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#300mm f2.8
nopriors · 8 months
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They don't perch for very long
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hekiqoo · 1 year
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桐生の夕暮れ Dusk in Kiryuu
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sebring5 · 11 months
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IMG_3778 by Henry Via Flickr: Landscape
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thephoblographer · 1 year
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4 Great Zoom Lenses for Panasonic Cameras
These are positively great!
One of the reasons why you buy an interchangeable lens camera is because of what zoom lenses can do. There are lots available on the market. Some give you extra reach in a smaller package. That’s one of the reasons why we really like the products Panasonic produces. And with that said, we’re rounding up some great zoom lenses for Panasonic cameras. Check them out after the jump! (more…)
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kou-fuk · 8 months
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ちょっと思うところがあって、
レンズを大量に処分した。
二束三文かと思ったけど10万弱くらいになってうれしい。
α7用で残したレンズは
①SIGMA 28-70mm F2.8 (普段使い)
②SONY 70-300mm F4.5-5.6 (運動会等)
③Zeiss 50mm F2 (お気に入りなので何となく残した)
この3本。
Aマウントのフィルムカメラ用レンズも
50mmの単焦点一本にだけ残した。
防湿庫が少し寂しくなったけど、
もうどのレンズを持ち出すか悩まなくてよくなった。
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alovelydesolation · 1 year
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Results for a recently-developed roll of film. Love me some Fujifilm 400H, and a big shame it isn't available in 35mm anymore.
Both shots with Pentax K1000 body. Monarch butterfly shot with SMC A* 300mm/f4 lens. Landscape shot with SMC A 24mm/f2.8 lens.
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jjf-hakaida · 1 year
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信楽高原鉄道 雲井駅 300mm f4.5 1/800 (上) 200mm f2.8 1/1600(下)
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rudyarias · 1 month
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Milano 1995
Film: Kodachrome 64
I literally have a few thousand rolls of film I’ve shot over my career. With this written, I did start scanning in the 1990’s on Kodak’s Photo CD process. As with any emerging technology, I have a couple of hundred CDs in my archives which was more efficient than the first “Pro” Kodak/Nikon digital cameras. The CD files were a no brainer in using Adobe’s Photoshop to view, create JPGs and/or print the scan images. Unfortunately that ended with Photoshop 5. Hence relying on PCD shareware to view and save the images.
This series of images from a campaign I shot in 1995 at Castello Sforzesco di Milano in Milano, Italia.
Model: Patricia
Agency: One Up Management, Milano
Designer: Jean Paul Gaultier
MUA: Carlotta
Assistant: Alex McCord
Nikon F3HP, MC Arsat Yashma 300MM F2.8 AI-S
Film: Kodak Kodachrome 64
Location: Castello Sforzesco di Milano
#editorialfashionphotography #fashiondesigner #fashionphotographer #rudyparias #rudyariasphotography #unedited #nikonnofilter #nikon #fashioncampaign #nikonf3hp #35MMfilm #135MM #kodachrome #naturallight #pursuitofportraits #makingportraits #supremeshutter #oodt #ootdfashion #photooftheday #photoofthedays #streetstyle
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gonzoglass · 4 months
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The Opening Salvo, Cheap Glass For NIKKORheads! headache-induced rambling.
A journey of a thousand miles begins with a single step – Chinese proverb.
Nikon is probably one of the cheapest Camera brands to get into these days. That's mainly due to the fact that the F mount contains some of the most illogically cheap glass ever seen on a system to date! But there really hasn't been anyone trying to make a modern day, comprehensive list of all of the little buggers that exist. This is frankly due to the ever growing fact that there is too many lenses for one person to trouble themselves with because there can only be so many styles, focal lengths and F-stops one can touch on before they themselves become absolutely stone-mad and try to eat the canvas bag that holds your camera. There are people that review them as they come along and itemize them and props to those who can put up with that kind of cheap bullshit. But I’ll not bring Ken Rockwell into this whole charade if I don't have to.
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Black-eyed Susans - Nikon D3, Nikkor AF-D 80-200mm F2.8 one touch, ISO 400, F3.2, 1/400 second
With the Glass Problem I have, it seems that i have no real basis to try and hunt for the Good pieces of shiny Circular Goodness on my own. Ken Rockwell can help as a sort of basic bitch barometer but his Certified Hot Takes and Oversaturated images can only carry me so far. The best thing I can do then, Really. Is get grounded and try to cope with what I can get to and throw out the rest as cheap bullshit for the hounds to go after. 1987 and beyond Glass that can actually be worth a Damn. But the method of finding the diamonds in the rough can roughly be equated to going Landmine-Hunting with a sledgehammer.
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Forest Corridor. Nikon D3, AF-D Nikkor 18-35mm F3.5-4.5 ED, F9, 35mm, 1/500sec, ISO 640
With all of this and the above rambling, it feels like the best idea to me is to get some grounding on the opening of this Shameful Diary is to itemize the pros and cons of the glass I already have as I step up to get their newer counterparts alongside picking up some of the old, manual AI and AI converted numbers. Why not? It makes perfect sense to me. “Catalog what you know, pick up on what you don't” Maybe Ill Improve in this hobby for once in my life. But the immediate problem that I ran into with that angle is twofold. One; my collection of glass can best be described as “Eclectic” And two, if I really want to wring the potential Max Performance out of these shiny glass cylinders my brain is screaming at me that I should get a camera with a higher megapixel sensor inside of it. This idea gets constantly brought up by the council of mad gerbils that tens to run my inner thoughts, but is immediately shot down by the idea that the camera we would “like to step up to” the D850, does not supersede bills. So its immediately thrown out until I can cope with buying its just-as-capable cousin, the D800.
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Dog! Nikon F4S. Ektachrome E100 Before I veer off into any tangents or this manic wave passes over me and ill be left in a catatonic slump. Ill itemize a few of the repeat Photon-Wranglers that will show up here and mention some of the glass I hope to gather and show off. In the vein hopes of becoming a niche internet micro-celebrity on a dead website that had strange porn on it coming out through the eyeballs. This is what I get for not bothering to make a proper website. But once again, things like that cost money, which i don't tend to have a lot of for long periods of time. mainly all of it is spent on fanciful trips or restocks on film, not to mention development of the buggers. But anyway!
Repeat appearances will include the; Nikon D3 Nikon F4S Nikon D800/D850 (When purchase of either is applicable) Nikon F FTN Eventual Glass Purchases;
AFS Nikkor 24-120mm F4 G type AFS Nikkor 50mm F1.8 G type AF-D Nikkor 24mm F2.8 AF-D Nikkor 35mm F2 AF-D Nikkor 300mm F2.8 ED
AFS Nikkor 200-500mm F5.6 ED VR E type Vogitlander Nokton 58mm F1.4 SL-2 S AFS Nikkor 300mm F4 D type AFS nikkor 28-300mm F3.5-5.6 G type Among others.
But as I Shuffle through the Glass I have in an effort to either Sell or keep them Maybe some special moment will arrive that will make me think that all of this spent money on glass, film development, digital bodies and endless hours working out how the fuck a modern flashgun works or how to edit my RAW files like i know what im doing will be all worthwhile. Or it will make me want to travel back in time and throttle whoever designed the AF-D 80-200mm F2.8 one touch to have its’ focal length be changed by jerking off the main section of the barrel.
Atlas 1/8/2024
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aigle-suisse · 4 months
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20210812_Alecto_D1-Ring_Pass_D1_Oefen_49
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20210812_Alecto_D1-Ring_Pass_D1_Oefen_49 par leon harting Via Flickr : Eerste oefenwedstrijd tegen Ring Pass dames 1: met maar 1 invaller wordt schade beperkt tot 0-2 | First practice game against Ring Pass ladies: with only 1 substitute damage is limited to 0-2 Canon EOS1D MkIV | Canon EFL 300mm F2.8 (non-IS) ) Capture One Pro 20 For best view: Press L ©Copyright 2021 Leon Harting - Credit MUST be given AT ALL TIMES
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nopriors · 7 months
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Birdie morning...
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lokuhapuarachchi · 5 months
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Transitioning Gear: From Canon to Sony - A Journey of Adaptation and Savings
Preparing for an upcoming event in Leicester City, I decided to introduce a new addition to my camera gear. Before diving into the shoot, I wanted to familiarize myself with this latest equipment to ensure it seamlessly integrated into my setup.
My journey with photography spans across several iconic camera brands, starting from Minolta, Yashica, Practica, Olympus, and Pentax cameras from 1984 to 1991, transitioning to Nikon cameras from 1991 to 1998. However, the landscape shifted in 1998 when Canon stepped into the scene, bidding adieu to the familiar camera room. Canon swiftly became my preferred brand, solidifying that connection in 1999 with the Canon 400mm f2.8 L IS lens.
This lens became a staple, accompanying me to photograph international cricket matches for the Sri Lankan cricket team during my tenure at Reuters News Service. Its recommendation stemmed from multiple factors—excellent image quality, minimal optical distortion, a rapid aperture, image stabilization, and an agile autofocus system. While this lens thrived in sports reporting, my repertoire expanded to include everyday news, even extending to covering conflicts, utilizing three lenses: the Canon 16-35mm f2.8, 35-70mm f2.8, and 70-200mm f2.8. With a surplus of cameras matched to these lenses, I seamlessly interchanged cameras during shoots, minimizing lens changes.
However, as time progressed, my photographic needs underwent a metamorphosis. Weight reduction in equipment and a streamlined lens collection became paramount. Deliberating on this, Sony cameras emerged as a plausible option due to their lightweight build. Additionally, capturing bustling scenes without frequent lens changes became an appealing prospect.
Yet, I wasn’t prepared to compromise on lens quality or sacrifice the minimum aperture of f2.8. While lenses like Tamron 18-400mm f3.5-6.3, Canon EF 28-300mm f/3.5-5.6 L IS, and Sigma 28-300mm f/5.6-6.3 offered a range, the varying aperture and potential compromise in image quality didn’t align with my standards.
Contemplating a transition to Sony while retaining my Canon equipment, I stumbled upon the 35-150mm 2-2.8 lens—an intriguing find. Among the options like Samyang AF 35-150 f/2-2.8 FE and Tamron 35-150 mm f/2-2.8 Di III VXD, I found subtle performance differences despite a significant price gap and that feverable to Samyang. Opting for the Samyang, priced attractively on Amazon at £854.00 while Tamoron price £1486.00, seemed like the right choice after thorough research.
Thus, with the Samyang 35-150 f2-2.8, a Sony A7 Mark II, and a Godox Xpro at an Amazon special price, I made the purchase using allocated funds for new camera equipment.
Adapting from my Canon gear to Sony, I sought solutions for flash equipment. I found that using the Godox XPro to employ flash strobe lights for Sony, alongside the Godox SX 400 Studio Flash for Canon and Godox V1Hot Shoe, proved more cost-effective than purchasing new flash equipment. The entire conversion from Canon to Sony, inclusive of accessories, totaled £1585.00. This transition meant relinquishing the focal range of 35-16mm and 150-200mm, which I deemed acceptable given the substantial savings.
Considering the Amazon prices, the total expense for the Canon lenses (16-35mm f/2.8 = £1599.00, 24-70mm f/2.8 = £1947.00, and 70-200mm f/2.8 = £1624.00) would have amounted to £5170.00. Thus, by completing a full Canon to Sony conversion, I managed to meet my requirements while saving £3585.00.
With my setup primed, I am now geared up to capture the event in Leicester City next weekend, all with the convenience of a single lens.
by - Anuruddha Lokuhapuarachchi
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dphotoworld · 5 months
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Срок поставки Canon RF100-300mm F2.8 L IS USM составит около 6 месяцев
29 ноября компания Canon обновила информацию о ... Читать дальше »
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thephoblographer · 2 years
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3 of the Best Zoom Lenses for the Fujifilm XH2s and XH2
The system has some fantastic zoom lenses now!
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avantajix · 7 months
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Koca Ay Arabanın Bagajına Sığıyor
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Sevgili Dostlar,
Cris Froese havadan para kazanmanın yolunu bulmuş. Polonyalı fotoğraf sanatçısı, makinasını gökyüzüne doğrultuyor, güzel bir açı yakalayınca deklanşöre basıyor, sonra da o fotoğrafı Alamy üzerinden satıyor.
Alamy sizin çektiğiniz fotoğrafları yükleyip isteyene sattığınız bir platform. Satıcılar fotoğraflarını 10,99 dolara satışa koyabiliyor. Alıcılar ise Avantajix’ten tıklayarak giderse istediği fotoğrafı %8 daha ucuza alabiliyor.
Mesela sanatçının şu 4 fotoğraftan oluşan ve ayın bagaja sığdığı serisi bizce süper olmuş: İlk resimde sürücü ayı elleriyle yakalıyor. İkincisinde bagaja yüklüyor. Üçüncüde bagajı kapatıyor. Dördüncüde araç yola çıkıyor.
Sanatçı bu müstesna anları yakalayabilmek için 2 sene açı araştırmış. Fotoğrafın çekildiği gece yaklaşık 200 metre uzaklıkta konuşlanmış ve sürücünün hareketlerine ince ayar verebilmek için çekim anında sürekli telefonla görüşmeleri gerekmiş. Yıllarca süren çalışmanın fotoğrafını çekmek için sadece saniyelerinizin olması ise, çalışmaya stres katmış. Polonya’nın Duszniki kasabasında çekilen bu fotoğraf serisi için Nikon D750 kamera ve Tokina 300mm f2.8 objektif ve x2 Kenko telekonverter kullanılmış. Sanatçı sosyal medyasında “Aslında herşey açıda gizli” diyor.
Hayata doğru açıyla yaklaşmak ona çok hoş anlamlar katıyor.
Bakış Açınız Alışverişe Anlam Katsın
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Bugün Başka Ne Kazanabiliriz?
1) Nutella Kapaklarından WMF Kahvaltı Seti Çıkıyor: A101’e Avantajix’ten tıklayarak gidin ve kampanyalı Nutella ürünlerinden alın. Öncelikle para iadenizi kazandıktan sonra kavanoz kapağından çıkan şifreyi internete girerek çekilişe katılın. Ödül: 150 kişi WMF filtre kahve makinesi, su ısıtıcı ve ekmek kızartma makinesinden oluşan kahvaltı seti kazanacak. Son katılım 15 Ekim. Detaylar: https://www.nutella.com/tr/tr/xp/mutlulugapuan/
2) 5 Kişi Bebek Tırnak Bakım Seti Kazanıyor: Ebebek, 5 kişi Chicco bebek tırnak bakım seti kazanacak. Çekilişe katılmak için; @ebebek hesabını takip ederek içerik postunu beğenin ve 3 arkadaşınızı yorumlarda etiketleyin. Kazananlar 20 Ekim tarihinde açıklanacak. Detaylar şurada: https://www.instagram.com/p/CyDOAQNtz_W/
3) Bu Çekilişten Çerçeve Kazanmak İster misiniz? Madame Coco, en güzel anılarınızı canlı tutacak çerçeve hediye edecek. Çekilişe katılmak için; @madamecocotr hesabını takip edin, görseli beğenin, yoruma #madamecoco yazarak arkadaş ekleyin. Sonuç 18 Ekim’de açıklanacak. Detay için: https://www.instagram.com/p/CyP_pGMtKH7/
4) 3 Kişi Mercy Kedi ve Köpek Maması Kazanacak: MamaPlus, çekilişle 3 şanslı kişiye Mercy kedi veya köpek maması hediye ediyor. Çekilişe katılmak isterseniz; @mamaplustr hesabını takip edin ve 2 arkadaşınızı postun altına etiketleyin. Son katılım tarihi: 20.10.2023. Detaylar için şu linke bakabilirsiniz: https://www.instagram.com/p/CyK6HYiKw2H/
Sağlıkla, barışla ve sevgiyle kalın.
………
(Not: Yukarıdaki yazı Avantajix kullanıcılarına 12.10.2023 tarihinde gönderilmiş olan e-bültenin bir kopyasıdır. Siz bu yazıyı okuduğunuzda kampanyalar güncelliğini yitirmiş olabilir. En güncel detaylara şuan www.avantajix.com adresinden ulaşılabilir. Keyifli okumalar dileriz.)
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newcanoninfo · 10 months
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A New Lens from Canon Might Challenge Sony and Nikon
A New Lens from Canon Might Challenge Sony and Nikon – A few weeks ago, we reported on the possibility of a new fixed-aperture telephoto lens from Canon. Shortly after, Canon announced their RF mount 100-300mm F2.8 L IS USM lens. Canon sports, wildlife, and fashion photographers everywhere would have taken a keen interest in this. Sadly it didn't include the expected built-in teleconverter that could have let the lens double as a 140-420mm f4 lens. And given the news you're about to read, I can see why they deliberately left it out of that lens. From what it seems, there's a Canon RF 200-500mm on the horizon. (Read More...) ≠ promoted by #NewCanonInfo
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