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twelvetonestudio · 1 year

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Website: https://www.twelve-tone.studio/

Twelve Tone Studio is an Audio production service for rock, metal and alternative music.

About:

I'm Tom MacLean, founder of Twelve Tone Studio.

Having started out in the music world back in 2005 as the guitarist for progressive metal band To-Mera, and later the bassist for epic proggers Haken, my experiences in recording and co-producing 6 acclaimed albums and several EPs within the genre led to an insatiable desire to understand more about the technical side of music production. In 2015, I decided to study the arts of mixing and mastering more seriously, and have undertaken audio engineering training through HOFA college in Germany (under tutors such as Dennis Ward), as well as personal training as an exclusive member of Jordan Valeriote's (Intervals, Auras, Silverstein) Syndicate programme.

Helping musicians achieve their dream productions is my passion in life. I am experienced in many production styles, from cutting edge progressive metal to vintage classic rock.

Services:

MIXING

I am experienced in a variety of contemporary and traditional mixing styles, and ALWAYS mix to fulfil YOUR sonic vision.

MASTERING

I offer mastering services for digital/ streaming, CDs and Vinyl.

RECORDING

I am based just outside of London and can offer recording space in several professional studios in London, Surrey and Berkshire.

I also offer a fully equipped mobile recording studio service that can be taken ANYWHERE. You can read more about it here.

Facebook: https://www.facebook.com/twelvetonestudio

Instagram: https://www.instagram.com/twelvetonestudio/

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dailywilliams · 1 year

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paramore: This is why the album sounds so good. Carlos de la Garza | Manny Marroquin | Harriet Tam. 📸: Nyk Allen, Zac Farro

#paramore #this is why #hayley williams #hwilliamsedit #hayleywilliamsedit #mypost #picturesedit #bts

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tomorrowxtogether · 1 year

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TXT Talk About Temptation, Identity, and New Album “The Name Chapter: Temptation”

The quintet's new project is both a homecoming and a new adventure for the South Korean group.

In 2019, Tomorrow X Together (TXT) captivated audiences by unveiling the concept trailer for The Dream Chapter: Magic. The mesmerizing video served as the introduction for their first official comeback. It showed the then-rookies executing gravity-defying choreography against an ever-changing backdrop, playing with perspective and illusion with only the help of a projector. The blank canvas was an instant hit among their dedicated fandom, known as MOAs, and the general public and foretold just how artistic TXT's journey would be. Four years later, the South Korean quintet revived the format with the concept trailer for their fifth EP, The Name Chapter: Temptation.

Two months before Temptation's official release on January 27, 2023, the trailer for the quintet's new chapter premiered on HYBE's YouTube channel, transporting viewers back in time with immediate callbacks to their beginning. Except this concept is different, and TXT are all grown up.

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"We really thought about how we could [best] express the theme of temptation in our concept trailer visually, and I think it [naturally] came out similarly to Magic during the process, with the projection mapping and everything," Taehyun, who does much of the talking for the group, tells Teen Vogue over Zoom from Seoul two weeks before the album's release. "Many people like our concept trailers, like in Magic and Freeze, because we add some really cool elements to them [so we think long and hard about them]."

Though similar visually, a thin line separates Magic and Temptation thematically. If Magic was an ode to innocence, Temptation is an ode to its loss. These two sides of the same coin kickstart a new chapter in TXT's ever-expanding book, the third after Dream and Chaos following brief pitstops for Minisode 1: Blue Hour and Minisode 2: Thursday's Child. "Story-wise, The Name Chapter is about a phase where you solidify your identity and your name as you grow into adulthood," Taehyun explains, noting the overlap. “We try to express that temptation where you just want to settle for now and don't want to grow up anymore.”

As a motif, temptation is a tale as old as time. In Greek mythology, temptation serves as the driving force for multiple stories, from the Sirens to Pandora. In the Book of Genesis, it's temptation that ultimately gets Adam and Eve cast out from the Garden of Eden. Beyond religion and myths, temptation has also been a familiar trope for playwrights like Christopher Marlowe, William Shakespeare, and many after. Temptation is everywhere, and it's perennial. In TXT's universe, "temptation means you choose something that is not helpful for the future," Taehyun explains. “Falling into that choice is the temptation.”

While it is true TXT go back to their roots with The Name Chapter: Temptation in more ways than other — going back to their tried-and-true "intricately interconnected" whimsical concepts and veering heavily onto theatrics and storytelling with Peter Pan-inspired elements — in other ways, they explore uncharted territory.

After just one listen, it's not hard to discern that The Name Chapter: Temptation is TXT's most experimental album, exploring new genres we haven't yet seen from the band. Kicking off the five-track project is "Devil by the Window," a song produced by BigHit Music's very own Slow Rabbit and mixed by Grammy Award-winning engineer Manny Marroquin. Heavy on bass, "Devil by the Window" traffics in extremes, incorporating snaps, claps, rocky hi-hats, and glitchy noise scratches with subtle whistles, murmured vocals, and layered harmonies. The push and pull share some DNA with last year's "Good Boy Gone Bad."

The track is TXT's second official release featuring all-English lyrics, not counting "Cat & Dog" and collaborations. Taehyun says that was still a challenge for the group. "As Koreans, it's really hard to bring out the right vibe because of the accents when you have to sing in English," he explains. “It's really hard to bring out the detailed emotions and the vibes. But I think all the members did a really good job in recording the 'Devil by the Window.'”

"Devil by the Window" acts as a prelude for the title track: "Sugar Rush Ride," Hueningkai's favorite. "We always like to challenge ourselves with new style and sound, and we did exactly that with this song. The song plays a line from the Korean traditional folktale 'Chunhyangjeon,'" the maknae of the group shares. He also explains how the performance, which includes a tsundere-esque killing point move involving their index fingers, also borrows elements from traditional Korean dance. "I really like the song. I think it shows different styles and genres in the most TXT-ish style."

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"Sugar Rush Ride" is the safest offering from the bunch. It's straight-up saccharine dance pop with instantly catchy funky guitar riffs and booming drum and bass. The real punch line comes with the bridge and chorus, with a whistle and echoed "gimme mores" that would be insidious if they weren't so sweetly tantalizing. Among the credits, there's one name MOAs will surely recognize: Salem Ilese. The group says the opportunity to work with the singer again arose naturally after sharing the stage in the U.S., Korea, and Japan last year. "She's a really good friend, a really good player, and a really good maker," says Taehyun. “She really has a knack for writing melodies and lyrics. She's the best.”

The official featured artist on the album, however, is Coi Leray, who jumps in on "Happy Fools." Also a Slow Rabbit production, like the previous two tracks, "Happy Fools" features writing credits from all the members. The track kicks off with a Bossa Nova-inspired elevator rhythm which quickly transforms into upbeat R&B with a camouflaged flute as the base. "I wrote the top line for 'Happy Fools' and all the members contributed to the lyrics," Yeonjun says of the track. "It's again, our story, so I think it expressed us well. I think it came out really well. When I listened to the song, I could see just how much our members have grown as artists and lyricists."

The next track, "Tinnitus (Wanna be a rock)," is the indisputable highlight of the album. It's TXT's take on Afrobeats, produced by Dystinkt Beats and Grammy-nominated Smash David, and features creative contributions by Taehyun and Yeonjun. After a suave kalimba intro, an engulfing bass-heavy drum beat and a distinct clave rhythm take over the sound, with the members' vocals layered over assorted adlibs for a fun element. On top of the percussion, the use of repetition in the bridge and chorus makes the track even catchier. Definitely a song that calls for headphones. Taehyun says the members were extra excited about trying out this new genre, but they were also extra careful, as a misstep could “ruin the vibe and the quality of the song.”

The closer for the album is "Farewell, Neverland," another explicit Peter Pan reference. "Farewell, Neverland" is a Latin-inspired ballad led by the strumming of an acoustic guitar and a cajón-style percussion swaying the beat, with heavier impacts and electric guitar joining the mix later on. Produced by Carson Thatcher, this track is the second "hitman" bang contribution on the album and also happens to be Soobin's favorite. "When I heard the recording for the first time, I got goosebumps because I could just imagine singing this song with our MOA at our show. I think MOA will feel the same when they listen to it," the group's leader shares.

"As we challenged [ourselves with] different genres for this album, I think all the members now have a more diverse spectrum [when it comes to] expressing ourselves," Yeonjun tells Teen Vogue. Beomgyu adds: “Since we try different concepts for every album, I think I'm more confident that I can pull off any concept now. I think that's what makes us grow, trying new things and taking on new challenges.”

The topic of variety rings true for the songs but also for the project's concept photos, which caused quite an uproar as they were revealed. "We usually share our ideas with our visual team and work with them throughout the process," Soobin shares about coming up with these concepts. Though very distinct from one another, all concepts are all intertwined in the music video for the title track. Still, each member has their favorites.

For Soobin, "Daydream" takes the crown. "It has a dreamy yet sexy aesthetic which I think suited all of our members really well," he explains. Beomgyu, on the other hand, favors "Nightmare" because "it's supposed to look like some kind of a beautiful nightmare that is colorful and sweet like 'sugar rush'" and that “captures the overall mood of 'Sugar Rush Ride' really well.” Yeonjun and Hueningkai do not share their preferences, but Taehyun does not hesitate to pick "'Farewell" as his favorite. "This concept is about the very moment of saying goodbye to temptation," he elaborates. “The concept clip had a lot of close-ups, and it was really important that we show the complexity of emotions on our faces when the video was shot. I think all of our members pulled it off very well.”

The Name Chapter: Temptation is the first notch in TXT's belt this year after successfully wrapping up their first world tour and landing a historic Lollapalooza performance in 2022, two feats they're immensely proud of. Their second world tour, Act: Sweet Mirage, is already slated for a March start, with 21 stops across Asia and the U.S. already locked and a "more to come" promise. "If the opportunity allows, I hope that many people recognize us and listen to our music in 2023," Taehyun shares. "Also, we were invited to the AMAs in 2022, but if we go again, I want to perform." That seems like the next natural progression for a group that likes to take it one step at a time.

#TXT #tomorrow x together #230127 #article #teen vogue #soobin #yeonjun #beomgyu #taehyun #hueningkai #The Name Chapter #The Name Chapter: TEMPTATION

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tayley · 2 years

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6more is completed

https://paramore-music.com/2022/07/manny-marroquin-we-just-finished-the-record-for-paramore/

...6more is finished. If this link doesn't work search Manny Marroquin Paramore and it should pop up.

#submitted post #submission

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bowmanstudios · 9 months

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GEAR

Microphones:

Sure sm57

Sure sm58

Audix i5

Sure Beta 52

Blue Snowball

Behringer C-2 (pair)

Samson C01

Rode NT1A

Hardware:

Scarlett 18i0 audio interface

Mackie 1402-VLZ PRO 14 channel mic/line analog mixer

Guitar amps and pedals:

Helix HX STOMP

Ibanez Turbo Tube screamer

Guitars:

Fender GC140SCE Concert Acoustic-Electric

Yamaha FX335C Dreadnought Acoustic-Electric

Ovation 1311 Natural Acoustic

Fender Nashville Telecaster

Fender Squire Bullet Telecaster

Fender Squire Jazz Bass

Mitchell MU40 Soprano Natural Ukulele

Yamaha CGS 102A Classical Guitar

Keyboards:

Nektar Impact LX61+

Roland U-20

Drums and percussion:

1 big tambourine

1 small tambourine

LP Medium twist shakers

Simmons Titan 50 electronic drum set

Sound Monitoring:

JBL Professional Linear Spatial Reference 3 Series powered studio monitors (pair)

Sony Professional MDR-7506 studio headphones

Sennheiser HD 201 studio headphones

KRK Classic 5 studio monitors (pair)

Computers and visuals:

Apple MacBook Pro 13 inch

Dell flat panel monitor

DAW/software:

Logic Pro X

Pro Tools 12

GarageBand

Avid/Apple/Native Instruments/SoundToys/FabFilter/Waves plugins

Helix HX Edit

Plugins:

Digital EQ’s:

Waves V-EQ4

Fabfilter Pro-Q

Digital Reverbs:

Waves Abbey Road Chambers

Waves H-Reverb Hybrid Verb

Waves Renaissance Reverb

Waves Manny Marroquin Reverb

Relab Development LX480 Reverb

Digital Compressors:

Waves Renaissance Compressor

Waves CLA-3A Compressor/Limiter

Waves Smack Attack

Waves DeEsser

Extras:

Waves SSL G-Channel

Waves Nx Ocean Way Nashville

Waves Z-Noise

Waves WLM Plus Loudness Meter

Waves Tune Real-Time

Waves Vocal Bender

Waves Torque

Waves CLA Bass

Waves Abbey Road J37 Tape

SoundToys Echoboy

VST’s:

Spectronics Keyscapes

Native Instruments Battery

Toontrack EZdrummer 3

Native Instruments Kontakt Electric Guitar

Accessories/miscellaneous/other studio features:

4 XLR cables

4 1/4 inch jack cables

Power supply cables

USB outlet strip

High speed internet and free WIFI

Pencils, pens and paper

Wireless printer available

5 mic stands

Shock mount, pop filter, and 3 windscreens

HEAROS Ultimate Softness earplugs

Mini Samsung T.V. with Roku entertainment

RIF6 electric record player with built-in speakers

Dean Markley Pro Mag humbucker pickup

Culilux 1/4” audio splitter

Rioddas external ODD&HDD disc drive

Pack of CDs for burning

Guitar pick maker with appropriate paper

3 microphone clips

Alesis sustain pedal

Radial PRO-DI passive direct box

DeltaLab digital metronome

AKAI MPD218 beat pad

GiveBest electric heater

Behringer ULTRAACOUSTIC AT109 15-WATT acoustic guitar amplifier

OWC thunderbolt USB-C dock

APC surge protector

MOONGEL damper pads

Pick holder filled with guitar picks (floppy and hard) and a set of thumb picks

2 capos and clip on tuner

KORG TM-50 combo tuner and metronome

Mackie 1402-VLZ PRO 14 channel mic/line analog mixer

NEXIGO web cam

Big Knob passive monitor controller

The Bowman Studios, Dallas, Texas

Producers: Mason Bowman

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kmp78 · 10 months

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The Mars producer is Oscar Neidhardt is a multi-instrumentalist, songwriter and producer from Europe based in LA. Recent work includes cuts and production work with Emeline, Illenium, Conan Gray and currently co-producing and co-writing the upcoming Thirty Seconds To Mars Album.

With over 10 years of experience in the music industry, I have developed a versatile set of skills to help artists bring their vision to life. I am a highly skilled Producer and Songwriter who works confidently in all genres, with a particular expertise in Pop music.

In addition, I am a Mixing Engineer with experience across a wide range of genres. As a Mixer, I understand the importance of delivering radio-ready tracks, and I have collaborated with some of the world's top engineers, including Manny Marroquin, Josh Gudwin, Rob Kinelski, Chris Lord-Alge, and Tony Maserati - to name a few.

My goal is to help artists realize their artistic vision and craft great melodies with impactful lyrics. Having experienced the challenges of navigating the music industry myself, I understand how overwhelming it can be. That's why I strive to make the process as easy and enjoyable as possible for my clients.

Above all, I take great pride in helping my clients develop their projects into professional and polished tracks. I am passionate about producing music that sounds clean, crisp, and unforgettable.

Language he‘s speaking:

Russian

German

French

English

My wild guess he’s Russian

I don't understand anything about this message... 🤷🏼‍♀️

If you're gonna copy/paste text from somewhere, MAKE IT CLEAR AND USE QUOTATION MARKS. 🙄

Why the fuck do I have to keep saying this?!?!

Now the text looks like you're talking about YOURSELF. 🙄

And wtf is that last paragraph anyway?!

Since you're so into googling, then why not just google his name and look around! 👇

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budgetlascl · 2 years

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headfonics · 2 years

Link

Our weekend features continue with a review of Audeze's excellent and very enjoyable-sounding open-back planar headphones, the MM-500!

Now published on Headfonics!

#review audeze headphones planar proaudio audiophile madeinusa

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brokenpiecesshine · 3 months

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Paramore on Instagram, 05/02/2024.

A message from the band. This Is Why Produced by Carlos de la Garza Engineered by Harriet Tam Assistant Engineers: Scott Moore, Kyle McAulay, Patrick Kehrier Mixed by Manny Marroquin at Larrabee Studios (North Hollywood, CA) Mix assisted by Zach Pereya, Anthony Vilchis, Trey Station Mastered by Emerson Mancini Recorded at United Recording, Glenwood Place, and Music Friends Vocals: Hayley Williams Backing Vocals on “Big Man, Little Dignity”: Elke Backing Vocals on “Running Out Of Time”: Zac Farro Backing Vocals on “This Is Why”: Hayley Williams, Taylor York, Zac Farro, and Carlos de la Garza Guitars: Taylor York Drums: Zac Farro Percussion: Zac Farro and Hayley Williams Bass Guitar: Brian Robert Jones Piano: Hayley Williams Keyboards and Programming: Phil Danyew, Taylor York, and Zac Farro Vibes and Glockenspiel: Zac Farro and Taylor York Clarinet, Bass Clarinet, Flute, Alto Flute: Henry Solomon Drum Tech: Joey Mullen Guitar Techs: Joanne Almeida and Erik Bailey 📸: @elkemusek

#2024 #Paramore #Hayley Williams #Zac farro #Taylor york

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chicaoranges · 3 months

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#Spotify #Electric Love #BØRNS #Nick Long #Thomas Schleiter #Garrett Borns #SUNDRONES #Tommy English #UMGRI Interscope #Kobalt Music Publishing #Pulse Publishing Administration #Glam rock #Josh Moran #Chris Galland #Ike Schultz #Manny Marroquin

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hifilounge · 2 years

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AUDEZE MM-500

Hi Everyone,

What a weekend! Last week Paul asked me to spend some time with the new Audeze-MM500 headphones that had been in the office unboxed for over a week. I was very keen to try and did not take much persuading. My current set-up is minimal primarily – using an Apogee duet 2 DAC as my main interface and HD-650s for music production and general listening. For this reason, Paul suggested taking home the Qutest DAC from Chord and Trilogy 931i headphone amp to drive the new cans!

Before I go into any detail regarding performance, I wanted to mention that the reduced weight of the new MM-500 was noticeable compared to the LCD-2C I used to own and although; still not as light as my HD-650 certainly made for a more comfortable listening experience. The construction is as expected from Audeze and feels durable; the new design gives the headphones an industrial and modern look. I think they are some of the best-looking headphones on the market today and had no issues with comfort!

Now the Elephant in the room – The new MM-500s have been co-designed by grammy award-winning mix engineer Manny Marroquin and are highly regarded as reliable headphones when making critical mix decisions. Depending on how you enjoy listening to music, a reference headphone might sound like it will be too detailed and over-analytical for consumer purposes, but I did not find this to be the case!

I spent most of my time with the MM-500 listening to music and not mixing in logic. I could talk about how the bass felt tighter – more focused or how the mids were prominent, and the stereo image was open and engaging, but everyone hears these things differently anyway! There was no desire to over analyse what I was listening to, even though I could easily pick out intricate parts and tiny details if I wanted! Everything I threw at it felt effortless, and I was completely engaged. I know people talk about feeling like they are in the room all the time, but I could feel it- Billie Jean sounded ridiculous! Is it the headphones alone? Or the combination of the headphone amp and DAC? I think the answer is obvious, every aspect of the process adds that little bit more to the overall experience, and I know that it would have been even better if I wasn’t streaming from my Mac, but I was content with what I was hearing!

If you are unsure, please feel free to book a demo! These headphones are not limited to the pro community!

https://hifilounge.co.uk/product/audeze-mm-500-headphones/

Thanks,

Billy 🤘

#Audeze

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