Lucille took locks of hair from each of their victims, so lovingly braided each one of them, and kept them neatly in a drawer.
Because she’s just sentimental like that.
187 notes
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A Crimson Peak Timeline
(based on the art book, documents shown onscreen in the movie, and the character bios GDT wrote- where the bios don't contradict film canon. I've attempted to combine the two where contradicting elements are unavoidable.
Sometime during the reign of Charles II (1660-1685). Edward Sharpe created Baronet for services to the crown in providing clay for construction projects. Allerdale Hall built in the parish of Above Derwent, Cumberland, England.
1841. Carter Everett Cushing born the second son of six in an impoverished family that traveled the eastern US for his father's masonry business.
1863. Beatrice Alexandra Chetwynde, eldest daughter of a large, wealthy family, marries Baronet James William Sharpe. The marriage is contracted solely for the Chetwyndes' land, which adjoins the Sharpe estate.
April 1, 1865. Lucille Sharpe born.
Sometime between 1865 and ~1873. Carter marries 18-year-old socialite Eleanor Wyndham-Beckford, to the immense disapproval of her family. Though she is disowned and the couple struggles to make ends meet for years, Carter ultimately becomes a successful developer.
February 18, 1867. Thomas Sharpe born.
C. 1867-1872. The Sharpes employ a wet nurse- and later nanny -named Theresa, who would become the only adult to care about the children in their lives. She would ultimately be sacked after Beatrice caught young Lucille snuggling with her for warmth on a winter's night (on the grounds that a noble child should not be close with servants- a "crime" for which Lucille was beaten severely).
1876. 11-year-old Lucille murders her father with poison distilled from mine tailings, after he took Thomas on a hunting trip and left him in the woods to die of exposure.
Late 1876? A mining vein near Allerdale Hall collapses, killing several child mine-workers. I could have sworn I read somewhere that James foolishly dug a mining tunnel under the house shortly before his death, and that's what destabilized it, but I can't find it now.
October 9, 1877. Edith M. Cushing born, after Eleanor had suffered several miscarriages.
1878. Thomas and Lucille begin a secret sexual relationship.
Early August, 1879. Beatrice catches Lucille and Thomas together; Lucille murders her to keep their secret. The siblings try to run away together but are caught and brought back. Thomas is sent to live with an aunt and uncle in Whitehaven (who in turn send him to boarding school), while Lucille is forced into a mental institution.
Probably summer, 1885. Thomas finishes his schooling and rescues Lucille; they return to Allerdale.
1887. The Sharpe siblings travel to London seeking investors for Thomas' venture to reopen the mines. A wealthy, terminally ill gentleman, Major Richard Upton, takes a liking to Thomas and begs Thomas to marry his disabled daughter, Pamela. At Lucille's urging- since they're running out of both options and money -Thomas agrees. The two attempt to poison Pamela to death, but Lucille ends up strangling her instead.
Sometime between October 1887 and October 1888. Eleanor Cushing dies of cholera and appears to Edith as a ghost.
Early-mid 1890s. Carter and the recently widowed Mrs. McMichael have a brief flirtation that both Edith and Eunice oppose. Though it goes nowhere, the rift between the two girls is never healed.
Late October or November 1892. Edith (age 15) becomes infatuated with a 25-year-old poet who is having marital difficulties. After convincing Carter to hire him as a tutor, all unknowing, she confesses her feelings to him. He not only takes his leave of the Cushing family, but of Buffalo itself, quickly moving away with his wife and children.
1893. The Sharpes travel to Edinbrugh, where Thomas again finds no investors but does attract the attention of a 36-year-old widow of means, Margaret McDermott. Once again, he marries her and helps Lucille poison her, though she is ultimately killed via blunt force trauma.
Summer 1893. Edith asks her best friend, Alan McMichael, to kiss her so she can write about kisses more accurately. It means nothing to her, but sparks an unrequited passion in Alan
1896. Lucille falls pregnant by Thomas. He travels with her to Italy, which he loves and she despises. There he meets a wealthy woman named Enola Sciotti, widowed and bereaved of her only child, and decides of his own accord to marry and murder her in their usual fashion. The Sharpes and Enola return to Allerdale.
1897. Lucille is delivered of a son, who may or may not be sickly. Enola tries to care for her and the child, promising she can save him. The baby either dies of natural causes or Lucille smothers him under the conviction that his cries mean something is terribly wrong with him and he can't live- this is one contradiction in the bios vs. the movie that I prefer to leave vague, since it's possible not even Lucille remembers what happened. Either way, she blames Enola and dispatches her by unknown means. Thomas patents his excavating machine.
Late summer(?) 1901. Alan returns from studying medicine in London and sets up an ophthalmology practice in Buffalo. Edith's debut novel, Figures In The Mist, is rejected for publication by Oglivie and Sons. Thomas seeks investment in the mines from Cushing and Co., unsuccessfully. Edith and the Sharpes begin a friendship. Edith sees her mother's ghost for the second time.
September 14, 1901. President William McKinley dies after being shot at the Pan-American Exposition in Buffalo. I include this because the fact that the movie doesn't is hilarious to me.
October 21, 1901. At the Cushings' dinner party, Carter bribes the Sharpes to leave, instructing Thomas to break Edith's heart or he'll tell her about the marriage to Pamela. A deleted scene reveals that he was on the verge of relenting and investing in the mines when he read the private investigator's report.
October 22, 1901. Lucille murders Carter at his club, then departs to return to England. Thomas and Edith become engaged.
Late October-early November 1901. Thomas and Edith are married and travel to Allerdale.
November-December 1901 (possibly into early 1902?). The rest of the movie's plot.
59 notes
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My Year Of Dicks (2022) from Sara Gunnarsdottir on Vimeo.
ACADEMY AWARD ® NOMINEE - BEST ANIMATED SHORT FILM
Hilarious and genre-mashing, an imaginative fifteen year-old is stubbornly determined to lose her virginity despite the pathetic pickings in the outskirts of Houston in the early 90’s. This charming, animated, retro-romantic-comedy pulls no punches with its female-forward look at sexual awakening. Created by Pamela Ribon from her critically-acclaimed memoir.
___________________
Instagram: @myyearofdicks
Twitter: @myyearofdicks
Website: myyearofdicks.com/
Commissioned by FX Productions
Production Companies: Cat’s Pajamas / Wonder Killer
___________________
Created & Written by Pamela Ribon from her critically-acclaimed memoir "Notes to Boys (And Other Things I Shouldn't Share in Public)"
Directed by Sara Gunnarsdóttir
Produced by Jeanette Jeanenne
Music by Adam Blau
Sound Design by Trevor Gates
Animators:
Josh Shaffner
Grace Nayoon Rhee
Amanda Bonaiuto
Brian Smee
Isabelle Aspin
Kevin Eskew
Cassie Shao
Cast:
Pam - Brie Tilton
Sam - Jackson Kelly
Karina - Klarissa Hernandez
Joey - Chris Elsenbroek
David - Sterling Temple Howard
Wally - Mical Trejo
Robert - Sean Stack
Clint - Dylan Darwish
Dad - Chris Kelman
Mom - Laura House
Natalie - D Ribon Upton
Diane - Martinique Duchene
Kelly - Pamela Ribon
Anais Nin - Pamela Ribon
Teen Driver - Ira Carling
Backgrounds by
Isabelle Aspin
Simon Estrada
CJ Walker
Cleanup and Color - Kyle Brooks
Compositing - Ethan Clarke
9 notes
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View notes
Festival of Disappearing Art(s), Organized by Pamela Zulli, Marshall Reese, Kirby Malone, Ro Malone, and Mark Gulezian, Baltimore, MD, April 29 – May 7, 1979 [Granary Books, New York, NY]. Performances by Steve Benson, CoAccident, tENTATIVELY, a cONVENIENCE, Jackson Mac Low, Hannah Weiner, TEC, and VOCS (Cris Cheek &/or P.C. Fencott &/or Lawrence Upton from London)
31 notes
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Babies with interesting names born in Missouri in 2021 [S, T, U & V]
-note that this dataset didn't include gender so your guess as to whether a name belongs to a girl or boy is as good as mine-
Sah'renity Lenet
Sailym Grace
Saphyyre-Reign Drunetta
Sareniti Treu
Saxtyn Edward
Scar Dynami
Scottland Reign
Scylla Alexandra
Seighlor Wysper-Knight Ma
September Indigo
Serenyttii Noelle Winter
Setsunna Luna
Seven Brison
Seviin Blu Anthony
Shadow May
Shooter Coy
Sicily Frances
Silance Christian
Simbrayven Iris
Sir Frank
Sirynity Tempest Aurora
Sixx Charles Lee
Skielynn Denae Lee
Skipper Annaleigh
Skysen August
Sleighton Anne
Slyder Jacob
Snow Cassanova
Sol Riot
Souline Vida
Southern Riggs
Souvenir Sidney
Spirit Pamela
Splendeur Kabongo
Star Lyra
Steelo King
Stevie Nix Janae
Stiles-Scott Wayne
Stokley Elizabeth
Strider Eli
Styger Wayne
Styilz Marcellus
Suede Arabella
Sunshine Ava
Supreme Trai
Swaden Aubrie
Synauvia Reign
Tabius Lee
Taisy Wren
Talbert Pressley
Tauren Amos
Tauriel Laurel-Diane
Taver Stone
Tayt William
Taytley Taz
Tayzleigh Maraye
Teal Glee
Temperance Harold
Tenaj Caileigh
Tennesyn Nicholes
Testimony September
Thailand Renee
Theory King
Theseus Jerome Daivion
Thunder Storm
Ti'land Marcell
Tiabeanie Rose
Tidus Ignatius Ace
Tiger J
Timber Wolfe
Tin Hudson
Topper Wayne
Tosh Harrison
Traxten Dale
Treasen Lamon
Treasure Storm
Treble Wayne
Trek Oaken Rogue
Tresslynn Louise
Trigger Isaac
Trillium Vivet
Trim Wade
Trintin Alsaiah
Tritt Woodson Hurst
Trixtin Ryder
Tru Sparkle
True Champ
Truth Empathy Maefern
Trypston Xavier
Tsunami Lyric
Tuff Hunter
Tuker Upton
Tulip Frances
Tyhonesty Lavender
Tynzlee Abide
Tywand Montana
Unevie Dawn
Ur'nova Allen
Valencia Delight
Valfreyja Hela
Valiance Legacy-Jaxon
Valicity Valentina
Valken Blade
Vaylynn Louise
Vedder Case
Veil Harper
Velda Maxine
Venus Ruth Dae
Veritan Valour
Vice Everett
Vincint Lamar
Vision Marie
0 notes
My Year Of Dicks (2022) from Sara Gunnarsdottir on Vimeo.
ACADEMY AWARD ® NOMINEE - BEST ANIMATED SHORT FILM
Hilarious and genre-mashing, an imaginative fifteen year-old is stubbornly determined to lose her virginity despite the pathetic pickings in the outskirts of Houston in the early 90’s. This charming, animated, retro-romantic-comedy pulls no punches with its female-forward look at sexual awakening. Created by Pamela Ribon from her critically-acclaimed memoir.
___________________
Instagram: @myyearofdicks
Twitter: @myyearofdicks
Website: myyearofdicks.com/
Commissioned by FX Productions
Production Companies: Cat’s Pajamas / Wonder Killer
___________________
Created & Written by Pamela Ribon from her critically-acclaimed memoir "Notes to Boys (And Other Things I Shouldn't Share in Public)"
Directed by Sara Gunnarsdóttir
Produced by Jeanette Jeanenne
Music by Adam Blau
Sound Design by Trevor Gates
Animators:
Josh Shaffner
Grace Nayoon Rhee
Amanda Bonaiuto
Brian Smee
Isabelle Aspin
Kevin Eskew
Cassie Shao
Cast:
Pam - Brie Tilton
Sam - Jackson Kelly
Karina - Klarissa Hernandez
Joey - Chris Elsenbroek
David - Sterling Temple Howard
Wally - Mical Trejo
Robert - Sean Stack
Clint - Dylan Darwish
Dad - Chris Kelman
Mom - Laura House
Natalie - D Ribon Upton
Diane - Martinique Duchene
Kelly - Pamela Ribon
Anais Nin - Pamela Ribon
Teen Driver - Ira Carling
Backgrounds by
Isabelle Aspin
Simon Estrada
CJ Walker
Cleanup and Color - Kyle Brooks
Compositing - Ethan Clarke
0 notes
My Year Of Dicks (2022) from Sara Gunnarsdottir on Vimeo.
Hilarious and genre-mashing, an imaginative fifteen year-old is stubbornly determined to lose her virginity despite the pathetic pickings in the outskirts of Houston in the early 90’s. This charming, animated, retro-romantic-comedy pulls no punches with its female-forward look at sexual awakening. Created by Pamela Ribon from her critically-acclaimed memoir.
___________________
Instagram: @myyearofdicks
Twitter: @myyearofdicks
Website: myyearofdicks.com/
___________________
Created & Written by Pamela Ribon from her critically-acclaimed memoir "Notes to Boys (And Other Things I Shouldn't Share in Public)"
Directed by Sara Gunnarsdóttir
Produced by Jeanette Jeanenne
Music by Adam Blau
Sound Design by Trevor Gates
Animators:
Josh Shaffner
Grace Nayoon Rhee
Amanda Bonaiuto
Brian Smee
Isabelle Aspin
Kevin Eskew
Cassie Shao
Cast:
Pam - Brie Tilton
Sam - Jackson Kelly
Karina - Klarissa Hernandez
Joey - Chris Elsenbroek
David - Sterling Temple Howard
Wally - Mical Trejo
Robert - Sean Stack
Clint - Dylan Darwish
Dad - Chris Kelman
Mom - Laura House
Natalie - D Ribon Upton
Diane - Martinique Duchene
Kelly - Pamela Ribon
Anais Nin - Pamela Ribon
Teen Driver - Ira Carling
Backgrounds by
Isabelle Aspin
Simon Estrada
CJ Walker
Cleanup and Color - Kyle Brooks
Compositing - Ethan Clarke
0 notes
I wonder if Thomas ever kept anything from their victims.
Besides, ya know, their massive fortunes and trauma from their mother.
9 notes
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Read Like a Gilmore
All 339 Books Referenced In “Gilmore Girls”
Not my original list, but thought it’d be fun to go through and see which one’s I’ve actually read :P
If it’s in bold, I’ve got it, and if it’s struck through, I’ve read it. I’ve put a ‘read more’ because it ended up being an insanely long post, and I’m now very sad at how many of these I haven’t read. (I’ve spaced them into groups of ten to make it easier to read)
1. 1984 by George Orwell
2. Adventures of Huckleberry Finn by Mark Twain
3. Alice in Wonderland by Lewis Carroll
4. The Amazing Adventures of Kavalier & Clay by Michael Chabon
5. An American Tragedy by Theodore Dreiser
6. Angela’s Ashes by Frank McCourt
7. Anna Karenina by Leo Tolstoy
8. The Diary of a Young Girl by Anne Frank
9. The Archidamian War by Donald Kagan
10. The Art of Fiction by Henry James
11. The Art of War by Sun Tzu
12. As I Lay Dying by William Faulkner
13. Atonement by Ian McEwan
14. Autobiography of a Face by Lucy Grealy
15. The Awakening by Kate Chopin
16. Babe by Dick King-Smith
17. Backlash: The Undeclared War Against American Women by Susan Faludi 18. Balzac and the Little Chinese Seamstress by Dai Sijie
19. Bel Canto by Ann Patchett
20. The Bell Jar by Sylvia Plath
21. Beloved by Toni Morrison
22. Beowulf: A New Verse Translation by Seamus Heaney
23. The Bhagava Gita
24. The Bielski Brothers: The True Story of Three Men Who Defied the Nazis, Built a Village in the Forest, and Saved 1,200 Jews by Peter Duffy
25. Bitch in Praise of Difficult Women by Elizabeth Wurtzel
26. A Bolt from the Blue and Other Essays by Mary McCarthy
27. Brave New World by Aldous Huxley
28. Brick Lane by Monica Ali
29. Bridgadoon by Alan Jay Lerner
30. Candide by Voltaire
31. The Canterbury Tales by Chaucer
32. Carrie by Stephen King
33. Catch-22 by Joseph Heller
34. The Catcher in the Rye by J. D. Salinger
35. Charlotte’s Web by E. B. White
36. The Children’s Hour by Lillian Hellman
37. Christine by Stephen King
38. A Christmas Carol by Charles Dickens
39. A Clockwork Orange by Anthony Burgess
40. The Code of the Woosters by P.G. Wodehouse
41. The Collected Stories by Eudora Welty
42. A Comedy of Errors by William Shakespeare
43. Complete Novels by Dawn Powell
44. The Complete Poems by Anne Sexton
45. Complete Stories by Dorothy Parker
46. A Confederacy of Dunces by John Kennedy Toole
47. The Count of Monte Cristo by Alexandre Dumas
48. Cousin Bette by Honore de Balzac
49. Crime and Punishment by Fyodor Dostoevsky
50. The Crimson Petal and the White by Michel Faber
51. The Crucible by Arthur Miller
52. Cujo by Stephen King
53. The Curious Incident of the Dog in the Night-Time by Mark Haddon
54. Daughter of Fortune by Isabel Allende
55. David and Lisa by Dr Theodore Issac Rubin M.D
56. David Copperfield by Charles Dickens
57. The Da Vinci Code by Dan Brown
58. Dead Souls by Nikolai Gogol
59. Demons by Fyodor Dostoyevsky
60. Death of a Salesman by Arthur Miller
61. Deenie by Judy Blume
62. The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America by Erik Larson
63. The Dirt: Confessions of the World’s Most Notorious Rock Band by Tommy Lee, Vince Neil, Mick Mars and Nikki Sixx
64. The Divine Comedy by Dante
65. The Divine Secrets of the Ya-Ya Sisterhood by Rebecca Wells
66. Don Quixote by Cervantes
67. Driving Miss Daisy by Alfred Uhrv
68. Dr. Jekyll & Mr. Hyde by Robert Louis Stevenson
69. Edgar Allan Poe: Complete Tales & Poems by Edgar Allan Poe
70. Eleanor Roosevelt by Blanche Wiesen Cook
71. The Electric Kool-Aid Acid Test by Tom Wolfe
72. Ella Minnow Pea: A Novel in Letters by Mark Dunn
73. Eloise by Kay Thompson
74. Emily the Strange by Roger Reger
75. Emma by Jane Austen
76. Empire Falls by Richard Russo
77. Encyclopedia Brown: Boy Detective by Donald J. Sobol
78. Ethan Frome by Edith Wharton
79. Ethics by Spinoza
80. Europe through the Back Door, 2003 by Rick Steves
81. Eva Luna by Isabel Allende
82. Everything Is Illuminated by Jonathan Safran Foer
83. Extravagance by Gary Krist
84. Fahrenheit 451 by Ray Bradbury
85. Fahrenheit 9/11 by Michael Moore
86. The Fall of the Athenian Empire by Donald Kagan
87. Fat Land: How Americans Became the Fattest People in the World by Greg Critser
88. Fear and Loathing in Las Vegas by Hunter S. Thompson
89. The Fellowship of the Ring by J. R. R. Tolkien
90. Fiddler on the Roof by Joseph Stein
91. The Five People You Meet in Heaven by Mitch Albom
92. Finnegan’s Wake by James Joyce
93. Fletch by Gregory McDonald
94. Flowers for Algernon by Daniel Keyes
95. The Fortress of Solitude by Jonathan Lethem
96. The Fountainhead by Ayn Rand
97. Frankenstein by Mary Shelley
98. Franny and Zooey by J. D. Salinger
99. Freaky Friday by Mary Rodgers
100. Galapagos by Kurt Vonnegut
101. Gender Trouble by Judith Butler
102. George W. Bushism: The Slate Book of the Accidental Wit and Wisdom of our 43rd President by Jacob Weisberg
103. Gidget by Fredrick Kohner
104. Girl, Interrupted by Susanna Kaysen
105. The Gnostic Gospels by Elaine Pagels
106. The Godfather: Book 1 by Mario Puzo
107. The God of Small Things by Arundhati Roy
108. Goldilocks and the Three Bears by Alvin Granowsky
109. Gone with the Wind by Margaret Mitchell
110. The Good Soldier by Ford Maddox Ford
111. The Gospel According to Judy Bloom
112. The Graduate by Charles Webb
113. The Grapes of Wrath by John Steinbeck
114. The Great Gatsby by F. Scott Fitzgerald
115. Great Expectations by Charles Dickens
116. The Group by Mary McCarthy
117. Hamlet by William Shakespeare
118. Harry Potter and the Goblet of Fire by J. K. Rowling
119. Harry Potter and the Sorcerer’s Stone by J. K. Rowling
120. A Heartbreaking Work of Staggering Genius by Dave Eggers
121. Heart of Darkness by Joseph Conrad
122. Helter Skelter: The True Story of the Manson Murders by Vincent Bugliosi and Curt Gentry
123. Henry IV, part I by William Shakespeare
124. Henry IV, part II by William Shakespeare
125. Henry V by William Shakespeare
126. High Fidelity by Nick Hornby
127. The History of the Decline and Fall of the Roman Empire by Edward Gibbon
128. Holidays on Ice: Stories by David Sedaris
129. The Holy Barbarians by Lawrence Lipton
130. House of Sand and Fog by Andre Dubus III
131. The House of the Spirits by Isabel Allende
132. How to Breathe Underwater by Julie Orringer
133. How the Grinch Stole Christmas by Dr. Seuss
134. How the Light Gets In by M. J. Hyland
135. Howl by Allen Ginsberg
136. The Hunchback of Notre Dame by Victor Hugo
137. The Iliad by Homer
138. I’m With the Band by Pamela des Barres
139. In Cold Blood by Truman Capote
140. Inferno by Dante
141. Inherit the Wind by Jerome Lawrence and Robert E. Lee
142. Iron Weed by William J. Kennedy
143. It Takes a Village by Hillary Rodham Clinton
144. Jane Eyre by Charlotte Bronte
145. The Joy Luck Club by Amy Tan
146. Julius Caesar by William Shakespeare
147. The Jumping Frog by Mark Twain
148. The Jungle by Upton Sinclair
149. Just a Couple of Days by Tony Vigorito
150. The Kitchen Boy: A Novel of the Last Tsar by Robert Alexander
151. Kitchen Confidential: Adventures in the Culinary Underbelly by Anthony Bourdain
152. The Kite Runner by Khaled Hosseini
153. Lady Chatterleys’ Lover by D. H. Lawrence
154. The Last Empire: Essays 1992-2000 by Gore Vidal
155. Leaves of Grass by Walt Whitman
156. The Legend of Bagger Vance by Steven Pressfield
157. Less Than Zero by Bret Easton Ellis
158. Letters to a Young Poet by Rainer Maria Rilke
159. Lies and the Lying Liars Who Tell Them by Al Franken
160. Life of Pi by Yann Martel
161. Little Dorrit by Charles Dickens
162. The Little Locksmith by Katharine Butler Hathaway
163. The Little Match Girl by Hans Christian Andersen
164. Little Women by Louisa May Alcott
165. Living History by Hillary Rodham Clinton
166. Lord of the Flies by William Golding
167. The Lottery: And Other Stories by Shirley Jackson
168. The Lovely Bones by Alice Sebold
169. The Love Story by Erich Segal
170. Macbeth by William Shakespeare
171. Madame Bovary by Gustave Flaubert
172. The Manticore by Robertson Davies
173. Marathon Man by William Goldman
174. The Master and Margarita by Mikhail Bulgakov
175. Memoirs of a Dutiful Daughter by Simone de Beauvoir
176. Memoirs of General W. T. Sherman by William Tecumseh Sherman
177. Me Talk Pretty One Day by David Sedaris
178. The Meaning of Consuelo by Judith Ortiz Cofer
179. Mencken’s Chrestomathy by H. R. Mencken
180. The Merry Wives of Windsor by William Shakespeare
181. The Metamorphosis by Franz Kafka
182. Middlesex by Jeffrey Eugenides
183. The Miracle Worker by William Gibson
184. Moby Dick by Herman Melville
185. The Mojo Collection: The Ultimate Music Companion by Jim Irvin
186. Moliere: A Biography by Hobart Chatfield Taylor
187. A Monetary History of the United States by Milton Friedman
188. Monsieur Proust by Celeste Albaret
189. A Month Of Sundays: Searching For The Spirit And My Sister by Julie Mars 190. A Moveable Feast by Ernest Hemingway
191. Mrs. Dalloway by Virginia Woolf
192. Mutiny on the Bounty by Charles Nordhoff and James Norman Hall
193. My Lai 4: A Report on the Massacre and It’s Aftermath by Seymour M. Hersh
194. My Life as Author and Editor by H. R. Mencken
195. My Life in Orange: Growing Up with the Guru by Tim Guest
196. Myra Waldo’s Travel and Motoring Guide to Europe, 1978 by Myra Waldo 197. My Sister’s Keeper by Jodi Picoult
198. The Naked and the Dead by Norman Mailer
199. The Name of the Rose by Umberto Eco
200. The Namesake by Jhumpa Lahiri
201. The Nanny Diaries by Emma McLaughlin
202. Nervous System: Or, Losing My Mind in Literature by Jan Lars Jensen
203. New Poems of Emily Dickinson by Emily Dickinson
204. The New Way Things Work by David Macaulay
205. Nickel and Dimed by Barbara Ehrenreich
206. Night by Elie Wiesel
207. Northanger Abbey by Jane Austen
208. The Norton Anthology of Theory and Criticism by William E. Cain, Laurie A. Finke, Barbara E. Johnson, John P. McGowan
209. Novels 1930-1942: Dance Night/Come Back to Sorrento, Turn, Magic Wheel/Angels on Toast/A Time to be Born by Dawn Powell
210. Notes of a Dirty Old Man by Charles Bukowski
211. Of Mice and Men by John Steinbeck (will NEVER read again)
212. Old School by Tobias Wolff
213. On the Road by Jack Kerouac
214. One Flew Over the Cuckoo’s Nest by Ken Kesey
215. One Hundred Years of Solitude by Gabriel Garcia Marquez
216. The Opposite of Fate: Memories of a Writing Life by Amy Tan
217. Oracle Night by Paul Auster
218. Oryx and Crake by Margaret Atwood
219. Othello by Shakespeare
220. Our Mutual Friend by Charles Dickens
221. The Outbreak of the Peloponnesian War by Donald Kagan
222. Out of Africa by Isac Dineson
223. The Outsiders by S. E. Hinton
224. A Passage to India by E.M. Forster
225. The Peace of Nicias and the Sicilian Expedition by Donald Kagan
226. The Perks of Being a Wallflower by Stephen Chbosky
227. Peyton Place by Grace Metalious
228. The Picture of Dorian Gray by Oscar Wilde
229. Pigs at the Trough by Arianna Huffington
230. Pinocchio by Carlo Collodi
231. Please Kill Me: The Uncensored Oral History of Punk Legs McNeil and Gillian McCain
232. The Polysyllabic Spree by Nick Hornby
233. The Portable Dorothy Parker by Dorothy Parker
234. The Portable Nietzche by Fredrich Nietzche
235. The Price of Loyalty: George W. Bush, the White House, and the Education of Paul O’Neill by Ron Suskind
236. Pride and Prejudice by Jane Austen
237. Property by Valerie Martin
238. Pushkin: A Biography by T. J. Binyon
239. Pygmalion by George Bernard Shaw
240. Quattrocento by James Mckean
241. A Quiet Storm by Rachel Howzell Hall
242. Rapunzel by Grimm Brothers
243. The Raven by Edgar Allan Poe
244. The Razor’s Edge by W. Somerset Maugham
245. Reading Lolita in Tehran: A Memoir in Books by Azar Nafisi
246. Rebecca by Daphne du Maurier
247. Rebecca of Sunnybrook Farm by Kate Douglas Wiggin
248. The Red Tent by Anita Diamant
249. Rescuing Patty Hearst: Memories From a Decade Gone Mad by Virginia Holman
250. The Return of the King by J. R. R. Tolkien
251. R Is for Ricochet by Sue Grafton
252. Rita Hayworth by Stephen King
253. Robert’s Rules of Order by Henry Robert
254. Roman Holiday by Edith Wharton
255. Romeo and Juliet by William Shakespeare
256. A Room of One’s Own by Virginia Woolf
257. A Room with a View by E. M. Forster
258. Rosemary’s Baby by Ira Levin
259. The Rough Guide to Europe, 2003 Edition
260. Sacred Time by Ursula Hegi
261. Sanctuary by William Faulkner
262. Savage Beauty: The Life of Edna St. Vincent Millay by Nancy Milford
263. Say Goodbye to Daisy Miller by Henry James
264. The Scarecrow of Oz by Frank L. Baum
265. The Scarlet Letter by Nathaniel Hawthorne
266. Seabiscuit: An American Legend by Laura Hillenbrand
267. The Second Sex by Simone de Beauvoir
268. The Secret Life of Bees by Sue Monk Kidd
269. Secrets of the Flesh: A Life of Colette by Judith Thurman
270. Selected Hotels of Europe
271. Selected Letters of Dawn Powell: 1913-1965 by Dawn Powell
272. Sense and Sensibility by Jane Austen
273. A Separate Peace by John Knowles
274. Several Biographies of Winston Churchill
275. Sexus by Henry Miller
276. The Shadow of the Wind by Carlos Ruiz Zafon
277. Shane by Jack Shaefer
278. The Shining by Stephen King
279. Siddhartha by Hermann Hesse
280. S Is for Silence by Sue Grafton
281. Slaughter-house Five by Kurt Vonnegut
282. Small Island by Andrea Levy
283. Snows of Kilimanjaro by Ernest Hemingway
284. Snow White and Rose Red by Grimm Brothers
285. Social Origins of Dictatorship and Democracy: Lord and Peasant in the Making of the Modern World by Barrington Moore
286. The Song of Names by Norman Lebrecht
287. Song of the Simple Truth: The Complete Poems of Julia de Burgos by Julia de Burgos
288. The Song Reader by Lisa Tucker
289. Songbook by Nick Hornby
290. The Sonnets by William Shakespeare
291. Sonnets from the Portuegese by Elizabeth Barrett Browning
292. Sophie’s Choice by William Styron
293. The Sound and the Fury by William Faulkner
294. Speak, Memory by Vladimir Nabokov
295. Stiff: The Curious Lives of Human Cadavers by Mary Roach
296. The Story of My Life by Helen Keller
297. A Streetcar Named Desiree by Tennessee Williams
298. Stuart Little by E. B. White
299. Sun Also Rises by Ernest Hemingway
300. Swann’s Way by Marcel Proust
301. Swimming with Giants: My Encounters with Whales, Dolphins and Seals by Anne Collett
302. Sybil by Flora Rheta Schreiber
303. A Tale of Two Cities by Charles Dickens
304. Tender Is The Night by F. Scott Fitzgerald
305. Term of Endearment by Larry McMurtry
306. Time and Again by Jack Finney
307. The Time Traveler’s Wife by Audrey Niffenegger
308. To Have and Have Not by Ernest Hemingway
309. To Kill a Mockingbird by Harper Lee
310. The Tragedy of Richard III by William Shakespeare
311. A Tree Grows in Brooklyn by Betty Smith
312. The Trial by Franz Kafka
313. The True and Outstanding Adventures of the Hunt Sisters by Elisabeth Robinson
314. Truth & Beauty: A Friendship by Ann Patchett
315. Tuesdays with Morrie by Mitch Albom
316. Ulysses by James Joyce
317. The Unabridged Journals of Sylvia Plath 1950-1962 by Sylvia Plath 318. Uncle Tom’s Cabin by Harriet Beecher Stowe
319. Unless by Carol Shields
320. Valley of the Dolls by Jacqueline Susann
321. The Vanishing Newspaper by Philip Meyers
322. Vanity Fair by William Makepeace Thackeray
323. Velvet Underground’s The Velvet Underground and Nico (Thirty Three and a Third series) by Joe Harvard
324. The Virgin Suicides by Jeffrey Eugenides
325. Waiting for Godot by Samuel Beckett
326. Walden by Henry David Thoreau
327. Walt Disney’s Bambi by Felix Salten
328. War and Peace by Leo Tolstoy
329. We Owe You Nothing – Punk Planet: The Collected Interviews edited by Daniel Sinker
330. What Colour is Your Parachute? 2005 by Richard Nelson Bolles
331. What Happened to Baby Jane by Henry Farrell
332. When the Emperor Was Divine by Julie Otsuka
333. Who Moved My Cheese? by Spencer Johnson
334. Who’s Afraid of Virginia Woolf by Edward Albee
335. Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire
336. The Wizard of Oz by Frank L. Baum
337. Wuthering Heights by Emily Bronte
338. The Yearling by Marjorie Kinnan Rawlings
339. The Year of Magical Thinking by Joan Didion
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First off, your blog has increased my sympathy for Lucille's character, so congratulations, I hope you're proud. Though, to be fair, I was never in the EvilTM camp, more of the Batshit Crazy Because Of Massive Trauma viewpoint, which, you know, she was.
Anyways, my actual reason for the ask is about Eunice. I've never read any of the extra source material so I don't know if this is explained somewhere. But basically why Eunice McMichael?
The Sharpes presumably met the McMichaels while they were visiting Alan in London (perhaps his graduation?). There's no father in the picture, but otherwise, she doesn't seem to fulfill any of their criteria. She has family and is highly social (lots of people to notice and care if she went missing/died), she's young and desirable to have as a wife (there must've been some competition for her back home at least), she's not older or widowed (i.e. "undesirable"), and while she's clearly rich, she's not the sole inheritor of her family's estate (they'd be working solely with her dowry, a much lower figure).
It's heavily implied (/stated outright?) that Lucille is the one who chooses Thomas's brides. There's no logical reason to choose Eunice. But following with your "sapphic" take on Lucille, I think she just has a thing for Eunice.
A lot of words just to say that but what are your thoughts?
Welcome to the Lucille Appreciators Club! Meetings are Fridays at 7:30. I'll bring snacks.
So, this is such an interesting question. The bios don't shed much light but they do provide some on how the Bride Selection Process works
Namely, that it's far from an exact science.
Per the bios, Bluebearding has never been Plan A. Plan A is finding investors for the goo-mining business. Marriage + Murder is the fallback option- that they keep having to fall back on. They've never actually chosen a bride on purpose before Enola, exactly- Margaret developed a passion for Thomas on her own; Pamela's dying father begged Thomas to marry his disabled daughter so she'd be cared for. Enola seems to have been the first one who didn't just fall into their laps, so to speak
And Thomas picked her.
So no, it's not always Lucille's choice- she encouraged him to go along with Mr. Upton's notion and propose to Pamela, the first time, but how much she was involved with the inception of the other marriages is up for debate. Which makes me think Thomas picked Eunice- I can't imagine such a fluttery little social climber being other than annoying to Lucille.
Why EITHER of them thought she was a good idea when she had so many friends and family to miss her...well, the Sharpes aren't very good at crime, frankly. Enola still has relatives writing to her five years later, so I suspect they would have come looking for her eventually. The snare seems to have been tightening around Thomas and Lucille for a while now, without them knowing it.
I do imagine that Edith's superior "qualifications" made a key lynchpin of Thomas' argument to convince Lucille to switch targets, though. And an interesting Word of Actor tidbit: Jessica Chastain thinks Lucille's desire to protect Edith by leaving her alone, at first, was genuine. Because she loves delicate, beautiful things, and saw Edith that way.
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❄ small - one chicago au ❄
Hailey Upton and Adam Ruzek have been friends for as long as they can remember. When Hailey leaves her prestigious private school to be with Adam in her junior year, she’s introduced to a new group of people who feel strangely like home.
pairings
jay halstead x hailey upton
adam ruzek x kim burgess
kevin atwater x vanessa rojas
kelly severide x stella kidd
masterlist | series masterlist
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❄ one ❄
Hailey let out a loud huff as she hung upside down off of Adam’s bed one afternoon. She had been at her new school for two weeks and so far, she had spent one lunchtime locked inside a toilet cubicle, two in an empty classroom, three wandering the halls with a sandwich in hand and the rest in the janitors closet. She had attempted to talk to some people in her biology class but when they had ditched her in the hall, she had been too embarrassed to search for Adam and ask if she could sit with him. In the end he had managed to find out anyway — Hailey wasn’t very good at lying to Adam — leaving him to insist that she meet his friends.
“Are you sure they’re not going to mind, Adam?” Hailey asked nervously, her hair strewn across the ground of his bedroom floor. “They seem really tight knit and —“
“You need to stress less, man,” Adam chuckled, glancing down that the girl from the head. “You also should probably sit up before all the blood rushes to your head.”
“But hanging like a bat is fun.”
“So is being conscious.”
Hailey sighed loudly as she pushed her legs off of Adam’s bed and instead starfished out on the ground. She was nervous, but covered well — if she wanted to make Adam’s friends to like her, she was going to have to. Adam had always spoken highly of them, making Hailey worry that maybe they were too good for her. After all, she was just Hailey Upton. Plain old boring Hailey Upton.
A knock sounded at Adam’s door as his mother pushed it open far enough for her to poke her head through, a warm smile on her face as she looked between Adam and Hailey.
“Are you two hungry?” Pamela asked gently, brushing a piece of hair behind her ear. “I can fix something for you both if you want a snack or something.”
Hailey looked to Adam who shrugged, his eyes tearing away from the textbook he had been pretending to read for the last hour. “I mean if you’re making something, I don’t think we’d be opposed.”
“Well what do you want?” Pamela had an amused smirk on her face as she tutted playfully at her son for a moment. “Hailey?”
“A hash brown.”
Pamela chuckled, nodding her head up and down. “Hash browns. I can do hash browns. What about dinner? What do you both want for dinner? I’m in a good mood today, so I may be inclined to make you whatever you want.”
“Actually — I can’t stay for dinner tonight, Pam,” Hailey interjected with yet another sigh. “I promised my mom I’d help her this apple pie that she’s found the recipe for. She’s really excited about it — it’s kind of adorable.”
Pamela smiled, though Hailey could see the fondness mixed in with worry in her eyes. They didn’t address it — they never addressed it — it was more of an unspoken fact at this point. In their neighbourhood, when things happened everybody locked their doors so that they could have plausible deniability — nobody wanted to get involved directly. Adam’s family had been the first ones to ever offer up a place of solace for Hailey, who was now the only child left at home after her brothers had left for college or to go and work — the first ones to ever actually acknowledge that something was going on. Hailey didn’t know if it was because Bob was a police officer or if it was because they were nice people breaking away from the sense of conformity that had been forced upon everybody on the street, but either way she didn’t mind. She liked it at Adam’s house. Hence why she spent most of her time there. Hell, she even had a key hanging off of her keychain for the Ruzek’s residence — she was family.
As Adam’s mother went off to put on some of the frozen hash browns she had in the oven, Hailey pushed herself back up and off of the floor and made her way back up onto Adam’s bed as she picked up her math textbook and stared down at the problems on her page. They were just that — problems — problems that Hailey wanted to set on fire so that she didn’t have to deal with them. Unfortunately for her however, she had been informed by her mother earlier that week that apparently that wasn’t how pre-calculus worked.
“Sometimes this stuff makes so much sense, and other times I feel like this sigma guy is going to try and eat me,” Hailey huffed angrily as she skimmed over the page and answered the very few problems she knew how to do. “Look! See? Doesn’t he look like he’s going to jump out of the page and try to swallow me whole?“
Adam chuckled at Hailey. “You’re doing better than me, at least. I’ve been staring at these chemical equations for days and if I don’t get them done tonight, Mr Ramirez is going to kick my ass. All I’m seeing is a bunch of letters — they mean nothin’ to me.”
“Let me see.” Hailey peered over at the boy’s book, using her finger to scan over the words. “Those are easy. Give ‘em here, I’ll do them.”
“You’re the best, Hailey.”
“Yeah, yeah,” Hailey grinned up at her friend. “I’m disappointed that it took you this long to work that out, doofus.”
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The next day back at school, Hailey waited anxiously out the front of her English classroom for Adam to come and find her and bring her to his friends. She drummed her fingers against her thigh as she looked around for the boy, about to chicken out and retreat to the janitor’s closet for yet another lunchtime when she saw the face of her best friend walking alongside a brunette girl. Hailey vaguely recognised her but couldn’t seem to put a name to the face, waving a hand politely in their direction as she pushed herself off of the wall.
“Hailey, this is Kim. Kim, this is Hailey.”
Kim grinned widely, waving hello to the blonde. “Hi! Sorry it took us so long to get here — Adam got himself locked in the lab and I had to come and rescue the idiot.”
“Of course he did.” A small smile of amusement came onto Hailey’s lips as she rolled her eyes playfully. “Where — uhm — where are the others?”
“They’re waiting in the art room,” Adam answered, putting an arm around Hailey as they began to walk, the man squeezing her into him comfortingly. “Quit being so nervous.”
“Wow, Adam. I’m cured.” Hailey quipped back monotonously. “Thank you so much.”
Adam smiled back at Hailey with an over-enthusiastically proud smile as Kim snickered from the other side of the man.
“I like you already, Hailey.”
As the three of them walked into the art room, closing the door behind them, Hailey was faced with a group of people all staring over at her. She instinctively moved a little bit closer to Adam as her heart skipped a beat, the girl clutching her books to her chest as she forced a smile. They seemed nice — they seemed really nice — would that mean that they wouldn’t like her because she didn’t always come across the same way? They seemed really close too, which worried Hailey. She wasn’t the type to gossip and she for sure wasn’t ever going to be able to have people over at her house in the situation that they’d want to hang out there. What would she tell them if they asked to have a study date at her house? Would any of them—
“Hailey,” Adam hummed in the girl’s ear as she snapped out of her oncoming vortex of overthinking. “I promise they won’t bite.”
Adam gave the girl an encouraging smile as she stepped further into the room, following Kim who naturally fell into place between another boy and an empty spot that Adam soon filled.
“Guys, this is Hailey,” Adam introduced lightly as she found a spot on top of one of the tables, her books being placed down behind her as she smiled shyly. “She’s got this crazy idea that you guys aren’t going to want her around.”
Kim gasped dramatically. “What? No! The more the merrier, girl!”
Hailey’s smile remained but her gaze dropped to her hands which were sitting in her lap as she tried to make herself seem less rigid. It had been so long since she had really tried with anybody that she had forgotten how to, the prospect overwhelming her just a little bit. She was used to accepting that things usually didn’t work out — she really didn’t want to get her hopes up.
“This is Kevin,” Adam pointed to the boy beside him as he gave a friendly nod. “You know Kim. Then there’s Jay, Kelly, Vanessa and Stella.”
Hailey noticed that she was beside Vanessa who held a hand up for a high-five which she happily returned, her smile widening just a bit further. On her other side was a dark haired boy with green eyes that were impossible to miss, the colour of his shirt only bringing them out more — she was pretty sure she had caught his name as Jay.
“I gotta go wash my hands in the bathroom,” Stella announced suddenly, looking at Vanessa and Kim who immediately stood up. “You wanna come with us, Hailey?”
Hailey nodded gently, she too rising to her feet as she glanced back at the textbooks she had placed on the table. “Yeah, sure. Um — Adam, can you —“
“Don’t worry.” Jay placed a hand on the books, nodding once in the girl’s direction. “I’ll watch ‘em for you.”
Hailey smiled gratefully at the boy before following the other three girls out of the art room and down the hall to where the bathrooms were. To her surprise, they were relatively empty — that was almost unheard of — with just the few freshman walking out after touching up their lip gloss.
“Ugh,” Stella groaned as she turned the water on and ran her hands beneath it. “Man, I love Hot Cheetos but they stain my fingers so badly.”
Kim chuckled lightly at the girl as she made some witty remark that earned another groan out of Stella while Hailey and Vanessa leaned up against the wall. Hailey had a leg propped up as she pulled her phone from her pocket, searching for something to do so that she didn’t feel so — uneasy.
The feeling of someone kicking her foot lightly bought her attention back to the girl standing beside her. She had a warm smile on her face as she looked up at Hailey with a knowing look, her arms folded loosely together.
“I get it, you know,” Vanessa started, causing Hailey’s eyebrows to knit together curiously. “I’ve been the new kid before. Twenty four times to be exact.”
Hailey’s eyes widened in shock. “Twenty four times?”
“Yeah,” Vanessa nodded with a light chuckle — it was obvious to Hailey that she had expected that reaction. “I’m a foster kid. Been in so many different homes at this point that I’ve lost count.”
“That’s rough,” Hailey’s voice was light and sympathetic. “I’m sorry.”
“Nah, don’t be. It’s alright. I just mean — you don’t have to be so nervous with us.”
Hailey shot the girl a smile as she settled slightly, feeling better about the whole situation now that she had connected with Vanessa. By the time they had gotten back to the art room, the boys were throwing skittles across the room and trying to catch them in their mouths like idiots.
Hailey resumed her position beside Jay once again, snorting lightly to herself as Adam nearly ran into a table after tripping over his own feet. When a skittle was thrown in Jay’s direction, he missed catching it in his mouth but instead managed to catch it against his chest with his hand, grinning as he turned it over.
“Green,” Hailey observed, her lips curled upwards. “My favourite.”
A certain sparkle could be seen in Jay’s eye as he held the skittle up by Hailey’s mouth, chuckling as the burst of flavour bought a beam to the girl’s features. As the rest of their lunch break came and went, Hailey felt much more at ease. For the first time in years, she finally had someone else she would be able to smile at in the halls — someone to say hello to in class. Even though she had only known them for an hour, she could tell she wanted to stick around. Besides — she could see how happy Adam was having all of his friends in one place.
Maybe it was about time things started getting better for Hailey after all.
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