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#CATS UK Tour 2013
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+Bonus:
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thewarmestplacetohide · 2 months
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this is kind of embarassing but i have attention issues. do you have any short movies you recommended?
like short films? yeah!
The Haunted Castle (1896 | France): a cavalier encounters the devil in a castle. 3 minutes 18 seconds.
The Devil in a Convent (1899 | France): the devil torments a convent. 3 minutes 35 seconds.
Bluebeard (1901 | France): a new bride fears her husband killed his prior wives. 10 minutes 32 seconds.
The Infernal Cakewalk (1903 | France): the denizens of Hell do the cakewalk (warning: briefly features blackface). 5 minutes 41 seconds.
The Merry Frolics of Satan (1906 | France): a man makes a deal with the devil to travel the world. 17 minutes.
The Grandmother (1969 | USA): a little boy plants a seed in an attempt to grow a grandmother. 35 minutes.
Possibly in Michigan (1983 | USA): two women are accosted by a masked man. 11 minutes 45 seconds.
The Cat with Hands (2001 | UK): a cat wants to be human. 3 minutes 30 seconds.
AM1200 (2008 | USA): a man is drawn to a radio station by strange forces. 39 minutes.
Lights Out (2013 | Sweden): a woman hides from a ghost that's only visible in darkness. 2 minutes 41 seconds.
Curve (2016 | USA): a girl wakes up clinging to a curved surface over an abyss. 10 minutes.
My house walk-through (2016 | Japan): a tour of a strange home. 12 minutes.
Zygote (2017 | South Africa): two people are hunted by a monster made of human body parts. 23 minutes.
Salt (2017 | USA): a mother and daughter use salt to protect themselves from a demon. 2 minutes and 2 seconds.
Love, Death & Robots is an animated anthology show that has some pretty great horror episodes, too, including Shape-Shifters and Beyond the Aquila Rift.
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white-cat-of-doom · 6 months
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Oh, yes, I'm here to hear about Freya! If you would be so nice:
✨ How did you come up with the name?
🌂What genre do they belong in?
🍩 Who is Freya's arch-nemesis or rival?
✂️ What are her worst memories?
Hello!
I have not said a word about Freya since making that initial post (which may need some updating), so these questions are fun in the way that I have not thought about most of these things before.
I named her after the Norse goddess associated with love, beauty, fertility, and gold, who rides a chariot pulled by two cats.
I also chose the name Freya because I am a big fan of Freya Rowley who was in CATS (2019) as Jellylorum, Tantomile in the UK Tour 2014, and a Swing in the UK Tour 2013.
The name may be seen as better suited for a OC that is a Norwegian Forest Cat or similar breed, but I think it fits well with the character I created.
🌂
I know this is probably more angled towards written works, but I want to take a different approach instead and talk about musical genres.
Since I made her more closely related to Griddlebone is the sense of vocal abilities, and that one of her three words is operatic, it would be fairly obvious that Freya could be a classically trained opera singer. I would not want to tie her down to one specific (and perhaps stereotypical) genre, and I think she would enjoy anything that allows her to flex her vocal prowess. Most importantly though, it should carry emotional weight! Vocal talents are not necessarily about who can be the most extreme.
What I have in mind is an artist such as Kennedy Ashlyn whose musical projects SRSQ (who released my album of the year in 2022 with Ever Crashing) or Them Are Us Too match (in my opinion) what I have in mind for less traditional classical format vocals.
🍩
I do not think Freya would really have a rival or arch-nemesis, and would be widely appreciated by everyone in the Tribe. She does have a tinge of competitiveness, but not enough to make her view anyone as a rival. There is the obvious wariness towards Macavity and his henchcats, but that is shared throughout the Tribe.
With her drive for perfection, I think her biggest enemy would be herself. She wants everything to be perfect and tries as hard as possible to achieve it, but that is not always possible and that can bother her. She also wants to try and please everyone as best as she can, which feeds into the perfectionism she strives for. It can all lead to never feeling quite happy with her efforts and make her unhappy. Trying to spread happiness can be a draining affair if no one reciprocates it.
✂️
Her worst memories are definitely realizing that she would not be around to see her Kittens grow up. She tries to plan ahead and make sure they are in the best care (and who better than with Jellylorum), but there is only so much that she can do. There are not many Cats that she would confide in to share her struggles, as she is one to internalize her emotions.
At one point towards her end, she would reach the conclusion that while she was not always perfect, she did as best as she could with everything, and find a fleeting comfort in that.
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So i was looking through the Cats Wiki as one does and in the Gallery for the UK/European/?international? Tour 2013-14 i came across this picture.
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Very interesting, Lightning and Regular Electra. Mungojerrie’s eyebrows making a cameo and . . .
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Pretty Munkustrap based swing? Who is this? It’s not Victor according to the Wiki because Victor’s the one kneeling between Cass and Skimble. He’s not included in the Baby Alonzo Section of the Swings page. I can’t find a reference that names him. all the pics with him in it seem to be based around the same time/ event.
If anyone knows anything please let me know!
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cats-with-eyeliner · 7 months
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🧵🐱🔥
🧵 I haven't actually watched many productions yet (only about five, including the 1998 film). If I'm counting it then the victory currently goes to 1998 because it's what got me into Cats and I've watched it so many times I think it'll live in my head forever. John Partridge is also my favourite Tugger. If I'm not counting that (which is more fun) I'm biased toward the 2013 UK Tour as it was the second full stage recording I watched and the first major one. Plus I adore Joanna Ampil's Grizabella (she deserves more love).
🐱It's predictable but for me it's the Rum Tum Tugger. I love a confident narcissist who is actually soft toward their friends/family.
🔥Gillian Lynne's choreography is as important to me as the music (at least in replica shows). I personally haven't been able to get through a full production with the new choreography (and I've tried). It could be that I just don't like the new choreography though, and not that I inherently dislike changes to the choreography (which I suspect might be the case).
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realreulbbrband · 7 months
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✍️ and 🔥!
✍️ If you had total creative control over a production of Cats, what would you change and why?
I was meaning to make a post on this cause I’ve had ideas for months but-
Have Grizabella get mad! (Or more mad)
Like I know she’s probably done some awful shit but I feel like her transitioning from almost begging the jellicles to acknowledge her pain to being more frustrated and almost threatening could be played up a little more.
My favorite example is Cats UK tour 2013
(Timeframe is 24:07)
Grizabella seems to have actually been gashed here. Severely as you can see from her own reaction and the shock of the jellicles around her. But still nobody will touch her, nobody will hear her, they’ll only stare at her hostility, pity, perplex-ion and even hate.
She’s bitter and she’s angry as she realizes that they’ve truly lost any and all care for her. Which is why she doesn’t hesitate when getting face to face with Munkustrap to sing *at him*.
Even when it looks like Munkustrap might potentially swipe at her she doesn’t move. Doesn’t flinch. She’s resilient and will be heard. This treatment isn’t even exclusive to Munkustrap, as Jemima tries to approach her she only reiterates what’s right in-front of her. That she can see the border of her coat is torn.
And she doesn’t take the Cassandra shade lightly either inly reiterating once more that she’s hurt as she leans towards Cassandra looking her dead in the eyes.
What I’m saying is I want more “I’m that bitch” Grizabella during Glamour cat
🔥 Share one (1) hot take/opinion about the show/fandom/
I don’t understand why Mungojerrie and Rumpleteazer have to change out of their song costumes. Like the song costumes look nicer then their chorus costumes just let them keep it on for the rest of the show.
It just seems like a pointless quick change to me but if there’s a legitimate reason I’m not getting please let me know.
Also “I hate/dislike/ am neutral on popular ship/character/thing” isn’t a new or controversial opinion trust me a-lot of people hate popular things.
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I wished that they cast a black or Asian actors to play munkustrap and rum Tum Tugger. Could that ever happen?
for anyone seeing this: this list is very long, so i'm apologizing in advance if i've missed any actors!! i've gone through the entire cats wiki for both characters and did my best to compile a thorough list, but ofc let me know if there's any mistakes!
Tugger:
Richard Lloyd King (1980s London)
Tee Jay (1980s London)
Yuichiro Yamaguchi (1980s Tokyo Tugger)
Mayo Kawasaki (1980s Tokyo)
Gregory McKinnon (1980s Vienna Tugger - Cover)
Takanori Shimomura (1995 Tokyo)
Eric Clausell (1993 Australia)
Masaru Yamaki (1999 Nagoya, Osaka 2001)
Tsutomu Arakawa (1995 Tokyo, 1999 Nagoya, Osaka 2001, Tokyo 2004, Yokohama 2009)
Kiyomichi Shiba (1995 Tokyo, 1999 Nagoya Osaka 2001, Tokyo 2004, Yokohama 2009, Fukuoka 2014)
Shoichi Fukui (Tokyo 2004, Yokohama 2009)
Shinya Tanabe (Tokyo 2004, Yokohama 2009, Sapporo 2015, Osaka 2016)
Kim Sungrak (Osaka 2001, Tokyo 2004)
Yoichiro Akutsu (Tokyo 2004, Yokohama 2009, Sendai 2013, Shizuoka 2013, Fukuoka 2013)
Toshihide Kaneda (Tokyo 2004)
Kan Muto (Tokyo 2004)
Masaru Kanamori (Yokohama 2009)
Li Tao (Yokohama 2009, Hiroshima 2012, Sapporo 2015)
Tatsuro Iida (Yokohama 2009, Hiroshima 2012, Sendai 2013, Sapporo 2015)
Gino Emnes (Dutch Tour 2006)
Stanley Burleson (Dutch Tour 2006)
Daesung (South Korea 2008/2011)
Kim Jin-woo (South Korea 2008/2011)
Ra Jun (South Korea 2008/2011)
E Nok (South Korea 2008/2011)
Jung Min (South Korea 2008/2011)
Earl Gregory (South Africa 2009, Asia Tour 2014)
Antoine Murray-Straughan (London 2014)
Marcquelle Ward (London 2015, UK Tour 2016)
Jordan Shaw (London 2014)
Ahmad Simmons (Broadway 2016)
Retsu Kanehisa (Shizuoka 2013, Fukuoka 2014)
Takumi Omine (Sapporo 2015, Osaka 2016, Tokyo 2018)
Kenji Nishio (Osaka 2016)
Kazuya Kamikawa (Osaka 2016, Tokyo 2018, Fukuoka 2021)
Mizuki Omori (Tokyo 2018, Fukuoka 2021, Nagoya 2022)
Jin Sakuma (Tokyo 2018, Fukuoka 2021)
Togo Kaminaga (Tokyo 2018, Fukuoka 2021)
Liu Lingfei (China 2012)
DevinRe Lewis Adams (RCCL Cast 12)
Jason Derulo (2019 Movie)
Todrick Hall (US Regional - La Mirada Theatre 2014)
Munkustrap:
Shintaro Sonooka (Tokyo 1983)
Kenkichi Hamahata (Tokyo 1983)
Osami Iino (Tokyo 1995)
Shoichi Fukui (Nagoya 1999, Osaka 2001, Tokyo 2004, Yokohama 2009)
Kiyomichi Shiba (Nagoya 1999, Osaka 2001, Tokyo 2004, Yokohama 2009)
Yuji Aoyama (Nagoya 1999, Tokyo 2004)
Masuo Nonaka (Osaka 2001, Tokyo 2004)
Takashi Saimon (Tokyo 2004)
Yuichi Tamura (Tokyo 2004)
Tsutomu Arakawa (Tokyo 2004)
Shouma Kanzaki (Tokyo 2004)
Kan Muto (Yokohama 2009)
Takamasa Hagiwara (Yokohama 2009, Hiroshima 2012, Sendai 2013, Shizuoka 2013, Sapporo 2015, Osaka 2016)
Hong Gyeong-su (South Korea 2008/2011)
Jordan Shaw (London Revival - Munkustrap Cover)
Yuki Matsushima (Hiroshima 2012, Fukuoka 2014)
Susumu Kato (Fukuoka 2014, Sapporo 2015, Osaka 2016, Tokyo 2018, Nagoya 2022)
Kei Tokuyama (Sapporo 2015, Osaka 2016, Tokyo 2018)
Kenji Nishio (Osaka 2016)
Masaru Kitamura (Tokyo 2018)
Taijun Kanemoto (Tokyo 2018, Fukuoka 2021)
Shinya Iwasaki (Tokyo 2021)
Junpei Wakebe (Tokyo 2021, Nagoya 2022)
Tarquinn Whitebooi (Asia Tour 2014 - Munkustrap Cover)
Xia Zhenkai (China 2012)
Mao Haifei (China 2012 - Munkustrap Cover)
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junkyard-gifs · 1 year
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How do you define a non-replica?
So, a replica is a production that's licensed by RUG (= Really Useful Group = ALW's company) to perform CATS with full official regalia: that is, they are allowed to use Gillian Lynne's choreo and Napier's designs and so on, but they are also obliged to follow the official rules for whatever a current official production is meant to do.
However. 'Current' here means 'current at the time the licence was issued'.
Shiki (Japan) is replica in that it's fully licensed from RUG. But since they started in 1983 and have followed their own design path since then (with occasional external influences from more Western productions), they are actually more different from more modern replica productions than some modern non-replicas.
Similarly (though more recently), the Oasis production got its licence just before the UK and US revivals, and that licence is apparently still current, so it preserves some pre-revival performance traditions (and is, so far, immune to the new rules about makeup that came in with the new international and asia tours).
Other replica productions of the 80s and 90s (like OG Vienna, Amsterdam/Paris, Zurich/Euro, Hamburg) also developed their own traditions - and the Australasian traditions (starting in the late 1990s) persisted until the 2014 asia tour.
And that's a pertinent example: the australasian productions were not a continual production, so they had to renew their license for each 'season' (2014, 2015, 2017, 2020, 2022, etc). So they reflect the vagaries of ALW's revival trends, even while their production company (and often a lot of their cast) stay the same.
A non-replica, otoh, may be influenced by the traditional/replica productions, but they might get into trouble if their designs and choreo are too recognisable. For example, the 2013 and 2018 mexico revivals were a) based on the original Latin American productions in the 1990s - some of the cast and production team returned to lead the designs - and b) in the case of 2018, they were adapted to include elements of hte Broadway revival.
The end result was something that's much more recongisable as an extra-saturated version of Gillian/Napier's production, but. Though I don't know the terms of their contract. I know that the fact that they had that much of the original production gave them less freedom in terms of their contract, and that the 2018 production was obliged to close down in preparation for the release of teh 2019 film.
I would say that's symptomatic of ALW/RUG's increasing pedantic control over the appearance of The Brand of CATS and resistance to having any alternative versiosn around, but. That attitude isn't really new. According to some conversations I've had with old CATS alumni, 'omg ur doing ur own thing??? STOP THAT RIGHT NOW!!!' was basically the reason that the Hamburg production (1986–2001) was closed down.
and RUG's insistence on THERE IS ONLY ONE TRUE PRODUCTION comes in waves: most of the original productions and their various traditions were shut down in the late 90s and early 00s, and then, after regional US productions started to burgeon in the late 00s and on until the revivals, they cracked down on non-replicas again in the wake of the European and Broadway revivals.
tl;dr the definition of non-replica is about licensing and degree of freedom/control, with originality as a secondary consideration.
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Hi,
I've noticed certain jokes/show elements across various productions, and I have my theories as to their trends, but was hoping you could confirm/elaborate on them?
Misto trying to light Tugger's tail on fire during his entrance- I see this in a number of London productions and in the Dutch/German tours. Is this a London thing that moved to the German tours after Cats closed on London and a bunch of the actors moved to Berlin? I can't confirm its presence on older Hamburg or Australian shows, which would have been Broadway based.
Chandelier/spotlight ring descending during Misto's conjouring turn: This one is harder to ID as there could be productions where this happens, but just isn't shown do to camera angles. But I've seen it in: Vienna (89), Mexico (91), Zurich (92), some German/Dutch Tours, UK 2013, and a few others (In Moscow 2005 is doesn't appear to decend, but it will light up so it can be seen). But I don't see it everywhere. I can't really tell if it was on Broadway as I don't have footage that show's this part wide enought to see if it's happening or not. (Because it's in both Vienna, Mexico and London, I would imagine it was on Broadway too) Do you know the trend for this show element? Or is it just the capability of the theatre/set. Also, do you happen to know why this show element is a thing? Is it a set design flex?
Extra conjuring turn during the "Girl's upstage" part of the Jellicle ball- I've seen this primarily in London-based productions, or with London-based Misto's. I did see it in 2nd UK Tour TV spot, so it's an established part of the London choreography, and basically all the German/Dutch tours (because of the aforementioned London exodus and t because Mark John Richardson, who was London based, basically did all the German/Dutch tours [over-exaggeration, I know]). (I did see a London revival version that didn't have it, but Misto was crawling in the background like he could have been in that spot, but needed to get to his next choreography point. I have seen other London revivals with it in, so I'm assuming the actor just wasn't feeling like he was able to do the show element in that version for whatever reason.)
I'd very much appreciate your input!
-Missing-sock-misto
So, I spent the last few hours comparing Jellicle Balls and Misto Numbers to search for patterns:
Tugger’s Tail:
This gag was part of the London Production as far back as the 90s. It doesn’t appear to have spread to any non-London-based productions. I checked quite a few different productions and the only ones with this bit are London-based. London and Broadway pace Misto’s number very differently, along with having their own sets of jokes, and this is one that’s exclusive to London-based versions. The mostly London-based 1998 didn’t have it because the 1998 version of this number is the Broadway version. Whenever something related to Misto differs between London and Broadway, 1998 always goes the Broadway route.
Spotlight:
This one’s a bit all over the place. It’s not in London, from what I can tell, but it shows up in both London and Broadway-based productions. The chandelier spotlight later returns to send Grizabella to the Heaviside Layer, but not all productions do it this way. I don’t believe the original London production did. I’m not completely sure why the chandelier thing happens, but it might be meant as a demonstration of the power of the Conjuring Turn. If the chandelier is the way of getting to the Heaviside Layer, then Misto is opening the doorway to heaven without realizing it. His magic is so powerful he can do that without trying or even noticing.
Jellicle Ball Turns:
This bit is another London-based one. I watched a London Jellicle and Broadway Jellicle Ball from the same year. London had the turns and Broadway didn’t. Mexico, a Broadway-based production, didn’t have the turns. The 2013 UK Tour did.
Comparing all these versions of Mr. Mistoffelees makes me want to post something about all the stuff I noticed, so thanks for providing some inspiration :)
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brookston · 7 months
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brookstonalmanac · 7 months
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Holidays 9.19
Holidays
Aortic Disease Awareness Day
Armed Forces Day (Chile)
Bestselling Books Day
Biosphere Day (Australia)
Celebration of Labour (French Republic)
Children’s Day (Elder Scrolls)
Cosmetic Bridge Day
Day of the First Appearance of the Slovak National Council
Eleven Days of Global Unity, Day 9: Freedom
Fawlty Towers Day
Festival of Convictions (French Republic)
Frank Zappa Day (Baltimore) [also 8.9]
Hermione Granger Day
Holy Batman Day
Indra Jatra (Kathmandu Valley, Nepal)
International Aortic Dissection Awareness Day
International Hop Like a Kangaroo Day
International Snakebite Awareness Day
International Talk Like A Pirate Day [  website ]
International Women's Commerce Day
Iota Phi Theta Day
Kenny Chesney Day (Tennessee)
Meow Like a Pirate Day
Mid-Autumn Festival Holiday (China)
Miners Memorial Day (Australia)
Moscow Day (Russia)
National Cat DNA Day
National Ear Health Day
National Jude Day
National Meow Like a Pirate Day
National Service Day (Belize)
National Theater Day (Brazil)
National Woman Road Warrior Day
919 Day (North Carolina)
Trollface Day
Visit a Sick Friend Today Day
What the Fork Day
Women’s Suffrage Day (New Zealand)
Food & Drink Celebrations
National Butterscotch Pudding Day
Popcorn Day
World Day of the Apertif
3rd Tuesday in September
Get Ready Day [3rd Tuesday]
National APRP Recognition Day [3rd Tuesday]
National IT Professionals Day [3rd Tuesday]
National Voter Registration Day [3rd Tuesday]
Prinsjesdag (Netherlands) [3rd Tuesday]
Take a Loved One to the Doctor Day [3rd Tuesday]
World Apheresis Awareness Day [3rd Tuesday]
Independence Days
Hosamia (Declared; 2016) [unrecognized]
Meytallia (Declared; 2013) [unrecognized]
Saint Kitts and Nevis (from UK, 1983)
Feast Days
Alonso de Orozco Mena (Christian; Saint)
Arthur Rackham (Artology)
Emilie de Rodat (Christian; Saint)
Eustochius, Bishop of Tours (Christian; Saint)
Feast of Mato (The Bear Spirit; Lakota & Oglala Sioux)
Feast of Our Lady of La Salette (Roman Catholic; France)
Feast of San Gennaro (Christian; Saint)
Feast of Thoth (Egyptian God of Wisdom & Magic)
Feralia (Day of Purification; Pagan)
Ganesh Chaturthi (Indian Elephant God Festival)
Goeric of Metz (Christian; Saint)
International Forgiveness Day (Jainism)
International Talk Like a Pirate Day (Pastafarian)
Januarius (Western Christianity)
Lucy (Christian; Saint)
March of the Reanimated Corpses Day (Church of the SubGenius)
Our Lady of La Salette (Christian; Saint)
Peleus, Pa-Termuthes, and companions (Christian; Martyrs)
Racine (Positivist; Saint)
Sequanus (a.k.a. Seine; Christian; Saint)
Slimey Ole Tom (Muppetism)
Theodore of Tarsus (Anglican Communion, Roman Catholic Church, Eastern Orthodox Church)
Trophimus, Sabbatius, and Dorymedon (Christian; Saints)
Lucky & Unlucky Days
Shakku (赤口 Japan) [Bad luck all day, except at noon.]
Umu Limnu (Evil Day; Babylonian Calendar; 43 of 60)
Premieres
Amadeus (Film; 1984)
The Amazing Adventures of Kavalier & Clay, by Michael Chabon (Novel; 2000)
Away From the World, by The Dave Matthews Band (Album; 2012)
Best in Show (Film; 2000)
Block Party or The Happy Hedsman (Rocky & Bullwinkle Cartoon, S3, Ep. 110; 1961)
Blue Velvet (Film; 1986)
Boardwalk Empire (TV Series; 2010)
Bosko Shipwrecked! (WB LT Cartoon; 1931)
Doogie Howser, M.D. (TV Series; 1989)
East of Eden, by John Steinbeck (Novel; 1952)
The Egyptian, by Mika Waltari (Novel; 1945)
ER (TV Series; 1994)
Fawlty Towers (UK TV Series; 1975)
Fly, by The Dixie Chicks (Album; 1999)
Funny Girl (Film; 1968)
Goodfellas (Film; 1990)
The Good Place (TV Series; 2016)
Gossip Girl (TV Series; 2007)
Hector and the Search for Happiness (Film; 2014)
How I Met Your Mother (TV Series; 2005)
Igor (Animated Film; 2008)
L.A. Confidential (Film; 1997)
The Mary Tyler Moore Show (TV Series; 1970)
The Maze Runner (Film; 2014)
Moneyball (Film; 2011)
Monkey Business (Film; 1931)
Oh Teacher (Disney Cartoon; 1927)
Pluto’s Party (Disney Cartoon; 1952)
Rhythm Nation 1814, by Janet Jackson (Album; 1989)
Scooby-Doo! Pirates Ahoy! (WB Animated Film; 2006)
Secondhand Lions (Film; 2003)
Spice, by the Spice Girls (Album; 1996)
Squirrel in the Scope of Ring Around the Rocky (Rocky & Bullwinkle Cartoon, S3, Ep. 109; 1961)
A Thousand Acres (Film; 1997)
Toy Town Hall (WB MM Cartoon; 1936)
2 Broke Girls (TV Series; 2011)
Underworld (Film; 2003)
The Virginian (TV Series; 1962)
Yanks (Film; 1979)
Zipping Along (WB MM Cartoon; 1953)
Today’s Name Days
Arnulf, Igor, Jnuarius, Wilma (Austria)
Emilija, Januarije, Suzana, Teodor, Željko (Croatia)
Zita (Czech Republic)
Constantia (Denmark)
Erna, Marna (Estonia)
Reija (Finland)
Émilie (France)
Januarius, Thorsten, Wilhelmine (Germany)
Savatios (Greece)
Vilhelmina (Hungary)
Gennaro (Italy)
Muntis, Varnesis, Verners (Latvia)
Girvinas, Vilhelmina, Vytė (Lithuania)
Connie, Konstanse (Norway)
Alfons, Alfonsyna, January, Konstancja, Sydonia, Teodor, Więcemir (Poland)
Konštantín (Slovakia)
Genaro, Jenaro (Spain)
Fredrika (Sweden)
Monroe, Morgan, Morgann, Morganna, Morganne, Precious, Sawyer (USA)
Today is Also…
Day of Year: Day 262 of 2024; 103 days remaining in the year
ISO: Day 2 of week 38 of 2023
Celtic Tree Calendar: Muin (Vine) [Day 15 of 28]
Chinese: Month 8 (Xin-You), Day 5 (Geng-Chen)
Chinese Year of the: Rabbit 4721 (until February 10, 2024)
Hebrew: 4 Tishri 5784
Islamic: 4 Rabi I 1445
J Cal: 22 Aki; Oneday [22 of 30]
Julian: 6 September 2023
Moon: 19%: Waxing Crescent
Positivist: 10 Shakespeare (10th Month) [Racine]
Runic Half Month: Ken (Illumination) [Day 8 of 15]
Season: Summer (Day 90 of 94)
Zodiac: Virgo (Day 29 of 32)
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impeccablebackside · 2 years
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You'd mind telling us who you think the sexiest performer is for each queen?
Well anon, I (of course) have no idea how long you have been around these parts for, but some of the first 'bigger' asks on the blog were me giving a list of performers for each character that I thought were hot. Over the course of a few months, I did one for each queen except for Jenny and Jelly, even one for Jemima / Sillabub (because the actors who play her are hot, not necessarily the character itself). I will link my posts for each queen below. Admittedly, the who is mentioned in the linked posts may change now given new actors and shifts in opinion, but they are more or less accurate.
I do struggle a bit with something like this because it is intrusive to an extent to the actors themselves and their privacy, and it makes me feel guilty in a way. I do understand that they are public figures in a way as well, so attention on them is inevitable. Sort of like discussing a celebrity. In the end, I am in a middle ground between these ends. If you are an actor named, and somehow stumble on this post, I do apologize for showing you off in such an uncouth manner. Please know that I respect you, even if it does not seem like it. Reasonably, all of my picks are based on immense beauty versus straight up sex ‘appeal’. I am attracted to the idea of beauty and femininity with any girl, and 'natural' looks compel me. Seemingly, total cat face paint also does, so you know, contradictory semantics.
Anyway, enough run around. Here it is for each queen by actor (with pictures):
Victoria: Hannah Kenna Thomas (Vienna Revival / UK / International Tours / London): I do not think that there is a more beautiful person who has personified the character of Victoria. She is just absolutely fucking fantastic and hot as hell. Watch this and try not to drool over her. When I think of Victoria, I am thinking of her. Plus, she just somehow keeps on getting more hot as the years go on.
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Rumple: Allison Lian (US Tour 6 - Non-Equity): She is such, such a perfect Rumple from what I have seen. It does not hurt that she is absolutely ridiculously beautiful. I love her red hair and green eyes a lot anon, and her as Rumple is probably as close to perfection as I can imagine. Meow.
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Tanto: Melody Rose (US Tour 6 - Equity): I love her smile and she is just really pretty.
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Cass: Emily Pynenburg (Broadway Revival): By far the most beautiful and elegant Cass that I can think off. She is just crazy pretty. Look at these select moments from BTS of the revival - here or here and tell me she is not a fucking goddess like all Cassandras should be. She is just perfect, and is my favourite Cassandra. Her eyes make me melt.
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Deme: Ella Nonini (UK - Intl Tour / Asia Tour 2020): She is absolutely stunning, and if I was thinking of Demeter, she is who I envision. It is the eyes. It is the face. Everything.
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Bomba: Gloria Toba (Mexico 2013): Mexico Bombas are the sexiest cat in the production. They casted full figured women to play Bomba. Absolute bombshells. I am thankful for that.
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Jenny: Eloise Kropp (Broadway Revival): Eloise is super beautiful, energetic, and funny as hell.
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Jelly: Aki Yumenko (Japanese Productions): I likely say this a lot, but I think the below pictures of her as Griddlebone (I think - Japanese casts are notoriously difficult to navigate) remain as the most beautifully arresting images showcasing Cats. She is utterly goddess-like. A vision of pure beauty. In my opinion, no one has been able to capture the essence of Griddle in a physical sense like she does. I am not overly big on traditional stage Jellys, but Shiki ones get a pass, especially when they become such ethereal beings in Act 2.
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If you are up for it anon, send me some of the actors you have your eyes for. I also like living vicariously through the passion of others.
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anttoad77 · 2 years
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white-cat-of-doom · 3 years
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Thinking about *her*, the pretty grey cat who is floofy:
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(Angela Calo, RCCL Cast 4)
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(Abigail Dever (cover), UK Intl Tour 2019)
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(Ceili O'Connor (cover), UK Intl Tour 2018)
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(Maria Failla (cover), US Tour 6)
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(Keri René Fuller, US Tour 6)
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(Freya Rowley (cover), UK Tour 2013)
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(Barbara Obermeier (cover) with Astrid Gollob as Victoria (cover), Vienna 2019)
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(Elaine Page, CATS (1998))
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(Ellie Nunan (cover), Asia Tour 2020)
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(Caitlin New (cover) with Benjamin Colley as Asparagus (cover), Asia Tour 2020)
I love Babygriz so much, and I think we should talk about her more.
I love to think of the place she plays in show and her meaning overall being present in the opening two songs.
A very interesting interview given by Prisca Demarez, who played Grizabella in Paris 2015, provides some beautiful, yet sad thoughts:
It's such a delight to perform the opening number with the whole cast! That moment is very important to me. Of course she has a name! Her name is Baby Griz, but I call her Grizzy Baby. She has the same colours as Grizabella on her face. She's as pure as Victoria and doesn't know life's sorrows yet. She's a kitten. I think she rounds everything off. She embodies the beginning of life, in a family, before the choices and difficulties arise.
I'm often asked why Grizabella doesn't come back young and beautiful at the end. I think we actually see her at the start, as Grizzy Baby, like a new life, a blank page to be filled in. It's what Grizabella was when she was little. It's in that form that she'll come back from the Heavyside Layer - as a kitten.
She allows me to have a past with the group, a feeling of having danced with them before I couldn't do it anymore. And she's so joyful and light before she carries the weight of Grizabella's sorrow.
I really appreciate the idea of Grizabella being reborn back in the Tribe as Babygriz, and it fills my heart with joy. She gets another chance at happiness with those that she probably loved most.
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Jellylorum Week Day 1 - Favourite Jellylorum Actors
I LOVE every single Jellylorum actor (how can I not?), but I do have three favourites that come to mind.
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Susan Jane Tanner - Original London Cast (1981-1982) Jellylorum/Griddlebone and CATS (1998) Jellylorum
She IS Jellylorum. She originated the character in London, and I adore her singing voice and the ways she portrays Jelly. She is so kind and gentle! Some people dislike her in the 1998 film due to her singing and the fact she is older, but those people are very much wrong. In my opinion she is underappreciated in CATS, as with Jelly as a whole.
I am not surprised to see that basically everyone has Susan as their favourite Jelly.
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Bonnie Simmons - Original Broadway Cast Jellylorum/Griddlebone (1982-1992)
My other favourite Jellylorum, and my favourite Griddlebone. I ADORE her singing and wish I could have seen her perform! This is some footage of her as Griddlebone that I would recommend anyone watch, as Growltiger’s Last Stand on Broadway was an EVENT. I am also a big fan of the Braodway design for Jelly, which has influenced and carried on through the years in other productions and non-replicas.
Another very underappreciated performer, considering she was the third longest serving original cast member in the original Broadway production, behind only Susan Powers (1982-1997) and Marlene Danielle, who stayed for all 18 years until 2000!
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Megan Ort - Oasis of the Seas Cast 4 (2016) Jellylorum/Griddlebone and Broadway Revival 2016-2017 Cats Chorus (cover Jellylorum, Grizabella, Sillabub, and Jennyanydots)
I can say with confidence that no one in this fandom loves Megan Ort more than me. Maybe a contentious pick as a favourite Jelly considering that she was only technically a fully casted Jellylorum for eight shows in the RCCL before jumping over to the Broadway Revival as a Swing/Booth Singer, but Megan has a absolutely phenomenal voice! I recommend watching her as Griddlebone in the RCCL because she is very talented, and is one of the best Griddlebone actors!
Megan performed over 70 shows on Broadway as Jellylorum, Grizabella, and Sillabub (mainly Jelly and Griz), and she loved playing Jelly! She also was a split track Jellylorum/Sillabub for one performance, where as Jelly she also sang the vocal parts of Sillabub, such as The Moments of Happiness and before and during Memory, which would have been amazing to have seen! She never went on as Jenny from what I can find. As an aside, Megan is a GORGEOUS Grizabella and definitely my favourite when it comes to overall appearance with the revival changes in 2014. I would have loved to see a JellylORTum day on Broadway!
I have some other wonderful Jellylorum actors (under the cut due to length) that also deserve some praise!
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Clare Rickard - UK Tour 2013-2014 and London Palladium 2014-2016 Jellylorum/Griddlebone, Grizabella cover, and Dance Captain
Claire deserves a fair amount of praise! She has a fantastic voice and is one of only two Jelly actors (that I know of) who also were Dance Captains in their productions. She perhaps is the most talented Jellylorum ever casted in CATS! A true triple threat of singing, dancing, and acting, Clare is an amazing performer!
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Barbara Obermeier - Vienna Revival Jellylorum/Griddlebone and Grizabella cover (2019-Present)
Although I have not been fortunate enough to see Barbara either perform or sing, she is a fun person and she loves to perform. The fact that she is one of the cover Grizabellas in Vienna would indicate that she has a fantastic voice, and I would love to hear it!
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Anissa Hartline - US Tour 5 Jellylorum/Griddlebone (2006-2008)
Anissa has a beautiful voice in her performances as both Jelly and Griddle, but one of the key reasons she is on here is that she is so loving and gentle during the performance of Gus the Theatre Cat. Her respectful admiration and cheerfulness for Gus is so soft, and she reminds me a lot of Susan Jane Tanner's performance in CATS (1998) (and then she comes out as Griddlebone and she can SING!). I also love her design and she deserves some praise!
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Alice Batt - Asia Tour 2020 Jellylorum/Griddlebone
This list would not be complete without me mentioning the lovely Alice! She is a fantastic singer and I wish we could have seen her (and everyone) for a bit longer in the Asia Tour before it was abruptly closed! She is always cheerful and smiling in any picture I see of her, I also wish there was more footage of her! She also has my favourite UK based Jelly design, and I love that they made her more floofy than previous Jellys!
There are many other wonderful Jellylorum actors as well that I did not mention, but I do truly love every Jelly that I see!
I should also mention that I adore so many of the Jellylorum actors in the Shiki productions of CATS, but trying to pinpoint actors is very difficult due to the largely complex cast lists.
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