#Vanitas No Carte | GHOST [AMV] | Explore Tumblr Posts and Blogs

missingmywing · 5 months

Text

Minato did not sign up for theatre shenanigans, what a shame Ryoji is dragging him into it anyway, and he's having fun with it anyway.

Day 5: Royalty/Vampire (Ao3 Link)

Ryoji and Minato are roped into trying out for the drama club’s winter play, in part because of their chemistry, in part because the drama club is short on people for background subplots. So Minato is pushed into the role of beleaguered princess, while Ryoji is the vampire infatuated with her. Minato is long-suffering and Ryoji is having the time of his life.

This chapter gave me so much trouble, you have no idea.

Also fun fact, a lot of inspiration for this chapter came from my friend convincing me to start playing the dating sim JACKJEANNE. It’s a really good game, and the vibes are immaculate.

Song I was listening to (from the first play in the game): https://www.youtube.com/watch?v=MB6KTTTZeSo

I also watched some Vanitas no Carte amvs so uhhhhh there's a bit of those vibes in a couple of parts.

~ ᙙᙖ ~

By December Minato had resigned himself to the fact that his third year was going to be comprised entirely of being dragged into various antics against his will.

While he’d been vaguely aware that the drama club existed he’d never expected their paths to cross in any meaningful way. He had no interest in acting. He definitely wasn’t volunteering to be in a play. He wasn’t interested.

As with most other things this year, he was recruited despite his own opinion on the matter. The club members were two people short of major characters because… something to do with how the characters were portrayed meant the remaining club members couldn’t or didn’t want to do it.

He wasn’t exactly sure of the reason because he’d been tuning out the club president’s begging of his help because he was not interested.

Naturally Ryoji was, and Minato found himself dragged to a rehearsal for the winter play after school to try out for a part he didn’t even particularly want. Ryoji was very lucky that Minato liked him so much.

And of course he was going to be put in a dress again if they liked him.

Minato sighed and read over the script. There was a general overview of the plot of the play - a samurai bumbling his way through a western style kingdom dispelling spirits and killing monsters to rescue the emperor’s kidnapped daughter in order to prove his worth and marry her - and Minato was supposed to be trying out for a princess supposedly suffering from a ghost haunting.

The twist was that the “ghost” was actually a cursed vampire in love with her and drinking her blood at night, thus leading to her waning health. It was a subplot that took up an entire third of the play and ended with the vampire breaking his curse out of love for the princess (and purifying royal blood apparently) and marrying her.

He supposed it fit the fairy tale feel of the play, but the whole premise was just ridiculous.

Ryoji was grinning in pure delight as he read through the script, though, so Minato pushed his exasperation to the side and read through his own audition parts. It was… about what he’d expected of it, really. Cliche and cheesy, the princess was demure and distant and quiet and generally as skeptical of the main character’s skill as everyone else in the play.

And then her interactions with the vampire were…

Alright he hadn’t been warned that they were secret lovers, that changed the whole arc’s plot.

“Seriously?” he asked Ryoji, waving the script in his direction. “Did you know about this?”

Ryoji beamed at him. “Why do you think I agreed to try out?”

“Because you’re a being of chaos who lives to torment me?”

“See, keep up those dramatics and you’ll do just fine!”

Ugh.

That said, he wasn’t enough of an asshole anymore to blow it off and not put in any effort so he memorized the lines. One of the senior members of the club was acting as a stand-in for the hero for their first meeting and he nodded encouragingly as Minato stepped onto the mock-stage in their chosen classroom. A couple of the other club members were around - acting as judges most likely - but any other club members or auditioners had been kept out.

He almost wished Ryoji - or Aigis, who had apparently also gotten roped into helping with this arc - were here so he wouldn’t feel as ridiculous as he did. He’d spent plenty of time learning to function socially last year so he was charming and courageous enough to at least pass this off as a non-issue but it was still… not his idea of fun.

The club members seemed to heavily disagree and were very impressed by his performance.

And thus he successfully auditioned for the play and got the part. Apparently so did both Ryoji and Aigis which meant he wouldn’t be getting any peace until the performance was complete.

“How does this keep happening to me?” he wondered aloud with a sigh as he sat on the couch in the dorms, Mitsuru, Yukari, and Shinji around.

Yukari sent him a dry look. “You keep letting Ryoji do what he wants.”

There was that. “It’s usually not worth the effort of fighting it.”

“There’s your problem,” Shinji snorted.

Mitsuru’s expression was amused as she flipped a page from her stack. “It’s not such a bad thing, is it? It gives you a broader range of experience.”

“I know,” he murmured, skimming the script. “And that’s his point - living to to fullest and experiencing as much as we can while we have time to do so. That doesn’t make me any more excited to be dragged into this.”

Pain flickered across her and Yukari’s faces as Shinji grimaced and Koromaru let out a soft whine and padded over to hop onto the couch and lean against him. He patted the dog and shrugged at the others. It was what it was, even if they didn’t like the reminder.

He looked up as the door swung open to admit Ryoji and Aigis with Junpei and Chidori trailing after them and let out a heavy sigh as he saw both Ryoji and Aigis holding their scripts. Ryoji’s grin upon catching sight of Minato was meant that he was about to be dragged into practicing.

They at least took mercy on him and pulled him up to his and Ryoji’s room so he wouldn’t be subject to SEES’ constant attention as well. Which was… something, he guessed.

“The princess, the vampire, and the hunter,” Ryoji mused as Minato flopped back onto the bed, leaning against the dresser. “Somehow this feels almost nostalgic.”

“Please don’t start fighting for real in the middle of the play,” Minato muttered. “The last thing we need is for you two to destroy the stage.”

“Of course not; it is merely a play after all.” Aigis tilted her head as she read through her script, a hand on her chin. “And the fight scenes seem relatively short as well.”

“We’ll also be using prop weapons, no guns or two meter swords.” Ryoji added with a laugh.

“No real guns,” Minato amended pointedly. “They have models that Aigis will be using to try to shoot you.”

“I won’t miss,” she vowed gravely.

Ryoji leaned away with a joking wince. “I mean, you could miss a little.”

“Pretty sure she’s supposed to hit you at the end of the arc, and that’s when the princess intervenes and asks the hero to help her convince everyone that the vampire isn’t horrible.”

“Somehow you were both the princess and the hero.”

“Pretty sure I was just the princess, and I only had to win the hunter over given we all agreed not to tell SEES while they were still coming to terms with everything else at Yakushima.”

“I do not believe I was too difficult to win over,” Aigis murmured, almost to herself.

“Only because you didn’t want to risk hurting Minato,” Ryoji pointed out with a small smile. “It took you a while to warm up to me, even with Minato’s word. You really didn’t trust me.”

“You were a Shadow, after all. An enemy, even former, is not so easily trusted.”

True, she’d been wary for a while. But she’d put her faith in Minato - something he still didn’t fully understand - and come around to viewing Thanatos as an ally in keeping Minato and the world safe, and Ryoji as a friend.

She wouldn’t have pled with them both so earnestly to survive if she hadn’t.

Ryoji shrugged it off. “Well you did come around, and we can use the experience to help us with the play!”

“So who’s subbing in for the hero and king in my introduction scene?” Minato deadpanned as he waved the script at them. “I’d rather not mime at empty air.”

“Aigis would probably be a better hero, and I can play the king. We might have a problem when all five characters are in the same scene, though…"

“That will not be until the end of the arc. We can deal with that problem when we get to it, yes?”

“True enough! So the scene starts…”

~ ᙙᙖ ~

The rehearsals weren’t bad - were actually pretty fun, once he got used to it. They were exhausting, but at least he had a relatively small part overall and the lines were easy enough to memorize. Aigis and the guy playing the hero were easy to bounce off of too, which was nice.

Ryoji and Aigis also worked well together - though the level of intensity between the two of them was… good for the play, but it just made him pinch his brow in exasperation. At least they seemed to be having fun with it.

He was not looking forward to his first scene with Ryoji.

They hadn’t even begun practicing for it yet, but he could already feel the mortification anytime he skimmed through the script. They were already probably the worst-kept open secret in the school by this point and showcasing their relationship on stage in front of anyone who came to the play was not something he’d ever intended. The plausible deniability of it was dwindling by the month…

Not that it would really matter, in the grand scheme of things, but rumors were annoying enough without actively fueling them.

The things he did for his boyfriend…

“So,” Ryoji said cheerfully a couple of weeks later, dropping back onto the bed with a small bounce and a grin, “we’ll be having our first scene together soon, so we should practice.”

Minato sighed, dropping his bag heavily on the desk as he slumped against it. “Really…?”

“Come on, it’ll be fun!”

If it hadn’t been in front of dozens of people, maybe.

Minato sent him a dubious look and flipped the script open to the scene. “The hero stumbles across the princess and vampire having a ‘tender moment’, thus realizing that they are secretly involved. They have a conversation in which the princess asks the vampire to ‘whisk her away’ and he promises to do so soon, which leads to the final scene where he tries to kidnap her, fights the hunter nearly to the death, and then the princess intervenes and asks them to leave him alone.” The look Minato sent Ryoji made him snicker. “And we have to do this in front of dozens of people.”

“So what?”

“You know what,” Minato muttered with another sigh. “Life was easier when I didn’t care about anything. Now people annoy me.”

Ryoji’s expression softened. He pushed himself up off the bed and walked over to lean against Minato and slip his arms around him, pressing his cheek to Minato’s hair. “Are you that worried about it?”

Well, no. It was exasperating and he wasn’t exactly thrilled to be put on stage in front of so many people, and the ribbing and increased whispered rumors would be irritating, but it was the inconvenience rather than anything serious that bothered him.

“It’s fine,” he said, nudging Ryoji back. “I’ll tune it out.”

A soft hum was his response and Ryoji pressed their foreheads together. “I’ll be here,” he promised.

He knew. Ryoji always was. Always had been - no matter what Minato needed, Death, Thanatos, and Ryoji had always been there.

Rather than responding Minato reached up to rest a hand on Ryoji’s shoulder and closed his eyes with a soft murmur of, “Ever at my side - but how far are we to go? If we are to stay here we are surely to be torn apart. But if we are to leave we shall be ever hunted by those who wish for my return. Is there no true freedom to be found?”

A squeeze of his waist was his response as Ryoji continued the script. “We shall go as far as necessary to be together. To the very ends of the earth if we must. I will stay by your side and protect you no matter the challenges - if I must fight off mercenaries, armies, or the world itself I will hold and cherish you forevermore.”

“Pretty words do not a promise make, my beloved.”

“You think my words empty?”

Minato opened his eyes and pulled back to glare at him. “I think your life and strength more limited than you may believe,” he retorted. “Would you leave me alone in your battles against the world? Abandoned with naught but ash and stakes to hold? You may fight mercenaries and armies and the world itself, but can you swear you would triumph?”

Ryoji hesitated, casting his eyes down. “I would fight to the last.”

“The last is no good if you do not return to me. I do not want you to die for me, I wish for you to live with me.”

He caught Minato’s hand and brought it up to his lips - which wasn’t in the script but it was a very Ryoji thing to do - and sighed. “Right though you may be, it brings me naught but pain to be parted thus from you. Hiding in the shadows, sneaking through your window, stealing you away for but a few moments in the silence of night… ‘tis an agony we must bear. My unbeating heart has been yours since first we met and yet I cannot even give it to you properly.”

“And mine yours. Would that I could be spirited away from this pain without dooming us both.”

“I will find a way - this I swear to you!” Minato’s breath hitched in surprise as Ryoji suddenly pulled him close and ducked down to press his lips against his throat.

He was supposed to have a line here but his mind had blanked out at the unexpected motion and all he could say was, “If you do that on stage we’re going to get kicked off.”

Ryoji paused and pulled back, blinking at him. “Is that too much? I thought it symbolic, given he’s supposed to be a vampire.”

“It’s still a school play, you can’t start being too scandalous on stage.”

“Is that scandalous…?”

“Most people consider it to be, yes,” Minato deadpanned. “That’s too intimate unless it’s dramatized right.”

“I could bite you instead.”

“If you bite me on-stage I’m kicking you off myself.”

Ryoji laughed and bumped their foreheads together. “Alright, alright, I’ll tone it down. For the sake of our director if nothing else.”

“We’ll find out how they want us to perform it later this week either way, but given how they have us doing the rest of the play I doubt they want it to have a too serious a tone…” The drama club leaned hard into the “drama” part of their name so they were more likely to want a loud, melodramatic rendition of the scene than a quiet intimate one.

Which was easier for Ryoji than Minato, whose attitude on melodrama was to avoid it as much as possible.

“True enough. So we have to the end of the week to memorize that part of the script!”

Which meant practice. For both them and Aigis, who showed up at the end of the scene to accuse the vampire of trying to attack the princess and instigating a fight scene. The hero was supposed to be on a balcony above them ruminating on his own journey and accidentally eavesdropping on them, but he fortunately didn’t have any lines until after the hunter and vampire began their fight so the three of them could practice alone.

Minato was very relieved that they didn’t have to involve the rest of SEES in their practice sessions.

The rehearsals continued relatively smoothly - though not without their own stumbles or minor disasters of forgotten lines or arguments about characterization or the occasional near fistfight between the director and one actor or another - and Minato watched the final dates creep ever closer with trepidation.

The role came easily enough by now, and he, Ryoji, and Aigis had settled into their characters and the relationship between them well enough that scenes between the three of them rarely had to be reworked or altered, but…

Well, the other actors weren’t quite so easy for he and Aigis to work with. Aigis in particular made others stumble after one of her line deliveries was a bit more monotone or disjointed than they expected. The director liked it because he said it made the hunter feel cooler and more mysterious, but it tripped everyone else up a lot at first. They adjusted, slowly, and Aigis adjusted to meet them, but it was a learning curve for everyone.

And he and Ryoji kept getting a lot of raised eyebrows, rolled eyes, and ribbing after their “private scenes” where the princess and the vampire were sneaking aside for a quick conversation here and there.

And then there were the costumes.

Once they reached the point where the performance was close enough to begin rehearsing in costume, suddenly Minato was being shoved back into a dress - a big, heavy dress - twice a week on the stage in the auditorium. He at least wasn’t the only one - the king’s robes were just as heavy and ridiculous - but he was envious of Aigis and Ryoji’s minimal layers.

Granted they still had to mock-fight in theirs while he mostly stood around so maybe they weren’t really any less hot than him in the end.

Ultimately the couple of months leading up to the final performances went fairly smoothly aside from the usual mishaps. He only tripped on the dress and nearly face-planted once - and Ryoji and Aigis were both suddenly there to catch him causing raised eyebrows from the rest of the group - only a couple of prop swords were broken, Aigis only knocked Ryoji off the stage twice, the hero somehow manage to fall off the balcony once a week but was never injured, the king kept finding increasingly ridiculous ways to throw himself onto his throne with shock and despair when the princess and vampire revealed their relationship and overall Minato found himself having quite a bit of fun despite his disquiet.

Ryoji did jokingly offer to bite him for real in the reveal scene the first time they rehearsed it and Minato was not at all joking when he threatened to throw him off the stage if he did. Aigis volunteered to help.

Ryoji didn’t bite him.

The rest of SEES were vocal about their excitement to see the play - well, Shinji didn’t care and Ken was trying to play it off as usual, but the rest of them kept bringing it up - and Minato generally ignored them. He had no doubt they’d be there for the first performance, but he’d deal with that when they got there. Until then he wasn’t thinking about it.

(Wasn’t thinking about how much they would recognize in what Minato, Ryoji, and Aigis were putting into their characters.)

Several of his Social Links had also declared that they would be showing up to watch the play and Minato just groaned and told them that they really didn’t have to Not that they listened, but he tried.

But no matter his wishes the days still crept past and suddenly it was the week of the performance.

It was… stressful. Last minute panic and nerves and stage fright all around, forgotten lines and prop mishaps, costume adjustments, line adjustments, and endless arguments as tensions ran high as the first performance loomed. Minato, Ryoji, and Aigis seemed to be the only ones unaffected by the tension - though their previous experience with Nyx at the top of Tartarus likely had something to do with that.

It was hard to be frightened by anything after that.

And so the day of the first performance arrived, they ran through the play in one final rehearsal in the morning, and then it was creeping into evening and the auditorium opened for people to begin filing in. The rest of the crew kept running around and glancing out of the gaps between the curtains and generally making themselves more anxious while Minato leaned against the wall doing the assigned reading for history and refusing to acknowledge the crowd outside. If he pretended it wasn’t there he wouldn’t have to think about SEES undoubtedly in whatever ridiculous seats Mitsuru had reserved for them and wouldn’t have to overthink their potential reactions to the events of the play.

“Ready?” Ryoji asked directly in his ear, and he reflexively elbowed him in the stomach.

The boy doubled over wheezing while Minato sent him an unimpressed look. “Why did you decide to do that?”

“Just getting into character!”

Right.

“You'll have plenty of time to skulk menacingly and grab me from behind in your introduction scene,” he said blandly, returning to his book. “I'll try not to elbow you this time.”

“I would appreciate that…”

“Please do not injure our vampire half an hour before the curtains rising!” The director called as he hurried past.

Minato rolled his eyes. “It’ll take more than an elbow to injure him, he’ll be fine.”

Ryoji pouted at him as he plastered himself to Minato’s back, dropping his chin on his shoulder and wrapping his arms around his waist. “I’m hurt - I thought you were supposed to be on my side!”

“The princess might be but we’re not on stage yet.”

“No, but we will be soon,” Aigis said as she joined them, adjusting the model gun on her waist. “It is strange to require a physical gun, even if it is merely for show. I never required an evoker.”

Minato hummed, hand drifting to his own empty waist where his costume did not have any weapons. Seeing the other cast with their weapons made him miss his own, but his role didn’t have one. “You get used to it.”

She frowned but before she could speak the director called everyone’s attention for one last pep talk - mixed with some overview warnings about common mistakes - and then directed everyone to their starting positions to be ready for the curtain to rise.

Their arc was the second in the play after the opening and travel by the hero to the lands to the west, so they had a while to hang back and watch from backstage. They could see bits of the crowd from where they were, and against his will Minato found a tension settling in his chest. This was nothing even remotely as difficult or dangerous as even a standard Tartarus run, but it was also wildly out of his comfort zone and area of expertise.

Ryoji and Aigis, naturally, were immune to such mundane human concepts such as stage fright. Minato was too to a degree but still.

Why had he let Ryoji talk him into this?

He watched the opening act and mentally traced through the story in his head to make mental note of his cues.

The story began in Japan - or a variant of it - in feudal times. The hero was a wandering samurai without any particular accolades to his name who nonetheless fell in love with the one of the emperor’s daughters and courted her in secret while they tried to find a way for him to win the emperor’s favor. The story took a sudden twist when she was whisked away from the palace by a sorcerer from the west, and the samurai was the first to volunteer to hunt her down and return her safely home. In return, he would be promised her hand. The emperor agreed, and away the samurai went after bartering the journey from a trading ship.

The first arc took place partially on the ship and partially in the port city, where the sailors and merchants were plagued by sirens luring their men to their deaths. In order to get information about the sorcerer, the hero agreed to help the city get rid of the sirens.

There were a series of mishaps and failed attempts and one near-fatal scrape from the hero of trying to get maidens in the town to outsing them, attempts to harpoon them, and an attempt to bargain with them before the hero remembered the kami-blessed flute he’d inherited from his grandmother from her time as a shrine maiden for the goddess of music. His grandmother had told him that there wasn’t a more beautiful sound in all the world, and so he took the next ship out and began playing the flute as soon as the sirens began singing.

(The boy playing the hero had spent many afternoons frantically begging the band to teach him how to play a traditional wooden flute in order to make this scene work, and Minato had been impressed by his dedication. The band had too, apparently, and at least one argument had broken out between them and the drama club president over trying to recruit him.)

It enchanted the sirens so much that they stopped singing entirely, and in the silence he demanded that they leave and never attack humans again. They agreed on one condition - that he taught them to play the flute. He agreed in turn, and the bargain was struck. He taught them to play and told them how to make the instruments and in return they left the city.

The hero returned to the city triumphant and was told of the sorcerer’s cursed kingdom to the far north. The fastest way to get there was to head east towards the forested kingdoms, where they could offer more direct transportation there. The hero thanked them and moved on, which was the cue for the intermission before the second arc and Minato took a breath as the curtains fell closed to the audience applause.

The crew quickly scattered across the stage to change the props while the boy playing the hero collapsed into a chair and accepted a bottle of water from the director.

“So far so good, just keep it up,” the director encouraged them. “It’s gone smoothly so far, now we just have to hope that no one falls off of any balconies or breaks any swords.” He sent a pointed look at both the hero and Aigis - the two most common offenders. “If we can get through the fight scenes between those two without anything breaking we should be in the clear in terms of props. For lines, remember to enunciate and project. Mics can only do so much with the way they’re balanced.” That got looks sent at both Minato and the emperor’s daughter, because neither of them were good at loud and they both got monologues thanks to the roles they played in the story.

Monologues and a scene where they were begging for their lovers’ lives to be spared, which meant they had to make it sound heartfelt and they’d both been told multiple times to be louder and more passionate. They’d mostly gotten it - thanks to practicing together a few times and in Minato’s case one uncomfortable practice session between he, Ryoji, and Aigis that had sent all three of them into unpleasant memories of Yakushima - but it wasn’t something that came naturally to either of them.

Minato was going to have to lean on those memories of that uncomfortable and upsetting confrontation in the Dark Hour of Yakushima’s beach, wasn’t he? Granted Aigis and Ryoji probably would be too…

He let out a sigh and shifted to brush his arm against Ryoji’s at the director turned his attention to directing the prop team. Ryoji slipped their hands together and squeezed it reassuringly.

“It’ll be fun,” he murmured.

Minato snorted. “Fun isn’t quite the word I’d use. Especially the final fight scene.”

“Just project!”

The look Minato sent him was withering. “I’m going to be projecting Yakushima.”

Ryoji winced at the reminder while Aigis sighed softly. “As much as it pains me, that was also the event I was thinking of.”

“Well, yeah. It’s…” Ryoji trailed off, expression going distant as his mouth twisted down. “Yeah. It’s similar. We knew that.”

Minato squeezed his hand one more time before pulling away. “We did. It’ll be fine. Come on, we have positions to take up.”

“You have a position to take up,” Aigis corrected. “I do not come on until two scenes from now, and Ryoji has three.”

Minato waved them away and walked over to lean against the throne next to the king.

“Do not break that,” he warned, casting a quick glance towards the director. “Our dear director would have a fit.”

“I’m aware.” Minato pulled away from the throne and clasped his hands in front of him, channeling as much of Fuuka’s shy demeanor as he could. “Ugh. I never want to wear one of these again.”

“It looks good on you!”

“So I’ve been told. That doesn’t make it any more comfortable.” His voice dropped to a mutter. “Why are there so many layers?”

The king snickered. “Welcome to theater. If it’s any consolation I’m also dying, and so are our emperor and sorcerer.”

“At least it’s not just me.” And at least he didn’t have to fight in it. The sorcerer did, and she’d been miserable in all the costumed rehearsals.

“Alright, everyone in position - intermission is over in one minute!”

Minato took one final deep breath and tried to relax as he curled his shoulders inward and ducked his head. The princess was supposed to look timid and sickly in her first appearance - most of her appearances, really - so he had to at least try to match the body language.

The curtains rose and he was nearly blinded by the spotlights - closing his eyes and ducking his head while he waited for them to adjust. The crowd was nearly blocked out by it.

A minor relief.

The narrator began outlining the overview of the arc as the hero came on stage and bowed before the king to make his plea for transportation to the north.

The king stroked at his false beard - hopefully didn’t misjudge and yank it off like he had once or twice in rehearsal - and considered the hero. “The north you say? Why, that is quite the long and dangerous journey. I do have a carriage that can traverse the paths, aye, but you will have to prove yourself worth it. Tell me: what have you to bargain with?”

The hero straightened and raised his chin. “I have my sword, my pride, and a variety of skills felling beast and spirit alike. If there’s aught causing trouble in your kingdom or castle I can remove it.”

“Oho? Spirits you say? Why in that case I have just the task for you, swordsman. My daughter here is plagued by an evil spirit,” he gestured to the side and Minato dipped into a silent curtsy - he spent the first half of the arc with almost no lines to push the princess’ characterization before the sudden flip of realization in the second half - as the king continued, “-and we cannot discover what it is no matter what priests or exorcists we bring in. Perhaps you will have better luck with your experience of many travels.”

The hero bowed with a hand on his sword, and Minato made the mistake of glancing past him and catching sight of SEES sitting in the reserved seating. Of course they were. “I will do all in my power to banish this spirit and bring your daughter peace from this curse. Do you have an infirmary I may first visit? I would like to speak with them of the symptoms this spirit is causing.” He was glad he didn’t have any lines to remember in this scene.

“Why naturally! In fact, I will bring the infirmary to you! Guard, bring the matron would you? I would like to get to the bottom of this as quickly as possible!”

Minato began zoning out and watched from the corner of his eye as the guard bowed and walked off stage - hitting a quick high five with his girlfriend where she was preparing the props for the second half of the arc - and mock bowing to the matron who rolled her eyes at him as she stepped up to the edge of the curtain. They waited for the filler conversation between the king and hero to reach its cue and then returned to the stage.

He was almost a prop himself for most of this part - the king and matron had a conversation with the hero about the princess’ symptoms of weakness, pale skin, exhaustion, and all the other usual effects of blood loss. The hero would ask about the living situation in the castle, the religious practices, the diet, and a variety of other questions that were ultimately meaningless other than a hint here and there.

(The princess apparently wasn’t fond of the heavily spiced food of the south - garlic and thyme in particular was offensive to her palate apparently - and silver jewelry made her skin itch. Minato thought including those in this conversation was a bit too on the nose but it didn’t really matter.)

His gaze drifted across the crowd, curiously scanning for familiar faces.

SEES was SEES naturally, although why Mitsuru’s father was here was a question he was not going to ask. The man had been more hands-on with the school since Thanatos killed Ikutsuki, but the drama clubs’ play? Really? Whatever, he didn’t care.

Most of the student council were also here, as were half the kendo team, and all of his Social Links who were - or had been, in Keisuke’s case - students. Thankfully the only non-student Social Links here were the Kitamuras, who Minato had invited himself because this seemed like the type of thing they’d like. A part of him wished that Akinari, Bebe, and Mamoru were still around because Akinari and Bebe would have loved this, and Mamoru probably would have had fun ribbing him about it.

At least he could still send Bebe and Mamoru letters telling them about it, but it still sent a pang through him to know that he couldn’t do the same to Akinari. The boy’s mother was here though - he caught sight of her smiling at an aisle seat. Minato talked to her occasionally still, often on that same park bench, and he’d invited her here hoping she’d enjoy it. Nothing could replace or bring back Akinari, but sometimes doing things that you knew they’d loved could make you feel closer to them. She’d liked the idea, and he just hoped she’d like the play.

Minato was drawn from his musings by the king leaping to his feet - he somehow managed to make the action more dramatic each time he did it, they all swore by it - and shouting that they would get to the bottom of this no matter what and save his daughter.

Cue scene change, where the hero, guard, and matron began inspecting the castle for any signs of spirits and putting up “wards” against them. Minato was only in half the scene before he got to step off stage while they finished the “inspection”, jumped to the next morning, and Aigis made her introduction calling them idiots and claiming it to be a vampire - which they didn’t take seriously at first. So she declared that she would prove it and set a trap for the vampire that he would fall into that night.

The lights went out and Minato had to dart across the stage - without tripping over the dress again - to lie on the fake bed while Aigis and the hero “hid” around the corner. The lights came back on with a blue tinge, and Minato could hear Ryoji sneak through the fake window and creep towards the bed.

(He’d never gotten a satisfactory answer to why the princess didn’t warn the vampire of the trap other than a shrug and “plot”, and he’d long stopped thinking about it.)

Just as he reached the bed the hunter and hero leapt out and attacked him, driving him back, and he recoiled from the hunter’s silver dagger with a loud cry before fleeing. The hunter declared it proof enough, and this time the hero and king agreed.

Minato finally had his first lines - the princess protesting when the king and hunter suggest more secure quarters for her such as the high tower or the rooms near the dungeons. They begin weakly enough - complaints about the loss of comfort of her quarters, of the chill of underground or drafts of the tower, of the seclusion from the rest of the castle and dangers therein - and culminate in Minato’s first discomfort of the play.

He had to turn from the king and address the crowd directly, beseeching them as the princess was beseeching her father, and it was more nerve-wracking than anything else had been because there had never been a crowd in the rehearsals.

His gaze flicked frantically across them for something to latch on to to anchor him and found himself accidentally locking eyes with Mitsuru. Which was unfortunate given the lines and context could send a message he really didn’t want to send, but it was too late now.

“Am I to be a prisoner in my own home?!” The princess demanded to nothing. “Locked away at your whim because of the actions of a creature I have no control over? Am I to pay for the sins of others simply for existing in a way that they covet?” He really wished it hadn’t been Mitsuru because he saw her slight wince and felt a twinge of guilt. He’d apologize and clarify later.

The king quickly jumped in to pacify the princess and the hero offered an alternative solution of more traps and protective wards around the princess’ room to prevent the vampire entry. The hunter was clearly and vocally displeased with the whole affair, but the princess wouldn’t budge and thus neither would the king. Thus, the princess stayed and the hero and hunter laid traps to protect her.

And Minato’s scenes as a prop disappeared as he took an active role in the plot. Not too much - the main speaking characters of this arc were the hero, king, matron, and guard - but enough that he didn’t have time to zone out anymore as he had to keep track of lines and cues.

The smaller conversational scenes passed in a blur of information exchange and gossip about rumors and the woes of a king protecting both his kingdom and his daughter, until suddenly the lights were dimming and turning blue and it was time for the scene he’d been both anticipating and dreading. They’d practiced this scene so many times that he didn’t even have to think to recall the lines, but the very large audience watching was an uncomfortable awareness in the back of his mind as he leaned out around the corner of a prop wall and glanced back and forth across the stage before stepping out.

The princess snuck out of the castle to meet with the vampire, careful not to be seen, while the vampire snuck out of the shadows to surprise her. Given it was the revelation to the audience that she and the vampire were lovers rather than enemies it was supposed to put them on-edge and surprise them.

The problem was that Ryoji also liked to try and surprise Minato which put him on-edge.

So he was fully expecting the boy to try to sneak up on him for real - only to realize with amusement that while Minato might not see him the audience could, and their reactions of sitting up and leaning forward gave away where he’d be. So when Ryoji grabbed him from behind his startled reaction was fake and he didn’t punch him in the face like he nearly had several times in rehearsals.

The princess pulled away and whipped around with a gasp as the vampire laughed in her ear, smacking his arm lightly and scolding, “Stop startling me like that!”

“But you make it so easy,” he teased back, reaching out to tuck her hair behind her ear. “And your reactions are so sweet!”

She huffed at him, catching his hand in hers. “You may find them less sweet as time passes if you do not desist.”

Another laugh and he suddenly pulled her close, making her gasp as he dipped her back. “Nonsense, for you are the sweetest of ambrosia and naught could change that my dearest lily.”

“You may come to regret those words in time,” she retorted, reaching up to wrap her arms around his neck. “If I am a sweet lily then you are a rose of the sharpest thorns - but though thorns can be cut away lilies can be no less poisonous.”

“What sweet, gentle poison it shall be that takes me then.”

This would normally be the point where Minato would shove him off and accuse him of being too cheesy but he didn’t get a say in that here. So instead he just sighed in quiet exasperation and continued the script. “I would rather you remain at my side than flee my presence so readily, my love.” He was never going to live this down. Never. “Already, others seek to tear you from my side.”

The vampire’s face twisted into something pained and he lifted the princess back to her feet and pulled her close. “They merely care for you. They see the toll I take from you-”

“-Of my own free will-”

“-and wish to spare you further pain. I can hardly fault them for that. They wish to protect you.”

“Their protection is merely a cage - a manner in which to bind me down and control my life! I do this of my own decision, to spare you the hurt of a far greater curse, and with full awareness of the consequences.”

“That does not negate the hurt it inflicts upon you.”

“A temporary hurt,” she retorted. “Once the curse is lifted you’ll no longer need rely on me and I will return to my former self.”

He sighed, leaning down to press his head to hers. “The temporary nature of it does not negate the hurt. Would that I could avoid it altogether…”

Ah, there it was. That flicker of a distant look in blue eyes, Ryoji’s own memories of Death’s toll on Minato surfacing.

He reached up to cup his face and murmured, “‘Tis my own burden to take on, regardless of toll.” Ryoji’s eyes softened and he tilted his face into the touch. It warmed him for a moment, then Minato pulled himself back to the role, the princess’ wishes. “Would that we could away from this place, live free of burden and expectation and endless oversight. You and I, and the freedom to break the curse and live without risk of separation.”

“I could steal you away in an instant, yet we both know that would only compound the problem,” the vampire said with a sigh. “They would hunt to the ends of the earth to find you, as they should.”

“So sweet your words, yet it is your thorns I covet. I’m no fragile flower to wilt upon being plucked, despite your words. I wish to stay with you and no curse shall dissuade me. If it dissuades you, then we are merely to lift it and I offer my royal blood to purify the corruption.” She leaned close to the vampire, pulling him down. “Remain at my side, free of the taint you abhor so, with my lifeblood your sustenance so long as we both live.”

The vampire shuddered, tightening his grip on her. “You offer much - promises so tempting I fear I may not the strength to resist.”

“Then don’t.”

“Perhaps I won’t…”

His head dipped down beneath Minato’s chin, and Minato tilted his head back to give the illusion of the bite - if Ryoji bit him for real then they were going to have a talk - as Ryoji skimmed his lips down and pressed them to Minato’s pulse.

They were never going to live this down.

Fortunately that was the cue for Aigis the enter the scene as the hunter leapt on stage accusingly and the hero scambled down from the balcony. It was the first of the two fight scenes between the hunter and the vampire while the hero hurried to assist the collapsed princess. The princess swore him to silence of what he’d seen, while the hunter and vampire had a sword fight on the opposite side of the stage.

Minato wasn’t sure how much of their past experience Aigis and Ryoji were pulling into the fight scene but… given his own approach to the play he doubted it was any small amount. So long as they didn’t go overboard it would be fine.

The fight ended with the vampire retreating and a transition to the throne room, where the king was in hysterics about the vampire nearly “kidnapping” the princess, the matron was fussing over her, the guard was pacing and ranting about needing to up the guard rotations, and the hunter was attempting to force them all to be quiet and listen. The hero and princess stood in silence and watched the hysteria - something Minato was relieved about because there was no way he would have been able to remember his lines with everyone shouting over each other like that.

He mostly tuned out the scene until the end, where he had his next lines once again protesting being locked away. This time the princess was overruled, so away she went to the final part of the arc where the vampire broke in to break her out.

There were a couple of scenes in between of the hunter talking with the king determined to catch the vampire and the hero monologing wondering what he should do about the situation - whether he could interfere and help the princess and vampire as a parallel to himself and his own love, even though his own chances of gaining transport to the sorcerer depending upon his defeat of the vampire, what was the right thing to do - and Minato appreciated the break because the last part was going to be the most difficult.

Ugh, projecting.

But the scene arrived regardless, and Minato returned to the dark stage to the room set. The lights came on, and it was time for the princess’ monologue of being trapped in a cage and how she wished to be swept away to freedom - just in time for the vampire to break through the door in order to do exactly that.

Minato had to focus on not tripping, Ryoji’s hand tight in his, as he was pulled up and down the set stairs with the spotlight on them. Realistically, he understood why they had the pointless run around the levels of the set to build tension and portray time passing before going to the opposite side of the stage for the final confrontation in the throne room set.

Practically he really wished they could just run directly across the stage rather than dealing with the stupid stairs.

But he didn’t trip and they made it to the other side of the stage only for the hunter to leap out and confront them, accusing the vampire of stealing away the princess for his wicked ends. It drew the other characters to the throne room as well, each (aside from the hero) with their own accusation for the vampire. The princess tried to protest, but none of them listened and the vampire pushed her back behind him as the hunter attacked him.

Which gave Minato a distinct sense of deja vu, as it had every other time they’d practiced this scene before.

It was different, everything about it was different, and being in their ridiculous costumes should have broken any similarity apart, but…

His words being completely ignored, the flash of white and gold and red of Aigis attacking the black and blue of Ryoji, her dark, narrow glare as he leapt back and his cloak flared out behind him, the flash of her hand sending a bullet flying and Ryoji doubling over and curling inward in pain -

It was as much Minato as it was the princess that lunged forward and leapt between them with outstretched arms and a cry of “Stop!” because memories overlapped reality and they’d been here before-

Aigis stopped short with widened eyes, prop sword resting almost against his chest just as her fingers had over a year before, Ryoji crouched behind him. And it was different - wood rather than sand beneath their feet, a silent audience rather than crashing waves to their left, bright yellow spotlights shining down rather than a green-tinged moon, and it was Ryoji crouching down behind him with a prop sword rather than Thanatos looming over him with a real one but even still- even still-

Minato’s heart pounded in his ears as he told her to listen to him and Ryoji reached out towards him in concern and Aigis wavered a step back with confusion and pain in her expression-

It was an act, they all knew that and were cognizant of that but the unpleasant memories it brought forth were all too real.

The hero stepping in to stop the hunter and explain to the characters in the scene - and the audience a bit - about the situation that had led to this and why the vampire didn’t wish to harm the princess was what broke the immersion of it for them and Minato sank into a kneel beside Ryoji. Originally the script had had the princess standing silently, but Minato had gone through the scene once and come up with a justification for her kneeling beside the vampire as though examining his injury because no matter how many times they did this scene Minato’s knees became no less weak and shaky and he’d rather sit down to regain his composure for a minute after it while the hero’s part of the scene played out.

Ryoji sent him a wan smile as Minato touched his shoulder, hand reaching up to touch his, and Minato would have been worried about them breaking character if the rest of the cast hadn’t told them before that their reactions were perfect for the scene.

(SEES knew them well enough to ask questions though, he already knew it, and he supposed a year and a half was enough time to have passed to finally come clean about what exactly had happened at Yakushima.)

So the hero took main stage for a decent time while everyone else stood in shock before the king collapsed - somehow more dramatically each time, Minato really was somewhat impressed - back onto his throne with a wail that his gentle, beautiful daughter had been hiding such a terrible secret from him.

The princess finally stood once more and declared that she would not stand idly by while a curse took someone who didn’t deserve it, especially when that person was someone she’d come to love so dearly.

(Another difference that still echoed with him - his flat, unmoving declaration to Ryoji in December that they would fight Nyx and he would pull Ryoji from her himself because he refused to do anything less.)

Her words moved the other characters so much that offered to help break the curse rather than attacking the vampire - even the hunter reluctantly helped with her own experience with curses - and there was a short time skip to the king declaring that the princess and the newly-cured former vampire were to be married. The hero was invited but politely declined with the explanation that his own love needed rescuing from the evil sorcerer.

He was ushered away with the utmost speed with the promise that if he rescued his love before they wedding then they both were invited, and given transportation.

Minato was just glad to finally be done and gratefully collapsed onto a bench next to Ryoji and accepted a water bottle.

“Nice job, that was as excellent a scene as usual!”

Minato waved half-heartedly. “Now only two more times through the rest of the weekend and then I can let it go forever.” At least SEES wouldn’t be there for those. Minato yawned, leaning against Ryoji for a quick nap through the final arc of the hero infiltrating the sorcerer’s kingdom, winning the help of several of his unhappy minions, and sneaking his way past the many guards and to the final confrontation to rescue the emperor’s daughter.

It was mostly miscellaneous tasks to earn the help of people in the kingdom, broken up by the occasional dramatic fight, so Minato wasn’t too bothered about missing it. It was standard fairy tale stuff anyway.

The hero finally defeated the evil sorcerer and saved his love to return home and receive the emperor’s approval and permission to marry his daughter. The lights faded out as they shared a kiss, and the audience exploded into applause.

They had one last appearance for the curtain call to bow to the audience, and then Minato was finally free to change out of his costume and back into his regular clothes with great relief. Why were costume dresses so hot?

Granted it was very, very cold outside and the sweat froze to his skin and made him shudder uncomfortably as soon as he stepped out of the building. Ryoji plastered himself to his side in an offer of warmth but that didn’t really help when Ryoji naturally ran cold. Aigis was equally unhelpful, being made of metal. At least he wasn’t hot anymore, he supposed… he’d spent most of his life chilled thanks to Death, so at least he was used to it.

SEES was waiting for them in the courtyard and greeted them excitedly, declaring that they were going out to eat as celebration for the successful play. Junpei slung his arms over Minato and Ryoji’s shoulders cheerfully, teasing them as much as praising them, while Yukari had nothing but praise. Chidori and Ken were talking about the themes of the play while Mitsuru, Akihiko, and Shinji were giving them surveying looks that meant they would absolutely be asking questions once they got back to the dorms. Koromaru was darting circles around them excitedly, clearly having enjoyed the show as well (though how they’d gotten him in was another question Minato wasn’t going to ask. He’d snuck him into the movie theater after all).

It warmed him more than anything else could have, even as he rolled his eyes at Junpei’s teasing.

He never would have volunteered for himself, but… he’d had fun with it despite everything. Which was and always would be Ryoji’s point, he knew. Making memories and having experiences, good and bad, because the end was always closer than one thought and every moment was one that counted.

So as SEES pulled them toward the train and Ryoji’s hand intertwined with his and Aigis brushed against his shoulder Minato didn’t regret anything.

~ ᙙᙖ ~

So this was a lot of fun to write. Plays are fun to script out, even if I had to cut out a lot of the details for times sake. Minato having fun despite himself, and despite the bad memories it brought up. More details about what went down at Yakushima! I’ll probably come back to this and write out the actual event eventually, but until then here’s the gist. It was… a time. But everything turned out for the best in the end, so there’s that.

Bebe and Akinari would have loved this, and I stand by that. If I’d had more time I would have written out a conversation with Akinari’s mom at the end too, but I’ll come back at a later date for clean-up and expansion (like I did for Velveteen Shadows) once I have time.

Guess who ran out of time and pre-written chapters because final projects caught up with me? So tomorrow’s chapter will either be shorter or late, but it will be done and it’ll be a bit of a time skip into Shadow Ops era and exploring how the Persona thing works between them now after spending so long with their souls merged, even if Ryoji is an individual person now.

The final day will be a separate thing, because you can’t give me an afterlife prompt for these two and expect me not to take it. Despite these fluff chapters I’m still an angst writer first and I like writing stuff for my version of The Seal (as long-time readers or anyone familiar with the Velveteen Shadows prompt series knows) so that’s going to be fun too. It just. might be a few days late. because Masters degrees and final presentations.

#ryominaweek2023 #ryomina #persona 3 #ryoji mochizuki #minato arisato #makoto yuki #plays are fun to write #i wish i'd had more time to write it out entirely #i had a whole plot but classwork caught up to me #eventually i'll write out all of the yakushima confrontation #but until then take this #i really do love the relationship between these two and aigis and want to write more of it #this challenge is focused on them though so she'll be a lot more in the extra chapters (when I eventually have time to write them)

9 notes · View notes