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#Alberto Rojas
muscleonly4u · 2 months
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Carlos Alberto Ortiz Rojas 🇻🇪
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ma-pi-ma · 6 days
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Cosa farà in questo momento?
Probabilmente sta dormendo. (…)
E attraverso i muri delle strade e della notte
umida e silenziosa, le mie mani fanno segni
di richiamo, e il mio sangue trema, nella
sterile certezza di vederla apparire, proprio
come quando le sue labbra non sono per me
né un sogno né una bugia.
Alberto Rojas Jiménez, da Pro Arte, 7 ottobre 1948
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skarletpack · 10 months
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Corinthians header for Twitter
reblog ou curta se pegar/gostar
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elmartillosinmetre · 2 months
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Mi crítica del concierto de Constantinople, Proyecto Ocnos, Ángeles Núñez y Alberto Carretero esta noche en el Salón de Tapices del Alcázar.
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minnesotafollower · 3 months
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Cuba Dismisses Ministers of Economy and Food Industry
On February 2, the “Cuban government suddenly fired its ministers of economy [Alejandro Gil] and food industry [Manuel Santiago Sobino Martinez]. . ., after days of angry public response to an austerity plan rolled out last month that, among other things, planned to hike the price of gas five-fold in the midst of the island’s most severe economic crisis in decades.”[1] This development was…
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cmatain · 6 months
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Disponible en Acceso Abierto el libro «Francisco de Rojas y la comedia palatina», de Alberto Gutiérrez Gil (Colección «Batihoja», 91)
Se encuentra disponible en Acceso Abierto (Open Access) el número 91 de la Colección «Batihoja» del Instituto de Estudios Auriseculares (IDEA), el libro Francisco de Rojas y la comedia palatina, de Alberto Gutiérrez Gil. Alberto Gutiérrez Gil, Francisco de Rojas y la comedia palatina, New York, Instituto de Estudios Auriseculares (IDEA), 2023. Colección «Batihoja», 91. ISBN:…
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mariocki · 8 months
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Ammazzali tutti e torna solo (Kill Them All and Come Back Alone, 1968)
"Take this. Pay your men. Consider it an advance for those who will die."
"And those who come back?"
"Nobody is coming back."
#ammazzali tutti e torna solo#kill them all and come back alone#italian cinema#spaghetti western#1968#enzo g. castellari#tito carpi#francesco scardamaglia#chuck connors#frank wolff#franco citti#leo anchóriz#giovanni cianfriglia#alberto dell'acqua#hércules cortés#antonio molino rojo#furio meniconi#alfonso rojas#ugo adinolfi#john bartha#francesco de masi#pretty standard spaghetti western in the pessimist mode‚ a Dirty Dozen assembly of bastards and killers brought together for#a heist by the confederate army. there's not a likeable character here‚ which isn't necessarily a bad thing; many a great film has been#made about monsters; but your heels need to be at least interesting and unfortunately that's not the case here. Connors is doing what he#can in a rare leading man role but his character doesn't have any depth‚ and his ragtag group of colleagues have absolutely no discernible#personality beyond the specialised weapon each one wields. the ever wonderful Frank Wolff is probably the only one to get a real#good part‚ because he's the heel's heel: the treacherous agent who flip flops his allegiance and betrays everyone including both sides of#the american civil war. speaking of‚ the decision to depict the union soldiers as even crueller and inhumane than the confederates is a#pretty questionable choice‚ altho perhaps not indicative of any bias but simply an attempt at 'war all bad both sides bad' from Castellari#(who thankfully didn't pull that shit on his ww2 films) and is less alarming ig in an italian western than it would be in an american one
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hadrians-view · 1 month
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Carlos Alberto Ortiz Rojas
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thequickfl · 11 months
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Así puede cambiar la guerra la ofensiva de Ucrania: "Puede lograr una victoria parcial y poner contra las cuerdas a Rusia"
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jujuygrafico · 2 years
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Declaran la nulidad del juicio a Milagro Sala por la sustracción y destrucción de un expediente judicial
#Jujuy #Judiciales | Declaran la nulidad del juicio a #MilagroSala por la sustracción y destrucción de un #expedientejudicial
El  Tribunal en lo Criminal Nº 3  de Jujuy declaró la nulidad del juicio por la sustracción y destrucción de un expediente judicial, en el que están acusados Milagro Sala, al abogado Alberto Bellido y al empleado judicial Marcos Romero,  desde su inicio el 18 de agosto de 2022, por incapacidad física temporal sobreviviente de Alberto Bellido para estar en juicio; debido a que temporariamente ha…
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muscleonly4u · 4 months
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Carlos Alberto Ortiz Rojas 🇻🇪
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herpsandbirds · 5 months
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Narrow-billed Tody (Todus angustirostris), family Todidae, endemic to Hispaniola
photograph by Alberto Rojas
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La Violencia (Research I did for Encanto fic writers so you don't have to)
TW: Assassination and death
Long but necessary post
@yellowcry @miracles-and-butterflies @evostar (if you already knew about it, that's fine, but reblog so others can too.)
To put it simply;
During this time, an estimated 200,000 people lost their lives, with 112,000 of those deaths occurring between 1948 and 1950. Additionally, two million people were forcibly displaced from their homes, primarily to Venezuela.
The root of this conflict lies in the intense partisan rivalries between Colombia’s two traditional political parties: the Liberal Party and the Conservative Party. These tensions created a divide between liberals and conservatives, eventually leading to the partial collapse of the state and existing institutional structures. As violence escalated, economic motivations began to outweigh political ones, and armed bands took advantage of the chaos to commit robberies, assaults, and revenge against their neighbors.
More in depth;
La Violencia was a ten-year civil war in Colombia from 1948 to 1958, between the Colombian Conservative Party and the Colombian Liberal Party, fought mainly in the countryside.
Liberal hegemony continued through the 1930s and the World War II era, and Alfonso López Pumarejo was reelected in 1942; however, wartime conditions were not favourable to social change. In the elections of 1946, two Liberal candidates, Gabriel Turbay and Jorge Eliécer Gaitán, stood for election and thus split the Liberal vote. A Conservative, Mariano Ospina Pérez, took office. 
Conservatives had been embittered by political sidelining and, since 1930, had suffered violent attacks at the hands of Liberal supporters. With the electoral victory of 1946 they instituted a series of crude reprisals against Liberals. It was the initiation of the period that was dubbed La Violencia. On April 9, 1948, Gaitán, leader of the left wing of the Liberal Party, was assassinated in broad daylight in downtown Bogotá. The resulting riot and property damage (estimated at $570 million throughout the country) came to be called the bogotazo.
La Violencia originated in an intense political feud between Liberals and Conservatives and had little to do with class conflict, foreign ideologies, or other matters outside Colombia.  Authoritative sources estimate that more than 200,000 persons lost their lives in the period between 1946 and 1964.
The most spectacular aspect of the violence, however, was the extreme cruelty perpetrated on the victims, which has been a topic of continuing study for Colombians. La Violencia intensified under the regime of Laureano Gómez (1950–53), who attempted to introduce a fascist state. His excesses brought his downfall by military coup—Colombia’s first in the 20th century. Gen. Gustavo Rojas Pinilla assumed the presidency in 1953 and, aided by his daughter, María Eugenia Rojas, began an effort to end La Violencia and to stimulate the economy.
Rojas was a populist leader who supported citizens’ demands for the redress of grievances against the elite. Support for Rojas began to collapse when it appeared that he would not be able to fulfill his promises, when he showed reluctance to give up power, and when the economy faltered as a result of a disastrous fall in coffee prices in 1957. He was driven from office that year by a military junta.
The arrangement for the National Front government—a coalition of Conservatives and Liberals—was made by Alberto Lleras Camargo, representing the Liberals, and Laureano Gómez, leader of the Conservative Party, in the Declaration of Sitges (1957).
The unique agreement provided for alternation of Conservatives and Liberals in the presidency, an equal sharing of ministerial and other government posts, and equal representation on all executive and legislative bodies. The agreement was to remain in force for 16 years—equivalent to four presidential terms, two each for Conservatives and Liberals. The question of what governmental structure would follow the National Front was left unsettled.
It had been contemplated that a Conservative would be the first to occupy the presidency in 1958. When the Conservative Party could not agree on a candidate, however, the National Front selected Lleras, who had previously served in that office for 12 months in 1945–46.
During Lleras’s tenure an agrarian reform law was brought into effect, national economic planning for development began, and Colombia became the showcase of the Alliance for Progress (a U.S. attempt to further economic development in Latin America). But severe economic difficulties caused by low coffee prices, domestic unemployment, and the apparent end of the effectiveness of import substitution were only partially offset by Alliance aid. 
The Alliance increased Colombia’s economic dependence on the United States, which, to some Colombians, had serious disadvantages. By 1962 economic growth had come almost to a standstill.
The precarious state of the economy and the degree of social tension were revealed when only about half of those eligible to vote did so in the 1962 presidential elections, which brought Guillermo León Valencia, a Conservative, to the presidency.
During Valencia’s first year in office internal political pressures led to devaluation of the peso (Colombia’s currency), wage increases among unionized workers of some 40 percent, and the most rampant inflation since 1905. Extreme deflationary policies were applied in the next three years, raising the unemployment rates above 10 percent in the major cities and turning even more Colombians against the National Front. 
Less than 40 percent of the electorate went to the polls in the 1964 congressional elections.
Marxist guerrilla groups began appearing in Colombia during Valencia’s presidency. The first was the National Liberation Army (Ejército de Liberación Nacional; ELN), which was created by a group of Colombian students who had studied in Cuba.
Founded in 1964, the ELN followed strategies espoused by Che Guevara. Another guerrilla group, which followed two years later, was the Colombian Revolutionary Armed Forces (Fuerzas Armadas Revolucionarias de Colombia; FARC), which was more connected to Soviet-influenced communist movements. Much of FARC originated in the “resistance committees” that had appeared in Colombia during La Violencia.
Carlos Lleras Restrepo was the third National Front president (1966–70). He returned the economy to a sound footing, improved government planning for economic development, and pushed through political reforms essential to an orderly end to the Front (which seemed increasingly to constitute a monopoly of power by the Conservative-Liberal oligarchy).
Although the constitutional reform of 1968 stipulated that elections would become competitive again after 1974, the president was still required to give “adequate and equitable” representation to the second largest political party in his cabinet and in the filling of other bureaucratic posts.
Read more here (This article is mostly where I got my info from as well as copilot.ai. I know, AI is bad, but please don't judge me. I was not about to do six hours of research when I have a tool that can help me in seconds.)
What does this have to do with the madrigals?
Well, if you're planning on writing any madrigal (or all) outside of Encanto, La violencia is something you need to take into consideration. It's an important part of Colombia's culture and shouldn't be ignored.
(I just learned about it recently and in turn, need to rewrite some stuff. So I can only imagine that half of the Encanto fandom knows nothing about it)
What cities were safe you ask? I don't think there really was any.
Bogotá: As the capital of Colombia, Bogotá witnessed significant unrest during this period. Political factions clashed, leading to violence and instability.
Cali: Cali, located in the southwestern part of the country, also suffered from La Violencia. It was a hotspot for clashes between Liberal and Conservative supporters.
Medellín: Medellín, another major city, faced its share of violence. The conflict often played out in the streets, affecting civilians and communities.
Barranquilla: This coastal city experienced tensions between rival political groups, resulting in bloodshed and loss of life.
Cartagena: Cartagena, known for its historical significance, was not immune to the violence. The struggle between Liberals and Conservatives left scars on its urban landscape.
Cúcuta: Located near the border with Venezuela, Cúcuta also witnessed violence during La Violencia.
Palmira, Santa Marta, Soledad Atlántico, Armenia, Pereira, Neiva, Valledupar, Bucaramanga, Popayán, Villavicencio, and Soacha were other cities affected by the turmoil.
So, in either city, the madrigals would be exposed to this war if they chose to come out. Now, let's say Encanto is in the very center of Colombia (or at lease close to it) -
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(Right where the red dot is)
The closest area is Villavicencio, Puerto Lypez, and Bogota. All three cities that were affected by the war. And I'm not saying Villavicencio is THAT close to Encanto, probably a week trip at best, but still.
Why did I choose the center of Colombia?
Because I don't see it sitting anywhere else. And it's convenient fic wise. But you can do what you want.
Now I'm not saying the Madrigals won't experience fun in the new world. They most certainly will (culture and technology wise), but the war is really unavoidable for them.
That's all for now, but if you have anything to add or for me to correct, reblog or message me.
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brokenfuturerpg · 8 months
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PBS MASCULINOS POR EDAD
Hola personitas. Venimos con un aporte que nos ha costado un tiempito reunir. Es posible que algunos PB tengan 1 añito más de lo que pone, porque igual cumplieron recién. Esperamos les guste ^^
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cmatain · 7 months
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Publicado el libro «Francisco de Rojas y la comedia palatina», de Alberto Gutiérrez Gil (Colección «Batihoja», 91)
Se acaba de publicar como número 91 de la Colección «Batihoja» del Instituto de Estudios Auriseculares (IDEA) el libro Francisco de Rojas y la comedia palatina, de Alberto Gutiérrez Gil. Alberto Gutiérrez Gil, Francisco de Rojas y la comedia palatina, New York, Instituto de Estudios Auriseculares (IDEA), 2023. Colección «Batihoja», 91. ISBN: 978-1-952399-16-9. Francisco de Rojas Zorrilla y la…
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canesenzafissadimora · 3 months
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Non accendete le lampade.
Non chiamatemi.
Lasciatemi in pace.
La mia anima sta meglio nel buio.
Guardate come l'ombra meravigliosa
mi avvolge la fronte.
Guardate le mie mani,
guardate il mio dolce aspetto
e che si dica:
“Lasciatelo sognare, immaginare"
“Lasciatelo solo, lì senza luce.”
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Alberto Rojas Jiménez
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