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#Dennis Diehl
rock--band · 3 months
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German metalcore band "Any Given Day" formed in 2012. Members: Dennis Diehl – lead vocals, Andy Posdziech – lead guitar, Michael Golinski – bass, backing vocals, Dennis ter Schmitten – rhythm guitar, backing vocals, Leon Stiller – drums
100+ Rock Band Posters and Canvas Prints
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donospl · 10 months
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JAZZOWE REKOMENDACJE: Tyshawn Sorey “Continuing”
PiRecordings, 2023  Tyshawn Sorey kontynuuje eksplorację świata swingującego jazzu prezentując kolejny – po dwóch wysoko ocenionych płytach z roku 2022 – kolejny album z klasycznymi kompozycjami. Wydany przez PiRecordings  album nosi (nomen omen) tytuł “Continuing”. Zachęcamy do lektury naszych recenzji   albumów „Mesmerism”  oraz „The Off-Off Broadway Guide to Synergism” Grającemu na perkusji…
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Strange World (2022) Review
Strange World (2022) Review
The legendary Clade’s family are about to discover that maybe you just cannot change what you are meant to do, getting to know each other in a very different world. ⭐️⭐️⭐️ (more…)
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noloveforned · 10 days
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i'm (hopefully) at home recovering from a minor heart procedure earlier this week but there's a new show set to air on wlur at 8pm tonight with two hours of (mostly broken) heart related songs. last week's show is also streaming on mixcloud and will air at 10pm tonight after the new show.
we also wrapped up our 'song quotes' theme last week. all semester long we've been starting shows off with a song that quotes lyrically from another song. we heard from: built to spill allo darlin, spiritualized, jeanines, okkervil river, hootie and the blowfish, car seat headrest, tori amos, uncle tupelo, vampire weekend, martha, the spinanes, destroyer, and u2.
no love for ned on wlur – april 12th, 2024 from 8-10pm
artist // track // album // label u2 // god, part ii // rattle and hum // island bodega // dedicated to the dedicated // our brand could be yr life // chrysalis armin // academic genius // armin cassette // lost sound tapes the real losers // beat your heart out // good clean fun // total punk macho boys // dinosaur // macho boys // dirt cult cowtown // tweak // paranormal romance // happy happy birthday to me hound // holding out // some days were good cassette // gold mold s:bahn // you could be mine // love songs // noiseland lung leg // krayola // maid to minx // last night from glasgow majesty crush // seles // love 15 // numero group drop nineteens // white dress // white dress ep // wharf cat nervous twitch // this song about ya // odd socks // (self-released) guided by voices // jabberstroker // sunfish holy breakfast ep // matador still house plants // sticky // if i don't make it, i love u // bison tam lin // snooping animals // tam lin cassette // discontinuous innovations titanic // circulo perfecto // vidrio // unheard of hope patrick shiroishi // the light is not afraid // a sparrow in a swallow's nest 7" // sub pop caroline davis and wendy eisenberg featuring greg saunier // concrete // accept when // astral spirits shabaka hutchings featuring saul williams // managing my breath, what fear had become // perceive its beauty, acknowledge its grace // impulse! tyshawn sorey, aaron diehl and matt brewer // reincarnation blues // continuing // pi harold land // one second, please // the fox (remastered) // contemporary akai solo // demonslayer // spirit roaming // backwoodz studioz serengeti // lou canela // kenny dennis iv // tha god fahim and oh no featuring your old droog // cobbler // berserko // nature sounds estee nack and futurewave // oscar de la renta // stone temple pyrex // wav god music valee and harry fraud featuring saba and mavi // watermelon automobile // virtuoso // fake shore drive beyoncé featuring linda martell and shaboozey // spaghettii // cowboy carter // parkwood entertainment the hit parade // apple tree // under the bridge, volume two compilation // skep wax haha same // calling it a night // guess what to do 7" // sub pop the ladybug transistor // always on the saxophone // can't wait another day // merge the flaming stars // ten feet tall // john peel session on october 17th, 1996 ep // precious club 8 // sunny // sunny digital single // golden islands the reds, pinks and purples // learning to love a band // unwishing well // slumberland
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aigle-suisse · 4 months
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Just Horseplay
flickr
Just Horseplay par Dennis Diehl Via Flickr : A friendly little nip never hurt anybody when you're just fooling around in the pasture on an early autumn day. I liked two things about this shot. The little bit of tooth and gum detail on the biter, and the grass-stained nose of the bite recipient. No real foul. No harm done. Two beautiful horses here in the Bitterroot Valley, photo-captured a few years ago now, were two in a herd of about ten horses. They had a marvelous backdrop behind their pasture, the autumn-tinted Bitterroot Mountains. I managed to come away with a pleasant collection of equine shots on this particular afternoon, before being run off by a young gal and land owner who didn't like her horses photographed, despite that I was on State property when I made the photos. Most people that I have encountered over the fifty years that I have been taking and making images, have been generous and peaceably kind, even on those very rare occasions when I've trespassed to get a great shot. The particular gal I've referenced was mega-territorial beyond the pale, not to mention legally wrong. But I doffed my cap ( No. No cap) and made my required departure without hesitation. Luckily, I had my photos, and lots of them, and good ones, already on the card by the time I was so rudely interrupted. PS-For the record, this property was sold shortly thereafter and, well, all's well that ends well. I have since learned that the Fort Owen Access Road is a protected easement and State property, and that any photos taken from it, without crossing either fence- line that adjoin it, are all legal and proper. No problem. Hoping the horses, at least, are safe and happy wherever they are.
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placerdiario · 6 months
Video
vimeo
DIRTY MONEY from Sinan Sevinç on Vimeo.
Have you ever thought about what kind of journey a dollar bill makes before landing inside your wallet? In an age of COVID-19 with an intense scrutiny on hygiene, no one seems perturbed about handing another person cash. While the world went into lockdown and screamed at each other to keep their distance inside Walmart, cash still made its rounds from hand to hand, from pocket to pocket, from one insanitary surface to another. DIRTY MONEY tells the story of a freshly printed ten-dollar-bill emerging from an ATM and follow its gradual unhygienic demise through the disgusting scenarios it encounters while changing its owner multiple times. But isn’t there a more hygienic solution to rescue Hamilton’s handsome face from mutilation? There certainly is.
CREDITS
Director: Sinan Sevinç & Dominik Ströhle Cinematography: Christopher Behrmann Film Music: Alexander Wolf David Sounddesign: Marco Dahl, Julian Berg Editing: Bela Adami Animation: Mario Bertsch Visual Artist: Matthias Schaudig Production Design: Marie Becher, Maria Schmid Executive Producer: Elisabeth Yili Baumann Assistant Director: Lennard Fricke, Yelyzaveta Davydenko, Philipp Schaeffer Assistant Cinematographer: Kai Bestek, Kevin Brari, Marco Breidenbach, Sina Diehl, Linus Heinzler, Julian Pfaff, Jakob Sinsel Costume Design: Sarah Heidelberger, Mara Laibacher Gaffer: Philip Henze, Dennis Banemann, Garry Sonneborn Lighting Technician: Nils Ecke, Chris Gruber, Christopher Jess, Hanna Lange, Lina Marzin Colorist: Peter Hacker COVID-19 protocol: Philipp Schaeffer, Britt Abrecht Set Runner / COVID-19 protocol: Andreas Scherlinger Production Driver: René Sebastian Colling Production Company: Filmakademie Baden-Württemberg GmbH
CAST: Alie Kaloloh, Evin Sevinç, Duygu Kelesh, Nils Müller, Marco Nestler, Jessica Stamp, Cathy Fink
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theloniousbach · 9 months
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COUCH TOUR: JAZZ IN JULY ALL-STAR FINALE, 92NY, 27 JULY 2023
BILL CHARLAP with Jeremy Pelt, Nicole Glover, Steve Wilson, Ken Peplowski, John Pizzarelli, Renee Rosnes, David Wong, and Dennis Mackrell
I signed up for this wrap up to the 92NY series which BILL CHARLAP curated evidently for the last time. I swapped out last Thursday’s piano extravaganza for the Veronica Swift/Caleb Teicher set which wasn’t technically part of the program. I forewent the multiple piano set for the same reason that my expectations were muted for this show—lots of folks to shepherd across the stage, juxtapositions that would be more curious interesting than successful interesting. Last year Charlap had tenor favorites Chris Potter and NICOLE GLOVER together with guitarist Mike Stern and that was, er, interesting. There were some moments like that, but it worked.
‘S Wonderful was the opener and everyone got solo space. Ken Peplowski’s clarinet was, here, kind of clunky and old fashioned and John Pizzarelli’s vocals were charming but thin though his chordal guitar solos was fine. I am very fond of Jeremy Pelt’s smooth tone and improvisational ideas and Glover’s overall edge. It has been good to see her in Artemis, with Allison Miller, and in these settings with Charlap where she exhibits that she sure can play standards.
But the revelation was Steve Wilson whose alto work was lyrical and fresh. I didn’t hear much Charlie Parker in him, but also not Lee Konitz nor Paul Desmond. I have to then guess that he perhaps draws on Johnny Hodges. In any case, Charlap said that no one sings with the horn like Steve Wilson. He always captures something about his bandmates in his always generous comments, but they do sometimes seem over the top. Still, in this case, yes, Steve Wilson sings—on that opener, A Time for Love, a blues, and the closer.
Pizarelli sang the opener, It Had To Be You with Jeremy Pelt as his foil, and Three Little Words with Ken Peplowski’s clarinet beginning to grow on me. I was fully in his camp as he took up Rosnes’ Life Does Not Wait with Glover. It was a very different tune with each horn, including how the composer comped for them, and that widened my ears.
Rosnes and Charlap reprised Lyle Mays’ Chorino from their Double Portrait album with projected camera shots of each keyboard above the stage to help sort things out. Piano duets are risky but one was worthwhile. Rosnes has brought Mays’ Slink into the Artemis book so I have to think she’s the one with the appreciation of him and so it is for her that I will do my homework on him. It was she not her husband who had the piano seat for the A Time For Love with Steve Wilson and the It Had To Be You.
But it was Charlap who was on the bandstand for Kenny Dorham’s Windmill, a Sweet Georgia Brown contrafact, perfectly suited to Pelt and Glover. As with the John Scofield gig on Tuesday, Charlap, of course, knows and can play jazz compositions. That was a fun one, in part because I enjoyed seeing Glover on a bigger stage.
Charlap offered extensive appreciative comments for any and all concerned in the production of the series, including the stage crew, but also his family, including Rosnes, he reflected on inheriting this series from Dick Hyman and in turn that Aaron Diehl will do just fine (and he will, but he’s not as special to me as Charlap). But then he, David Wong, and Dennis Mackrell played a whisper quiet, simply exquisite Some Other Time which I last heard from Tony Bennet and Bill Evans on a 1976 Canadian television program.
The rollicking closer was inevitable and just fine, well played all around. But it was a reminder of how crowded the stage can get particularly when there’s magic like the Dorham or the two sides of Rosnes’ tune or especially that magical Some Other Time.
I’ll see Bill Charlap next season at Jazz St Louis, maybe twice. He’s worth it as he proved over these two weeks with 92NY.
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hard-rock-music · 2 years
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Orden Ogan - Final Days: Orden Ogan and Friends 2022
Orden Ogan – Final Days: Orden Ogan and Friends 2022
“Final Days: Orden Ogan & Friends” is a tribute to the album itself. On each song, vocals are provided by, among others, Marta Gabriel (Crystal Viper), Stu Block (Into Eternity), Peavy Wagner (Rage), Andy B. Franck (Brainstorm), Chris Boltendahl (Grave Digger), Elina (Leaves’ Eyes), Leif Jensen (Dew-Scented), Ross Thompson (Van Canto), Giaccomo Voli (Rhapsody Of Fire), Dennis Diehl (Any Given…
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eidglasx · 2 years
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Der Ball von Meine Damen und Herren
Von und mit: Sophie Arlt, Katharina Bromka, Simone Burckhardt, Lis Marie Diehl, Christoph Grothaus, Josefine Großkinsky, Friederike Jaglitz, Milena Kaute, Marc-André Klotz, Ilva Lindemann, Melanie Lux, Noa Michalski, Thomas Möller, Markus Pfister, Tom Reinecke, Celina Scharff, Michael Schumacher, Dennis Seidel, Mira Seesemann, Paula Stolze, Lina Strothmann, Daniel Tietjen, Martina Vermaaten, Eidglas Xavier, Matthias Zalachowski
Bühne und Ausstattung: Daniel Almagor, Ada Grüter, Jascha B. Kretschmann, Janne S. Plutat
Dramaturgische Beratung: Claude Jansen, Sibylle Peters, Esther Pilkington
Dramaturgische- und Prozessbegleitung: Filomena Krause
Musik: Barner 16 / Choreographie: Eidglas Xavier
Video: Daniel Almagor, Ada Grüter, 17motion
Lichtdesign: Lars Kracht
Produktionsleitung: Sina Schröppel (PK3000)
Presse- und Öffentlichkeitsarbeit: Anja Michalke
Foto: Christian Martin
https://www.meinedamenundherren.net/arbeiten/der-ball/
https://www.youtube.com/watch?v=rjimYoXQIH0&t=94s
Hamburg 2022
Düsseldorf 2023
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metalshockfinland · 2 years
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ORDEN OGAN Share New Song Version of 'Absolution For Our Final Days', Feat. Elina Siirala of LEAVES' EYES
ORDEN OGAN Share New Song Version of ‘Absolution For Our Final Days’, Feat. Elina Siirala of LEAVES’ EYES
Following their latest studio album Final Days (2021, AFM Records), that hit a phenomenal #3 in the German Album Charts, power metal masters ORDEN OGAN have released a brand new single version of “Absolution For Our Final Days”, featuring LEAVES’ EYES vocalist Elina Siirala! Just recently, the band shared a re-recorded version of “It Is Over”, that features Dennis Diehl of ANY GIVEN…
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vivacala · 2 years
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vimeo
DIRTY MONEY from Sinan Sevinç on Vimeo.
Have you ever thought about what kind of journey a dollar bill makes before landing inside your wallet? In an age of COVID-19 with an intense scrutiny on hygiene, no one seems perturbed about handing another person cash. While the world went into lockdown and screamed at each other to keep their distance inside Walmart, cash still made its rounds from hand to hand, from pocket to pocket, from one insanitary surface to another. DIRTY MONEY tells the story of a freshly printed ten-dollar-bill emerging from an ATM and follow its gradual unhygienic demise through the disgusting scenarios it encounters while changing its owner multiple times. But isn’t there a more hygienic solution to rescue Hamilton’s handsome face from mutilation? There certainly is.
CREDITS
Director: Sinan Sevinç & Dominik Ströhle Cinematography: Christopher Behrmann Film Music: Alexander Wolf David Sounddesign: Marco Dahl, Julian Berg Editing: Bela Adami Animation: Mario Bertsch Visual Artist: Matthias Schaudig Production Design: Marie Becher, Maria Schmid Executive Producer: Elisabeth Yili Baumann Assistant Director: Lennard Fricke, Yelyzaveta Davydenko, Philipp Schaeffer Assistant Cinematographer: Kai Bestek, Kevin Brari, Marco Breidenbach, Sina Diehl, Linus Heinzler, Julian Pfaff, Jakob Sinsel Costume Design: Sarah Heidelberger, Mara Laibacher Gaffer: Philip Henze, Dennis Banemann, Garry Sonneborn Lighting Technician: Nils Ecke, Chris Gruber, Christopher Jess, Hanna Lange, Lina Marzin Colorist: Peter Hacker COVID-19 protocol: Philipp Schaeffer, Britt Abrecht Set Runner / COVID-19 protocol: Andreas Scherlinger Production Driver: René Sebastian Colling Production Company: Filmakademie Baden-Württemberg GmbH
CAST: Alie Kaloloh, Evin Sevinç, Duygu Kelesh, Nils Müller, Marco Nestler, Jessica Stamp, Cathy Fink
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dliilb · 2 years
Video
vimeo
DIRTY MONEY from Sinan Sevinç on Vimeo.
Have you ever thought about what kind of journey a dollar bill makes before landing inside your wallet? In an age of COVID-19 with an intense scrutiny on hygiene, no one seems perturbed about handing another person cash. While the world went into lockdown and screamed at each other to keep their distance inside Walmart, cash still made its rounds from hand to hand, from pocket to pocket, from one insanitary surface to another. DIRTY MONEY tells the story of a freshly printed ten-dollar-bill emerging from an ATM and follow its gradual unhygienic demise through the disgusting scenarios it encounters while changing its owner multiple times. But isn’t there a more hygienic solution to rescue Hamilton’s handsome face from mutilation? There certainly is.
CREDITS
Director: Sinan Sevinç & Dominik Ströhle Cinematography: Christopher Behrmann Film Music: Alexander Wolf David Sounddesign: Marco Dahl, Julian Berg Editing: Bela Adami Animation: Mario Bertsch Visual Artist: Matthias Schaudig Production Design: Marie Becher, Maria Schmid Executive Producer: Elisabeth Yili Baumann Assistant Director: Lennard Fricke, Yelyzaveta Davydenko, Philipp Schaeffer Assistant Cinematographer: Kai Bestek, Kevin Brari, Marco Breidenbach, Sina Diehl, Linus Heinzler, Julian Pfaff, Jakob Sinsel Costume Design: Sarah Heidelberger, Mara Laibacher Gaffer: Philip Henze, Dennis Banemann, Garry Sonneborn Lighting Technician: Nils Ecke, Chris Gruber, Christopher Jess, Hanna Lange, Lina Marzin Colorist: Peter Hacker COVID-19 protocol: Philipp Schaeffer, Britt Abrecht Set Runner / COVID-19 protocol: Andreas Scherlinger Production Driver: René Sebastian Colling Production Company: Filmakademie Baden-Württemberg GmbH
CAST: Alie Kaloloh, Evin Sevinç, Duygu Kelesh, Nils Müller, Marco Nestler, Jessica Stamp, Cathy Fink
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aboutanimation · 2 years
Video
vimeo
DIRTY MONEY from Sinan Sevinç on Vimeo.
Have you ever thought about what kind of journey a dollar bill makes before landing inside your wallet? In an age of COVID-19 with an intense scrutiny on hygiene, no one seems perturbed about handing another person cash. While the world went into lockdown and screamed at each other to keep their distance inside Walmart, cash still made its rounds from hand to hand, from pocket to pocket, from one insanitary surface to another. DIRTY MONEY tells the story of a freshly printed ten-dollar-bill emerging from an ATM and follow its gradual unhygienic demise through the disgusting scenarios it encounters while changing its owner multiple times. But isn’t there a more hygienic solution to rescue Hamilton’s handsome face from mutilation? There certainly is.
CREDITS
Director: Sinan Sevinç & Dominik Ströhle Cinematography: Christopher Behrmann Film Music: Alexander Wolf David Sounddesign: Marco Dahl, Julian Berg Editing: Bela Adami Animation: Mario Bertsch Visual Artist: Matthias Schaudig Production Design: Marie Becher, Maria Schmid Executive Producer: Elisabeth Yili Baumann Assistant Director: Lennard Fricke, Yelyzaveta Davydenko, Philipp Schaeffer Assistant Cinematographer: Kai Bestek, Kevin Brari, Marco Breidenbach, Sina Diehl, Linus Heinzler, Julian Pfaff, Jakob Sinsel Costume Design: Sarah Heidelberger, Mara Laibacher Gaffer: Philip Henze, Dennis Banemann, Garry Sonneborn Lighting Technician: Nils Ecke, Chris Gruber, Christopher Jess, Hanna Lange, Lina Marzin Colorist: Peter Hacker COVID-19 protocol: Philipp Schaeffer, Britt Abrecht Set Runner / COVID-19 protocol: Andreas Scherlinger Production Driver: René Sebastian Colling Production Company: Filmakademie Baden-Württemberg GmbH
CAST: Alie Kaloloh, Evin Sevinç, Duygu Kelesh, Nils Müller, Marco Nestler, Jessica Stamp, Cathy Fink
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musicmedkit-blog · 2 years
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Singles I Listened to 5/20 and 5/21 (Morning)
Good = Track to Listen to Again Okay = Won't Skip Not Bad = Didn't Skip, Wouldn't Seek Out Skipped = Not For Me
Good
Touch Away - Snoop Dogg, October London
Dog Bite - Alonestar, Snoop Dogg
Keep That Funk Alive - Lettuce, Bootsy Collins
Gorgeous Gorgeous Girls - Lilyisthatyou
for the girls - Hayley Kiyoko
Sophie - Myles Newman
Telfar - Ronehi, SGawd
Okay
We Don't Talk Anymore - Fanny
Sunset Over the Empire - Arch Enemy
Classless Act - Classless Act, Vince Neil (Motley Crue)
Faded Out - Asking Alexandria, Within Temptation
Angel of Business - Grace Ives
Come to Life - Shady Baby
FASHION DILLER - Tacihu, Tiago PZK
Skipped
Arrow - Goose
Body - 070 Shake, Christine and the Queens
Feel Something - Magnolia Park, Derek Sanders
It Is Over - Orden Ogan, Dennis Diehl
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rockyoushow · 2 years
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ORDEN OGAN Releases New Single Version Of "It Is Over", featuring ANY GIVEN DAY Vocalist Dennis Diehl!
ORDEN OGAN Releases New Single Version Of “It Is Over”, featuring ANY GIVEN DAY Vocalist Dennis Diehl!
Following their latest studio album Final Days (2021, AFM Records), that hit a phenomenal #3 in the German Album Charts, power metal masters ORDEN OGAN have released a brand new single version of “It Is Over”! As a very special surprise, the song is featuring ANY GIVEN DAY vocalist Dennis Diehl! Says ORDEN OGAN frontman Sebastian “Seeb” Levermann:“ORDEN OGAN is said to be one of the ‘modern’…
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littlesniggy · 3 years
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I hope these aren't too many, but for your ask game:11,16,23,26,28,31,36&38?
Thank you👉👈
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11. What’s your age?
I’m 25 ✌🏼️ 
16. What’s your type?
Appearance:
When I was younger I was reeeaally into Asian/ Japanese guys but the older I got the more I realized that most Japanese guys have a similar physique as me and I quite frankly got to really love buff men (Jason Momoa, Jason Statham, Dennis Diehl (from Any Given Day)). That’s also a reason why I like Akainu 😶 
Personality:
I like funny men who can hold a conversation and know what they want. Simple as that. There are probably more attributes I like but those three came to my mind immediately!
23. Do you believe in ghosts?
Absolutely! I just don't think they're like the ones you see in horror movies lol. They’re probably just minding their own business and just check in you from time to time, probably mostly when you're having sex or anything else related to it 😂 (dirty ghosts)
26. What’s your favorite artists?
I don’t really have a favorite artist. I have a lot a like but I wouldn't be able to pick one out. Some of my favorite music artists are: Slipknot Nocturnal Bloodlust (the singer is just pure perfection and one of the few Japanese guys I’d immediately fuck) Rammstein (Till Lindemann’s lyrics are just so dark and hit right where it hurts, subjects most people don't dare to touch)
28. What’s your favorite song?
I really like the song ‘Zwischen Uns’ (Between us) from Eisbrecher, ‘Two Weeks’ from All that remains and ‘Orphan’ from Slipknot
31. What’s your favorite book?
‘Say You’re Sorry’ from Michael Robotham is a book I really enjoyed reading but I like most of his books a lot. Can only recommend them!
36. Tea or coffee?
Already done here
38. Beer or wine?
Wine all the way. I don't like the taste of beer. I drink it but only when nothing else is available or when I’m at a festival. 
Thank you for participating! 
If you have a question, please ask!
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