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#Martin Helmchen
javinebot · 13 days
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audiophil · 1 month
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arcimboldisworld · 4 months
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Albrecht/Helmchen: Beethoven/Strauss - Oper Zürich 17.12.2023
Albrecht/Helmchen: Beethoven/Strauss - Oper Zürich 17.12.2023 #konzert #opernhauszürich #marcalbrecht #martinhelmchen #richardstrauss #ludwigvanbeethoven #konzertkritik
Nach dem fulminanten Konzert mit Wayne Marshall und Gershwin in der Tonhalle, zwei Tage später das absolute Kontrastprogramm auf der Opernhaus-Bühne mit MARTIN HELMCHEN und Beethovens 5. Klavierkonzert sowie Strauss’ “Sinfonia domestica” unter MARC ALBRECHT… Continue reading Untitled
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Paul Hindemith (1895-1963) - Das Marienleben, Op. 27: Vor der Passion ·
Juliane Banse · Martin Helmchen
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kunstplaza · 10 months
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craigfernandez · 2 years
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mozart2006 · 5 years
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Ludwigsburger Schlossfestspiele 2019 - Frank Peter Zimmermann e Martin Helmchen
Ludwigsburger Schlossfestspiele 2019 – Frank Peter Zimmermann e Martin Helmchen
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Foto ©Gerhild Ahnert
Frank Peter Zimmermann è uno fra gli artisti più amati dal pubblico della nostra zona e la Ordensaal del Residenz Schloss (more…)
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cliggomusic · 4 years
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Listen to Martin Helmchen for free: https://music.cliggo.com/artist/2076273-Martin_Helmchen
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eyesonworldcultures · 5 years
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Review by Brenda Repland
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Mostly Mozart Festival Orchestra, Louis Langrée conducting
 Mozart: Overture to Don Giovanni
Mozart: Piano Concerto No. 20 in D minor, K.466
Brahms: Symphony No. 3
 aestro Louis Langrée introduced Wednesday’s program by pointing out that the pieces represent the beginnings of Romanticism.
In 1856, Brahms acquired a score of Don Giovanni, which he studied carefully.  Though his Third Symphony is sometimes compared to Beethoven, Mozart’s spirit has the greater impact on it.  
The blast of chords and dissonance convey to the audience the ominous world of the supernatural with the doom that awaits Don Giovanni.  
Such luminaries as Johannes Brahms and Clara Schumann had each performed Mozart’s Piano Concerto No. 20.  This week, German pianist Martin Helmchen followed in a sterling  performance which included Clara Schumann’s cadenzas.  
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Brahms considered Mozart’s concertos the height of artistic inspiration.  “Playing them,” he wrote to Clara, was “like scooping from a real Fountain of Youth.”
Brahms’ Symphony No. 3 is known for unity and coherence and its three-note motto, F—A flat –F which opens the first movement and which Maestro Langrée explained meant “frei aber froh” (“free but happy”).
Each movement held a special gift.  From the Allegro con brio with the heavenly flutes, to the Andante, always a favorite with music lovers for its familiar melody, to the dynamic Allegro.
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So, 12. Nov 2017 | 19 Uhr
Konzerthaus Berlin, Kleinerer Saal
DVOŘÁK Klid für Violoncello und Klavier Des-Dur op. 68 Nr. 5 | SUK Ballade und Serenade für Violoncello und Klavier op. 3 | SCHNITTKE Sonate für Violoncello und Klavier Nr. 1 | BEETHOVEN Sieben Variationen über „Bei Männern, welche Liebe fühlen“ aus Mozarts Oper Die Zauberflöte für Klavier und Violoncello Es-Dur WoO 46 | FRANCK Sonate für Violoncello und Klavier A-Dur (nach der Violinsonate A-Dur) • Marie-Elisabeth Hecker/Dai Miyata/Martin Helmchen
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whileiamdying · 5 years
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"Je suis définitivement un homme de scène." Le pianiste Martin Helmchen aux côtés de Herbert Blomstedt les 13 et 14 mars !
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Beethoven: Diabelli Variations Martin Helmchen
Beethoven: Diabelli Variations Martin Helmchen Genre: Classique Released: January 12, 2018
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Schubert: Arpeggione Sonata & Trio No. 2 Martin Helmchen, Marie-Elisabeth Hecker & Antje Weithaas
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moska43rg · 7 years
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#NowPlaying Fantasie in F Minor, Op. 103, D. 940: III. Allegro vivace de Franz Schubert, Julia Fischer, Martin Helmchen
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Blog post #443 — Concert review, ★★★★, Piano Recital Martin Helmchen @ Druckerei, Baden/CH, 2018-10-26  — Schumann: 8 Novelletten, op.21; Clara Schumann: Soirées musicales, op.6 (excerpts); Schönberg: 6 Little Pieces for Piano, op.19; Bach: Partita No.4 in D major, BWV 828 (Sarabande); Messiaen: Vingt regards sur l ́Enfant-Jésus (excerpt); Chopin: Waltz No.3 in A minor, op.34/2, B.64; Liszt: Bagatelle sans tonalité, S.216a; Liszt: "Nuages gris", S.199 #rolfsmblog
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musicazca · 6 years
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New Releases in Historical Periods #3: Diabelli Variations ~ Martin Helmchen https://t.co/Ua7RhIZXjH #Classical https://t.co/W87zxMrdak
New Releases in Historical Periods #3: Diabelli Variations ~ Martin Helmchen https://t.co/Ua7RhIZXjH #Classical pic.twitter.com/W87zxMrdak
— MusicAzCA.bot (@MusicAzCA) February 15, 2018
via Twitter https://twitter.com/MusicAzCA February 14, 2018 at 08:57PM
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