#Fanmom has NO TIME | Explore Tumblr Posts and Blogs

chibimyumi · 3 years

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Ok and from now on is just your worship. I only in kuro Fandom from few months. Firstly, after reading the e-book Manga in just 3 days I went to explore fandom. I short this experience scarred me for life, and my faith in humanity is now on negative numbers. It's such a wonderfull story, yet really somebody sees it for what it truly is.Kuro is SO underrated because of minority its fanbase which is too stupid to understand this story. After some time I discovered kuromyu.

Dear Anon,

I THINK these four are all yours judging from the writing style? I was not entirely sure about the last one....

But anyway, THANK YOU SO MUCH!!! Gosh I am SO humbled Ó///Ò

And I am so happy my son, OUR son now has another fanmom!!! Thank you for your interest and taking the time to read my looong loooooooong posts. Honestly, my posts are sometimes almost as long as Furukawa’s leeeeeegs.

I hope you will enjoy your stay here on Tumblr, and stay healthy and happy too!

#ask #personal

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mathes0n · 7 years

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I made a fanmom for Ashe because of the type of person that I am. I’m only in the Big War arc so chances are that this is gonna be proven wrong, but it was still fun to work on

Some more info abt her under the cut!

Ok so first things first; she’s a spirit folk. Cause I’m inclined to the theory that Ashe is half spirit? Idk if its been confirmed or unconfirmed but I think it’s cute

Anyways, this particular spirit folk has a sway over nature, life, and natural disasters (particularly storms). She was the spirit guardian of Meathe for many, many generations, causing large storms to keep ships from approaching the island, and healing wounded humans that she found in her woods.

Over time, she grew bitter of her lifelong duty, and even of the humans. She wanted to explore the world beyond the island, but she knew it to be impossible; she was bound to Meathe as its guardian. Though unable to leave, she grew increasingly rebellious and reckless, eventually falling in love with a human man. Then she had the idea to have a child, adorned with her spirit power; even if she couldn’t leave the island, perhaps apart of her could

When Ashe was born, her spirit mom didn’t particularly “die”. Instead, she put half of her lifeforce (her magic, mostly) into Ashe. The other half of lifeforce (her memories, her personality, basically what made the spirit mom who she was) turned into a wisp that carelessly drifts all around the world. Ashe grew up knowing nothing about her mother, only that she “died when you were born”.

Theoretically, the spirit mom could return in her full form if she wanted. However, if she did, that could leave Ashe in a half-dead comatose state. The spirit mom would never do this, though; in her mindless wisp state, she finally found peace

Though she can never meet Ashe face to face, she is exceedingly proud of her

(I’m not really sure what I should name her... I’m lowkey thinking ‘Meathe’)

#thrilling intent #aesling #mathes0nart #my ocs #i suppose #idk i like makin momthers for characters #i hope that this alligns and makes sense with ashes backstory

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chibimyumi · 5 years

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when did you become a fan of Furukawa? i really want to learn your story of being a fanmom~💟

That’s an excellent question…….

It is rather hard to pinpoint the exact moment, but I think this dates back to 2012 when I became entirely smitten with Takarazuka Moon Troupe’s “Elisabeth” 2009.

There are no words for how much I adore Sena Jun’s Death, and my favourite scene was ‘Die Schatten werden länger’ where Death manipulates Elisabeth by manipulating Rudolf into suicide.

I however, found myself disappointed by Rudolf in this musical, because he seemed nothing more than a poor puppy that was just supposed to be kicked for maximum woobie-effect. I thought that perhaps the problem was the actress playing him, so I started digging for more versions of Takarazuka’s “Elisabeth”. Even after having seen many, many Rudolfs however, I still had the feeling something was lacking, but I could not put my finger on what that something was.

Then not long after, I found Furukawa’s Rudolf. Of course his portrayal in 2012 was nothing compared to his Rudolf in 2016, but even back then his voice alone conveyed an unbelievable emotion.

Rudolf was both strong and broken at the same time, which was very refreshing after the long series of just-woobie-Rudolfs. Despite being strong (though struggling and crumbling), there was something in his voice that was so incredibly fragile and hoping as well. In short, I did not know what exactly I was looking for, but Furukawa made me realise that this thing was ‘duality’ in this character.

At the time however, I was not really ‘fan-mom’ yet, but he did leave a mark on me.

In 2015 when Furukawa was announced as Sebastian, I immediately started worrying, because my only impression of him until that point was the soft-boii. “Would this ‘soft-boii’ be able to play Trash Demon™?” (Furukawa used to be type-cast as woobie characters a LOT. And especially after he returned from his dismissal by TOHO in 2013, he appeared even softer).

In the most spectacular fashion, Furukawa proved everyone wrong; none of the softness about him was visible in his Sebastian. I had in fact never seen anything as monstrous, and was incredibly impressed with Furukawa’s boldness to ‘try defy elegant-Sebastian canon’ and go for the beast-like interpretation.

This is the tweet by Yana that made me go: “Same Yana, same.”

“When the production committee showed me Mr. Furukawa for the first time through a video, I trembled with the thought: “S-such a fresh and gentle-looking young man for Sebas…!? I can’t imagine this.” But now every time I see him, [Mr. Furukawa] always manages to charm and move me, making me go “Eek~ So evil and yet so cool!” (My vocabulary is not rich enough for this)”【Toboso】

According to Furukawa himself too, playing Sebastian was a very important steppingstone in breaking free from the soft-image people had of him. It was indeed only after “The Lycoris that Blazes the Earth”, that he started getting more diverse roles, and was truly able to show the full arsenal of skills he has.

What finally blew me away entirely was his portrayal of Robespierre in TOHO’s 2016 musical Dance Dance Revo uh “1789 - The Lovers of the Bastille”. I have seen a lot of portrayals of Robespierre due to the French Revolution hype in Japan (in the theatre world in general I believe), but Furukawa’s portrayal was the first dualistic evil Robespierre I had seen. The script of the musical mostly told the build-up towards the revolution in 1789 wherein the historic Robespierre still played a role as ‘the benevolent father-figure’.

Furukawa however, managed to incorporate the aspect of the man who would later be responsible for the Reign of Terror. Whenever he was interacting with the revolutionaries on stage, Furupierre was angelic. But the moment he turned away and faced the audience instead, he would show a side that was cold as ice, calculative, and incredibly manipulative. In the scene where the revolt hit its climax, Furupierre could no longer hide his manipulative grimace, and with just one twitch of his lips, it was as though you could see the plans he was cooking up to rule France himself after the revolution.

And from that point on… I just decided I needed to join the league of fan-moms AND PROTECT HIM LIKE A MAD DOG!

Thank you for your interest, Anon ^^

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