck and if you would like some help you have my phone number." she smiles at him.
"I don't need help." Andrew rolls his eyes at the idea of it.
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xcorikhang · 10 months
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Izzzzzy! Here's the deal, I redid my place like a year ago and have had all of this packed up since. I finally decided to haul it all here in hopes of selling it. So please tell me you need lamps, or a rug, or any of this really..
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@isabelarcmero
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deanjohn · 10 months
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Relationship: Sam Winchester/John Winchester
Rating: E / Words: 3.3k
Tags: Parent/Child Incest, Implied/Referenced Alcohol Abuse/Alcoholism, Implied/Referenced Child Abuse
Summary: John surprises Sam with a visit at Stanford.
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frxstbxtee · 2 years
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Hannaah I need my daily dose of kuroken please
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@kurooandkenmasslut
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saudadexmses · 7 months
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starter for @islandofmuses
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Ezra holds the knife to their throat pressing it ever so slightly against the skin of their neck." I'm feeling nice so," They smile tilting their head to the side." Give me a good reason why I shouldn't kill you right here. Come on, I'm curious."
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fortunescaling · 3 days
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"What if they kissed?"
[[I'll attempt to write a fluffy one for them in return when inspiration strikes and this headache lifts.]]
Night had fallen as they left the opera from a rather delightful evening. Jugram didn't regret expanding his time off work to spend some additional time in town and with Isa. He found his mood lifted and his mind feeling lighter.
But most importantly, he was very content to have had finally made his mind to ask her out. He had been entertaining the idea for quite some time now, debating whether it was worth the risk of possibly turning their friendship awkward.
She was his longest friend and one he shared a lot of similarities with, temperament and lifestyle wise. A bond he had preciously cherished and a bond he could see growing into something more, should she shared the same feelings. So far the new direction they were taking their relationship appeared to sail smoothly.
'I'm glad you enjoyed our date.' He said. 'I always enjoy the time in your company myself.' He added in a soft tone.
'Anyway, it is getting quite late. Shall I walk you home?' He offered his arm. All good things must eventually come to an end. Besides, he wanted to take his time in getting to know her on those new terms. She didn't strike him as the type who liked to be rushed, and he was glad to indulge at slow pace.
They shared their way back between moments of contemplation for the calm of night and conversations about the piece they'd just seen, their favourite scene, what they should see next. Jugram noticed a soft blush on her cheeks, as they exchanged glances, that he found both endearing and amusing. A new side of her he was discovering with great appreciation.
As they reached towards Isa's door, an awkward silent settled between them while they stood in front of one another, about to part goodbye. Should they? Should they not?
'Well, it was a lovely evening and my pleasure to take you out.' He begun, not letting any of the anticipation building in chest transpired in his tone.
'I hope there will be many more.' He added, his lips curving into a soft smile, while his eyes watched carefully for cues in her body language.
As she stood still, not looking quite ready to depart yet, he decided to take his chance. He leaned closer, raising a delicate hand to her cheek and leave a chaste kiss on her skin. That should be appropriate for a third date. 'Goodnight, Isa.'
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plushiehamuko · 8 months
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i love to come up with a new p3 headcanon and tell it to my friends who have not played the game yet so they can instantly agree with it and adopt it as their personal canon, completely biasing their experience for when they do play
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chris-mc-dirty · 3 months
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Why do you draw him so cute ahhhh! I just want to put him in my mouth and chew on him <33
[Hands you the Chris gumball]
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So you can actually chew on him, I guess.
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rainbowvamp · 10 months
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Chapters: 4/10 Fandom: The Sandman (TV 2022) Rating: Explicit Warnings: No Archive Warnings Apply Relationships: Dream of the Endless | Morpheus/Hob Gadling Characters: Dream of the Endless | Morpheus, Hob Gadling Additional Tags: He/Him and They/Them Pronouns for Dream of the Endless | Morpheus, Pining, Mutual Pining, Suicidal Thoughts, Dream of the Endless | Morpheus and Hob Gadling Being Idiots, They're literally obsessed with each other and neither of them want to admit it, Dream of the Endless | Morpheus/Hob Gadling Get Together, Sex, (eventually. not yet) Series: Part 2 of Something Different Blooms (Writing In My Room) Summary:
A letter received and the consequences thereof. Everything works out for the best in the end.
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kinnporsche · 11 months
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https://www.tumblr.com/kinnporsche/717285264449519616/kpappreciation-week-4-favorite-romantic
hi, cld u pls do a tutorial on this gifset?💗💞it looks so good!
omg thanks! and sure thing—luckily i actually had the base of the top gif in this gifset saved as a .psd file, so i was able to recreate it way more closely than i would have otherwise, lmao. also, i figured you meant like the glitch/transition effects on the top and bottom gifs, so that’s mainly what i’m going to be focusing on here! (tutorial below the cut):
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first things first, you need to choose which scenes you want to glitch between. obviously, in this gif i chose to parallel the scenes from episode five & seven where kinn is leaning into porsche’s space all sexy and intimidating lol. if you’re looking to make a gifset that focuses on parallels, you want to use scenes that closely resemble one another—this will make for a more seamless look. however, this glitch effect can definitely be used for transitions between any scenes you want—for example, i used the same general glitch effect in this gifset!
now, using whatever method you usually use (screencaps & ‘load files into stack,’ mp4 & ‘video frames to layers,’ etc.), upload each scene into its own project—make sure to convert from frame animation to video timeline if you haven’t already. resize the gifs (i’m using 540px by 600px), and sharpen them like you usually would. i also like to label my smart objects as ‘scene 1’ and ‘scene 2’ just to make things more organized.
next, drag the second scene onto the first, and fiddle with it until you’re happy with how the scenes switch between one another:
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once you’ve got it the way you like it, color your gif however you want. keep in mind, however, that when making the glitch, it’s far easier to manipulate the colors of the glitch (for example, changing it from the typical red/cyan to yellow/green, like it is in my gifset) if you make the gif black & white. it’s possible to change the colors of the glitch on a non-black & white gif, but it really depends on the scene. if you aren’t going to change the colors of the glitch, you don’t have to worry about any of this!
when you’re happy with your coloring, convert all of your layers (‘scene 1,’ ‘scene 2,’ and all coloring adjustment layers) into one smart object—i renamed this smart object ‘combined gif’ for organizational purposes, but it’s not necessary to do that.
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remember, once you’ve done this, you can’t edit your adjustment layers on your base gif—if you’re worried about losing these adjustment layers for whatever reason, i suggest saving a duplicate of your current .psd file just in case.
after you’ve combined everything into one smart object, it’s time to convert your project from video timeline back to frame animation, as this is where we’re going to apply our glitch effect. go to the timeline menu > ‘convert frames’ > ‘flatten frames into clips,’ as shown below:
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after this, click the button in the bottom left-hand corner, and click ‘continue’ if a dialogue box pops up saying ‘this will convert the timeline to a frame animation.’ then go back to the timeline menu and select ‘make frames from layers,’ as shown below:
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make sure to delete the first frame of your gif (the one that is not timed to ‘0 sec.’) as it is essentially just a long still image, and we don’t want that. now we have our frame animation.
now, in your frames, find the frame where your gif switches scenes—for me, that happens at frame 22. what i like to do is make the glitch span from two frames before to two frames after the cut (so, four frames in total). this means that the first glitch frame will be on frame 20 of my gif.
for my gif, i now want to find the corresponding layer to frame 20. the layer number is not going to be the same as your frame number due to converting from video timeline + deleting the first frame that was not ‘0 sec.’ that’s why it’s important to look for the toggled visibility icon—the little eye next to the layer. on my gif, the corresponding layer is called ‘frame 19,’ as shown below:
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to make the glitch effect, i’m going to duplicate this layer, then right click on the duplicated layer (named ‘frame 19 copy’), and click ‘blending options.’ in the blending options panel, uncheck the ‘r’ (a.k.a. ‘red’) channel under ‘advanced blending,’ as shown below:
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then, nudge the duplicated layer using your arrow keys to create the glitch effect. for my first glitch frame, i tend to do a simple nudge to the right by 4px, and sometimes i’ll either nudge up or down by an additional 3px. there are no rules for this, however, so feel free to play around.
then, highlight both layers (for me that's ‘frame 19’ & ‘frame 19 copy’) and right click > ‘merge layers.’ i like to rename this newly merged layer as ‘glitch 1’ (once again, just to be organized):
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make sure that this new layer’s visibility icon (the little eye) is only toggled for the frame where the glitch is supposed to occur. sometimes this merged layer will appear toggled for all frames for some ungodly reason, so be sure to check and toggle/untoggle accordingly.
for the next glitch frame i like to use a trick to make the glitch look even messier and broken up. so, follow the same steps as before on the following frame/corresponding layer (for my gif that is frame 21 and layer 20)—but before nudging the duplicated layer, we’re going to utilize the ‘rectangular marquee tool’ (found in the top left-hand corner). holding down the shift key, use the ‘rectangular marquee tool’ to create boxes of all random shapes and sizes on top of your duplicated layer. make as many as you want:
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after you’ve made all these boxes, switch back to the ‘move tool’ (the one right above the ‘rectangular marquee tool’) and then you may nudge the duplicated layer however you wish—you will notice that the glitch will now appear like it’s been broken up into these boxes! i suggest nudging the duplicated layer in the opposite direction on this frame, this way the overall glitch will look more realistic (so instead of nudging the duplicated layer to the right, nudge it to the left, etc.)—after this, merge the layers.
repeat this process for the following two frames! feel free to play around with the glitch, and do whatever you like best. you can even add a small mini-glitch in between the scene transitions (for this i used three frames instead of four, so it wasn’t as long as the transitional glitches).
once again, we’re going to convert our project back to video timeline. so, highlight all your layers/frames, click ‘convert to video timeline’ in the bottom left-hand corner, right click your layers, and select ‘convert to smart object.’ this is where we make our final adjustments, such as changing the colors of the glitch, adding grain, text, and even overlays if you’re so inclined.
to change the colors of the glitch, add a hue/saturation adjustment layer to your gif. there are two colors in our glitch, cyan & red—so, we are going to target the cyan & red channels on our hue/saturation layer. you can basically mess around with this to get whatever colors you choose. for my gifset, i changed the cyan to dark green and the red to a yellowy-gold by using the hue & lightness sliders:
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then, of course, you can do whatever else you wish to your gif! after adding grain and some text, here is how mine turned out:
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and that’s all! hopefully this long-winded explanation makes sense—but if you have any follow-up questions, feel free to hit me up again!
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xcorikhang · 6 months
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where: Jace's Camper - Merrock State Park
when: Thanksgiving - Nov 2023
who: Cori & @jaceeverett
Cori enjoyed the excuse of family time and a feast that Thanksgiving brought. The holidays were the only time that Cori's family closed the laundromat, therefore truly the only time all family members still local gathered together. However, between her siblings splitting time with spouses's families and the fact that the laundromat was open bright and early at 6am the next day, Thanksgiving dinner with the Le family ended early for Cori's liking. That was the case with most holidays, even if she was on-air the next morning some years. That was how she found herself visiting with friends to end the night. Once her family had said their goodbyes for the night and a pitstop at her home, she made the drive from downtown out to the countryside. With extra food in tow, of course. Arriving at Jace's camper, she rushed toward the door and knocked. "I come with food!" she called out with a laugh, as she waited to be let inside.
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nonsupe · 7 months
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" how do i know you won't stab me in the back? " you don't are the words that nearly fall out of his mouth before he bites his tongue. an old habit. he has to remind himself that for the time being they're on the same side, they want the same things. vought and homelander gone. its not a feat either one of them can accomplish alone. he just hasn't figured out what her angle is yet, what she needs from him.
@herosupe is smart to question him, he'll give her that. he is always one move away from twisting it all, pulling the rug from under her feet and burying her with it. the tower falls where it falls, and he'll be careful to stand clear and mind the dust as it settles. that's always been his game. one right after another without a second thought spared to them because better them than me. it got him where he needed to be, several steps ahead of the chaos that engulfs the others. minding the settling dust.
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" how do i know you won't do the same? " rhetorical question. one that he doesn't leave her much chance to answer before he moves on, raising a hand: a vow. " you got my word. we want the same thing, whatever it takes to make that happen. no games. "
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dedskum · 11 months
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MAKE A VAMPIRE SIM NEOWWW!! 🫵🏽🫵🏽🫵🏽
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ask and you shall receive...
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spacedustmantis · 1 year
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@burning-sol i know i already sent you an ask, but i think i remember you saying that things get lost in your askbox sometimes, so i'm fucking. making a post!
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i drew a silly little exandroth based off this little fun fact
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for you <3
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movedtoferinehuntress · 7 months
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[ Headcanon ] FAMILY ANCESTRY .
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Caitlyn Kiramman by placement and visuals is stated to be a Piltovan 'through and through'. The irony of this is it's the furthest thing from the truth.
While Caitlyn has the title, the money, the status, and the placement nothing within her is Piltovan. Her family ancestry, while they were there during the establishment of Piltover, did not ever really fit into the piltovan standards.
Caitlyn's ancestry in a rough breakdown of percentages is seen as so -> 50% Ionian, 20% Piltovan, 20% Zaunite, and 10% Ixtali. Mixed with the Ionian and Zaunite ancestry is the Vastayan bloodline that is connected to her from both her mother's and father's side.
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Tobias Kiramman is part of a bloodline that is pure Ionian. His small village he was a part of rarely had visitors from outside influences, but he met Cassandra when he was visiting one of the larger cities. Tobias's ancestry descends deep into the age of the Vastayashai’rei. His village was known to be home to Vastaya and Humans, but all the humans were gifted with magic. The Vastaya clan was that of Lhotlan when they used to be numerous and wild. It wasn't uncommon for Vastaya to mate with humans, interbreeding between the two that kept this cross of human/vastayan bloodlines.
Tobias is heavily influenced by his culture from Ionia and while he lives in Piltovan, and moved here when he married Cassandra, he does not forget the Ionian ways; including his worship, rituals, and prayers. While he is one of the most influential doctors in Piltover, it does not erase the culture of his past despite how Piltover has tried to assimilate him into the Piltovan way. Tobias provides the primary source of Ionian blood to Caitlyn and much of the vastayan traits she carries due to the Lhotlan bloodline. It's also why she can have the magical ability of empathy due to the natural magic that Vastaya carries.
His family was known as one of the guardian protectors, protecting one of the Guardian Trees in Ionia. Tobias’ family line had a spiritual site where they were deeply connected to a spirit tree, that brought life and water to the land. The people protected the tree and in turn, the tree blessed the line with magic. It allowed the people to connect to nature, bending it to their will and using it to continue to protect the tree. The effects of the magic turned the family line’s hair blue, all variations in connection to the guardian tree was affiliated with.
While Tobias does not have magic, the magic is still within his veins and it in turn, is in Caitlyn. This is why she carries the same genetic color of hair as her father, Blue, due to the connection to the spirit tree and why when the gemstone exploded, Caitlyn’s bloodline surged, like an activation key triggered bringing her empathic magical ability to the surface.
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Cassandra is considered to be Piltovan by being born in Piltover, just as Caitlyn; however, the truth of the fact is that everyone in Piltover are not truly Piltovans. Piltover is a melting pot, a place created about three hundred years ago. They are the YOUNGEST civilization among all of Runeterra alongside their sister state, Zaun. This means that everyone who came to Piltover and Zaun are travelers from other locations. The Kiramman bloodline has had nine generations of families which brings mixed ancestry to Caitlyn's bloodline.
The earliest known ancestor in the Kiramman bloodline was named CHIDORI, the daughter of birds. Most Vastaya settled into the region of Zaun, and so Chidori, with her father and mother, settled into Zaun. This was before Zaun or Piltover was ever established, a beginning migration for the bird family to seek out a new home away from Ionia; a place they could call home. Chidori met another Vastaya and they gave birth to CHIZUKI, the daughter of the moon. Chizuki loved living with her parents and working in the mines but she wanted more: she wanted to see the sky, and the moon, and thrive in it. So with her and her mate, they decided to cross the strait of the ocean into the land of Piltover (before it was fully established as Piltover).
Chizuki was around when Piltover and Zaun were established and when relations were good between the two new towns. Piltover and Zaun worked together so it wasn't uncommon for the two people to interact and decide where they wanted to live. It was a blend of cultures before Piltover started to become more greedy and harsh upon Zaun.
CERISE was born to Chizuki, and this is when they settled into Piltover and took up a new name. Due to Chizuki being related to the darkness of the night moon, the beam of the moon's light, being a matriarchy family, and the knowledge and skill to give to humanity, Chizuki took up a last name.
Kiramman.
Kira comes from the root word "Mistress, Lady" along with "beam of light" and "black or darkness". Man is derived from the meaning "person" or "someone" as well as the root word for "hand". So this name Kiramman is meant to be several different concepts. "The light of man", "the darkness of the hand", "Lady Light", and "The Dark Mistress".
Cerise Kiramman, while pureblood Zaunite, was the first woman to become a part of the Piltovan culture and even mated with a Piltovan Vastaya who settled there. Cerise is also the one that set the path for the Kirammans to become the wealthiest, strongest, most powerful house in all of Piltover. Their daughter, CARA KIRAMMAN, was the first-born Piltovan daughter and the first heir to the councilor seat that Cerise was on (as she was one of the founders of the first councilors next to Heimerdinger). This is also after all conflicts began to emerge with Zaun and the sister-states became divided therefore, it was better to 'forget' about the Zaunite heritage despite Cerise being a full-blooded Zaunite. Even Heimerdinger encourages Cerise and Cara to put aside their past and that they need to move forward, progress, away from their savage side, and fully embrace who they are: Piltovans, the keepers of progress and creation.
Cara married an Ionian Man and gave birth to CALYPSO KIRAMMAN and then Calypso after marrying another Piltovan man, gave birth to Charlotte.
CHARLOTTE KIRAMMAN struck back against the concepts of Piltover vs Zaun when she fell in love with a Zaunite. She met him on the wharf of the ocean strait near the Bridge of Progress, and they had secret meetings back and forth. Without her mother's guidance (as Calypso died in childbirth), Charlotte saw no reason not to follow her heart. Despite all the ridicule and actions against Charlotte's behavior, she still married the man she fell in love with and they gave birth to Cora.
CORA KIRAMMAN was the beginning reign of prejudice against Zaunites in the Kiramman household. There was constant strife against Charlotte and her daughter, Cora, who was full of arrogance and a high-horse attitude. Cora refused to even acknowledge her zaunite father (despite looking and acting completely Piltovan, he still had his Zaunite animalistic behaviors). Cora hated Zaunites, hated the city, and hated her parents. The sociopath refuses to dare acknowledge any of them and feels no sadness when she murdered her mother because she wants her out of the way. Cora gave birth to Catherine, and she instilled the same prejudice and hatred of Zaun into her daughter; beginning this drive to erase their own Zaunite heritage and ensure that every Kiramman born would know their place as a Piltovan Heiress and ignore any sort of Behavioral actions that they may gain from their 'tainted ancestral bloodline'. After the birth of CATHERINE KIRAMMAN, Cora even set up an 'accidental death' for her Ixtali husband who was ruled a "suicide" (however Cora had murdered him herself, becoming a black widow of the Kiramman household). Out of anger for Cora (his own daughter) killing his wife and the bitter hatred between the two of them, Leto decided to do what should have been done years ago after the death of his wife. Cora would never go to prison and out of a desire for retribution and anger, he struck out and killed his daughter, because of her actions. In the end, they both died and it was ruled as an animal killing: once again trying to cover up and blame it on Zaun, when it was ultimately Cora's own undoing and what led to her demise.
Left alone with only her devices, Catherine took on this hatred for Zaunites, but not so extreme. Instead, it was simple to perceive Zaunites as not existing and to stay away from Zaun and its brutality. Catherine was so scarred and traumatized from her mother and grandparents' issues that she never truly came to grips with reality. She locked away much of their ancestral information, keeping it hidden from CASSANDRA KIRAMMAN. To ensure nothing like this ever happened again, Zaun must be left alone and they needed not to know they were once Zaunites themselves in their ancestral line. Catherine was a more quiet but firm hand, trying to teach Cassandra and instilling the same prejudices and dislike of Zaun, but more focusing Cassandra on the importance of the council and the rules. It was unfortunately a loveless parent-child relationship, Catherine was scarred after everything that had happened and had never had a chance to process any of it, so she never truly interacted or loved her daughter, only producing an heiress to carry on the council seat. It wasn't long after Cassandra turned twenty-one that Catherine died from a weak heart and came down sick during the winter.
This leaves the story as it was, with Cassandra, a stubborn yet caring woman, trying to take care of her mother who was withering away year by year from depression and anxiety. Cassandra had to take up the position as the leader of the household and became a Councillor when she was barely 18 years old because her mother could not handle it anymore. Cassandra had to grow up too fast, too soon, and too quickly due to her mother's mental deterioration. However, Cassandra took care of her mother, a loving daughter despite how loveless Catherine had been to her. Cassandra had to learn quickly to be stubborn and hardheaded, lock away her emotions, control her enjoyment of danger, and work for the betterment of their family. It's a promise she made to her Catherine, to protect the Kiramman household and ensure it didn't fall. Many of Cassandra's lessons are hard learned and self taught, due to having no direction from her own mother.
And this leads to the birth of CAITLYN KIRAMMAN and where things take off.
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