#HE SEEMS TO BE ALWAYS LOOKING AT AZIRAPHALE | Explore Tumblr Posts and Blogs

phoen1xr0se · 3 days

Text

Chapter 10 of There Is A Light & It Never Goes Out is up on AO3! (M)

Art Credit: @ineffableigh

Summary: Crowley takes Aziraphale to see his favourite place on the island, and tries his best to overcome his own misgivings about letting him - or anyone - in.

🤍🩵💙🤍🩵💙🤍🩵💙🤍🩵💙🤍🩵💙🤍🩵💙

Author's Note: apologies for the delay in getting this out, but I sincerely hope that it is worth the wait. Thank you for your patience.

An excerpt from Chapter 10 below the cut (there are no spoilers):

-------------------------------------------------

“I don’t know, though…” said Aziraphale, thoughtfully. “There’s something to be said in defence of weeds, don’t you think?”

Crowley blinked. “Eh?”

“I just mean… well, they’re designed to survive against the odds, aren’t they? People pull them up and throw weedkiller on them, even cover them up with concrete, and still they grow. Sometimes… sometimes I’ll be walking along in the centre of London and see some dandelions poking up from between the cracks on the pavement, the only green thing as far as they eye can see, and I think to myself… good for you.”

Crowley swallowed. His chest was doing the same, tight, painful thing that it had done when Aziraphale had first talked to him about the puffins on the night they met, only this time there was nowhere to run to – and maybe he didn’t want to run anymore. “How… how d’you do that?”

Aziraphale turned, pale brows knitted together.

“Do what?”

“You… you always seem to see the best in everythin’. Even…”

Even ugly things, he was going to say, but the thought came down like a blade, a sharp and self-inflicted wound. Maybe that’s what he’s doing here, with me, thought Crowley. Seeing the best in something ugly.

Aziraphale’s eyes zeroed in on him, focused and sharp. “Not everything. But… I do enjoy finding things others might look past, and giving them the… the attention they deserve, I suppose.”

Crowley swallowed and turned to look at the carpet of delicate flowers that swept out over the clifftop, stomach swooping low like a puffin’s plummet. “Mm.”

🤍🩵💙🤍🩵💙🤍🩵💙🤍🩵💙🤍🩵💙🤍🩵💙

68 notes · View notes

ashfae · 2 days

Text

Things I would like to happen/not happen in Good Omens Season 3

Small things in no particular order, just to put this out here, in a few years I'll come back and laugh: - More about the Fall - Never ever finding out what Crowley's angel name was. I genuinely don't want to know and especially don't want it to have been important. - Eric getting to be badass for once. - Muriel getting to be badass for once. - Eric and Muriel coming to a similar Aziraphale and Crowley "....look does anyone know what's going on? I don't think so. We are very small in comparison to these huge things how about we work together a bit trying to figure it out?" type of thing. - Finding out WTF is up with Crowley's spotty memory. Has he been made to forget things? I am curious. - The crux point of the season being Aziraphale needing finally once and for all to choose between Crowley and Heaven/recognizing that goodness is not something that can be mandated/all that jazz - More of Aziraphale's diaries - A hug. I'd like another kiss, I don't want smut (happy to keep that for fanfic and let them be platonic onscreen), I do absolutely want them to have a big "oh god I missed you so much" hug. - Crowley having left London. I strongly suspect he's gone abroad, feels like that was foreshadowed in the magician's wheel scene. I favour Sin City/Las Vegas for hilarity but the Spanish Riviera for the alcohol. - Much as I'd like to see all the human characters again (from s1 and s2) I doubt anyone except Muriel by proximity will have been in contact with any of them and I feel their part in the overall narrative arc is complete. We'll get new ones though. - Jesus Christ to show up for the Second Coming and promptly not do what anyone expects or wants him to do, and I sincerely hope I can't predict it either. Also man would I love it if he's called by Yeshua/Yeshoshua. - For Christ's actions and choices to be ultimately less important than Aziraphale's. Yes, I really want Aziraphale and his love for Crowley to be the primary mover of this season. - Crowley to say "Ngk". "Heigh ho" would give me the greatest joy but "Ngk" would be sufficient. - For God to NOT just show up and sort it all out and preferably to not appear at all though Francis McDormand narrating will always be a joy to me. - A return of Gabriel and Beelzebub. Actually this seems inevitable given everyone's entirely justified love of Jon Hamm. I have my own pet theories of what the plot of season three will be but I'll keep that to fanfic out of respect for Wait And See. Edit: I forgot to add, FOR THE LOVE OF SOMEONE DO NOT ASK NEIL ABOUT THIS OR LINK HIM. I don't want him to answer questions! Me wildly speculating is NOT the same as wanting answers, and besides, he wouldn't answer anyway, and rightly so!

#good omens #good omens season 3 #good omens season 3 speculation #crowley #aziraphale #ineffable husbands

50 notes · View notes

on1occasionfork · 3 days

Text

Regarding a “good” ending for Good Omens and whether our Ineffables becoming human would qualify.

First, let me say that I trust Neil that it will be a satisfying ending whatever it looks like because I trust in his love for these characters and his love for his friend Terry and the story they were telling together.

That said, here’s why I think the “they become human” idea is entirely plausible and perhaps the ending that would most reflect what is (from my perspective) the Big Idea of the book and series:

There’s a lot of emphasis on how much Crowley and Aziraphale have come to reflect or resemble and value humanity. It’s pointed out that they’ve “gone native.” Aziraphale reassures Adam that being just a kid is “not a bad thing to be.” They celebrate that Adam is neither Heaven nor Hell Incarnate but rather “Human Incarnate.”

So what happens if they do become human. Is that a happy ending?

I know one of the issues many have with Aziraphale and Crowley becoming human is the idea of a finite lifespan.

In the darkest interpretation of what it would mean for Aziraphale & Crowley to be human, I think “the story starts, as it will end, with a garden,” could lead us to a different type of garden — a garden cemetery, where we would see two gravestones side by side.

However, I think that ending is unlikely.

I think it’s more likely that we get an interpretation that plays on 1 Corinthians 15:26, which says “The last enemy that shall be destroyed is Death.” I lean this way particularly because Adam had a mini-showdown with Death in S1, but not a final one. I think that we’ll likely see a version of Jesus in S3, and given the respect Crowley seems to have for him, he’s probably a decent guy. I think there will likely be a team up between Jesus and Adam — Christ and Antichrist, son of Heaven and son of Hell, respectively — that will result in the the final showdown with Death and then the full reordering of how the universe works including death and the afterlife.

Does that mean no more death? I don’t know. Later in 1 Corinthians 15 comes the passage that asks “O death, where is thy sting? O grave, where is thy victory?” What does it mean if death has no sting and the grave no victory?

Perhaps it means no death and no grave and all, but the earth would get awfully crowded very quickly.

Perhaps it means an afterlife in Heaven, but even if you consider the doctrine of universalism (basically the idea that by the end, all humanity will be reconciled to God, and Hell, if it exists, is remedial and temporary) I don’t think that either Crowley or Aziraphale would want an eternity in Heaven.

But defeat doesn’t have to mean annihilation. So a defeated death, a death without sting, a grave without victory… that could mean death still exists — it’s just not the final word.

Perhaps — and this is what I could personally see as one satisfying “ending” for Aziraphale and Crowley — it means reincarnation.

A human lifespan, yes, but a world in which they get to experience human joys and sorrows for the first time all over again: the first time Aziraphale hears Shostakovich, the first time Crowley drives a Bentley, the first time they meet each other and get caught in a storm.

Like Hard Times and every other instance where we’ve seen them meet throughout history, I’d love to see them meeting each other in different circumstances.

I could be perfectly happy with that world: A world in which they always find each other by the end. And then get to find each other all over again and again and again.

#good omens #good omens speculation #good omens season 3 #aziraphale #Crowley #ineffable husbands #ineffable spouses #good omens theories

23 notes · View notes

edgarallennope · 10 months

Text

i'm physically ill, besties xoxo

#good omens #good omens season 2 #good omens spoilers #anthony j crowley #aziraphale #ineffable husbands #muriel #they like the way he walks #HE SEEMS TO BE ALWAYS LOOKING AT AZIRAPHALE

558 notes · View notes

ghostofchaos-past · 10 months

Text

throws up and dies

#GRUMPY BUT ALSO NICE #I LIKE THE WAY HE WALKS #ALWAYS SEEMS TO BE LOOKING AT ZIRA #I CANNOT #good omens season 2 #good omens 2 #good omens tv #crowley #aziraphale #good omens muriel

20 notes · View notes

imagopersonal · 10 months

Text

Aziraphale was about to confess too before Metatron and his coffee came into the bookshop;

Okay, hear me out. In 2x02, when they’re talking about “how people fall in love”, Crowley talks about sudden rainstorms,

which is an obvious reference to how he fell in love, about 6000 years earlier (poor demon thinks everyone falls in love the way he did)

Aziraphale doesn’t get it and answers “seems a bit unlikely”. He didn’t connect the dots, he doesn’t think Crowley loves him that way. All he knows about falling in love is what he read in books. Of course he fell in love with Crowley too, but I’m pretty sure he did in ‘41 when Crowley saved his books from a bomb, and that’s a bit hard to recreate, so… balls.

That’s his idea, you make two people dance together and they magically fall in love, which is so in-character I want to scream. Now let’s get to 2x05. We know Aziraphale always tried to avoid organizing those meetings, but he’s suddenly so excited about it he is WILLING TO GIVE AWAY HIS BOOKS. Why would he do something like that? There’s no way it’s actually to make Maggie and Nina fall in love. At that point, Muriel doesn’t even care anymore about it, they all know the truth about the miracle is about to be revealed, so there’s no point in being so persistent about Maggie and Nina’s relationship. He’s an angel; of course he cares about humans being happy, but I don’t think he cares so much about two semi-strangers’ love life that he’s willing to give away BOOKS for the off chance that the Jane Austen method will actually work on two humans he knows nothing about. So, my conclusion is, he’s organizing that night for him and Crowley. They are the ones that he hopes realize they’re deeply in love with each other, and that is something worth giving away books for. Which explains why he’s so excited but also a bit scared when he asks Crowley to dance with him.

It explains why he ignores the fact that Crowley is trying to tell him that something important and dangerous is about to happen, just so they can have a little dance. It also explains this reaction when he sees Gabriel and Beelzebub being in love with each other

and the way he looks at Crowley while they’re talking about them.

I mean, I know he always stares lovingly at him, but not like that, right? That’s a face that screams “I’m so going to tell you I love you when all this is over”.

So, my point is:

Fuck Metatron.

That’s my point.

Imago

#good omens #good omens 2 #good omens spoilers #ineffable husbands #aziraphale #crowley #media analysis

17K notes · View notes

inconveniently-discorporated · 11 months

Text

I think I have a potentially controversial opinion on Aziraphale and the ending.

So one of the things that made me smile so, SO much, was THIS:

That PURE ABSOLUTE UTTER JOY.

We have not seen ANYTHING like that from demon Crowley. We've seen him be drunk and silly, we've seen him be amused, but we've not seen this.

Now, let's consider what we know about Heaven:

It's never fully populated. ALL of the shots are completely devoid of angels, except for a few, who are almost always just getting somewhere and never really talking to each other.

Where I thought the archangels were a tight clan, it really looks like they're super catty and prone to jealousy. No doubt they would stab each other in the back happily if it came down to it. How much of Heaven is like that, if even the archangels all hate each other?

Aziraphale already has a nervous disposition when he meets Crowley. Is he perhaps an angel that NEVER fit in? Is he familiar with being ostracized by his peers? Just how lonely IS Heaven? Crowley seems to be a pretty powerful angel, and HE doesn't even know that it's all getting shut down in 6000 years -- it's like no one talks to anyone.

Aziraphale, during their whole meeting, looks absolutely smitten. At one point, Crowley goes, "Look at you! You're gorgeous!" and Aziraphale looks over with happy surprise, just before realizing he's not looking at him but rather at what he's created. And then, when Crowley starts going on about making suggestions and asking questions, Aziraphale is IMMEDIATELY concerned and doesn't want him to get into trouble.

Aziraphale is hooked on this angel, and I cannot help but think that this is perhaps the first angel who has ever WELCOMED Aziraphale into his company.

He is hooked on this angel, and the way Crowley smiles is with the light of all the stars he's just created, and it's infectious and it brings a smile to Aziraphale's face as well. And then this angel shields him from the oncoming falling stars.

He is hooked on this angel, and then this angel goes and joins the Great Rebellion, and becomes fallen himself.

"You were an angel once," Aziraphale said, softly, at the bandstand. He remembers.

I think it's reasonable to guess that Heaven has never felt so warm as it did in the presence of millions of exploding stars, next to the (arch?)angel that may perhaps be one of the few (only?) to pay him any positive attention.

I think it's reasonable to assume that Heaven was not the same after Crowley fell. I wouldn't be surprised to find out Aziraphale had wondered about the angel, wondered if he was okay. I would imagine that Aziraphale keeps that picture of pure, angelic, unbridled joy somewhere inside of him.

So, really, is it any surprise that threaded throughout EVERY interaction, Aziraphale has this deep-down feeling that Crowley is good? Would it be any surprise that Aziraphale, an angel who goes along with Heaven as far as he can (which isn't always), feels that if HE is still an angel, then what was done to Crowley was a great injustice?

I think it would make sense that we are shown "before the beginning" not just because it is fun, but because THIS is the foundational context for everything Aziraphale thinks Crowley is, everything Crowley enjoys. I think he remembers this moment and wishes he could live there forever. With Crowley. The two of them with this happiness, forever.

But nothing lasts forever, as much as he wishes it did.

I'm not saying Aziraphale was right with what he did to Crowley at the end of s2. There is a lot I think he did wrong. I think he held onto this picture so tightly, he didn't realize that Crowley had long since let it go, and painted a new one with Aziraphale with all the shades of grey he picked up as he sauntered (or plummeted) vaguely downward (into a pool of boiling sulfur).

I don't think he was right, but I do think he is understandable. I think there was a lot of selfishness, but also some misguided selflessness too. I watched that first scene with angelic Crowley and my heart actually broke a little, because I thought, "What a shame this joy was taken away from him."

I think Aziraphale is trying to right the injustice he feels has been done. But I also think Aziraphale doesn't realize that Crowley can never go back. The concept of falling never crossed Crowley's mind when he suggested that he ask a few questions, and he will NEVER get that kind of innocence back. And Aziraphale doesn't understand, because Heaven has clearly always just been that way for him (he is already aware of the danger of asking questions).

Crowley does not want to go back because he can never go back. He can never be the same angel he was when he thought he could build a universal machine that would crank out stars for eons and eons. He can never be the same angel he was when he thought he could make some suggestions and ask some questions and co-create with THE Creator.

Crowley understands that, and Aziraphale doesn't. But I can understand why Aziraphale would want to try. And I think it's all because of this:

#good omens #gos2 spoilers #good omens meta #aziraphale analysis

5K notes · View notes

katiefrog217 · 2 months

Text

AziraCrow | Book Reading

(Scroll down for mini story vvvv) + (Companion Piece)

Aziraphale liked books, especially the old ones. They were the main reason for owning his bookshop, after all.

He loved reading them, too. Sitting quietly in the back of his bookshop with a good book and the occasional accompaniment of an old record made for quite the delightful evening, in his opinion. Despite his being handless (and therefore, fingerless), Aziraphale was perfectly capable of turning pages on his own. Not with his talons of course; Heaven only knew the trouble that would come from attempting to turn the aging and potentially fragile paper with such unreliable instruments. It would be a simple enough fix if a page did happen to tear, but the memory would haunt him forever. Instead, all it took was a flick of his wing and woosh, the pages would turn themselves. Sometimes he just had to ask nicely. However, there were times that he didn't need to expend the effort.

Those times just so happened to coincide with a particularly serpentine visitor.

Crowley's visits were irregular and not always predictable. Most of the time he would pop in to complain about Who-Knows-What and disappear off to Who-Knows-Where. Sometimes he would stay longer, and they would share a glass of wine or some other alcohol, chatting a lot about nothing and reminiscing about times long passed until the shadows grew long. On rare occasions they would sit in comfortable silence, doing nothing more than enjoying each other's company. Aziraphale would then pick a book to read and Crowley would slither over to join him.

Of course, Crowley didn't like reading - or at least claimed he didn't. 'Not worth his time,' he'd say dismissively. Still, he (bored expression and all) would come, make himself comfortable by coiling around both the book stand and Aziraphale, and just watch. Just about anyone on Earth would likely be uncomfortable being stared down by such an intense gaze, but not Aziraphale. Over the many millennia, he has grown used to being observed by those golden eyes. Dare he say, he even found it comforting in a way, but that was besides the point.

He wasn't sure how it started; perhaps Crowley found himself overly bored that day, but he began turning the book pages whenever Aziraphale raised his wing to compel them instead. It had started him at first, and he had looked to Crowley with much confusion, though the demon had nothing to say in return. He merely shrugged (or at least it could be considered the serpentine equivalent of a shrug) and turned away. A few more pages in, and he'd turn them again. This happened over and over until Aziraphale heaved a sigh gave in, allowing the serpent to do as he wanted. At first, it was quite awkward to give verbal cues, and there were times when he became so engrossed in his reading that he forgot entirely, but eventually they settled into a comfortable rhythm. Nowadays he didn't even bother. It had become almost automatic: Aziraphale would finish the page and it would turn, no questions asked.

Aziraphale suspected it would baffle the minds of many to see a demon treat anything so gently, yet Crowley turned the pages in such a way that they were never bent nor crumpled. In fact, it seemed to him that the older the book was, the gentler Crowley'd be. He seemed... 'content' was the wrong word to describe his attitude towards the activity, but he never said a word otherwise. At least, not to Aziraphale.

He never pointed this out, of course. Crowley would stop doing it if he did, and he didn't WANT him to stop. He enjoyed it too much.

Once in a blue moon, Crowley would make a comment about whatever Aziraphale was reading at the time. It was often snide, mocking, not always audible. Hisses of exasperation or an exaggerated eye roll were not uncommon either. Then he would turn away, bored despondence washing over his face, shutting down any attempts to further the conversation. Not that he would respond if Aziraphale did, though that hadn't stopped him from trying. On one occasion Aziraphale had tried to push the topic, only for Crowley to deflect, insisting that he had only glanced the passage at random. He stopped turning the pages then. Aziraphale never tried again and settled with only giving him sidelong glances when he said something particularly egregious.

And so they would read, the silence broken only by the ticking of an old clock and the occasionally rustle of a page.

...

Aziraphale liked his books.

He liked reading them alone in his bookshop.

But he liked them best when Crowley was there to turn the pages for him.

1K notes · View notes

fuckyeahisawthat · 11 months

Text

Up until the almost-end-of-the-world, the way Aziraphale and Crowley maintained their relationship was through a collection of well-established and repeated patterns (dances, you might say). These little rituals were what they used to communicate affection, intimacy and trust when they couldn’t say the things they wanted to say out loud. I like spending time with you. You make me happy, and I like making you happy. We’re in this together. I’ll always be there for you, even when your own side is not.

In season 1, as the stress of the impending apocalypse puts more and more pressure on their relationship, we see their patterns start to break down, and it’s very distressing for them. They’ve been communicating like this for so long that they don’t know what to do when one of them doesn’t follow the dance steps.

When we first see them in season 2, they seem in some ways to be closer than ever. They touch each other more easily, Aziraphale in particular. Crowley is comfortable enough in the bookshop that he has a Spot for putting his sunglasses when he takes them off by the door. They’re more open about acknowledging how much time they spend together and how many things in their lives are shared.

And I think, also, we expect them to be happy. They won, didn’t they? So it takes a while for the cracks to start to show.

It wasn’t until this post pointed out that the whole season, we never see them sit down and share a meal together in the present day (no, Crowley doesn’t eat; yes, it still counts) that it started coming together for me. The closer you look, the more you realize the old patterns they’re used to relying on are broken.

Three times, we see them sit down to their usual table for two (at the coffee shop, the bar, and the French restaurant) and then almost immediately get up again. This post also points out that we don’t see present-day Aziraphale eat anything on screen, other than one of the little candies in the Bentley. This in the same season we learn that Crowley is the one who introduced him to food! It’s one of their oldest rituals!

Even one of their most visually recognizable patterns starts to go wonky this season. In season 1, when the blocking allows it, Crowley’s always on Aziraphale’s left. When they’re standing or walking side by side, and most of the time when they’re sitting side by side together (there are some exceptions due to camera angles)…Crowley’s always on Aziraphale’s left (screen right if they’re facing us, screen left if we’re behind them). It’s one of the clues about the body swap that is easy to see when you know what to look for—in Berkeley Square they are each initially sitting on the “wrong” side of the bench. It’s so reliable that Aziraphale hears a little miracle bling in the sushi restaurant in s1 ep1 and turns to his left—because that’s where Crowley would appear—only to be startled by Gabriel on his right.

Go look at the scene where we find out Gabriel and Beez are a couple. You know the one.

And of course, many people have noted that in the end credits, we’d expect their positions on screen to be switched. They’re on the wrong sides. And it’s such a long shot that I think it has to be intentional.

Some people have speculated that this means they swapped bodies again. I don’t really buy that. Rather I think it is supposed to indicate what becomes extremely clear on a second viewing, that things are Off and Wrong. They are not okay.

And the more you watch them you see that Aziraphale’s excitement during his little adventures is manic and brittle, and that he misses having a place and a purpose and a mission to do good. And Crowley is depressed, unhealthily codependent, even more hypervigilant and cagey and angry than he was before. They both have layers and layers of trauma, and no way to talk about it. They have the time and freedom now to talk about what they want to be to each other, now that they don’t have to hide and encode and maintain plausible deniability. But they have no way to talk about that either, because that’s never been an option before. They don’t know how, and they are both so, so afraid.

And in the fights they have in episode 1 and episode 6, you realize they haven’t resolved anything from season 1. They’re having the same fight they had at the bandstand. Crowley wants to run, keep the two of them safe and damn the rest, and Aziraphale wants to stay and help, believing he can make a difference even in an imperfect system, and neither of them really understands the other’s position. It’s the same damn fight. They haven’t been able to move past this impasse, and it’s the exact thing that breaks them in the end.

And it’s just. Fuck. It’s such a human thing to have happened to them. To make it through the fire (metaphorical and literal) and then have everything go to shit afterward because of unaddressed traumas and insecurities and things left unsaid until they fester.

I know this is not at all how I expected the season to go, and I think it took a little while for me to parse what was going with their relationship, because we are predisposed to want them to be happy and to want things to be easy for them now. But it makes so much sense that this is where they ended up at this point in the story.

I know they’ll make it back to each other. They both love each other too much to give up. They’ll fight their way back together, and I know they’ll figure it out in the end.

But goddamn.

#good omens #good omens s2 #good omens s2 spoilers #aziraphale #crowley

5K notes · View notes

denimbex1986 · 6 months

Text

'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”

...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.

“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”

“Good Omens” is back by popular demand for another season. How does it feel?

It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.

Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.

That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.

In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.

It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?

It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.

Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?

Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.

Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?

They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.

Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?

It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]

Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?

I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.

There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?

There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.

Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?

Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.

To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.

Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.

Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.

I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?

I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.

Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?

Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.

[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]

I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…

I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”

3K notes · View notes

seven-stars-in-his-palm · 2 months

Text

analyzing some images (for fun)

so i found this pair of promotion images for good omens season 1 on the good omens reference library server and it’s hooked me so so bad im having feelings about it. we’re analyzing them now. not really for meta purposes just fun to see the parallels and differences :)

everything under the cut !

unique traits

aziraphale:

1) his plank background. its older, its crisp, it smells like wood from the screen. mmmm

2) the pencil shavings at the bottom. he does a lot of writing honestly, so i like this. also adds a messy and cozy vibe he always seems to have in that shop…. i like that blessed shop fr

3) his SUSHI. little soy sauce drops near it too—just the right amount of deliberate mess. our first formal introduction to aziraphale in the present day and beginning the Tomfoolery just happens to have sushi... i watch that scene and i go “yeah, that sums up aziraphale i suppose” very nicely. (they dont have sushi Up There) (im literally never gonna forget that)

4) the ray of light shining on the scene. tiny thing, but a bit of the heaven is peeking through..it also sort of blurs the whole image but i think thats just me.

5) and we’ve saved the best for last: the big whopper. the nice and accurate prophecies of agnes nutter, witch. I LOVE THAT BOOK!!!!!!! i cant remember if that ring stain was there but if it isnt in the show on the actual book i’d assume thats to add that ‘thy cocoa doth grow cold’ thing. ALSO. you know what’s being used as a bookmark in the pages?? a check for the ritz. he bookmarked their one chance for living . with a ritz check . MMMMMM. my GOD. that means so much to me even if i cant convey it in words. he KEEPS THE CHECKS 😭😭😭😭😭😭

crowley:

1) let me get my favorite out of the way. crowley’s glasses have fire in their reflection. we’ll talk about the glasses themselves later but the REFLECTION IN THEM. fucking FIRE, BOOKSHOP fire, PAIN, SRIVING THROUGH THE M-25, HELL, I DONT KNOWIM HAVING FEELINGS!!! i do believe this is a bookshop fire reference though, the flames feel too Familiar. the lengths people will go to to attack others 🤧

2) the leather seat background!!!!!!! probably meant to look similar to the bentley’s seats but i cant recall their texture, exactly. maybe just meant to convey modernness—unsure. still, its there <3

3) the tiny little crisp plant </3 its trying his damned best to stay perfect. it might a specific plant that means something, but i cant tell at thsi angle, so i’ll assume its a mini version of the ficus he keeps in the flat. its so SMALL and sitting in ANOTHER POT i CANT

4) the snake slithering!! black and red (in this image it looks orange lol) bellied scales!!!! slithering there, chilling, being crowley, showing hints. love it

5) QUEEN RECORD!!!!! TRYING TO OVERRIDE IT WITH TCHAIKOVSKY!!!!!! the tape over it does a reminisence to crowley’s handwriting, but in a clean ‘this made made to be a font’ way. not exactly just yet. ive become a fan of tchaikovsky recently. amazing darling wonderful crowley, trying to push the rock up the hill for eternity 😞

6) HIS LITTLE DEMON KEY THING. HOLDING A TINY LITTLE BENTLEY CAR KEY OHHH. thats how he doesnt lose the tiny key despite probably not needing one of those. and he CHOSE that intentionally probably. little wings and red circle….URGHHHHHHH

similarities

mmmmm now here’s the good shit. similarities! i’ll bullet point most of them but ohhhhh. ohhhh these. i’ll go from top to bottom as best i can….

1) one of their shoes, obviously. crowley has them iconic snakeskin shoes while aziraphale has his old loafers like the old loafer he is /pos

2) chateauneuf de pape wine bottle labels! (crowley’s is under his glasses, aziraphale’s is next to his shoe). oh my fucking god theyre MATCHING. the labels are old, battered, of course labeling the drink’s age, but mmmmm its these tiny details that get me going….

3) their respective drinks in their mugs—crowley’s a black mug coffee (or what looks to be coffee) and aziraphale’s angel mug tea (or what looks to be tea). i think about that mug sometimes. where did he get that from?? mystery for the ages….

4) their glasses, of course. crowley’s iconic sunglasses and aziraphale’s reading spectacles. i cant really tell the reflections in this pair, but if its supposed to be fucking fire, im done with this. im giving up forever

5) their own watches! aziraphale’s is visibily older while crowley’s is visibly modern, but they function just the same. also, crowley’s is set to 2:56:59 (presumably PM), which is around the time we see when crowley starts checking his watch at warlock’s birthday party. its almost time for disaster to strike!! 😃

6) and finally….their ties!! they have their own ties!!! or more accurately, neck accessories, but i digress. i mesn i assume its crowley’s neck tie, because the fabric looks… different. either way, crowley’s neck thingie is very whispy and aziraphale has his funky little bowtie i love so much,,,

okay thats it. there’s no canonical implications, any fantheories, none of the sort. just saw a pair of images and my mind went GOD DAMN!!!!!! theyre very important to me. i need to look at more promo material 😔

#good omens #aziraphale #crowley #ineffable spouses #dont have an analyzing tag so. this is it for now

918 notes · View notes

neonvqmpire · 10 months

Text

we need to talk about how close aziraphale actually was to saying no to the metatron after the kiss and why:

he's extremely conflicted and keeps looking out of the window to crowley in the car.

he previously said "nothing last forever" when crowley told him that he cant leave the bookshop (crowley also meant "you cant leave me"; the bookshop is a metaphor for their lives on earth for him) and he states exactly this as the first objection here. obviously the metatron shuts it down by appointing muriel as the next owner of the shop.

now he's stuck between wanting to be with the being he loves & who he now knows loves him back and his deep inner need/duty to do good. crowley's confession and kiss clearly made him question his decision and change his mind because here is when he actually decides for both.

you can see how he does not want to join heaven alone. he keeps looking out the window when asked if he needs anything to take with him.

he desperately needs crowley there but he can not have him so he lies and says no.

i this moment he tries to say no to heaven one last time. he starts saying "i think i-" and then looks out to crowley one last time. he's really considering crowleys offer here. i think the decision that he makes instead is actually FOR crowley as well.

he decides to join heaven not as he was previously convinced by the metatron to do good and rule together with crowley (which he did not want to do) but instead to go and keep a close eye on heaven FOR crowley.

aziraphale isnt stupid, he remembers what crowley said about heaven being toxic.

i think the confession and kiss makes him question heaven. crowley, who fell for asking questions made aziraphale question heaven too. something that he was always too scared to do. he has started to rebel in his head. he realised that something has to be up with heaven/the metatron bc they offered him the position. he decided to go but with a completely different purpose than before.

he puts on a smile and it seems fake because it is. he wants to appear like he hasn't just fundamentally changed his position and decided to go against the one force who he was always afraid of yet dependent on.

this is sth extremely relatable to someone who is queer and autistic and was raised by very conservative family members. even the thought of supporting queer people felt rebellious, terrifying but also extremely exiting and powerful because i knew it was the right thing to believe.

aziraphale was being so brave here. he saw a glimpse of the life he wants and can have and choose to join heaven anyway to fight for this life. he is convinced it will not be possible for them to be together if heaven is still kicking about and making him feel powerless and scared. he wants to secure their future by changing or possibly even destroying the system from the inside out.

unfortunately he didn't have time to tell crowley about his change of intention and i think it really breaks his heart. crowley would probably not understand it anyway. they still have a lot to work through and learn but ultimately they will find each other again. they always do.

i am so so interested to see where and how they meet again in s3, if we get it. after everything i just really want them to be happy and to spend their eternity together. they deserve it after all they went through.

#good omens #gos2 spoilers #good omens s2 theories #good omens s2 #good omens 2 #gos2 #go2 #aziracrow #good omens spoilers #ineffable husbands #good omens theory #1k #2k #sage posting

3K notes · View notes

brainwormcity · 5 months

Text

I've seen people remark on how awkward the 1967 scene is and that is so frustrating because, for me, it is one of the most emotionally resonant flashbacks in the entire series. It is so multifaceted and ripe with implication and that assertion is baffling. As though just because this conversation appears to be hard for them, it must mean that there has to be some sense of weirdness or awkwardness between them?

This scene feeds heavily into my theory that 1941 ended in some sort of aborted romantic moment between the two, most likely initiated by Crowley. Aziraphale can barely stand to look at Crowley because the very first moment he looks him in the face, he can't stop himself from giving him this hooded eyes, barely contained look of longing.

The next thing we see is Aziraphale immediately launching into a statement about his fear for Crowley's existence that is as brutally sincere as it is heartrending. His eyes are wide, his voice is heavy with emotion, and it's clear that he is terrified beyond belief to lose Crowley. Even as he acquiesces and gives him the holy water, you can see that he wants to take it back and deny him it all over again.

Then, of course, Crowley asks if he can give him a lift, which is definitely something that they both know is a totally different question than what lies on the surface, given that they're mere feet from the bookshop and at first Crowley frowns so deeply that it's almost cartoonish but a moment after Aziraphale turns him down you get this glimpse of very real sadness:

Aziraphale sees it for what it is and in an attempt to comfort him, without being able to do what currently seems impossible to him, shares a fanciful but resigned fantasy about spending time together unbothered and unrestrained, all to the tune of these tight little, loving smiles:

When he asks again, you can just see Crowley's desperation for Aziraphale not to go. It's hard to say how long they'd been apart, but it's safe to say that for them, that previous interaction likely is very fresh in their minds.

Aziraphale has always been more fearful than Crowley when it comes to their feelings for each other. You could even potentially look at the holy water as a metaphor for their relationship. In his expressions of concern about The Arrangement, Aziraphale has always been remarking on how Crowley could be destroyed, similarly to his words here. So when he's telling him, "You go too fast for me, Crowley," what he's really saying is, "I'm terribly afraid and I'm not ready to take that step if it means that I could lose you." And it's plain to see by the wistful look on his face that it pains him greatly to say it:

The scene so quickly cuts to Crowley looking intensely at the holy water after Aziraphale has left the car (as if trying to convince you that that was the real point of the scene) that it's easy to miss this devastated expression on Crowley's face:

There's no look of perceived rejection on his face. Just a somber look of resignation. There are so many barriers in front of them, and I think that Crowley was willing to risk it but understood that Aziraphale wasn't ready to.

This is the most honest and laid bare we ever see these two be when it comes to their emotions. There's so much being said without being said and even their actual words (i.e. Crowley remembering exactly the amount of time when the 'fraternizing' conversation happened) are so full of emotion that it might even be a bit hard for some people to watch.

It's not awkward. It's just that the scene is just so incredibly earnest and heavy with coded language that it's easy to be swept up by the fact that the two aren't engaged in their typical banter and bickering. What we truly have here is an incredibly difficult and loving conversation between two people who are stuck in a seemingly impossible situation.

#good omens #crowley #aziraphale #ineffable husbands #aziracrow #aziraphale x crowley #michael sheen #david tennant #good omens meta #abel talks meta #good omens through the ages #good omens 1967 #signed by an autistic pwBPD with a penchant for over-analyizing tone and body language #anthony j crowley #you go too fast for me crowley

1K notes · View notes

ineffablyruined · 5 months

Text

I need to talk about this exchange:

Look at Aziraphale's face and tell me if he was actually talking about real, honest-to-somebody oysters.

That first little 😳 face of his? To me, that screams, "Did this demon just tell me he's never had sex?" Then he flicks his eyes up Crowley's whole body and his microexpressions seem to say, "Oh, dear Lord, he thinks I'm talking about actual oysters."

And then this pretty little angel who just propositioned a demon is probably internally panicking about needing to find actual oysters now because there's no way he can take this virgin to the Roman orgy like he was planning.

And Crowley is over here just as clueless as always.

Credit to @dailyineffablehusbands for the gifs

#probably not really but it amused me to think it so now you have to read it too #good omens #aziracrow #ineffable idiots #ineffable spouses #ineffable partners #ineffable husbands #crowley x aziraphale #aziraphale x crowley #crowley #aziraphale #good omens meta #gomens meta #good omens spoilers #ineffablyruined

1K notes · View notes

thethingswedotomorrow · 7 months

Text

Crowley has been with humanity since the beginning. The original serpent of eden, he is the first "monster" in humanity's bedtime stories. He is the figurative and literal demon on human's shoulders, always there to guide them one way or another. He's weaved through history itself, and prides himself on an impeccable track record of demonic activity throughout the last 6000 years.

But, naturally, after 6000 years, Crowley finds that he's spent more time pining after a certain Angel than doing any sort of work. Like, an extreme amount of pining.

And it isn't until after the notpocalypse that Crowley realizes that, entirely accidentally and very embarrassingly, he may have accidentally made his pining very, very public.

One of Crowley's favorite ways to waste a day is to take Aziraphale to different museums around the world and watch as the angel wanders around and points out all of the inaccuracies

"Good Lord Crowley, have you seen this painting? Portraying you as a dragon is a tad dramatic, I think. All we were doing were having a picnic. And I have never had my hair looking like that, thank you."

"I don't know Angel, they've got your wings spot on. Wa-Hang on, have they added horns to my head?"

"Oh, I see, suddenly it's only inaccurate when they've got you wrong."

The museums always seem to be miraculously empty, and whenever Crowley mentions this, Aziraphale suddenly finds a new, very interesting piece of art to admire

Crowley admires the lengths Aziraphale goes to to hide the small miracles he's done for Crowley's sake

As if Crowley wouldn't move literal mountains for the angel

*He did, actually, do that once.

In the 12th century, they were having a lovely evening together with multiple caskets of wine, up until Aziraphale complained about the amount of light in his eyes

"Honestly Crowley, all this sun and no shade, it must truly be awful for the humans around here with no shelter. It's a tad much, even for me."

Crowley, even then, immediately recognized this off-hand comment as an underhanded complaint, and knew that would not stand

When the small earthquake passed, Crowley claimed that the nearby church was on a fault line and he was simply doing his demonic duty by damaging holy goods in the area

If Aziraphale realized that the mountain range in the distance suddenly provided much more sun coverage, he never mentioned it.

Currently, however, Crowley follows Aziraphale around, wandering behind him and never truly looking at the things in the museum

In every single place they've ever gone together, there was only ever one thing that deserved Crowley's attention

And it certainly was not an inaccurate model of a 18th century tea set

But when Aziraphale wanders into a hall titled 'Love of the Past', he starts to panic. Just a very tiny amount, basically none at all. A small enough amount of panic that he could deny it, even to himself.

He thinks about the past, towards the beginning, back when Humanity was still getting it's footing and figuring out how to have governments and societies and (the most important part) figuring out the whole alcohol situation

Throughout the years, especially towards the beginning, Crowley began to resent any time not spent with Aziraphale

Everything seemed small and dull when compared to the way the Angel smiled when he saw new type of human dessert, or the way he laughed when Crowley managed to work out a clever comment

And once Crowley experienced those things, he never wanted anything else

He had seen the poetry the humans had written, how much emotion they could pour into a simple piece of parchment or a clay tablet

He never cared for written word, but he was shocked at just how much feeling the humans could manage to pour into words

So after Aziraphale left Rome (after the oysters and the wine and the smiles, for somebody's sake the smiles), he went due east for a new miracle on another continent

Crowley stayed and got well and truly drunk. As he did best.

He had spent a few weeks around the other drunks around the area, most poverty stricken and saddened with some sort of grief of one type or another

It wasn't until a group of poets wandered into his dark corner of the pub that he started to considered writing

Obviously nothing anyone would ever read, he'd ensure that. Every scroll or parchment that he'd touch with a quill would be burnt with hellfire before it left his sight

But, as many of his worst ideas started, he had nothing better to do and too much time to think

So he wrote. He wrote letters, first addressed to nobody, about random thoughts that would pop into his very intoxicated brain. Whether humans would ever find traces of the unicorns they lost on the ark, whether he would ever find a way to count just how many scales he had, whether he would ever reach a point where he didn't have to cover his eyes every day

Slowly, the letters started becoming addressed to 'A'. Whether he was conscious of this or not, he'd never admit.

But he wrote. He wrote to A about Hell, the jobs they required of him, the things they'd have him do. He wrote of the way humans had beaten him to the punch 90% of the time. How they would do things worse than Satan himself could imagine, and they'd never blink an eye while doing it.

He wrote of the way the sun darkened each day that passed without his Angel, the way his wine never seemed to have enough flavor when he was alone.

He wrote of the ways he imagined he could orchestrate an elaborate reunion, a convoluted mess of too much demonic activity in a small area that just happened to have a wonderful new tea, or so he's heard, and wouldn't it be a shame to leave the town without tempting the angel to try it?

He wrote to A about how he was sure he had no heart, no emotions. He was a Demon, for somebody's sake, he certainly had no need for stupid things like that, and so the ache in his corporation's chest when he sees the Angel had to be some sort of malfunction.

Anatural function, surely, that could be fixed with the right amount of aloofness and strong liquor

He wrote of the way the sun always seemed to hit the Angel's hair just right, and Crowley had no faith, he had no God.

But in those moments, with a halo around the angel and that smile aimed towards him, he might consider praying now to a different source altogether, a closer source. One full of life and light and actual proper goodness, not that fake advertised bullshit they plaster on church walls in pretty paintings and sad songs

Crowley wrote for a long while, and found that the writing helped the pain.

Even if only because it brought on memories of Aziraphale, and that was enough to hold him until they met again. It had to be, he had no choice in the matter.

And he wrote so often throughout the ages, and often while he was drunk. And he was so sure, so positive that he had burned every trace of his heart and emotion out of existence.

He had to be. The danger those words could put Aziraphale in was far too great. He couldn't be bothered to care of the danger to himself, but the fact that the very hint of any emotion could come close to hurting his Angel was enough to ensure that they would never come across another being's eyes.

He destroyed every letter and word that described his desire, his pain, his greed. He ripped the words he created out of reality as easily as he had written them. Every time, he burnt the parchment, and every time, it burnt a part of him with it.

And then the Apocalypse had happened. Or, well, didn't happen, he supposed. Really, he wasn't entirely sure if there was a difference.

Because everything had changed, even if the rest of the world hadn't noticed. And he was suddenly allowed to see Aziraphale with no excuse, no half-hearted reasoning behind it. He was allowed to want, and to crave, and he relished it.

And he was allowed to take the angel to museums to watch him fuss over small mistakes humanity had collected throughout the ages

Until he realized that they had, in fact, also collected HIS mistakes.

In a hall. A whole bloody hall. A hall, dedicated to and full of stupid parchment and sappy letters and wine stains over words written so long ago

And honestly who gave them the right? Leave it to the humans to collect other people's belongings and put it on display as their own

And he knew, from the moment Aziraphale read the first page on display, he just knew. This was it. All of it was ruined.

All because Crowley had gotten so drunk and passed out in his room above the pub, and when they'd thrown him out in a drunken stupor, they'd collected his belongings to sell afterwards. And he'd never even realized, so concerned about the next meeting, the arrangement, concerned about anything and everything except the one thing he forgot about and could end them both.

Any moment now, Aziraphale would look up at him, with disgust and confusion and all those emotions that he'd really rather not see on his face, preferably ever, but especially not towards him.

But Aziraphale never looks up. He reads the first page 5, 6, 7 times, being sure to capture every single word. Every wrinkle in the paper, every crease.

Then he moves to the next, and then the next. He repeats this process. Every page, he scours each and every page. Searching and scanning, analyzing every word.

Crowley is frozen at the entrance of the hall, too terrifed to say a word, but too hopeful to leave. He stands there, suddenly feeling the same feeling in his chest that he felt so many years ago, in the corner of the pub, sitting in the dark, wishing for the light that he knew would never come.

He's so panicked, that he doesn't notice Aziraphale finishing the last page, and wiping the tears from his eyes. He startles when he accidentally meets his eyes, and prepares a number of excuses and deflections, all to preserve this shred of peace and safety they had carved out for themselves.

"Angel, I- you really- ngk- humans are so rid- are you hungry? I could eat, I've heard they've got a killer bar around here, and we cou-I can get us there in 10 minutes, ngk actu- scratch that, we could be there in 5, I bet. Museums aren-angel?"

Crowley finds himself stopping the random stream of words coming out of his mouth, when he notices tears in Aziraphale's eyes

"Angel, I-"

That's all Crowley can get out before Aziraphale is walking towards him with a purpose

And suddenly Aziraphale is very close to him

Very very close

And suddenly Aziraphale's lips are on his, and Aziraphale is holding onto Crowley's jacket, and Crowley's hands are just waving in the air back and forth while he processes the last .5 seconds.

By the time he realizes what is actually happening, Aziraphale pulls away just enough to rest his forehead against Crowley's, and laughs.

He laughs. Laughs. Aziraphale is laughing and it's a wonderful, beautiful noise and Crowley doesn't quite understand why, but then he's laughing too and then they are both standing there, arms around each other, laughing and Crowley realizes now that all the words he's written, all the praises he sang of his Aziraphale, the way he wished and prayed for his heart and laugh and love

Not one bit of it is at all comparable to the real thing.

2K notes · View notes

queerfables · 9 months

Text

I've been weighing this for a while and I've finally settled on a reading of Crowley's big revelation in 2x05 that makes sense to me. It's my best guess at what's going on in his head, accounting for the conversation that leads up to this moment, and the conversations that follow.

Full disclosure, I don't have much evidence to discount the possibility that this is Crowley realising how he feels about Aziraphale, except that I think the overarching narrative of Good Omens holds together better if he already knew. I do think my interpretation is stronger in context, though.

Let's review, then: Crowley and Nina have a conversation in which Nina assumes Crowley and Aziraphale are a couple, Crowley denies it, and Nina refuses to believe him. She pries into the reasons he might be lying and finishes up by saying, "Other people's love lives always seem so much more straightforward than our own." Crowley walks off looking like he's been hit by a truck.

In his next scene, Crowley is getting day drunk at the French restaurant across from the bookshop. He invites Aziraphale to drink with him, which Aziraphale declines. Crowley quickly starts brooding about the archangel they're hiding in the bookshop. "I spent last night worrying if he's going to wake up. What if he remembers who he is? What if he's faking it?"

I think there's a clear and direct line from conversation A to conversation B. Crowley realises that everyone can see he and Aziraphale are in love. Crowley panics about Gabriel regaining his memories. Rather than a revelation of feelings, I think this was a revelation of danger. Crowley and Aziraphale have survived through secrecy and deception, and it's hitting Crowley that their performance is slipping, under what could be the most intense scrutiny they've ever faced.

This could be a factor in Crowley's subsequent confrontation of Gabriel. I agree with @baggvinshield that pushing Gabriel to jump out the window was a test, but I also think that behind the calculating strategy is scared animal instinct. Gabriel is a threat that it would be safest to just eliminate. Crowley needs to be really fucking sure about him.

It makes sense if the conversation with Nina is what triggers Crowley's fears to resurface, because Crowley's just spent almost a full day alone with Gabriel and he wasn't on high alert the whole time. He let his guard down a little when discussing gravity and while summoning the rainstorm for Maggie and Nina. He was pretty keen to get out of there when Aziraphale got back, but he also sounded fairly relaxed when asked about Gabriel. I think in that moment he's more unsettled by Shax lurking around and the consequences of harbouring a fugitive than afraid of Gabriel himself.

I think Crowley's revelation reads like a romantic "oh" because that's what we're primed to expect. It's a common trope, right? Someone accuses the romantic leads of acting like a couple and they realise it's true. But I think that Crowley's jump to fretting about Gabriel makes more sense if he's realising how obvious their feelings are than if he's only just realising what they mean.

#good omens #good omens meta #fable talks good omens

3K notes · View notes